The CBS Radio Mystery Theater presents Come in Welcome. I'm e. G.
Marshall. It does no good to argue with the inevitable. Actually, the
best rebuttal you can present to a frosty north wind is a fur lined overcoat.
But isn't that the way we go through life, arguing with the inevitable,
the imponderable, the incomprehensible, and the unchangeable. Who are your love?
Who am I? Well? I fell in love with you. I
thought you were what I wanted and I've reached guy, But that's not what
I wanted at all. But I am an ah guy selo, Oh,
you dangerous, exciting, and I don't care if you go with other women.
Why a man like you? Well, no one woman could be enough.
Syphia. Well, I don't care about the others. As long as
I'm the one you come home to our mystery drama, You're better off.
Guilty? Who has written especially for the Mystery Theater by Sam Dan and stars
Christopher Tabori. It is sponsored in part by a r M allergy relief medicine.
I'll be back shortly with that one. In bygone days, storytellers would
celebrate the death of kings today, kings being generally in short supply and basically
out of favor, we have a brand new breed of hero, or more
accurately, non hero. You see them on the screens. I read about
them in books. They're just ordinary, everyday average fellows. They dream no
great visions, they set no impossible goals. They neither challenge fortune nor do
they defy fate. Well, what can you do. It's the age we
live in, and these are the materials we have to work with. Can
I get in a carrying out money concentrate? I don't know what's the matter
with those guys. You think we never had a murder around here? Inspector
Barstah, come no, will you give me a break? She's not even
cold. How do I know who killed her? A sure thing, absolutely,
the exact split second we get even a glimmer, I'll get right on
the horn so you can carry out your sacred obligation to keep the public informed.
No, what a pack of gools? Hey, Paul, send that
guy and you know what's his name, whoever he is, and don't put
through any more calls from reporters. Huh A, pardon me? Is this
the yeah? Yeah, yeah, come out and shut the door. And
you know your name is Northfield. No, it's no Southfield. No,
it's it's Westfield. Yeah. I think it was in there someplace. And
you're the one who found the body. Yes, sir, I did I
want you to tell me the exact circumstances. But I already did that now,
Yes, I told him to the officer who who came to the scene,
then to a lieutenant I believe behind the desk, and then to a
detective. Yew. Well, it don't count the until you tell it to
me. But Captain Inspector, I'm only trying to say that each of them
wrote down everything I said, so every one of those guys knows how to
rise. That's never been the issue. Okay, Now, according to what
you said, you're going to hear some point, Inspector. Is this going
to take long? Long? I don't know as long as it takes you.
See. The thing is I was due at my office at eight o'clock.
Now it's half past ten now and it's a local call. Yes,
pick up the phone and dial nine first, thank you, Who inspector?
What am I going to say? Say? You'll be late? Hello,
Miss Rhymer, This is Ralph Westfield. Where am I? Well, uh,
you'll have to tell mister Stratton that I'm I'm I'm at police headquarters.
There's been a murder and I'm being asked. No, no, no,
no, no, no, no, wait a minute, miss Rymer,
miss miss Rhymer, inspector, how am I going to explain this? And
what? Oh what I'm doing here? Oh uh, mister Stratton? No,
no, no, am I am? I? Am? I?
What? No? Please? Please wait a minute, sir, inspector.
Am I being held? You're being questioned, mister Stratton, I'm being questioned.
Oh no, sir, I didn't do anything. I just happened to
find the body. Are you just a minute, sir, I'll ask inspector.
When will I be free to go? I don't know. Then I'm
being held. You're being questioned? Are they just asking me some questions?
Mister Stratton? Oh, I don't know anything about it. Well, well,
if I don't know anything about it, why are they asking me questions?
Well, it's because I found the bobby. Oh no, no,
no, sir, I wasn't looking for it, did you. Litt Park
at seven this morning was a woman, very young woman. One of those
one of those singing stars Jill Jorge. Okay, come on, let's go.
I have to hang up down, mister Stratton. I'll explain everything as
soon as I see you. Yeah, yes, sir, oh, I
can just imagine what he's thinking. You don't know how conservative he is.
So there you were, and you lit park. Now what were you doing
there at seven o'clock in the morning. It's the way I walked to my
office. Didn't you say that you had to be there at eight o'clock?
Well, that's how long it takes to walk. You mean you walk an
hour every morning? Yes, sir, I have a very sedentary job.
I need the exercise. How long you've been walking like that? Oh it's
a month now, I said a statement you made. Oh yeah, you
saw this car over by the side of the road. Yes, sir,
it was Ajerati for sixty two. I've never seen one actually now, So
I asked myself, what is it doing here in the park? So I
walked over and then I and I saw her. She was lying over the
wheel, you know what I mean. Her face was turned toward me and
her eyes, her eyes were just staring at me. And did you know
who she was? She looked like the famous star Jill Joris. But I
said, no, it can't be. Why people like her? I mean,
what would you be doing up at seven am? And then what did
you do? I said to her, are you okay? Or something like
that. She didn't answer, So I, um, you know, instinctively,
without meaning anything, I put my hand on her, on her body
to rouse her gently, and she just fell across the seat. And then
I saw the blood and that's how down on my sleeve. Man, what'd
you do? I ran down the road. I saw this police car and
well that's it. Do you see anyone else in the bar? Oh?
No, sir, Now you didn't see or hear anything that could help us,
No, sir, And that's your story. Yes, sir, why
did you get her? What? What did you say? Why did you
cover her? Oh? But I didn't kill her? How can you ask?
That's a good question. No, you have no right. You were
the one who discovered the body. You say, but I didn't kill her.
I didn't even know her. That's your story. Are you accusing me?
I'm just saying that's your story, but it's true. I'm not saying
it isn't true. What are you saying. I am saying be available in
case we have to talk to you again. Come in, miss Rhymer.
Mister Stratton said for me to come in. Oh, yes, he's waiting
for you. Mister Watfield is here. Yes, missus Stratton, you're to
go in? Is he upset? Oh? What do you think? Come
in? Queen? How's you go? Yes, sir? Now, I
shared a business heavily here. It's been on radio, television now I suppose
by tomorrow will be passed it all over the newspapers. I'm sorry, mister
Stratton. What sort of image is this for a company like Oh? I
didn't need to create any problem. What are you doing in the pocket pour
anyhow? Just walking walking now? West here? I want this thing to
end right here, do you understand, Yes, sir. The sooner it's
blown over and forgotten, the better for you. Yes, sir, I'm
giving you the benefit of the doubt. Sir. I'm assuming, of course,
that you're innocent. Oh but I am, because if it should come
out to take human manager strut and believe me, I'm insever At best,
you were indiscreet. Couldn't you take a bus to work? Because normal people
do? I hope we've heard the end of it. Yes, sir,
that's all for now, Thank you, sir. Well how they go home?
Miss Rhymer? Is it possible that he believes like Childer oh Man saddened?
Who knows what he believes? I still don't know what hit me.
So I was just walking along here and now now I don't know. You
know, I never noticed you before. I'm not a very noticeable person.
I guess we had a Ralph Westfield very deep down there in research, but
I never suspect you. I came up here sometimes to deliver something personally to
mister stranger, That's what I mean. Are you really not a bad looking
guy either? Thank you, Miss Rhymer. Why don't you call me bell,
Sylvia? I don't know if I should see you, Ralph? What
are you talking about? Sylvia? But me in well, what are we
going to do? Everybody's talking about it until you're here at the office.
When my mother called me a long distance? What's this about your fiance?
Well? Why did you do it? Do what whatever it was I did?
Was I discovered the body? All right? Why did you do that?
But because because you see a body with blood leaf, Well, none
of what I'm trying to say, is I did what a citizen supposed to
do. I had an obligation, a duty. I had to do what
the law says that if you I know all about that law. But there's
another law row the law of common sense and an experience. Now, Sylvia,
Sylvia, please listen to me. I was just walking to work.
That's another stupid idea. And I saw this great looking sports car, this
Giati four sixty two, and I saw someone slumped over the wheels. Somebody
could have been asleep. Why didn't you just mind your own business? Knows,
Sylvia? This person wasn't asleep. I could tell. How could you
tell? There's a kind of sprawl, you know, to a dead body.
I just knew she was dead. All the more reason for you to
keep walking. I thought of that, And why didn't you do it?
Because that could have been Oh how could any suppose after somebody else found the
body, Suppose the cops started asking asking around if anyone had been in the
vicinity. Suppose someone had seen me described me. It almost could have happened.
I had a narrow escape. What are you saying? After I had
a good look at her, I ran down the road. I hadn't got
more than a hundred yards when I saw a police car. He was headed
in her direction. He would have found her, yes, and he would
have remembered a man running down the road. If I hadn't stopped him,
he would have taken a good look at me. There were seven in the
morning in the park. Oh, if only you could have taken a buck
to work like normal people round, he would have seen her dead in the
car. He might have turned around and come after me. Then where would
I be? I don't know, Realm or Sylvia. It's been a very
rough day for me. I'm sorry, real the cops have been at me,
and then at the office, old man Stratton had me on the carpet,
and everybody's asking questions, making snide remarks. I'm sorry, Ralph,
You're the only person and this is the only place in the world where I
can expect to find some peace and some quiet. Yes, Ralph, this
thing, this crazy episode, I just want to forget it. I don't
want to talk about it anymore, please, Sylvia. All right, do
you want to go out to dinner? I might run into someone I know.
Well, then I can prepare something here, all right? Besides,
we should be talking about the arrangements. The arrangement we said the date,
didn't we? Oh? Oh yah? Well certainly yeah. Now you have
to decide if you want to go back and be married in your hometown church
or whether to invite the minister to come here. It doesn't make any difference
to me. Did you make up your mind? Well, Sylvia, what
do you want to do about it? Sylvia Grave, I want you to
tell me. I have to know did you kill her? Suspicion? Who
in this world can be above suspicion, not even Caesar's wife. Are we
suspect because of what is in ourselves or because of what just happens to be
in the eye of beholder? We're in for a considerable amount of suspicion.
Ing when I returned with Act two, fellow of argans, if you're still
stopping here and there and everywhere for shoes, hold it right where you are,
would your feet together, stop running around just a little round the guinea
and you cover the well anywhere you want you go, and you're beaten our
direction American shoots do the French call it the day peaks, the fixed idea,
the obsession, and it can be anything I thought, an impression,
a theory, even a prejudice. But once it takes root in the fertile
soil of the imagination, it can never really be pulled out. Mister Ralph
Westfield is up against a problem of this nature. Why did you just ask
me you hurt me? Well, didn't you kill her? How could you
ask me a question like that? Why would I kill her because maybe she
was getting tired of you? What are you talking about? I never even
knew her the one the only time I ever saw her, she was dead.
Is that true, Ralph? What do you mean it's a true?
When would I ever have a chance to see her all day? I'm at
work in the evening, I'm generally with you at night she's working. So
where would I see her six o'clock in the morning in the park? I
told you I never saw the girl in my life. Inspector, you've got
to give her something for the evening. New I don't have a thing.
We're checking out missus Jarvis's pass. Well, how about this fellow Ralph wits
yes? Is he suspect? At this time? We have no definite evidence.
Well, that's not the same as saying yes, or no, I
don't want to mislead anybody. Well, what's the department doing at this time?
The department is following a certain line of investigation. And now, if
you'll all excuse me, what was she doing out in the park alone at
that ah, that question will be answered in due time. You were Miss
Joyce's companion, Miss Hen, Yes, inspector, I was her manager.
Now let's see. I know I've asked you a lot of questions. Yes,
inspector, but I have to place her out there around six o'clock in
the morning in the park. How can you help me? Well, she'd
been very restless lately, trouble sleeping. Sometimes she'd come to my room and
talk to me. This would be four or five in the morning. Sometimes
she wouldn't. Sometimes she'd go out to her I don't know. I'd hear
her return about seven or so of the morning. Can I'd say, where
have you been? She'd say, out driving around and she wouldn't tell you
where. You said she was restless? Would you know why? It could
be a sign that her love life was in trouble. Can you tell me
about that? I don't know very much about that, myself, servants,
I'm working on a homicide here. It's the truth, Inspector. Dozens of
men were in love with her. She had problems now, but kind oh,
finding someone who could be serious about her, whom she could relate to.
That's why she never went out with men in show business. It would
all be too public. So who did she go out with? Men?
She would meet here and there. I think underneath all that high powered glamor,
she was a very domestic little girl. She liked men who were average,
every day, middle class white collar types, teachers, accountants, something
like that. She must have been very deeply involved with one because I had
to talk to her about something very important. She doesn't ever had the time
to sit down with me her investments. With this inflation, she should be
doing something with her money, but she would keep saying, no for me,
don't worry about it. It'll be taking care of very soon. Do
you know what she meant by then? No, No, Inspector, thank
you very much. As sevens. Hello stranger, Oh it's humans rall.
I was just getting these figures ready for mister Stratton. Oh, I just
thought I'd got behind. See how you doing? Not so good? That's
so good? But I would think you'd be sitting on top of the world.
I beg your pardon every day. Your name is in the paper,
your picture so incidentally you, Ralph, get a haircut, better a styling.
But you don't understand. My fiance is very, very upset. I
didn't know you had a fiance. I think she wants to break it off.
Why because she just can't help supposing I had something to do with Jill
Jores And you think that's why she's mad. Sure, you don't know women.
Actually she's excited. What the whole idea? Believe it stimulates her?
I don't understand naturally. See here's Jill Jorris, the sex symbol, the
sex goddess. And who did Jill Jores want out of all the men in
the entire world? By Ralph Westfield. Hold On, Now I see how
much more desirable you become to your fiance, actually to just about any woman
with imagination. I never stopped to think of it that way. You really
do have a lot to learn, But I have a position to live up
to. Now, what do you mean? You're a public figure, but
I mean do anything. Why do you keep insisting? Do you think I'm
lying? But I don't even think that's important. It doesn't matter what you
did or didn't do. It certainly does. What matters is it you are
a celebrity, ain't going to be photographed frequently, and you're you're bound to
be on TV. Oh you ought to dress better? Or why should I
have to? You have a very square look. Now that's not at all
in keeping with a public concept of what the lover killer of Jill Joe.
I am not the lover killer. Oh at least you're the lover now?
Would you stop accusing of the public now knows that Jill Joes would go riding
in the park along about sunrise here, and that you go walking in the
park at the same time. I'm along my way to WORLDO. We have
a considerable body of opinion out there that insists you were her lover. What
isn't true? It fits it fits wal you and Jill with me early in
the morning for your little tete tete on this particular day. Some jealous lover
got there before you did. None of what you're saying makes sense. Hey,
you want to be the killer too? Fine with me. I'm neither
killer nor lover. Back your stone, and I won't let people believe it?
What do you say, love Laby, buy me a drink. We'll
work on your image. Welve. Hey baby, you're late. It's only
midnight. I need the drinking. Where were you taking care of some business?
Well? If you look different? A haircut? Yeah, a jacket
and shirt you like it? Does that fit? Set me back two hundred
bucks? Two hundred dollars? But you got eaten? Mass You keep me
waiting for for five hours and then you barge in here and say what's to
eat? Is that what I'm supposed to do? A way to run and
cook? Honey, you gotta complaint? Forget it? Goodbye. I don't
come around it to be asked. Well, please come here a minute.
Well you don't have to say anything. M Oh please, Ralph, don't
leave me? Can you believe me? Inspect the thoughts that? Do you
mind if I come in? Oh? Why should I mind? So this
is your new address? Yeah, I had to move now. I've been
thinking about it for a long time and I decided I needed a bigger,
a comfortable place. It's your celebrity. Now fix your drink. No,
oh, I forgot you must be on duty. No, it's just that
I don't drink. Well, why can I do for you, Inspector.
You can save us a lot of time. You can sign a confession.
A confession you want me to confess to the murder of Jill Jores. Inspector,
you have no proof. You're seeing a different two now, aren't sure?
When I first accused you, you insisted you were innocent, and now
you say that I have no proof. But that's the same thing. Oh
not really describes two different kinds of situations. But we're getting there, slowly
and surely getting away. You work for a brokerage house staunching Way. It's
an investment banking from You know about stocks and bonds? Well, I mean
I do research. Jill Jores needed some investment advice, according to your manager.
What has that got to do with me? You would know how to
advise her. All we're doing now is narrowing the gap or what gap?
A guy comes running to the cops and says, hey, I just found
a lady who's been murdered. Yeah, chapple. On the face of that,
there's nothing between them, nothing in common. They're from two different worlds.
Okay, that's the gap, get it? Yes, we find they
both would be in the Park at the same time every day, early in
the morning. That could be a coincidence. For then we find she needed
investment advice and he was in the investment business. But that still doesn't mean
the little by little the gap gets. Now, the more we dig,
the more we'll find. And we're digging now. You want to make it
easier on yourself, on everybody, But I'm innocent. I would know if
I killed somebody. Forget this. Every day guys like you, they want
to forget it. You're trying to believe it never happened, so you insist
you're innocent. But the evidence is out there. We're gonna find it.
Save us a lot of trouble. Confess, Ralph. We've been going along
on the theory that our man, Ralph is innocent. Why are we so
sure? Or is everybody so sure? All we have is Ralph's word?
And can we depend on it? Well, we can depend on finding out.
In Act three, at the store, they told me there's a powerful
anti itch drug I can buy without a doctor's prescription. Now I used by
cosine cream as directed. No more burning, embarrassing itching, no more scratching.
By cosine actually speeds healing by cosine cream. What a relief for constipation?
Remember x slacks pills, the Overnight Wonder X slacks pills The Overnight Wonder
x slacks pills for occasional use only is directed a secret. Guilt is by
silence betrayed, says mister Gurtrie. For guilt is the worm that burrows deeper
and deeper into the darkness, one of the very few things in this world.
It becomes stronger as it grows older, provided one is guilty in the
first place. Inspector, if you think I murdered Jill Choris, why don't
you arrest me? I don't have to proof yet, but I know you
did it. What makes you so sure? I've been in this business a
long time. What does that mean? I know how things add up.
I could also mean you've been adding them up all wrong. All the evidence
points to you, then what's holding you back? Because it doesn't constitute the
kind of evidence you can use an accord of law, then it doesn't constitute
any kind of evidence. Don't leave town. Why does Stratton want to see
me? Don't worry. He never sense for me. I can. She's
afraid you're going to quit? Quit? Why didn't you go inside. Ah,
yes, west Vill come in, can come in? Y, Today's
something next I would like to discuss with you, Westville. Yes, sir,
I think you'd better close the door. Oh yeah, yeah, yes,
sir, yeah, Westville. When I first learned of your involvement in
this case, I was shocked. You realize that I do, sir,
who We are a most conservative investment house, and the idea that one of
our young men could be involved with a rock and roll female singer. She
was more than just a rock and roll singer, mister Stratt. No,
I'm sure I was, to put it frankly, and dismayed the notoriety.
And yet amazingly there has been a positive plus for Stratton and Company. Were
you aware of that? Well, sir, I wasn't the idea that a
Stratton broker could be a lover of a singing star likely. But I'm not
exactly a broker. I'm only a researcher. I'm aware of that and will
come to that shortly. Everywhere at lunch at board meetings, people ask me
about this Jill Joris. I understand she is quite a voluptuous woman. Yes,
sir, that's what they say. Oh, you're a slide dog Westfield.
I don't blame you of her giving it to herself. Yes, sir,
mister Rhymer. Now i'd having to mention in a rather e cryptic way
that you were thinking about leaving us? Who was Strutton? I would never
a known need to leave. You could be as effective a broker. Who
with us is anywhere else? Are you offering me a promotion? Mister Stratton,
I'll match any reasonable offer. We and man to man. They're just
between us. Now. How is this this? Jill Joris? She was
marvelous, So I would have been at it. I quote you, I'd
rather you didn't. If I do, it'll be off the record. Desert.
See you in the morning. Thank you, mister Strutton. So you
were promoted? Thanks well, hell, I deserve a better thanks than that.
How about tonight? Wow, oh dolly, it's so good to see
you. Sit down. Where have you been all week? I've got a
promotion, you know, been busy, Sylvia? Well, my mother called
long distance. She wants to know if we set the date yet that all
wants to be up in the air for a while till things phone to the
groove. Yeah, well, I understand a new job lots of responsibility,
and I realized, way, turn on the TV. I think we'll see
me. Now back to the news. We've been talking about Ralph Westfield.
I asked, who is Ralph Westfield? I had no answer at the time.
I have no answer now. Ralph Westfield is a mystery man in every
sense of the word. Originally he gave the impression of being an obscure clerk
in a brokerage house, but it turns out he's an important ptecutive. He
frequent the top night, always with some beautiful young ladies. Well, very
often seen in larynge with the cool, prime beautiful lady. Who is this
new companion or you don't want to pay the attention to that she works in
the office. Who are you, Ralph? She's just mister Stratton's executive secretary.
It was a business dinner answer me, Ralph, who are you?
Who am I? I met you, I fell in love with you.
I thought you were just an average guy, because well that's the kind I
wanted. But maybe that's not what I wanted at all. I don't understand.
Maybe that's not what you are. You're dangerous, exciting. Maybe that's
what I want. I don't care if you go out with other women,
But I don't a man like you, no one woman could ever be enough.
I don't care as long as I'm the one you always come home to
until George. I mean, I don't know if you killed her or not,
Sylvia, and I don't want to know. All I know is I
just want you, Ralph, I want you whoever you are. Hello,
is a round westfield there? Oh oh, well it's a police inspector.
Oh my old buddy Furstad inspector al Really well, yes, I'm not going
to have a little chat about what I want you little thing tonight. How
about the morrow morning. It's a waste of your time. I got all
the time in the world. It's a waste of the taxpayers money if you're
just going to go over the same old ground in Star War breaking him near
ground, for instance, Ralph, I've done what gun, I've done your
counter where you had to hide it, and you had to hide it in
the park. You had to get rid of it quickly, so you had
to bury it nearby. In Specter I, we will find it. We'll
turn over every ear up, every stone, every blade of grass. When
you say, Ralph, you want to make it easier on Oliver, come
in tomorrow morning, but about nine o'clock. Make it ten. Yeah,
come in, inspector. Oh, yeah, you're what's her name? Yes,
Miss Evans, Joe Jars's agents name thing. No, not really,
Miss Evans. What can I do for you? Will? You must be
very busy? I am. I got a murder here and that's what I
come to see you about, Inspector, About the murder? Oh, is
there anything you can add to your statement? Better? Around you someplace?
I've been thinking it over and there is something I neglected to tell you.
What's that? I'm I'm thirty five. Do I look at well? You
do what you don't? You know? The biblical allotment of three score years
and ten. I still have half my life to live, and these days,
with medical science, it could be a lot longer. Wouldn't you say
that? Well? You asked me just before if I was busy. Well,
the point is, Inspector, I'm you have to live with this thing
for a long long time. I don't know if I can. Well,
I do know I can't. So if you have my statement in front of
you, please add this to it. Are you ready? Shoot? You
should say that it's exactly what I did. Do I shot her? What
I shot chills Joris? Ah, I feel better you shot Jill Joris.
I was stealing her money. I took some to cover some bad investments.
I was going to put it back, but she found out. She was
very angry, she was hurt, she was curious. I said, let's
go for a drive and talk talk about him calmly. She was going to
fire me. I did nothing. No one in the world. I couldn't
think I shot her. Maybe I meant to all along? Eye I had
the gun, didn't I there it is. You can match the bullet.
When I read in the papers that you had a suspect who went walking in
the park mornings, but I let him carry the Bronts of your suspicions.
Well that's his inspector. I killed her. The door was open, so
I came in. Will you dictate that to a stenographer? Miss Evans?
Hey, Paul, Hey, good Bernie in here. I killed her,
inspector, I kill her. Now you just take it easy, miss Evans.
Inspector, what do you want you send for me? We had a
date. Oh yeah, well we don't need you anymore. Is Stratton in
mister Stratton isn't conference? Well? Look bells rymer. I have an appointment
to talk about my promotion today. Oh, missus Stratton asked me to cancel
it. Oh well, when does he want to reschedule it? Probably never?
Oh well, now looking yourself lucky you still have a job. But
but why please tell me? Why? Bro garm Sylvia. I've been ringing
and ringing. I know. Aren't you going to ask me to come in?
I don't know? Aren't you glad? I'm out of it? Aren't
you happy I wasn't having an affair with Jill Joris, that I didn't kill
her? Aren't you glad? Oh? Yes, I suppose I am in
a way, Please Sylvia. It was crazy. I admit I enjoyed it,
and you enjoyed it too. For a couple of days, I was
somebody important, notorious, Sylvia. You said you wanted me. You said
you wanted me no matter who I was. Do you remember, well,
I'm just playing Ralph nobody, Sylvia. Oh Sylvia, please Sylvia, Oh
my Ralph, you'll mind somebody from now on. You better behave yourself,
behave myself, and don't ever do anything like that again, Anything like what.
I don't know, but whatever it was, just don't do it again.
Whatever it was, just don't do it again. That about sums everything
up, doesn't it. I suppose it's the old old story. Once accused,
never excused, with a lingering doubt. So many people say, if
he wasn't guilty, why did the police arrest him. In this world,
there are certain sure fire, no win situations. Make sure you never get
caught in one. I'll be back shortly. All guilt on earth is punished,
said mister Cater. Well, it's one thing to punish guilt, but
quite another to punish innocence. We have just told you the story of an
innocent man. After all, what crime did Ralph Westfield committee, He just
happened to be in the wrong place at the wrong time, and let that
be a lesson to you, dear friend. Our cast included Christopher Tubori,
Marian Harley, Joan Shay and Ray Owens. The entire production was under the
direction of Hyman Brown, missus E. G. Marshall. Inviting you to
return to our Mystery Theater for another adventure in the macabrere. Until next time, Pleasant dream