1 00:00:06,839 --> 00:00:12,519 Midnight. Seven times out of ten we listened to our music at night. 2 00:00:14,519 --> 00:00:19,839 That's on the titled businessess program Late Night to Light with DJ Midas right here 3 00:00:19,920 --> 00:00:27,440 on WMNH Manchester. You want because Saturdays and Sunday nights midnight to four am. 4 00:00:28,800 --> 00:00:35,600 This hour on WMNH is sponsored by CGI Business Solutions, located at five 5 00:00:35,759 --> 00:00:41,399 Dartmouth Drive in Auburn. They serve all your business needs including employee benefits, 6 00:00:41,479 --> 00:00:48,000 planning, corporate design and business administration, investments and wealth management and customized business 7 00:00:48,159 --> 00:00:53,119 insurance solutions. Their phone number is eight sixty six eighty four to one forty 8 00:00:53,159 --> 00:01:00,600 six hundred, or on the web at CGI business Solutions dot com. Behold 9 00:01:00,759 --> 00:01:06,760 the harmony of airwaves as you immerse yourself in the captivating frequencies of w m 10 00:01:06,879 --> 00:01:11,359 NHLP. The sonic heartbeats of Manchester is transcending through the ether at ninety five 11 00:01:11,400 --> 00:01:17,400 point three megahertz. Frequency modulation or transmissions emanate from the zenith of one thousand 12 00:01:17,439 --> 00:01:21,599 Elm Streets to ensure into the hearts of our creative realm at one nineteen Canal 13 00:01:21,680 --> 00:01:26,000 Street, where innovation and sound colode. They're the improm moter of Manchester Public 14 00:01:26,079 --> 00:01:30,560 television service in the venerable city of Manchester, New Hampshire, USA. Enrich 15 00:01:30,680 --> 00:01:36,319 your auditory journey with the depth of our license to WESDOS spent your missives to 16 00:01:36,560 --> 00:01:42,159 WMNH ninety five three at gmail dot com or traverse the virtual corridors of wmnhradio 17 00:01:42,280 --> 00:01:47,319 dot org. Engage with our sonic vibrations by communing with us through the digital 18 00:01:47,439 --> 00:01:52,719 channels or radio beckons, eager to enthrall you with its mesmerizing cadence and develop 19 00:01:52,760 --> 00:02:00,359 you with a symmony of boundless auditories. Won dude, you m ahl rip 20 00:02:00,480 --> 00:02:32,400 the dobles. Yeah, see sitting and living room. Your life's gone by 21 00:02:32,680 --> 00:02:38,599 way too soon, which we can be going back in the bad. We 22 00:02:38,759 --> 00:02:45,319 live by the times they win to face rob towns now we shall now. 23 00:02:45,560 --> 00:02:51,439 I know you did knockings. You were seeking around with another dude. I 24 00:02:51,520 --> 00:02:59,560 can't stand up be packing soon. I'm running away. I'm leaving today. 25 00:03:00,319 --> 00:03:08,120 I call me by. Sorry to lead you sallow. I'm running away. 26 00:03:09,919 --> 00:03:17,240 Oh, I'm leaving today. I'm coming back tomorrow. Sorry, lead you 27 00:03:17,639 --> 00:03:23,599 sou Yeah. I was making my child for an hour or two. The 28 00:03:23,680 --> 00:03:29,639 thought of being somewhere else alone with you having me shook up and shake him. 29 00:03:29,919 --> 00:03:37,240 Don't know what to do? So where you from? Where you ban 30 00:03:37,599 --> 00:03:40,840 up from? My heaven? Done nothing? And I don't really want to 31 00:03:40,919 --> 00:03:46,840 be the one who got caught. I'll start alwayting all away, And I'm 32 00:03:46,919 --> 00:03:53,919 saying I'm running away. I'm leading to day. I call me by, 33 00:03:57,319 --> 00:04:04,199 sorry to lead you sallow, I'm running away. Oh, I'm leaving today. 34 00:04:05,879 --> 00:04:15,639 I'm coming back tomorrow. Sorry, leading with surrow. So where you're 35 00:04:15,800 --> 00:04:19,360 from? Where you been? Not from about heavens, noting noth there? 36 00:04:19,560 --> 00:04:24,199 And I don't really want to be the one who got caught. Duck, 37 00:04:24,399 --> 00:04:30,560 don't wasting all away. I'm running away. I'm leaving today. Hell, 38 00:04:31,560 --> 00:04:36,600 I'm coming back tomorrow. Sorry, you don't leave you and say, oh 39 00:04:36,759 --> 00:04:46,040 yay, I'm hunting away. I'm leaving today. I'm coming back tomorrow. 40 00:04:47,519 --> 00:04:53,199 Sorry, you don't leave you a son, yay, I'm running away. 41 00:05:08,519 --> 00:05:12,800 That is running away. That is two towns band here on matt Connerton, 42 00:05:12,920 --> 00:05:17,160 unleashed on this Saturday morning. It is Saturday, June twenty two, twenty 43 00:05:17,360 --> 00:05:21,199 twenty four. Jenny is here as well at the news table. Aunt of 44 00:05:21,240 --> 00:05:25,199 for and by the way, thank you again so much to Mary Peters and 45 00:05:25,360 --> 00:05:29,240 Sue Smith from the Sister Witch Company for joining us in the last hour, 46 00:05:29,279 --> 00:05:31,600 and of course in the first hour today we had a Jus Old Rebel. 47 00:05:31,639 --> 00:05:35,120 I think I'm saying his name correctly. Hill, Yes, yes, But 48 00:05:35,279 --> 00:05:39,560 right now we have with us the members of Two Towns Band. We have 49 00:05:40,000 --> 00:05:43,079 Zach and James with us here live in studio. How are you guys? 50 00:05:43,560 --> 00:05:46,199 Good met? Yeah, welcome, welcome. Yeah. I love your as 51 00:05:46,240 --> 00:05:48,319 I was saying off here. I really like your sound. You guys sound 52 00:05:48,399 --> 00:05:53,879 great. And that track that's been getting some airplay you mentioned the River in 53 00:05:53,920 --> 00:05:58,079 Boston. Yeah, we were featured a few weeks ago on the new upcoming 54 00:05:58,199 --> 00:06:01,120 music Homegrown I think it is. But yeah, yep, yep, they 55 00:06:01,160 --> 00:06:03,279 played a couple of weeks ago and that was a song that we featured on 56 00:06:03,360 --> 00:06:06,959 it. So that's off our last our first debut album that we put out 57 00:06:08,959 --> 00:06:14,000 two years ago. Now Shell City okay, okay, oh fantastic, And 58 00:06:14,120 --> 00:06:15,560 we do have some other songs of your Sue that we'll be playing today. 59 00:06:15,639 --> 00:06:19,480 And uh uh it was nice. I didn't have to make any radio edits. 60 00:06:19,680 --> 00:06:23,439 There's no swears, which is nice. Keep it, keep it pretty, 61 00:06:23,639 --> 00:06:25,839 We keep it pretty clean, at least at least for now. I 62 00:06:25,920 --> 00:06:29,959 only imagined that because our first, our first guest today who we love. 63 00:06:30,480 --> 00:06:33,199 He was excellent, a Jue's old rebel. He was great and very positive 64 00:06:33,199 --> 00:06:35,879 and everything. But I had to make some radio edits of his songs which 65 00:06:35,879 --> 00:06:39,959 had much editing, which I don't mind doing. I do it all the 66 00:06:40,040 --> 00:06:43,319 time, but for for people who are going to be on the show if 67 00:06:43,360 --> 00:06:46,279 I really want to play their stuff. But he was he was very uh. 68 00:06:46,800 --> 00:06:48,920 He took me a while. So it's always nice one. It's always 69 00:06:49,000 --> 00:06:50,399 nice one. I can say, Jenny yea. I didn't have to do 70 00:06:50,439 --> 00:06:54,959 any radio ads this time. It was great. How long have you guys 71 00:06:55,000 --> 00:07:00,959 been around? So this started like I want to say, three three to 72 00:07:00,040 --> 00:07:03,399 four years ago. It was me and another buddy and we both came from 73 00:07:03,439 --> 00:07:06,959 two different bands when we were in high school. So I was in this 74 00:07:08,079 --> 00:07:11,560 band called Insider, and we actually did pretty well in Vermont for a while. 75 00:07:11,639 --> 00:07:14,519 We like played Higher Ground and did a bunch of shows there. We 76 00:07:14,560 --> 00:07:17,519 were actually on ninety nine The Buzz a few times out there too. And 77 00:07:17,839 --> 00:07:23,279 he was in this other like rock band. They were called Prohibition. So 78 00:07:23,560 --> 00:07:27,360 his name was Hunter Myers and me and him started this right before, like 79 00:07:27,519 --> 00:07:30,720 right after COVID started, Like we realized that the whole five piece band thing 80 00:07:31,360 --> 00:07:33,319 was gonna go away for a while, and we were like, Okay, 81 00:07:33,360 --> 00:07:40,600 how can we keep this going while still like making music and like going out 82 00:07:40,639 --> 00:07:45,480 and playing during the pandemic, So that that all happened, We recorded an 83 00:07:45,480 --> 00:07:47,519 album during the pandemic. After that, we just got on the road, 84 00:07:47,720 --> 00:07:53,839 started touring pretty much anywhere we could in the Northeast. And then I think 85 00:07:53,879 --> 00:07:59,439 it was about a year and a half ago and Hunter moved to Indianapolis to 86 00:07:59,560 --> 00:08:03,319 start doing some other projects. So James really came in a clutch in this 87 00:08:03,519 --> 00:08:05,800 last few months here, and I was like, hey, what do you 88 00:08:05,879 --> 00:08:09,480 play guitar? What are you doing? I need somebody to fill this spot 89 00:08:11,040 --> 00:08:13,160 and start doing shows again and start getting this like back up to where we 90 00:08:13,759 --> 00:08:18,759 had it before, where we were like playing every week three four times a 91 00:08:18,839 --> 00:08:22,959 week and recording albums and putting stuff out. And he really stepped up and 92 00:08:24,199 --> 00:08:26,120 just came in and did what he had to do. So now it's going 93 00:08:26,160 --> 00:08:28,600 great again. Well that must have been a big relief, right because it's 94 00:08:28,639 --> 00:08:31,759 scary when I mean I know from my own experience, it's it's scary when 95 00:08:33,759 --> 00:08:35,399 you have a project that has a lot of momentum and you feel like you're 96 00:08:35,440 --> 00:08:37,480 really getting somewhere with it, and all of a sudden, the bottom falls 97 00:08:37,519 --> 00:08:41,960 out because somebody says, yeah, I'm not gonna be here anymore. Yeah, 98 00:08:41,279 --> 00:08:43,519 yeah, it was. It was nerve racking at first, and then 99 00:08:43,559 --> 00:08:46,799 I was like, Okay, it's fine. There's people can play guitar, 100 00:08:46,919 --> 00:08:48,279 Like, there's people out there who know how to play guitar, and honestly, 101 00:08:48,320 --> 00:08:52,120 it was hard finding somebody for a while. It Yeah, yeah, 102 00:08:52,240 --> 00:08:56,879 like nobody, nobody really lived up to the standard. I'm like super perfectionist 103 00:08:56,080 --> 00:09:00,679 and like, yeah it had to be like really good to where I needed 104 00:09:00,720 --> 00:09:03,080 to be. And yeah, James just came in and did exactly what needed 105 00:09:03,120 --> 00:09:07,480 to be done. Excellent, excellent. Did what Was it a challenge for 106 00:09:07,559 --> 00:09:09,960 you, James coming in and learning the because obviously, like like Zach said, 107 00:09:11,000 --> 00:09:13,320 he's a perfectionist. Was that a challenge for you. Yeah. I 108 00:09:13,840 --> 00:09:18,159 got my first guitar about a year ago on my birthday. So I'm like, 109 00:09:18,320 --> 00:09:22,080 oh, I'm extremely Wow, he's doing he's stepped up. He's good. 110 00:09:22,519 --> 00:09:24,279 Yeah, so we had our first show at the end of May I 111 00:09:24,320 --> 00:09:28,000 think it was May thirst and then it was the beginning of the March. 112 00:09:28,960 --> 00:09:31,840 We worked together another job. I showed up with my guitar and he said, 113 00:09:31,840 --> 00:09:33,960 oh, you play guitar? Would you like to join the band. 114 00:09:35,399 --> 00:09:37,759 I didn't know it was gonna pick up this much or get it big, 115 00:09:37,840 --> 00:09:39,879 but yeah, yeah, oh that's awesome. Yeah, it's like fate. 116 00:09:41,039 --> 00:09:43,200 Yeah, is that at a job you guys? Is that how you guys 117 00:09:43,279 --> 00:09:46,639 mad at work? Or yeah? So that we work for a marketing company, 118 00:09:46,720 --> 00:09:50,720 like outside of doing two towns and stuff. So it just kind of 119 00:09:50,759 --> 00:09:54,600 worked out like we were just away at an event somewhere. I think we're 120 00:09:54,600 --> 00:09:56,919 in like Pennsylvania or something. He had his guitar with him. I'm like, 121 00:09:56,039 --> 00:10:00,919 oh, you're gonna you're gonna be with me now, like you're gonna 122 00:10:01,320 --> 00:10:05,039 cancel your summer you're doing shows. Yeah, wow, excellent, excellent. 123 00:10:05,399 --> 00:10:09,159 So now on the on the tracks, on the recorded track, So who 124 00:10:09,200 --> 00:10:11,799 else is on or do you guys do everything between the two of you? 125 00:10:13,120 --> 00:10:16,799 So chel City came out before James's time, That was before James, but 126 00:10:18,080 --> 00:10:22,120 Hunter actually did the drums and everything on that, and he did all like 127 00:10:22,200 --> 00:10:26,399 the mixing, mastering, recording. Fantastic audio engineer. But other than that, 128 00:10:26,600 --> 00:10:28,759 vocals, guitar, and I think most of the bass was me. 129 00:10:30,159 --> 00:10:33,279 Okay, yeah, doing all that. And then on the running Away feature, 130 00:10:33,360 --> 00:10:37,240 we have a Luke Bolt he's one of the original members of Prohibition too 131 00:10:37,320 --> 00:10:39,000 with Hunter there, and we got him to do a little feature on there 132 00:10:39,000 --> 00:10:41,080 and he just knocked it out of the park. Oh cool. What does 133 00:10:41,159 --> 00:10:45,759 he do on the track? He did? He does like the little outro 134 00:10:46,240 --> 00:10:50,759 verse towards the end there. Okay, yeah, okay, So what happens 135 00:10:50,879 --> 00:10:56,440 live is it just do the two of you just play live, and yeah, 136 00:10:56,559 --> 00:10:58,360 it's the two of us. Usually James is just like leaning the way 137 00:10:58,399 --> 00:11:03,240 with the guitar and then I'm just kind of in the background a few chords 138 00:11:03,320 --> 00:11:05,279 and all the vocals are coming from me and we're we're getting enough to speed 139 00:11:05,320 --> 00:11:09,000 on the vocals be harmonies very soon here. Yeah. Yeah. So when 140 00:11:09,039 --> 00:11:11,639 you play live, it's a stripped down like you're not using any kind of 141 00:11:11,679 --> 00:11:16,279 a backing track for the drums or anything like a stripped down like doing stuff 142 00:11:16,279 --> 00:11:20,919 off of Shell City, doing covers and stuff we and just playing everywhere that 143 00:11:20,960 --> 00:11:26,080 we can. Is there any kind of a long term plan to have a 144 00:11:26,159 --> 00:11:28,919 full band or or do you like doing it? I would imagine there's a 145 00:11:30,000 --> 00:11:33,080 lot of advantages to it just being the two of you in terms of fucking 146 00:11:33,159 --> 00:11:35,639 shows and all of that. I mean, yeah, there's there's advantages to 147 00:11:35,720 --> 00:11:39,960 doing it just the two of us. I mean, like we get paid 148 00:11:41,039 --> 00:11:45,759 more both, and they like it's definitely easier, like logistically because we just 149 00:11:46,000 --> 00:11:50,240 show up with two speakers and a few cables and guitars and it's a show. 150 00:11:50,559 --> 00:11:54,240 I think we've done the big band thing before, Like we Two Towns 151 00:11:54,320 --> 00:11:58,639 actually played Higher Ground two years ago. It was one of our last shows, 152 00:11:58,000 --> 00:12:01,039 and Higher Grounds and you and Verma, I don't know if you're to 153 00:12:01,080 --> 00:12:03,519 it, it's like, yeah, it's great, we love it. And 154 00:12:03,279 --> 00:12:05,639 we played with a full band there and it worked out pretty well. It 155 00:12:05,759 --> 00:12:11,200 was kind of like we grabbed the Hunter played drums, we grabbed the other 156 00:12:11,240 --> 00:12:13,000 guitarists we were working with at the time, Jackson Garrow, and then we 157 00:12:13,120 --> 00:12:16,519 grabbed my old bassist, Zach Hayes from Insider and we were just like, 158 00:12:16,639 --> 00:12:20,879 hey, we're gonna be a band for one night, and we're all gonna 159 00:12:20,919 --> 00:12:24,919 play and it's gonna sound awesome. And it went good, and I think 160 00:12:24,039 --> 00:12:28,080 moving forward it would definitely just be like having like a session session drummer, 161 00:12:28,200 --> 00:12:31,440 or having like a guitarist or a bassist or something like that. I don't 162 00:12:31,440 --> 00:12:35,679 think we would ever want like change the core of the group. I think 163 00:12:35,720 --> 00:12:39,000 I just keep that to the two people who are really invested in it. 164 00:12:39,240 --> 00:12:41,120 Yeah, no, that makes sense. Yes, yeah, that makes a 165 00:12:41,159 --> 00:12:46,080 lot of sense. Higher Ground is that? Is that where Green Jelly just 166 00:12:46,200 --> 00:12:50,519 played, where they had the incident where they got shut down three songs in 167 00:12:52,000 --> 00:12:56,600 green Jelly might have been. Yeah, yeah, I've seen Green Jelly at 168 00:12:56,679 --> 00:13:00,279 Higher Ground. I was just looking at that. Yeah, that was it. 169 00:13:00,399 --> 00:13:01,639 They were here last weekend. I saw that. I saw him, 170 00:13:01,720 --> 00:13:07,039 like je was there. They're coming back through in August. Really all right, 171 00:13:07,159 --> 00:13:09,120 but yeah, so they played it was higher Ground. Yeah, so 172 00:13:09,200 --> 00:13:11,600 they played, they got three songs in, and they got shut down. 173 00:13:11,639 --> 00:13:16,759 I guess, uh really, something something to do with Bill's pants hanging from 174 00:13:16,799 --> 00:13:20,840 the chandelier. I guess I guess that's a deal breaker. Yeah, all 175 00:13:20,879 --> 00:13:24,240 right, playing in the playing in the small room over there, put your 176 00:13:24,279 --> 00:13:26,120 pants on the chandeliers? That no, no, yeah, well, I 177 00:13:26,159 --> 00:13:28,080 don't he I don't know who put them there. I mean, you know, 178 00:13:28,200 --> 00:13:31,759 I don't know if he put them there himself or I mean I don't 179 00:13:31,960 --> 00:13:33,320 I don't know the details. I don't know how they got there. Yeah, 180 00:13:33,320 --> 00:13:37,159 I don't know how the pants got off of Billing onto the chandelier. 181 00:13:37,320 --> 00:13:39,200 But I assume he was playing the music at the time. It may not 182 00:13:39,320 --> 00:13:41,919 have been Bill's fault. I don't know. I don't know, but uh, 183 00:13:43,039 --> 00:13:46,320 yeah, it didn't go well. It was pretty h Yeah. Yeah, 184 00:13:46,360 --> 00:13:48,519 it looked like a wild scene. Are you guys doing a lot of 185 00:13:48,559 --> 00:13:52,240 shows. We're playing a lot. Yeah, we're playing out of our minds. 186 00:13:52,240 --> 00:13:54,879 We actually have a show later today up in a Waterville. We're playing 187 00:13:54,919 --> 00:13:58,639 the Waterville Valley town Square. Oh cool, providing that the weather holds up 188 00:13:58,679 --> 00:14:01,720 for us, which I think it's going to hopefully. Yeah. And two 189 00:14:01,840 --> 00:14:05,120 nights ago we were at l Street down in Hampton Beach, and then last 190 00:14:05,159 --> 00:14:09,679 week we were at Telly's and Epping and we're playing Shane's and Hampton. We're 191 00:14:09,679 --> 00:14:13,879 playing in Boston. We're playing at the Bebop Music Hall later in September. 192 00:14:15,200 --> 00:14:18,759 We got pretty much anywhere that you can house a band. We're getting in 193 00:14:18,799 --> 00:14:22,759 there, yeah playing, Yeah, that's excellent, excellent. Well, let's 194 00:14:22,759 --> 00:14:26,320 play another one of these studio tracks. I'll let you pick what should we 195 00:14:26,519 --> 00:14:33,639 what should we do next? We haven't played go to STU. I like 196 00:14:33,120 --> 00:14:35,559 Overdue. I think Overdue is one of the stronger ones that I've written. 197 00:14:35,799 --> 00:14:41,159 Overdue. Okay, we'll do that one next, and uh maybe maybe the 198 00:14:41,240 --> 00:14:43,879 next one after that, I'll reveal what my favorite is of the one. 199 00:14:43,960 --> 00:14:46,440 Oh, I have a personal favorite. I think I know what it's going 200 00:14:46,480 --> 00:14:50,120 to be. Yeah, all right, well we'll we'll find out. We'll 201 00:14:50,120 --> 00:14:54,240 find out. But in the meantime, this is Overdue. The band is 202 00:14:54,399 --> 00:14:56,840 a two towns band. They are here with us, live in studio. 203 00:14:56,399 --> 00:15:00,360 We have Zach and James here with us. But check the South. This 204 00:15:00,480 --> 00:15:26,360 is called Overdue. Mm hmm. I feel nothing. I'm rusting without you, 205 00:15:30,080 --> 00:15:37,919 no desire, I'm tired, asking nothing through. I'm lost in my 206 00:15:37,120 --> 00:15:43,039 head. A lot feels over to still riding and I'm trying to make it 207 00:15:43,240 --> 00:15:54,960 through. But I new that Iskar and I new I can't take this say 208 00:15:54,000 --> 00:16:00,320 anymore. So if you love me, the leave me, just let me 209 00:16:00,559 --> 00:16:04,440 go, Deny And I'm crying I was getting true and if you want me, 210 00:16:04,879 --> 00:16:11,000 lead me, love you, because maybe I love it's just overdo. 211 00:16:11,399 --> 00:16:21,840 If you love me, be love me, if you love me, if 212 00:16:21,919 --> 00:16:32,360 you love me, if you love me, you love me, if you 213 00:16:32,559 --> 00:16:41,919 love me, if you love me, I'm reathless. I'm breathless. I'm 214 00:16:42,080 --> 00:16:53,000 broken too. I'm lying deciding that I don't need you. Which way at, 215 00:16:53,080 --> 00:16:57,600 sir, I'm so confused. I'm empty. You just let me feel 216 00:16:57,679 --> 00:17:10,920 something new. I know that is getting nod and I can't take this say 217 00:17:11,000 --> 00:17:15,599 anymore. So I love me to leave me. Just let me go, 218 00:17:17,359 --> 00:17:21,400 Tony, and I'm crying. I'm asking true. If you want me, 219 00:17:21,880 --> 00:17:26,759 lead me, love you this, maybe I love it. Just still me 220 00:17:26,880 --> 00:17:33,960 too. If you love me, if you love me, if you love 221 00:17:34,119 --> 00:17:45,519 me, if you love me, if you love me, you love me, 222 00:17:48,079 --> 00:17:56,480 if you love me, if you love me, That's just one thing 223 00:17:56,799 --> 00:18:02,599 I asked to be us that you help me to me Gazzaly Joe, love 224 00:18:02,759 --> 00:18:12,160 me, you love me, if you love me, if you love me, 225 00:18:15,680 --> 00:18:25,559 if you love me, love me. I love that. That is 226 00:18:25,799 --> 00:18:30,039 overdue. The band is Two Towns Band, and we've got the guys from 227 00:18:30,119 --> 00:18:33,160 the band here with us live in studio. Zach and James are here with 228 00:18:33,279 --> 00:18:37,720 us on this Saturday morning here on w m n H. Yeah, great, 229 00:18:37,799 --> 00:18:44,400 great song. I love it. Yeah, absolutely absolutely. How many 230 00:18:44,559 --> 00:18:48,279 how many original songs do you guys have as a as a unit our entire 231 00:18:48,720 --> 00:18:52,000 album, Chel City? I think it is. I think I want to 232 00:18:52,000 --> 00:18:55,359 say nine. I want to say nine songs. That's just what we have 233 00:18:55,440 --> 00:18:57,400 out, Like, we have plenty more ready to go. We're actually working 234 00:18:57,440 --> 00:19:00,920 with a Blackheart studio right now and we're gonna get some awesome We're gonna get 235 00:19:00,960 --> 00:19:06,079 some dates in in the fall here in September where so we're thinking about doing 236 00:19:06,160 --> 00:19:10,519 this, uh little cover album sort of thing. So we're gonna call it 237 00:19:10,599 --> 00:19:12,640 two Towns Covered Up. Okay, it could be fun, and we're gonna 238 00:19:12,680 --> 00:19:18,400 do five ish cover songs and then we're just gonna like throw in make maybe 239 00:19:18,480 --> 00:19:22,000 five six more originals. Just start getting the ball rolling. So you're gonna 240 00:19:22,000 --> 00:19:25,039 be recording with Eric Sotter, I yeah, I believe, I believe. 241 00:19:25,119 --> 00:19:26,759 So, Yeah, we had him on. It was a few months ago 242 00:19:26,839 --> 00:19:30,680 now, we we finally had him on the show, and uh, I 243 00:19:30,759 --> 00:19:33,039 had said to him, you know, it's great to finally have here because 244 00:19:33,039 --> 00:19:34,960 your name comes up all the time because his name comes up all the time, 245 00:19:36,119 --> 00:19:40,359 YEP on the show and he's he's amazing. No, that's very cool, 246 00:19:40,519 --> 00:19:44,680 very cool. So the the the album that that you had done, 247 00:19:44,880 --> 00:19:49,039 where was where was that recorded in Hunter's basement? Yeah? Yeah, yeah, 248 00:19:49,119 --> 00:19:52,319 he did all the record like we did all the recording there, the 249 00:19:52,759 --> 00:19:56,039 mixing, mastering, like everything was just done in his basement. Wow, 250 00:19:56,319 --> 00:20:00,519 came out way better than we expected. Really, Yeah, for a basement 251 00:20:02,079 --> 00:20:04,000 di y album, it came out good. Yeah. Yeah. Well, 252 00:20:04,079 --> 00:20:07,480 you know, with the technology that's available today, you can really I mean 253 00:20:07,519 --> 00:20:11,640 you can, you can really get some you know. I mean obviously what 254 00:20:11,799 --> 00:20:15,839 you get out of out of Blackhart is going to sound better than better than 255 00:20:15,920 --> 00:20:18,839 anything you've yet. I'm sure, I'm sure, but no, but that's 256 00:20:18,119 --> 00:20:21,880 I'm genuinely surprised though, that that was all done, because, like I 257 00:20:21,920 --> 00:20:23,559 said, all these tracks they sound really really good. Yeah, thank you? 258 00:20:23,680 --> 00:20:30,759 Yeah, yeah, absolutely, So when you do you know, when 259 00:20:30,839 --> 00:20:36,799 you when you start recording the next one, start in like September twenty if 260 00:20:36,920 --> 00:20:40,799 September twenty first ish, like right around that range. We're gonna start doing 261 00:20:41,319 --> 00:20:45,359 these like next songs and start getting them out. So Yeah, we're going 262 00:20:45,440 --> 00:20:48,319 to record it, have it all done and recorded by the end of September, 263 00:20:48,359 --> 00:20:52,519 and then hopefully for an early winter release we will be a full album. 264 00:20:53,400 --> 00:20:56,160 Yeah, we're trying to make it a full album. Good yep, 265 00:20:56,240 --> 00:20:59,920 good. Now are you what's the writing process? Like, are you guys 266 00:21:00,039 --> 00:21:03,000 writing together or are you are you doing most of it Zach or how does 267 00:21:03,039 --> 00:21:10,000 that work with so so far we haven't done any like me and him sitting 268 00:21:10,039 --> 00:21:11,720 down in a room just being like, Okay, we got to write something, 269 00:21:12,359 --> 00:21:15,920 put the ideas together, and get hit out there. Yeah. Like 270 00:21:17,240 --> 00:21:19,240 the stuff that we have right now is just stuff that's like been in the 271 00:21:19,279 --> 00:21:22,880 back pocket for a while and being like, Okay, we're gonna record eventually, 272 00:21:22,920 --> 00:21:26,960 and then we have fifty shows in three months and they're like, oh 273 00:21:26,400 --> 00:21:29,839 record, yeah, so let's save it for next year. And then we 274 00:21:29,880 --> 00:21:32,720 have another fifty shows in three months, are like, Okay, we're gonna 275 00:21:33,160 --> 00:21:36,960 save this again, and then so eventually we're just here now after Shell City, 276 00:21:37,559 --> 00:21:40,319 and we still got those songs in the back pocket, so those are 277 00:21:40,599 --> 00:21:45,480 ready to go. We'll probably get those out on this next upcoming project with 278 00:21:45,559 --> 00:21:49,759 Blackheart, and then anything past that will be written by me and James collaboratively. 279 00:21:49,920 --> 00:21:55,200 Okay, okay, excellent. Are there any plans to re record anything 280 00:21:55,240 --> 00:21:59,799 from Shell City or I want to redo Overdue? Yeah, you were saying 281 00:21:59,839 --> 00:22:02,680 something about that off air. Yeah, yeah, I want to redo Overdue, 282 00:22:02,759 --> 00:22:07,799 Like it's I think that for having it been been like written in fifteen 283 00:22:07,880 --> 00:22:10,720 minutes, I think that it's one of the strongest lyrical songs that we have. 284 00:22:11,000 --> 00:22:15,240 Yeah, there's just so much raw emotion and passion that I put into 285 00:22:15,319 --> 00:22:17,640 that song when writing it, which I don't even know where it came from. 286 00:22:17,720 --> 00:22:18,279 Like I was in a good place. I was like, oh, 287 00:22:18,319 --> 00:22:22,160 freshman year of college, You're like, yeah, have fun with all my 288 00:22:22,160 --> 00:22:25,319 buddies, and then it's like, Bam, let's write a sad song. 289 00:22:25,960 --> 00:22:27,119 I don't know where it came from, but hey, it came out good. 290 00:22:27,400 --> 00:22:30,359 Yeah. Yeah. What is it that you don't like about the because 291 00:22:30,400 --> 00:22:33,799 I think it sounds phenomenal. I like it. I think like when it 292 00:22:33,920 --> 00:22:40,920 goes into like the chorus part I the original version that we had, the 293 00:22:41,119 --> 00:22:47,039 vocals were much higher, raspier, and more They had more feeling and more 294 00:22:47,119 --> 00:22:48,720 tone to it, and I want to get back to that. The only 295 00:22:48,759 --> 00:22:52,799 thing that we didn't why we didn't do that on Shell Cities because we had 296 00:22:52,839 --> 00:22:56,119 a version of it before that we had put out and it wasn't doing as 297 00:22:56,160 --> 00:23:00,200 well as we had thought, Like it was some audio issues with it with 298 00:23:00,319 --> 00:23:03,920 like it clipping and stuff and just not sounding like the professional standard that we 299 00:23:03,960 --> 00:23:07,599 wanted it to. So I think if we get back into Blackhart, it'll 300 00:23:07,640 --> 00:23:11,880 be a lot easier to get the sound that we want and have the audio 301 00:23:11,000 --> 00:23:15,359 quality not be compromised. Yeah, oh that makes sense. That makes sense. 302 00:23:15,839 --> 00:23:18,279 Now, when when you guys play live, do you do any covers 303 00:23:18,359 --> 00:23:22,960 or is it all originals or yeah, we do, we do covers, 304 00:23:22,279 --> 00:23:26,519 originals, everything. So I mean our usual set, what are we going 305 00:23:26,559 --> 00:23:30,119 on like to twoish three hours? Our usual set? Oh wow, okay, 306 00:23:30,279 --> 00:23:33,880 I know we're we're playing like two ish three ish hours at like bars, 307 00:23:33,960 --> 00:23:37,480 pubs and again everywhere we can play, and we do quite a bit 308 00:23:37,599 --> 00:23:44,480 of covers, And I just think our covers sometimes like I like to I 309 00:23:44,599 --> 00:23:48,440 like when we're told that our covers sound better than the original version that so 310 00:23:48,559 --> 00:23:52,599 we were playing, I think we're playing Telly's last week and there was like 311 00:23:52,640 --> 00:23:56,960 a bunch of people at the bar and I love their new open concept thing. 312 00:23:56,039 --> 00:24:00,279 They like got a stage and everything surrounded now instead of like in the 313 00:24:00,359 --> 00:24:03,559 corner like we were a couple of years ago. But yeah, so we 314 00:24:03,640 --> 00:24:04,640 had There was people at the bar and they came up to us after. 315 00:24:04,759 --> 00:24:08,000 There's like, man, that Zach Bryan's song. He doesn't he doesn't hit 316 00:24:08,039 --> 00:24:11,200 those notes live, And I'm like, oh, yeah, we we try 317 00:24:11,240 --> 00:24:15,319 to be different and try and do stuff that like the people who are playing 318 00:24:15,359 --> 00:24:18,519 these big shows out there aren't doing, because like we want to bring we 319 00:24:18,599 --> 00:24:22,680 want to bring like as much of the experience as we can to them and 320 00:24:22,839 --> 00:24:26,079 just try and sound as authentic as we can. Yeah. What what song 321 00:24:26,599 --> 00:24:30,279 we were doing? Burn Burn Burn Zach Bryan? Okay, Yeah, and 322 00:24:30,359 --> 00:24:32,640 when he gets to the end there he goes, let me go down that. 323 00:24:32,960 --> 00:24:36,559 Yeah. I was like hitting those notes and like getting them correct, 324 00:24:37,319 --> 00:24:41,039 and people just loved it. You know, They're like, well we saw 325 00:24:41,119 --> 00:24:41,720 him live and he didn't do that. I was like, yeah, well 326 00:24:41,759 --> 00:24:45,759 we try and be the best. Yeah. No, that's and that's validating, 327 00:24:45,880 --> 00:24:48,160 right when somebody says that to you, that's amazing. Yeah, it's 328 00:24:48,200 --> 00:24:51,240 it's great. We love to hear it. Yeah, yeah, do you 329 00:24:51,279 --> 00:24:53,519 do any obscure covers where people don't necessarily know o their covers? Yes, 330 00:24:53,920 --> 00:24:57,200 oh my god. Yeah, well we're playing we're playing el Street the other 331 00:24:57,240 --> 00:25:00,119 and he's like, are you guys just playing covers? Are this originals too? 332 00:25:00,200 --> 00:25:03,279 And just like it's both. We hadn't played any originals yet. Yeah, 333 00:25:03,440 --> 00:25:07,880 yeah, it's both. We're getting there, but it's both for now, 334 00:25:10,160 --> 00:25:12,400 like like like what what what what's an example of like an obscure one? 335 00:25:14,079 --> 00:25:18,640 Gosh, Miles Smith, Yeah, Miles Smith. He's he's getting up 336 00:25:18,640 --> 00:25:21,720 there. But like we play Solo by Miles Smith, and that's a pretty 337 00:25:21,759 --> 00:25:26,279 obscure one. Yeah. I think like for non like college students, Kilby 338 00:25:26,400 --> 00:25:30,599 Girl would be another. Yeah, that's that's a new favorite. Rus like 339 00:25:30,839 --> 00:25:33,400 killby Girl by the Backseat Lovers. We started playing that a couple of weeks 340 00:25:33,440 --> 00:25:37,480 ago and it's hasn't reached this way to the older audience yet, but it's 341 00:25:37,519 --> 00:25:42,440 getting there. Yeah. I think another one we play that's really obscure Disco 342 00:25:42,559 --> 00:25:45,799 Nights. I honestly don't even know who that's by. It's obscure to me. 343 00:25:45,960 --> 00:25:49,920 Yeah. I think it was like one of those TikTok songs, just 344 00:25:49,920 --> 00:25:56,880 like yeah, let's play that, right, Well, let's let's play my 345 00:25:56,200 --> 00:26:00,200 favorite. Now. You said you you think you you can get us? 346 00:26:00,759 --> 00:26:03,599 Which one is my favorite of the track? Seat you want to guess that 347 00:26:03,680 --> 00:26:08,079 you guys sent rhyme? Yeah? Am I right? That's the one, 348 00:26:11,440 --> 00:26:15,680 is it? Yeah? So weird? This was not that song was not 349 00:26:15,000 --> 00:26:18,680 like intended to ever be a song. Really. Yeah. So me and 350 00:26:19,240 --> 00:26:22,079 Hunter where we were just in his basement one night. It was me and 351 00:26:22,200 --> 00:26:25,599 him and his brother, his girlfriend, like a bunch of friends, were 352 00:26:25,680 --> 00:26:27,960 just like, I bet I could write a pop song. Like we were 353 00:26:29,000 --> 00:26:30,799 probably like hanging out and doing stuff, and like I was like, oh, 354 00:26:30,839 --> 00:26:33,039 I could write a pop song. I could do that. It's easy, 355 00:26:33,119 --> 00:26:37,559 And like an hour later this was created. Well, yeah, apparently 356 00:26:37,599 --> 00:26:41,160 it is easy because yeah, it's a great track and it's yeah, I 357 00:26:41,319 --> 00:26:44,519 know what you mean about it being a pop song. It's catchy as hell, 358 00:26:44,799 --> 00:26:48,079 and it's the length of a pop song. It's only two minutes and 359 00:26:48,599 --> 00:26:52,160 forty seconds. Yeah, so you're coming in under that three minute that's perfect 360 00:26:52,200 --> 00:26:56,000 for radio. I think that was the point where like, oh, radio 361 00:26:56,039 --> 00:26:57,839 pop songs, Yeah, anybody can do that. And we just did it 362 00:26:57,880 --> 00:27:00,200 in an hour and you did it. Yeah, well you did it well. 363 00:27:02,160 --> 00:27:03,920 So I love it. So let's give this a listen. So this 364 00:27:04,079 --> 00:27:07,960 is method and the rhyme. The band is two Towns band. You're in 365 00:27:08,119 --> 00:27:26,599 studio. Check this out. If you give me one more chang, maybe 366 00:27:26,839 --> 00:27:33,559 just let me in. I just need a second time. Then you're on 367 00:27:33,960 --> 00:27:41,480 my mind. I'll must spend my wings in fly and I need to second 368 00:27:41,759 --> 00:27:47,200 time. I just want to buy my side. Just slay with me tonight. 369 00:27:48,400 --> 00:27:53,400 I guess you need a little bitter time to me. You're on the 370 00:27:53,559 --> 00:28:00,200 method and the vibecause I'm just getting overbeat. I am another beeat. I'm 371 00:28:00,440 --> 00:28:04,680 just really sick of it. You get to auger around in beginning, choose 372 00:28:06,720 --> 00:28:12,000 the things. I'm gotta do this. They just offer me beat. I'm 373 00:28:12,240 --> 00:28:15,400 just really sick of it. It's all on my head and my bed. 374 00:28:15,599 --> 00:28:19,160 Wasn't the monsters in mouth? Let me they rise here to night better than 375 00:28:19,200 --> 00:28:22,319 that. The other thing that I said, now what I meant was gonna 376 00:28:22,319 --> 00:28:32,000 said all the text you said. Okay, not understand the things you said. 377 00:28:33,359 --> 00:28:41,279 This I'm the thing, not just scale them. I guess you need 378 00:28:41,400 --> 00:28:48,200 a little bitter time to figure auto method and right because I'm just getting over 379 00:28:48,359 --> 00:28:52,440 me. I had that and up with it. I'm just really sick of 380 00:28:52,559 --> 00:28:57,880 it. You get to aug around he beginning, chose the things I'm gotta 381 00:28:57,960 --> 00:29:07,559 do. I am just up, just really sinking BE. I guess you 382 00:29:07,759 --> 00:29:12,559 need a little bit of time to be here at the method and rhyme because 383 00:29:12,599 --> 00:29:19,079 I'm just getting up with be. I'm just really saying compete. Don't get 384 00:29:19,279 --> 00:29:26,759 to ug around he beginning, just the things I'm gotta do this. I 385 00:29:26,960 --> 00:29:45,799 am just up, just weed to say be. That is method and the 386 00:29:45,920 --> 00:29:49,960 rhyme. The band is Two Towns band and they are here with us live 387 00:29:51,039 --> 00:29:56,319 in studio, and uh yeah, it's like it's so catchy, like I 388 00:29:56,400 --> 00:30:00,759 start swaying back. I don't do that to everything. That's true, It's 389 00:30:00,880 --> 00:30:04,359 true. I really do like that song. Yeah. I love all of 390 00:30:04,400 --> 00:30:07,519 your music. Really, you have an amazing sound. Yeah, thank you 391 00:30:07,640 --> 00:30:10,599 very much. You know, it reminds me a little bit. I think 392 00:30:10,640 --> 00:30:11,680 it's in the vocal, the way you singing it reminds me a little bit 393 00:30:11,680 --> 00:30:15,559 of Maroon five. It's funny because I really don't even like Maroon five, 394 00:30:15,640 --> 00:30:19,160 but I like that song. All right, that's good. But when I 395 00:30:19,359 --> 00:30:22,680 when I first listened to it, I was like, the vocal reminds me 396 00:30:22,720 --> 00:30:25,000 of somebody, and I think it reminds me of him. All right, 397 00:30:25,000 --> 00:30:26,400 I can hear it a little bit. Yeah, yeah, yeah, because 398 00:30:26,480 --> 00:30:30,000 you know, because your vocal approach is a little different on that one too 399 00:30:30,079 --> 00:30:32,480 than the other tracks. I feel, oh yeah, but yeah, no, 400 00:30:32,599 --> 00:30:34,480 that's really good. But you were you were also saying off air, 401 00:30:34,519 --> 00:30:38,440 you don't like playing that one live necessarily. We I've played that song live 402 00:30:38,559 --> 00:30:41,079 one time. Oh no, I played that song live one time, and 403 00:30:41,160 --> 00:30:45,359 that was at Higher Ground and we were we weren't gonna play it live. 404 00:30:45,640 --> 00:30:48,039 We weren't gonna play live. It was not in the set list. And 405 00:30:48,880 --> 00:30:52,000 sure enough, it's everybody's favorite song. So at the end of the show, 406 00:30:52,319 --> 00:30:55,440 they're just like chanting method in the rhyme and like, okay. So 407 00:30:55,640 --> 00:30:59,079 Hunter had to just play it on his computer and then me and another guy 408 00:30:59,119 --> 00:31:00,839 were working with at the time, Jackson Garrow, we just got it on 409 00:31:00,920 --> 00:31:04,000 stage, like I said, one microphone in each hand and just kind of 410 00:31:04,039 --> 00:31:07,960 did it. And it just feels so unnatural. Yeah, so not have 411 00:31:08,079 --> 00:31:14,039 a guitar or something in your hand, and I just yeah, it just 412 00:31:14,079 --> 00:31:18,720 don't play it live other than that wow wow fidget. So you can have 413 00:31:18,839 --> 00:31:22,279 something and it's gonna be it's gonna be something. Yeah, yeah, guitar, 414 00:31:22,440 --> 00:31:26,480 how about a guitar? No strings uses? Yeah you uses hold a 415 00:31:26,559 --> 00:31:30,440 guitar and not not play it. I don't know. Yeah, I can 416 00:31:30,480 --> 00:31:33,119 be there to fiddle. I think it's a great song. I think you're 417 00:31:33,160 --> 00:31:36,480 missing something playing it not playing it live. I gotta tell you see what's 418 00:31:36,519 --> 00:31:37,640 gonna you know what's gonna happen. Right, that's gonna end up being a 419 00:31:37,720 --> 00:31:41,920 huge hit, even even if you don't push it. Somehow, radio stations 420 00:31:41,960 --> 00:31:44,640 are gonna pick it up, and then you're gonna be forced to and then 421 00:31:44,680 --> 00:31:47,079 we're gonna have to be a pop band. And then and then some day 422 00:31:47,359 --> 00:31:51,720 no, and then someday you're gonna be on a big tour going, oh 423 00:31:51,880 --> 00:31:55,759 I hate playing that song, but you're gonna feel obligated. That's gonna be 424 00:31:55,799 --> 00:31:59,359 your encore because it's gonna be this massive yep. That's what's gonna happen. 425 00:31:59,440 --> 00:32:01,799 Yeah, that's like, hey, you know that song is gonna be big. 426 00:32:01,880 --> 00:32:07,559 It's like why because it's good? Yeah, it sounds good, but 427 00:32:07,680 --> 00:32:09,640 like it when you're when you're recording it, or you're like, Okay, 428 00:32:09,720 --> 00:32:13,720 this is great like pop song, it's gonna be catchy, sounds awesome, 429 00:32:13,759 --> 00:32:17,799 and then like when it's done and you've listened to that same ARPEGGI hated No 430 00:32:19,640 --> 00:32:22,880 maybe five thousand times and like you're just hearing it, and then it comes 431 00:32:22,920 --> 00:32:23,720 out that night, you're like all excited and you hear it, You're like, 432 00:32:24,200 --> 00:32:28,759 ah, should have been different. Yeah. It's also I feel like 433 00:32:28,799 --> 00:32:30,519 it's a little like removed from our other tracks. Yeah, clearly it's oh 434 00:32:30,559 --> 00:32:35,839 yeah pop not we're more like country indy, but right, so it changes 435 00:32:35,880 --> 00:32:37,359 the pace of the shows if we did play it live, which would be 436 00:32:37,440 --> 00:32:40,720 nice. But it's also you know that jumping from Zach Bryan to that to 437 00:32:42,039 --> 00:32:45,519 like ever do is completely different. Yeah yeah, yeah, No, I 438 00:32:45,599 --> 00:32:51,480 can see that definitely definitely, So you won't be that that's not one that 439 00:32:51,519 --> 00:32:53,839 you're gonna be uh re recording with Eric Soderiz No. I think I think 440 00:32:53,880 --> 00:32:57,400 that one, that one kind of came out as good as we could get 441 00:32:57,400 --> 00:33:00,839 it. Yeah, Like I was really happy with the action and quality and 442 00:33:00,880 --> 00:33:02,240 everything on that song. Yeah, I have no issues with that one. 443 00:33:02,359 --> 00:33:07,799 Absolutely, Now do you guys when you play out do you ever are there 444 00:33:07,880 --> 00:33:09,519 other bands in the area that you kind of you know, I just know 445 00:33:09,599 --> 00:33:13,759 from my own experience sometimes it happens sort of our organically, you end up 446 00:33:13,799 --> 00:33:15,519 teaming up with other bands and playing a lot of shows with them. Is 447 00:33:15,559 --> 00:33:20,160 there any anybody like that for you guys who you do a lot of shows 448 00:33:20,200 --> 00:33:22,839 with. So with just with Two Towns, I can't say that we've like 449 00:33:22,960 --> 00:33:28,319 really teamed up with anybody. We've like became friends with people like on the 450 00:33:28,400 --> 00:33:30,680 road, just like seeing occasionally, like, uh, somebody that we like 451 00:33:30,880 --> 00:33:34,680 run into and bostonalized Rebecca Turmel. I don't know if you guys have heard 452 00:33:34,759 --> 00:33:37,680 heard of her. She's coming on and is it I think it's October. 453 00:33:38,079 --> 00:33:42,720 It's a way I think it's on my birthday. She's coming. I remember, 454 00:33:42,880 --> 00:33:45,519 yeah, yeah, yeah, she's super talented, fantastic. Like we 455 00:33:45,640 --> 00:33:49,440 ran into her at a show at the Bop in Boston. Uh, probably 456 00:33:49,440 --> 00:33:52,039 about a year and a half ago, Like she was just getting going, 457 00:33:52,160 --> 00:33:55,839 like we were like kind of solidifying where we were in the New England music 458 00:33:55,880 --> 00:33:59,960 space. And yeah, she's fantastic. So you have a great guest there, 459 00:34:00,240 --> 00:34:02,880 Yeah, yeah, absolutely, Yeah, we met her and conquered at 460 00:34:02,920 --> 00:34:06,920 the run like thief show. Yep, yeah, yeah, yep yeah, 461 00:34:07,359 --> 00:34:09,159 and she is coming in on your birthday, yes, yes, nice, 462 00:34:09,239 --> 00:34:15,559 yes, very cool. Yeah. You guys, obviously with this configuration where 463 00:34:15,559 --> 00:34:17,639 it's just the two of you, you can play a lot of different kinds 464 00:34:17,679 --> 00:34:21,719 of places, right yep, and really fit in with a lot of different 465 00:34:21,880 --> 00:34:23,760 I mean, do you obviously you have enough music with you know, between 466 00:34:23,760 --> 00:34:27,840 the originals and the covers to fill a full night, But do you play 467 00:34:27,840 --> 00:34:30,480 a lot of shows where you only have like maybe forty five minutes or do 468 00:34:30,559 --> 00:34:32,760 you try to do you try to book shows where you have more more time. 469 00:34:34,199 --> 00:34:37,800 I mean, I think the thing when we used to do we used 470 00:34:37,800 --> 00:34:38,880 to book the shows where it was like, oh, forty five minutes an 471 00:34:38,920 --> 00:34:43,760 hour, playing a lot of the original stuff, and we'd get people there, 472 00:34:43,800 --> 00:34:46,760 and like, I think that was great when we were coming out of 473 00:34:46,880 --> 00:34:50,599 like the cover thing and like really building up and just being like, Okay, 474 00:34:50,679 --> 00:34:52,000 now we're just gonna start doing originals and stuff. And then when we 475 00:34:52,159 --> 00:34:58,039 stopped touring for that like year and a half almost two years, like we're 476 00:34:58,599 --> 00:35:00,920 finding the need to like not start over, but kind of pick up the 477 00:35:00,960 --> 00:35:07,320 pace again where we're like playing these bars, these smaller shows and just getting 478 00:35:07,400 --> 00:35:10,199 as much music out there and like getting as many people engaged as we can. 479 00:35:12,000 --> 00:35:14,639 Yeah, and that's what we're kind of finding ourselves doing with these like 480 00:35:14,719 --> 00:35:17,599 two three hour sets right now. Yeah. And we're we're definitely like in 481 00:35:17,679 --> 00:35:21,280 the process of booking like the forty five minutes to an hour and a half 482 00:35:21,360 --> 00:35:23,480 shows of where it's just all the originals. Sure, but that'll probably come 483 00:35:23,559 --> 00:35:29,800 later, like in the fall winter time, and then next summer the tour 484 00:35:29,880 --> 00:35:31,000 that we have planned, we're gonna go all over. Yeah, So it's 485 00:35:31,039 --> 00:35:35,599 not we're not gonna limit ourselves just to the Northeast. We're just gonna get 486 00:35:35,639 --> 00:35:37,079 on the road and do it. Yeah. Excellent, excellent. By the 487 00:35:37,119 --> 00:35:39,679 way, where does the name come from? Two towns? Well? Yeah, 488 00:35:39,719 --> 00:35:44,159 I got asked this a lot, And it was just during COVID, 489 00:35:44,239 --> 00:35:47,280 like I was just driving the Hunter's house and I was like, Oh, 490 00:35:47,519 --> 00:35:51,679 I wish you didn't live like two towns away, Yeah, because like it 491 00:35:51,760 --> 00:35:52,360 was, it was a drive. It was like a thirty minute drive. 492 00:35:52,400 --> 00:35:55,039 Every time I had to go record something to do something practice, I was 493 00:35:55,079 --> 00:35:57,960 like, I wish you didn't live two towns away, and that was just 494 00:35:58,079 --> 00:36:00,840 kind of oh it. We just kind of stuck with it. Yeah. 495 00:36:00,000 --> 00:36:04,719 So yeah, I was gonna say, what was the name before, because 496 00:36:04,760 --> 00:36:07,599 I don't know what it was? Two towns? It never changed. Yeah, 497 00:36:07,360 --> 00:36:10,320 before that thought you didn't have a name. Music. Yeah, all 498 00:36:10,360 --> 00:36:15,000 right, there was just music. They were just like two towns. Like 499 00:36:15,079 --> 00:36:19,920 the slogan that we like is like two guys from two towns. And that 500 00:36:20,079 --> 00:36:22,840 was just kind of stuck. Yeah. Yeah, that's why I only have 501 00:36:22,920 --> 00:36:24,199 to one other person, so then I never have to change the name. 502 00:36:24,400 --> 00:36:28,519 There you go, I get like four people. Then I got to start 503 00:36:28,559 --> 00:36:30,800 doing some explaining, well, but if it's four people, but two of 504 00:36:30,840 --> 00:36:34,360 the people live in one town and two of the people living see that worked 505 00:36:34,400 --> 00:36:37,840 out for our Higher Ground show. It was like they it worked because they 506 00:36:37,880 --> 00:36:39,400 were from one town, we were from the other. Yeah. See there 507 00:36:39,440 --> 00:36:42,719 you go, there you go. Well, let's play another track. What 508 00:36:42,800 --> 00:36:45,639 should we do next? I think we we've played how how many of we 509 00:36:45,719 --> 00:36:47,039 played? Three? Three? Oh? Good? So we have yeah, 510 00:36:47,079 --> 00:36:52,079 so we have plenty to choose from yet because you sent us six, do 511 00:36:52,159 --> 00:36:55,800 you have a preference when we go with next? Oo? My next favorite 512 00:36:57,440 --> 00:37:00,480 out of the ones that we sent probably seventeen seventeen. Yeah, okay, 513 00:37:00,039 --> 00:37:05,960 and anything we should know about this song. I don't know songs where there's 514 00:37:06,000 --> 00:37:08,079 an age. It almost I get the sense that there might be a story 515 00:37:08,239 --> 00:37:14,440 or something. Yeah, so I wrote I wrote seventeen when I was just 516 00:37:14,559 --> 00:37:17,599 like leaving, like leaving home. It was kind of like being like, 517 00:37:17,639 --> 00:37:22,280 okay, it's like you're growing up, you're going to college. Like seventeen 518 00:37:22,400 --> 00:37:24,840 was about all the things that like I had done or like we had done 519 00:37:24,880 --> 00:37:30,079 as friends when we were younger, and kind of like saying that if you 520 00:37:30,119 --> 00:37:32,840 could go back and do it all over again, you just wouldn't change the 521 00:37:32,880 --> 00:37:36,559 thing. Yeah, yeah, pretty cool, Pretty cool. All right, 522 00:37:36,679 --> 00:37:39,039 let's give this a listen. This is seventeen, and this is the two 523 00:37:39,400 --> 00:37:43,159 not the there's not the right. It's just two towns band two towns, 524 00:37:43,280 --> 00:37:45,840 like straight up, two towns, two towns. Yep, here we go. 525 00:37:53,159 --> 00:37:59,199 We were so young, we didn't know, and we never did what 526 00:37:59,679 --> 00:38:06,840 we were to break all the rules. We didn't care. Why can't we 527 00:38:07,280 --> 00:38:13,760 go back there? We were seventy Love that it means because we can be 528 00:38:14,280 --> 00:38:25,119 anything we want to be. The fucker turn back time. If fucker real, 529 00:38:25,320 --> 00:38:30,920 Why I would do it all the second time? And if you Bama 530 00:38:31,079 --> 00:38:38,079 side, we take to this guy's in life like when we were seventeen. 531 00:38:46,440 --> 00:38:53,360 Remember the day we leave any play a lot of them to care about anything? 532 00:38:54,159 --> 00:39:00,079 All there we do this party is in jewels. We'd run around and 533 00:39:00,239 --> 00:39:07,039 then act like rules. We could go back then I know the we we're 534 00:39:07,280 --> 00:39:20,639 too bid our care the fucking turned that time in fucking real. Why I 535 00:39:20,639 --> 00:39:23,679 don't know what I would do you know the second time? And with you 536 00:39:23,920 --> 00:39:31,400 mama's side, we take to this guy's in li like when we were seventeen. 537 00:39:37,719 --> 00:39:45,159 When the seventeen we were so young. We didn't know, we never 538 00:39:45,400 --> 00:39:51,360 didn't, but we were so break all the rules. We didn't care. 539 00:39:52,559 --> 00:40:09,360 Why can't we go back there when we were seventeen, when we were seventy 540 00:40:23,880 --> 00:40:30,719 you fucking turned back time it fucking re Why hello, I would do you 541 00:40:30,960 --> 00:40:35,400 all a second time? Then we do by my sade, we turn to 542 00:40:35,880 --> 00:40:55,920 this guy's in fine like when we were seventeen that fade out snuck up on 543 00:40:57,039 --> 00:41:00,679 me there That is seventeen, by the way, Okay, so we were 544 00:41:00,719 --> 00:41:04,480 talking off here. It's officially the name is Two Towns not two towns bann 545 00:41:05,719 --> 00:41:08,239 yep correct two towns, two towns, two towns, Facebook, Instagram all 546 00:41:08,280 --> 00:41:12,599 over it, two towns, gotcha, gotcha. And the other thing that 547 00:41:12,679 --> 00:41:14,880 we were talking about too, is so one of the songs this isn't one 548 00:41:14,920 --> 00:41:17,559 of the ones you sent me, but you mentioned that this is your favorite. 549 00:41:17,760 --> 00:41:22,400 Let me just see if I just want to get to where I can 550 00:41:22,440 --> 00:41:24,639 play because I had to open up Spotify here, which I can definitely do. 551 00:41:25,360 --> 00:41:29,920 But this this has an interesting story. So it's called fall Apart ye 552 00:41:30,679 --> 00:41:34,039 and uh yeah, tell us tell us about this while I looked for it. 553 00:41:34,079 --> 00:41:37,760 Fall Apart we It originally started as there was this band from Norway, 554 00:41:37,239 --> 00:41:42,760 Lauren Liz, and they had somehow heard our music and reached out to us 555 00:41:42,760 --> 00:41:45,400 over on Instagram DM. And this was right when we were starting, like 556 00:41:45,519 --> 00:41:49,559 we were in the process of doing shell City and we're like, okay, 557 00:41:49,599 --> 00:41:52,960 we need like one or two more songs to fill some more slots in this 558 00:41:52,039 --> 00:41:55,199 album. And just miraculously, one day they reached out and they're like, 559 00:41:55,280 --> 00:42:00,679 hey, let's do a song together. And they sent us like a few 560 00:42:00,800 --> 00:42:02,760 bits and pieces of like ideas that they had and then it was just like 561 00:42:02,840 --> 00:42:07,039 a back and forth collaboration, and it kind of see it kind of like 562 00:42:07,920 --> 00:42:14,039 gave me a little light to how just because you're like way apart in the 563 00:42:14,079 --> 00:42:16,119 world, like you're two different parts of like the globe, it doesn't mean 564 00:42:16,199 --> 00:42:20,960 that you can't like collaborate and make music with other people. So yeah, 565 00:42:21,079 --> 00:42:23,119 I mean we we live in a time where, you know, because I'm 566 00:42:23,119 --> 00:42:27,719 old enough to remember when you know, nobody was thinking about, you know, 567 00:42:27,880 --> 00:42:30,960 being able to email and drop box, you know, those songs back 568 00:42:31,000 --> 00:42:36,119 and forth and all that stuff. So yeah, it is amazing that we 569 00:42:36,639 --> 00:42:39,199 were able to do that, do all of that. Now, let's see. 570 00:42:39,239 --> 00:42:45,119 Okay, I think I've got Spotify open here and it's uh is it? 571 00:42:45,280 --> 00:42:51,239 Oh? Yeah, here we go, uh oh see more there it 572 00:42:51,400 --> 00:42:52,960 is. Yeah, let's give this a listen. Yeah, so this is 573 00:42:53,039 --> 00:43:10,800 called fall Apart and this is two towns. He was promised shooting stars, 574 00:43:13,440 --> 00:43:46,360 thunder lining and Frost driving cars, and he unstard and then he let chase 575 00:43:52,039 --> 00:44:20,880 calling nice all blinded Bottle, she cat down Belieble before the bach once to 576 00:44:21,239 --> 00:44:38,360 fighting and she bless. She's start about. It is not ju Lay to 577 00:44:38,639 --> 00:44:45,079 change, It's not Tolay to change. It's not delay. It's not delay. 578 00:44:45,400 --> 00:44:52,440 It's not to it's not ju lay to change, it's not delay to 579 00:44:52,679 --> 00:45:00,519 change. It's not Jay, it's not delay, it's not too. Did 580 00:45:17,599 --> 00:45:22,440 well, very cool? That is fall apart. Two towns did that. 581 00:45:22,800 --> 00:45:29,920 So in the end, obviously that that collaboration. You said it's your favorite, 582 00:45:29,960 --> 00:45:31,519 so you're you're obviously very happy with it. Yeah, it's one of 583 00:45:31,519 --> 00:45:35,119 my favorites that we did. And it just it came from absolutely nothing and 584 00:45:35,159 --> 00:45:38,159 they just reached out and yeah, turned into something beautiful. Did it Did 585 00:45:38,239 --> 00:45:43,480 it turn out the way that you expected? Or was it a surprise? 586 00:45:43,639 --> 00:45:45,920 Because it was It was definitely a surprise. It was more of like, 587 00:45:46,119 --> 00:45:50,119 oh, this actually turned into something that like we can use, and it 588 00:45:50,199 --> 00:45:54,000 was it was a long process, like I think we spent three to six 589 00:45:54,079 --> 00:45:58,199 months just like back and forth communication being like Okay, who's going to do 590 00:45:58,280 --> 00:46:00,719 this, You're going to do this, and it turned just something that like 591 00:46:00,079 --> 00:46:04,440 we were really proud of in the end there. Yeah, yeah, do 592 00:46:04,519 --> 00:46:09,199 you obviously you know you don't have another vocalist with you to do that. 593 00:46:09,639 --> 00:46:14,760 Do you do that live at all? Or that one? We haven't really 594 00:46:14,840 --> 00:46:19,159 considered doing live. I think it's just because we don't have the female vocalists. 595 00:46:19,280 --> 00:46:21,760 Yea, unless your voice can get that high. I mean we can 596 00:46:22,280 --> 00:46:23,239 see what's going on. Yeah, you never know. Yeah, yeah, 597 00:46:23,840 --> 00:46:27,880 yeah, we just haven't really considered doing it live because we don't have that 598 00:46:28,199 --> 00:46:31,639 female vocalist aspect of it. But it's definitely something we would like consider bringing 599 00:46:31,679 --> 00:46:36,440 in, maybe reworking a little bit of the vocals to fit my range or 600 00:46:36,519 --> 00:46:39,440 maybe James's and then yeah from there, yeah, very good, very good. 601 00:46:42,920 --> 00:46:47,679 Let's see, we've got time. I don't know if we'll have time 602 00:46:47,719 --> 00:46:51,639 to get all of them in. What was the one, uh you had 603 00:46:51,679 --> 00:46:55,559 mentioned, uh, maybe playing before we started talking about fall apart. I 604 00:46:55,639 --> 00:47:00,960 think the two that we have is the two that we have left unoriginal and 605 00:47:00,039 --> 00:47:04,079 should have been me those the oh should have been me. I really liked 606 00:47:04,079 --> 00:47:06,320 that one a lot too. Should have been me. I actually wrote when 607 00:47:06,360 --> 00:47:08,199 I was in eighth grade. No kidding, should have been me. I 608 00:47:08,239 --> 00:47:12,360 wrote in eighth grade, and it just kind of followed me all the way 609 00:47:12,480 --> 00:47:15,360 till we started. Two times We're like, hey, here's something, and 610 00:47:15,800 --> 00:47:21,039 it kind of just came to be no kidding. Yeah, So did you 611 00:47:21,679 --> 00:47:24,800 did you have the lyrics written down somewhere or did you just always remember them? 612 00:47:24,960 --> 00:47:30,880 I had the lyrics written down somewhere, and we were renovating like one 613 00:47:30,920 --> 00:47:34,639 of our rooms in the basement that used to be my bedroom into a recording 614 00:47:34,679 --> 00:47:37,920 studio, and I had found this book from like this like little notebook from 615 00:47:37,960 --> 00:47:42,239 when I was like in middle school, eighth grade time, and I opened 616 00:47:42,239 --> 00:47:44,559 it up and like the first page I opened it up to, should have 617 00:47:44,599 --> 00:47:45,199 been Me was on there, and I was like, Hey, we're gonna 618 00:47:45,239 --> 00:47:49,360 we're gonna try this, and it just turned out to be a great song. 619 00:47:49,440 --> 00:47:51,960 Wow, I'll be Did you rewrite any of the lyrics or did you 620 00:47:52,000 --> 00:47:53,519 stick with thee I think we stuck with everything I had. I think we 621 00:47:53,639 --> 00:47:58,159 reworked, like the ending part a little bit, the outro I think we 622 00:47:58,280 --> 00:48:01,440 reworked, and maybe second verse. But yeah, that was the first song 623 00:48:01,519 --> 00:48:06,320 that Two Towns Ever put out, and that was back in twenty twenty, 624 00:48:06,360 --> 00:48:08,559 I think November of twenty twenty. Okay, okay, oh cool, all 625 00:48:08,639 --> 00:48:12,119 right, let's give this a listen. This should have been me, this 626 00:48:12,280 --> 00:48:30,639 is Two Towns. I've made mistakes and I'm remanded with that. Remove that 627 00:48:30,920 --> 00:48:42,920 make now what the lie? But you would give me the second try. 628 00:48:47,880 --> 00:49:00,800 You are the one. Oh, my w li lolylovo. Yeah, you've 629 00:49:00,960 --> 00:49:13,079 passed me by now while I see him. Those are the guys. Oh, 630 00:49:13,159 --> 00:49:16,039 we should have been me that you wanted more? Should have been me, 631 00:49:16,239 --> 00:49:22,440 and I'm rifted to No, should have been me, love me, 632 00:49:22,519 --> 00:49:25,880 should have gotten me? It should have been me? Why not you, 633 00:49:27,039 --> 00:49:31,920 though? Should have been me now, my hot fear so should have been 634 00:49:32,079 --> 00:49:50,320 me now, it should have dot me whoa whoa whoa Yeah in my dreams 635 00:49:50,360 --> 00:50:01,079 tonight. Oh, you're probays their health every time I want to take a 636 00:50:01,280 --> 00:50:07,440 ride, and you know I want you by my side, my side, 637 00:50:07,239 --> 00:50:17,119 my side, and when you catch by, oh, my hearts clips inside 638 00:50:19,960 --> 00:50:29,119 inside. Oh but you walk good bye? Now, I feel I'm wasting 639 00:50:29,480 --> 00:50:37,239 time high wastingside. Yes, Oh, it should have been me that you 640 00:50:37,480 --> 00:50:43,920 wanted more. Should have been me. I'm ripty, don't no, it 641 00:50:44,000 --> 00:50:47,719 should have been me now. It should have been me here, It should 642 00:50:47,760 --> 00:50:52,559 have been me when not you, though, should have been me? I 643 00:50:52,760 --> 00:51:42,920 my half so should have been me now it should have been me. Not 644 00:51:43,159 --> 00:51:45,400 bad for eighth grade, that's really good. I like that a lot. 645 00:51:45,480 --> 00:51:50,119 That should have been me. That is two Towns. We have two towns 646 00:51:50,320 --> 00:51:53,400 live in studio. Of course we have Zach and James here and uh we 647 00:51:53,480 --> 00:51:57,320 should mention so before we run out of time, you guys got to show 648 00:51:57,599 --> 00:52:00,000 tonight, right yep, we got to show up in a Waterville Vale, 649 00:52:00,159 --> 00:52:02,719 the Waterfollo Valley town Square read at the gazebo in the center town. We 650 00:52:02,840 --> 00:52:08,639 are playing from six to nine tonight, and then next week we go to 651 00:52:08,880 --> 00:52:13,559 the gas Light Co in Portsmouth on Thursday, and then we're at somebody Nose 652 00:52:13,599 --> 00:52:15,920 Brewery on Saturday. Excellent. Yeah, now you guys are staying busy, 653 00:52:16,239 --> 00:52:20,039 Yeah, gotta stay busy. That's really good. That's really good. And 654 00:52:20,480 --> 00:52:22,760 what should people know about where to find you online? Best place is definitely 655 00:52:22,800 --> 00:52:27,400 Instagram. Two towns on Instagram. You got a two towns on Facebook. 656 00:52:27,559 --> 00:52:30,559 And we're really starting to make a TikTok presidence out there too before it goes 657 00:52:30,599 --> 00:52:34,559 away. So we're just trying to get as much content out there as possible. 658 00:52:34,599 --> 00:52:36,800 So yeah, two towns on TikTok as well. Yeah, yeah, 659 00:52:36,920 --> 00:52:39,639 you think you'll think it's gonna go away TikTok. It might, man, 660 00:52:39,760 --> 00:52:43,320 I don't know, I know, I know, yeah it could it could, 661 00:52:43,519 --> 00:52:46,760 so, I mean, use it while it's there. That's right exactly. 662 00:52:47,119 --> 00:52:51,920 And we do have one more track which we'll we'll use on the show 663 00:52:51,960 --> 00:52:52,920 at a moment. But guys, thank you so much. This has been 664 00:52:52,960 --> 00:52:55,760 wonderful. I really like your sound. I like what you're doing, so 665 00:52:57,079 --> 00:53:00,400 thank you very much. Oh. By the way, Melanie in the room 666 00:53:00,480 --> 00:53:05,599 and her husband Jay fed from our friends from Vermont. They're very beard centric 667 00:53:05,679 --> 00:53:08,199 and they notice you guys don't have beards, which is unusual for musicians in 668 00:53:08,280 --> 00:53:12,159 this era. Everybody's got facial hair. Really, I just shaved this morning. 669 00:53:12,639 --> 00:53:15,000 I can't. I can't grow beard. I can do like this really 670 00:53:15,400 --> 00:53:20,159 patch thing. Yeah, past that nothing, It just grows in patchy and 671 00:53:20,320 --> 00:53:23,000 goofy and nope, I gotta take it off. You guys are young. 672 00:53:23,079 --> 00:53:28,599 Eventually that pesty facial hair start to show up. Probably we're really young. 673 00:53:28,719 --> 00:53:31,719 So yeah, yeah. One of them was saying that, uh, yes, 674 00:53:32,000 --> 00:53:38,440 you James, Uh you could rock a handlebar mustache. I've told yeah, 675 00:53:38,639 --> 00:53:45,599 yeah I can the hat. Yeah it would be amazing. Yeah, 676 00:53:45,639 --> 00:53:50,119 Melanie said, yeah, handlebar stash and some crazy sideburns. So something to 677 00:53:50,199 --> 00:53:53,760 keep in mind. I'll go for it. And uh, Jenny before we 678 00:53:53,800 --> 00:53:57,599 wrap up, did you want to plug your website? Absolutely, you can 679 00:53:57,639 --> 00:54:00,400 come check me out at Gencoffee dot com, E N N C O F 680 00:54:00,559 --> 00:54:05,960 F E Y dot com. Always up to something, Yes, yes, 681 00:54:06,199 --> 00:54:08,119 absolutely, and thank you again to our other guests today too. Of course 682 00:54:08,159 --> 00:54:13,679 we had a Jusel the rap No, I'm sorry you were so close to 683 00:54:13,840 --> 00:54:15,480 doing it right, I'm mixing him up with Hope the Rapper who we did 684 00:54:15,559 --> 00:54:17,960 the world radio premiere for one of his new singles, of course, but 685 00:54:19,079 --> 00:54:23,039 also a Jusel the Rebel was our first guest in the first hour today, 686 00:54:23,199 --> 00:54:27,639 and of course we had the ladies from the Sister Witch Company in the second 687 00:54:27,679 --> 00:54:31,360 hour and very happy to have them on. And guys, thank you again. 688 00:54:31,519 --> 00:54:36,000 Of course, two towns here in studio with us, and we're going 689 00:54:36,079 --> 00:54:38,239 to close out with this track. Oh anything we should know about this? 690 00:54:38,480 --> 00:54:44,719 Why is it called the Unoriginal? I think so. I actually didn't write 691 00:54:44,760 --> 00:54:46,000 this song. This is the only song on the album that I didn't write 692 00:54:46,360 --> 00:54:50,559 wrote it, and I think he wrote it. I think he called it 693 00:54:50,679 --> 00:54:53,599 unoriginal because it was kind of a play on a Rex Orange County thing that 694 00:54:53,639 --> 00:55:00,119 we were doing, like, oh, what's the typical like indie pop be 695 00:55:00,320 --> 00:55:02,559 like I Love my girlfriend's song. Yeah, and this is what he ended 696 00:55:02,639 --> 00:55:06,400 up coming up with, so oh cool, Yeah, all right, very 697 00:55:06,440 --> 00:55:09,000 good, all right, Zach and James from Two Towns. Thanks again, 698 00:55:09,079 --> 00:55:21,000 guys, and we will leave you with this. This is unoriginal. I 699 00:55:21,159 --> 00:55:28,199 get this funny thing and looking back at you with your eyes in your heart 700 00:55:28,280 --> 00:55:36,199 so blue. I gotta say one thing, three words. Yes, this 701 00:55:36,360 --> 00:55:40,360 song is on original. But Darling, I love you. I love you, 702 00:55:40,840 --> 00:55:44,679 Yes, I do, Yes, I do? Oh? Is sue, 703 00:55:45,599 --> 00:55:52,440 I really really really love you? Yes? I do, yes, 704 00:55:52,559 --> 00:55:59,760 I do. I love you, baby, hold my hand, maybe kissing 705 00:56:00,039 --> 00:56:04,800 again. I'll make the herd go. Wait, just promise me that you 706 00:56:04,960 --> 00:56:14,360 stay. I've never met anyone like you, your mam boo, Darling, 707 00:56:14,800 --> 00:56:17,519 I love you, I love you, Yes, it's true. Yes, 708 00:56:19,400 --> 00:56:27,920 Oh I do true, I really really really love you. Yes, yes, 709 00:56:28,079 --> 00:56:32,559 I it's true, Darling. I love you, I love you, 710 00:56:34,000 --> 00:56:38,679 I love you. I love you. Oh, I love love love love 711 00:56:40,599 --> 00:57:00,239 you. Don't don'thing they know it's really fault. I'm gonna need a minute, 712 00:57:00,280 --> 00:57:10,440 minute minute, let's go. Who died It's hope. I'm with the 713 00:57:10,519 --> 00:57:15,599 pod Ron gone back, shaktoki. I've got down since he's got something. 714 00:57:15,679 --> 00:57:19,719 An passed out. In twenty twenty, Mass called and I felt like pot 715 00:57:19,840 --> 00:57:22,320 man pop mam. They just see the same for nigros. They washed down 716 00:57:22,400 --> 00:57:27,280 the product and murdered out. He broke sound. The culture been bunched with 717 00:57:27,440 --> 00:57:30,960 egos like Yay saying we just want the power the people and Pizzo. How 718 00:57:31,000 --> 00:57:37,320 they're holding the remote nowadays seems like the truth of seafold me though, I'm 719 00:57:37,400 --> 00:57:40,360 a rebel with one cause this ball might set the middle of detect dolls. 720 00:57:40,840 --> 00:57:45,360 How she knowing is something like Brett falls. I'm gonna need a breath because 721 00:57:45,400 --> 00:57:49,360 you go into the long yard. Heard you playing like Kevin and Kitt hard 722 00:57:49,519 --> 00:57:53,280 thinking number doll. So probably I'll hit pause swing, gonna lose this swin 723 00:57:53,360 --> 00:57:59,280 a circle working for the bill Board in the night commercial art that'll put him 724 00:57:59,320 --> 00:58:01,840 in check. Let me take up breath? Wait, will up next? 725 00:58:02,519 --> 00:58:07,599 We ain't gonna lose this winter circle working for the bill Board in the night 726 00:58:07,679 --> 00:58:10,320 commercial. Four, that'll put them in checked. Wait, let me take 727 00:58:10,400 --> 00:58:15,559 up breath? Wait will up next? Wait a second verse? You gonna 728 00:58:15,559 --> 00:58:17,840 need a nurse soldier boy, tell us it is that we get the first 729 00:58:19,199 --> 00:58:22,480 hold a noise because this gonna hit him. Wear hurts, Pulo roids. 730 00:58:22,519 --> 00:58:24,519 We had a rally, so ir gonna bring this darn loop. We gonna 731 00:58:24,559 --> 00:58:29,199 turn into a garden. Were not the same. I ain't like James Harden 732 00:58:29,440 --> 00:58:31,719 shoot for the Star said no, you can't guard him. I will not 733 00:58:31,840 --> 00:58:37,280 touch that brick. But no bogs hard as it feels like a speak washing 734 00:58:37,559 --> 00:58:40,559 in my own world, I find myself often they tell me stop by saying 735 00:58:40,639 --> 00:58:45,960 we just started. Might lose my mind. But Keith with my heart starving, 736 00:58:45,199 --> 00:58:47,599 I ain't eat a bit up in a minute. But I treated like 737 00:58:47,639 --> 00:58:52,119 I'm Papa and ate away my swining, just trying to reach limits that I 738 00:58:52,239 --> 00:58:54,920 never said. I go, can't stop. And Chris Wallace with kick dose 739 00:58:55,239 --> 00:59:00,719 ten toes and get do a line. Know this ain't know William not ninten 740 00:59:00,920 --> 00:59:04,599 do drap needa fix and we giving out good. No, I will not 741 00:59:04,760 --> 00:59:07,559 stop. You will have to come my brow. We ain't gonna lose this 742 00:59:07,800 --> 00:59:13,440 Winner's circle. Who's working for the bill Board in the night commercial working Mata 743 00:59:13,519 --> 00:59:15,760 whom in check? Wait, let me take a breath, wait wi up 744 00:59:16,239 --> 00:59:21,920 next. We ain't gonna lose this winter circle working for the bill Board in 745 00:59:22,000 --> 00:59:25,000 the night commercial orcuit, thatta wotem in check. Wait, let me take 746 00:59:25,039 --> 00:59:30,079 a breath, Wait way up next day, it's hope. I'm with the 747 00:59:30,199 --> 00:59:35,840 bard Man God that won Uncle SHUKTALKI Afghan and since it's got something gonna pass 748 00:59:35,880 --> 00:59:44,639 down twenty twenty, massac on k I felt like Bradman Man the command God, 749 00:59:44,920 --> 00:59:47,599 don't get Supreme Leader. Maxio g