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Welcome to the Great Detectives of Old
Time Radio. Send your comments to Box

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for as little as two dollars per
month. Just go over to Patreon dot

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Great Detectives dot net. Well,
today we're going to present Top Secrets of

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the FBI. This was a series
hosted by Melvin Purvis. Purvis was a

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very successful FBI agent, really key
in the hunt for Pretty Boy Floyd,

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and as the episode states, he
was known as the man who got Dylan

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jury. He left the FBI in
nineteen thirty five, released an autobiography and

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also returned to practicing law, and
then entered World War Two as a colonel

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and intelligence officer and helped compile evidence
for the Nuremberg Trials. Now, as

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for the series itself, it was
an unauthorized series, which means the FBI

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did not cooperate and I can't even
find confirmation that it went to air.

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I kind of assumed that it did
because a couple of quite of different sources

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referenced it as short lived, which
I kind of implied that it saw the

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lot Today. Well, let's go
ahead and listen to today's episode. The

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title is the Case of the Best
Pocket Broadcasting System, the Mutual Broadcasting System

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presented of the f B From the
files of the f B. I the

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dramatic highlights and the fight against crime
by the most division, the most scientific

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law empartment organization in the world,
based on actual cases to night's case the

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vest Pocket Broadcasting Station reported by Melvin
Pervis, former a stagent of the FBI

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and a man who got killinger.
Melvin Prvis, the case of the vest

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Pocket Broadcasting Station was one of the
most interesting and unusual cases in modern scientific

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crime busting. But it wasn't true
because of the crime that was old stuff

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or the cause of the criminals.
They were smart, but old stuff too.

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It was interesting and unusual because of
the way the crime busting scientists of

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the f ARE cracked this case.
We start about eight months ago. It's

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close to one o'clock in the morning
and a long the deserted section of the

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New Jersey coast. The barg is
coming in so thick you can almost bit

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it, and a given kemp of
a selected point two men walk back and

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forth along the rocky shore. They've
been walking that way for some time and

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they are not happy. What a
night. What do you want me to

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do about the float away? Okay, okay, Donny, don't have to

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get the door. I can try
to hear you BRep about the weather.

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But us we've got to talk about
like natural. I got a match no

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smoking, now, I told you
that before. That's got to say in

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its body cluck. Why seas Mark, he sends me. I when I

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guy, we punched small, That's
what I get it. Sure you got

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the matches a thorny yeah, and
the guys will get it tonight. Steve

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might have said they would there,
and I all right, you want to

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go back to New York. I
would add the stuff and shut up the

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problem. For the love of Mike
Alston Tony, we kind of figured out

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what had happened. If we walked
back in the State Department with not we

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learned to play the harp, he
wouldn't be our forum. Need it?

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Those guys could have got picked up
by the coast guard. But you know

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our mother put on the ocean on
a night like this. Look, al

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you want to tell me a favor? Shut up, Alason, Tony got

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up. Suppose huh maybe it's them. Huh maybe come on behind that part

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justin tatning our guys. Yeah,
that's it, Tony. The segment quit

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a minute. Okay, Yeah,
let's come on the shore. We'll be

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on our way back to New York
in a couple of minutes. Yeah,

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Tony, Yeah, let me talk
to the boys. Just a minute,

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are you Steve? Time? Wait, Tony, we just drop into New

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York with the stuff. Boys.
I'll take as along as the boat.

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Didn't show until I have the one
o'clock. That was Finn and w did

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you get one hundred and fifty Steve? I told him, we just said

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doing you're here right away? Well, Steve, how much? One hundred

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and fifteen moments? Not bad?
We're still in business. Those planks can

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let me have what I ask for? What's another Steve? The things you

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get excited about sick of being small
time? You got a shipment, didn't

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you be satisfied? One hundred and
fifty times two hundreds, still thirty thousand

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half fat Dough's mind, and pay
for the stuff on the line. That

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means fifteen profit. What about my
expenses? Stop complaining. You've been clearing

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one hundred grande year out of this
racket. What more do you want?

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There were guys lumping up the midia. Sure, it's sure, But what

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happens to them? They get too
big and then guys with handcuffs go after

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them. They'll never get me.
You're all. Let me rattle off the

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names of all the big shots in
prison. You're forgetting something. The cuffs

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know all about me now, but
they can't touch me. That's because you

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can cover up. You're not too
big. They'll never be able to touch

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me. What are you gonna do? You're calling a pool in South America

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for more stuff. Thanks for listening
to me, darling. I'll see you

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in the slaughterhouse. The slaughterhouse,
Steve or all the juicy pigs wind up?

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Are you calling me a pig for
those ideas? Before long, I'll

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be calling a pork chop me.
You wouldn't flap the face you've kissed a

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thousand times. No, you're so
loyal. I don't get your money?

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What have you got against making more? Do nothing? If it's only do

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you want? What else? Power? What's wrong with us? The results?

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How would you like to make more
money without taking chances and with no

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more investment than you've got? Now, what's this? A new angle?

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Now an idea? Sit down,
money, chob and listen. And when

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I'm through talking you what a kiss
to say? You were ready to declare

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That was the beginning of an underworld
business conference, a sort of meeting of

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the board of directors. And when
the board adjourned, the price of the

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product was up from two hundred dollars
announced to a point slightly above the clouds

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inflation. But things were moving up
somewhere else too. In the New York

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field headquarters of the FBI, several
weeks after the above mentioned board meeting,

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the District Attorney of New York County
came in to see the man in charge

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of the field office. Let's call
him Smith or reasons of security. After

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the DA left, Smith was for
we'll call the speller Jones, special agent

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Jones, the same reasons of security. What's up another assignment, Johne.

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But the District Attorney, yeah,
I was ready to bet on it.

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He looked worried when he came out
of it. He's got plenty of reason

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to be worried. There's a narcotic
ring up writing right in the middle of

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town. Caroline, Oh, anybody
we know, not yet, but from

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what the DA told me, they're
a very smart bunch. They're usually art

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smith until the wagon pulls that.
It's not going to be that easy,

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Johne. The police knew every member
of this gang, from the top dog

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down that they haven't been able to
make an arrest. Every time I detects

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be put on the trail, he's
been spotted. How do you account for

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that? I don't except for maybe
an inside line to what the police department's

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thinking. I'm sure it's nobody in
the department itself. I hope not.

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I got a hundred some crooked politician
who knows how to get information without paying

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for it. Yeah. What's the
DA say about that? Is checking?

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We're not waiting for a report.
Yeah, they can look at these pictures.

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00:11:09,799 --> 00:11:15,279
Mhm. Robes gal in the DA
brought them over the duplicate that when

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you're looking at now a tony spar
like a six arrest two convictions, one

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suspended pretence, the other ones all
ashes like a three arrest one conviction.

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Where did you get that broken?
Non? Used to be a prize fighter.

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00:11:26,799 --> 00:11:30,360
I think it's the boys running is
shoe? No? These character isn't

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about fourteen others work for Steve Martin. What do you look like? No

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00:11:35,879 --> 00:11:41,159
pictures? Oh you know how it
death? Maybe we'll know for sure when

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you met the gentleman Space to space
any dining, says Smith. And the

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lady oh picture, yeah too bad? She isn't isn't what a lady?

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Missus? Smith? Yes? The
names one a Manchester record, one a

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red one conviction that and suspended.
You've got a reputation for being very clever.

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All right? What's the plan of
attack? Tony Spiral al Nash's hang

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out in the pool room on ninth
Avenue evenings at the nine o'clock Established contact

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00:12:13,960 --> 00:12:20,039
with him, but take it easy. Tony's a tough customer, hard as

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rock. What about al Nash?
He's all muscles, but he's not too

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bright and according to Da, he's
got a well of tears for anybody in

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trouble. That's good. How do
I make him flow? I'll tell you

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exactly how to do it, gym. Maybe if we're lucky, you'll go

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swimming in La river. Right to
Steven marking Door nine brought on the corn

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00:12:54,519 --> 00:13:00,919
at Tony. Okay by me act
we admit it? Your yeah, and

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I got that bealue up. I
was a nice shot, miss says who

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is your buddy? Um? Sorry, I want to say in your junny

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kind of got play me a cap. I don't want know if critics in

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my game. If you want to
watch, let him? But what is

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trap shot? What those promits?
I prop? Hey, Tony, Yes,

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okay, all the game out,
I'll be right back. Hey what

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I could? I don't mind him, Buddy's sure I'll lose it. I

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wasn't a tendermans. It's got an
argument out. Yeah, you three somebody

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very good shott not to you want? How do you know my name?

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I said, Tony? Oh oh
sure, well if you stick around,

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i'd be after I play the slug
of me and you will play a chief

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game. Huh And but I don't
play out broke. Oh no, no,

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I okay, buck your fifteen point
no frontic point. I can't all

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it's not the ten bucks? Yes
you interview solf. Hey what at somewhat

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four hundred bucks. I got lots
more in the bank. My nervous shot.

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I can't concentrate, Marriwick. I
got banged up by a truck a

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couple of years ago. I just
got out of the hospital. Oh gee,

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two years am I back with a
butted head and butted legs and all

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kinds of ripped, some tears inside. You had to feed me drugs to

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keep the pain from drive me nuts. See what can happen to a guy?

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Right? But I was not.
I got the stuff every day,

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every day until I got juice and
they sent me home. It did be

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00:14:35,799 --> 00:14:39,320
a big favor and sent me home. You gotta take it easy enough.

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00:14:39,600 --> 00:14:43,240
Our trucking company did be a big
favorite too. Set them in the fifty

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00:14:43,279 --> 00:14:46,960
thousand bucks. I was gonna stoo
him for a hundred You mean you got

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00:14:46,080 --> 00:14:50,559
fifty grand for accents? Yeah?
What used to going to court and using

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00:14:50,679 --> 00:14:52,759
up a lot of time? Shut? So I got the money. What's

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00:14:52,759 --> 00:14:56,480
the good of it? Thing?
I need? Most of one? Thing?

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00:14:56,559 --> 00:15:03,679
I'm story? Yeah? What four? Oh? Be telling you about

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00:15:03,720 --> 00:15:09,960
my troubles me? I don't even
know you when you were alone and you've

158
00:15:09,960 --> 00:15:15,759
got no friends? What's your name. Don't where do you love? Park?

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00:15:15,799 --> 00:15:20,240
Hotels? A fancy place? Why
shouldn't I live in a fancy place?

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I got money here, Okay,
don't get mad at me. That's

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00:15:24,440 --> 00:15:30,480
the way I've been to check jumping
all the time. I can only get

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00:15:30,559 --> 00:15:33,360
some of it. How how does
that guy go about it? How?

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00:15:35,440 --> 00:15:37,720
Why? I asked? I'm asking
a lot of people. The battle happened

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00:15:37,720 --> 00:15:39,960
to the hotel. One of them
told me about the pool room from the

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00:15:41,000 --> 00:15:43,240
pools in this neighborhood. Yeah,
he said, peddler's hang out in him,

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00:15:43,279 --> 00:15:46,759
but he didn't know what he was
talking about. I've been to all

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00:15:46,799 --> 00:15:52,480
of them. Yeah. Uh,
pick a rum right. I want you

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00:15:52,559 --> 00:15:54,279
to give Toney the whole story,
just like you told it the name.

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00:15:54,320 --> 00:15:58,840
Oh what could I do? What's
the matter with you? But just them?

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00:15:58,919 --> 00:16:02,840
You don't even catch you out on
my dish? Huh? Gee,

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00:16:02,960 --> 00:16:18,159
you're dumb, all right? What
a guy? Allow? It's five out

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00:16:18,240 --> 00:16:22,879
to twelve. Tony was sure he'd
call me by eleven thirty. I just

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00:16:23,039 --> 00:16:27,960
had to sweat it out him at
the beginning of one there. Huh what

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00:16:29,120 --> 00:16:33,639
about by phoning him as a pool
room? It got him away from Algae?

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00:16:33,360 --> 00:16:37,320
That bad connection business fooling. I
think it did. He was ready

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00:16:37,360 --> 00:16:40,519
for murder when he came out of
that boot. It was like that.

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00:16:40,879 --> 00:16:42,440
Well, he almost had a fight
with the owner of the place. He

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00:16:42,559 --> 00:16:47,320
told him to take his lousy phone, and Al had to use all his

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00:16:47,399 --> 00:16:49,960
muscles to get Tony away from the
man. And so he ever went to

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00:16:51,039 --> 00:16:56,440
a bar he would drink and Tony
was listening. I hope you better get

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00:16:56,519 --> 00:17:03,360
him closets fun out hoood it was
there? Maybe open up, Jim,

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Yes, thank you, buy us
a new shoe. Time, thank you.

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00:17:12,680 --> 00:17:18,480
Well, let's find out. Huh, that's maybe it. Yeah,

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it is the midtown hot pool man
phoned a eleven thirty five and has about

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00:17:23,359 --> 00:17:26,599
no name. Of course, naturally
the floor nerth told him I was this

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00:17:26,720 --> 00:17:30,240
yard eight days ago. We're in
Jones. I'll take it your case to

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00:17:30,279 --> 00:17:34,160
Steve Morton. He checked you at
the hospital. Now that's real quick.

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00:17:34,240 --> 00:17:37,519
You're supposed to be sitting over flow, all right, Josh, yes,

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00:17:37,640 --> 00:17:42,000
yes, was it Tony? I
thought you want going to call drive at

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00:17:42,039 --> 00:17:45,680
ten o'clock in the morning tomorrow.
Why do I have to wait? Because

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00:17:45,720 --> 00:17:48,599
that's another boss for It's all right, ten o'clock. We're on rivers are

192
00:17:48,640 --> 00:17:52,359
driving street pick up bench. Nobody
said yes, yes, anything, you

193
00:17:52,480 --> 00:17:55,799
take it. There ain't no such
bench. Don your stand away from people,

194
00:17:55,920 --> 00:17:57,400
you get it to courts? Will
you bring this stuff? Maybe?

195
00:17:57,640 --> 00:18:04,039
What about money? How much?
Well? Hello, you hung up first,

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00:18:04,119 --> 00:18:07,640
don't take any chances. I'll tell
you how much tomorrow after you've been

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00:18:07,720 --> 00:18:11,599
sized up by an expert. And
don't think I won't be listening. And

198
00:18:11,920 --> 00:18:17,880
don't think I won't He'll be partner. Truck about three blocks away taking it

199
00:18:18,000 --> 00:18:29,079
all. Then the truck, yes, an ordinary long distance moving van,

200
00:18:29,359 --> 00:18:37,559
completely enclosed, but inside testing sh
you're ready to start a syrups right,

201
00:18:38,240 --> 00:18:55,799
give me a level? Okay,
that's it. That was it. Inside

202
00:18:55,839 --> 00:19:02,880
the truck it completely equipped radio receiving
station time tables for recording a rendezvous three

203
00:19:02,960 --> 00:19:07,960
blocks away or a mile away if
it had to be. And the broadcasting

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00:19:07,039 --> 00:19:12,960
station, well, that was in
Jones's vest pocket a disc look no bigger

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00:19:14,039 --> 00:19:18,720
than a quarter but complete down to
a fine point. And in the lining

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00:19:18,759 --> 00:19:22,519
of Jones's vest a wire that ran
from the pocket to the top button of

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00:19:22,599 --> 00:19:26,440
his vest. Yes, that top
button was the microphone, but nobody would

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00:19:26,440 --> 00:19:32,440
guess it in a million years.
It looked just like the other five buttons.

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00:19:42,519 --> 00:19:47,640
Smith and Company were all set up
in the truck. The equipment was

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00:19:47,759 --> 00:19:52,680
in motion and ready for action.
Three blocks away had one hundred and tenth

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00:19:52,759 --> 00:19:56,880
Street and the drive Jones was sitting
on a bench. It was a pretty

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00:19:56,960 --> 00:20:03,559
nasty morning, raw, and I'm
street was practically is it it? Then?

213
00:20:03,079 --> 00:20:14,400
At exactly twenty minutes past ten,
mind down? Hey, why don't

214
00:20:14,440 --> 00:20:17,680
you might want company? Oh no, I'm waiting for somebody. Go with

215
00:20:17,920 --> 00:20:21,920
you think it's gonna ray, I
don't know what. I don't care if

216
00:20:21,960 --> 00:20:26,200
you're gonna sit on this fractures done
minute. You don't have to run away

217
00:20:26,240 --> 00:20:32,680
from me. I'm only trying to
be dogeable. But my boy, are

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00:20:32,720 --> 00:20:37,279
you whim in the eyes? Are
you looking around for? But nobody looks

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00:20:37,279 --> 00:20:41,799
like that but expecting someone he wants
to see. You've got carroring your state

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00:20:41,319 --> 00:20:47,599
to supposed to be here at that
client. No, he's not telling right,

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00:20:47,720 --> 00:20:51,759
he's got two year over. You
know my name. I don't know

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00:20:51,799 --> 00:20:55,319
about you, Cookie, but I
don't tell me all about your accident.

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00:20:55,519 --> 00:21:02,200
You broke stuff. Now for your
first scream and ship very all start a

224
00:21:02,319 --> 00:21:04,160
ride? Why can I have a
hut. Come on, now, you

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00:21:04,240 --> 00:21:10,079
don't have to get excited. Mom, that's got such a nag. Please,

226
00:21:10,079 --> 00:21:11,680
it's please. If you've got to
give it to me, I don't

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00:21:11,680 --> 00:21:14,240
know how much. What do you
want? If we've got to camp,

228
00:21:14,319 --> 00:21:18,400
I'll take it out of my bank. You're really hungry. I okay.

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00:21:18,519 --> 00:21:22,160
The stuff cost five hundred ounce.
You've got to buy five ounces? How

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00:21:22,240 --> 00:21:26,680
much? Start? Old kids?
Twenty five hundred dollars twenty twenty five,

231
00:21:26,839 --> 00:21:33,680
five hundred tuns fine whatever. Five
hundred times five is twenty five smart of

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00:21:33,720 --> 00:21:37,240
money, you know? Always back
do you want to do? Don't get

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00:21:37,319 --> 00:21:40,640
mad, don't be broken. No
time. You're gonna worry about the future.

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00:21:40,799 --> 00:21:44,160
Now. I didn't read sources.
I left them. Honey, it's

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00:21:44,240 --> 00:21:48,720
cold out here. Do you want
that stuff doing your down ship? Yes?

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00:21:48,880 --> 00:21:51,759
Yeah, I want, And I
wasn't. I'm a little corner bank

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00:22:00,240 --> 00:22:03,960
murray round here. We don't have
any rules of etiquette here. He is

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00:22:03,039 --> 00:22:08,839
se man who is looking for paradise. Hw you mour Oh well go tony

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00:22:10,000 --> 00:22:18,160
ye John trembling and they're going to
hit you right there on the table.

240
00:22:18,279 --> 00:22:23,200
Tin Bucks can't put it down down
Jones back on the table. But it's

241
00:22:23,240 --> 00:22:26,680
mind. He thought he was a
dumb guy. Pos you don't know,

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00:22:26,039 --> 00:22:30,680
okay, I want to hear.
Why can't I it's mine? Or twenty

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00:22:30,759 --> 00:22:37,039
five hundred bucks Jones all the money? Of course? Yeah, you forgot

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00:22:37,079 --> 00:22:45,759
all about it, didn't I'm sorry? Twenty five one hundred dollars? Did

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00:22:45,839 --> 00:22:48,759
you count them? I thought you
might like to do that, honey.

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00:22:48,960 --> 00:22:51,880
You go to the banquet him only
as far as the front door. Didn't

247
00:22:51,920 --> 00:22:59,640
you go inside? Its? Yeah? Check this though, good steel shut

248
00:22:59,720 --> 00:23:03,400
ups all right, I don't mind, I say it good. I'll use

249
00:23:03,440 --> 00:23:07,759
the microscope. Microscope, that's what
she said. So you've got one in

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00:23:07,799 --> 00:23:12,200
the other room. It never lies. Yeah, but I wouldn't look fall

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00:23:12,240 --> 00:23:15,279
on the bank and asked him if
I would through twenty five dollars to tell

252
00:23:15,319 --> 00:23:19,279
her at the third window from the
door. Relax, Joe does okay?

253
00:23:19,400 --> 00:23:22,000
And why don't you let me take
that stuff on the home. You want

254
00:23:22,000 --> 00:23:26,720
to be sure that I learned a
few lessons before I bought that microscope.

255
00:23:27,319 --> 00:23:30,680
Some Wise, guys handing me phony
bills, Yeah, but I'm rank throw

256
00:23:30,720 --> 00:23:34,079
them right back at me. I
was stuck. Give me a break,

257
00:23:34,880 --> 00:23:38,519
pitch. That stuff just dis a
condition have the whole boot, thanks thanks

258
00:23:38,559 --> 00:23:44,440
to bath your dos and approved.
Good lady, Yet start thinking of how

259
00:23:44,480 --> 00:23:47,319
to get rid of that guy.
He's been kidding as he's not a hop

260
00:23:47,680 --> 00:23:49,720
What do you mean bills? He
gave it by sir Mark? Wasn't he's

261
00:23:49,759 --> 00:23:52,680
given us smart money, Steve.
I checked a few of the bills.

262
00:23:52,680 --> 00:23:56,400
There's something on each one. Were
right in the picture in one of the

263
00:23:56,480 --> 00:24:06,880
eyes. Well, Jones, I
got the mona knows what she's talking about.

264
00:24:07,119 --> 00:24:08,319
She's like a lot of one hundred
dollar bills. Stuff to be fake?

265
00:24:08,400 --> 00:24:15,079
Will your phone house? That means
shut up, Jones say, Tony,

266
00:24:15,279 --> 00:24:18,240
Yeah, don't choose that gun in
here? Why not? It's a

267
00:24:18,279 --> 00:24:22,480
thirty ride. Don't want the neighbors
to complain. I put your hands up,

268
00:24:22,519 --> 00:24:26,480
mister Jones. I's going to frisk
you. He ain't a lot of

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00:24:26,599 --> 00:24:30,200
what man's good now, I'll take
everything out of his pockets. Okay,

270
00:24:30,279 --> 00:24:33,599
I'll hand it to morrow. She
can check. I don't know why you're

271
00:24:33,599 --> 00:24:38,359
doing this to be still kidding?
Aren't you all right there? What's your

272
00:24:38,440 --> 00:24:48,079
record? Mister Tony? Yeah,
freak his nose without a gun. Wait

273
00:24:48,119 --> 00:24:52,200
a minute, listen, Jones or
whatever your name is there are two ways

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00:24:52,240 --> 00:24:57,079
of dying, peaceful and in agony. I take your choice. See I

275
00:24:57,240 --> 00:25:00,519
checked everything in his jacket, nail
file, cigarettes, and a wallet the

276
00:25:00,680 --> 00:25:06,319
four hundred and cash. He can
do his other pockets, pants and best.

277
00:25:06,440 --> 00:25:10,200
I was just going to put or
Jones. Have you made up your

278
00:25:10,240 --> 00:25:22,440
mind? Okay, Tony right across? Then no, Tony, thank what

279
00:25:22,599 --> 00:25:26,920
you if my pile, he'll be
all right next time. He won't shoot

280
00:25:26,960 --> 00:25:30,920
without cutting up the tenth Hello,
Joe, I'm glad to see this man

281
00:25:33,960 --> 00:25:37,759
the racketeers with a microscope. What's
the next take a boy, boy?

282
00:25:47,559 --> 00:25:52,160
Yes, a best fucking broadcasting specition
did best. But if anybody thinks he

283
00:25:52,279 --> 00:25:55,880
can find it just by folling at
the top button of a vest, here

284
00:25:55,960 --> 00:26:00,400
is something for the memorable. The
gimmick can be anywhere, can the agent

285
00:26:00,440 --> 00:26:10,359
of the FBI. And what's more, it can be anybody. Steve Muller

286
00:26:10,880 --> 00:26:15,079
and all the runts of in their
gang were set away for a long time.

287
00:26:15,880 --> 00:26:19,519
No more directors meeting for them.
And the crooked politician, well he's

288
00:26:19,559 --> 00:26:25,279
not political anymore. He's learning to
make shoes in one of the federal prisons.

289
00:26:36,160 --> 00:26:38,720
The report he'll just received was based
on an actual case from the files

290
00:26:38,759 --> 00:26:42,880
of the FBI. However, the
names of all characters used were fictitious,

291
00:26:44,279 --> 00:26:48,640
and any resemblance of the names of
people living or death was entirely coincident.

292
00:26:48,839 --> 00:26:55,119
Topics of the FBI are dramatized by
step and co produced and directed by Roger

293
00:26:55,200 --> 00:27:00,680
Bauer. The music was composed and
conducted by Selvin Events. Into cast you

294
00:27:00,799 --> 00:27:04,960
heard former agent of the FBI,
Melvin Purvis. Miss was portrayed by Sydney

295
00:27:06,000 --> 00:27:11,480
Smith, John by Bill Quinn,
Steve Martin by King Could, Tony Farr

296
00:27:11,519 --> 00:27:18,079
by Larry Haynes, All Matches by
Joseph Julian and Mona Manchester by Julie Stephens.

297
00:27:18,319 --> 00:27:22,319
Next week, Melvin Purvis, former
as agent of the FBI, A

298
00:27:22,480 --> 00:27:29,839
man who got Dillinger, will give
you another report based on inside bats the

299
00:27:29,960 --> 00:27:34,200
case of the New York Rendezvous.
Join us next week at the same time

300
00:27:34,359 --> 00:27:45,400
with Melvin Purvis. When you hear
top Secrets of the f B. I

301
00:27:48,640 --> 00:27:52,880
from the files of the f B, I welcome back. Well. The

302
00:27:53,039 --> 00:28:00,680
idea of wearing a wire is not
normal today, but the idea of I

303
00:28:00,799 --> 00:28:06,359
think back in nineteen forty seven was
much more so. I can't actually recall

304
00:28:06,720 --> 00:28:11,839
an episode of Dragging that there may
have been over the course of that run

305
00:28:12,039 --> 00:28:18,799
where they used a wireless microphone.
Usually when they used a microphone in Drag

306
00:28:19,039 --> 00:28:22,920
that which is again what I said, it was a later series, it

307
00:28:23,039 --> 00:28:27,359
would be somewhere that they would have
to be planted in the room where they

308
00:28:27,519 --> 00:28:33,720
were trying to do their sting,
But it was a little bit novel anyway.

309
00:28:33,039 --> 00:28:41,920
I think that in some ways the
name probably sets things up for a

310
00:28:41,160 --> 00:28:48,759
bit of disappointment, because if they
actually played stuff about things that were taught

311
00:28:48,920 --> 00:28:55,960
secret at the FBI, somebody would
end up going to jail or there would

312
00:28:55,960 --> 00:29:03,400
be very strongly communicated issue with the
radio network. A program that actually aired

313
00:29:03,440 --> 00:29:10,480
top secrets of the FBI would not
actually happen. But this does focus on

314
00:29:10,640 --> 00:29:15,920
what was a newer technology at the
time. I do think even if this

315
00:29:15,160 --> 00:29:21,079
is a pilot, you do want
to show a little bit more imagination and

316
00:29:21,279 --> 00:29:26,160
doing their own version of the names
have been changed in naming the people Smith

317
00:29:26,240 --> 00:29:30,680
and Jane, I probably doesn't quite
do that. There are a couple of

318
00:29:30,839 --> 00:29:37,079
familiar voices in this. We got
to hear Sydney Smith, who voiced Lary

319
00:29:37,200 --> 00:29:45,920
Queen for a while, and Larry
Haynes, who starred in Manhunt Easy Money

320
00:29:45,039 --> 00:29:51,000
and as one of the two actors
to play Mike Hammer, my opinion,

321
00:29:51,559 --> 00:29:56,599
the better of the two performers we
have, and also generally plays in anything

322
00:29:56,880 --> 00:30:03,359
that comes out of a New York. Eventually, Larry Hayneswood end up being

323
00:30:03,519 --> 00:30:07,359
cast. Now, I didn't want
to go ahead and explain what we're planning

324
00:30:07,480 --> 00:30:12,519
for Saturday. Of course, we're
playing this this week, and then the

325
00:30:12,640 --> 00:30:18,160
next two weeks we're going to bring
you a Squadron, and then after that

326
00:30:18,480 --> 00:30:22,839
we're going to be playing Tales of
the Texas Ranger for the rest of this

327
00:30:23,119 --> 00:30:30,799
season, season thirteen and into season
fourteen. And actually we would have gotten

328
00:30:30,839 --> 00:30:37,240
into Tales of the Texas Ranger sooner, but I essentially after we got into

329
00:30:37,319 --> 00:30:41,839
playing The Silent Men, I discovered
these two other series, so I decided

330
00:30:41,920 --> 00:30:48,880
we'd pick these two up before we
got into Tales of the Texas Ranger.

331
00:30:48,519 --> 00:30:53,440
Now to listener comments and feedback,
and we have a question from Alicia.

332
00:30:55,079 --> 00:30:59,759
Alicia Rights, if I remember right, you said you're going to be doing

333
00:31:00,279 --> 00:31:03,160
Tales of the Texas Ranger. I
wonder if the same people who wrote The

334
00:31:03,240 --> 00:31:08,920
Silent Men were the same as those
that wrote the Tale the Texas Rangers.

335
00:31:08,960 --> 00:31:14,880
The music is the same on both
shows, and the setup is the same,

336
00:31:15,000 --> 00:31:22,160
one person playing all the leader rules. Only difference is a ranger Jason

337
00:31:22,240 --> 00:31:27,519
Pearce Pearson always takes the case well. Thanks so much for the question,

338
00:31:27,680 --> 00:31:33,759
Alicia, and an answer to the
question, I do think there there is,

339
00:31:33,079 --> 00:31:36,880
you know, a difference. You
know, The Silent Men, of

340
00:31:37,000 --> 00:31:45,279
course, was an anthology series where
each week we would have a different character,

341
00:31:45,839 --> 00:31:51,799
and even if those differences were somewhat
superficial, Tales of the Texas Ranger,

342
00:31:52,319 --> 00:31:56,200
we do have the same lead every
week. They don't have the same

343
00:31:56,359 --> 00:32:00,880
writer. The music is the same
on the site series. At least,

344
00:32:00,119 --> 00:32:07,519
I like the incidental music because NBC
at the time was doing this thing with

345
00:32:07,680 --> 00:32:15,119
its mystery series where essentially the mystery
series got to have its own opening theme

346
00:32:15,240 --> 00:32:22,400
too, but then all of the
little incidental music it would be the same.

347
00:32:22,640 --> 00:32:27,799
You know, whether you're listening to
Tales of the Texas Ranger, or

348
00:32:27,920 --> 00:32:32,319
you're listening to The Silent Men,
or you're listening to Rocky Fortune, you're

349
00:32:32,400 --> 00:32:42,039
going to hear those same little bits
of library music played over and over again.

350
00:32:43,119 --> 00:32:45,960
Uh, you know, which I
think goes back to the fact that

351
00:32:46,079 --> 00:32:54,240
after the end of the nineteen forties
a radio saw a lot of efforts to

352
00:32:54,319 --> 00:33:01,000
cut costs. In one way that
NBC did that is that they used library

353
00:33:01,200 --> 00:33:08,039
music and the same library music repeatedly
on multiple programs. But thanks so much

354
00:33:08,079 --> 00:33:12,240
for the question, Alicia and I
do want to go ahead now and thank

355
00:33:12,319 --> 00:33:16,200
our Patreon supporter of the day.
Thank you to James, Patreon supporter since

356
00:33:16,319 --> 00:33:21,319
February twenty twenty, currently supporting the
show at the rookie level of two dollars

357
00:33:21,480 --> 00:33:24,000
or more per month. Again,
thank you so much for your support,

358
00:33:24,279 --> 00:33:29,759
And if you'd like to join James
and more than two hundred and fifty other

359
00:33:29,880 --> 00:33:35,079
Patreon supporters, you can go to
Patreon, rate detectives dot net and support

360
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the show for as little as two
dollars per month. That will do it

361
00:33:38,000 --> 00:33:42,400
for today. If you are enjoying
this podcast, be sure to rate and

362
00:33:42,599 --> 00:33:46,599
review it wherever you download your podcast
from. We will be back tomorrow with

363
00:33:46,960 --> 00:33:53,880
a listener support special, and then
next Tuesday we'll be bringing you the Adventures

364
00:33:53,920 --> 00:34:00,960
of Bill Lance, and then next
Saturday we'll be getting into Squadroom In the

365
00:34:00,039 --> 00:34:07,279
meantime, send your comments to Box
thirteen at great Detectives dot net, follow

366
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us on Twitter at Radio Detectives,
and become one of our friends on Facebook,

367
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Facebook dot com. Slash Radio Detectives
from Boise, Idaho. This is

368
00:34:17,079 --> 00:34:20,320
your host, Adam Grahamson and Off
