1 00:00:00,320 --> 00:00:04,400 I was asking in the previous segment what was the presenter he said he was 2 00:00:04,400 --> 00:00:08,199 doing. Because I always take the poet. I must say that one of 3 00:00:08,199 --> 00:00:12,880 the journalists I enjoy most reading, because of his poetic style of writing that, 4 00:00:13,000 --> 00:00:17,239 the poet Pablo Maquini. Sometimes we disagree. Pablo Maquine is a man 5 00:00:17,280 --> 00:00:22,359 of very pro- left thinking and I very much for other things. But 6 00:00:22,399 --> 00:00:25,879 the fact that you have a different view of the ideological does not mean that 7 00:00:25,920 --> 00:00:29,960 you respect us and consider the teacher' s way of writing. Sometimes he 8 00:00:30,039 --> 00:00:34,520 ' s been criticized. He came to that boldness, but it must be 9 00:00:34,520 --> 00:00:38,719 said that he is a master of the writing. Pablo Chuma has read it 10 00:00:38,759 --> 00:00:44,759 since those years when I started on radio more than twenty years ago and today 11 00:00:45,000 --> 00:00:50,719 he writes and headlines journalism trapped in the labyrinth of lips and in one part 12 00:00:50,759 --> 00:00:57,000 he says what journalism can do in the face of the challenges it is experiencing. 13 00:00:59,240 --> 00:01:03,280 In journalism it says in the fourth fifth paragraph of today' s column 14 00:01:03,680 --> 00:01:08,120 it says in journalism trapped in its labyrinths, because it cannot compete with the 15 00:01:08,159 --> 00:01:15,879 diabolical appeal of banality, vulgarity, pornography, unscrupulousness and shamelessness of what I 16 00:01:15,920 --> 00:01:23,879 have called coprological communication. What follows seems like a joke of my worst irony, 17 00:01:23,959 --> 00:01:29,560 but no, as the best Frenchtoll editorial or Ramón Colombo' s best 18 00:01:29,599 --> 00:01:34,120 report can compete, with the masterly lecture of a beautiful young woman who explains 19 00:01:34,200 --> 00:01:41,400 in a program the miracle of her God, the miracle that God has bestowed 20 00:01:41,519 --> 00:01:48,040 on her the DBF, that is, the gift of good affellation to the 21 00:01:48,200 --> 00:01:53,159 point that the man who enjoys those favors that her lips will no longer foreshadow 22 00:01:53,319 --> 00:01:59,480 her. Court says it' s available on the net. He says that 23 00:01:59,480 --> 00:02:05,920 trapped journalism is not in the labyrinth of the information society how it is supposed 24 00:02:06,359 --> 00:02:10,639 to change, but in the wetlands of young, curious, daring lips. 25 00:02:12,199 --> 00:02:17,400 Then you' re right, my director. Journalism is in trouble Which one 26 00:02:17,439 --> 00:02:27,080 said that. I was prodigious with my lips. It' s very poetic. 27 00:02:27,319 --> 00:02:30,599 The teacher written yes, I like the way he writes it and always 28 00:02:30,919 --> 00:02:36,719 loaded with data. The differences. I prefer more game. You don' 29 00:02:36,800 --> 00:02:39,639 t understand me anymore so that you have me going a little wrong they put 30 00:02:39,759 --> 00:02:44,199 what happens is that the poet doesn' t write for the gleba, is 31 00:02:44,240 --> 00:02:46,759 that for the higher laws. I prefer another kind of criticism, but what 32 00:02:46,840 --> 00:02:52,800 he refers to there, between journalism and the lady' s communication, which 33 00:02:52,919 --> 00:02:58,919 he writes, which he really describes. I don' t think I even 34 00:02:58,919 --> 00:03:02,039 compare drinking, but what full law. Send me the cut. Please, 35 00:03:02,360 --> 00:03:07,000 I want to know. Please, I want and I want to know. 36 00:03:07,159 --> 00:03:09,919 I want to know if you love me, you who are a chimozo from 37 00:03:09,919 --> 00:03:14,840 the front. You don' t know. If you know you give your 38 00:03:15,639 --> 00:03:17,479 lump to family you have to have you out there. But what was that 39 00:03:17,599 --> 00:03:25,000 one that she said described that she' s the best around here to a 40 00:03:25,080 --> 00:03:30,520 friend of yours? Her last little grin was a boat that bought her rich 41 00:03:30,520 --> 00:03:34,960 friends from you She walked you to the devil, called us to tell you, 42 00:03:35,039 --> 00:03:38,800 to give the bottle of good luck, the good loose, the boat, 43 00:03:38,000 --> 00:03:40,840 yes, a good boat to fill the leather. I have several friends 44 00:03:40,919 --> 00:03:46,919 who have boats and I don' t want them to feel attacked by what 45 00:03:46,960 --> 00:03:49,879 I' m going to say not much. But if that' s not 46 00:03:49,879 --> 00:03:53,479 bad and you stop to sit on the beach and you take suns better sell 47 00:03:53,479 --> 00:03:57,520 that, uh, than I boat it to fill it with radishes, radiating 48 00:03:57,520 --> 00:04:00,479 it evil. Hey, that' s now that for one I' ll 49 00:04:00,479 --> 00:04:02,080 give you a boat. I' m going with the family, the family 50 00:04:02,120 --> 00:04:04,639 that rents one in a small mouth. It' s known. The owner 51 00:04:04,680 --> 00:04:09,240 of the boat depends on what bottle the opening is made of. If you 52 00:04:09,319 --> 00:04:14,560 get it with a bottle of champagne, the kind of exquisite tastes, of 53 00:04:14,560 --> 00:04:16,720 course, but the friends that I have everything have given you with bottles of 54 00:04:17,560 --> 00:04:23,439 President does not go. This guy who' s writing you' re writing 55 00:04:23,439 --> 00:04:26,000 this one who' s writing here? This one you' re writing here? 56 00:04:27,040 --> 00:04:30,279 He lent the boat to some friends. Presto the bot lent the boat 57 00:04:30,600 --> 00:04:34,279 and, instead of baptizing the boat with the bottle inside the boat, they 58 00:04:34,439 --> 00:04:40,920 hit him with a bottle to one in the head exactly I have, I 59 00:04:40,959 --> 00:04:44,040 don' t know. That' s a good question, but he had 60 00:04:44,120 --> 00:04:46,079 to take this guy over there. Hey no paan left that they call themselves 61 00:04:46,079 --> 00:04:50,959 the tiger and that damn mess you fuck the matí legate man fined commits in 62 00:04:51,000 --> 00:04:57,519 the cotilla, come look at the cotilla or boat that you grab and tell 63 00:04:57,519 --> 00:05:00,800 him to hit fourteen knots over there, for inside the make you get barahona 64 00:05:01,439 --> 00:05:05,480 and you go out in barahona. I don' t know. It' 65 00:05:05,480 --> 00:05:09,839 s like a gym play. Manuel Nazo. Everybody. Ah says he didn 66 00:05:09,920 --> 00:05:13,319 ' t pay it, he didn' t pay the twenty thousand, who 67 00:05:13,519 --> 00:05:16,920 fought it, who fought it and what this keeps pushing the boat, a 68 00:05:16,920 --> 00:05:20,560 boat. Ah I can lend it to confidence, but with jofel I say 69 00:05:20,600 --> 00:05:23,720 with a chapter. I' m not with a captain. What happens you 70 00:05:23,879 --> 00:05:28,199 know that the category in which you belong depends on which side of the mouth 71 00:05:28,279 --> 00:05:33,439 girl. You have the boat good mouth girls. Yeah, well, look, 72 00:05:33,639 --> 00:05:36,480 that' s in his house. He knows to carry battle and toss. 73 00:05:38,279 --> 00:05:43,680 But if there' s the nautical, uh, you pay a monthly 74 00:05:43,720 --> 00:05:46,879 fee, a money, a money, that doesn' t stop the whole 75 00:05:46,879 --> 00:05:51,000 pod. That' s what the storm was. That ended up out there. 76 00:05:51,040 --> 00:05:57,480 But my friends who have boats were all cautious or tied up. They 77 00:05:57,560 --> 00:06:00,240 don' t get up on a platform and put it on. My son 78 00:06:00,319 --> 00:06:02,079 didn' t go. We' re going to take you one day, 79 00:06:02,319 --> 00:06:05,519 which I hope Marina Salpar will soon repair that she suffered harm to them. 80 00:06:05,560 --> 00:06:09,639 Beautiful is cute, cute. Let' s pause. After the break, 81 00:06:09,920 --> 00:06:12,560 let' s talk a little bit about independence. Mari asked the intelligence a 82 00:06:12,639 --> 00:06:18,759 question. How it is existential, how it is artificial intelence. The disidential 83 00:06:18,800 --> 00:06:24,360 of us, we' re coming.