Illuminate you come he God, don't get so matself. Good morning everybody.
We are live, truly, Yes, we are live. Wow, this
does sound different. Welcome. It is that time. Matt Connorton unleashed.
We are back live from the studios, the brand new studios of w M
n H ninety five point three FM, Inglorious Manchester, New Hampshire. And
we will talk about that in a moment. But I am not alone this
morning. Jenny is here of course, of course. Good morning, Darling,
Good morning. This is gorgeous. What's up? I love it?
Yeah, yeah, So we're in the We are in the brand new studio
here of w M and H at our new location in Canal Street, and
everything is new and clean and really nice. So so we've been gone for
a little while. This show has been gone for for a bit, you
know. We had the holidays and then of course we had the big move
to the new location and uh, somewhere in there, I had COVID after
it for nearly three years that I that I know of. I mean,
I'm vaccinated, so I probably did have it along the way and didn't know
it, but it finally got me. It put me down for a few
days. But yeah, so you know, I'm fine. Now obviously that
was that was during the holidays, that was that's how I spent my New
Years unconscious. But uh, but it is true, it is true.
But yeah, so we are in the new location on Canal Street and uh
yeah, really nice. But if the show seems a little if I seem
uncertain at any point, I'll just throw that disclaimer out there, it's because
we're in new environs. But really happy to be back. Of course,
while I was here last night for Retro Spectrum Radio with poly C we were
broadcasting and that went really well. And if you didn't, uh, if
you didn't hear the show, of course, you can get it in the
archive at w m n hradio dot org. You can go back and listen
to it. But uh so this is uh, this is great. It
sounds everything sounds a little bit different of course in the new studio, and
we have some new equipment and sounds really good in the headphones though. It
definitely it definitely does. Now did you request the sound panels to be read?
I can't, no, but notice they're at your favorite. Yeah,
we have the panels in the studio, some of them are red, some
of them are gray. Red is my favorite color, so I do like
it. These are my high school colors. I do like the red.
Yeah, no, it looks. It looks really good in here. Everything's
everything's really nice. So we are of course broadcasting from wmn H ninety five
point three on your FM dial if you are local in Manchester. We changed
physical locations, but the frequency is the same ninety five point three. And
of course you can stream it. You can go to WMNH Radio dot org
and click listen live. And of course you can go to my website,
Matt Connorton dot com for all your live streaming options. That's another way to
get there. We are not on Facebook this morning. I thought we were
going to be so damned this thing. So last night for Retrospect Radio,
we weren't able to be on Facebook. We tried, but Facebook was being
glitchy. I don't think it has anything to do with any of the technology
here in the studio. I think it's just Facebook being Facebook. So then
Peter White was here this morning to let us in and help us get set
up for our first show in the new place, and he was able to
get on. He had no problem getting logging into Facebook to broadcast, but
then when I went to do it, it won't let me do it.
I'm having the same issue that Paul was last night. So Facebook being Facebook.
But you can of course stream the show online at Wmnhradio dot org.
Or of course, like I said, you can go to my website Matt
connorton dot com and get to it that way too. That will take you
to the link so you can stream it. You can stream it on your
computer, on your mobile device wherever your heart desires. And of course,
like I said, if you're local here in Manchester, you can get us
at ninety five point three FM. A little bit of just another thing too
about today's show. You know, since we moved to Saturday mornings, we've
been doing very busy, very stacked shows. You know, we're here for
three hours on Saturday, and you know, a lot of guests. You
know, we try to have like a different a lot of musical guests.
We try to have a different musical guest each hour and so forth. Today's
show is a little more laid back, actually a lot more laid back again,
just because we're in the new studio. I wanted to keep it kind
of light this morning, so as we get used to our our new environment
here. So we do have guests coming in in the second hour, looking
forward to that. Uh, but first hour it's just Jenny and I and
we're going to We're gonna be having my old friend Derek Smith, who uh,
well, we'll we'll talk about how Derek and I know each other when
when he gets here, and I think he's gonna have one or two other
people with him because tonight at the Mosaic Art Collective, it's collective, right,
correct. I always want to say studio, but no art collect the
Mosaic Art Collective. There's a fascination. Yeah, there's a show there tonight,
Abner the Second and it's a bit yeah who has been on the show
who played live in studio. He uses a viola and does looping. Yeah,
really really cool. Yeah, what what he does is quite unique.
And also a band called Regals is going to be there and we're going to
play over the course of the show. Today, we're going to play a
little bit of music from both of those artists. But they're going to be
playing tonight at the Mosaic Art Collective and Jenny and I are going to that
we uh, that'll be the second time that we've been there for a show.
Plus we went to that event about it, Yes, about AI.
They do a lot of things there. Well we'll get into later, but
yeah, yeah, that was really interesting we did. We went there to
talk about AI in art, which is creeping into every aspect of art.
Actually. Yes. Oh and Melanie has decided that you must be in phase
book jail and it's all your fault. Uh yeah, yes, by the
way, Uh yeah, so that uh so we'll be uh we'll be talking
to uh talking to some people from there today on the show, and we'll
get into some other stuff too. But the phone line is open. The
studio line is open if you are listening live, so give us a call.
Six O three two five O six oh seven six O three two five
oh six O seven is the studio line. You can also text us at
six one seven nine one seven four four seven six. I'm on social media
at Matt Connorton. You can hit me that way and if I see it
during the show, I will read your comment or inquiry. Of course,
you can email me anytime Matt at mattconnorton dot com. But uh, the
best thing to do so that we can here and enjoy your Dulca tones is
give us a call six O three two five O six O seven six O
three two five oh six O seven. Uh, let's see. I'm trying
to think if there's any anything else I wanted to mention now that we're back.
Actually, yes, I am now officially taking bookings. Yes are actually
yes, so time slots are actually filling up fairly quickly. So if you
are wanting to guest on the show and share your creations, just get me
in touch with me. And how how can they do that? Um,
telepathy won't work right, Nope? Like oh I want smoke signal Nope.
Alright, Well then I guess they'll have to email me at gen Coffee sixteen
at gmail dot com. J E N N C O F F E Y
sixteen at gmail dot com. When William from Sepsis was here the last time,
he mentioned something about New England telepathy. But I don't think that's really
a thing. Now, wait a minute, how dare you disparage New Englanders?
You are one? No, I'm saying New England telepathy. I don't
think that's real. Now, of course it is. Telekinesis perhaps app No,
what do you think it is that makes everybody's memories go away? When
when they right before the first snow, and then when the first snow hits
they've all forgotten how to drive? What does that have to do with telepathy?
It's meant it's connection. Yes, it's all over New England. It's
it's yes, absolutely, I'm telling you by the way, we are all
connected in England. We did play a Sepsis song ope in the show today
to played Romance and Reality, their newest single, and of course we played
our Unicycle, the radio edit from Jerry and the Scumbags, a band that
is particularly near and dear to my heart. Let me give the studio line
one more time. Six o three two five six seven six three two five
six seven. Uh we do we? Sorry? What? Oh? Lots
of Yes, Yes, I spoke to them yesterday. You were very excited
that we were bringing in the peeps again. Yes, the peeps, the
peoples. I uh some interesting music news. Oh yes, are you familiar
with this older lady. She goes by the name Madonna. Madonna, she's
named she's named after the mother of our lord, you know. But uh,
but she also Okay, the reason I make that reference is because I
cannot. I can't whenever I think of Madonna, of course, I'm talking
about Madonna the musical artist. Whenever I think of Madonna, I I immediately
think back to uh when when we were kids, and uh church Chat was
a recurring sketch on Saturday Night Live, the church Lady played by Dana Carvey
and and the uh the guest one week was Sean Penn, and Sean Penn
at that time was married to Madonna, so that you know, the church
lady says something about you're married to a woman who named after our Lord or
something like that. So that's that's what I when I think of whenever I
think of Madonna. No Madonna, of course, the musician who was popular
in the nineteen eighties and has had a lot of plastic surgery. You know,
when I think of her, I think of bruss Oh, the Cones,
yes, the Cones, the Crown. Yes. Well, apparently she
is being sued. This is from you know, I like the BBC because
they don't I don't know, I feel like they do a better job than
a lot of American media just in general. But you can find this anywhere.
Of course, if you just google Madonna. But the BBC reporting Madonna
sued by fans in New York over late concert start time. Have you ever
heard of such a thing? I have not. These these Madonna fans revolting.
They're very upset that she started late. Well there's late, and then
there's holy crap, there's no more public transport. I mean, well,
that's true, and that is a problem in New York City. Now I
have to assume that none of these people have ever been to a Guns n'
Roses concert, because you don't know when Axel Rose is going to finally emerge.
Oh, I think he's gotten better in his old He's actually gotten better
about gone two hours though, like, has he gone to Axel Rose?
Oh? There are stories really yeah. But but but from back back in
the day, as I think the young people say, no, I think
he's gotten a lot better about that. Now. I don't think he does
that now. But when he was, when he was younger, Yeah,
he just he'd make he'd make them wait. But h So this is what
Now, by the way, this is not a large scale sort of class
action lawsuit. It says here two Madonna fans are suing the singer for being
late by more than two hours for a show last month in New York.
According to court documents, they state, the show is meant to start at
two thirty Eastern, which would be I'm sorry, well that threw me off.
It's written as twenty thirty Eastern, which would actually be, of course,
at eight thirty pm Eastern time. It's the BBC. They do things
all British on all three nights, but in each case it did not begin
until after twenty two thirty, which would be ten thirty, ending around one
am. The case says they quote would not have paid for tickets unquote had
they known it would finish so late. The BBC has asked Madonna, Live
Nation and the Barkley Center for comment. The case, brought by Michael Fellows
and Jonathan Hadden, states that quote, many ticket holders who attended concerts on
a week night had to get up early to go to work and or take
care of their favorite family responsibilities the next day unquote. They're assuing promoter Live
Nation and venue the Barkley Center for quote false advertising, negligent misrepresentation, and
unfair and deceptive trade practices unquote. Fellows and hadden't attended the show on Wednesday
thirty the uh again, it's the BBC. Everything's written weird. Let me
December thirteenth. I'll just give you the date. Well, the way this
is written, it literally says Wednesday English. Right, Well it may be
the Queen's English. But you know, listen, can I just say this.
You know here in America we speak American. That's it. We speak
American. So this is difficult for me to read this this way. This
is why. Let me also just add this, Okay, this is a
perfect example of why we thought the Revolutionary War. Really we don't usually we
don't get political on this show anymore, but I just want to throw that
in. This is why, because of because because of the way this is
written, we thro tea Because this is written they attended the show on Wednesday
thirteen, December twenty twenty three. That's how it's written. That's how they
apparently in the BBC, by the way, is in Wednesday thirteen a band
on the right, So that's confusing to me. Yes, they do date.
Yes, yes, the legal documents note that other nights at the same
venue on fourteen and sixteen December. That's how it's written. Also, reportedly
started more than two hours late. The document says, quote defendants failed to
provide any notice to the ticket holders that the concerts would start much later than
the start time printed on that ticket and as advertised, which resulted in the
ticket holders waiting for hours unquote. The court papers also say Madonna quote has
a long history of arriving and starting her concerts late, sometimes several hours late.
Unquote. I didn't know that. So she's just like Axel Rose,
citing examples including quote her twenty sixteen Rebel Heart Tour, her twenty nineteen twenty
twenty Madam X tour, and prior to hers, where Madonna continuously started her
concerts over two hours late. Quote. This is a problem. This is
a she's she's an habitual offender. Looking to our British brothers and sisters.
They're reporting in the I have no I just own them. I'm very upset
about this whole thing with the dates. Oh so that's stop. The Guardian
is reporting that this is not the first time she's actually been sued over being
late to her concert. In twenty nine and twenty twenty, she was sued
by concertos who felt scorned by her lack of punctuality, well score, Yeah,
I love the British writing. Well, I mean it is uh,
it is rude. It's rude, well you know, and in all fainness
it is. I mean, if you're if you're expecting to get out of
a concert at like ten eleven o'clock at night, when the trains are still
running and the buses is still running or whatever, and you're gonna get home
whatever, you know, But if you're getting out at one o'clock in the
morning and these same services are no longer available in the overnight hours, which
is what some of these people are talking about, the people who got like
kind of trapped to figure out on how to act to get home. M
hm oh yeah, yeah. No in a city like New York, Yeah,
that's obviously it's a really good reason. That's a huge issue. I
mean, it's not like it's something bad, like if you've got an accident
or plane got late, something that's beyond our control, understandable. But if
it's just because you feel like it, are you know, you're that diva.
No, not just on York side, I'm on their side. Yeah,
any any metropolitan area where you're depending on public transportation, Yeah, that's
going to cause a real problem for you, if you know. I mean,
it's it hasn't happened to me, but I've known people, you know,
who go to shows in Boston that for some reason run ridiculously late,
and then they you know, and then they have trouble getting getting on the
subway. But then you also, if you're a parent, this is your
your out. You've got to You've got a babysitter at home who's got school
the next day, expected to be home at eleven o'clock at night, I'm
less, and they're not getting out of the venue until one am. Yeah,
I'm a little less sympathetic to that argument, only because, well only
because you know, I mean, the transportation issue is is something is one
thing, but you know, you kind of I mean, it is kind
of baked into the cake that if you're going to a concert, you're you're
gonna you're gonna be late. You just don't expect to be, but you
don't you don't want to be so late that you can't get home. No,
I don't know. I don't wire you against the parents. I'm not
against it. I just said I'm less sympathetic to that argue. You have
any You see, you don't have any idea how hard it is as a
parent. I don't to get time off, to get tickets, to get
a babysitter, if you've got pets, whatever it is, get all of
these things lined up so you can have those couple of hours out. Well,
most people, when they hire babysitters, there are other kiddos who got
to go to school the next day, and you can't be sending them home
at two three o'clock in the morning. Well, this is time to get
home. This is the entire reason why I never wanted to start a family,
why I have no children of my own, and I decided at a
young age I have no I have no interest in being a father, specifically
because if I ever I knew I knew from this is something I understood about
myself from a young age. If I ever wanted to attend a Madonna or
a Guns n' Roses concert, the children were just going to drag me down,
because then I'd have to be worried about, you know, the babysitter
getting home for them. So I said, you know what, I just
can't have kids. What was that did you? What was that sound?
Did you hear that it sounded like a train horn track. It actually did.
Yeah, maybe it was. We are on street level now, like
that's true. Well, that's exciting. We have a crazy cool new building.
Yes, and you know what, we can see stuff, but the
people outside can't see it. So you can make like silly faces and they
won't see you. Says here. The plaintiffs are suing for unspecified damages.
This is not the first time fans have expected I'm sorry, I've objected to
the singer being late for her shows, and in twenty nineteen, a fan
sued over a delay for a US show, but he voluntarily dismissed the case
a month later, according to ABC News. In the same year, Madonna
had shared a post of her live on stage in which she told fans,
quote, there's something you all need to understand, and that is that a
queen is never late unquote. Oh my, so that's such a so when
she graces us with her presence in her own time, because she's the queen.
Thanks, Madonna's sold out qua tonight myself I can be lead everywhere now.
Her sold out Celebration tour was a Greatest Hits show, including more than
forty songs from her career to celebrate the fortieth anniversary of her breakout single Holiday,
playing venues including the US, Canada, and Europe. The singer had
a health scare. I'd forgotten about this. She had a health scare last
summer after she was found unconscious in her New York apartment in June and rushed
to the hospital, where she received treatment for a serious bacterial infection. She
later said she was lucky to be alive and postpone the start of the tour
from July to October last year. See, now that's different. That's way
beyond her control. Sure, you know, don't die. We want you
to play. Not die. That is beyond her control. But the simply
be late, offer no explanation anything like that. Yeah, you just screwed
up a whole bunch of I mean, how many thousands of people were there,
right, you know what I mean? And it's a week night.
See it's a weeknight. Really kicks me because it really messes up everybody.
Uh huh. But this is a good example too of why. And this
is advice that no one will probably take, but you should. If you're
gonna buy tickets to to a show, And there's another reason why I say
this. You should always before you buy those tickets, no matter how excited
you are, just do some quick light research so you know exactly what you're
getting into. There's an element of buyer beware to this, and I'll tell
you what I mean by that. So somebody like, see, I didn't
know this about Madonna. I just knew it about guns and Roses because of
Axel Rose. But you know, but I've also never been interested in seeing
Madonna live. So uh, but you know, you want to know at
You kind of want to know what you're getting into because if it's if it's
an artist who is notorious for being late, you you know, if it's
going to be a problem for you potentially, like if you have kids and
you know you've you've got a babysitter and you've got to be home at a
certain time, you know you're you're gonna want to know that before you buy
those tickets. Especially I assume she's charging outrageous sums of money, because all
major artists do. But the other reason I I there's an unrelated reason that
I always say this to people too, that has nothing to do with punctuality.
There are a lot of if you're seeing you especially see this with classic
rock bands, seventies you know, rock bands, Eighties rock bands, and
and I suppose at this point some nineties bands as well. You know,
if you're going to see a band and you're someone who is concerned about who's
knowing who's actually in the band, for example, or you know, are
they are, how how are how are they doing on stage? Are the
shows good? Or are they stumbling out there addled with drugs and alcohol or
whatever? It's it's worth well, but it's me that is their issue back
then if you call back then sure, so if you were going to that
concert, you knew, you knew what to expect back then. And yeah,
now they're all pretty clean, I think, but much to not be.
Yeah, you get to a point where you can't do that anymore or
you'll die. But but the reason I say this is there's a lot of
bands now and and some people get upset and they don't realize what they're getting
into. So I'll just give you an example. If you say foreigner,
this is a perfect example. Say foreigner is touring. If you're someone who's
particularly concerned about who's actually going to be on stage. There's so many examples
of this, but Foreigner is a great example. If you're someone who's concerned
about who's actually going to be on stage when you go to see them.
Is it going to be any semblance of the original lineup, the one you
grew up with, the one that you love. Is Lou Graham going to
be singing? Spoiler alert? He is not Kelly Hanson I think has been
singing for Foreigner, probably for at least two decades now, longer than Lou
Graham was ever even in the band. You know you're gonna want to do
some it'll take you two minutes. Just do some quick light research before you
buy those tickets. If you're someone who is concerned about that. Now,
the average consumer I don't think cares. But let me just tell you,
if you go to see Foreigner, there's nobody in that band on that stage
who is an original member at this point. Even what's his name? Is
it Mick Jones? I always get to get the name wrong. I did
not know this. The guitar player. It's the guitar player's name something Jones
is. I feel like it's Mick Jones, but I'm not sure Anyway,
the the guitar player in Foreigner actually now manages the band, and he doesn't
he doesn't even want to be on stage, the original guitar player. Yeah,
yeah, he So he's still he's still part of the band, but
not on stage. He runs the band. He acts as tour manager,
but he but he lets them go out on stage and perform. He doesn't
want to perform anymore. But right, but he's still you know, so
he's still making that money. Interesting thing. A number of years ago,
Foreigner went on a tour with Cheap Trick, but Cheap Trick's management insisted that
the guitar player had to actually participate in a certain percentage of the shows.
Oh, they wanted at least one original Yeah. Yeah. Things like that
happen when in what was it, two thousand and four or two thousand and
five, when Kiss and Aerosmith did their co headlining tour. They Aerosmith actually
closed out every show. Kiss was on first and then Aerosmith, so they
weren't really co headlining because you know, whoever goes on last is truly the
headliner. So really Aerosmith was the headliner and Kiss was the opener. They
called it a co headlining tour because they're both like that. But the thing
is, so dare you say such thing? Well, the thing is,
though Aerosmith management, when they put that deal together, they had leverage because
Aerosmith had all five original members, whereas Kiss had a different guitar player because
Ace Frehley had left the band again, so they had Tommy Thayer on guitar.
So when they were putting the deal for the tour together, which Doc
McGee, the manager of Kiss who's still the manager of Kiss today, he
really wanted that tour. He really wanted that tour, so he agreed,
you know, okay, so Kiss will open all the shows. We're gonna
call it co headliner. They're going to play the same amount of time,
but Kiss is going to open every night because Aerosmith had had all five original
members and Kiss only had three of the four original members. So Aerosmith had
that leverage. But I'm just saying, if you're someone who because you know,
every once in a while, I'll see people online. Oh I went
to see such and such band and I didn't even recognize anybody on the stage.
I can out first do some light research. There are there have been
instances where this is something I'd have to do a little deeper research to really
get into the subject in depth, but we'll do it on a future show
because it is a fascinating subject. I think there was a point where remember
the band La Guns. Yes, the Ballad of Jane was like their big,
massive hit, but they had a few other hits. Oh, that's
right, Edgewise open for La Guns right right right over there, right right,
because we're on Canal Street now, so right across the street at Jewel
that's right. I forgot about that. There was a point where there were
two versions of La Guns touring at the same time, one with Tracy Guns
and one other version with I think the singer, and it was yeah and
and of course and well that's crazy. Yeah, you know now he is.
You have to be a deep fan to know which concert to go to
or like, whose side are you on. That's why I tell everybody if
if it matters to you, if it matters to you, And like I
said too, you know, to the average no clue, to the average
concertgoer who just likes going to a concert, they probably don't even care.
And that's what the industry depends on. That's what these these bands who do
this, that's what they depend on. You don't care who's in the band,
so it doesn't matter, and everybody's replaceable. But if you do care,
do the research. And and to kind of circle back to the Madonna
thing again, you know it's going to be the real Madonna, unless it's
an AI version of Madonna or something. But do the research. If you're
concerned about what time you're going to be getting out of that venue, do
the research. I don't think it's going to be too far that we're not
look at it, look at it? Is that AI? Is that not
AI? I mean, isn't Kiss supposed to be setting up something like that?
The avatars? Yeah, that's all. It's basically it's AI. Yeah.
So yeah, we may welcome to the twenty second Center. Twenty first
No, not yet, Okay, No, I have to say, though
I love living in my jestsine world, I really do remember your kid,
you've watched that stuff. Now now we have it, we can come on
yet all right, I don't have my car and suitcase yet. I'll give
you that. I'll give you that, but I do have the screen come
up and somebody there and we can Yeah. Yeah, but uh, I
don't know why. I mean, I don't know how this lawsuit is gonna
end up. But I assume, you know, just uh, just refund
their money, right something. You would think that hopefully nothing really really bad
happened because of this, right. There's a huge difference between getting out of
a venue around eleven o'clock and getting out at one am. There really is
a big difference between them. Yeah, and I don't blame people for being
upset if there was no good reason, given it doesn't sound like they any
reason. Well, if something happened in her defense, I mean, she
had that post from a while ago when she said, you know, she's
the queen. Yeah, that's not good enough. She's never late. Yeah,
no, that's Queen Latiza shows up on time and she is the queen
of course. Yeah. Yeah, no, no, I don't. I
don't think that's good enough. No. I think you owe your fans something
when they're gonna come spend all that money to come see you and spend money
on all your march. I wonder if she sings live, can you imagine
standing well for me, it would never happen. I could have never if
you had seats that were a ground level. Everybody's standing or your no seat.
What if you're on the floor, there's no seat, you're standing there,
and you're spending over two hours on your feet before you even get to
see a show. No better be a good show. I couldn't do that.
I would have to leave. Do you think she sings live or does
she lipsing? Of course I wouldn't be her non seated because she probably still
dances around, right, she probably can't sing live anymore? Does her face
even move? Have you seen her? Have you seen her? It's awful.
Have you seen how strange she looks. I'm just saying because she's she's
had all that. I mean, she looks weird. A lot of she
looks very strange. A lot of people seem to enjoy plastic surgery in a
way that it's psychologically addictive. Yes, I believe that. Yeah, oh
yeah, no, it definitely is. Yeah. Then you're staring at yourself,
always looking for flaws. I hate that. I hate that it makes
people do that. I suspect what happens is beautiful people have they get the
plastic surgery, and then they're they're not happy with the result and they probably
it becomes like, you know how if you know how if you're addicted to
uh well, addicted to anything, if you're addicted to drugs, and you
get into that, Okay, just one more fix, just one more fix.
Or if you're addicted to video games, you know, just one more
game, just one more game, and then we're gonna put down this controller.
I think I think it's the same thing. It's probably probably the same
thing with plastic surgery. You get plastic surgery, and then you thought it
was going to make you look so much younger and it doesn't, and then
you go, all right, I'm just going to get one more surgery,
just one more surgery, just this, yeah, just that, yeah,
and then you end up like and then you end up like Kenny Rodgers.
Like remember, like in the last ten years that he was still alive,
he looked like a different person, Like he had a different face because you
know, he just kept getting plastic surgery. And it can be pretty addictive
to people, you know, but I'll never shame somebody for doing it.
But you know me, personally, I love imperfection. I think imperfection is
the most beautiful thing in art everything. I like when I make scarves and
things. There's always something maybe a stitch got dropped and I pulled it back
up, or one's a little tighter than the other. That's part of what
makes it special and unique is that each one has its own and that's what
I like about art. I don't want it to be. If I want
something perfect computerized, well that I can go to a computer. But if
I want something that's that has passion in it, or emotion or feeling whatever
it is that I'm looking at, I want those imperfections. It's what makes
them beautiful. Uh. Six O three two five six seven is a studio
line six O three two five six seven. If you'd like to chime in
on anything. Hey, Uh a separate story just briefly, but uh,
because we have guests coming in in the second hour. But uh, this
is story on the Verge dot com, which is a great site. Uh.
TikTok can generate AI songs, but it probably shouldn't, it says here.
TikTok has launched many songs that have gone viral over the years, but
now it's testing a feature that lets more people exercise their songwriting skills with some
help from AI. AI song generates songs from text prompts with the help of
large language model Bloom. Users can write out lyrics on the text field when
making a post. TikTok will then recommend AI song to add sounds to the
post excuse me, and they can toggle the song's genre. Quote. It's
not technically an AI song generator, the name is likely to change and it's
currently in testing at the moment. Unquote. Barney Hooper, spokesperson for TikTok,
excuse me, send in an email to the Verge. Quote. Any
music used is from a pre saved catalog created within the business. In essence,
it pairs the lyrics with the pre saved music based on three genres,
pop, hip hop, and edm unquote. The feature was first spotted last
week. AI song doesn't seem to be available to everyone yet, but some
TikTok users have already begun experimenting with it. The results so far are not
great. Many are out of time despite the availability of auto tuning vocals.
There's an exam we'll hear from user Jonah Manzano, who created a song that
somehow tried to make the word comedy have more syllables than it needs. Another
user I would play these, but I don't know if there's any bad language
in them. Another user, Christy Lalani, sort of recreated a Britney Spears
song, but again with severely out of time vocals. I'm curious to hear
those AI generated songs, however, are not new to TikTok. The now
infamous AI Drake and the weekend song Heart on My Sleeve gained virality on the
platform. Bad Buddy also criticized people for listening to an AI sound alike posted
on TikTok. TikTok is not the only platform to lean into generative AI features
for its users. YouTube began testing a music creation functionality that lets users make
songs from either text prompts or a hummed tune dream track, allows for thirty
second snippets in the style of other popular artists. To be more sparent,
TikTok rolled out other features that help identify AI created content on the app and
updated its rules requiring users to be upfront about using AI in their content.
So hey, we should mention too you you've been posting videos on TikTok and
doing quite Oh, let me unmute your mic there and doing quite well.
Yeah, that's not the weirdest thing. Like, I just really haven't put
a lot up there. But yeah, I mean, shoot, one of
my videos is over thirty three hundred. Yeah, yeah, but there's quite
a number of them that are well over a thousand, actually a lot more
than I realized now that I'm looking at it. Yeah, I only just
recently started playing with TikTok and it seems like a fun space. Yeah,
Rocky say on there. Oh, our friend Rocky Hubert yeh, TikTok channel
on there. He does very well. Yeah, he does a lot.
It's interesting that you just get these little small snippets of things. But it
is addictive when you talk about addiction. It is addictive because you can sit
there and just scroll in video video video. It's very easy to go down
that rabbit hole and stay there. But it's also really cool to see snippets
of other people's stuff I've got, So it's yeah, it's a rabbit hole
that you can enjoy but try not to disappear into. Well, that's the
thing, I mean, the addictive nature of it. And again that you
know, as we were just talking about a few minutes ago, a psychological
addiction, it's kind of what they're counting on in a way, right,
I think that's part of the business model, is that you'll get hooked in
and you know, and that's true of any platform really, not just you
know, there's a lot of talk these days about how social media people become
addicted to it, but really, anything anything that you do online, any
website, if it's a blog, side, if it's anything, well it's
perfect for it. They want to keep you there as much as they can.
Well, when these and the fact that their snippets actually helps that it's
a small moment of time and then you're onto the next, on to the
next. Right when you watch a video, you might get two three minutes
into it and you're going, I don't know, I'm getting kind of tied
of this and you move along to something else. When you're looking at something
that's so short, it's easy to keep your attention because there's always something new
rotating in front of you. Yeah, so it's very easy to get suck
into that. I mean, I'm not obviously, I'm on there now,
so obviously I'm not against it. I think it's got its place. I
think it's a fun way to share art at least, you know, Yeah,
to be creative. Yeah, it's a great creative space. I don't
like this AI and songs though, I mean, because they're one hundred percent
the music that they're using is everybody else's. Yeah, it's not original music.
Although is there really any original music if you think of it. I'm
curious to try it and play around with it, you want to flare around.
The only thing I've done so far is uh, just you know,
when I started using chat GPT, which is fun, and of course I
use it in my work somewhat, but I like, I asked it to
write a kiss song, you know, and I came up with you know,
is pretty pretty silly lyrics. So you see, I'm still on the
fence. I have a book in progress, and I keep thinking about how
I'm going to edit this book. Yeah, and there's a part of me
that says, geez, maybe I should use AI to edit. It would
get a lot of that stuff, and it would give me the control of
making sure that my voice doesn't get lost. But then do I want my
written work on this thing. I'm really on the fence. I can't make
up my mind just yet on should I use the AI to do the editing
and try and try and just do it one hundred percent of my own,
or should I try and find somebody that can work with me and help string
the story along together and edit with me. You know, I think using
it for editing would be probably not not great. I don't think. I
don't think it would be effective for that. Like I use it for if
I have something that's going on a website that I want to say, you
know, edit this, but maximize it for search engine optimization in terms of
using keywords. But I think for I think for writing, for editing your
writing, I think it would be uh. I think I think you'd you'd
accidentally stumble into plagiarism because it's going to start. I think it's it's going
to start editing that based on what else is out there, and you're you're
gonna end up. I think you would end up accidentally plagiarizing something. Now,
now there's other tools you can use, right, but there's other tools
you can then use to fix that. I wasn't even going there. I
was thinking more about the fear of putting my writing on this thing. Yeah,
you know, well but that but but that's going to happen anyway.
Once you publish it, you're putting it out in the world. Now.
Grammarly has a plagiarism checker, and there's other tools you can use for that
too, that will then take that content and unplagiarize it. For you have
a weird thing about my writing and that I am always assessed to using words
that most people don't use. So I don't usually run into that. I
come, it's weird. All those games and things you do, I always
end up in the weird, weird zone. But I would hate to mix
it. And then you're not sure what part is mine? What part did
it use? Yeah, no, I think you just talked me out even
considering it. Yeah, I don't. I never thought about it on that
side. I don't. I mean, I'm not an expert, but I've
been trying to learn all that I can because it's fascinating. It is fascinating,
and you can do some really cool things with chat GPT mm hmm.
Well let's let's let's do this. We'll take a break. We're going to
play a couple of songs and then show some love to our amazing sponsors,
and then we've got our number two coming up. We've got guests who I'm
really looking forward to talking to. But I think I'm gonna play something from
I'm gonna play something from Abner, the second song called the Audrey at Burns,
which he played here, well not here, but when we were in
the old studio, which which he played live for us. And I'm also
going to play a track for Regals who are also playing tonight. They've got
I assume it's the single because they have a video for it called the Orbit
of Your Heart. Although I had to make it. I had to make
a radio edit of it because there's a bad word, but I didn't even
pick up on that there is a bad word, but I made it.
But I made a radio edit because I really want to play it because it
is a great song. That's awesome. So we'll play those. We're going
to show some love to our amazing sponsors, and then we'll be back with
our number two. We've got guests, our first guests in the new studio
here on Canal Street, so we are live. Matt Connorton Unleashed will continue
does continue live from w M and H ninety five point three in glorious Manchester,
New Hampshire and uh here's uh here it is the Audrey It burns from
Abner the Second or Abner two. You're listening to wum and h come he
God, don't get so freenly mattself coving. Welcome back everybody. It is
Matt connorton on as we enter our number two New Marrow Dose live from the
studios of w m n H ninety five point three FM and Glorious Manchester,
New Hampshire, our brand new studio on Canal Street. So yes, we
are actually live. It is January twentieth, twenty twenty four. I hope
I said. Did I say twenty four at the start of the show today?
I'm worried I actually said twenty three. I think he said twenty four.
You know how people get, you know, they forget, like they
write the wrong year on checks and whatnot. For the first month. Most
people don't even write checks anymore. That's true. I'm just worried that I
actually will have to tell people don't even write anymore. We'll have to listen
back to the podcast. I'm worried that I said twenty three at the start
of the thick on you if it is or I could just edit it and
then no one will know ha ha, I will know you will, I
will tell you. So. Jenny is here of course at the news desk.
I am present and account at four and if you are just joining us,
like I said, this is our so of course you know the morning
show's been here now and last night I was here for retch Spectrum Radio with
poly C but the way, thank you, thank you, But this is
our first Matt Connorton Unleashed in the new studio. Tell you you inspired me
to paint last night. What do you mean, Oh, the show Retrospector
Radio inspired you? Yeah, big time? Oh good. I'll have to
show you the canvas when we go home. Yes, and a beautiful background
started. Excellent, excellent. So we also have our first guests on Matt
Connorton Unleashed now that we are are in the new studio. So we have
my old friend Derek Smith is here. Hello, Derek, I met,
Nice to see you, and and uh you brought Nick and Chloe here with
you. Welcome, nice to be here, thanks for having and uh and
I got to turn those mics. I'm getting used to getting used to the
new MIC's here, the new setup. Turn you guys up a little bit
there. So Uh. Now, obviously I've known Derek for like twenty years,
but uh, who are who are the two of you? Who are
Nick and Chloe? Well, my name's Cloches Stoptmeyer and Nick and I are
both representatives and board members of a really cool space that's kind of coming up
and coming here in Manchester. Yes, yes, it's called the Mosaic Arts
Collective, located at sixty six Hanover Street, right next to the Palace Theater
and a couple other really important Hanover Street entities. We are more than just
a gallery. We do have gallery space where lots of local artists are exhibiting
over the last year and it's been really fulfilling to see these local artists come
from all over New Hampshire and beyond New Hampshire to come show their work of
all levels in the space. But one of the cool things about Mosaic is
that it's not just a gallery. It is also a studio space and a
workshop space and a classroom and a collective for all of the arts community of
Manchester to kind of share and come together. And m yeah, that's artists
that are just starting out, that's established artists we do art calls, so
like anyone can enter and join a show and show what they have. Ok.
Sorry, okay, I forgot I muted my mic for a second.
Yeah, I'm still getting used to the new the new set up here.
Yeah, Jenny and I have been there, so we've been there twice now.
We were there for the show. Uh there for a concert. Yeah,
who was who was? I forget who was playing that night? Derek
will remember that was back in December. Yeah, yeah, and that was
the first one had Evan Benoit Happy just to see you and the DJ visit
from Portland, Maine. Yeah, yep, yeah, he was great.
Well, both both of them were really good. And then we were there
a number of weeks ago for the during the daytime for there was a presentation
of talk on AI in art in many different forms, which was really interesting.
I really learned a lot about AI that I did not know before.
So it was a great talk and I know they have more things like that
coming up. And tonight we're gonna go see Abner the second Yes and Regal
Yes, Regals. Forgive me, I forgot to put the s on.
Yeah, I was checking checking them out last night. I was really enjoying
their music, so I'm looking forward to seeing them live tonight. And the
space is so uniquely cool in that the Misaic are collective. When you walk
in, it's just it's art. You walk into this this really amazing space
that has different different people's work, different types of talents, different types of
textures and styles, and then you have this warm room in the middle where
the music is and everybody can gather and and then there's a lot of artist
spaces there. They're beautiful. It's just a really uniquely cool place, that
little little diamond on the rough of the city that even once you know it's
there, yeah, right right, yeah, it is sort of set up.
We are located on the second floor, so we are a little kind
of set back and a little hidden there, but it is a diamond when
you when you first walk in. And the space has served a numerous amount
of purposes for many artists and creative in Manchester over the last year plus.
I love that you guys have been into shows and seeing some of our music
that's happened so far. That's really exciting. Yeah. Oh yeah, yeah,
no, we fell in love really quickly. Yeah, absolutely, No,
very cool place now, so so the two of you, Nick and
Kloy, so you're both on the board. Correct's correct? Now? How
did so how did this get started? How did the art collective get started?
So it started back in August they did a show called Full Circle and
it was kind of, like I said, an art call so local artists
could are participate. My friend Cassie has sent me a link and I entered
and I met Liz when I dropped off, and it was just extremely warm
and welcome. You just walk in and you just kind of feel like comfortable
and it's just kind of been like that all year and it's snowballed and now
we're a nonprofit with the board which we joined, and it's it's just a
nice spot for people to show this art that are local. And right now
there's a show called This is Us plus Some, so the board members brought
in a guest each to show some art that are like local leaders in the
in the area. Yea, really all of New England, but mostly local
to the after Okay, I assume you know we we always talk Jenny and
I talked about talk about this on the show quite a bit, you know,
because we have a lot of musicians on. We're always talking about how
it's amazing how much local talent there is and and you would you know,
you almost and I assume it's not obviously, it's not unique to this area
any anywhere. Really, you know, there's you're going to find a lot
of music, local musicians in your area who are doing really great stuff.
And I don't think people who aren't paying attention realize just how much talent there
is going on around them that they're not aware of unless they're actually taking the
time to investigate and go out to see shows or go just go online and
find what local musicians are doing. I assume it's the same with art,
right, that there's just all this talent all around us that unless you're really
kind of tuned in and paying attention, you don't even you don't even know
that it's there unless you at least put in the effort to you know,
to check out a place like Mosaic and explore. Yeah. Absolutely, Mosaic
was the first place that I ever showed. I had no idea. I've
lived in New Hampshire for ten years now, so yeah, it's like I
had no idea that everyone was around here doing uh this much it's the community.
I just was oblivious too. Yeah, So it's really cool just to
see and meet all these people over the year and it felt like it felt
like years really been one year, so it's like this place is just kind
of blown up in Manchester. That's really cool that that was your first time.
I talked to Liz, and at some point, when I get daring
enough, i'll submit something. But I like hearing that you did it for
the first time and then here you are, So that's awesome encouraging, it's
encouraging. What goes into that is showing? Is that the right term?
Show? Sure? Exhibitioning showing? Yeah, like what goes into that?
So it is, uh, it's a team effort. So this this current
show that we have up was a little bit of a different structure. It
was an invitation structure, so that was a little bit different. We we
reached out to artists and invited them to come into the space and show.
Typically we run a open call every month, and for an open call,
anybody is welcome to enter, and we love that everybody does. Like when
you say everybody, like how many people doesn't end up being Oh, it
depends. So some of the things that might dictate who enters a show are
We try to assign a theme to each month that might be relevant to something
that's happening in the month or relevant to our own timeline as a gallery.
So I think different themes attract different kinds of artists and attract different kinds of
work. So, for example, in October, this most recent October,
we did the Never More show, and I think Halloween is a very popular
thing for artists. I can imagine. Yeah, yeah, thats we had
just an influx of just amazing work, all inspired by spooky October things.
Yes, and that was on the flip end, you know. Then the
board has to get together and review all these submissions and make selections, and
once we have that list of work that's selected to make it into the show,
then we have to hang it on the wall. Yeah yeah, So
that has always been fun. And I think I can speak for more than
just myself when I say the hanging parties that we do at Mosaic have been
a really huge team building experience for the steps or those of us that are
involved with that process. We have really had every month just this wonderful point
to come together, touch touch base, kind of collaborate on on this on
this show, that's going to mean something to everyone, not just us,
and it's it provides all of us such a such a great feeling of fulfillment
and happiness, and we all walk away from those days those evenings feeling really
uplifted, and you know, I think recognizing what this was all about in
the first place, Liz moved. Liz is the owner and founder of Mosaic,
and she moved back into this area to hooks the area after living in
Vermont for quite a while, and I think her time in Vermont, she
found that there was a really thriving, collaborative local arts community and when she
moved back to this space, was sort of surprised to see a different environment
in this space. And I think she saw identified and then executed the need
to produce a space where the local artists here in Manchester could come and really
live up to what some of the other like small local art communities in the
US are doing all around us. And it's sort of collected and organized that
effort into one space. And seeing that come to fruition over the last year
has been I think to next point, it's felt like a decade, not
just you know, we've gained a decades worth of friends and met a decade's
worth of people all in the last year, and network and inspiration and collaboration,
all of that and last year. It's mind blowing to think how much
has happened, no doubt. It's interesting how people can interact with the artists
more here too, where it is a local collective of artists, you have
the opportunity to speak to the artists or get closer to them than you would
in a large gallery situation where you might see their name, but you wouldn't
even know what they look like. Yeah, Here, the artists can be
more more in touch or they're more reachable. I'm curious too about the submission
because you're talking about like the board, you've got to review all the submissions,
and that is that a difficult process because I would imagine because obviously art,
any kind of art, is subjective, and so I would imagine there's
some disagreement right about, you know, like someone might like something and someone
else will say, no, we can't. Yeah, exactly. I mean,
you have three of us, try to do it at a time,
so that you know there's a tiebreaker vote type of thing. Oh, okay,
that's smart. You know, like if it was one person, it's
going to be pretty biased. But if you have three people doing it,
then it's like two people could agree and one guy's like maybe iffy about it,
or like two people could kind of be iffy about it, and then
you have the third person say, yeah, that's like why not bring that
in and that type of thing. Like, so it is a collaborative effort,
like with everything. So like judging a show, hanging a show,
like Chloe said, we all show up and kind of take a wall and
hang the show, and then we also have the openings like where you can
meet the artist because most of them show up. So it's like you can
just go to an opening and see something on the wall and the person standing
right there to talk to. So yeah, yeah, very cool. Yeah,
there's lots of checks and balances and how we make those selections, and
I think one of the core elements that we keep in mind when we're making
them is the mission of Mosaic, which is to help build and nurture and
influence the growth of one's practice in a safe place. So when we're making
these selections, we're keeping in mind that this is not just about what is
the internationally technically good like museum artwork. This is about real art. This
is about community art, This is about self expression, and this is about
being supported in that. Yeah, yeah, excellent. And now, Derek,
how did you get involved? Obviously, you know you've been You've been
booking the music and you and I have known each other for a long time
in the in the music industry. We used to do Jenny's heard this of
course, but you know, back in the day, we used to book
a lot of shows and you introduced me to well, you know, we
were sort of half kidding at the at the show that Jenny and I went
to that. You know, Acacia Strain. They owe all their success to
us because we booked them on a show. I'm honestly surprised they're still the
band, they are still around. Well, you know, they had a
great start because we booked them, So I don't pave the way, that's
right, They all all it all to us. But yeah, so how
did you get involved in the collective? Once I moved back earlier last year
and in the spring, I reached out to Liz. I was just looking
for some sort of outlet because I had initially won to start the gallery collective
of my own in the city here when I lived here, you know,
ten plus years ago, and that never materialized. So I started. I
started my online gallery of artists only, and you know, I've just hosted
a bunch of artists throughout the country and international, but I still wanted a
physical space because the idea was always to include a monthly showcase of performers.
And I reached out to her to see if she was open to the idea,
and she was, so I met with her, went over some logistics
and we you know, that was in the fall that I met her initially,
and we had the first show, as you mentioned, in December.
So yeah, it's just gonna we're gonna try to keep doing them. Are
you still doing your online gallery? Period? Not as regularly as it had
been, but yeah, it used to be a more full web page.
Now it's it's solely structured to Instagram. So that's that artists only Aoh oh
okay, okay, what goes into that an online gallery? I mean,
do people contact you and say I'd like to feature How does that work?
I don't get contacted so much as I network with the artists, I'll reach
out to someone i'd like to feature. Also, it's it's nonprofit, so
I'll just also sometimes repost various artists work and give them the credit. Yeah.
Yeah, what was your Instagram page? It's artists only and then the
abbreviation AO at the end. And now for the music, are you booking
all the music at the at Mosaic? Is that that's all you at the
moment? Yeah, I mean I know it's relatively new still, but right.
Yeah, So this is the the second one tonight. I already have
the one set up for next month, will be on the seventeenth. It's
going to be more of an electronic night with two solo electronic artists, another
one from Portland, Maine, Gibbs Freelance, and I try to have a
local support as an opener for draw And that's going to be Danny Kemp's any
Camps. Yeah, he does kind of like he plays guitar and bass,
but he also this is around with since how do you how do you figure
out who would be a good fit? I mean, is there do you
do the musicians that you're booking, do they have to kind of fit a
do you have a certain criteria in mind in terms of who would you know,
because it's not it's obviously at a place like Mosaic, it's you know,
you want to have artists, musicians who are gonna fit the vibe.
I mean, how do you Is that a big part of the process in
terms of figuring out who to who to book there? Somewhat? Yeah,
I mean I'll I'll try to have it, you know, be some sort
of complimentary in a sense, but I'm all for diversity as well, so
maybe in shows to come it'll be more of a an abstract bill. Yeh,
yeah, I mean that, you know. When we were there that
night, I mean that that seemed perfect, you know, that seemed like
just the perfect fit for for that, you know, And it's such a
it's such an amazing space. You're sitting in the middle of all this beautiful
art and the space is so it's yeah, God, I'm looking for a
word that's not coming to me, huh, intimate, intimate. That is
exactly what I was looking for. You And the sound is just really great
with the musicians. I'm telling you, it's totally worth going there to listen
to the music. It's just such a great space. To be in.
It's more personable. You know the artist is right there, not humpteen feet
away from you or what have you. Yeah, yeah, no, I
really am. I've already written it down February seventeenth, got that February seventeenth,
after tonight will be the next music night, so I'll have that down.
Love to actually keep in touch and bring musicians that you have, bring
them to our listeners. If we haven't beat each to the punch we already
had yeah yeah, yeah, I mean if they're available or before the show
on some Saturday and we started to see a lot of oneful musicians. If
you ever need anybody, please don't hesitate. I love recommendations that come in
and go out. So thanks for that. Absolutely absolutely, I'm I really
am excited about tonight's show too. Regals is new to me, never heard
of them before the and I'm really interesting sound. I really enjoyed. We
were listening last night because I was just playing. I always play something I
have tonight, so I always have something in the room going on. Really
great sound, really great. They started as a three piece and I first
saw them perform over at two Shared Okay, and they've expanded to a fuller
band. Ryan Egan, who leads the band, has been in former Manchester
bands. Before Happy Just to See You were that band. It was Bad
Fellows and he played drums with them, and it was also in a band
called Pleasure Gap. Okay, he's been a man Us through a staple for
ten plus years. This city has a lot of arts, a lot of
amazing artists. I didn't realize how much until last year when we've really started
concentrating hard on bringing in more musicians and more artists. This city is bursting
with incredible talent. It's just amazing to me what we have in this city.
You think New Hampshire kind of a small state. We can fit your
whole state inside of New York as far as people go. But we really
are very blessed with a lot of amazing talent and different genres, all kinds
of genres. If you ever want to try out a new genre, a
small venue like this is absolutely perfect to go listen to something you haven't seen
before, like Abner two or the second Abner the Second. I never know
which way to go either or I think, really he's amazing. He uses
a viola and does this looping technique and the music he creates, and I
love his voice. The songs he creates are absolutely awesome. It was funny
because Matt's been playing him for a very long time before we ever had him
on as a guest. We finally got him on a Gut as a guest,
and I got the joy of sitting there going We've been playing you for
years. Him being on this show was actually how I realized that Matt had
started a radio show. Oh no kidding, I was. I was still
in Austin, Texas at the time, and I saw Zach Abner post about
it. Oh cool, yeah, cool, excellent. The small world comes
around. That's good to hear. By the way, the studio line is
open. If you have any questions or feedback or anything at all for our
guests, you can give us a call six O three two five oh six
oh seven six O three two five oh six oh seven. You can also
text us at six one seven nine one seven four four seven six. I'm
on social media at Matt Connorton. You can email me Matt at Matt Coonorton
dot com. But we would love to hear your adulca tones at six oh
three two five oh six o seven. So now, so what does the
future hold for for Mosaic? I mean, is is there kind of a
long term plan as far as continuing to expand what you're doing? Or we
have some really exciting stuff that you know is maybe potentially hanging in our future,
but some of the more kind of immediate moments that we'd really love to
see the community show up and support. And is of course our music night
tonight, and so doors will open at seven pm. Okay, it is
a twenty one plus show, but we will be having refreshments by donation and
live music and we expect the show will run through about ten pm. Okay,
this evening cool, So feel free to stat by between seven and ten
and come check us out and see what the gallery has to offer. Jenny
and I'll be there. So you come say hello to us, say hello
to Are you an artist? Do you want to be young? Hi?
Absolutely? Now, in the course of the collective, you guys operate mostly
on donation, right, correct, So we are a nonprofit, so we
really do rely on support from our community by donation and also by showing up
and being in the shows. Right. Submitting it feels like really cheap isn't
it like ten dollars? I think ten to fifteen dollars. Yeah, it's
very accessible. That's our aim and our goal is to keep it that way.
You take a chance without losing your grocery bill, which I think that's
it makes it all the more accessible to everybody. Right, you don't have
to be somebody with a whole lot of money to try and buy your way
in through a gallery. Your donation is helping to fund this beautiful space for
local artists, which, as people know, Matt and I are huge on
supporting all local artists and you can't go wrong when you support your community anyway.
Yeah, we actually have a sticker to support local art which is three
dollars which helps artists with submission fees. And we also have gift cards done
by Jackie Hanson which you can kind of buy over time if you want to
save up for yourself or give it to someone else to buy a piece at
the gallery, or you can use it towards your submission fees for open calls.
So, okay, the next open call that we have is all heart
statuses for February show. So it can neither be you know about your relationship
or love for whoever, or it could be about how love sucks and you
can just do something for that. So any heart status. Okay, So
it doesn't even necessarily have to be love, you know, it could be
any emotion that you feel you need to express. Oh very good, very
good. Oh I like that. Yeah. So the submission, the submission
date is for that. All submissions are due due by January twenty six at
eleven fifty nine pm, So mark that on your calendars. Okay. So
well, if people go to submit, they take a picture of their work,
send it to you with the fee, and then everybody those looks at
all the different pieces. And now do people come in with huge paintings teeny
tiny paintings? Are there size restrictions like or do you like just send a
picture and go, hey, this is what it is. So typically we
don't do We don't impose many restrictions because we want to see what you have.
You know, we do have space limitations obviously that it's not a huge
room, but we accept three D artwork, two D artwork, digital art
or any kind and the dimensions are completely ope, I mean only the only
limitation we have is can we get it in the room, right, So
it really is open ended and we encourage everybody to kind of not be constricted
in what they're bringing to the table. That's awesome. Yeah, Oh,
I'm glad I asked that question. Yeah, that's a great question. We
have a couple So Nick mentioned that we have a gift card done by a
local artist, Jackie Hansen, who we done some incredible workshops with, and
she actually has a workshop coming up in the next couple of weeks here and
it's actually January twenty fifth. It's going to be an eraser workshop. So
the gift card that we have is kind of done in a similar style where
she has carved into material to create a stamp and then you know, repeat
that artwork, you know, over and over again as many times as she
wants. Interesting. So that's how our gift cards are made, and so
this eraser workshop will be very similar to that in carving into an eraser material,
which is very easy to get accessible. Anybody can find an eraser and
then create a stamp out of it. So that will be a really exciting
workshop coming up, and those who are interested in signing up for that,
I encourage checking out our website and getting a slot ahead of time. Now,
what is the cost on that particular workshop Off the top of my head,
I actually not one hundred percent sure, but I you know, I'm
not even going to give you an estimated figure because I can't remember off the
top of my head. But it is posted on our website. Okay,
okay, oh, I've got it right here. Actually, the erase or
print marketing workshop that is going to be held on January twenty fifth, arrive
at five forty five please, and their address again is sixty six Handover Streets
to a suite two oh one. The thirty five dollars registration fee which covers
all the supplies that you need to make your own to be able to take
that home. Very cool. So that would be your very exciting way to
not only support the gallery but also have something that you get to take home
with you today. Yeah. Yeah, I think it's great that you're doing
something that's not a painting right, right, like different? Yeah no that,
I mean, obviously I paint, but everywhere's always a paint bar.
I want to do something fun, right, it's not something different, something
that you can play with. Yeah, I like that. I like that.
And maybe four to what else from absolutely, Oh, I like to
support local artist sticker. That's really I love stickers. In case you didn't
notice, my laptop is completely covered. Well, you must need one.
I must need one. A very fun fact is the artist who created that
sticker is actually sitting right next to me in this room. There you go.
Hey, no, seriously, I really like this. Yeah. Liz
ree Stone asked if we wanted to do a sticker, and I just kind
of came up with something and we went back and forth about it, and
we actually used that same design for the we were did that Christmas bread recently
and we had a banner on the side that had the same thing. So
that was pretty cool too. Excellent, excellent. Hey, by the way,
this is a little bit, uh not off topic, but not specifically
about the gallery, but I'm just curious do any of you have any thoughts
on because Jenny and I attended that that event there was at the gallery about
AI and art. Do any of you just have any kind of general thoughts
about that or it's kind of a big, big subject, but it's a
broad question, but I'm just curious if any of you have any thoughts on
the matter. Generally, I'm not for AI, but I can understand its
use kind of like I don't know if you're editing something or something like that,
but if you're going from like zero to an image, I don't necessarily
love that use of it. By that, you mean like if you give
it a prompt and create this and create this. Because I don't know.
I I hand draw and I use digital. I think digital is like the
closest they'll get to it. Yea, But no, I understand its uses
though, so generally I'm not for it, but I can see how people
can use it to enhance whatever they're doing the right right or edit their writing.
So say, see, we were talking about that before you guys came
into the show because I have a book started and I was coming in hiring.
Should I use AI to edit the book or not? And now I've
come to the conclusion that I'm not going to. Yeah, but for I
was toying with the idea. I mean, did he talk about of it.
He totally talked me out of it. But I have a unique style
of writing anyway, I don't know that you could fit that into me.
I have a little bit of a different perspective on AI. Oh cool,
so I'm classically trained as a photographer, and I think one of the things
when AI started coming onto the scene that I'm like just immediately started thinking,
was, Man, this this must must be how painters felt when photography hit
the scene, you know, you know, and just to see the medium
ghosts, you know, you have to at least with photography, you had
to actually go to the place and bring the equipment and put that amount of
effort in. Now you can just go type in, make me a picture
of Santorini with a wedding happening, and there it is. You know,
you don't have to be there, so I think, and and similarly to
a painter who used to have to put or still does put hours of time
into accurately translating what they're seeing, and then photography hit the scene and you
just press a button and go about your marry day. Right, I can
only draw like equations to how that must feel there. Yeah, it never
occurred to me. Yeah, but that's yeah, it's an interesting insight.
It seems like it might be some kind of natural progression in you know,
art and technology that we're experiencing. But it's also I am skeptical too.
You know there there. I think AI can be misused, and it is
also a tool that is dictated by humans still, so it's depending upon other
people's work to draw itself into work. It's pulling from everything else that other
people have already done, right, which in a lot of way, we're
doing that right right. So so the only difference is that it's an artificial
intelligence that's drawing inspiration from the world around it rather than an organic intelligence,
so which I think see is the reason to be skeletical. But it is
interesting. Yeah, what do you think, Derek, I think that I'm
I'm anti AI in the respect of, you know, it potentially taking jobs
from people, but I believe that there may be some sort of merit to
it in like the medical field. Yeah, it's they're they're working out ways
to allow even like paralyzed people to walk again. Watch some of those videos.
There's like sensory mechanisms that they have been implanted in people that they're able
to control remotely and you know, give those sort of you know, sensory
function that the body is supposed to and uh, you know, it's it's
it's still at the beginning stages and the people are are still slow to to
get going. But it's yeah, there's it's it's some sort of you know,
progression in that field. Yeah. Well, it's funny you mentioned that
too because when we had when we had Conrad War from the band I don't
know if you know the band Be's Deluxe, really good Boston band, and
and we were talking about that with him, you remember this, and he
was talking about how, for example, if you're a medical professional and you're
you're trying to find a treatment plan for someone with an illness, and you
can, you know, say to AI, you know, give me,
give me three treatment plans for this person and describe the person and and uh,
you know, it can save a lot of time and potentially be very
useful in a situation like that. So as in medicine is just exponentially going,
I agree with you. In a lot of different industries, AI does
and will continue to have a great place. But in art that's where you
and it's all art, whether it's right, whether it's music, whether it's
print, whether it's writing. It adds a lot of guesswork to is this
authentic or not. So I'll just share briefly my my one experience trying to
create visual art using uh Dolly three. I don't know if any of you
have used that at all, but I had to. We did a segment
on the show talking about the Darryl Hall versus John Oates lawsuit a couple of
months ago, and so I took that segment and I put it on YouTube,
and I needed a thumbnail and uh, so I tried using Dolly three
to create. What I wanted was to see because I'd seen I'd seen people
come up with some pretty good stuff using this, So I wanted an image
of Daryl Hall and John Oates in a boxing ring. And what I learned
pretty quickly is it's very resistant too. And we talked about this too at
the event that we went to at a Yeah, this came up at the
event. I wish I could remember that. Who's the gentleman's name, by
the way, do you know offhand? Carl? Carl? I cannot.
I have a mental block with his name. He was very impressive. I
liked his presentation. So we were talking about about this and I remember telling
him I couldn't get it to do that exactly, and he said, it
seems to be the program seems to be very resistant to the idea just broadly
of putting celebrities in violent situations. So it wouldn't let me do that.
So the best I was able to get out of it when I tried to
make that, and I did, I did get it to do. Something
that I used for a thumbnail on the YouTube video was Darryl holland John Oates
at a playing chess, but with angry expressions on their faces. It doesn't
quite look like Darryl holland John Oates, but it looks close enough. The
but they both look angry and it's a funny fixture. But that's the only
thing I've I've used it for so far. But that was kind of fun.
Well, listen, we will, uh, we'll begin to before we
run out of time. I want to make sure, well, actually,
is there anything that we didn't mention, because I know you had a bunch
of things you wanted to mention. I don't want to leave anything out.
I think we got through most of them. The only one that I and
it occurs to me since we're talking talking about Carl's talk, we will be
having another artist talk at the end of January. Here. On January twenty
six, local photographer Gary Sampson, who's actually he's the photographer I invited to
the This is Us plus Some show. He's been my longtime mentor and professor
as a photographer, and he has a really extensive history with Manchester and supporting
historical and cultural preservation in Manchester alongside being also a very prolific artist in his
own respect. Oh cool, And he'll be doing an artist talk on the
twenty sixth January twenty six starting at five forty five pm. So I know
many many of the listeners out there may actually know of Gary and might be
interested to see him talk and hear about his work. So please feel free
to register online for that talk as well. We'd love to see the community
show up. Excellent, excellent. Where should people go online to keep up
with everything that is going on at Mosaic Art Collective. I think we are
most active on Instagram Mosaic Art Collective very simple on Instagram. We are also
on Facebook and if you go to Mosaic Arcollective dot com, our gallery website
is also updated regularly along with all of our social media pages. Okay,
and you can actually see like all the archive shows from the past year or
two so if you're curious what we've been doing, you can go down and
see all the art that was in each show. Okay, okay, excellent,
excellent, And what will all three of you be there tonight? Absolutely
absolutely, very good. Well, we look forward to that. We look
forward to seeing you there. Jenny and I will be there and we encourage
people to participate. Yes and yeah, speaking of archives, as you are
aware, I had told you I had a radio show of my own.
Oh yeah, I have, so since being there, I quote unquote revived
the show as a home recording good back in October. So I have a
handful of episodes up, most currently one from the beginning of the month,
and I'm gonna have it go for maybe a few more installments and until I
reached episode fifty, So those can be listened to on It's a it's a
music variety show, okay, and it's on mixcloud dot com, Forward Slash
Eclectic Arrangements. I like the name. Yeah, thanks, And we only
left out for the show tonight that the admission is a sliding scale five to
ten dollars. Oh okay. I bought our tickets online. Yeah, and
that was an option as well. On event right, yeah, yeah,
excellent, excellent. Well, I'm I'm glad you're all going to be there
tonight. That is wonderful. Of course, Abner the Second and Regals will
be playing Who's Who's going on? What's the order is? It's Abner first
and then uh and Abner will be joined by a drummer tonight. Okay,
okay, very interesting, very good, very good. Yeah, oh that's
right, our friend EZG hasn't called. Well, thank you all three of
you for coming in. Nick and Chloe, wonderful to meet you, and
Derek of course, always nice to see you, my friend. Thanks,
Matt. Absolutely look forward to uh, look forward to seeing you tonight.
And yeah, definitely I would encourage people to come down Mosaic Art Collective tonight.
And in fact, we're going to close out the segment with another song
from Abner the Second and his album The Audrey at Burns. This is called
Dover, and then Jenny and I will be back. There is more a
show to come, so uh, don't go anywhere