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The scarecrow. Ben. The woman
stood in the doorway of the ramshackle,

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tumbled down shanty. Her hands were
copped at her mouth. The wind blew

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loose whitish blonde wisps of hair around
her face and slashed the faded blue dress

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into the uncorseted bulk of her body. Benny, oh, Benny. Her

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caw echoed through the still evening.
Her eyes staring straight before her down the

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slope in front of the house,
caught sight of something blue and antiquatedly military,

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standing waist deep and rigid in the
cornfield. That old scarecrow. She

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muttered to herself, that thou old
scarecrow, with that thou old uniform on

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to and too. The sun was
going slowly just beyond the farthest hill.

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The unreal light of the skies reflected
colors held over the yellow waving tips of

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the cornfield. Benny, She called
again, Ah, Bennie, and then

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she saw him coming toward her,
trudging up the hill. She waited until

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he stood in front of her supper
Ben, she said, was you down

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in the south meadow where you couldn't
hear me call? Nah? He was

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young and slight, He had thick
hair, and a thin face. His

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features were small. There was nothing
unusual about him. His eyes were deep

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set and long, with lids that
were heavily fringed. You heard me calling

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you? Yes, Ma? He
stood there, straight and still, his

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eyelids were lowered. Why an't you
come along? Then? What ails?

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Yo? Benny? Let me shout
and shout that way nothin? Ma?

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Where was yer? He hesitated a
second before answering her, I was to

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the bottom of the hill. And
what was you doing down there? To

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the bottom of the hill? What
was you doing down there? Benny?

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Her voice had a hushed tenseness to
it. I was watching, Ma,

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watchin, Benny, That's what I
was doing. His tone held a guarded

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sullenness. Tain't no such a pretty
sunset, Benny, wann't watchin' no sunset?

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Benny? Well, he spoke quickly. What do you want me to

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00:02:01,840 --> 00:02:05,159
put it there for? What do
you want to do that for? In

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the first place, there was birds, Benny, You know there was birds.

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That ain't what I mean? What
for do you put on that though

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uniform? I ain't had nothing else
that want nothing but your granddad's old uniform.

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It's fair in rags Benny. It's
all I had to put on to

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it. Where you've done it yourself, Nah, Benny, Nah Oka ain't

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nothing but an old uniform with a
stick into it, just to frighten off

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them birds. Tain't nothing else,
honest, tain't, Benny. He looked

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up at her out of the corners
of his eyes. He was waving its

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arms. That's the wind, nah
Ma, waving its arms before the wind

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it come up. Shush, Bennie, tain't likely, tain't. I was

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watching my seeing it wave and wave. Suppose it should beckon. Suppose it

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should beckon to me. I'd be
going then, Ma, Shush, Bennie,

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I'd fair have to go. Ma. Leave your mammy. Nh ben

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Uh. You could never go off
and leave your mammy, even if you

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ain't able to bear this here farm. You couldn't go off from your mammy.

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You couldn't not your mob, Benny. She could see his mouth twitch,

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She saw him catch his lower lip
in under his teeth. Ah say

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you couldn't leave, Benny, say
it. I hate this here farm,

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he mumbled, morning and night and
morning in the night, nothing but chares

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on earth, and then some more
of them chores, and always that their

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way so it is always and the
stillness, nothing, lie, nothing.

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Sometimes I ain't able to stand at
no house. Sometimes you'll get to like

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it, Laider. Maybe no,
No, Ma, you will, Benny,

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Sure you will. I won't.
Never. I ain't able to help

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fretting. It's all closed up,
tied inside of me, eating and eating

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00:03:46,360 --> 00:03:50,960
it makes me feel sick. She
put out her hand and laid it heavily

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on his shoulder. Likely it's to
touch a fever in the blood, Benny,

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I ain't got no fever. You'll
be feeling better in the morning,

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00:03:58,479 --> 00:04:01,680
Ben, I'll be feeling the same. That's just it always the same,

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nothing but the stillness, nothing alive. And now there in the cornfield that

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00:04:06,240 --> 00:04:10,439
ain't alive, Benny, ain't it. Ma, don't you say that,

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Benny, don't. He took her
hand off of him. I was watching,

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he said, doggedly. I've seen
it. Wave and wave. She

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turned into the house. That old
scarecrow. She muttered to herself, that

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the old scarecrow. She led the
way into the kitchen. The boy followed

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at her heels. A lamp was
lighted on the center table. The one

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window was uncurtained, with a naked
spot of it. The evening glow poured

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shimmeringly into the room. Inside the
doorway, they both paused. You sat

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down, Benny. He pulled a
chair up to the table. She took

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a steaming pot from the stove and
emptied it into a plate. Placed the

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dish before him. He fell to
eating silently. She came and sat opposite

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him. She watched him cautiously.
She did not want him to know that

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she was watching him. Whenever he
glanced up, she hurried her eyes away

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from his face in the stillness.
It's the only live things were those two

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pair of eyes darting away from each
other. Benny. She could not stand

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00:05:05,600 --> 00:05:11,360
it any longer. Benny, just
you, just you. He gulped down

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a mouthful of food. Oh,
Ma, don't you start nothing, Not

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00:05:15,439 --> 00:05:18,399
no more tonight, Ma. She
half rose from her chair. For a

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second, she leaned stiffly against the
table. Then she slipped back into her

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seat, her whole body limp and
relaxed. I ain't going to start nothing,

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Benny. I ain't even going to
talk about this here, farm.

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Honest, I ain't all this here, farm. I gave the best years

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of my life to it. She
spoke the words defiantly. You said that

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all afore. Ma. It's true, she murmured, terrible, true.

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And I've done it for you,
Benny. I wanted to be giving you

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something. It's all I'd got to
give you. Benny. There's many a

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00:05:50,120 --> 00:05:55,360
man, Ben that's glad of his
farm and grateful too. There's many that

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makes it pay. And would all
do if it does pay? Ma?

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00:05:59,160 --> 00:06:02,399
Would all do then? I?
I don't know, Benny. It's only

88
00:06:02,600 --> 00:06:06,240
just beginning now. But if it
does pay, Ma, what do I

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00:06:06,360 --> 00:06:11,519
do? Go away from here now, Benny, not away? What would

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you go away for when it pays? After all them years I gave to

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it. His spoon clattered noisily to
his plate. He pushed his chair back

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from the table. The legs of
it rasped loudly along the uncarpeted floor.

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He got to his feet. Let's
go on outside, he said, ain't

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no sense to this here talking and
talking. She glanced up at him.

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Her eyes were narrow and hard.
All right, Benny, I'll clear up.

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I'll be along in a moment,
all right, Benny. He slouched

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heavily out of the room. She
sat where she was The set looked pressed

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on her face automatically. Her hands
reached out among the dishes, pulling them

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toward her. Outside, the boy
sank down on the step. It was

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getting dark. There were shadows along
the ground, blue shadows in the gray

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skies. One star shone brilliantly.
Beyond the mist slurred summit of a hill.

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The full moon grew yellow. In
front of him was the slope of

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wind moved cornfield, and in the
center of it the dim military figure,

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standing waist deep in corn His eyes
fixed themselves to it, all uniform,

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with a stick in to it.
He whispered the words very low, still

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standing there, still the same wooden
attitude of it, his same cunning watching

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of it. There was a wind. He knew it was going over his

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face. He could feel the cool
of the wind across his moistened lips.

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He took a deep breath down there
in the shivering cornfield, standing in the

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dark blue shadows. The dim figure
had quivered. An arm moved, swaying

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to and fro. The other arm
began swaying, swaying. A tremor ran

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through it. Once it pivoted.
The head shook slowly from side to side.

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The arms rose and fell and rose
again. The head came up and

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down and rocked a bit to either
side. I'm here, he muttered,

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involuntarily. Here. The arms were
tossing and stretching, he thought. The

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head faced in his direction. The
wind had died out. The arms went

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down and came up and reached Benny. The woman seated herself on the step

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at his side. Look, he
mumbled. Look. He pointed his hand

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at the dim figure shifting restlessly in
the quiet, shadow saturated cornfield. Her

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00:08:31,040 --> 00:08:35,799
eyes followed after his. Oh,
Benny, well, His voice was hoarse.

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It's moving, ain't it? You
could see it moving for yourself,

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can't you? You ain't able to
say you don't see it? Are you

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the wind? She stammered? Where's
the wind? Down there? Do you

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feel a wind? Say? Do
you feel a wind? Maybe down there?

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The ain't no wind? Not now? They AND's movin. Ain't it?

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Say? It's moving? Ain't it? It looks like it was dancing.

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So it does if it was making
itself dance. His eyes were still

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00:09:03,799 --> 00:09:09,759
riveted on those arms that came up
and down, up and down and reached.

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He'll stop soon now, he stuttered, it, more to himself than

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00:09:13,120 --> 00:09:16,519
to her. Then it'll be alive. I've watched it mighty often. Maybe

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00:09:16,519 --> 00:09:20,600
it knows I watch it. Maybe
that's why it moves. Oh, Benny,

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00:09:20,159 --> 00:09:22,440
well you see it, don't you. You thought there was something the

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00:09:22,480 --> 00:09:26,159
matter with me when I come and
told you how it waves and waves by.

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You've seen a waving, ain't you. It's nothing, Ben, Look,

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00:09:28,879 --> 00:09:33,399
Benny, it stopped. The two
of them stared down the slope at

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00:09:33,399 --> 00:09:37,440
the dim military figure standing rigid and
waist deep in the cornfield. The woman

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00:09:37,480 --> 00:09:41,120
gave a quick sigh of relief.
For several moments, they were silent,

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00:09:41,279 --> 00:09:48,240
and somewhere in the distance came the
harsh, discordant sound of bullfrogs croaking out

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00:09:48,279 --> 00:09:52,639
in the night. A dog bayed
at the golden full moon climbing up over

140
00:09:52,679 --> 00:09:58,120
the hills. A bird circled between
sky and earth, hovering above the cornfield.

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00:09:58,440 --> 00:10:01,519
They saw it slow descend, and
then for a second they caught the

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00:10:01,559 --> 00:10:07,600
startled whirr of its wings as it
flew blindly into the night. That old

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00:10:07,679 --> 00:10:11,039
scarecrow, she muttered. Suppose,
he whispered, Suppose when it starts us

144
00:10:11,120 --> 00:10:16,360
moving like that, Suppose someday it
walks out of that cornfield, just naturally

145
00:10:16,399 --> 00:10:18,759
walks out here. To me,
What then if it walks out, Benny.

146
00:10:20,200 --> 00:10:22,480
That's what I'm thinking of all the
time. If it takes it into

147
00:10:22,519 --> 00:10:26,000
its head to just naturally walk out
here, what's going to stop it?

148
00:10:26,039 --> 00:10:30,759
If it wants to walk out after
me once it starts moving that way,

149
00:10:30,840 --> 00:10:35,080
what Benny couldn't do that it couldn't. Maybe it won't. Maybe it'll just

150
00:10:35,120 --> 00:10:37,240
beckon first. Maybe it won't come
after me, not if I go when

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00:10:37,279 --> 00:10:41,840
it beckons. Kind of figure it'll
beckon when it wants me. I couldn't

152
00:10:41,879 --> 00:10:45,919
stand the other couldn't wait for it
to come out here after me. Kind

153
00:10:45,919 --> 00:10:48,399
of feel like it'll beckon when it
beckons, I'll be going, Benny.

154
00:10:48,519 --> 00:10:54,120
That's sickness coming on. You take
no sickness. The woman's hands were clenched

155
00:10:54,159 --> 00:10:58,559
together in a lap. I wish
to God, she said, I wish.

156
00:10:58,600 --> 00:11:01,759
I ain't never seen the day when
I put that there thing up that

157
00:11:01,919 --> 00:11:05,240
their cornfield. But I ain't thought
nothing like this could never happen. I

158
00:11:05,279 --> 00:11:09,679
wish to god, I ain't never
seen the day. Tain't got nothing to

159
00:11:09,759 --> 00:11:13,679
do with you. His voice was
very low. It's got everything to do

160
00:11:13,799 --> 00:11:16,200
with me, so it has.
You said that for yourself, and you

161
00:11:16,320 --> 00:11:18,840
was right, and I put it
up, and I looked high and low

162
00:11:20,039 --> 00:11:22,960
the house through. Ain't that old
uniform of your granddad's being the only brag

163
00:11:24,039 --> 00:11:26,360
I could lay my hands on?
Was there anything else I could use?

164
00:11:26,679 --> 00:11:31,200
Was there? Oh? Ma?
Ain't we needed a scarecrow down there?

165
00:11:31,360 --> 00:11:35,879
With them birds so awful bad pecking
away at the corner, and pecking ain't

166
00:11:35,919 --> 00:11:41,480
your fault? Ma. There wasn't
nothing else but that thou old uniform.

167
00:11:41,720 --> 00:11:45,440
I wouldn't have took it otherwise.
Poor Paul, so desperate, proud of

168
00:11:45,480 --> 00:11:48,080
it, as it was him fighting
for his country, and it always saying

169
00:11:48,200 --> 00:11:52,480
that he was he couldn't be doing
enough for his country, and that the

170
00:11:52,600 --> 00:11:54,440
old uniform meant so much to him, like a part of him. I

171
00:11:54,519 --> 00:12:01,519
used to think it, and you
wanting to say something, ben ah Nah.

172
00:12:01,799 --> 00:12:05,200
He wouldn't even let us be burying
a minute. Put my country's flag

173
00:12:05,279 --> 00:12:07,120
next to my skin, He told
us, when I die, keep the

174
00:12:07,159 --> 00:12:11,320
old uniform, just like a part
of him. He thought it. Wouldn't

175
00:12:11,360 --> 00:12:13,360
I've kept it, falling to piece
it as it is, if there'd I've

176
00:12:13,399 --> 00:12:18,600
been anything else to put up there
in that there corn field, She felt

177
00:12:18,600 --> 00:12:22,720
the boy stiffened suddenly, and with
him a soldier. He broke off abruptly.

178
00:12:22,679 --> 00:12:26,399
She sensed what he was about to
say. How Benny, that was

179
00:12:26,480 --> 00:12:30,960
different, honest it was. He
weren't the only one in his family.

180
00:12:31,120 --> 00:12:33,200
There was two brothers. The boy
got to his feet. Why won't you

181
00:12:33,279 --> 00:12:37,440
let me go? He asked it
passionately. Why do you keep me here?

182
00:12:37,720 --> 00:12:39,279
You know I ain't happy? You
know all the men have gone from

183
00:12:39,320 --> 00:12:43,799
these here parts. You know I
ain't happy. Ain't you going to see

184
00:12:43,840 --> 00:12:46,919
how much I want to go?
Ain't you able to know that I want

185
00:12:46,960 --> 00:12:50,399
to fight for my country the way
he did is fighting. The boy jerked

186
00:12:50,399 --> 00:12:54,559
his head in the direction of the
figure standing waist deep in the cornfield,

187
00:12:54,759 --> 00:13:00,759
standing rigidly and faintly outlined beneath the
haunting flood of moonlight. Nah, Benny,

188
00:13:00,840 --> 00:13:03,200
you can't go. Nah? Why
ma, Why do you keep saying

189
00:13:03,320 --> 00:13:07,840
that? And saying it? I'm
all alone, Benny. I've gave all

190
00:13:07,960 --> 00:13:11,960
my best years to make the farm
pay for you. You got to stay,

191
00:13:11,000 --> 00:13:15,039
Benny, You got to stay on
here with me. You just plain

192
00:13:15,240 --> 00:13:18,960
got to. You'll be glad someday, Benny, later on, You'll be

193
00:13:18,159 --> 00:13:22,919
right glad, she saw, and
thrust his hands hastily into his trouser pockets

194
00:13:24,200 --> 00:13:26,799
glad. His voice sounded tired.
I'll be shamed, That's what I'll be.

195
00:13:28,120 --> 00:13:31,639
Nothing. Do you hear nothing but
shamed? She started to her feet.

196
00:13:31,159 --> 00:13:35,080
Benny, I know of fears,
shook through the words you wouldn't wouldn't

197
00:13:35,120 --> 00:13:39,440
go. He waited a moment before
he answered, If you ain't want me

198
00:13:39,519 --> 00:13:43,519
to go, I'll stay. God, I guess I've plane got to stay.

199
00:13:45,440 --> 00:13:48,120
That's a good boy, Benny.
You won't never be sorry, now,

200
00:13:48,200 --> 00:13:50,919
how I promise you. I'll be
making that up to you, honest

201
00:13:50,960 --> 00:13:54,879
I will. There's lots of ways
I'll he interrupted her. Only, Ma,

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I won't let it come after me. If it beckons, I got

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to go. She gave a sudden
laugh that trailed off uncuddinly. Tin't goin

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to Beckon, Benny. If it
beckons, Ma, tain't goin to Benny.

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It ain't nothing but the wind that
moves it. It's just the wind.

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Sure, maybe you got a touch
of fever. Maybe you better go

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on to bed. You'll be all
right in the morning. Just you wait

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and see your good boy, Benny. You'll never go off and leave your

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ma on the farm. You're bune
lad, Benny, if it beckons,

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he repeated, and wearing mon a
tone, tain't Benny, I'll be going

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to bed, he said, that's
it, Benny, good night, good

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night Ma. She stood there,
listening to his feet thudding up the stairs.

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She heard him knocking about in the
room. Overhead, a door banged.

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She stood quite still. There were
footsteps moving slowly. A window was

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thrown open. She looked up to
see him leaning far out over the sill.

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Her eyes went down the slope of
the moonlight bathed cordonfield. Her right

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hand curled itself into a fist ol
scare crows. She half laughed. She

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waited there until she saw the boy
draw away from the window. She went

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into the house and bolted the door
behind her. Then she went up the

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narrow steps. That night, she
lay awake for a long time. The

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heat had grown intense. She found
herself tossing from side to side of the

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small bed, the window shaded.
Stuck at the top of the window,

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the moonlight trickled into the room.
She could see the wind framed, star

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specked patches of the skies. When
she sat up, she saw the round,

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reddish yellow ball of the moon.
She must have dozed because she woke

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with a start. She felt that
she had a fearful, evil dream.

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The horror of it clung to her. The room was like an oven.

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She thought, the walls were coming
together, and the ceiling pressing down.

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Her body was covered with sweat.
She forced herself wide awake. She made

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herself get out of the bed.
She stood for a second uncertain, and

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she went to the window. Not
a breath of air stirring. The moon

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was high in the sky. She
looked out across the hill. Down there,

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to the left the acres of the
potatoes. Potatoes were paying. She

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counted on a big harvest. To
the right, the wheat. Only the

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second year for those five fields,
she knew that she had done well with

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them. She thought, with a
smile running over her lips, back to

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the time when less than half of
the place had been under cultivation. She

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remembered her dreams of getting the whole
of her farm in work. She and

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the boy had made good. She
thought of that with savage complacency. It

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had been a struggle, a bitter, hard fight, from the beginning.

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She had made good with her farm. And there down the slope, just

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in front of the house, the
corn field, and in the center of

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it, standing waist deep in the
corn the antiquated military figure. The smile

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slid from her mouth. The suffocating
heap was terrific, not a breath of

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air. Suddenly she began to shake
from air head to foot. Her eyes

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wide and staring, were fixed on
the moonlight white and corn field. Her

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eyes were held to the moonlight streaked
figures standing in the ghostly corn moving.

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An arm swayed, swayed to and
fro backwards and forwards backwards, the other

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arms swaying. A tremor ran through
it. Once it pivoted. The head

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shook slowly from side to side.
The arms rose and fell, and rose

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again. The head came up and
down and rocked a bit to either side.

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Dancing, she whispered, stupidly dancing. She thought she could not breathe.

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She had never felt such oppressive heat. The arms were tossing and stretching.

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She could not take her eyes from
it. And then she saw both

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arms reach out, and slowly,
very slowly, she saw the hands of

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them beckoning. In the silence of
the room next to her, she thought

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she heard a crash. She listened
intently, her eyes stuck to those reaching

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arms and the hands of them that
beckoned and beckoned Benny. She murmured Benny

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silence. She could not think it
was his talk that had done this.

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Benny's talk. He had said something
about it walking out, if it should

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come out, moving all over like
that, if its feet should start,

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if they should of a sudden begin
to shuffle, shuffle out of the cornfield.

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But Benny wasn't awake, He couldn't
see it. Thank God, if

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only something would hold it, if
only it would stop. God. Nothing

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stirred out there in the haunting moonlighted
night. Nothing moved, nothing but the

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figure standing waist deep in the cornfield. And even as she looked, the

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rigid military figure grew still still now
but for those slow, beckoning hands.

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A tremendous dizziness came over her.
She closed her eyes for a second,

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and then she stumbled back to the
bed. She lay there, panting.

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She pulled the sheets up across her
face, her shaking fingers, working the

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tops of them into a hard ball. She stuffed it between her chattering teeth.

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Whatever happened, Benny mustn't hear her, She mustn't waken Benny, Thank

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Heaven. Benny was asleep. Benny
must never know how out there in the

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white night, the hands of the
figure slowly and unceasingly beckoned and beckoned.

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The sight of those reaching arms stayed
before her. When hours later she fell

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asleep, she still saw the slow
moving, motionless hands. It was morning

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when she wakened. The sun streamed
into the room. She went to the

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door and opened it. Benny,
she called, Oh, Benny. There

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00:19:51,359 --> 00:19:55,599
was no answer, Benny. She
called again, get on up, it's

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late, Benny. The house was
quiet. She half dressed herself and went

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into a room the bed had been
slept in. She saw that at a

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00:20:03,559 --> 00:20:08,640
glance, his clothes were not there
down in the field, because she'd forgotten

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to wake him. In a sudden, stunning flash, she remembered the crash

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she had heard. It took her
a long while to get to the little

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closet behind the bed. Before she
opened it, she knew it would be

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empty. The door creaked open,
his one hat and coat were gone.

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00:20:26,039 --> 00:20:30,599
She had known that he had seen
those two reaching arms. He had seen

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00:20:30,680 --> 00:20:36,799
those two hands that had slowly,
very slowly beckoned. She went to the

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00:20:36,839 --> 00:20:41,680
window, her eyes staring straight before
her. Down the slope in front of

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00:20:41,680 --> 00:20:48,160
the house caught sight of something blue
and antiquatedly military, standing waist deep and

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rigid in the corn field. Your
scarecrow, she whimpered, Why you standing

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00:20:55,079 --> 00:21:03,079
there? She sobbed, What are
you standing still for? On now End

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00:21:03,200 --> 00:21:06,240
of the Scarecrow by G. Ranger
Warmser
