1 00:00:34,520 --> 00:00:39,119 Wait when I was a boy, Oh, I mean god man, all 2 00:00:39,200 --> 00:00:44,079 this one a s boy that I was. When I was a kid, 3 00:00:45,280 --> 00:00:51,880 I got my face out and not a biless The Geese say. I wasn't 4 00:00:52,000 --> 00:00:59,359 always a stoom, but when I was, I was a jump. I 5 00:00:59,520 --> 00:01:10,280 had always look cancel ing school and go fill us. I remember roll the 6 00:01:10,480 --> 00:01:19,640 band sis a big member. It feels like someone is stop me and sid 7 00:01:19,040 --> 00:01:29,200 fu my mom ry does your mass side go away? No scene? Down 8 00:01:29,280 --> 00:01:36,840 the Bobby road alive? Do you miss side go away? No? Same 9 00:01:37,159 --> 00:01:59,760 down the Moby road up. When I was at school, did my good 10 00:02:00,159 --> 00:02:04,760 rais? I was yes, still big, no fool. When I was 11 00:02:04,840 --> 00:02:10,280 still young and all I care about crowd was girls. But they did my 12 00:02:10,479 --> 00:02:19,879 mendosus the bees I just don't move before days are crying on the floor. 13 00:02:20,639 --> 00:02:27,120 They used to or me me up my milk money taking. When I was 14 00:02:27,240 --> 00:02:38,479 growing up, I remember the man and the long meels like someone in the 15 00:02:38,639 --> 00:02:47,159 shop. Ain't the same of my mom? I d do you as side 16 00:02:47,360 --> 00:02:57,000 call when sing down the bomb? Roll a live dog as side go w 17 00:02:57,520 --> 00:03:21,000 No sing down bob. You know when I was a boy and my father 18 00:03:21,240 --> 00:03:25,639 used to look down at me and saying, what guy, hell even go 19 00:03:25,800 --> 00:03:30,000 outside and cut some grass. Why don't you go kids a girl? You 20 00:03:30,159 --> 00:04:15,000 stolen loser? Down your name, SI call away, no scene want name 21 00:04:15,600 --> 00:04:47,240 your name side, go away the scene, dannel. Let's taste like whisky 22 00:04:47,439 --> 00:04:54,600 us spell doctor, She says, Look up at the scars. Look how 23 00:04:54,720 --> 00:05:00,959 close thing to me? God, your way back home? That's what he 24 00:05:01,000 --> 00:05:09,120 should do, because I know somewhere there's a porch right now waiting for you. 25 00:05:10,360 --> 00:05:14,680 You gotta tell a good bye, tell her good name, tell a 26 00:05:14,800 --> 00:05:19,560 good boys don't always do right that time. Love, I'm gonna leaves you 27 00:05:19,800 --> 00:05:27,560 in the hall here where is girl like Steve? You devers? Dream not 28 00:05:27,879 --> 00:05:32,279 you home? That in our teen has not time? Love, Gonna leave 29 00:05:32,600 --> 00:05:54,959 you with dol water help with the slim home right now it's just gonna burn 30 00:05:55,079 --> 00:06:00,040 us both see in a few minutes, will be consoles out. We ain't 31 00:06:00,120 --> 00:06:08,079 going home more and I'd like to leave here. We trust a little bit 32 00:06:08,160 --> 00:06:11,839 to lift up my soul. Did I have to do with me what you 33 00:06:12,000 --> 00:06:15,639 will this night? This house for the take care. You gotta tell a 34 00:06:15,759 --> 00:06:20,759 good time, tell a good night, tell the coach drowns junk as to 35 00:06:21,199 --> 00:06:29,000 right, not time ball, it's gonna leave here the moment, well, 36 00:06:29,079 --> 00:06:33,560 it's gone, like Steve were doing little Steve not being wrong. Goddy hour 37 00:06:33,759 --> 00:06:39,360 see house down, time ball come out, wants to leave you. A 38 00:06:39,560 --> 00:07:00,399 don't all it's all My mom's all right now in the moment's long gone. 39 00:07:01,560 --> 00:07:08,920 The murmur reason of your love day is still in. Go home? Hell 40 00:07:09,199 --> 00:07:13,920 mother, what you would do if I turn this car around, hit it 41 00:07:14,040 --> 00:07:16,560 back to your town? And but I I tell to look up after seven 42 00:07:16,680 --> 00:07:21,040 hours at you bab run it an. You gotta tell a good back, 43 00:07:21,639 --> 00:07:27,519 tell a good nay, tell a po people jump about to right. Not 44 00:07:27,879 --> 00:07:34,000 time bull just gonna leave you in the morning. Where let's come back stam. 45 00:07:34,319 --> 00:07:41,439 The tambo's teasing not feel wrong that in our teas, not time all 46 00:07:41,959 --> 00:08:22,040 my time about reason you please for please you in your water bro you are 47 00:08:22,120 --> 00:08:30,959 listening to do w humin h Come in God, don't get so friendly, 48 00:08:31,120 --> 00:09:09,559 madself. Good morning everybody. Here we go. It is that time again. 49 00:09:09,679 --> 00:09:15,320 Matt Connorton unleashed and we are live from the studios of wm NH ninety 50 00:09:15,360 --> 00:09:18,960 five point three FM in glorious Manchester, New Hampshire. Now on Canal Street, 51 00:09:20,000 --> 00:09:22,320 of course, and you can also stream the show if you go to 52 00:09:22,480 --> 00:09:26,759 wmnhradio dot org, or if you go to my website, if you go 53 00:09:26,799 --> 00:09:30,600 to Matt connorton dot com slash live that also takes it directly to the audio 54 00:09:30,679 --> 00:09:33,639 feed, and of course all the ways that you can you can communicate with 55 00:09:33,799 --> 00:09:37,120 us and stream the show and get the archive later if you don't get a 56 00:09:37,200 --> 00:09:41,240 chance to listen live and all that good stuff. We do not have a 57 00:09:41,440 --> 00:09:46,799 Facebook and actual Facebook video feed this morning because the streaming software is not working. 58 00:09:46,480 --> 00:09:52,799 It would not be Saturday morning if something didn't work, so it must 59 00:09:52,840 --> 00:09:56,440 be Saturday. But anyway, but that's all right. Radio is theater of 60 00:09:56,519 --> 00:10:00,399 the mind, and so here we go, and it is, of course, 61 00:10:00,480 --> 00:10:03,919 if I failed to mention the date April twentieth, twenty twenty four. 62 00:10:05,759 --> 00:10:09,519 And we've got a couple of guys with us here from a band who has 63 00:10:09,559 --> 00:10:13,360 been on the show before. And I'm gonna get those get those mics up 64 00:10:13,399 --> 00:10:16,519 for you guys, run like thieves is with us. Let me see here 65 00:10:16,960 --> 00:10:20,639 we're still getting I'm still getting used to the new setup here. Yeah, 66 00:10:20,679 --> 00:10:22,600 and go ahead, Dan Fallon is here, go ahead and say something now, 67 00:10:22,720 --> 00:10:26,320 Good morning, Good morning, Manchester, New Hampshire. You sound great, 68 00:10:28,000 --> 00:10:31,879 and Abe, I've got Abe set up on a mic that we don't 69 00:10:31,000 --> 00:10:35,039 usually use, but it was convenient. And oh no, I do not 70 00:10:35,159 --> 00:10:39,799 hear you say that again. Abe. Oh there we go. We found 71 00:10:39,840 --> 00:10:41,320 you. I found you, thank you? Yes, yes, Abe Hughes 72 00:10:41,399 --> 00:10:46,600 is here as well. And where so where's the running drummer? He's off 73 00:10:46,720 --> 00:10:50,320 running his kids around to basketball games and such. Oh okay, that sounds 74 00:10:50,399 --> 00:10:52,720 kind of important, I guess. I mean, I don't know. I 75 00:10:52,759 --> 00:10:56,279 don't have any kids, so I don't know. Is that like something you 76 00:10:56,360 --> 00:11:01,320 have to do not necessarily I don't have so you don't have to do it. 77 00:11:01,440 --> 00:11:03,440 I don't know. I made the choice a long time. Well, 78 00:11:03,559 --> 00:11:07,639 i'd say I made the choice. Hey, I made the choice when I 79 00:11:07,759 --> 00:11:11,240 was like fourteen. I said I'm never having kids, and I stuck to 80 00:11:11,360 --> 00:11:15,480 it. I'm just getting warmed up. I've got four I need some more. 81 00:11:15,759 --> 00:11:18,679 Oh wow, I do you really have for Yeah? Yeah, but 82 00:11:18,759 --> 00:11:24,320 my youngest is fourteen. Oh okay, and my oldest is a twenty nine, 83 00:11:24,480 --> 00:11:28,480 twenty eighty eight, hold twenty eight. Yeah, I was twenty eight, 84 00:11:28,559 --> 00:11:33,039 so yeah, our grandkid, grandson. I got a granddaughter coming. 85 00:11:33,159 --> 00:11:35,919 Oh wow, bright, congratulations, thank you. But yes, but our 86 00:11:35,000 --> 00:11:39,279 running drummer, that's a really good point. He's running his kids around. 87 00:11:39,399 --> 00:11:45,240 If you, if anybody listening gets a chance to check out that, go 88 00:11:45,399 --> 00:11:50,639 on YouTube and you can see his daughter, Athena's YouTube channel. It's bald 89 00:11:50,799 --> 00:11:54,039 but Beautiful. She has alopecia. Oh wow, and she yeah, she 90 00:11:54,240 --> 00:12:00,000 makes these great really great content. She actually just passed one hundred thousand subscribers 91 00:12:00,960 --> 00:12:05,559 on YouTube. And it's really really fun stuff and interesting and and and just 92 00:12:05,840 --> 00:12:11,000 you know the they're anti bullying too, so you can imagine what kids have 93 00:12:11,120 --> 00:12:13,120 to go through. So it's it's all about that stuff. It's really really 94 00:12:15,240 --> 00:12:18,559 fun, engaging for for people and kids, and it has a really good 95 00:12:18,639 --> 00:12:22,720 message to it. But so it's bald but Beautiful Athena on YouTube. That's 96 00:12:22,759 --> 00:12:26,440 Greg's daughter, one of the people that he's running around today. And for 97 00:12:26,480 --> 00:12:30,279 people who don't know about alopecia, I know what it is because I had 98 00:12:30,399 --> 00:12:33,240 a good friend who had it. But when you essentially you don't have any 99 00:12:33,279 --> 00:12:37,799 hair right, including on top, So it's uh yeah, yeah, yeah, 100 00:12:37,519 --> 00:12:41,000 yeah. I had a friend I haven't seen him in a long time 101 00:12:41,000 --> 00:12:43,039 who had it. And he didn't have you know, no eyebrows, nothing, 102 00:12:43,200 --> 00:12:46,840 just just it's it's really interesting and I can't remember though, is that 103 00:12:46,960 --> 00:12:50,519 something you're born with or does that or does that happen do you know? 104 00:12:50,639 --> 00:12:54,879 I don't really know. Yeah, yeah, yeah, but it's great. 105 00:12:54,200 --> 00:12:56,320 Want to have you guys back. When was the last time? Has it 106 00:12:56,360 --> 00:12:58,000 been a year? No, it hasn't been a year, has it. 107 00:12:58,320 --> 00:13:03,440 No, we came in I want to say December. Okay, it was 108 00:13:03,600 --> 00:13:09,240 before well, it was obviously right after we finally became Run Like Thieves, 109 00:13:09,559 --> 00:13:13,559 which was back in what October November? Wow, that feels like a long 110 00:13:13,639 --> 00:13:18,360 time ago. Yeah, we've been doing a lot outside. Yeah, so 111 00:13:18,399 --> 00:13:20,000 I want to say, like it was like December. I think it was 112 00:13:20,120 --> 00:13:24,559 when we were on the show, because originally our show that's at the Banking 113 00:13:24,559 --> 00:13:28,600 Newhampshire Stage wasn't going to be on January fifth, I believe it was in 114 00:13:28,759 --> 00:13:33,720 it was it was it was rescheduled for single day, mayo, May fifth 115 00:13:33,799 --> 00:13:37,559 coming up, and it was that's right. We wanted to come on and 116 00:13:37,600 --> 00:13:41,480 promote and talk about some of the things we were doing, but it got 117 00:13:41,559 --> 00:13:45,159 snowed out that day. Yep, yep, So we got the best day 118 00:13:45,840 --> 00:13:48,320 of the year, I think, best Sunday of a year that you could 119 00:13:48,360 --> 00:13:50,759 have a concert Sinco day mayo. Oh so it kind of worked out. 120 00:13:50,840 --> 00:13:52,879 Yeah, it worked out in the end. Yeah. So we're back at 121 00:13:52,919 --> 00:13:56,679 the banking New Hampshire stage in the Canoe in the Canton Room, and we're 122 00:13:56,720 --> 00:13:58,559 back here at that. It's amazing. Yeah, yeah, no, it's 123 00:13:58,600 --> 00:14:01,799 great. Great to have you guys back. By the way that I love 124 00:14:01,840 --> 00:14:03,840 that song Teller Goodbye that we opened with. Uh, and I know you 125 00:14:03,879 --> 00:14:07,120 guys are going to play a few live for us, by the way. 126 00:14:07,440 --> 00:14:09,159 Uh. The studio line is open too if if you have any questions or 127 00:14:09,200 --> 00:14:13,600 anything, any comments or feedback for the band. Six oh three two five 128 00:14:13,639 --> 00:14:16,960 oh six oh seven is the studio line. Six o three two five oh 129 00:14:16,039 --> 00:14:20,679 six oh seven. You can also text us at six one seven nine one 130 00:14:20,799 --> 00:14:24,519 seven four four seven six. I'm on social media at Matt Connorton. You 131 00:14:24,559 --> 00:14:26,799 can email me Matt at Matt condorton dot com, and you can even comment 132 00:14:26,879 --> 00:14:31,960 at Matt conorton dot com slash live, so you've got multiple options to communicate 133 00:14:31,000 --> 00:14:33,799 with us during the program. But the best thing to do so that we 134 00:14:33,840 --> 00:14:37,159 can hear and enjoy your dulcet tones. Is give us a call at six 135 00:14:37,279 --> 00:14:41,039 O three two five oh six oh seven. We have two thirds of Run 136 00:14:41,200 --> 00:14:45,559 Like Thieves here with us live in studio. You guys want to play something 137 00:14:45,600 --> 00:14:48,240 for us some dining here you play live? Yes, yeah, absolutely, 138 00:14:48,440 --> 00:14:52,200 We're gonna play a song that we wrote. We've been writing more together, 139 00:14:52,759 --> 00:14:58,039 which is really fun, and so I'll come up with like a dumb idea 140 00:14:58,080 --> 00:15:01,240 and able to usually fix it. So this one's a little bit more interesting 141 00:15:01,279 --> 00:15:05,200 because it started off like one way, like we went through kind of a 142 00:15:05,360 --> 00:15:13,159 temporary like nickelback phase for like a couple of weeks, Like Dan was like, 143 00:15:13,320 --> 00:15:16,279 hey, I want heavier guitars and stuff like that, and we're like 144 00:15:16,600 --> 00:15:20,200 okay, and then it was kind of like not digging this. This is 145 00:15:20,399 --> 00:15:26,120 just too butt rock. And then we still wanted to like rework the tunes 146 00:15:26,120 --> 00:15:28,480 because I don't think the songs are bad. So Dan said, okay, 147 00:15:28,559 --> 00:15:31,759 let's do this one more of a blues style. And then my head like 148 00:15:33,000 --> 00:15:35,679 I just heard like a descending bassline and we kind of turned it into that. 149 00:15:37,200 --> 00:15:41,360 So has a little bit more of like a feeling good or a portoishead 150 00:15:41,399 --> 00:15:45,480 glory Box kind of sound to it. Yeah. Cool. It sounds almost 151 00:15:45,480 --> 00:15:48,960 a little psychedelic when we get to do it together with all the effects and 152 00:15:48,039 --> 00:15:52,679 the band, and it's really I think it might be one of our better 153 00:15:52,879 --> 00:15:58,639 tracks all overall. It seems to be very getting warmly received at live performances. 154 00:16:00,039 --> 00:16:02,840 Cool, okay, and uh we even had a We had a DJ 155 00:16:03,240 --> 00:16:04,799 actually at the last show that we played, and he said I would love 156 00:16:04,879 --> 00:16:07,279 to hear that for an hour, and I was like, you know what, 157 00:16:07,360 --> 00:16:11,879 I would love to play that for now. So you're not gonna get 158 00:16:11,919 --> 00:16:14,360 that right now, though, Matt, because we're playing an acoustic but we'll 159 00:16:14,399 --> 00:16:17,480 do the best we can. So, Okay, before you guys rip into 160 00:16:17,519 --> 00:16:18,720 a two, Dan, can you just strum strum a little for me? 161 00:16:18,799 --> 00:16:25,000 I just want to make sure that we can Yeah that okay, that sounds 162 00:16:25,120 --> 00:16:26,600 nice. And uh, Abe can you do the same. I want to 163 00:16:26,600 --> 00:16:30,919 make sure we got your h your base in the mix. Let's see here, 164 00:16:33,000 --> 00:16:37,879 Oh there we go. Cool, all right. I'll have to kind 165 00:16:37,879 --> 00:16:40,720 of ride the faders as we go because we're live, but we can hear 166 00:16:40,759 --> 00:16:44,879 everybody, so that's uh, that's most of the battle, all right. 167 00:16:44,919 --> 00:16:47,799 Whenever you guys are ready, Run like thieves, live in studio. We're 168 00:16:47,840 --> 00:17:11,200 ready. Sometimes I stand taller, sometimes I cross smaller. You are the 169 00:17:11,400 --> 00:17:22,359 one commonalty. Drink till I stop smiling, Drink till I feel like I 170 00:17:22,519 --> 00:17:33,759 hear. She gotta blieve me how slow? Oh yeah, too much of 171 00:17:33,960 --> 00:17:38,720 a good thing, baby, too much good well, it's bad for me. 172 00:17:40,960 --> 00:17:48,880 Oh oh yeah, you too much of a good thing. Baby. 173 00:17:48,160 --> 00:18:11,359 She's gotta believe me how slowly. Sometimes her thighs run here, sometimes her 174 00:18:11,839 --> 00:18:22,160 kingdom comes there in her rubble. You can just burry somehow. She finds 175 00:18:22,240 --> 00:18:29,680 me when that door shut behind me. She's gotta bleed me how slowly. 176 00:18:32,359 --> 00:18:41,039 Oh yeah, too much of a good thing baby, too much good well, 177 00:18:41,119 --> 00:18:51,119 it's as me. Oh yeah, too much of a good thing baby. 178 00:18:51,400 --> 00:19:25,240 She she's got to bleed me how slowly. Oh yeah, too much 179 00:19:25,400 --> 00:19:30,480 of the good the baby. Too much good well, it's bad for me. 180 00:19:30,359 --> 00:19:38,079 Oh lord, oh yeah, it's too much of the good the baby. 181 00:19:38,359 --> 00:19:49,680 She's's gonna blave me here slowly. Loe. I love it. I 182 00:19:49,759 --> 00:19:52,680 love it. Great job, guys, thank you. That sounds really good. 183 00:19:53,200 --> 00:19:56,400 If you're just joining us, Run like thieves is here with us, 184 00:19:56,519 --> 00:20:00,160 Live in studio two thirds of the band. Anyway, Daniel, we were 185 00:20:00,160 --> 00:20:03,440 talking about off air earlier. You were talking about what happened at the Is 186 00:20:03,519 --> 00:20:07,519 it the New England Music Awards. Yes, we we just well it's the 187 00:20:07,920 --> 00:20:11,119 Battle of the Bands for the New England Music Oh okay, gotcha, Battle 188 00:20:11,119 --> 00:20:15,920 of the band's last band standing New England Music Awards. We just played last 189 00:20:15,960 --> 00:20:19,000 week and it was an interesting thing. You know, we we don't really 190 00:20:19,039 --> 00:20:22,359 do battles to the bands. Yeah, but so it was the first one, 191 00:20:25,200 --> 00:20:26,720 and I don't know that was the first one I did in the last 192 00:20:26,839 --> 00:20:29,759 couple of years. I did one for them a couple of years ago. 193 00:20:29,799 --> 00:20:30,720 Don't know when was the last time we did a battle of the bands. 194 00:20:30,839 --> 00:20:33,920 Last time I did one was with I think East is East back in twenty 195 00:20:34,000 --> 00:20:40,680 thirteen for the f Nice Records. Yeah, but it was that was like 196 00:20:40,720 --> 00:20:44,240 another Boston thing, and that one we did, we made it up to 197 00:20:44,319 --> 00:20:47,079 like fourth place. Eventually we got to play at the Middle East, which 198 00:20:47,160 --> 00:20:49,519 was nice, but we made it fourth place out of four bands. That's 199 00:20:49,640 --> 00:20:59,920 past Saturday, so but we Yeah, it was it was at the Zorba 200 00:21:00,119 --> 00:21:02,799 Music Hall and lowl It was kind of cool, actually nice place, and 201 00:21:03,839 --> 00:21:07,000 you know, it was well done event. All the New England music events. 202 00:21:07,039 --> 00:21:12,440 They're actually going to be in Plymouth soon at at the Edge of the 203 00:21:12,480 --> 00:21:15,640 World Tavern, I think for the last yeo. I'm not sure what day 204 00:21:15,640 --> 00:21:19,839 it is, okay, but yeah, during the set, my guitar went 205 00:21:19,880 --> 00:21:26,319 out within the first kind of minute and that's when I realized how much water 206 00:21:26,440 --> 00:21:32,400 I drank that day, because it all sweated entirely and it must have caused 207 00:21:32,440 --> 00:21:40,279 some type of electrical circuit error on the ground because not only did that the 208 00:21:40,359 --> 00:21:42,880 guitar went out, next thing, you know, the MIC's out and in 209 00:21:44,000 --> 00:21:47,720 the monitor was out for for greg Ard drummer, so he was just kind 210 00:21:47,720 --> 00:21:51,160 of winging it the rest of the gig. He didn't have any monitor. 211 00:21:51,200 --> 00:21:53,319 The only the only thing that actually he could hear was my vocals, poor 212 00:21:53,440 --> 00:21:56,480 guy, and he could near the bass, so that was tricky. But 213 00:21:56,599 --> 00:22:00,960 he really did a really great job. But it was It was a nice 214 00:22:00,960 --> 00:22:03,640 event. The Gray Curtain is the one that won the night and they I 215 00:22:03,720 --> 00:22:08,119 think they deserved it. It was such a unique act. Yeah, amazing 216 00:22:08,279 --> 00:22:15,599 vocals and in a true performance, a true performance, it was very theatrical, 217 00:22:15,680 --> 00:22:18,480 the way the the singer kind of held it down. The band was 218 00:22:18,519 --> 00:22:22,039 amazing. All the bands were great, though, Big Sun Band, there's 219 00:22:22,039 --> 00:22:25,720 some other bands they were. They really were great. The first band was 220 00:22:25,759 --> 00:22:27,400 like a seventies I think it was one of the best battle of the bands 221 00:22:27,440 --> 00:22:30,119 I've ever been to. Really. Yeah, everyone there was top of their 222 00:22:30,160 --> 00:22:33,599 game. Yeah, excellent. Do you remember the first band had a gone 223 00:22:34,160 --> 00:22:40,079 yes, trying to remember the names like led Zeppelin or something like. Yeah, 224 00:22:40,079 --> 00:22:41,720 they were. There were definitely like a throwback kind of band, like 225 00:22:41,759 --> 00:22:47,839 a led Zeppelin Albon Brothers trio thing going on. But it was. It's 226 00:22:48,000 --> 00:22:52,720 nice and I love that the organization because they the New England Music Awards. 227 00:22:52,799 --> 00:22:56,279 They do all kinds of stuff. They have great events, but they you 228 00:22:56,359 --> 00:23:00,000 know, the publicity that they try to help you with is it really gets 229 00:23:00,039 --> 00:23:06,720 your name out there. And when I had started playing out again doing original 230 00:23:06,799 --> 00:23:08,960 stuff, that's the first place that said, hey, we got a gig 231 00:23:10,039 --> 00:23:11,319 for you that type of thing if you want to participate. Oh wow. 232 00:23:11,400 --> 00:23:15,480 Yeah. So John Fleming, Lindsey Vaughn, the people that run a really 233 00:23:15,480 --> 00:23:21,720 great people and it yeah nice. Nice the opportunity to network with other musicians 234 00:23:21,759 --> 00:23:25,880 and things like that. Yeah, it's It's interesting though too. It's interesting 235 00:23:25,960 --> 00:23:30,000 to be around the other bands at those type of events because I feel like 236 00:23:30,079 --> 00:23:37,720 we're the most senior. I think I'm the only granddad. Yeah, yeah, 237 00:23:37,759 --> 00:23:41,759 yeah, Well it was also good because it's nice, nice to see 238 00:23:41,759 --> 00:23:45,359 what the younger kids are doing. Yeah, I can say younger kids now 239 00:23:45,440 --> 00:23:48,160 too, I'm hurtle as Henry Rollins would say, I'm hurtling towards forty. 240 00:23:49,400 --> 00:23:53,079 But yeah, so, and what was weird was still doing a lot of 241 00:23:53,119 --> 00:23:57,480 the same stuff. There was basically metal bands, there was weird art bands, 242 00:23:59,079 --> 00:24:02,680 and there was punkin reggae bands. Good to see. Yeah, so, 243 00:24:02,880 --> 00:24:04,400 like I didn't hear anything like I was hoping to hear like one band 244 00:24:04,440 --> 00:24:07,880 that just like did something completely new and amazing and awesome, which I didn't 245 00:24:07,880 --> 00:24:11,240 see. But like I said, everyone there was top their game. They 246 00:24:11,279 --> 00:24:18,319 weren't slouches. All of them came and prepared. They were really talented musicians. 247 00:24:18,200 --> 00:24:21,119 A lot of the battle bands or even just you know, when I 248 00:24:21,240 --> 00:24:23,000 was doing regular shows, there was usually like one or two bands that you 249 00:24:23,079 --> 00:24:26,799 could just tell, like the bass player is just the guy from the local 250 00:24:26,880 --> 00:24:32,599 gas station that they taught like three notes too, and he doesn't care about 251 00:24:32,759 --> 00:24:34,759 like progressing any He just like, I just need to know the root notes. 252 00:24:36,119 --> 00:24:38,079 That's it. And none of the bands were like that. Everyone seemed 253 00:24:38,119 --> 00:24:42,240 to, you know, really care and that's it's good to see like the 254 00:24:42,319 --> 00:24:47,000 younger crowd still going out there and doing that and being into it. Yeah, 255 00:24:47,240 --> 00:24:51,319 so rock and roll isn't isn't going anywhere. It's where it is. 256 00:24:51,599 --> 00:24:53,799 You know, you get that feeling every now and then, especially going out 257 00:24:53,839 --> 00:24:57,000 a lot, you kind of wonder, like, WHOA, what's happening right 258 00:24:57,240 --> 00:25:00,880 the music? But it was it was I was really just like abes that 259 00:25:00,960 --> 00:25:07,920 I was really happy to see the level of professionalism and young young just really 260 00:25:07,039 --> 00:25:11,599 excellent musicians top of the game. I thought a bunch of them were they 261 00:25:11,640 --> 00:25:15,200 could have been hired studio musicians. Yeah, these kids, Yeah, they 262 00:25:15,240 --> 00:25:19,000 were really really great. But it's fun to it's just fun to do that 263 00:25:19,079 --> 00:25:22,839 stuff and to run into people and then make contacts and you know, you 264 00:25:22,960 --> 00:25:26,799 make you know, ten friends that day and then they're you know, they 265 00:25:26,880 --> 00:25:30,039 already reached out. A bunch of them reached out you know, for other 266 00:25:30,720 --> 00:25:33,079 for things, to collab or to do a show with them. We want 267 00:25:33,119 --> 00:25:36,000 to do a show with us, make sure you know whatever you know? 268 00:25:36,279 --> 00:25:41,240 Yeah, yeah, but are we a little old for you know what? 269 00:25:42,759 --> 00:25:47,079 Oh yeah, that's that is one of our singer that was singing with us 270 00:25:47,160 --> 00:25:51,640 for a lot of the cover gigs was twenty one or something, and uh 271 00:25:52,000 --> 00:25:55,680 and she's great and she was really great. But I definitely got that feeling, 272 00:25:55,799 --> 00:25:59,920 like, especially like the song selection, like I don't feel old, 273 00:26:00,200 --> 00:26:02,839 and you don't feel old, and we do anything, We'll play anything. 274 00:26:03,720 --> 00:26:07,759 But at the same time, you know, maybe like not knowing led Zeppelin 275 00:26:07,640 --> 00:26:11,640 right right, kind of weird. You're like, oh god, David Bowie, 276 00:26:11,839 --> 00:26:18,160 you know what journey you have to cover? You know that song that's 277 00:26:18,200 --> 00:26:22,599 in that movie? Oh that's y Yeah, you know it's kind of you 278 00:26:22,680 --> 00:26:25,319 know so, uh yeah, it's kind of weird, you know, but 279 00:26:25,920 --> 00:26:29,359 it's good to I don't think I'm never gonna I don't I'm never gonna stop. 280 00:26:29,519 --> 00:26:32,119 Yeah, I am old. I got like I'm sitting here with my 281 00:26:32,240 --> 00:26:36,559 knees all messed up from trying to jog. That's a bad idea. Jogging's 282 00:26:36,599 --> 00:26:38,440 a bad idea. I don't care what anybody says. It's dangerous for your 283 00:26:38,440 --> 00:26:44,160 health. Does your drummer know this. He runs, he doesn't jog. 284 00:26:44,240 --> 00:26:47,039 Yeah, he's okay. I was gonna say, you're gonna have an intervention 285 00:26:47,160 --> 00:26:52,000 with him. He does like a five minute miles like a lot of the 286 00:26:52,079 --> 00:26:55,720 times he'll do in for like these distances, he'll do like five six minute 287 00:26:55,759 --> 00:26:57,759 miles. Yeh, I'm on a sixteen minute mile, right, yeah, 288 00:27:00,119 --> 00:27:06,160 them lucky. Well, what's the rush exactly? You know, enjoy enjoy 289 00:27:06,279 --> 00:27:10,359 the treadmill exactly, you know exactly. Yeah. Yeah. And this week 290 00:27:10,440 --> 00:27:15,559 I stopped drinking alcoholic just just yeah, just just just to see what would 291 00:27:15,599 --> 00:27:18,279 happen. But yeah, boy, do you notice a change already? Wow? 292 00:27:18,400 --> 00:27:23,039 The sleep is a lot better. Good. And and I I'm a 293 00:27:23,160 --> 00:27:27,839 lot worse than I realized when I'm performing it was much you know, it's 294 00:27:27,880 --> 00:27:33,319 like you're much more aware. Yeah, but you know it's it's you know, 295 00:27:33,440 --> 00:27:36,079 it's everything else. It's time in its place just right now, it's 296 00:27:36,119 --> 00:27:38,319 just time to stop, you know. Good for you. Yeah, trying 297 00:27:38,359 --> 00:27:44,319 to trying to bolster some kind of self awareness in those instances. And it's 298 00:27:44,440 --> 00:27:48,960 very interesting. Yeah, but after a few days, the first one was 299 00:27:48,160 --> 00:27:52,599 rough, really yeah, and everybody wants to buy drinks like, hey, 300 00:27:52,640 --> 00:27:55,599 you want want some, you know. And then second one was a little 301 00:27:55,640 --> 00:27:57,759 bit easier. And thanks to my boys over here too, because they totally 302 00:27:59,160 --> 00:28:04,400 awesomely sort of and in u but yeah, but you know, I didn't 303 00:28:04,400 --> 00:28:07,759 realize it was gonna be that, no kidding, no kidding. And then 304 00:28:07,759 --> 00:28:11,319 people are buying you drinks and then you just you know, I appreciate it. 305 00:28:12,039 --> 00:28:15,599 I noticed. Wait, staff doesn't say that guy isn't drinking anything. 306 00:28:15,680 --> 00:28:19,039 They say what they the people, I want to buy him a marguerite or 307 00:28:19,079 --> 00:28:23,759 something, or buy him a shot, and they always they always add to 308 00:28:23,880 --> 00:28:27,200 the until like you know, you see like a couple of beverages at the 309 00:28:27,240 --> 00:28:30,200 table that are supposed to be for me, but I'm not drinking them, 310 00:28:30,240 --> 00:28:33,880 you know, And yeah they just added to somebody's check. Yeah, yeah, 311 00:28:36,160 --> 00:28:38,640 exactly, so that but you know, no, good for you though, 312 00:28:38,680 --> 00:28:41,240 that's awesome. It's hard, isn't it hard? Yeah? Next thing 313 00:28:41,319 --> 00:28:44,640 is ice cream. I'm gonna try to give that up at some point, 314 00:28:44,720 --> 00:28:48,200 so we'll see what happens. It'll be tricky. It's always good to give 315 00:28:48,240 --> 00:28:52,160 stuff up, replace it with something else, you know, more interesting, 316 00:28:52,359 --> 00:28:53,839 give it a shot. That's what when I do. Uh, I don't 317 00:28:53,839 --> 00:28:56,200 know if you know this about me, I'm a hypnotherapist. Yes, and 318 00:28:56,480 --> 00:28:59,799 and one of the things that we try to do in a session is replaced 319 00:28:59,839 --> 00:29:03,240 what the bad habit is, which is usually smoking. That's what I that's 320 00:29:03,400 --> 00:29:04,880 the clients I get the most is people want to quit smoking. But we 321 00:29:06,000 --> 00:29:08,160 try to always replace something bad with something good. So that way, it's 322 00:29:08,200 --> 00:29:11,039 not like you're giving something up, you're just replacing it with something else. 323 00:29:11,400 --> 00:29:15,839 Just the something else happens to be something positive for you. You know, 324 00:29:15,000 --> 00:29:18,759 like you're not smoking anymore. Instead you're eating celery and carrots, and you 325 00:29:18,880 --> 00:29:22,839 know what do you what do you think you could do for like sugar? 326 00:29:23,400 --> 00:29:26,319 Oh yeah, that's stuff's easy. Yeah. And anything that's habitual, you 327 00:29:26,400 --> 00:29:30,519 know, like whether it's smoking or eating junk food or anything like that, 328 00:29:30,039 --> 00:29:34,079 that's that's easy to U attack with hypnosis. Yeah, that'd be interesting. 329 00:29:34,119 --> 00:29:37,000 I'd love to, you know, sit with you. Maybe we'll talk after, 330 00:29:37,480 --> 00:29:41,000 I'll after the show. We could figure out something. I'd love to 331 00:29:41,119 --> 00:29:44,519 give it a shot. Yeah. Yeah, it's very difficult for me for 332 00:29:44,599 --> 00:29:48,480 some reason. I don't I just love food. Yeah, No, I 333 00:29:48,559 --> 00:29:52,480 hear you, I hear you. Yeah, we should uh hear the doorbell 334 00:29:52,559 --> 00:29:57,200 ring. It's funny, all right, well it is. Uh, it's 335 00:29:57,200 --> 00:30:00,599 already nine thirty's. I want to hear another song. You guys want to 336 00:30:00,640 --> 00:30:03,079 play another one? Yeah, yeah, we do. We're gonna play our 337 00:30:03,240 --> 00:30:07,240 song. Oh yes, yes, yes, I like this one very much. 338 00:30:10,279 --> 00:30:12,400 If you're just joining us. We have two of the members of Run 339 00:30:12,519 --> 00:30:15,880 Like Thieves here with us live in studio. Dan and Abe are here with 340 00:30:17,039 --> 00:30:18,880 us, and uh, we'll get those Mike's back up for you guys. 341 00:30:21,079 --> 00:30:27,200 See if the guts and get the bass up there. Oh, there we 342 00:30:27,319 --> 00:30:33,119 go. These guys are performing live for us today, which is very very 343 00:30:33,160 --> 00:30:37,640 cool. Coming up in the second hour, Fox and the Flamingos are gonna 344 00:30:37,640 --> 00:30:40,519 be here too, and they're also gonna play with us live, so that'll 345 00:30:40,519 --> 00:30:42,160 be nice. Yeah, we were. We're so glad to be back, 346 00:30:42,240 --> 00:30:45,519 Matt. Thank you very much because the the show at the Bank of Champshire 347 00:30:45,519 --> 00:30:48,400 Stage is a big deal for us. Yeah, and it's gonna be really 348 00:30:48,640 --> 00:30:52,839 interesting for people because it's gonna be it's absolutely gorgeous. The Canton Room. 349 00:30:53,079 --> 00:30:56,559 Have you been up there yet? It's beautiful. I have, believe it 350 00:30:56,640 --> 00:30:59,000 or not. I haven't actually been in there. It's really nice, really 351 00:30:59,079 --> 00:31:04,039 yeah, and uh, it's gonna be very kind of stripped down kind of 352 00:31:04,359 --> 00:31:10,559 band set for us. We are rocking, like even though we're so freaking 353 00:31:10,640 --> 00:31:14,400 old, we're jumping around. We definitely feel it. I was asking at 354 00:31:14,519 --> 00:31:15,720 one of those I was like, did you feel like because we were jumping, 355 00:31:15,920 --> 00:31:22,880 Yeah, a very you know, physical and me too, but and 356 00:31:22,119 --> 00:31:26,599 uh, I was feeling it. But this one's very gonna be stripped down 357 00:31:26,680 --> 00:31:30,400 and we're gonna be kind to be able to interact with people. It's an 358 00:31:30,440 --> 00:31:33,680 early show, which is really nice too. So you know, we started, 359 00:31:33,880 --> 00:31:38,160 we'll probably start right at six six fifteen, and it'll be over early 360 00:31:38,240 --> 00:31:41,920 so people can kind of go home or they can go out and enjoy the 361 00:31:41,960 --> 00:31:44,039 rest of the night. But it's gonna be really fun get to know the 362 00:31:44,079 --> 00:31:48,559 band a little bit more in a in a in a relaxed kind of environment. 363 00:31:48,759 --> 00:31:52,000 Yeah, there's a lot of coaches and all the shows that I've seen 364 00:31:52,000 --> 00:31:56,160 people sit this close to the whole band. Yeah, it's really really nice. 365 00:31:56,240 --> 00:32:00,119 Yeah, a nice little, nice little bar. Maybe I'll have a 366 00:32:00,200 --> 00:32:07,160 drink that night. I'll see how you know you're good? But this song 367 00:32:07,279 --> 00:32:13,720 is Tennessee and uh, just wrote it and it has some meaning to us. 368 00:32:13,799 --> 00:32:19,039 But we were the like I came with this idea and then it was 369 00:32:19,160 --> 00:32:22,160 kind of crazy, and Abe and and Greg were like, actually, let's 370 00:32:22,319 --> 00:32:27,640 let's bring this down to a place where it's it's, uh, what kind 371 00:32:27,680 --> 00:32:30,519 of approachable. I didn't. I don't know. It kind of had this 372 00:32:30,759 --> 00:32:35,160 kind of wacky kind of thing going for it, and and it's it's it's 373 00:32:35,240 --> 00:32:40,880 been kind of well received. Actually I sent it to a just because of 374 00:32:40,880 --> 00:32:46,400 the name is Tennessee. I sent it to a Tennessee tourism uh company, 375 00:32:46,519 --> 00:32:50,640 see, and they wound up using it. Really was really cool. Yeah, 376 00:32:50,920 --> 00:32:55,000 yeah, that's awesome, very very cool. But hopefully this is the 377 00:32:55,160 --> 00:33:00,839 I detuned this guitar to mimic the seventh string, no kidding. Okay, 378 00:33:01,119 --> 00:33:06,240 well, well this will be a this is an acoustic first for this journey. 379 00:33:06,279 --> 00:33:07,480 All right. I think I'm in the right tuning, I hope. 380 00:33:07,519 --> 00:33:12,920 So we'll see. We'll see what happens if the guitar drops out. Don't 381 00:33:13,279 --> 00:33:20,880 it's not the micro it's not that electrical issue. Good right, Yeah, 382 00:33:20,920 --> 00:33:37,599 all right, so she sticks a clue bruse them in the ocean breaking California, 383 00:33:37,279 --> 00:33:51,920 son tell lies, expos loves bare pale devotion, Hellelujah. Here she 384 00:33:52,319 --> 00:34:12,519 came, watches me Watch she need tell us see mm hmm what she need? 385 00:34:14,880 --> 00:34:30,440 What she need? Tell us? See take my hole lie bym living 386 00:34:30,599 --> 00:34:43,239 for them, break this vicaly um for my soul and her nom. We 387 00:34:43,480 --> 00:34:57,559 gotta leave hell of New Yem. Here she come what you need? Watch 388 00:34:57,679 --> 00:35:37,079 she need? Tell us? Watch your need, watch your need us look 389 00:35:37,280 --> 00:36:01,519 here yo here see come watch your need watch she'll need it this tennessee sit 390 00:36:04,880 --> 00:36:27,599 watch Let's see what's it? What's d what? What's you? Watch? 391 00:36:27,719 --> 00:36:43,559 You tell Let's see? Hell. Oh that is fantastic. I love that 392 00:36:43,719 --> 00:36:46,199 song. That song. Great job, guys. If you're just joining us, 393 00:36:46,239 --> 00:36:51,199 we have Dan Fallon and Abe Hughes from the band Run Like Thieves, 394 00:36:51,280 --> 00:36:55,159 a lot of us in the studio this morning on Matt Connorton Unleashed and these 395 00:36:55,199 --> 00:37:00,880 guys, these guys sound great. I'm trying to make everyone's mic is on 396 00:37:00,000 --> 00:37:05,159 here, Okay, still getting used to the new the new setup here on 397 00:37:05,599 --> 00:37:07,400 on Canal Street. By the way, if you're just joining us, so 398 00:37:07,480 --> 00:37:12,119 we've got a packed show today. Of course. After after these guys, 399 00:37:12,199 --> 00:37:15,360 we have Eric Pilter's Classic film review and this week the subject is the Orson 400 00:37:15,440 --> 00:37:21,239 Wells classic The Third Man. And then after that Fox and the Flamingos are 401 00:37:21,280 --> 00:37:23,119 going to be performing live in studio with us, and then in the third 402 00:37:23,159 --> 00:37:25,760 hour we have the Whole Loaf. Uh, they're coming in. We have 403 00:37:25,880 --> 00:37:29,840 some studio tracks from them that we're going to feature. So lots going on 404 00:37:30,000 --> 00:37:34,079 today, and uh, do you guys want to you guys want to go 405 00:37:34,079 --> 00:37:37,159 ahead and play play another one because you wanted to do three? Right. 406 00:37:37,239 --> 00:37:49,559 I'm dying to hear more. You guys sound fantastic. So a lot of 407 00:37:49,639 --> 00:37:55,760 time the h I'll write a song and it will stink and they'll give me. 408 00:37:57,079 --> 00:38:02,480 The guys will tell me like right about this kind of uh you kind 409 00:38:02,480 --> 00:38:07,239 of give me something to write about, you know, write about give you 410 00:38:07,280 --> 00:38:09,440 a direction to write about. And this one was like just kind of writing 411 00:38:09,480 --> 00:38:14,440 about doing all the doing all the shows, you know, and okay, 412 00:38:14,519 --> 00:38:17,679 and that's what that's what it is. And this is this is our first 413 00:38:17,719 --> 00:38:59,840 time playing this acoustic too. Oh nice, So uh m hm mm hmmmmm 414 00:39:00,079 --> 00:39:14,639 mm hmm mmm mmm mm hm Burning Road again where it spoke, can see 415 00:39:14,719 --> 00:39:24,800 the signs eye m wanna feel the same burning tell it die m h feeling 416 00:39:25,000 --> 00:39:35,199 light ding, got it been mine? Don't be the wing. Well, 417 00:39:35,800 --> 00:39:44,079 all eyes upon you keep me on that stage, felting neck, you in 418 00:39:44,159 --> 00:39:51,920 her hand and a glass of light. Now, Paul, eyes upon you, 419 00:39:52,239 --> 00:39:58,320 keep me on that stage. Maybe gotta tell the truth, tell the 420 00:39:58,440 --> 00:40:22,440 truth. Maybe what you're gonna do on the road again? Feel that losing 421 00:40:22,559 --> 00:40:31,039 that I don't feel no pain, but uh feel you anything? He's it 422 00:40:31,199 --> 00:40:39,360 a real mind lost in a dream again. I can't feel that wheel, 423 00:40:39,719 --> 00:40:49,039 but I ain't a sleep again. Well, all eyes upon you, keep 424 00:40:49,159 --> 00:40:55,159 you on that stay fever is the lucky I am? And a glass of 425 00:40:55,280 --> 00:41:02,760 light that when all lies upon you. Well, the keep you on that 426 00:41:04,079 --> 00:41:08,199 stage, and maybe you tell the truth, get to tell the truth that 427 00:41:08,360 --> 00:41:40,320 you can't do. You're gonna tell the truth. Mm we hear that road 428 00:41:40,400 --> 00:41:47,880 again? We hid it fast and hard like you don't feel a stinger. 429 00:41:50,719 --> 00:41:58,239 I'm praying, Oh my God, keep me on the ground. Nothing left 430 00:41:58,320 --> 00:42:08,159 to be. He's I'm found though, Mark than me said, all upon 431 00:42:08,400 --> 00:42:22,559 you on that stake fell right hand and just a glass of light down as 432 00:42:22,840 --> 00:42:29,199 upon you ge me on that stage. You gotta tell the truth. You 433 00:42:29,280 --> 00:42:35,000 gotta tell the truth, gotta tell the truth. Maybe tell the truth. 434 00:42:38,199 --> 00:42:42,199 I love it. I love it. Run like Thieves is here with us 435 00:42:42,440 --> 00:42:45,880 live in studio on this Saturday morning. You guys sound great. What's that 436 00:42:46,000 --> 00:42:49,559 song called again? Tell the Truth? Tell the truth? Really really good, 437 00:42:49,719 --> 00:42:52,840 really good. By the way, I'm just curious. This might be 438 00:42:52,880 --> 00:42:57,760 a little bit of a nerdy question, but playing with a slide on your 439 00:42:57,800 --> 00:43:00,960 pinky like that? Is it difficult to because I'm watching you solo. Does 440 00:43:01,039 --> 00:43:05,199 the slide ever get in the way when you're soloing like you do? It 441 00:43:05,320 --> 00:43:10,199 does? Okay, Yeah, it's it's it's don't try this at home, 442 00:43:10,239 --> 00:43:14,039 but try it at home a lot before you Yeah, yeah, yeah, 443 00:43:14,039 --> 00:43:19,000 and this is it was Abe actually was suggested we did the song this morning, 444 00:43:19,199 --> 00:43:22,880 and I would I would use maybe a brass a thinner slide for this 445 00:43:23,039 --> 00:43:29,440 guitar, So so many different considerations. Yeah, but this is the one 446 00:43:29,480 --> 00:43:30,960 that I had with me, so I was like, you know, we're 447 00:43:30,960 --> 00:43:32,559 going to do it with this one to be Yeah, but yeah, actually 448 00:43:32,599 --> 00:43:37,800 a lot of the gigs, I'll bring the lap steal too, So okay, 449 00:43:37,159 --> 00:43:40,480 to make it a little bit more, just give it a little of 450 00:43:40,599 --> 00:43:45,280 that kind of swaggy blues edge and sometimes it's just it's just a couple of 451 00:43:45,400 --> 00:43:51,079 notes with the slide just adds so much to it. Yeah, it's also 452 00:43:51,840 --> 00:43:53,119 well, I mean, I'm sorry if your MIC's down a little bit. 453 00:43:53,199 --> 00:43:57,400 There we go. And it's also you know, you want to make sure 454 00:43:57,440 --> 00:44:00,480 that the audience always has like something they don't normally see, right, So 455 00:44:00,639 --> 00:44:04,559 like having little things for production value, having you know, a slide, 456 00:44:04,599 --> 00:44:07,239 that slide guitar that's in front of you that adds a different texture to something, 457 00:44:07,360 --> 00:44:10,800 just visually gives you something on the stage. Little things like letting that 458 00:44:10,920 --> 00:44:15,079 makes a big difference when people go out, I mean, like their time 459 00:44:15,159 --> 00:44:19,000 is precious. You want to make sure that they're seeing something they don't normally 460 00:44:19,079 --> 00:44:22,360 see or you know, definitely make sure that like you show them that you 461 00:44:22,440 --> 00:44:24,440 put time into it and stuff. Yeah, yeah, yeah, definitely. 462 00:44:24,519 --> 00:44:29,519 Yeah. Yeah. It's a lot of fun too. So it's just it's 463 00:44:29,559 --> 00:44:34,440 fun to you know, have that interaction and and then people talking what's going 464 00:44:34,480 --> 00:44:37,159 on over there right right? You know. But it's a great question though, 465 00:44:37,519 --> 00:44:40,800 and the lap still you use a different type of slide. There's a 466 00:44:40,840 --> 00:44:45,920 couple that I have yeah, depending on but they they are really interesting. 467 00:44:46,079 --> 00:44:50,920 Like the hand position. You can actually do bends if you practice a lot 468 00:44:51,320 --> 00:44:53,559 where I don't have the pedals, like I'll try to mimic what a pedal 469 00:44:53,599 --> 00:44:57,599 steel does. Oh okay, and it just sounds so cool. It's like, 470 00:44:57,679 --> 00:45:00,360 oh, it sounds really really good. Yeah. I've got a dough 471 00:45:00,480 --> 00:45:07,159 bro for like the acoustic stuff too. Yeah, and that's something that's really 472 00:45:07,199 --> 00:45:12,159 fun. So they translate really well. But there's definitely different, different technique. 473 00:45:12,159 --> 00:45:15,719 This guitar is a little low for slide too, so it definitely bangs 474 00:45:15,760 --> 00:45:21,719 into stuff. So yeah, yeah, this the other the other different depending 475 00:45:21,760 --> 00:45:24,000 on what we're doing. I'll you know, use a different guitar for it 476 00:45:24,079 --> 00:45:28,559 that has a little bit of a raised area and it just sings a little 477 00:45:28,559 --> 00:45:30,559 bit better. Yeah slide so okay, Yeah, it's fun. Yeah, 478 00:45:32,679 --> 00:45:37,280 the time goes quick. I want to make sure we remind everybody what's coming 479 00:45:37,360 --> 00:45:40,599 up, So the big show. Do you have anything before the May fifth 480 00:45:40,679 --> 00:45:45,360 show or no? Right now, we've just got the May fifth show coming 481 00:45:45,440 --> 00:45:47,559 up, which we're putting a lot of time and effort into. So once 482 00:45:47,559 --> 00:45:52,519 again May fifth at the Bank of New Hampshire, stage in the Canton Room 483 00:45:52,599 --> 00:45:58,599 upstairs, six o'clock. Tickets are about fifteen bucks. Okay, okay, 484 00:45:58,719 --> 00:46:04,199 if you go to our Run Like Thieves or any of our Instagram's apes, 485 00:46:04,320 --> 00:46:07,400 Gregg's Mind, Dan Follen Music, Apu's Music, Greg the Running Drummer or 486 00:46:07,440 --> 00:46:13,760 The Running Running Drummer Stantinia, Yeah, yeah, it's Greg's, Dan Fallen 487 00:46:13,840 --> 00:46:19,239 Music, Apu's Music, Running Drummer Santini Run Like Thieves, you'll see the 488 00:46:20,280 --> 00:46:22,400 the ticket link and you'll see your links to your show too, so yeah, 489 00:46:22,440 --> 00:46:25,280 yeah, excellent. Yeah. I noticed to you you'd posted our last 490 00:46:25,320 --> 00:46:29,199 interview on YouTube, which is very cool. Yeah. I wish everyone did 491 00:46:29,239 --> 00:46:30,599 that. I wish all the guests would do that, but nobody ever thinks 492 00:46:30,639 --> 00:46:34,880 of it. You know something that we were talking about this and we really 493 00:46:34,960 --> 00:46:39,719 want to thank you very much for all that you really do for promoting I 494 00:46:39,760 --> 00:46:45,760 mean, you're you're really kind of out there on you know, in in 495 00:46:45,960 --> 00:46:49,360 in a in a field alone with how much stuff you do to promote music 496 00:46:49,440 --> 00:46:52,360 and local acts, and this is such an enormous passion for us, so 497 00:46:52,440 --> 00:46:57,760 we really appreciate everything that it's you know, Matt connorson Unleashed and then all 498 00:46:57,800 --> 00:47:01,880 the other links we followed, how often you posted just that interview and all 499 00:47:01,880 --> 00:47:06,119 the different spots. It was really great. I really appreciate it. Oh 500 00:47:07,320 --> 00:47:08,440 yeah, thank you very much. Well I have a lot of help too, 501 00:47:08,440 --> 00:47:10,880 you know, Jenny, she she does all the booking now, which 502 00:47:10,960 --> 00:47:15,480 is great and h you know, and of course we have this beautiful radio 503 00:47:15,559 --> 00:47:17,039 station here at WM and H ninety five point three to do this in. 504 00:47:19,159 --> 00:47:20,760 So uh, you know, so I have a lot of help. But 505 00:47:20,800 --> 00:47:22,079 I appreciate that, thank you. Yeah. Yeah, well, you know, 506 00:47:22,119 --> 00:47:24,400 it's a it's a passion of mine. And you know, I know 507 00:47:27,039 --> 00:47:29,480 when I think when I first met you a but it was at the beginning 508 00:47:29,519 --> 00:47:32,000 of Local Outbreak, right, yeah, back when Jonas started Local Outbreak. 509 00:47:32,079 --> 00:47:37,000 Yeah, you were kind of doing the podcast thing. Yeah. Oh yeah, 510 00:47:37,000 --> 00:47:40,000 I'm on your own. I'm a podcasting o G. Yeah. Too 511 00:47:40,039 --> 00:47:45,400 bad. I didn't get famous like all the other podcasting OG's. But there's 512 00:47:45,400 --> 00:47:47,760 still time. Yeah, but no, it's true. Yeah, I was. 513 00:47:47,880 --> 00:47:51,800 I was. I was doing it. Geez, I started podcasting and 514 00:47:51,960 --> 00:47:55,760 like two thousand and four. Yeah, like I said, I I got 515 00:47:55,800 --> 00:48:00,840 in early. I just didn't parlay it into you know, I'm not Joe 516 00:48:00,960 --> 00:48:04,719 Rogan. You know what I mean. I didn't far Land into something huge, 517 00:48:04,800 --> 00:48:10,880 but yeah that's okay, well we we yeah, but no, but 518 00:48:12,199 --> 00:48:16,159 thank you guys. I appreciate that so much and we appreciate thank you, 519 00:48:16,320 --> 00:48:21,239 thank you. And May fifth for you guys, and yeah, everybody should 520 00:48:21,440 --> 00:48:23,800 follow you online. And I love what you're doing. Oh I would be 521 00:48:23,840 --> 00:48:28,920 remiss too if I didn't ask before we wrap up any anything new coming as 522 00:48:28,960 --> 00:48:32,559 far as studio material, So not not yet. I actually I am going 523 00:48:32,599 --> 00:48:38,559 to have some solo stuff coming out. I'm recording next week with the New 524 00:48:38,559 --> 00:48:45,199 Hampshire So the New Hampshire Music Collective, John MacArthur, Revertangle, Brad Merrick 525 00:48:45,800 --> 00:48:50,400 are the ones that book this uh gig in promoting the gig, the Bank 526 00:48:50,440 --> 00:48:53,800 of Hampshire Stage gig on May fifth, and many others many they're just amazing, 527 00:48:54,599 --> 00:48:58,280 amazing, the New Hampshire Music Collective, amazing people to work with, 528 00:48:59,599 --> 00:49:07,599 excellent and professionals. And they they have put another event together. It is 529 00:49:07,719 --> 00:49:10,519 kind of a solo thing, but but it's at the studio in Portland, 530 00:49:10,880 --> 00:49:19,360 Okay, and and they're doing some very high production video and audio. So 531 00:49:19,440 --> 00:49:22,920 I'm gonna do I'm gonna do a couple of our our songs and and another 532 00:49:23,599 --> 00:49:25,679 something I don't know. I don't know what I'll do. I get to 533 00:49:25,719 --> 00:49:29,679 think of something, you know, just to kind of keep it going. 534 00:49:30,000 --> 00:49:34,400 But as a band, not not just yet. We're kind of in that 535 00:49:34,559 --> 00:49:39,000 stage where we're kind of redefining where we want to go. And it's it's 536 00:49:39,119 --> 00:49:43,239 it's tricky because we do a lot of gigs and we'll do like a lot 537 00:49:43,280 --> 00:49:45,960 of cover gigs and and things, and but it's coming, it's coming together. 538 00:49:46,000 --> 00:49:52,400 I don't know. Like the last couple of directions, especially with like 539 00:49:52,559 --> 00:49:57,559 that you put us in a it sounds really real. It's interesting, you 540 00:49:57,639 --> 00:50:00,679 know, and uh, it's it can be confusing, like which way do 541 00:50:00,679 --> 00:50:05,239 you want to go? Right? And like I was, I was thinking 542 00:50:05,280 --> 00:50:09,559 we're going to be new metal for for a day. There where gonna be 543 00:50:12,320 --> 00:50:15,679 yeah, yeah, Nickelback, you know, and the and then more country. 544 00:50:16,480 --> 00:50:19,960 I do love the kind of country. I love the Americ kind of 545 00:50:20,320 --> 00:50:22,920 stuff a lot. I really I really take it, you know. But 546 00:50:23,159 --> 00:50:27,440 uh, you know, that's so it's interesting to see where you're gonna go 547 00:50:27,480 --> 00:50:31,440 with a bunch of different people so much it's so enriching. It's it's challenging 548 00:50:31,519 --> 00:50:36,800 too to work with people, especially like you know, if I'm kind of 549 00:50:36,920 --> 00:50:39,400 just off doing my own thing, it's kind of it can be challenging because 550 00:50:39,440 --> 00:50:46,239 you have to you you you constantly humbled because reality is it's better this way 551 00:50:46,400 --> 00:50:50,360 or that way, and and uh, it's it's like, oh wow, 552 00:50:50,400 --> 00:50:53,280 that's interesting. So you learn to trust the guys that you're with, which 553 00:50:53,360 --> 00:50:58,039 is really great. It's great to be able to and they know they have 554 00:50:58,159 --> 00:51:04,360 to they have to help help the I'll go off on it different without even 555 00:51:04,400 --> 00:51:07,840 realizing it, right right, I'll I'll be singing like in a British accent 556 00:51:08,039 --> 00:51:12,599 or something. I don't know if I freaked you guys out, I'm probably 557 00:51:12,800 --> 00:51:15,079 I can't freak them out now. But when we did a bunch of Saint 558 00:51:15,079 --> 00:51:17,039 Patrick's Day gigs, I'm like, like, we get booked early for Saint 559 00:51:17,079 --> 00:51:21,519 Patty's. Oh, but we go I go hard with the Saint Patty's stuff. 560 00:51:21,639 --> 00:51:27,199 You know. Yeah, sounds like I'm going to my Dublin roots there, 561 00:51:27,280 --> 00:51:30,639 you know, right right, Yeah, that's cool, that's cool. 562 00:51:30,880 --> 00:51:32,519 Well, listen, guys, we got to we got to wrap up the 563 00:51:32,599 --> 00:51:37,719 segment. But again, thank you both so much, Dan Fallon and Abe 564 00:51:37,800 --> 00:51:42,519 Hughes from run like thieves and we will do this again and don't forget May 565 00:51:42,599 --> 00:51:46,079 fifth at the Canton Room in the Bank of Bank of New Hampshire, State 566 00:51:46,159 --> 00:51:51,199 Bank of New Hampster. All right, very very cool, all right, 567 00:51:51,320 --> 00:51:53,280 so much, Thank you guys, Thank you guys, and plenty more to 568 00:51:53,360 --> 00:51:58,480 come. We've got Fox and the Flamingos coming up next. Thank you. 569 00:52:47,800 --> 00:52:58,880 Quick on my beega. I'll take a just give taking out the neighborhood. 570 00:53:00,119 --> 00:53:05,679 Yeah, I always have to know that they say no to ust Okay for 571 00:53:05,880 --> 00:53:10,119 yoursel I'll hit you with a ladle until that or anything you should know lock 572 00:53:10,199 --> 00:53:19,800 about and feel away to you. If everybody's feeling feeling any I don't know 573 00:53:19,960 --> 00:53:27,920 what do you think? I know you want something Fox for you go gonna 574 00:53:28,000 --> 00:53:32,920 steal a shirt. If you're asses all the farm, you'll stay a hot 575 00:53:34,000 --> 00:53:55,559 heaven. There's a box all thes like go danger the boch you mean she 576 00:53:55,719 --> 00:54:02,480 stayed as danger. Anything you say cannot thank yous against you staving you your 577 00:54:02,639 --> 00:54:10,239 body. This k okay for your soul and I'll hit you with the middle 578 00:54:12,159 --> 00:54:17,880 anything you God got my mother and son await please send anybody's still able to 579 00:54:17,960 --> 00:54:31,119 see you anything. I don't know what do you thinking from steal a show 580 00:54:34,159 --> 00:55:34,760 as to something around the part. I'm gonna still your hot Eavan couch dying, 581 00:55:39,760 --> 00:56:37,480 dying but not so love. You may not know me, but I 582 00:56:37,639 --> 00:56:49,760 have a feeling we're gonna be friend friends and me may bee strangers was going 583 00:56:49,840 --> 00:57:00,519 on so dead, never guess he will hide me if you do not who 584 00:57:00,760 --> 00:57:15,519 is inside? And I'm high as a I don't worry on my stay if 585 00:57:15,559 --> 00:57:23,760 we can the fat pad die? Tell me why can theyt it to something? 586 00:57:23,880 --> 00:57:49,519 But they got they go and die. Can you see the side I'm 587 00:57:49,679 --> 00:58:02,119 enjoying? Di it liver mo time on my own time. I'm not so 588 00:58:02,679 --> 00:58:09,440 exactly but it is, But that's all right. Am I omitting life? 589 00:58:15,320 --> 00:58:22,320 All my strangers? He went from las to water that life. Tell me 590 00:58:22,559 --> 00:58:31,920 why connected to something? And they go? They're going? Can you see 591 00:58:32,000 --> 00:59:22,039 a side? I can't hurt my smile. This moment in down's the best 592 00:59:22,159 --> 00:59:31,480 of head in a world. I can't hurt my smile, this moment in 593 00:59:31,800 --> 00:59:55,880 time, it's the best of a wild an that is the can this moment lit