WEBVTT

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Welcome back midnight viewers to Father Malone's
weekly roundup. Who is this Father Malone?

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Anyway? Me and helping me out
in all things cinematic, as my

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co host Ripley say, Hello,
Ripley, WHOA? What's your mouth?

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Keep the contempt for the audience to
yourself. It wasn't the audience nice?

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You want to go first this time? We usually do a TV show,

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But I think you're pretty excited about
your choice, okay, Ripley's pick.

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Nineteen eighty two was a hell of
a year for movies. Copola bankrupted himself

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building Las Vegas on a sound stage
for One from the Heart, which I

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understand is getting a rerelease later this
year, and I'll let you know when

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it does. Swamp Thing made his
cinematic debut in Wes Craven's mostly terrible adaptation

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of the Bernie Wrightson character. Those
are probably bad examples. How about Poltergeist,

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Star Trek two, The Wrath of
Khan, Blade Runner e T And

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Cat People? Now, why would
a dog pick cat people? She barks

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every time she sees a goddamn cat
on the TV. Well she didn't,

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but I did manage to see her
actual choice on a double bill with Cat

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People at the Medford Drive In in
Medford, Massachusetts. Now being nine years

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old and having no interest in a
psycho sexual drama where no one actually turned

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into a cat, I spent most
of Cat People watching Megaporce, the Barry

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Bostrik led superhero motorcycle action flick that
was playing on a nearby screen. Although

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some of cat People did get through
anetto to a managed to make an impact

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that I'm still feeling today. I
am cuckoo for blue eyed red heads,

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but there was no amount of a
net otool or mega forest that could make

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me look away. Once that flying
saucer blurred past the camera on its way

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to Earth and the dread words burned
into the screen. John Carpenter's the Thing

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Trailer Time Maybe Day. It's his
US National Clarity One. You read me?

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Found something in the eye. We
need some help down here. Can

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anybody hear me? He found something? We've found something. He's bound something.

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Twelve men have just discovered something.
For one thousand years, it was

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buried in the snow and ice.
Now it has found a place to live

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inside where no one can see it, or hear it or feel it.

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I know I'm human. Some of
you are still human. This thing doesn't

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want to show itself. He wants
to hide inside an imitation. You'll fight

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if it has to, but it's
vulnerable out in the open. If it

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takes us over and it has no
more enemies, nobody left to kill it,

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and then it's one you guys can't
listen to. Gary cald be one

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of those things. By the way, did you know that they're called trailers

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because they used to trail the main
feature? That's right. You were expected

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to sit through the credits to find
out what would be playing next. Anyway.

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In nineteen thirty eight, under the
pen name of Don Stewart, John

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W. Campbell had a short story
called Who Goes There published an Astounding Science

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fiction magazine. It was a shortened
version of a novel Campbell had written called

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Frozen Hell. It was a tale
of American researchers in Antarctica who've discovered an

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alien in the ice and foolishly thought
out it is rife with paranoia as the

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alien is an expert in imitation.
It was first filmed as The Thing from

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Another World in nineteen fifty one by
Maybe Howard Hawks, and that version had

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a hulking monster in Jim Arness in
place of the shape shifting alien. The

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second, shall we say loose adaptation
was in nineteen seventy one with Horror Express

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with Chris Lee and PD Cushing.
It's the same movie, just on a

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train. And this one was definitely
not directed by Howard Hawks, which brings

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us to nineteen eighty two and that
drive in this was June twenty fifth,

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nineteen eighty two. The high temperature
and Boston that day was eighty two degrees.

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There were seven people jammed into that
car. You can imagine the teenage

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body heat being thrown off. But
I was chilled from the opening frame.

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This isn't nostalgia. I'm setting a
scene. Get up the program, dog

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and speaking of dogs, although he
receives no credit, which is criminal,

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the unsung acting hero of John Carpenter's
The Thing is Jed. How Jed is

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not as famous or Benji or Lassie
or that grumpy cat is beyond me because

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unlike those animals, Jed had range. He appeared in the Journey of Natty

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Gan and then headlined White Fang in
its sequel. That's two headlining characters for

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one actor, and you've probably just
heard his name for the first time.

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Because here's the thing. Literally,
Jed is the thing. Remember that scene

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where he's slowly moving down the hall
to enter a room with total purpose,

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and then he stops because he gets
an idea and he moves off because he's

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found easy prey. Good Lord,
that's gross rippling. Yeah, I get

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it. He's an attractive hound.
Since I'm shouting out the unsung, how

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about Susan Turner, she built the
alien ship we see whizzing past the camera.

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Or Albert Whitlock in his Matte paintings
that gave us that chip on Earth.

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Watch that painting as the sun comes
out and drives the shadows off of

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it. It is sublime. The
film is a masterpiece. Now. I

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remember excitedly watching every critic, TV
show, local or syndicated that I could,

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with the hopes there'd be a genuine, adult, certified confirmation that it

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was as good as I thought it
was, and I was shattered. Then

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they did the same with Blade Runner, and later that year my jaundice view

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of film criticism was cemented when they
did it again with Romero's Creep Show.

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But now forty two years later,
we all know better and it's still being

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discovered. Ripley isn't even a year
old, and she was riveted. John

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Carpenter's the thing currently streaming for free
nowhere, but it is available for purchase.

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You know this flake, you love
it, You deserve a rewatch,

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and it's worth every penny, particularly
if you live in Las Vegas where it's

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one hundred and twenty degrees. No
joke enough, already, we're done,

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Take us off the griddle. What
do we got next? On the two?

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I guess it's no longer a tube. It's LCD or OLED or something.

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Streaming television is the topic though,
And here's where I'm gonna cheat because

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I haven't been indulging in anything close
to new and it's certainly not an unknown

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quantity, but it's the quality of
the viewing. But realistically, do you

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have seventy odd hours to put aside
to rewatch TV show? It depends on

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the show, granted, but what
if a line of that show was unsatisfying?

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I have the answer. Everyone's still
feeling safely ensconced in the House of

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the Dragon. It's just next to
the House of Frankenstein. That whole block

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is crazy. House of the Demon, House of wax, do not go

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there during the summer. House of
the Devil, House of the Flying Daggers,

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and House on Haunted Hill, which
is technically part of the block,

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but it's way the hell up there. I don't know how the zoning works

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anyway. Dragon House, ooh,
paper House. Remember that movie? Go

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watch that one? And the Dragon
has had a few thrills this year,

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but it's really just making me want
to rewatch Game of Thrones. And I

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know we all hated the ending and
it needed a whole season of dnares Targarian

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going nuts before those final six episodes, but we all watch for a reason,

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so I wanted to see if it
held up. But it is too

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daunting. Free time is limited,
so all the character stories and all of

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the subplots and all of the plots
I had to home in on, which

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was my favorite parts of the show. It's fucking zombies, obviously. Have

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you ever seen a dragon? Dragon's
ruled dead? Wen get centuries and dragons

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have gone, and the children of
the forest forgotteness the White Walkers have been

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gone for thousands of years. The
Madman sees what he sees. Magic once

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was a mighty force in the world, not anymore. Fear is for the

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winter, when the snows fall one
hundred feet deep. Fear is for the

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long night, when the sun hides
for years, and children are born and

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live and die all in darkness.
That is the time for fear, my

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little lord. When the White Walkers
move through the woods. All the frightened

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stories we heard when we were young, they're real. The Niking is coming.

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The dead are already here. These
aren't zombies. These are whites w

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I G h t s, not
the scary color. Zombies are the revived

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dead that just continue what they're doing
in a very hungry way. Even if

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they have a hive mind, they
still seem pretty independent. So thank you,

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George Romero. You are a true
American and I love you. The

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undead Heuron Game of Thrones are revived
at the behest of another supernatural creature,

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in this case the White Walkers,
who are like iceed demons. There doesn't

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matter, I read the books too. That's too much to discuss. The

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point being these ghouls are effectively marionettes, which is funny because before nineteen sixty

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eight, if you said zombie,
that would have been the exact definition.

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Night of the Living Dead changed all
that. Thank you, George Ramiro,

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I love you so as much as
I love Dragons and Aria and fucking Cercy

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oh Man as much as I love
them. I decided to watch only episodes

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involving White Walkers and the whole Winter
Is Coming phenomenon. That shaves the episode

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count down to fourteen, which is
mind blowing. They appear briefly in the

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premiere two episodes in the second season, and those are just the White Walkers.

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We don't get the full mite of
what's been talked about South of the

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Wall. So here they are,
and I'll try and be quick. Winter

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is Coming. That's the first season
one. Season two is night Lands and

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Valar Margulis. Season three is two
more Valard Doheris and Second Sons. Season

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four has a paltry one oath Keeper. Season five repeats this horrible practice of

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only one episode of season, but
what a fucking episode it makes up for

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all of the waiting hard home.
I mean, frankly, you could stop

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there. That's a proper ending to
the series. It was actually the ending

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I was hoping would happened. Season
six has just one episode again, but

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it is a heartbreaker. That's the
door Hodor indeed, But now in season

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seven it's beginning of a tumble down
Dragonstone, East Watch, Beyond the Wall

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and the Dragon and the Wolf,
and then two for season eight, are

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you kidding? A Night of the
Seven Kingdoms and The Long Night. Now,

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as much as I'm complaining about the
paucity of appearances over a seventy three

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episode run, when they fully committed
to this plot thread, it was phenomenal.

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I put Hard Home up against the
best of not just fantasy TV or

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horror TV, but TV in general. There was an escalating sense of dread

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as the enemy approaches, and then
you get that apocalyptic final whammy at the

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end. It's perfect. I do
this as a new thought on a series

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from over a decade ago, but
the final season should have been nothing but

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confronting the White Walkers. People complained
about the brightness of the final battle.

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That was not the problem. It
was the creatives treating this like the Battle

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of the Bastards, just a one
off corker. And I know this is

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a human story about the dangers of
power who wheelds it and reflects in our

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society, and we're gonna deal with
all of that. Back at King's landing.

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I get it, but Winter Is
Coming has been echoing as this existential

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threat throughout every season, even if
it's just in dialogue, even if we

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don't see the enemy that season at
all. So the finale, and to

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me this was the finale of the
show, deserves some breathing room. It

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is chaotically shot and the editing doesn't
help, But then the filmmakers were given

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a fuckload to try and convey the
audience. This is available on Max or

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is it HBO again? I've been
hearing things, but the app is still

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called Max. Like a weird uncle
who wants you to watch lots of true

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crime murder docks together, That's where
you'll find the Game of Throne zombie Extravaganza.

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I'll put the episode list in the
comments. Give you a skeletal leg

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up, give it a try,
drop me a line, Tell me how

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it went. Father Malone seventy one
at gmail dot com. That is what's

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been streaming and got me dreaming.
What'd you think of our journey through the

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Undid North. You can't just write
off an entire genre. Someday you're gonna

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00:14:16.559 --> 00:14:20.519
find a fantasy thing that does it
for you. Trust me, it needed

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more dire wolves. You are something
else today. Okay, what's the main

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recommendation for this week? Our top
pick for new streaming and cinematic form.

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Now, I was gonna do Tickled, which is kind of ironically at true

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crime doc and I will talk about
it next week. But after the first

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two choices, an accidental theme emerged, and that is winter, cold,

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cold, cold, And as I
said, it is like the surface of

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the sun in good old Las Vegas, Nevada. So why not lean into

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the trend and recommend something that reminds
you what it's like when an icy wind

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stabs right through whatever foolish attempt you've
made to fortify yourself. Flannel be damned

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to that end our winter in July
pick she would love snow, now stop

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interrupting. The obvious choice here would
be The Shining, what with the passing

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of the absolutely luminous Shelley Deval,
But that film is just too unwield a

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topic for one of my weekly couple
of minute rants, and it wouldn't be

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the film I direct you to see
what she was all about anyway, that'd

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be Popeye, I know, Nashville, Yes, any Hall ignore those cries.

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If ever there was someone more perfect
for a role. I don't know,

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and I don't want to know in
any event, Rest in peace,

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Shelley Deval. I'd love to recommend
Rabinus the Guy Pierce Robert Carlyle, nineteenth

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century wilderness whind to Go cannibal film
that takes place in the snow, but

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it's only for sale, and I've
already recommended one of those, so instead.

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And this is a lateral move,
not a runner up move. In

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fact, it's actually way better than
Ravenous keeping the wintry military theme. Released

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April twenty fourth, nineteen ninety two. I was nineteen and two days old.

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This is a midnight clear at the
front lines of life. Near the

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end of innocence came the beginning of
manhood. The events that shape their lives

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can't help but touch yours. I
think we've got a chance to make something

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good come out of this for everybody. A midnight clear. Oof. No,

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I've at that trailer dissuade you.
I guess the marketing department still believed

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that Platoon was selling some six years
after that particular movie made it big.

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Where to start? This is the
third effort of one of the most criminally

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underused for features not TV, and
exceptional filmmakers out there. Keith Gordon.

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He's also one of my favorite actors. He's Ernie Cunningham and Christine. I

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don't think I need to elaborate further. Midnight Clear is an adaptation of the

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novel by William Wharton No slouch,
with a screenplay and direction by Gordon and

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spectacular cinematography by the late great Tom
Richmond. He's shooting snow in broad daylight

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and I don't know how he managed
the f stop alchemy, but it looks

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gorgeous. This is a contemplative war
film. Don't expect Saving Private Ryan,

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but to me it is way more
impactful. It's a fairly lyrical contemplation on

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modern warfare and what it does to
our psyche. And it's stacked with a

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murderer's row of young talent. Peter
Berg, Gary Sinise, Ethan Hawke.

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I can't stop now. I will
feel bad if I leave somebody out.

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John c McGinley, Frank Way,
Kevin Dylan, are gross love him.

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I once let him into a movie
for free because he was late and about

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to miss the future. And I
think that's all of them. They used

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Utah for the Arden forest here,
and films like this always confirmed for me

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that this country is so huge and
so underused for production. You want to

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go to France, go to Utah. And just because there's more thought than

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bloodshed here, it doesn't mean that
this film isn't gripping as hell. Gordon's

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previous feature was The Chocolate War,
which was as assured a film as ever

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I've seen, and this would be
his second film examining groups of young men

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and how they interact and how they've
done so, and how they're evolving.

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It's pretty formative stuff for me,
who's always been wary of the whole macho

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bullshit we're supposed to engage in and
tolerate the choices Gordon make as a filmmaker

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visually, dramatically. If they're not
effortless on his part, he makes them

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seem that way. And I don't
want to spoil a frame of it.

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It is alreadily available on Prime a
midnight clear. Even if you hate war

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movies, give this one a shot. No, that's not a war joke.

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It's not a munition's joke either.
Is that a separate subject? Anyway?

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Everybody, thank you for joining us
here on Following Alone's weekly round up

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for Miss Ripley, Gene and myself
are gonna say farewell. If you want

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00:19:11.119 --> 00:19:15.559
to hear any of our episodes early
from either Midnight Viewing, the horror anthology

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00:19:15.599 --> 00:19:21.160
podcast Orthology's Attack, or this show. If you want to get early access

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00:19:21.200 --> 00:19:26.160
and commercial, free or bonus episodes, go to patreon dot com slash follow

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them alone and if my's Titan God
damn it is for everybody. If you

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could give us a five star rating
on wherever you listen to this show,

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00:19:33.400 --> 00:19:36.799
we would greatly appreciate it. Until
next time, I will leave you with

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the words of George A. Romero, the second time I've done this because

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that quote from Donna the Dead.
He wrote that anyway this he used to

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sign things this way, stay scared