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We're back with another edition of the
Federalist Radio Hour. I'm Emily Johnski,

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culture editor here at the Federalist.
As always, you can email the show

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at radio at the Federalist dot com, follow us on Twitter at fdr LST.

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Make sure to subscribe wherever you download
your podcasts into the premium version of

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our website as well. We are
joined once again by Christian Toto. He

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is the host of the Hollywood and
Toto podcast and you know him from the

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Hollywood and Toto website. Christian,
thanks for joining us. Pleasure and it's

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it's just Hollywood and Toto dot com
right, That's where people absolutely got to

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keep it simple and I keep that
brand consistent. Well, you've been grinding

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away there for years, and there's
there's so much for you to write about

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and now so much for you to
podcast about. I actually want to start

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with something that's looming large over the
conversation on a business level and on a

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let's say ideological level in entertainment sphere
right now, and that would be the

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reality now facing rumble now facing actor
turned I guess political commentator Russell Brand,

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who has been accused of a very
very serious, facing, very serious accusations.

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They're they're old accusations, they're sexual
assault accusations that they are, from

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my perspective, very serious. They're
not entirely unsurprising. Russell Brand has come

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out and said that, you know, he's he's I believe, gotten sober,

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he's This is kind of baked into
the arc of Russell Brand. Doesn't

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make it okay, does make it
unsurprising, to to say the very least.

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But this is kicked off another one
of these major me too conversations about

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sort of the threshold for cancelation because
Rumble is facing pressure literally from the government

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of the United Kingdom to demonetize like
YouTube did, Russell Brand's content on their

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sites. Russell Brand hosts a regular
show that is very popular, gets a

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lot of views on Rumble, and
Rumble has basically said, hell, no,

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Christian, you have been following this, maybe even more closely than I

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have. What do you make of
the situation? And then we can kind

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of get into what it could mean
for Hollywood, what it could mean for

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the news media going forward. None
of this is surprising. I share your

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alarm at the allegations. I think
the combination on his hedonism in the past

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and his addictions make it more likely
this could have happened. But again,

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he is innocent, will proven guilty. These are older charges and the timing

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is certainly curious. Big as he
you know, years ago I used to

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cover him and he was a socialist
and he would you know, you know,

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use his platforms to push those agendas. And now I don't even know

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what it is now. But he
is a he is a rabble rouser.

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He is someone who's willing to speak
up against media corruption, against big government,

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against censorship, and I support most
of the ally above. So you

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know, he has changed in the
public's mind in very radical ways. And

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the conspiratorial side says, well,
that puts a target on you, and

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then the other side of me says, well, these are four different people

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claiming similar stories and that's horrifying.
But I think there are bigger issues in

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play here. I think we're looking
at a cultural landscape that is censorious in

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nature, that is looking for an
excuse to shut down different points of view.

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That know, is that to cut
out a creator's knees by muck demonetize

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again is very effective. And you
know it's if the slippery slopes always seem

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like an outrageous argument until they happen
again and again and again. And I

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actually maybe connect all of this back
to Alex Jones, who I loathe with

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every fiber in my being. But
when he was censored on social media,

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I thought, and other people thought, what's next? And I think we're

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seeing what's next. And as much
as I hate what Alex Jones is up

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to, I don't think he should
be censored, and I think that we're

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seeing the consequences of it now.
I just think it's happening more and more.

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And you know, you've got to
give Russell brand the benefit of the

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doubt. He's got to be able
to speak his mind. He's got to

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maybe face his accusers. I don't
potentially in court, but to say he's

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guilty without a shadow of a doubt
and remove his ability to make a living

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is just wrong. It's also this
horrible return to the standard that kimil pie

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I wrote about this in the Highwood
Reporter in the middle of Me Too.

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She wrote that the idea that of
an artist as a good person. She

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called it quote sentimental conard of Victorian
moralism, which is such a perfect polyiaism.

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But it's also impossible for people to
consume art that returns money to the

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artists in a way. That is, let's say, in a way like

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you have to reward bad people for
making good art if you want to consume

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art at all. That isn't to
say that the only kind of people who

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can be good artists are bad people. It is just to say that,

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you know, we're all fallen,
and some chunk of people who make really

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good art are going to be bad, and we can't rid ourselves of that

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art because it might financially reward bad
people. And it's not an easy question

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to grapple with, but it is
one that seems sort of obvious to me.

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I don't know what your take is
on that. Christian Yeah, yeah,

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there's two signs of this. You
can look back in history and say,

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you know, artists of the eighteenth
and nineteenth century, we're horrible people,

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but their work has been around for
decades, stood the test of time,

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and it seems silly to cancel them
or not appreciate what they did.

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It gets a little more complicated when
you have modern artists who are still working

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today, the Woody Allen's and the
Roman plan Skis, who are either accused

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or admitted to terrible things. That
gets it gets the conversation gets messier from

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there. But you're right, and
listen, there are plenty of people in

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Hollywood who are doing horrible things behind
the scenes that we don't know about,

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and you're doing horrible things that we
know all about it. And I can

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mention Alec Baldwin, who is a
very talented performer, funny, he's got

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dramatic chops, he's got it all, a great voice, and he seems

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like a terrible human being. I
mean, really does. I mean,

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just the snippets we see, the
evidence has out there, but I don't

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want him demonetize. I don't want
him on the unemployment line. And I'll

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put the he accidentally shots someone to
death on a back burner for now,

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but just as an example of someone
who's been behaving badly for years. So

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yeah, I don't think that's a
helpful situation. But also it's so selective

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because you know, Rosanne Barr shot
out one awful, terrible, racially charged

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tweet and she was wiped away,
gone, Her career is over and she's

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had to basically rebuild it on her
own terms, which is fine. Maybe

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by her standard, but it shouldn't
have to be that way. And then

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you have to start the flash Ezra
Miller, and that actor's track record of

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terrible behavior is extensive. But if
the Flash actually made a couple of dollars,

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you would see Ezra Miller in the
Flash two. So you know,

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the hypocrisy is off the charts,
and it just points to the fact that

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this isn't really about making the world
a better place. There are other factors

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here. It's being weaponized and that's
wrong. And yeah, that's a good

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way to put it. Because we
obviously have to have common social standards.

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We should hold people the very high
standards of behavior where you should be shamed

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that it turns out you have seis
sexual assault allegations against you, and when

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those are litigated in the court of
law to the extent that they can be,

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not just in the wrestle of brand
situation, but many situations where you

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know, statute of limitations have elapsed
or et cetera. These get so difficult,

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but you know, when they can
be tried in a court of law

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and we can have a serious legal
battle and hopefully get some closure, we

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should, and we should, to
your point, allow people that process while

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also enforcing that we have standards of
shameful behavior. Hollywood standards of what constitute

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shameful behavior are wildly a hypocritical and
be terrible. I mean, like I

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remember when the movie Quties hit Netflix, people were like, well, it's

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not actually pedophilia, it's this interesting
look at you know, they created this

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sort of like intellectually gymnastic exploication.
And it's like, okay, well,

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still, in a healthy world,
this would not be getting marketed the way

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it's getting marketed. There's no way. Their standards are also crazy, and

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so it's almost impossible to have this
conversation in that context because there's just so

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much going wrong in Hollywood anyway.
Yeah, and I think part of this

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all is that we don't have any
conversations. It's very black and white.

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He or she is canceled, he
or she will never work again. What

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did he or she do? And
I look at the Lewis c K Louis

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c K situation, because he exposed
himself to multiple women. That's disgusting,

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it's vile, there's no doubt about
it. He admitted it, and he

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essentially lost his career. He lost
I don't know how many millions of dollars

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he became a social pariah. He
know, every gig he had dried up.

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I mean, he was having a
wonderful career. Now he has built

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things back as a solo artist,
as an independent artist. But there is

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a segment out there that wants him
forever band, forever, punished, forever

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on the outskirts of society, and
that just feels to me as well,

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he really did suffer because of this, and this will never get off his

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permanent record. Where he did is
awful. Now, you can't make it

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up to those women they had that
experience. It's terrible. But life does

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have to go on, and he
can't just be sent to some you know,

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social media purgatory where he never gets
to be seen again. You know,

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if it's different if he's not apologetic, it's different if there are no

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consequences. But you know, his
case is radically different than like a Roseanne

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Barr who sent out one gross suite
that hurt no one, maybe hurt some

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feelings, and yet you know she's
been punished in ways that are just outrageous

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to me. So it's it's all
these different standards. It's the it's the

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inability to have these in depth,
in depth conversations. And I want to

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just circle back to you know,
the Me Too movement was technically great and

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necessary and important, and it got
bad and records time and one of the

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I think the worst memories for me
was when mad Damon came out and said,

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you know, there is a difference
between the Harvey Weinstein sexually assaulting someone

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and you know, Senator Al Frank
and taking a picture where a woman was

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sleeping and he was holding his hands
above her clothed breasts. Yeah, there

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is a difference. And he was
shouted down and shamed and he basically slinked

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away and said my bad. And
I thought, oh, what a terrible

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moment. I totally forgot about that, and me Too is just this,

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Yeah, it is. So it's
such a tangled knot like I forget about

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all of the different threads that like
dominated the media every single day for a

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better part of a year. And
actually, that's an interesting point because I

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know that you've covered this for conservatives. There's something very difficult about Me Too

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in that, on the one hand, it did expose some of Hollywood's deep

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hypocrisies and deep moral failings. On
the other hand, it then went so

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far in the other direction that the
the burden of proof became untenable and ridiculous.

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But I want to ask you about
that with because we're almost coming up

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on the five year anniversary of Me
Too, I think I'm actually six.

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I think maybe six year anniversary fro
Me Too twenty seventeen or twenty eighteen.

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In was the beginning of October when
the Harvey story dropped in the New York

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Times. With some distance between those
frenzied media cycles, Christian, which should

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conservatives look back on, like,
what is the headline from Me Too?

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Now that we're some years in the
distance from it. Well, I think

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as a culture, there are too
many men abusing women. There are too

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many men getting away with it,
And I think the whole structure of Hollywood

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makes it so ripe for that kind
of abuse between an actress who may want

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to curry favor with an executive and
may push things in an uncomfortable direction,

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to a director or a producer misusing
his or her power in that way.

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I mean, I think that the
whole movement initially and the conversation was very

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legitimately good and helpful and necessary.
I just think it became political. It

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became believe all women, and you
could, you know, insert the record

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screeching stop when Joe Biden was accused
of something by terror read and then I'll

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let sell this Simbolano. You know, the sorcerer supreme of Me Too said,

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well, when we say believe all
women, what we actually I mean?

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At that point you knew was it
was essentially over. And then when

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the Me Too organization joined forces with
the governor of New York who was accused

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of not assault but of inappropriate behavior, and basically gave him talking points,

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it was done. It was done. The movie was technically done. Now,

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obviously there were remnants of it.
There's still it still matters. We

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still should be having some of these
conversations, but as a potent movement that

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had real power, it was over
at that point. So I think we

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all know. It feels like we
are teetering on the brink of an economic

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00:14:01,279 --> 00:14:07,000
crisis that could threaten to wash away
your savings and your retirement that you've worked

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forty years. Prices are spiraling out
of control. Our money buys less and

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less, and Americans are incurring more
debt just to stay afloat. You budget

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your expenses carefully, but each trip
to the grocery store feels like a wallet

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pinching experience. Gasoline prices are spiking
and your monthly bills are escalating. That's

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what inflation is. It's the silent
force that eats away at your wallet and

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your purchasing power and your savings.
Basic necessities are now unattainable luxuries. And

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when prices spiral out of control,
they not only disrupt your ability to live

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And Yeah, I think we've talked
about this before, but again now that

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there's some time in between those early
days of me too and then sort of

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the backlash to me too, which
was well deserved, do you have a

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sense that this exposure and especially exposure
that conservatives have have rightfully focused on of

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Hollywood's abuses of women. Do you
have a sense that things did fundamentally change

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or did it just sort of slowly
creep back to normal. You know,

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I'm not behind the scenes, so
I can't know for sure, but I

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do think that more men are wary
of it, of getting caught, of

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knowing that women have more power and
more agency, and that's their word is

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sometimes used in interesting ways, but
it's true in this case, so I

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think that doesn't matter. But I
also think it shipped away at Hollywood's alleged

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moral authority. You know, I
think I think we all knew that there

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was hypocrisy behind the scenes. We
all knew that some of their political posturing

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was bogus. But to see the
industry reveal itself in ways and also one

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of the most horrifying elements of the
me too move it in Hollywood was that

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they knew. So many people knew. And you know, it could be

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Brad Pitt who had his own encounter
because he was dating Gwyneth Paltrow and Harvey

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tried to do something with Gwyneth,
and then Brad pitts, I'll knock your

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lights out essentially and a good for
him and beat but he didn't sign sound

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the alarm, and then people,
I Quentin Tarantino, I think there were

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two women in his life. One
was romantic and one was professional, with

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Thurman and Mira Sorvino, who had
their own exchanges with Harvey, but he

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didn't sound the alarm either. So
you know when people who have power and

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have clout, when they stay silent, and bad things keep happening, And

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that's what happened in Hollywood. They
just wanted to keep that secret. It

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was so toxic and so noxious,
and they did. They were very successful,

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and I think the movie she said, from a year or two ago,

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while it made about eight dollars in
the box office, was actually very

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good and did show the hard work
that good journalists can do to expose something

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like that needed to be exposed.
What is your sense of Rumbles, let's

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say, importance to this kind of
alternative economy that's definitely developed in the entertainment

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world. You and I both have
covered the Daily Wire very closely and some

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of these other ventures. Rumble steps
into the void and is now defending ardently.

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They've given you leftist Glenn Greenwald,
who's fantastic, A big fan of

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Glenn's and leftist Russell Brand, whose
show is very interesting. They have defended

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Brand they're they're really going to the
mat for him. It is a hill

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that they absolutely and rightfully are willing
to die on with this pressure from the

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UK government. From a business perspective, that's smart because it is the one

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thing that distinguishes them from YouTube,
which is already demonic Russell Brand. But

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what is your sense also, just
like in general, the fact that they

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were giving shows to people like Glenn, they've been supportive of people like Russell

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Brand, they have been growing.
It seems, at least from the outside,

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what role are they playing in this
kind of realignment. It's a vital

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role, as a critical role.
And if they buckle, I shudder to

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think what happens next, because they
seem like they're in the spotlight right now.

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They are in the crosshairs and powerful
forces, including as you mentioned earlier,

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the British government want them to take
a knee, and they're saying no.

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And if they do take that knee, if they are forced to stand

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down, what happens next? I
mean, the cascade of censorship could be

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significant. And one thing I want
to mention, and maybe it's slightly off

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topic, but maybe it's completely on
topic, is that it's one thing that

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Hollywood says they basically sig on censorship. It makes me stick to my stomach

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because someone who loves Hollywood product.
But the fact that journalism by large and

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journalists have basically cheered on censorship or
defended censorship or are not outraged by the

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censorship we're seeing across the landscape is
one of the most shocking stories of the

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year of the decade, and I
think we'll look back on it with appropriate

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alarm. It's not hard to spot
they're rooting against free speech, and it's

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everywhere. I mean, it's it's
the Washington Post, it's the New York

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Times, it's just it's Rolling Stone
magazine, which I call free speech reverse

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now in the twenty first century,
that's shocking to me. So what Rumble

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is up to is important. They're
not saying Russell Brand is innocent. They're

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not saying he's a saint. But
they're saying this is a process that has

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to play out, and until it
does, he should be deemed innocent until

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proven guilty, and we can't demonetize
him because then what do we do next.

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But you know, if they fall, you know, it'll be like

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that parlor moment when Parlor was the
up and coming Twitter alternative, and then

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Apple and Amazon and all the biggies
ganged up on it and shut her down.

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It's never been the same and no
other platform has really risen up in

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its week. That is a perfect
one to one. And again that was

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the specific thing, and Parlor knew
it, But that was the specific thing

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that distinguished them from Twitter, and
the one thing that distinguished Rumble again from

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YouTube from what Google is doing.
The fundamental thing was this broader scope of

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ideas and speech. You really have
to be careful if you're creating content for

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YouTube and you make a joke about
Trump and the twenty twenty election, you

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like this, This is the real
thing. They do demonetize. They do

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penalize people who make jokes for crossing
the wrong side of their speech code.

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And you don't get that on Rumble, and so Parlor understood that that was

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a fundamental difference between them and Twitter. The pressure was so immense from all

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of these big tech companies, and
you know, they made life very difficult

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for Parlor. But since then there
has been this growth in that kind of

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alternative economy system ecosystem where you have
things like Public Square, which I absolutely

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love. You have things like,
you know, different all kinds of different

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places. True, there's true social
there are all kinds of different places for

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people to post content. Do you
think some of the stuff christian is really

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here to stay? I hope.
So, I mean, we have to

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have Plan b's and Plan c's or
we're all in trouble. You know,

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you mentioned demonetizing or punishing someone for
a joke. What's what happened Roseanne bar

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00:22:40,599 --> 00:22:45,160
she was on Oh Theovan's podcast and
she joked about Holocaust and Island. It

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00:22:45,200 --> 00:22:49,319
was clear for a she's Jewish,
be she's never said that the Holocaust didn't

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happen. And see, she was
just being she was going off on a

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riff, on a tangent because she's
a comedian, that's what she does.

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And that was punished. And I've
talked to a lot of different comedians and

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they've suffered from tech censorship. You
know, it's not dramatic, it's not

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draconian, but it's there. And
often it doesn't involve nudity, doesn't involve

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this or that. It's often about
well you made front of the wrong target,

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and that's that's chilling. So what
we have now is we have locals,

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We've got podcasting. Uh, Anthony
Komi has got compound media, his

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own little pirate ship in a sense, and Adam Grola has a literal pirate

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ship, that's what he calls it. So I think we are seeing all

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these different platforms pop up where it's
free or speech. There's more ability to

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speak your mind, and you would
think that that would have a really powerful

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competitive effect on the YouTube's of the
world, because you know, if if

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if comedians start fleeing the ship,
then they they're going to have to you

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know, they're going to face some
consequences there. But it doesn't seem to

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be Uh, Listen, I use
YouTube all the time. It's it's a

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it's a wonderful platform. There's so
many different voices and topics and conversations and

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everything there. So it's it's it's
very hard to topple these behem as at

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00:23:57,480 --> 00:24:03,079
this point. But yeah, we
need these these these other ways to get

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00:24:03,079 --> 00:24:04,759
the jokes out, to get the
commentary out, and you know, for

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00:24:04,759 --> 00:24:10,240
people like Russell Brand and eng Glenn
Greenwald and man Taiebi, they are essential.

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00:24:10,279 --> 00:24:11,759
And I should mention substack as well, which seems to be a pretty

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00:24:12,119 --> 00:24:17,799
solid platform for alternative views, you
know. I mean, if you're having

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00:24:17,839 --> 00:24:19,240
a conversation or even a debate with
someone, you could just say, listen,

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00:24:19,279 --> 00:24:22,880
hey, a lot of what we
thought about COVID nineteen was wrong.

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00:24:22,960 --> 00:24:26,519
It's just wrong. We know it
for a fact that it was wrong.

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00:24:26,160 --> 00:24:32,400
But you could go on YouTube and
find countless videos of people saying that you

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00:24:32,440 --> 00:24:36,920
know, the vaccine stops at cold
and you won't get it if you have

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00:24:36,960 --> 00:24:40,519
the vat I mean, just things
like that. So why isn't that demonetized

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or banished? It's all thought control. There are certain things we can talk

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about and not and I think every
creator has to do that math in his

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00:24:47,759 --> 00:24:49,960
or her head. If you're a
comedian, is it worth putting that joke

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on YouTube? If I'm a I'm
a writer, I run my website,

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00:24:55,240 --> 00:24:57,720
you know, I mean, at
this point, what do I do?

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Can I talk about trans issues in
any capacity that can be challenging to me

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and my revenue stream, And I'm
just a solopreneur. I'm scared to death

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00:25:07,799 --> 00:25:11,160
about it. So all I can
do is I can support free speech and

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00:25:11,200 --> 00:25:17,160
support the artists who are pushing free
speech and shame the people who are not

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00:25:17,319 --> 00:25:19,440
on board because free speech is everything. It's it's it's it's ball game at

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00:25:19,440 --> 00:25:22,759
this point, and if we lose
it, I think we're done. You

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00:25:22,759 --> 00:25:26,279
know. That's so interesting on a
personal level too, that like, your

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00:25:26,559 --> 00:25:32,400
your small business, and these concerns
absolutely affect how you operate. And actually

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00:25:32,400 --> 00:25:36,039
speaking of the behemoths who really are
getting to set the rules and that sort

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00:25:36,079 --> 00:25:45,039
of famous like Baptists and bootleggers type
of like the type of system of control

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00:25:45,240 --> 00:25:51,400
that we've seen so many times where
the bootleggers get you have this this huge

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00:25:52,319 --> 00:25:56,640
company sets the rules. It's chrony
capitalism. They say. It's like they're

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00:25:56,680 --> 00:26:00,359
just you know, trying to create
guardrail through the economy or whatever. But

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00:26:00,440 --> 00:26:04,480
it helps them get a leg up
on their competitors. I think we see

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00:26:04,640 --> 00:26:08,400
so much of that going on in
this space, and I want to ask

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00:26:08,440 --> 00:26:14,839
you you've been looking at Disney.
Obviously, hilariously they brought back Bob Iger

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00:26:15,039 --> 00:26:19,400
to save the day after they started
seeing a nose dive. Some of that

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00:26:19,519 --> 00:26:25,880
is clearly attributable to politics. Some
of that is attributable to just this intensely

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00:26:25,920 --> 00:26:30,519
difficult media climate. As we're recording
this, we just learned that the Writer's

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00:26:30,599 --> 00:26:33,799
Guild, not the Screenecker's Guild,
but the Writer's Guild seems to have reached

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00:26:33,839 --> 00:26:41,000
a tentative agreement in their their strike. What is the future for Disney right

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00:26:41,039 --> 00:26:47,799
now? Christian, because they're facing
serious headwinds, some of their own making

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00:26:48,480 --> 00:26:52,519
politically, they stepped into that.
But they're in a really tough spot right

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00:26:52,559 --> 00:26:55,680
now, and I think, you
know, some of us are sort of

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00:26:55,759 --> 00:26:59,480
cheering for them to keep struggling,
and by that I mean me. But

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00:27:00,119 --> 00:27:03,400
people might not want to see their
demise quite yet. Yeah, it's interesting.

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00:27:03,400 --> 00:27:06,319
I think for a while now,
I've been saying Disney will be fine.

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00:27:06,359 --> 00:27:08,599
They've got too much money, They've
got too many iconic properties, they've

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00:27:08,599 --> 00:27:11,640
got too much of this, they've
got too much of that. And now

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I'm not quite so sure, because
I think the marketplace is so challenging,

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because I think they've taken this bulletproof
brand that any company would just slay for

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00:27:21,839 --> 00:27:27,759
and they've they've they've damaged it,
possibly irreparably. I mean to get political,

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00:27:29,240 --> 00:27:33,640
to get inside the culture wars,
to insert messaging within their family friendly

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00:27:34,240 --> 00:27:38,680
content that a large portion of the
population doesn't want to see. In kids

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00:27:38,720 --> 00:27:44,000
programming. It's just it's just amazing
to watch. I mean, I think

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00:27:44,000 --> 00:27:48,119
that business, you know, courses
will be taught on what happened with Disney

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00:27:48,200 --> 00:27:52,799
for years and years, that you
can take a company that was so beloved.

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00:27:52,480 --> 00:27:56,119
I mean, you know, it's
you know, Disney was like Betty

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00:27:56,160 --> 00:27:57,920
White, who didn't love Betty White, who didn't love Disney, who didn't

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00:27:57,920 --> 00:28:02,119
grow up on Disney. We didn't
have warm feelings about Disney. The parks,

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the movies, the characters, the
mouse ears. It just was this

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brand that we passed down from generation
to generation. We loved it, and

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you know, maybe we grew out
of it at times as we got older,

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but we'd want to have our kids
and grandkids watch those classic movies.

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And now they're at the forefront of
this culture war and they're I just I

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00:28:21,400 --> 00:28:23,000
just can't believe it. I can't
believe. No one was There was no

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00:28:23,480 --> 00:28:26,680
adult in the room. We said, we've got to stop this. This

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00:28:26,720 --> 00:28:29,039
is this is hurting us. And
you know, at the end of the

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00:28:29,160 --> 00:28:33,279
day, why does Disney need to
get in the culture wars? Why Why

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00:28:33,279 --> 00:28:37,920
do I need my toothpaste company to
be woke? Why do we need Apple

381
00:28:37,039 --> 00:28:40,920
to be caring so much about the
environment. I care more about the great

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00:28:40,920 --> 00:28:42,880
products. I mean, I think
we can work on the environment through you

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00:28:42,880 --> 00:28:48,640
know, government methods, through uh, you know, organizations that help make

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00:28:48,720 --> 00:28:51,720
us a cleaner planet. I'm not
against any of that, but just seems

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00:28:51,920 --> 00:28:55,240
odd that Disney would go to the
mat and the subject and fight with Governor

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00:28:55,279 --> 00:28:59,400
DeSantis and they're losing. And this
is all coming at a time where the

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00:28:59,440 --> 00:29:03,319
whole econom mcmodel is changing and or
collapsing. I mean, most of the

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00:29:03,359 --> 00:29:06,960
streaming companies are just bleeding money at
this point. It's just not a viable

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00:29:07,039 --> 00:29:10,079
model. They've got to figure out
what the plan is. And then here's

390
00:29:10,119 --> 00:29:12,640
Disney just saying, Okay, we're
going to alienate whole bunches of people again

391
00:29:12,680 --> 00:29:15,039
and again and again, and then
when we get caught, we're not going

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00:29:15,079 --> 00:29:18,039
to apologize. We're not going to
course correct. We're gonna have Bob Iger

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00:29:18,160 --> 00:29:22,680
saying we're going to lower the temperature
on the conversation with that any real action

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00:29:22,759 --> 00:29:27,599
behind it, I don't think he
means it. So it's fascinating and as

395
00:29:27,640 --> 00:29:37,119
an observers, it's often more entertaining
than the Disney product itself. Hey,

396
00:29:37,200 --> 00:29:40,960
y'all, This is Sarah from the
Sarah Carter Show. Thanks for listening to

397
00:29:41,000 --> 00:29:45,200
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410
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Get Superbeats dot Com promo code Sarah, it could in fact be a really

411
00:30:57,759 --> 00:31:06,799
good Disney movie about some nameless behemoth
entertainment giant Christian. How much of it,

412
00:31:06,799 --> 00:31:10,039
though, is attributable? I mean, like, it's hard to obviously

413
00:31:10,079 --> 00:31:14,000
put like a quantified percentage on this, But how much of it do you

414
00:31:14,000 --> 00:31:17,200
think it is politics? Because sometimes
when we talk about this in the context

415
00:31:17,279 --> 00:31:21,359
of politics, I think people who
don't cover the business side of it quite

416
00:31:21,400 --> 00:31:25,640
as closely might overstate the influence of
politics. I still think it's really important,

417
00:31:25,680 --> 00:31:29,000
but how much is one versus the
other? Do you think? It's

418
00:31:29,000 --> 00:31:30,519
hard to quantifize specifically, But you're
right. I think you know, you

419
00:31:30,559 --> 00:31:33,960
and I are in this business.
We follow these things, We read the

420
00:31:33,039 --> 00:31:37,599
headlines, and the average American doesn't. But you know, I think some

421
00:31:37,680 --> 00:31:42,240
of that does reach the average American, whether on social media or maybe just

422
00:31:42,279 --> 00:31:45,759
the films they're watching. So I
think there is a trickle down effect that's

423
00:31:45,799 --> 00:31:49,319
happening. But I also think the
Disney product just hasn't been very good.

424
00:31:49,640 --> 00:31:53,480
They took the Star Wars franchise and
they can't even get a new movie off

425
00:31:53,519 --> 00:31:57,480
the ground. Every every new day
there's a big a list. Director says,

426
00:31:57,559 --> 00:32:01,160
I'm not making a movie about Wars
anymore, and then the Star Wars

427
00:32:01,160 --> 00:32:06,000
shows that people we almost watched them, almost like it's we're supposed to,

428
00:32:06,119 --> 00:32:08,200
but we don't seem to have the
passion and the energy behind them, like

429
00:32:08,240 --> 00:32:13,880
The Mandalorian, which really did recapture
the glory of Star Wars for two seasons,

430
00:32:13,880 --> 00:32:16,160
and it seems like the Loss its
way in season three. But yeah,

431
00:32:16,200 --> 00:32:19,799
it's a combination of things. We
have to kind of make sure that

432
00:32:19,839 --> 00:32:22,519
we're not thinking about we're reminding ourselves
that life is in Twitter and vice versa.

433
00:32:23,359 --> 00:32:27,480
But I do think that people do
get exposed to what they do hear

434
00:32:27,519 --> 00:32:30,519
about it, and I think if
they're not directly hearing about it, they're

435
00:32:30,559 --> 00:32:35,759
seeing the content the results. And
it just hasn't been any classic Disney films

436
00:32:35,799 --> 00:32:38,759
in recent years that I guess maybe
Frozen was the last property that really just

437
00:32:38,799 --> 00:32:44,880
blew everyone away and was wonderful and
you know, became a cultural sensation,

438
00:32:45,319 --> 00:32:47,440
and The Mandalorian as well. But
I think there's a lot of other films

439
00:32:47,480 --> 00:32:52,880
that are just clunkers. They're just
unmemorable, and that has a more powerful

440
00:32:52,960 --> 00:32:57,559
cumultive effect than any you know,
te tweet storm about how woke Disney is,

441
00:32:57,599 --> 00:33:00,039
but they don't discount that either.
Yeah, I was gonna say,

442
00:33:00,480 --> 00:33:04,279
and how do you think that's affected, because you know, we were talking

443
00:33:04,319 --> 00:33:07,720
about me too? And just to
sort of bring this full circle, obviously

444
00:33:07,799 --> 00:33:12,720
there were artists, Matt Damon being
one of them. But even during the

445
00:33:12,720 --> 00:33:19,920
whole cancel culture, when we were
really in the throws on a daily basis

446
00:33:20,240 --> 00:33:25,640
of these cancel culture news cycles,
facing celebrities facing average Americans, Jennifer Aniston,

447
00:33:25,680 --> 00:33:29,119
after some of the dust settled recently, came out and was like,

448
00:33:29,160 --> 00:33:31,319
and I don't get the point of
cancel culture, and it kind of criticized

449
00:33:31,359 --> 00:33:35,039
it. Maybe she wouldn't have done
that a couple of years ago. I

450
00:33:35,039 --> 00:33:37,920
think it's still great that she did
it now, But there was definitely a

451
00:33:37,960 --> 00:33:45,759
time when all of this was more
pitched and frenzied. Has that like me

452
00:33:45,839 --> 00:33:50,440
too? Maybe has that really changed
the content that we were seeing common of

453
00:33:50,440 --> 00:33:54,240
Hollywood or has it almost changed it
for the better? That's going to sound

454
00:33:54,240 --> 00:34:00,200
crazy, but there was something that
felt so And I don't mean this in

455
00:34:00,240 --> 00:34:06,119
the sense that if any of our
readers have read Stan Evans and these defenses

456
00:34:06,119 --> 00:34:09,320
of Joe McCarthy, I hear you, but it felt kind of McCarthyist about

457
00:34:09,360 --> 00:34:14,639
cancel culture, and it seemed like
a lot of artists, especially in Hollywood

458
00:34:14,679 --> 00:34:16,599
and everywhere else, took note of
that and wanted to kind of do their

459
00:34:16,599 --> 00:34:20,480
own thing. You know. Shane
Gillis is out on Netflix with the special.

460
00:34:20,519 --> 00:34:24,280
Now they've been supportive of Dave Chappelle, Gillis has only gotten more popular.

461
00:34:24,760 --> 00:34:31,280
In a sense, has the cancel
culture sort of fever peaked and improved

462
00:34:31,400 --> 00:34:36,639
art or at places like Disney,
has it actually made the content so much

463
00:34:36,639 --> 00:34:40,480
worse because people are now even more
risk averse, not wanting to wade into

464
00:34:40,480 --> 00:34:45,320
those waters again. To feel like
the debate's almost been settled. There's a

465
00:34:45,360 --> 00:34:46,679
lot of answers to that question.
I'm going to try to tackle them as

466
00:34:46,679 --> 00:34:51,199
my brain catches up to them.
I do think it's two steps forward,

467
00:34:51,280 --> 00:34:54,239
one step back as far as we're
making progress against cancel culture, than bow

468
00:34:54,440 --> 00:34:59,719
something happens, we're back to square
one. I do think that the main

469
00:35:00,119 --> 00:35:06,360
dream content providers are getting more and
more safe, and more and more weary

470
00:35:06,559 --> 00:35:09,320
or leary of offending group A,
B and C. And I think what

471
00:35:09,360 --> 00:35:15,679
that does is it gives space to
a Shane Gillis, who is really smart

472
00:35:15,119 --> 00:35:20,800
and really funny and really provocative and
very interesting. And you can just tell

473
00:35:20,800 --> 00:35:23,159
when you watch his stand up that
he doesn't have a mean bone in his

474
00:35:23,199 --> 00:35:28,559
body. But I think he goes
in some challenging directions and he does it

475
00:35:28,599 --> 00:35:34,440
with wit and style and a bit
of humility. So I think it's a

476
00:35:34,440 --> 00:35:37,039
complicated time. I think that there
are many, many people who are just

477
00:35:37,280 --> 00:35:44,159
scared of offending someone. I think
that absolutely impacts art. I actually opened

478
00:35:44,159 --> 00:35:47,199
my book Virtue Bombs with a made
up scenario that was scrubably, very real,

479
00:35:47,440 --> 00:35:50,679
fake bite accurate. As Dan Rather
would say. As you know,

480
00:35:50,760 --> 00:35:52,320
imagine that you're a screenwriter. You
open up your laptop and you want to

481
00:35:52,320 --> 00:35:54,639
start writing a story, and then
you think, well, well, this

482
00:35:54,719 --> 00:35:59,480
character is Asian, maybe that he
shouldn't be doing what he's doing for cultural

483
00:35:59,480 --> 00:36:01,880
purposes, and what if I do
this character. I mean, there are

484
00:36:02,000 --> 00:36:07,639
so many things invading the creative process, short circuiting the creative process. That's

485
00:36:07,679 --> 00:36:09,599
not good. It's not good.
You know at the end of the day

486
00:36:09,599 --> 00:36:13,920
that the audience should be the ultimate
arbiter. Did you go too far?

487
00:36:14,320 --> 00:36:19,840
Did you push it in directions that
are unfortunate, and just very before we

488
00:36:19,960 --> 00:36:22,519
had the chance that one of the
mics, as they say, I heard

489
00:36:22,559 --> 00:36:25,800
that there's an Office reboot in the
works, and it's funny. I've never

490
00:36:25,840 --> 00:36:30,519
seen The Office until recently, which
is my fault. I dismissed it and

491
00:36:30,559 --> 00:36:34,079
I started. I started to binge
it, and I am on season seven

492
00:36:34,559 --> 00:36:37,719
and every night is a joyful experience
because I know I have at least two

493
00:36:37,760 --> 00:36:39,400
Office episodes waiting for me, and
I'm so sad that it's going to end

494
00:36:39,440 --> 00:36:44,440
soon, and I'm thinking, a, you can't do this again. Be

495
00:36:45,960 --> 00:36:47,880
Mindy Kaling is basically said as much, you can't do this again. She's

496
00:36:47,880 --> 00:36:51,320
even embarrassed of some of the work
that she did. She said this,

497
00:36:51,679 --> 00:36:53,719
she's not even sure she would show
it to her children. And then Steve

498
00:36:53,840 --> 00:36:59,280
Carell, who is flat out genius
in the role of Michael Scott maybe one

499
00:36:59,320 --> 00:37:01,920
of the greatest comic performances in TV
history, has said, I couldn't do

500
00:37:02,000 --> 00:37:07,840
this today. So we're going to
reboot The Office in this cultural climate where

501
00:37:07,880 --> 00:37:09,400
you can't do this and you can't
do that, and you're going to zap

502
00:37:09,400 --> 00:37:14,880
away what made this show so magical. It just breaks my heart. But

503
00:37:14,960 --> 00:37:19,039
again, these are opportunities for the
Shane Gillis types of the world to kind

504
00:37:19,039 --> 00:37:22,119
of work on the perimeter of Hollywood. It's so much great comedy going on

505
00:37:22,239 --> 00:37:25,119
right now, but it's on YouTube
or rumble, it's not on SNL,

506
00:37:25,280 --> 00:37:29,559
it's not on the late night shows. But gosh, there's a group called

507
00:37:29,559 --> 00:37:34,480
Free the People, and they are
crushing it. Their stuff is amazing and

508
00:37:34,639 --> 00:37:40,000
funny and satirical and biting and just
over the top grade. And they're just

509
00:37:40,159 --> 00:37:45,679
some outfit they I mean not to
disminish what they do, but they're not

510
00:37:45,840 --> 00:37:50,039
NBC, they're not Netflix. They
don't have all the resources at their disposal,

511
00:37:50,079 --> 00:37:52,920
but they have a modest budget.
Their clips look great, they've got

512
00:37:52,920 --> 00:37:55,719
funny concepts, and the technology is
allowing them to compete on that level.

513
00:37:55,800 --> 00:38:00,360
So that's maybe we're the whole ultimately
lines that all the week keeps getting shamed

514
00:38:00,360 --> 00:38:07,079
by outsiders. You just broke devastating
news, Christian. The Office is going

515
00:38:07,119 --> 00:38:09,679
for reboot. I mean, I
guess I'm not surprised, and I almost

516
00:38:09,679 --> 00:38:15,039
always support reboots. But to your
point about what Steve Carrell and Mindy Kaling

517
00:38:15,079 --> 00:38:21,480
have said, this is going to
ruin the legacy of one of the greatest

518
00:38:21,679 --> 00:38:25,920
comedies ever almost surely, and I
think you know that knowing them, they'll

519
00:38:25,920 --> 00:38:30,880
still have fun with these things.
But man's uh, that's really that's that's

520
00:38:31,000 --> 00:38:37,280
hits hard. And I also,
I'm so curious why you think you've never

521
00:38:37,320 --> 00:38:39,920
watched The Office before, Christian.
Well, you know, it's weird.

522
00:38:40,000 --> 00:38:45,320
I'm a movie guy and I have
to for my job watch movie after movie

523
00:38:45,320 --> 00:38:47,480
after movie. And there's a little
bit this weird click in me, at

524
00:38:47,480 --> 00:38:51,760
this weird tick that if I missed
something in the beginning, it's like,

525
00:38:51,880 --> 00:38:54,440
it's too late. I missed the
boat like and I actually did catch up

526
00:38:54,440 --> 00:38:58,920
at Breaking Bad and I was mesmerized
by it. But a Game of Thrones

527
00:38:58,960 --> 00:39:01,159
I started to watch, I couldn't
get it. My HBO lapped. I

528
00:39:01,239 --> 00:39:05,719
just never I just I just felt
like I missed the moment and then I'm

529
00:39:05,719 --> 00:39:07,920
like to go back. Seems silly, and maybe that argument is silly,

530
00:39:07,920 --> 00:39:12,119
but it's just this weird thing I
have in my head. But I don't

531
00:39:12,159 --> 00:39:15,280
know. I just started getting bored
with all the movies that were available on

532
00:39:15,280 --> 00:39:17,079
my streaming platforms, and I thought, but the hell, why don't I

533
00:39:17,119 --> 00:39:21,320
just work to the office and here
I am, you know, of course,

534
00:39:21,360 --> 00:39:23,599
corrected on a dramatic level, you
know. And I also I want

535
00:39:23,599 --> 00:39:27,960
to be a little critical of Steve
Carell, because when Steve Correll says,

536
00:39:28,000 --> 00:39:30,000
and he's right, oh, I
don't know, we can make a movie

537
00:39:30,159 --> 00:39:36,079
a character like Michael Scott anymore.
His next syllable should be a boy.

538
00:39:36,159 --> 00:39:43,599
Isn't that a horrible thing? Because
Michael Scott is ignorant and selfish and childish

539
00:39:43,639 --> 00:39:47,599
and irredeemable at times, and you
love him, you love him, and

540
00:39:47,639 --> 00:39:52,400
that's the genius of his performance.
And it's this deeply flawed soul that even

541
00:39:52,440 --> 00:39:58,079
the office workers love him too,
despite themselves. And even though he's a

542
00:39:58,159 --> 00:40:04,920
moron, it's much a wonderful,
layered, fascinating, deeply funny character.

543
00:40:05,440 --> 00:40:08,039
And yes he is ignorant, and
yes he says racist stuff, but he

544
00:40:08,079 --> 00:40:13,400
doesn't even mean it. He's actually
trying not to be ignorant and dumb.

545
00:40:13,440 --> 00:40:15,559
But because he is who he is, he can't help himself. How how

546
00:40:15,639 --> 00:40:20,440
fascinating is that that template? And
how many actors could have pulled it off?

547
00:40:21,119 --> 00:40:23,679
Maybe a handful, maybe less,
But Steve Correll did it right to

548
00:40:23,719 --> 00:40:29,280
make Michael Scott sympathetic. Is just
it's a feat. There's no Archie Bunker.

549
00:40:29,320 --> 00:40:32,119
Ask maybe on steroids, yes,
yes, And actually you know that

550
00:40:32,559 --> 00:40:37,360
I'm going to keep pelting with questions
on this because it's it's such a time

551
00:40:37,400 --> 00:40:42,000
capsule, but in the way that
you know things. It used to take

552
00:40:42,079 --> 00:40:45,079
us a hundred years or more for
our culture to change so dramatically, but

553
00:40:45,159 --> 00:40:50,079
this is within everyone's recent memories and
I'm totally Actually, I love your explanation

554
00:40:50,119 --> 00:40:52,880
for why you never got around to
it before, because I'm the exact opposite.

555
00:40:52,880 --> 00:40:57,079
I'm a TV person and I can't
always bring myself to watch movies and

556
00:40:57,320 --> 00:41:00,440
sometimes after a movie is like,
I'm just not going to get to it,

557
00:41:00,480 --> 00:41:02,840
you know, just it's done.
Like I didn't weigh in, then

558
00:41:04,000 --> 00:41:07,199
I'm not going to weigh in in
the future. So why, you know,

559
00:41:07,360 --> 00:41:09,719
strain my attention span? And The
Office came out when I was I

560
00:41:09,719 --> 00:41:14,679
started watching it. This is going
to sound ridiculous, but the first time

561
00:41:14,719 --> 00:41:19,480
I saw it was I think on
one of my friends iPod videos. They

562
00:41:19,519 --> 00:41:23,320
had bought an episode, they bought
Office Olympics on iTunes and we watched it

563
00:41:23,360 --> 00:41:30,480
on an iPod video. And that's
just within like my living memory, Like

564
00:41:30,480 --> 00:41:34,559
that's within like the last fifteen years. Do you get the sense as you're

565
00:41:34,599 --> 00:41:39,199
going back through these episodes of how
much they reflect a totally different world,

566
00:41:39,239 --> 00:41:44,519
a totally different country. Yeah,
And you know what you said about a

567
00:41:44,519 --> 00:41:50,239
culture, It really it's really profoundly
true that culture does change so rapidly,

568
00:41:50,599 --> 00:41:52,400
and I think we still have to
kind of wrap our heads around that.

569
00:41:52,639 --> 00:41:57,079
I mean, I just think that
I think we're all essentially immature when it

570
00:41:57,079 --> 00:42:00,000
comes to social media used, like
we haven't really matured and had the whizz

571
00:42:00,079 --> 00:42:04,159
them to use it properly. Sometimes
it's that revolutionary. But yeah, I

572
00:42:04,159 --> 00:42:07,159
mean, you know, before I
binge watched The Office, I was catching

573
00:42:07,199 --> 00:42:10,079
up on Modern Family, which I
had seen from time to time but didn't

574
00:42:10,199 --> 00:42:14,880
do the deep drive. And when
I watch a show like Modern Family or

575
00:42:14,880 --> 00:42:16,639
even like The Office, I just
watch I go, oh, you couldn't

576
00:42:16,679 --> 00:42:20,559
say that today, or you couldn't
do that today. And these are not

577
00:42:20,920 --> 00:42:27,199
outrageous shows. These are mainstream productions
and there's nothing political about them. There's

578
00:42:27,280 --> 00:42:31,480
nothing culturally demanding about them, but
not getting in a soapbox, but just

579
00:42:31,639 --> 00:42:36,039
little jokes, little assigns and often
it's the flaws of the characters which are

580
00:42:36,039 --> 00:42:40,400
so profound, where you know,
certain people like the gay couple on Modern

581
00:42:40,440 --> 00:42:45,760
Family, well as Mitch as the
Redhead Fellow, he's kind of a jerk

582
00:42:45,760 --> 00:42:51,159
at times, and Cam is just
over the top and crazy and jumps to

583
00:42:51,239 --> 00:42:53,599
conclusions. But that's what makes him
lovable, and that's what makes him human,

584
00:42:53,639 --> 00:42:57,920
and that's what makes them funny.
And I think we risk that where

585
00:42:58,800 --> 00:43:00,880
my gosh, we're making a movie
about a gay couple and they're fighting,

586
00:43:01,199 --> 00:43:05,440
you know, they're fighting to see
if they're going to be a you know,

587
00:43:05,599 --> 00:43:08,119
they're going to stay together or not. But then can we make those

588
00:43:08,639 --> 00:43:13,360
those gay characters with their flaws.
I mean, the term Mary Sue jumps

589
00:43:13,360 --> 00:43:19,480
to mind. That's the term where
we have these flawless female characters like Ray

590
00:43:19,639 --> 00:43:23,239
from the recent Star Wars films,
or Kelly Marie trans character It was a

591
00:43:23,360 --> 00:43:27,920
terrible characters. They're flawless, they're
perfect, they're wonderful, they're noble,

592
00:43:28,000 --> 00:43:30,559
they're strong, they're brave, boring. And that's one of the many,

593
00:43:30,599 --> 00:43:34,679
many reasons why I Woke has been
such a has had such a terrible impact

594
00:43:34,719 --> 00:43:37,880
on the arts, because you get
characters like that they're woke, but they're

595
00:43:37,880 --> 00:43:45,920
not entertaining. Well, that's bleak. Is there something on the horizon that

596
00:43:45,960 --> 00:43:50,000
you're most excited for? Movies?
TV, stand up specials, anything that

597
00:43:50,000 --> 00:43:52,239
you're looking at in the near term, you know, generally speaking, I

598
00:43:52,320 --> 00:43:58,119
just I'm excited by these different platforms
rising up. Blaze Media has got a

599
00:43:58,119 --> 00:44:00,679
movie it came out a couple of
weeks ago called Rio Eng which they just

600
00:44:00,719 --> 00:44:02,719
bought from someone else. It was
very good, and it seems like Glenn

601
00:44:02,719 --> 00:44:07,119
Beck has been talking about being more
active in this space. Obviously, The

602
00:44:07,199 --> 00:44:10,440
Daily Wires is going all in on
entertainment projects. I love that these different

603
00:44:10,440 --> 00:44:15,360
comedians are able to put out so
much great content on their own terms and

604
00:44:15,800 --> 00:44:17,760
do it in a way that's professional
and slick. So, you know,

605
00:44:17,800 --> 00:44:23,119
as far as mainstream Hollywood goes,
you know, the director Alexander Payne as

606
00:44:23,159 --> 00:44:27,320
in a movie coming out of if
it's called Holdovers. It's with Paul Giamatti.

607
00:44:27,760 --> 00:44:30,320
He was a terrific director and they
made one or two clunky films.

608
00:44:30,320 --> 00:44:31,599
But I'm kind of hoping he goes, you know, finds his roots again.

609
00:44:32,119 --> 00:44:37,440
Tarantino's teasing his tenth and final film. You know other than that,

610
00:44:37,559 --> 00:44:40,159
I don't get as excited about the
Oscar movie season like I used to.

611
00:44:40,280 --> 00:44:45,039
I feel like I'm often more often
let down than anything else. But I

612
00:44:45,079 --> 00:44:47,440
do like the art bubbling up around
the corners, and I think that's exciting.

613
00:44:47,480 --> 00:44:52,199
It's rebellious. And I also think
that the artists of today, they

614
00:44:52,280 --> 00:44:57,239
really need to lean into this free
speech message, this counterculture of non censorship.

615
00:44:57,480 --> 00:45:00,559
That is a winning strategy. I
think that will if America is still

616
00:45:00,599 --> 00:45:06,039
America. I think that the average
person left, right or middle will resonate

617
00:45:06,079 --> 00:45:08,039
with that to a certain degree,
and resonate with the people who are fighting

618
00:45:08,079 --> 00:45:12,639
against the scolds. But I think
the messaging has to be more powerful,

619
00:45:12,679 --> 00:45:15,920
and it's gotta be laced with humor, because if we get out, if

620
00:45:15,920 --> 00:45:17,800
you get up on our soapboxes and
we lecture people and wag our fingers,

621
00:45:17,800 --> 00:45:21,920
it's not going to work. But
you know, if you watch a video

622
00:45:22,000 --> 00:45:24,360
and it's funny and it's outrageous,
but it's got a point and it makes

623
00:45:24,360 --> 00:45:30,599
you think that it's a wonderful combination. Christian Toto is the host of the

624
00:45:30,679 --> 00:45:36,519
Hollywood and Toto podcast. Also,
of course, you can read Hollywood and

625
00:45:36,679 --> 00:45:39,679
tooto dot com. All of Christian's
coverage is there. Thanks so much for

626
00:45:39,760 --> 00:45:43,400
joining us once again, Christian.
Oh, I love it. Thanks again.

627
00:45:43,840 --> 00:45:45,320
All right, well, you've been
listening to another edition of The Federalist

628
00:45:45,320 --> 00:45:49,480
for radio hour. I'm Emily Deshnsky, culture editor here at The Federalist.

629
00:45:49,519 --> 00:45:52,960
We'll be back soon with more.
Until then, the lovers of freedom and

630
00:45:52,119 --> 00:46:05,280
anxious for the frame right. What
you're wrong with me, scribes wrong
