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You're listening to the Mind Over Murder
podcast. My name is Bill Thomas.

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I'm a writer, consulting, producer, and now podcaster. I am now

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trying to use my experience as the
brother of a murder victim to help other

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victims of violent crime. I'm working
on a book on the unsolved Colonial Parkway

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murders, and I'm the co administrator
of the Colonial Parkway Murders Facebook group together

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with Kristin Dilly. My name is
Kristin Dilly. I'm a writer, a

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researcher, a teacher, and a
victim's advocate, as well as the social

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media manager and co administrator for the
Colonial Parkway Murders Facebook page with my partner

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in crime, Bill Thomas. Welcome
to Mind Over Murder. I'm Kristin Dilly

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and I'm Bill Thomas, and welcome
to an episode that we're going to call

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ruminations. With Bill and Kristen,
we're like maybe antifications, I don't know,

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Okay, trying to come up I'm
trying to come up with the right

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adjective and I'm just not sure which
it is, but between the two of

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us, it could be one or
the either of those words. What's the

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question we're asking today. The question
that we're talking about, it's actually two

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questions, and it came as the
result of two articles that I saw and

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decided to share with you since because
they were in my head, it's only

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fair that they're in yours, too, fair enough. So the first article

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was about national shooter Audrey Hale and
about whether or not the manifesto that she

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wrote should be released to the public
after the behavioral analysis unit is done with

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it at Quantico. I do remember
initially they had indicated, yeah, we'll

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release this, but the article basically
said, actually, we're going to maybe

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walk back on that a little bit. And the question was should we be

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releasing this stuff for the general public
to see, Like, of what value

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is there to see the I guess
in some case rantings or ramblings of someone

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like James Holmes or Eric Harrison,
Dylan Cleebald, or in the most recent

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case, Audrey Hale. And I'm
realizing, as I'm saying the most recent

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case, that's not the most recent
mass shooting, and that's actually really sad

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too. Sadly what's happening now is
there are so many mass shootings in the

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United States, one after another,
that I know both of us get confused

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in terms of which one are we
talking about. And Nashville is not the

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latest mass shooting. We've had several
mass shootings since there's been an agreed upon

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definition that a mass shooting is someone
who is shooting four or more people.

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And that's happening like every single week
here in the US and nowhere else on

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the planet. And we have to
keep coming back to that because there are

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guns around the world, the crazy
people and disturbed people and mentally ill people

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around the world, some of whom
might be violent, but there's nowhere else

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on the planet that we have this
combination of guns and all of these other

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factors which are resulting in a mass
shooting every single week. It's crazy.

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The question of do we release these
manifestos, I think it's a valid question.

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I think it's an important question now
when we use the term manifesto.

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Of course, what I think arises
to everyone's mind is the Unibomber Manifesto,

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which our good friend Jim Fitzgerald has
talked about at length, including a couple

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of episodes on this podcast. I
know when you and I were talking off

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air as we were kicking around this
topic we talked about the value of releasing

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the unibomb manifesto, largely because it
helped to catch the guy. Let's talk

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about that for a minute, just
as a reminder, the unibomber had been

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killing for I think close to two
decades, if I'm not mistaken. From

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talking to Fits, they were still
desperate to find this person, and the

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FBI had been attempting to track him
four years. The thinking was that in

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publishing the manifesto in two major newspapers, The New York Times in the Washington

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Post, if I'm not mistaken,
the idea was that perhaps someone would recognize

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the language, which was very unique
within this lengthy, kind of scholarly document

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with an anti technology slant. The
hope was someone would recognize his language,

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and we can't forget this. That's
exactly what happened. Yes, now,

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Fits and others within the FBI argued
in favor of putting out the manifesto with

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this goal in mind. Look,
if we put this out, there's a

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possibility that someone's going to recognize this
language. What happens. His sister in

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law and then her husband, Ted
Kazinski's brother, both read the manifesto after

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it's published in major newspapers, and
they realized this really sounds like the dissertation

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and other scholarly type documents that Ted
Kazinski had written. And then they contacted

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a lawyer who contacted the FBI as
an intermediary and said, my clients think

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they know who might be sending out
these bombs, and people had been maimed

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and killed. So it's I think, very different in some ways. There

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was an idea which actually worked,
which was we think we might be able

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to identify this man and therefore hopefully
capture him. That's a little different from

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these manifestos. And I put air
quotes around it that we're seeing from some

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of these recent mass killers. When
you look at mass shooters, even as

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early as Eric Harris until and Cleve
Bald, the Columbine shooters, they had

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the Basement tapes, which they were
actually really hoping that those tapes would be

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released. They never have been.
And I believe you said before we went

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on the air they'd actually been destroyed, were they not? They were?

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I'd heard about the Basement tapes before, which are a series of eight millimeter

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tapes they were shot on came quarters. Remember this is nineteen ninety nine,

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Little minigaem Yeah, sounds like a
long time ago now. Apparently the sheriff

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in Colorado made the decision to ultimately
destroy the tapes with the support of the

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families who had lost loved ones at
Columbine High School. Coming up to speed

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again on the Basement tapes. Hadn't
read about them in a while. These

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two morons actually thought they were going
to become famous, and they even discussed

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on the tapes who's going to play
them in the movie and which filmmaker is

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going to make a movie about them. I think the last thing we want

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to do is be playing into the
hands of these nutjobs who think this is

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going to be their way of going
out in a blaze of glory by killing

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a whole bunch of people the idea. When I first read about the Basement

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tapes, I was appalled just all
the way around. And so you look

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at something like the Basement tapes,
you look at something like James Holmes writing

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James Holmes being the Aurora movie theater
Shooter. We get a sense of what

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his writings were from Carrie Droben's book
Aurora. That also is not something I

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think that should be floating out and
about in the world. It is actually

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you can read, James Holmes.
I don't think it's really a manifesto.

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I think it's just notebooks. And
I looked at the material in preparing for

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this broadcast, James Holmes, The
Aurora shooter's notebook is just filled with the

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ravings of a madman. He's just
got the same word repeated over and over

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again on certain pages, why thirty
or forty times just that word and a

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question mark. There are places where
he does discuss a bit more kind of

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planning of where he's going to lash
out and where he's going to kill people.

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He considered airports, he considered a
movie theater, and then finally he

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decided to attack a movie theater because
that's much more vulnerable, much less security.

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So there may be some benefit to
law enforcement. I'm not actually sure

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there's any public good though in releasing
these manifestos. Yeah, I think that

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it is one thing if you're a
psychologist or a psychiatrist and you were looking

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to gain insight into the criminal mind, and then absolutely the BAU would have

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a vested interest in it. Psychologists
would have a vested interest in it.

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But I don't think that it is
something that needs to be broadcast for ever

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everyone to see now as humans who
are very invested in true crime culturally right

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now in the United States, are
people going to be interested in what Audrey

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Hale had to say and why she
decided to shoot up the Covenant School.

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Yes, probably people are going to
be very interested. But do they need

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to see a chapter in verse in
what is very likely the rantings of,

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as you said earlier, a mad
person. I don't think we need to

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see that. I don't think we
do. Audrey Hale is dead. She

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was shot to death by Nashville Betpolitan
police officers responding to the mass shooting at

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the Covenant School. She's not going
to go on trial. In some of

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these examples, like James Holmes,
the Aurora shooter, he actually went on

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trial, and so these materials were
introduced as part of the legal proceeding,

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which is how they ended up in
the public now that you actually don't learn

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that much in James Holmes example,
and we don't know what's in Audrey Hale's

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notebooks. Apparently she was incredibly organized
and had all of these files and just

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a lot of material. I think
that would probably be worth as you said

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a moment ago, Kristen, law
enforcement profilers, the FBI, the Nashville

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Metropolitan Police Department, the Department of
Justice, those people studying to see what's

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going on with mass shooters of this
type, And what was Audrey Hale thinking

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before she made the decision to go
in and shoot up a school that she'd

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actually attended some years before and killed
both students and teachers and administrators there.

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I'm not sure there's really much public
benefit to that. No, I don't

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think there is. Again, I
think that as a culture, we are

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very fascinated, sometimes healthfully so,
with what goes on in the minds of

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killers. I think that if the
benefit is to law enforcement and law enforcement

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alone, absolutely they should have access
to it. But do the rest of

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us need to know the murky,
dark things that are happening in the minds

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of the Eric Harris and Dylan Cleibolts
of the world. I'm going to sleep

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a whole lot better if I don't
know that, I think. And as

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you mentioned when we were off the
air too, Kristen, one of the

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experts regarding the clear Bold Harris basement
tapes had said they didn't want to see

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those released, because they also talked
in quite a bit of depth about their

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planning, what they went out and
purchased in order to have weapons and explosives,

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what materials they purchased. They even
videotaped themselves on the way to and

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from the various stores where they bought
these things. They were buying civilian items

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and then working to turn those into
explosive devices with some success. And as

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you pointed out, one of the
law enforcements experts said, this actually is

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a roadmap for someone who might want
to commit a similar crime. Yeah,

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it's a blueprint for any teenage copycat
that decides they want their ten minutes of

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fame the same way that Harris and
Cleibold got theirs. I don't think there's

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any reason why things like that need
to be released to the public. Now.

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If you read, for example,
Dave Collen's Columbine, which is an

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excellent book, he does offer excerpts
and things like that, and that's fine

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because that is it is all part
of the narrative. But would I want

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to see what they put out there
into the world released for everybody to read

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it. No, not at all. I don't think there's value to that,

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And It is just a it is
just a roadmap. Like you said,

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it's a blueprint for the next person
who wants to have notoriety to pick

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it up and go. You know
what, that sounds like a great idea,

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Let's go. There are transcripts available
of the Dylan Cleebold Eric Harris basement

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tapes, word for word what was
said by these two individuals in the interests

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of everyone's mental health, and I'm
talking about the collective of the Big WII

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here. Yes, I don't know
that we really need to see this stuff.

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Now. There may be people that
are studying criminology psychology, they may

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want access to transcripts of this series
of eight millimeter tapes that the Columbine High

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School shooters made, but they don't
need to see the tapes themselves. And

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I think what the sheriff was trying
to do, and as I mentioned,

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he had the full support of the
families. They were perfectly fine with destroying

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the tapes because who wants to see
those two losers forever boasting about what they

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were about to do. They shot
these tapes over weeks, including just shortly

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before they actually committed the heinous as
that they brought to Columbine High School that

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day. We both know there's so
much interest now and true crime. There's

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a lot of material that tends to
leak, so it ends up just all

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over the place. And of course
this wondrous tool, the World Wide Web,

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that we all use and we're using
as we record this podcast, it

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also allows for very quick distribution of
often extremely disturbing material that most of us

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don't need to see. One of
the things that I remember very clearly from

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one of the crime cons that we
went to in the last couple of years,

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I think it was New Orleans.
They have a tendency to blend together

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because they're all action packed and with
a lot of information. But what I

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do I think this, I think
this was New Orleans. It was Chris

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Darden speaking. Was that New Orleans? It was pretty amazing, And I

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think that was New Orleans. Yes, So I remember that he was doing

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his excellent presentation, which really was
phenomenally he's a great speed Yeah, but

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I remember that in his PowerPoint he
included very graphic, un edited crime scene

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photos from the Nicole Brown Simpson and
Ron Goldman murders, and I remember thinking,

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oh, Man, and I never
wanted to see those. I didn't

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either, and at the same time, I didn't recall those ever being shown

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publicly before. No, they weren't. To the best of my knowledge,

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they weren't. And that's the sort
of thing that there are people out there

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who, when they learn about this
case for the first time, they go,

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oh, let's see if there are
crime scene photos, the same way

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that there are people who google the
manson crime scene photos. And people have

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contacted me and they've actually asked me
for copies of the Colonial Parkway murders crime

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scene photos which were leaked by the
FBI about thirteen or more years ago,

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and I'm going to share them with
oddball people that I've never met. There

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are times when I don't know what
to say other than no. Yeah.

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The number of times we've had that
request is a little alarming. It's like,

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where do you get that the idea
that might be an actual, okay

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request to make to the brother of
a victim. I mentioned to you at

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one point I was contacted by someone
who was purporting to put together a museum

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about serial killers and they wanted something
of my sisters alcatraziast. I think it

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was Yeah, why in the world
would you think that was an okay thing

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to ask, And I've expressed some
regret here on Mind over Murder at different

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times. We actually didn't end up
with very much of the things that belonged

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to Kathy. I'm not a big
believer that things are important, but there

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are times when I think I would
have liked a few more little momentos that

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would have reminded me of Kathy.
And I think in retrospect, we made

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a bit of a mistake. We
were in a kind of purging, giving

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away boxing and ee been shipping it
off somewhere mode, mostly driven by my

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parents, which I understand, but
I have regret now that, for example,

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we threw away hundreds of letters and
cards that were sent by Kathy's friends,

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many of them from the Naval Academy
and from the Navy, and they

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were lovely and they contained funny stories
and things that made them really love and

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care about Kathy. And my parents
decided we needed to get rid of them,

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I think because perhaps they felt that
they were too painful. Now my

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brothers and I are sorry, because
we think it would be really lovely to

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have those things. I'm not saying
I'd look at them every day or every

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week, but it'd be nice to
have them in a box somewhere. Yeah.

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Yeah, I think it's odd and
sometimes disturbing the way people will ask

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for things that are incredibly personal and
often highly disturbing, and expect, for

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example, to be a to read
the rantings of an obviously crazy person,

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or watch these videotapes recorded by these
two killers. And with regard to the

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crime scene photos, Bill and I
have both seen them, they are not

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things that we want to see.
Again, it's just not. I'm sure

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that there are people out there who
are like, they're interested in it,

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They're invested in the case, they
want to know more. Please believe me,

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you do not want to see what
was done to these victims. You

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just don't because once you see it, as you've said a number of times,

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Bill and I can say too,
you can't un see it. It's

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not out of your head ever,
It's there. It's there when I close

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my eyes, it's on the back
of my eyelids. You can't unsee it.

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For every person who reaches out and
is, hey, can I see

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the crime scene photos, it's you
don't want to do that to yourself.

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You just don't. No, and
on some level, I think to myself,

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I'm going to give you a polite
answer, even though I don't feel

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like giving you a polite answer,
Because for people to say, oh,

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I want to see the crime scene
photos because I'm interested, Are you serious?

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It would be another thing if it
was a law enforcement officer or somebody

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in behavioral analysis, someone that had
a legitimate reason to want to study the

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crime scene photos. But for the
most part, those people already have access

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to them. And even when you
and I started working together, it was

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a bit of a balancing act for
me to try to figure out, Okay,

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what details are appropriate for me to
ask and what are not, And

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so for the first couple of years, it was always me prefacing conversations with

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if you don't want to answer this, you don't have to. But and

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it was You've always been very generous. All of the family members have been

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very generous about sharing things and insights
that are deeply personal. But it was

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really only within the last year that
I saw those crime scene photos, and

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I wish to god I hadn't.
I know, they're very disturbing. You're

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00:20:02,200 --> 00:20:06,079
listening to Mind over Murder. We'll
be right back after this word from our

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sponsors. We're back here at mindover
Murder. Among the articles that you shared

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with me over the last week or
so as we were discussing putting this podcast

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together was a very powerful article from
The New York Times. It was a

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magazine story from April twentieth, twenty
twenty three. We'll link to this in

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the show notes. I urge all
of our listeners to read this story,

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and of course The New York Times
is not behind a paywall, thankfully.

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This article is incredibly powerful and moving. It focuses on three investigators who worked

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on the Sandy Hook shooting in twenty
twelve and Sandy Hook, Connecticut, where

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twenty six people were murdered, and
it's a very powerful article. I don't

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think most of us will be able
to get through without shedding a few tears.

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Oh yeah. But they talked about
the impact that working that crime scene

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with twenty six victims, what that
was like for these pretty hardened professional people,

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but also people with hearts and souls
and minds that, like you said,

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can't turn the images that they've seen
off. They went home to their

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families and really struggled. They mentioned
that there are fourteen hundred and ninety five

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photos. That's almost fifteen hundred photos
of the crime scene from Sandy Hook,

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most of which are so horrifying they've
never been shown to the public, and

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they talked about being obligated to show
them to Eric Holder, who was then

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the Attorney General of the United States, and a group of FBI agents and

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behavioral analysis people. Just the reaction
of those individuals, and these are trained

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law enforcement people who've seen a lot, maybe have seen it all, as

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we have said, many of them
also had military experience and had seen combat.

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A number of people in this article
actually said that the crime scene photos

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from Sandy Hook were worse than anything
they'd ever seen, even in combat.

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The slugline for this it's very evocative, and it's just two sentences. They

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saw the horrific aftermath of a mass
shooting. Should we It's a very powerful

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question, it is. It was
an extremely powerful article. As you said,

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I cried quite a few times quite
a bit while reading it. It

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does bring up a very interesting point. While we don't want to encourage the

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rantings and ravings of people who just
want to get true crime famous by releasing

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the manifestos of mass shooters, should
we be doing more to make sure that

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people understand the outcome of mass shootings. There's a lot of angles for this.

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Can we do that while still being
respectful to the victims? I don't

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know. I'm not sure that you
can do that when it's something like Sandy

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Hook, when you've got twenty six
victims and most of them are children.

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How do you do that? But
at the same time to be perfectly honest.

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And I remember exactly where I was
when I heard about Sandy Hook.

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I was actually in the front office
at my school where I teach now,

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and I remember thinking, if slaughtered
children does not make this country change its

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stance on gun violence, I don't
know what will. And the answer clearly

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is not that I'd have to agree, and my personal access is always going

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to bend towards respect for victims.
I have a concern, however, and

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I think you're touching on this,
which is for us as a society,

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if we don't actually see the damage
and the physical damage that's being done by

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weapons of war. And I'm not
talking about a standard handgun here. I'm

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talking about AR fifteen style weapons or
the Bushmaster rifle that was used by the

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shooter in Sandy hook. If we
don't actually see some of the physical damage,

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on some level, we're being shielded, protected from the carnage that's happening

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in these mass shootings. I was
shocked. I remember this happening, but

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I'd forgotten or perhaps blocked it from
my mind that sixteen little kids had crowded

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into the bathroom, which was three
feet by four feet, and we're all

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shot to death in that completely confined
space. They weren't even able to fall

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to the ground. The investigators who
had to work that crime scene for days

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were so horrified by what they'd seen
and what that shooter and what that gun

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did to those little children to the
point where they weren't even recognizable as human

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beings. The level of just shocking
injury to these little, tiny kids is

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something that is going to haunt these
people, all of these investigators, the

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medical examiners, everyone that worked this
case for the rest of their lives.

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I'm actually wondering if there's got to
be a way for us to come to

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understand how much damage is being done
to these victims and to us as a

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society by these endless mass shooting.
Right after the Nashville Covenant School shooting,

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it was either the evening of or
the day after. The Washington Post made

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what I think was a pretty bold
step, and they produced a piece called

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the Blast Effect. It shows what
AR fifteen rounds due to the human body

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when it blasts through tissue, bones, and organs. And they did it

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in a way that's very interesting.
They did not use crime scene photos,

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but they did some like three D
modeling, or every time you scrolled up

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on the screen, there would be
a picture of a just a facsimile of

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a human body, no features or
anything like that, and it would show

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the pattern of injuries obtained by They
chose two people from two school shootings.

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They picked a child from Sandy Hook
and they picked a student who was killed

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at Parkland. They had gotten permission
from both of these children's parents to use

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the injuries that happened to their kids
as part of this article. They basically

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showed in real time, when a
child gets hit with six rounds from an

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AR fifteen, this is what happens. And I actually I want to quote

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this thing from the Washington Post really
because Washington Post printed a justification for why

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they did this, and so I
want to quote from them real quick.

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The catastrophic damage. The bullets from
AR fifteen's cause inside human bodies is rarely

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made public in detail. News organizations
do not generally publish graphic autopsy or crime

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scene photos because the images could be
viewed as to humanizing, exploitative, and

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traumatizing, or could inflict further pain
on the families of victims. As a

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result, the damaged AR fifteen fire
can do to a human body a great

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deal more than handguns is not widely
understood. When we set out to chronicle

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00:27:59,279 --> 00:28:02,799
the story of the A fifteen in
America, we search for ways to illustrate

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the effect on bodies in an unflinching
but respectful manner. We recognize this presentation

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00:28:07,000 --> 00:28:11,039
may disturb readers, but we determine
the information it contains is crucial to the

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public's knowledge, and then it goes
on from there. I like the fact

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that they did two things here that
they acknowledged. We realize what it would

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do to these families to show these
crime scene photos, but we also acknowledge

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that we have to make people aware
of what happens when you hit the human

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body with this many high velocity rounds. The story definitely was divisive. I

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had a friend who posted it on
Facebook, and then she edited her post

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00:28:41,759 --> 00:28:45,680
to say, actually, you know
what, I'm taking this link down because

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I don't want people to click on
it and be traumatized. But I am

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00:28:48,720 --> 00:28:52,720
going to tell you why you should
read it. So she didn't provide the

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00:28:52,759 --> 00:28:55,599
link, but she did say here's
the information. Here's how you can google

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00:28:55,599 --> 00:28:59,759
it and find it, but I'm
not going to link it because it's very

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00:28:59,839 --> 00:29:03,119
up like she described how upset she
got. It's an interesting conundrum, but

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ultimately I think Washington Post deciding to
produce that piece. It was upsetting,

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00:29:10,279 --> 00:29:15,119
absolutely, but it was brave and
it was necessary too. I think the

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00:29:15,279 --> 00:29:19,599
article The Blast Effect ran in the
Washington Post on March twenty seventh, twenty

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twenty three. Before people complain that
the Washington Post is hidden behind a paywall,

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00:29:26,160 --> 00:29:30,960
this article is available for free on
the Washington Post website. I just

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00:29:32,039 --> 00:29:36,960
reconfirmed that, and the reason that
they did that is because they want people

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to see this article. Now you
can read the material or not, but

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00:29:41,240 --> 00:29:45,880
we're going to link to it.
The information is available, and it is

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00:29:45,920 --> 00:29:49,880
an extremely powerful and, as you
said, Kristen, disturbing article. But

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I think this information needs to be
out there because for us to go through

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one mass shooting after another, particularly
now we have this, this whole series

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00:30:00,000 --> 00:30:07,079
of mass shootings at schools and churches
and synagogues and mosques and dance schools and

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00:30:07,559 --> 00:30:14,119
just on and on, and yet
we don't ever see much evidence of what

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00:30:14,400 --> 00:30:19,519
actually transpired in these mass shootings.
We're just seeing articles and we see pictures

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00:30:19,559 --> 00:30:26,319
of the first responders and ambulances and
the fronts of buildings. We see the

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00:30:26,440 --> 00:30:32,200
Uvalde Elementary School, but we don't
see inside, and we certainly don't see

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00:30:32,440 --> 00:30:36,960
the damage that's been done to the
buildings, to the community, and most

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importantly to the people. I can
already anticipate because we get blowback whenever we

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talk about guns and gun violence in
mass shootings, and there are people who

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don't want to hear it. They
don't want to hear it from us.

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As a teacher who deals every day
with the disturbing realities that come with having

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00:30:56,240 --> 00:31:00,880
guns in the school and with mass
shootings being a regular thing, this is

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00:31:00,920 --> 00:31:03,920
something that is constantly on my mind. And as Bill is the brother of

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00:31:03,960 --> 00:31:07,759
a murder victim, we've got a
lot of credibility wrapped up in this issue.

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When we talk about the idea of
authentic reporting and reporting what is right.

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We talk about ethics and true crime. I think that not only do

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we have a right to talk about
this, I think we have the responsibility

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00:31:22,519 --> 00:31:26,079
to talk about it. Is true
crime podcasters is Journalist's friend laughed at me

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00:31:26,119 --> 00:31:29,319
the other day, he was like, you're not a journalist. Okay,

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00:31:29,359 --> 00:31:33,480
fine, but I am your podcaster. Yeah, I am a podcaster,

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00:31:33,839 --> 00:31:37,440
and I have a forum. We
have a forum, and we have the

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00:31:37,519 --> 00:31:41,039
right to speak about it, and
more importantly, we have the responsibility to

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00:31:41,079 --> 00:31:45,079
speak about it. So are we
going to get blowback for this episode?

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00:31:45,119 --> 00:31:48,759
Yet? Probably we always do.
I think if anybody has the right to

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00:31:48,799 --> 00:31:52,240
speak out about it, it's people
who live it within the true crime space.

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00:31:52,880 --> 00:31:59,200
We have always tried to be very
respectful of the fact that our listeners

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00:31:59,559 --> 00:32:02,319
come from a wide variety of backgrounds. First of all, you're all over

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00:32:02,359 --> 00:32:07,480
the country, you're all over the
world. Politically, it's the gamut from

381
00:32:07,880 --> 00:32:13,119
our most conservative friends to our most
liberal friends, and lots of stops in

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00:32:13,200 --> 00:32:15,759
between. I don't even know why
I feel I need to say this.

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00:32:16,680 --> 00:32:23,000
Understand, no one's coming for your
guns. We're not proposing that anyone take

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00:32:23,079 --> 00:32:28,680
away your guns. But if we
as a country don't figure out how to

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00:32:28,759 --> 00:32:35,680
do something, we're headed down a
road here that is so excruciatingly painful and

386
00:32:35,839 --> 00:32:40,279
divisive. We've got to figure out
a way for kids to be able to

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00:32:40,319 --> 00:32:45,160
go to school safely. And then, as I was mentioning all those other

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00:32:45,240 --> 00:32:50,599
categories, and I'm just scratching the
surface, you can't go anywhere now without

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00:32:50,599 --> 00:32:54,880
being worried that you're going to be
gunned down by a crazy person with an

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00:32:54,920 --> 00:33:00,880
automatic weapon. Let me read from
the ap for a moment. The US

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00:33:00,039 --> 00:33:06,519
is setting a record pace for mass
killings in twenty twenty three. We're playing

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00:33:06,559 --> 00:33:12,839
the horror on a loop roughly once
a week. So far this year,

393
00:33:14,440 --> 00:33:21,079
the carnage has taken eighty eight lives
in seventeen mass killings over one hundred and

394
00:33:21,160 --> 00:33:27,799
eleven days, each time the killers
wielded firearms. Only two thousand and nine

395
00:33:28,559 --> 00:33:34,559
was marked by as many such tragedies
in the same period of time. Eighty

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00:33:34,559 --> 00:33:39,680
eight lives seventeen mass killings in the
first one hundred and eleven days of this

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00:33:39,839 --> 00:33:46,400
year. This is insane and we
can't keep doing this. We've got to

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00:33:46,440 --> 00:33:52,480
figure out something. If people want
to say that we're falling off the planet

399
00:33:52,119 --> 00:33:57,319
lefty tree huggers. That actually is
true when it comes to me, let

400
00:33:57,319 --> 00:34:01,440
me say you are, aren't you. I'm not embarrassed about that. But

401
00:34:01,519 --> 00:34:06,000
at the same time, we understand
a lot of the people that we work

402
00:34:06,039 --> 00:34:09,639
with in law enforcement are coming at
this from a much more conservative perspective.

403
00:34:10,519 --> 00:34:15,760
I am respectful, and I know, Kristin you are too, of our

404
00:34:15,800 --> 00:34:21,000
friends and family that are coming at
this from perhaps a more conservative, perhaps

405
00:34:21,000 --> 00:34:27,320
even pro gun point of view.
But I don't think it is bomb throwing

406
00:34:27,360 --> 00:34:30,760
in any way, shape or form
to say we have to do something together

407
00:34:31,239 --> 00:34:38,679
to figure out how to address this
issue, and arming teachers isn't even a

408
00:34:38,719 --> 00:34:45,159
serious suggestion, so let's not even
bother to go there. I do think

409
00:34:45,239 --> 00:34:49,599
we need to take steps and work
together. And if people want to say

410
00:34:49,639 --> 00:34:53,360
that we're communists or whatever, quite
frankly, it probably means you don't know

411
00:34:53,360 --> 00:34:59,679
what you're talking about. All we're
saying is we think we need to do

412
00:34:59,800 --> 00:35:04,159
so thing, and we need to
do something now. One of the other

413
00:35:04,280 --> 00:35:07,239
things that also came up when I
read this piece, but particularly the New

414
00:35:07,320 --> 00:35:14,519
York Times piece about the incredibly brave
law enforcement personnel who had to deal with

415
00:35:14,639 --> 00:35:19,760
the carnage at Sandy Hook. We
need to be doing more as a country

416
00:35:20,119 --> 00:35:25,639
to address for the first responders and
the famili's victims, helping them get past

417
00:35:25,639 --> 00:35:30,880
the trauma that comes with living with
something like this. Whether it's responding to

418
00:35:31,519 --> 00:35:37,480
sixteen young children crowded into a bathroom
who have been shot to death, or

419
00:35:37,559 --> 00:35:43,000
whether it's a family member who has
lost one person in their family to gun

420
00:35:43,079 --> 00:35:45,719
violence. We still, I think, need to be doing better as a

421
00:35:45,800 --> 00:35:50,559
country in terms of how can we
support you, how can we help you?

422
00:35:51,320 --> 00:35:54,119
This is hard stuff to live through, and Bill, I know you

423
00:35:54,159 --> 00:35:59,360
can attest to that. And I
never signed on for this. I am

424
00:35:59,400 --> 00:36:02,000
not in law enforcement. I'm not
an investigator. I'm not a cop.

425
00:36:02,039 --> 00:36:07,000
I have tremendous respect for our friends
in law enforcement that do these jobs that

426
00:36:07,079 --> 00:36:10,840
many of us wouldn't have the heart
to do. Me included, I would

427
00:36:10,840 --> 00:36:15,079
not be able to do this kind
of gig now, not at all.

428
00:36:15,119 --> 00:36:21,119
And so whether it is all of
us maybe learning a little bit more about

429
00:36:21,320 --> 00:36:25,079
trauma response and how to better help
people who have been in a traumatic situation,

430
00:36:25,559 --> 00:36:31,159
or whether it's going a step bigger
and reforming healthcare in this country so

431
00:36:31,239 --> 00:36:37,679
that mental health is not stigmatized,
and so that we have more options in

432
00:36:37,760 --> 00:36:40,679
terms of getting therapy or counseling or
whatever the heck else it is that you

433
00:36:40,920 --> 00:36:45,079
need once you've had to deal with
this. I think that's another step we

434
00:36:45,159 --> 00:36:49,880
need to take as a country.
If we're going to deal out this level

435
00:36:49,880 --> 00:36:53,039
of violence, we need to figure
out a way to support the people who

436
00:36:53,119 --> 00:36:59,079
have been impacted by it. That
goes from me as someone who has been

437
00:36:59,119 --> 00:37:01,960
a victim of crime. I'm you
who is the brother of a murder victim.

438
00:37:02,760 --> 00:37:07,519
I can't think of a single person
that I know within the true crime

439
00:37:07,559 --> 00:37:12,960
space who either hasn't been in some
way, shape or form touched by crime.

440
00:37:13,679 --> 00:37:16,480
I'm not advocating that we all get
together and sing Kumbaya around a fire

441
00:37:16,599 --> 00:37:22,679
or anything like that, but I'm
also thinking that probably wouldn't hurt for everybody

442
00:37:22,679 --> 00:37:25,679
to sit down and have a therapy
session or something like that. Altogether,

443
00:37:27,599 --> 00:37:30,159
it is hard to deal with.
It is rough. The thing that nobody

444
00:37:30,199 --> 00:37:32,760
tells you when you deal with this, And again, I know you can

445
00:37:32,800 --> 00:37:36,559
attest to this bill, especially if
you don't sign up for it, is

446
00:37:36,880 --> 00:37:40,920
you don't suffer just one time.
It's not something that happens and then magically

447
00:37:40,920 --> 00:37:45,280
you wake up and you're better.
You deal with it over and over again

448
00:37:45,320 --> 00:37:49,559
every single day. Your famili's dealt
with it for thirty five years. I

449
00:37:49,599 --> 00:37:54,280
can't even imagine. As we steer
this episode to a close, I just

450
00:37:54,360 --> 00:37:59,760
want to summarize where I am,
and then I'd like to hear Kristin if

451
00:37:59,800 --> 00:38:02,960
you or at the same place or
not. We've always committed by the way

452
00:38:04,159 --> 00:38:07,920
that we don't have to agree on
every little thing. I like the fact

453
00:38:07,960 --> 00:38:13,320
that we have different perspectives. I'll
put this out from my point of view.

454
00:38:13,679 --> 00:38:20,599
Your mileage may vary. In thinking
about these two issues for today's podcast,

455
00:38:21,199 --> 00:38:27,239
should law enforcement be releasing manifest those
of this type? In thinking about

456
00:38:27,239 --> 00:38:32,079
it, I think the answer for
me is no. Interestingly, the related

457
00:38:32,239 --> 00:38:40,360
question about whether or not we should
be seeing more evidence of what's happening physically

458
00:38:40,519 --> 00:38:45,280
to our victims in these mass shootings, as long as we can do this

459
00:38:45,440 --> 00:38:51,079
in a way that's respectful of victims
and victims families, And I know this

460
00:38:51,159 --> 00:38:54,119
is a hard one. I actually
think we may want to be thinking about

461
00:38:54,199 --> 00:39:00,199
finding ways to allow people to see
the horrific damage it's being done by these

462
00:39:00,239 --> 00:39:08,239
weapons of war. So I'm actually
leaning towards perhaps allowing some limited public and

463
00:39:08,400 --> 00:39:15,280
media viewing of what is actually happening
to these victims, because I think people

464
00:39:15,320 --> 00:39:20,840
would be shocked, and what I
hope would happen is they would be galvanized

465
00:39:21,119 --> 00:39:25,599
into taking active steps to do something
about gun violence here in the US.

466
00:39:27,639 --> 00:39:31,440
I'm with you on I'm like ninety
five percent of that. I do agree

467
00:39:31,480 --> 00:39:37,280
that, Yes, the manifestos,
the rantings, the rabians, so whatever

468
00:39:37,280 --> 00:39:39,199
you would to call it for mass
shooters, we don't need to be putting

469
00:39:39,239 --> 00:39:43,440
that out there. Are we going
to be curious about what was at Audrey

470
00:39:43,480 --> 00:39:46,159
Hillsner Books? Yeah? Absolutely?
But do we need to see it?

471
00:39:46,480 --> 00:39:50,519
No, If the FBI says,
hey, we don't want to release it

472
00:39:50,719 --> 00:39:52,320
because we don't think it's a good
idea, and I'll respect your opinion,

473
00:39:52,639 --> 00:39:54,840
we probably don't need to release it. We don't need to see it.

474
00:39:55,159 --> 00:40:00,039
The crime scene photo issue is harder
because, as you say, it would

475
00:40:00,039 --> 00:40:02,960
have to be done respectfully. I'm
not sure what that would look like.

476
00:40:04,320 --> 00:40:08,199
So I'm always a little hesitant to
agree to something without knowing in full how

477
00:40:08,239 --> 00:40:12,159
would this look. I'm all about
playing in an organization, and I don't

478
00:40:12,199 --> 00:40:14,679
like agreeing to things if I don't
know how it's going to work out in

479
00:40:14,800 --> 00:40:17,480
terms of wake up calls. Might
be a good one, but the cynical

480
00:40:17,719 --> 00:40:22,760
part of me is afraid and does
not want to see what would happen if

481
00:40:22,800 --> 00:40:25,039
people looked at that and were like, I'd still rather have my gun.

482
00:40:25,480 --> 00:40:29,679
And I know that there would be
people who would react that way, and

483
00:40:29,800 --> 00:40:32,840
I don't know if my bruised little
heart can take that. I don't know

484
00:40:34,199 --> 00:40:37,239
that I could deal with that,
especially from people that I know and love

485
00:40:37,480 --> 00:40:40,920
who are they like their guns,
protective of their guns, and I've told

486
00:40:40,960 --> 00:40:44,760
them I'm not the mean liberal here
to take away your gun. You can

487
00:40:44,800 --> 00:40:46,480
have your gun, and I'm fine
with that. I don't know how I

488
00:40:46,519 --> 00:40:52,119
would feel if someone that I really
truly loved saw those crime scene photos and

489
00:40:52,159 --> 00:40:54,639
said, you know it, that
doesn't matter to me, because it matters

490
00:40:54,679 --> 00:40:59,519
to me. I find myself in
a really weird place right there. The

491
00:40:59,519 --> 00:41:06,079
appropriate compromise might actually be articles like
the Blast Effect in the Washington Post,

492
00:41:06,119 --> 00:41:12,639
which managed to be descriptive and informative
without necessarily being horrifically graphic. Because they

493
00:41:12,639 --> 00:41:19,639
were illustrations. Yeah, will recommend
the New York Times article and the Washington

494
00:41:19,719 --> 00:41:24,480
Post articles as both very much worth
our listener's time. I would also add

495
00:41:24,519 --> 00:41:28,519
to that, if you know that
this is something that is going to greatly

496
00:41:28,599 --> 00:41:31,880
upset you, then please use your
own best discretion and don't put yourself through

497
00:41:31,920 --> 00:41:37,280
something that you don't feel like you
have the emotional capacity to handle. Right

498
00:41:37,320 --> 00:41:39,800
then, I definitely wish that I
had waited a day or two before I

499
00:41:39,800 --> 00:41:44,519
looked at the Washington Post article.
It was very necessary, it was something

500
00:41:44,519 --> 00:41:47,559
that I needed to see, but
I didn't have good dreams that night.

501
00:41:49,119 --> 00:41:52,159
It stayed there in the back of
my head and all ended up having that

502
00:41:52,280 --> 00:41:57,199
night was gone related nightmares. So
know where you're at and where you're coming

503
00:41:57,239 --> 00:42:01,840
from before you embark on these particular
articles, and if you need to use

504
00:42:01,880 --> 00:42:05,920
discretion, I would say, err, on the side of using discretion,

505
00:42:06,599 --> 00:42:08,760
I think we should steal it to
a close. That's going to wrap it

506
00:42:08,840 --> 00:42:13,400
up for ruminations with Bill and Kristen. We've got to come up with a

507
00:42:13,400 --> 00:42:16,679
better title for this, I think. But I feel like this is what

508
00:42:16,719 --> 00:42:20,480
you would get if you were to
ask the two of us to coffee.

509
00:42:21,320 --> 00:42:24,519
We would talk about these things.
We would do it with a caffeinated beverage

510
00:42:24,559 --> 00:42:28,440
and maybe a scone or two.
But this is what you would get if

511
00:42:28,480 --> 00:42:31,599
you had Bill and I for coffee. Hopefully this has at least been a

512
00:42:31,760 --> 00:42:37,480
slightly illuminating experience for you. As
you were saying that, I thought to

513
00:42:37,519 --> 00:42:45,320
myself we could change it from ruminations
to disturbing thoughts with Kris and disturbing conversations

514
00:42:45,360 --> 00:42:50,559
with Kristin and Bill disturbing but necessary
conversations with Kristin and Bill. We'll figure

515
00:42:50,559 --> 00:42:52,280
out some sort of title for this, but we do hope that you have

516
00:42:52,719 --> 00:42:55,079
enjoyed spending a little bit of time
with the two of us today. If

517
00:42:55,119 --> 00:42:58,559
you like what we're doing with the
podcast, please do make sure that you

518
00:42:58,639 --> 00:43:01,559
leave us a five star rating and
on any of your podcast platforms. Do

519
00:43:01,559 --> 00:43:06,400
you check us out on social media? And we do still have merchandise by

520
00:43:06,400 --> 00:43:08,360
the way over at to Public,
Please do feel free to buy some mind

521
00:43:08,360 --> 00:43:13,239
Over Murder merchandise. We love seeing
you at crime con in various other places.

522
00:43:13,280 --> 00:43:15,679
In that merch that's going to do
it for this episode of mind Over

523
00:43:15,800 --> 00:43:30,960
Murder. We'll see you next time. Mind Over Murder is a production of

524
00:43:30,079 --> 00:43:37,519
Absolute Zero and Another Dog Productions.
Our executive producers are Bill Thomas and Kristin

525
00:43:37,599 --> 00:43:42,480
Dilley. Our logo art is by
Pamela Arnois. Our theme music is by

526
00:43:42,559 --> 00:43:47,239
Kevin McLoud. Mind Over Murder is
distributed in partnership with crawl Space Media.

527
00:43:47,599 --> 00:43:52,519
You can follow us on Facebook,
Twitter, or Instagram. You can also

528
00:43:52,599 --> 00:43:57,119
follow our page on the Colonial Parkway
Murders on Facebook, and finally, you

529
00:43:57,159 --> 00:44:00,719
can follow Bill Thomas on Twitter at
Bill Thomas. Five six. Thank you

530
00:44:00,800 --> 00:44:04,320
for listening to mind Over Murder.
