I was asking in the previous segment what was the presenter he said he was
doing. Because I always take the poet. I must say that one of
the journalists I enjoy most reading, because of his poetic style of writing that,
the poet Pablo Maquini. Sometimes we disagree. Pablo Maquine is a man
of very pro- left thinking and I very much for other things. But
the fact that you have a different view of the ideological does not mean that
you respect us and consider the teacher' s way of writing. Sometimes he
' s been criticized. He came to that boldness, but it must be
said that he is a master of the writing. Pablo Chuma has read it
since those years when I started on radio more than twenty years ago and today
he writes and headlines journalism trapped in the labyrinth of lips and in one part
he says what journalism can do in the face of the challenges it is experiencing.
In journalism it says in the fourth fifth paragraph of today' s column
it says in journalism trapped in its labyrinths, because it cannot compete with the
diabolical appeal of banality, vulgarity, pornography, unscrupulousness and shamelessness of what I
have called coprological communication. What follows seems like a joke of my worst irony,
but no, as the best Frenchtoll editorial or Ramón Colombo' s best
report can compete, with the masterly lecture of a beautiful young woman who explains
in a program the miracle of her God, the miracle that God has bestowed
on her the DBF, that is, the gift of good affellation to the
point that the man who enjoys those favors that her lips will no longer foreshadow
her. Court says it' s available on the net. He says that
trapped journalism is not in the labyrinth of the information society how it is supposed
to change, but in the wetlands of young, curious, daring lips.
Then you' re right, my director. Journalism is in trouble Which one
said that. I was prodigious with my lips. It' s very poetic.
The teacher written yes, I like the way he writes it and always
loaded with data. The differences. I prefer more game. You don'
t understand me anymore so that you have me going a little wrong they put
what happens is that the poet doesn' t write for the gleba, is
that for the higher laws. I prefer another kind of criticism, but what
he refers to there, between journalism and the lady' s communication, which
he writes, which he really describes. I don' t think I even
compare drinking, but what full law. Send me the cut. Please,
I want to know. Please, I want and I want to know.
I want to know if you love me, you who are a chimozo from
the front. You don' t know. If you know you give your
lump to family you have to have you out there. But what was that
one that she said described that she' s the best around here to a
friend of yours? Her last little grin was a boat that bought her rich
friends from you She walked you to the devil, called us to tell you,
to give the bottle of good luck, the good loose, the boat,
yes, a good boat to fill the leather. I have several friends
who have boats and I don' t want them to feel attacked by what
I' m going to say not much. But if that' s not
bad and you stop to sit on the beach and you take suns better sell
that, uh, than I boat it to fill it with radishes, radiating
it evil. Hey, that' s now that for one I' ll
give you a boat. I' m going with the family, the family
that rents one in a small mouth. It' s known. The owner
of the boat depends on what bottle the opening is made of. If you
get it with a bottle of champagne, the kind of exquisite tastes, of
course, but the friends that I have everything have given you with bottles of
President does not go. This guy who' s writing you' re writing
this one who' s writing here? This one you' re writing here?
He lent the boat to some friends. Presto the bot lent the boat
and, instead of baptizing the boat with the bottle inside the boat, they
hit him with a bottle to one in the head exactly I have, I
don' t know. That' s a good question, but he had
to take this guy over there. Hey no paan left that they call themselves
the tiger and that damn mess you fuck the matí legate man fined commits in
the cotilla, come look at the cotilla or boat that you grab and tell
him to hit fourteen knots over there, for inside the make you get barahona
and you go out in barahona. I don' t know. It'
s like a gym play. Manuel Nazo. Everybody. Ah says he didn
' t pay it, he didn' t pay the twenty thousand, who
fought it, who fought it and what this keeps pushing the boat, a
boat. Ah I can lend it to confidence, but with jofel I say
with a chapter. I' m not with a captain. What happens you
know that the category in which you belong depends on which side of the mouth
girl. You have the boat good mouth girls. Yeah, well, look,
that' s in his house. He knows to carry battle and toss.
But if there' s the nautical, uh, you pay a monthly
fee, a money, a money, that doesn' t stop the whole
pod. That' s what the storm was. That ended up out there.
But my friends who have boats were all cautious or tied up. They
don' t get up on a platform and put it on. My son
didn' t go. We' re going to take you one day,
which I hope Marina Salpar will soon repair that she suffered harm to them.
Beautiful is cute, cute. Let' s pause. After the break,
let' s talk a little bit about independence. Mari asked the intelligence a
question. How it is existential, how it is artificial intelence. The disidential
of us, we' re coming.