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Well, now let's get into today's episode of the Adventures of Philip Marlowe.
The original airdate on This one is August and nineteenth, nineteen forty seven and
the title is Robin in the Hood. For the safety of your smile,
use Pepsident twice a day, see your dentist twice a year. Liber Brother's
Company presents the Pepsident program The Adventures of Philip Marlowe, starring Van Heflin Philip
Marlowe, the screen's most famous private detective, created by Raymond Chandler and brought
to you on the air by Pepsident and starring MGM's Brillin and dynamic young actor
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Heflin as the Hollywood private Eye. Shellop Marlowe. All right, roll the
speed action all the time. Here is short Mary, It married your very
own Mary. Frive talk little John prete Englishman, notch us all it's made
merry God, that's it printed. All right, it's a wrap up here,
move over to stage three. They were filming a new technicolor version of
Robin Hood over at the Big Studios in Santa Monica Boulevard, and I was
there on salary. At the request to the director of the picture. Robin
Hood and Maid Marian came off the set. Robin Hood was a magnetic if
it's in sight in its Lincoln green and carrying that big English longbow and quiver
of arrows made Marian and her slinkily cut medieval white gown was something to make
more than an arrow whistle. They spied me and walked over to him quickly.
Mister Philip Marlow, Yeah, that's right. My name is Suet Spencer.
Yeah, I know. This is my leading lady, Jinny Kane.
Yeah, I know. How do you do, mister morn Oh? How
do you do? Miss Kane? Let's go over to stage nine and talk,
shall we? Morlot talk? Every time I open my mouth on one
of these sets, somebody hollers, quiet, what you see whatever? Having
a free speech in America? In Hollywood anyways, Stage nine isn't a set.
It's a little cafe across the street on Santa Monica. Oh a lot
to talk about, Molow, I know, let's go. You see de
Metro Sato. My to hire ju for it is to me a very embarrassing
reason. It seems I'm supposed to protect you. I feel very well able
to take care of myself. Well, it's not safe for that half mad
brother of you as at large, Did mister Sador tell you the whole story?
My long I said for me to get it from you, Well,
it was my fault that we have a sent for Caxton. But he's my
brother and he looks like me, and he's an absolutely terrific archer Stuart.
He is much better looking though Suar is the bow but Caxton is the bowman.
Oh, they could have faked the scenes where I'm supposed to perform marvels
of archery, but well, we were all against that. Man. I
remembered my brother, who was sporting good salesman in Philadelphia and the champion archer.
And so you suggested that they send for Caxton to devil for you in
the shooting scene. Yes, in spite of the fact that Caxton hates the
sight of it. And go on. I told mister Sador he could get
the shots he needed with Caxton doubling for me. Might go to my lodge
at Big Bed during those three days. Caxton always resented toward here because he
made good and Caxton didn't. Let's see, there was some thing about Caxton
leaving Hollywood, only not leaving Hollywood. What about that? Oh he never
picked up the return ticket, but the studio reserved for him at the airport.
Do you figure the Caxtons still in town? Definitely, you think you'd
picked a fight with you. He picked a fight with Freddie Cole's Freddie Cole,
a perfectly harmless makeup man on the lot, and all Freddie asked was
for Caxton to where brown contact lenses over his eyes, so he looked like
seward here for the medium close up. My brother has blue eyes, you
see, and he wouldn't wear the brown contact lenses. Refused slightly, he
said, let my big shot brother wear blue contact lenses. What an unreasonable
creature. It sounds reasonable to me. You said that he fought with a
makeup man, not for long. Freddie's half Caxton's size, but he knocked
my brother kicking. I suppose your brother swore to get him for that.
How did you know? I don't know instinct. Oh here, mister said,
oh here tomorrow. This is terrible, simply terrible. They just found
fred Cole in Sherwood Forest. He's been shot shot how. I don't know
who, but there's two feet of arrows sticking out of his bay. You
better show me where Freddy is, missus saida come on, let's go on.
The Sherwood Forest is a wood where dud Fairbank Senior made the Silent version
of Robin Hood and they've called it that ever since. Freddy Cole was lying
across the steps of the trailer that served as a field makeup room in Sherwood
Forest. Mister Sayler's information was not correct. There were not two feet of
arrows sticking out of Freddy's back. It was less than eighteen inches. A
bow of terrific power had done that job. Another trailer stood across the clearing
from Freddy's body, about a hundred yards away. I walked through the clearing
and knocked on the door. Yes, sir, the name Spiller Marl.
I'm a private detective. Oh it's about poor Freddy. That's right, Come
in, come in, woll see this trailer is my workshop. Mister Marlow.
You have a regular arsenal of bows and arrows in here, AMaGA.
Yes, sir, I make can repair bows and arrows for the men in
the picture. Say it's about a hundred yards so' here to where Freddie was
shot? Isn't it just about? Did you have a service the bow of
Caxon spencer the stars, brother, I did? Powerful weapon, very good
shot, very bad man. Yes, very okay, Well thanks, then
I'll see you. What that you said? I said, I'll see you.
You call me something? Oh oh dad, Yes, so long,
mister Marlow, so long, son, so long? A murder on this
lot is bad enough, but an unsolved murder is worse. I am very
worried and bad your stars he would Spencer, among other things. Mister Morrow,
why does Spencer? Why doesn't he leave town while his homicidal brother of
his is still around? Or he wouldn't go even if I asked him it.
Besides, every day lost now means money, and the bank wouldn't tolerate
anymore. Tol is making this picture in more delays, bend delays. I
started making robin Hood four years ago. I got this head spilled and then
had to stop because I couldn't find the ideal man to play Robin Hood.
What was the ideal? Talk of them said he had to be a romantic,
good looking power and where then helpful if he could shoot along bow?
Yeah, a Stewart Spencer couldn't shoot along bow four years ago any better than
he candidate. Now? Why didn't you hire him four years ago? He
wasn't a big enough starting. He's beg enough now to remind us he's another
gable, so he doesn't have to know how to shoot a longbow now,
No, especially since his brother, who resembles him closely, could shoot the
long bow. Tell me where did the Spencer stay while his brother was whooping
it up here at the studio? Spencer had a lodge up with the Big
Bear? Why and the ideas? Really? The Spencer is known all over
the world, right, but he's correct, and his double would have a
hard time hiding out unless he hid in places where people expected the stewart to
be right. I hadn't thought about it, or exactly as the Spencer's logic.
Bear you you think his brother may be up there posing a Spencer.
It's an idea. Where did you say that lodge was? Now? It
was a peachy hunch, and I was proud of it, proud Only no
one answered my knock when I got up to Spencer's lodged Big Bear and getting
in without a key, wos relatively small pumpkins. But it didn't pay off
until I opened a closet door under a staircase. A body didn't fall out,
but something else fell out and grabbed it before it hit the floor.
It was a beautiful example of the bulmaker's art, curved and recurved and polished
like glass under the thin layer of dust. I looked closely at the maker's
name because it was beginning to get an idea, and then the grandfather of
all hornets zinged past my year, a fraction of an inch from my cheek,
quiveredly shaft of a wicked looking arrow, its steelhead almost buried in the
solid oak paneling behind me. A man was standing in the open door way.
Then what's the what's the idea? Make a move towards your gun,
Marlow, and I'll pin your hand on the wall. Caxton, Yeah,
Caxton Spencer. Right. He's a little taller than his celebrated brother. His
cheeks were a little more sunken. In his eyes, unlike his brothers,
were an icy, glassy, deadly blue. He shot that second arrow as
fast as I could think. Believe it or not, that second arrow was
split the first one, right down to the head. There was another thing
about this lad that was different from Suard Spencer. He could shoot a longbow?
Brother? Could he shoot a longbow? Hell? Aren't you going to
reach for your gun? Well, Robin hoodlum of Sherwood Forest, You know
what might be one a contest the old versus the new medieval archer versus twentieth
century gun. You know you're just as crazy as your brother. Thanks you
are? I see Sue has been talking too much again. Look, Caxton,
tell me just one thing. Ranchers mixed up. I'm robin Hood,
remember not, William? Tell what was this dusty bow doing in the closet
that's mine? Well? How did it get in this close? I was
out here four years ago. Oh, you and your brother were a little
friendlier then. My brother wasn't such a big shot then. Beginning to get
it, your brother sent for you four years ago to teach him how to
shoot. We're looking for someone to play robin Hood. Your brother wasn't a
big enough name then, but he figured if he learned to shoot a long
bow well enough, it might make up for other shortcomings. Not bad genius.
The robin Hood picture was shelved before Suart could learn to shoot, so
now he had to send for you again. But you had to quarrel with
Freddie Cole and plant an arrow between his shoulder blades. Maybe somebody was celebrating
Arbor Day and planting thing. It's very amusing, Catson. But let me
say this. Don't say anything. Just get off this case. Understand that's
what else? This only next time? Four inches more to than left?
Catch my catch, all right, don't forg get it. Just don't you
forget it? So on, so if you bows clean. Hello operator operator,
this is a police call. Connect me with the Santa Monica Boulevard Studios
of Rhinegold Pictures. I want to talk to mister Seward Spencer. It's a
matter of life and death. And that's no mere figure of speech. You
are listening to the Adventures of Philip Marlowe starring Van Hefflen. Yes, families
all over America I have named their favorite toothpaste new Pepcident with invigorating iriem foam,
new fresh tasting Peersident with a new cool minty flavor. In a recent
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irium. Get it for your family without delay. We continue with the adventures
of Philip Marlowe starring Van Hefflen, who appears by arrangement with Metro Golden Mare
reducers of the Romance of Rosy Ridge starring Van Johnson. I couldn't reach Seats
Spencer the studio to telling that his brother was around and on the warpath hung
up for a second, and I tried something else, just for fun,
just another hunch. Hello operator, give me Western Union please. It was
late afternoon, therefore too late to telephone Philadelphia on account of the time difference.
I sent my telegram and gave my apartment address back in Hollywood for the
answer that I expected in the morning. Then I drove back to Hollywood.
It was dark when I gave up trying to locate Seward Spencer, but a
bright moon was climbing the sky by the time I got to the archery trailer
on location in Sherwood Forest. Yeah, hello, Dad, Oh, mister
Marlowe, come in, Philip, come in. Leave the door open for
a breath of air. You don't mind a late visitor, mind, I'm
crazy about it. It's mighty lonely Philip. Yeah, it would out here
in this wilderness, and does any place for old people? Oh? Can
I offer you some hot coffee? Son? Well? Thanks, said,
I'd appreciate it, but I'd rather have some information out of you. What
is it, my boy? Tell me? Is it possible for an expert
archer to conceal the fact that he's death with a long bowl? I think
so? Or can he conceal the fact that he can handle a bow at
all? Oh? No, No, No matter how clumsy he was,
he'd be too clumsy. Oh, I get it. A guilty man trying
to look any city he overdoes it exactly. Yeah, look, dad,
I'm gonna pick up a bowl and I'm gonna string it, put an arrow
in it, and draw it. I want you to stop me at any
point where you can tell it. I can't shoot a bowl, all right,
I picked up this bowl here, you can stop now. I didn't
do anything yet. Picked up the bow and you're holding it upside down.
I mean, there's an upside and downside of these things. This isn't matter
matters very much. You might at least is played along with me a minute.
After all, even a detective as his pride. You asked me to
stop you and I did. Oh, I was just kidding you. Then
there's anything wrong? No, nothing wrong, Excuse me. It's just that
everybody else calls me Pop. Oh well love k now if you'd rather I
call you? No, No, I hate it. It's what smart,
strong young people call old fellows like me pop, treating us like children.
Old folks ain't idiot who says they are dead dead. That's different. It's
got respect and love in it. And that's what we keep on calling you.
See, I haven't any children, not anymore. I had a daughter,
but not anymore. Sorry. Oh no, no, it's not what
you think. She's alive. She just didn't want anybody to know she had
me for her father. What she didn't want anybody to know she was married
to a plain makeup man at the studio. It might hurt her career.
Her dog gone old career. Dad. Is your daughter in pictures? She's
in this picture. She's playing maid Marian. Jenny Kane is your daughter.
Yes, And I'm telling you because you treat an old man respectful. How
could Jenny for your daughter and be so different? People are like bows on
the same flesh and bone. And blood, but entirely different. Now look
at this graceful little bow here English. You would pulls only forty easily pounds,
but it'll shoot a straight and as far as that eighty five pound bow
made out of the same material. Why workmanship and design? In people,
it's called character. I mean your girls. Jenny got too big for Freddy
or a makeup man, too big for him and too good for me?
Dad, is Jenny in love with Suart Spencer? Son? The girl's vain
and proud and foolish. But she didn't kill Freddie. She couldn't pull that
size his bow. But she just said that a forty pound bow up good
design will do the work of much heavier bows. She didn't do it.
Boy, all right, Look you've seen Seward shoot after a fashion. Does
he handle a bowl like a man who could do better but is concealing his
real skill? Dad, Yeah, I know what you're thinking. You're thinking
if Seward Spencer loved my girl but she already had a husband that had to
be got rid of. I'm asking you if Seward is faking his clumsiness with
a long bow. No, Son, the lad just can't handle a bow.
He's the world's greenest starcher. Well, and that puts the rap right
back on his brother Caxton. He had a mood threatened for it. Cool.
I thought I'd told you something a few hours ago. I spun around.
Caxton Spencer stood outside of the trailer in the yellow light flowing out of
the doorway. He stood there, casually and casually, balancing that powerful long
bow in his left hand. I wondered how he'd found me here, of
all places, hours after he'd left me at his brother's mountain lodge. He
took a step near the trailer door. I told you to get off the
case at night. Why it just slipped my mind. Now what do you
want? I went back to the lodge after you left the send a telegram
to Philadelphia. Maybe not, maybe you did. I got the reply.
That reply wasn't going to come in until morning. Into my apartment. Slight
error. Genius whired the Public Directory of Philadelphia asking about Caxton Spencer. It
so happens they have a department that's opened all night. They wired back to
the lodge. Funny thing, my loo. They say that no one named
Caxton Spencer lives in Philadelphia. How did you find me here? I called
the big director, mister Sadar. He said, you might be out here.
That's funny. I knew that Sado never would have told that voice whereabouts
he to call the police. I looked with new interest at Caxton, standing
just outside of the trailer doorway. My examination got down to his shoes.
The shoes were almost new, and his ankles were a full inch and a
half above the tops of his Oxfords. Caxton spencer. He was wearing elevator
shoes to make him look taller. Well, figured me out, yet,
Marlow, and put it all together, and put it together fast. Caxton
moved, He whipped in the arrow under his bow, and my left leg
shot out and kicked the door of the trailer shot. I jumped to the
window and opened fire. Did I missed him? Missed him a mile?
He's beat it now. Can't you see him anywhere? No, yep,
I don't know. The moonlight out there and there's bushes. Turn out the
lights. Got us on the hook. He turn out the lights and get
down on the floor. Got him got it out, get out all right,
all right? Safety here. He can't shoot through these walls. He's
good, but he's now that good. Don't know, son, What do
you mean you don't know? Might he could get to us even in here
with a bow and arrow. He's smart and he's meaning. He knows his
way around is here for us. Can't shoot through this trailer. He can
shoot through the windows. We don't have to stand at the windows. He
don't have to hit us. I don't get it. We got some scenes
of while back while Caxton was with us, Robin hoodsman shooting flaming arrows into
some old castle, flaming arrows, arrows soaked in pitch and sit on fire
over medieval custom. Oh fie, there's plenty of that pitch still around here,
where out yonder barrels of it? What did I tell you? There
it is. There's the first of your flaming arrows. One, let's put
it out. He'll pick us off if we try that. He then let's
get out of here. Yeah, let's just do that. God go out
first. You follow me and lose yourself someplace, you understand, Oh,
folks, saint idiots? All right, follow me? Now, keep blow
right after you, son, You can blow now yet? All right,
run for it. Dashed into the moonlight, hornet, flipped my cheek and
wanged into the wall of the trailer. Run dad and lose yourself. See
you later, son, See you later. I dropped to the ground and
didn't move, but my eye measured the angle of that last arrow in the
side of the trailer, in the direction that had come from. I raised
myself on my elbow and fired back. A wise guy. Eh that dirty
reload, Marlow, Come on, reload, reload, just furnishing your extra
thrill? Hollow you or is that one getting stale? Mollow? Two shots?
Two shots. I've got two more arrows mollow. That means one more
fun and last one for real? One shot, one shot? One now?
Any last words? Any rayed hot boss? Any remarks for us?
Thirty you cheap ten twenty thirty Ham. I waited for the laughter, taunting
baked Ham. Laughter didn't come. I waited with my empty gun clenched in
my fist. He was coming toward me. He knew I had fired fourteen
shots and then I was finished. He could hit me from any distance.
Why was he moving in on me? What was new? What was dirty
with Caxton? Now? I jumped to my feet from drew back my arm
to throw my gun at the first thing that walked out of those bushes ahead
of it. Don't throw it, Oh dad, you are right? Son?
Where's Caxton dead? I got him in with my last shot? I
got him hate to disappoint a smart young lad like you, son. Oh
you said he's dead. I didn't say you killed him. He's got a
twenty eight inch arrow in his chest. Looks good too. How did you
when I followed you out of the trailer, I grabbed some arrows from at
forty pound bow. I've been hunting, son, and let me tell you
for what. There never was a Caxton Spencer. Caxton Spencer fought against wearing
brown contact lenses over his eyes for a very good reason. He was already
wearing blue contact lenses. Seward Spencer never had a brother. He'd learned to
shoot along bow four years ago, but he kept a secret. When they
finally decided to film Robin Hood, he had a better use for his skill
with a bow. He was already planning Fred Cole's murder and invented a non
existent brother to pin the murder on. Ever, very clever. I knew
it all the time. What that's what? Well, then, why did
you tell me that? Seward Spencer couldn't shoot Seward Spencer corrupted my girl and
turned her against her rightful husband and her daddy. I wanted to get him
myself, and you did Barren square and in defense of an officer of law.
Well, I see that flaming aeratric fizzled. Oh oh yeah, still
it didn't like to step inside in here at coffee now, so I sure
would then come on, you know, like you said. That's just like
you told me. Old folks aren't fools, not by a long shot dead.
You have just heard Van Heflin starring in the mystery series Raymond Chandler's The
Adventures of Philip Marlowe, brought to you by the Lever Brothers Company, makers
of Pepsident. Van Heflin will return in just a moment. Men, here's
an important announcement news about a sensational hair tonic discovery. It's trim hair tonic
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week, Here again is Van Heflin. Philip Marlowe paused in the stealthy darkness
of the deserted brewery. There was invisible death lying in wait for him down
in the bottom of the unused fermentation vat. But a very visible dancing death
was approaching behind him, dancing and weaving. And at the two risks,
Philip Marlowe, unarmed and stunned, preferred the invisible one at the bottom of
the great wooden vat. The night story was written by Milton Geiger, based
on the famous character and modern detective fiction Philip Marlowe created Raymond Chandler. The
original music was composed and conducted by Lynn Murray. This is Wendell Niles inviting
you to listen again next week at the same time to another exciting mystery on
the Adventures of Philip Marlowe, starring Van Heflin with a distinguished chest. This
is NBC, the National Broadcasting Company Welcome back. Well, I found Marlowe's
relationship with the archery Expert can be really endearing and an interesting look at a
view of how to refer to older people that he is just not around anymore.
Nobody really calls any man not related to them or who they don't have
a close relationship with dad. And honestly, at least since when I've been
in since I was in my twenties, because I was raised to call,
you know, people older mister, or to call them sir. But at
the time I got to be an adult. In the adult world, it's
everything's on a first name basis, and it's a tricky world to imnavigate.
If you demand something else as an older person, then culturally it can be
viewed as being a bit stodgy and a stuff being a stuffed shirt. If
on the other hand, as a younger person, you you know, call
someone you know by some other time idle like misters or what have you,
you see just a bit too formal and maybe a bit too green. And
so I've had this experience where essentially the cultural norm is to call people you
know, at least where I'm am out West. Maybe this is you know,
different in other parts of the country, but where the cultural norm is
to call people by their first nat and I'm not comfortable saying it. And
I can tell that the person who I'm referred to is it comfortable being referred
to that way, but neither one of us. I feel like you can
go another route, So it's a bit odd. It's always interesting to hear
Jeff Chandler in these old time radio programs. He was one of the,
you know, the few actors who started out in radio and went on to
be a fairly big start, not just in radio, but yeah, in
movies, particularly in A Broken Arrow. Jeff Chandler. I guess when we're
talking on a Philip Martl program, we should particular what Chandler we're talking about.
Was really very fortunate to come to Hollywood at a time when radio was
so prominent because he actually had had a car accident that left a pretty significant
scar on his forehead, which took quite a while to heel that was going
to be a big problem of getting a screen role. So he worked a
lot of radio. That's where he started, you know, and then he
his talent and his looks took him into stardom in films. This story is
interesting too because it kind of gives some additional insight into the direction that Van
Hefflin took in playing Marlow, which in many ways is a lot more down
to earth and not quite as tough as Chandler wrote the character, or as
Gerald Moore portrayed him. I think it would have been interesting if Hefflin had
gotten his own radio detective series apart from the Marlow franchise, but unfortunately that
wasn't to be. Now, I also do want to let you know that
next week we will get to hear Gerald Moore episode before we leave behind Philip
Marlow. Now listener comments and feedback, and we've got some feedback regarding the
final episode of Mystery Is My Hobby and in Rice over on Facebook, Mystery
my Hobby has been very good fun. Though Barton's Drake Smarty Pants Detective does
remind me of John Hillerman's self regarding radio detective Simon Brenner in the nineteen seventy
five TV series The Adventures of Ellery Queen. Uh, I think that's actually
a really good comparison. In of course, John Hillerman today, I think
it's safe to say that most people, and most fans of detective fiction probably
remember Hillerman for playing Higgins on Magnum Pi, but he was one of two
rotating foils for Ellery Queen. He played that role of Simon Brenner. The
other was Ken Swofford as a Flanagan, but with Simon Brenner, he was
a criminologist who it was kind of an interesting combination. He dramatized cases that
he had allegedly solved or may just have been fictional cases that he made up,
which would definitely be a mysterious my hobby tie in, and then he
also tried to solve actual crimes on his programs and a couple of times came
up with really smart, intriguing solutions that just happened to be wrong, and
Ellery needed to sort out the truth. So I could imagine Barton Drake as
the basis for that character. And thanks so much for the comment and for
reminded me of Ellery Queen. It was a really good series and lasted one
season, but it was the nineteen seventies there were so many good mystery programs
on that a lot of really well made programs ended up just lasting a season.
Well, now it's time to thank our Patreon supporter of the day.
Thank you to Stephen, Patreon supporter since July twenty twenty, currently supported us
at the Detective Sergeant level of seven dollars and fourteen cents or more per month.
Again, thanks so much for your support and that will actually do it
for today. If you're listening to this on YouTube, be sure to like
the video, subscribe to the channel, and mark the notification bell. We
will be back tomorrow with Mystery as My Hobby. On Thursday, we'll begin
to play some previously uncirculated episodes of mister Keene's Racer of Lost Persons. We'll
be back next Tuesday with the adventures of Philip Marlow was Gerald more. And
be sure and listen next Saturday as we get into top secrets of the FBI
and the meantime. Send your comments too, Bucks thirteen at Great Detectives dot
net, follow us on Twitter at Radio Detectives, and become one of our
friends on Facebook, Facebook dot com. Splash Radio Detectives from boise Ida.
Hold, this is your host, Adam Brahmson and all