WEBVTT

1
00:00:04.000 --> 00:00:08.839
This is Later with Lee Matthews,
The Lee Matthews Podcast. More of what

2
00:00:09.000 --> 00:00:13.960
You here weekday afternoons on the Drive. Dwayne Epstein is the author of many

3
00:00:14.000 --> 00:00:18.879
books New York Times bestsellers, Lee
Marvin point Blank, and other acclaimed biographies.

4
00:00:18.920 --> 00:00:22.559
His newest creation is Killing General is
the Making of the Dirty Dozen,

5
00:00:22.839 --> 00:00:27.199
the most iconic World War Two movie
of all time? Dwayne, It's one

6
00:00:27.199 --> 00:00:30.079
of my favorites. But to you, what makes it one of the most

7
00:00:30.239 --> 00:00:36.359
iconic? Well, oh, well, good morning, Lee. Um.

8
00:00:37.920 --> 00:00:40.119
I'll be honest with you. I
didn't come up with that subtitle. I

9
00:00:40.240 --> 00:00:45.439
was the publisher's idea. I personally
think it's yon. I personally think it's

10
00:00:45.560 --> 00:00:50.920
iconic because of remaking cast and the
ensemble aspect of it. One of the

11
00:00:50.920 --> 00:00:54.560
best casts in the movie history,
in my opinion. And at the time

12
00:00:54.560 --> 00:00:58.240
it came out in nineteen sixty seven, there was never really any kind of

13
00:00:58.240 --> 00:01:07.159
film even close to that kind of
cutting edge action and anti establishment um demeanor

14
00:01:07.200 --> 00:01:15.159
and theme and you never you had
never seen in a film before where there

15
00:01:15.200 --> 00:01:19.680
really wasn't any any good guy to
root for. Every everybody was a little

16
00:01:19.040 --> 00:01:25.680
anti hero or or you know,
excuse me, but the military establishment came

17
00:01:25.719 --> 00:01:29.920
off like an American corporation, and
that they weren't very likable and they weren't

18
00:01:30.000 --> 00:01:34.840
very smart. And the character that
Lee Marvin played, the lead character,

19
00:01:34.959 --> 00:01:38.280
John Reisman, was very much a
maverick and didn't go by the rules.

20
00:01:38.319 --> 00:01:42.239
And at the time the film came
out in nineteen sixty seven, that was

21
00:01:42.280 --> 00:01:47.000
a very popular idea that you can't
you know, you can't trust anybody over

22
00:01:47.079 --> 00:01:49.359
thirty and things of that nature.
All at all, it was just a

23
00:01:49.439 --> 00:01:56.280
wonderfully done package to make for a
powerful uh film. Dwayne Epstein and the

24
00:01:56.519 --> 00:02:00.159
book is Killing Generals the making of
the Dirty Dozen, and this movie it

25
00:02:00.239 --> 00:02:04.400
came out, had a lot of
competition that was a little less gritty.

26
00:02:05.239 --> 00:02:07.400
Yeah, there was a hell of
a year sixty seven. It was a

27
00:02:07.400 --> 00:02:09.599
pivotal year in American film history.
In the Heat of the Night came out

28
00:02:09.639 --> 00:02:15.000
Cool Hand, Loup, Bonnie and
Clyde. Oh my gosh, so many

29
00:02:15.000 --> 00:02:19.639
great movies the Graduate, But I
don't know, they weren't the same kinds

30
00:02:19.639 --> 00:02:23.599
of movie. They were. They
were important films yet, but The Dirty

31
00:02:23.680 --> 00:02:29.800
doesn't change the rules of filmmaking in
a different way. I won't go into

32
00:02:29.840 --> 00:02:31.719
the whole story about how it was
the end of the studio system and the

33
00:02:31.719 --> 00:02:38.719
production code was changing. But The
Dirty doesn't challenge all those rules like nor

34
00:02:38.840 --> 00:02:42.240
the film had before, and it
wounded up becoming the number one film in

35
00:02:42.240 --> 00:02:46.280
the country. Well, and another
thing you saw in that year was the

36
00:02:46.400 --> 00:02:50.639
change and how and how camera angles
were shot. You started seeing more close

37
00:02:50.719 --> 00:02:54.840
ups and more quick takes and quick
cuts. Right, yeah, absolutely absolutely,

38
00:02:54.960 --> 00:02:58.599
And as you said, a moment
ago different camera angles, like in

39
00:02:58.639 --> 00:03:01.719
the opening of The Dirty doesn't when
they you know, when Lee Marvin's character

40
00:03:01.840 --> 00:03:07.800
has to go and witness a hanging, the director Robert Aldres put the camera

41
00:03:07.960 --> 00:03:12.080
under the gallows so when the body
dropped, you saw it from the bottom

42
00:03:12.159 --> 00:03:15.360
up. And he did that by
digging a hole into the company, into

43
00:03:15.360 --> 00:03:17.360
the sound stage. I mean,
those kind of things hadn't been done before.

44
00:03:19.199 --> 00:03:22.039
Talking about killing generals. The making
of The Dirty Dozen of book by

45
00:03:22.080 --> 00:03:25.000
Dwain Epstein. If you are a
movie film you'll love this. And maybe

46
00:03:25.080 --> 00:03:28.680
this wasn't the Well, I guess
it was kind of the first to usher

47
00:03:28.759 --> 00:03:31.159
in that new age of war movie. The Kelly's Heroes followed it, where

48
00:03:31.159 --> 00:03:38.479
Eagles dare color grit no heroes anti
heroes and the military brass are are almost

49
00:03:38.560 --> 00:03:44.439
always the enemy instead of the Nazis. Right, absolutely, right, fact,

50
00:03:44.479 --> 00:03:46.800
Lee Marvin has a line in the
film where he tells Ralph Meeker,

51
00:03:46.599 --> 00:03:51.400
the guy who plays a psychiatrist,
you know these guys hate you. And

52
00:03:51.560 --> 00:03:55.240
Lee Marvin's character says that's because you
know they the Germans haven't met them yet,

53
00:03:55.719 --> 00:04:01.719
so you know, the characters the
military more than the Nazis. And

54
00:04:01.840 --> 00:04:04.879
this put Lee Marvin on the map. He's an actual War War two head,

55
00:04:06.080 --> 00:04:10.599
yes he is. He served in
the Pacific as a marine during World

56
00:04:10.599 --> 00:04:14.199
War Two and he uh he was
wounded, that got the purple heart and

57
00:04:14.840 --> 00:04:19.199
um uh. He brought a lot
of his own experience into the character.

58
00:04:19.399 --> 00:04:21.959
And you know, it's been said
over the years that Lee Marvin was not

59
00:04:23.000 --> 00:04:25.920
a fan of The Dirty Does.
Actually that's not true. He didn't think

60
00:04:25.959 --> 00:04:29.639
the premise was very believable, but
the film itself he liked a lot.

61
00:04:29.680 --> 00:04:31.759
He thought it was really really well
done. Oh I remember you can tell

62
00:04:32.319 --> 00:04:35.759
yeah, I'm sorry, no,
it's we have a delay here because of

63
00:04:35.759 --> 00:04:39.959
the digital thing. But and I
apologize too for jumping on you. But

64
00:04:39.959 --> 00:04:43.120
but when I saw it for the
first time. I remember thinking that,

65
00:04:43.160 --> 00:04:45.519
wow, this is kind of implausible, but it was one hell of a

66
00:04:45.639 --> 00:04:50.879
ride, right, yeah, exactly
the point. Yeah, Dwayne empstyould say

67
00:04:50.920 --> 00:04:55.519
this, go ahead. I'm sorry, just real quick. Um that that

68
00:04:55.959 --> 00:04:59.199
there was no dirty doesn't that's an
urban, urban legend that's gone on for

69
00:05:00.920 --> 00:05:04.839
it was based on some actual group
of from the one hundred first Airborne and

70
00:05:04.879 --> 00:05:12.759
all that never happened. However,
the US Army has never used convicts for

71
00:05:12.920 --> 00:05:17.160
military service. But right now,
even as we speak, the Russians are

72
00:05:17.240 --> 00:05:21.720
doing that in the Ukraine. They
are recruiting. Yeah, seriously, they

73
00:05:21.720 --> 00:05:27.759
are recruiting convicts to fight in the
Ukraine. I discovered that and I put

74
00:05:27.839 --> 00:05:31.160
it in the book, and I
think it's amazing. Leave it and the

75
00:05:31.240 --> 00:05:35.000
Nazi and the Nazis did it too
during World War Two. So you know,

76
00:05:35.199 --> 00:05:38.759
when it comes to doing stuff like
that, we might not be the

77
00:05:38.800 --> 00:05:44.079
best army in the world, but
at least we don't do that and never

78
00:05:44.160 --> 00:05:47.079
have. That is a sign that
they're scraping the bottom of the barrel because

79
00:05:47.079 --> 00:05:54.319
they're running out of people, exactly
right, that's the point. Dwayne Epstein

80
00:05:54.439 --> 00:05:57.959
is author of the book Killing Generals
The Making of The Dirty Dozen. Let's

81
00:05:57.959 --> 00:05:59.839
talk about that title. I don't
want to pick on it too much,

82
00:05:59.839 --> 00:06:02.160
but killing Generals, I mean,
we're not about the book isn't about killing

83
00:06:02.199 --> 00:06:09.399
generals? Oh, I don't know. No, I'm kidding yea, yeah,

84
00:06:10.199 --> 00:06:15.040
it's interesting. The editor and I
were discussing what the titles should be,

85
00:06:15.079 --> 00:06:17.120
and at the same time we both
came up with the exact same title.

86
00:06:17.160 --> 00:06:21.199
It's it's the last line in the
film spoiler alert that Charles Bronson has

87
00:06:21.600 --> 00:06:29.720
after he gets visited in the hospital
by the by the officers, including the

88
00:06:29.759 --> 00:06:32.519
general played by Ernest board Nine,
and when they lead, Bronson goes,

89
00:06:32.560 --> 00:06:35.759
boy, oh boy. Killing generals
can get to be a habit with me.

90
00:06:36.399 --> 00:06:40.160
And I thought, if there's gonna
be, you know, a title,

91
00:06:40.319 --> 00:06:42.959
a title to the book that resonates
with readers, it's going to be

92
00:06:43.000 --> 00:06:46.800
that we're with Dwayne Epstein, who's
the author of Killing Generals. The making

93
00:06:46.800 --> 00:06:51.079
of The Dirty Dozen? Was it
difficult for Robert Aldrich to get that many,

94
00:06:51.319 --> 00:06:57.399
that much star power together and to
direct them all um, Yes and

95
00:06:57.519 --> 00:07:00.439
no, it really wasn't that difficult
to get the cast together. That was

96
00:07:00.480 --> 00:07:04.000
done mostly by well in tandem,
Robert Aldridge and tandem with the producer Ken

97
00:07:04.040 --> 00:07:06.519
Hyman, who by the way,
is very much alive, and I interviewed

98
00:07:06.600 --> 00:07:13.519
him, and it wasn't so much
that it was I mean, there were

99
00:07:13.560 --> 00:07:16.399
some people they tried to get for
the film that passed for one reason or

100
00:07:16.439 --> 00:07:20.560
another. Jack Palance was originally going
to play the Telesavadas part and he turned

101
00:07:20.600 --> 00:07:24.639
it down, which is an interesting
story as to why he turned it down.

102
00:07:24.920 --> 00:07:30.240
There was also Sidney Portier was approached, actor Nick Adams, Burt Lancaster,

103
00:07:31.000 --> 00:07:33.680
a bunch of other actors, but
once they spettled on the cast,

104
00:07:34.240 --> 00:07:39.680
they all Ken Hyman said on the
first day of rehearsal, he said,

105
00:07:39.680 --> 00:07:42.920
and he was there every day.
He said, it was amazing to me

106
00:07:43.000 --> 00:07:46.879
how quickly they all jelled into the
characters they were to play, and how

107
00:07:46.959 --> 00:07:49.800
they got along as an ensemble.
And he pointed out as well, he

108
00:07:49.800 --> 00:07:54.120
goes, you would never ever ever
get a cast like this again, and

109
00:07:54.279 --> 00:07:58.040
coasts that they were so you know, their personas were different, their backgrounds

110
00:07:58.040 --> 00:08:01.920
were different. And I I interviewed
a couple of cast members who said it

111
00:08:01.959 --> 00:08:05.319
was fun watching Telly Savalis and John
Cassavetti's argue about where you can get the

112
00:08:05.319 --> 00:08:11.040
best grief food in New York.
You know, things like that. It's

113
00:08:11.160 --> 00:08:13.879
you know, I think I think
it's really cool. I mean, the

114
00:08:13.959 --> 00:08:20.399
chemistry was amazing and it's there on
the screen and in casting non actors um

115
00:08:20.959 --> 00:08:26.199
like Trinny Lopez and Jim Brown.
Was he trying to Robert Aldrich. Was

116
00:08:26.199 --> 00:08:30.839
he trying to appeal to younger audiences? Oh? Absolutely, because you know

117
00:08:31.439 --> 00:08:33.600
there was a thing in movies in
the fifties and sixties in order to help

118
00:08:33.639 --> 00:08:39.639
improve box office you put a young
teen idol or young singer in the movie.

119
00:08:39.679 --> 00:08:43.919
Yeah, Frankie avalon Faby and Bobby
Darren m And I guess it was

120
00:08:43.960 --> 00:08:46.960
just Trinny Lopez's turn. Yeah.
And as far as Jim as far as

121
00:08:48.039 --> 00:08:50.559
Jim Brown goes, excuse me,
he was still playing with the NFL.

122
00:08:50.679 --> 00:08:54.480
This was his second film. Oh
you had done a Western a couple of

123
00:08:54.519 --> 00:08:58.840
years before, and it was during
during the making of the movie that he

124
00:08:58.000 --> 00:09:01.879
decided to quit the NFL. He
was only twenty nine years old. And

125
00:09:03.039 --> 00:09:07.320
it's an interesting story that's almost a
full chapter in the book. That he

126
00:09:07.080 --> 00:09:11.799
held the press conference and during the
filming of the movie in England, the

127
00:09:11.840 --> 00:09:16.440
whole movie was shot in England,
and he said he's retiring from the NFL

128
00:09:16.200 --> 00:09:18.600
and he wouldn't be back for the
sixty seventh season. And you know you

129
00:09:18.600 --> 00:09:24.200
can't buy publicity like that. I
mean, no, really really helped put

130
00:09:24.240 --> 00:09:26.879
the movie in the headlines at the
time it was still in production. Come

131
00:09:26.919 --> 00:09:31.919
on out and see why Jim Brown
is quitting the NFL exactly worked its movie

132
00:09:31.960 --> 00:09:37.960
worth ending his career. Dwayne Epstein, thank you for joining us Killing Generals.

133
00:09:37.960 --> 00:09:39.559
It's the book and the making of
The Dirty Dozen, the most iconic

134
00:09:39.559 --> 00:09:43.480
World War Two movie of all time. I love this behind the scenes stuff

135
00:09:43.480 --> 00:09:46.679
and I thank you for bringing it
to us. No, thank you so

136
00:09:46.759 --> 00:09:50.200
much for having me. Thanks for
listening to Later with Lee Matthews, the

137
00:09:50.320 --> 00:09:56.679
Lee Matthews Podcast, and remember to
listen to The Drive Live weekday afternoons from

138
00:09:56.679 --> 00:09:58.480
five to seven. And I Heearts
Media Presentation

