1 00:00:00,640 --> 00:00:39,880 Attention. Now we can nine o'clock. When I was a boy, all 2 00:00:40,000 --> 00:00:45,759 I think about this one A stupid boy that I was. When I was 3 00:00:45,840 --> 00:00:53,000 a kid, I got my face up there not toilets with deeps O damn. 4 00:00:53,479 --> 00:00:59,280 I wasn't always a stoop and mom, but when I was, I 5 00:00:59,600 --> 00:01:06,680 was a jump. I didn't always look cans some I used to have and 6 00:01:06,879 --> 00:01:15,799 go filld man bus. I remember roll the Mad Times and picks member Bob. 7 00:01:18,359 --> 00:01:26,519 It feels like someone they shumping their sad fuck call of my bar the 8 00:01:26,760 --> 00:01:33,040 right do your mess sidy go where no scene down? Bomb me roll up 9 00:01:33,079 --> 00:01:41,680 live by rhyme miss side go where no scene down, Boby, roll up 10 00:01:42,239 --> 00:02:01,719 live. Yes. When I was in school, didn't make good grades. 11 00:02:01,879 --> 00:02:07,879 I was, yes, still being numb fool. When I was still young. 12 00:02:08,199 --> 00:02:14,280 All I cared out proud was girls. But they didn't like my membles. 13 00:02:14,759 --> 00:02:21,680 I used to be such a stool before day as nin crying on the 14 00:02:21,840 --> 00:02:28,319 floor. They used to wear a fans read me of my milk money taking. 15 00:02:28,479 --> 00:02:36,520 When I was growing up, I remember the vad Times and picked them 16 00:02:36,639 --> 00:02:45,560 alarm. It feels like someone is shoving the same low of my hog. 17 00:02:46,439 --> 00:02:53,159 I ride down your nest side, go with no sin down the bomby all 18 00:02:53,240 --> 00:03:00,159 the lime, I ride down your mass side. Go when no see Dona 19 00:03:00,319 --> 00:03:23,719 Moby live. You know when I was a boy and my father used to 20 00:03:23,800 --> 00:03:28,919 look down at me insane? What god hell is even? Then? Go 21 00:03:29,080 --> 00:03:32,240 outside and cut some grass. Why don't you go kids a girl? You 22 00:03:32,439 --> 00:04:15,920 stupid loser. Rhys I call way no sne down Bobie Road A line I 23 00:04:16,639 --> 00:04:49,199 rhyns I go way no scene down Bobby Road. Life. You are listening 24 00:04:49,240 --> 00:04:59,000 to w M n H ninety five The Commander, don't get Supreme Leader. 25 00:05:00,240 --> 00:05:36,399 Soving good morning, everybody. Welcome. Is Matt Connorton unleashed. Sorry for 26 00:05:36,560 --> 00:05:41,600 the little bit of an audio mishap. We played a little Jerry and the 27 00:05:41,600 --> 00:05:44,680 Scumbags, and then we were going to go right into the world radio premiere 28 00:05:45,120 --> 00:05:47,439 of this great Boston band who was with us recently, already dead. They've 29 00:05:47,439 --> 00:05:51,560 got a brand new song called the Spirit of Massachusetts Avenue and I went to 30 00:05:51,600 --> 00:05:56,240 play it and it wouldn't play, and I'm not sure why. So I 31 00:05:56,399 --> 00:06:00,120 re downloaded the file and we're going to try this again, and then we 32 00:06:00,240 --> 00:06:02,519 will we'll get back into the show. We'll introduce Jenny and our first guests 33 00:06:02,560 --> 00:06:08,279 and all that. But here it is hopefully the world radio premiere of the 34 00:06:08,439 --> 00:06:55,199 Spirit of Massachusetts Avenue from the band already Dead. Check this out the make 35 00:06:55,279 --> 00:07:00,360 time by a quote, didn't I get a fixed but getting up extra? 36 00:07:00,560 --> 00:07:02,879 Fix it to die? You really don't mind because you set your night on 37 00:07:02,959 --> 00:07:08,959 the rise of them the mind that rock and a jest book that die got 38 00:07:09,079 --> 00:07:13,160 the idea better than he went to one of your rod I work up better 39 00:07:13,279 --> 00:07:19,600 of yourwds LL get Papa, get the way. Can't you by your boots 40 00:07:19,639 --> 00:07:29,199 off that tell me allwd or the gate problem? Get away? What I 41 00:07:29,399 --> 00:08:01,360 don't want up crop my Charles Cambridge side great minds say five last their day 42 00:08:01,439 --> 00:08:05,480 through still bed stay world go bar You been like that in the week, 43 00:08:05,560 --> 00:08:09,639 Ben, cause I see that my state h tol no wit sys you. 44 00:08:09,839 --> 00:08:13,439 But I question how you can tell break what in the other? Tell me 45 00:08:16,759 --> 00:08:26,360 gig prama theether way? Can't you lie your bost tell me all way keep 46 00:08:26,480 --> 00:09:07,039 propa gether way? What I don't want? You're listening to W M and 47 00:09:07,200 --> 00:09:50,840 H the command God don't get supreme Leada Maxwell coming, good morning, everybody, 48 00:09:50,879 --> 00:09:54,480 Here we go. It is that time again Matt Connorton Unleashed and we 49 00:09:54,559 --> 00:09:58,000 are live from the studios of w M n H ninety five point three f 50 00:09:58,200 --> 00:10:03,639 M and glor Borious, downtown Manchester, New Hampshire, actually on Canal Street, 51 00:10:03,720 --> 00:10:07,639 of course. It is Saturday, June eight, two thy twenty four 52 00:10:07,840 --> 00:10:20,759 and I am not alone. Jenny. Good morning, Sunshine. Jenny is 53 00:10:20,799 --> 00:10:26,360 here at the news desk. Yes, yes, we have a very busy 54 00:10:26,399 --> 00:10:30,320 show for you today, but just briefly, we'll talk about what we just 55 00:10:30,519 --> 00:10:33,720 played. That was the world radio premiere of the band Already Dead, their 56 00:10:33,879 --> 00:10:39,519 new single called the Spirit of Massachusetts Avenue. These guys were on with us 57 00:10:39,759 --> 00:10:41,519 a month or two ago, a little a little while ago. I love 58 00:10:41,639 --> 00:10:45,000 that song. Really great band. Yeah, they were, they were up 59 00:10:45,000 --> 00:10:48,240 here, they were playing I believe they were playing that night at Terminus in 60 00:10:48,320 --> 00:10:50,240 Nashua. I think that's right. Yeah, they were at Terminus. Yeah, 61 00:10:50,320 --> 00:10:54,320 we're a great new location to go puck out music Terminus in Nashua. 62 00:10:54,440 --> 00:11:00,120 The what Sorry, we really like these guys a lot. I just I'll 63 00:11:00,120 --> 00:11:03,639 tell you a little bit about the track before we move on with our show. 64 00:11:05,240 --> 00:11:11,159 The controversial This is from the I'm sorry Confrontational rather track the Boston punk 65 00:11:11,240 --> 00:11:18,120 band canvassing the different sides of life that exist along the notable and winding sixteen 66 00:11:18,159 --> 00:11:24,799 mile stretch of Bay State Midway, connecting the posh suburbs and tight tidy colleges 67 00:11:24,279 --> 00:11:30,399 with the grittier side of life from the city, especially the infamous mass and 68 00:11:30,600 --> 00:11:35,399 Cast area of rehab centers and homeless encampments. Every town in America has a 69 00:11:35,440 --> 00:11:41,240 Massachusetts Avenue. The Spirit of mass av for short, is the lethal lead 70 00:11:41,360 --> 00:11:46,399 single to Already Dead's new album, Something Like a War, set for release 71 00:11:46,519 --> 00:11:50,919 in July. So that's the single, and we'll have those guys back. 72 00:11:50,919 --> 00:11:54,399 I'm sure. I really loved having them mine. They actually while two of 73 00:11:54,440 --> 00:11:56,480 them came in and they played live for us in studio. They did some 74 00:11:56,639 --> 00:12:00,919 songs acoustic. It was really really good. The first time they've done it 75 00:12:01,000 --> 00:12:03,440 that way too correct. Yeah, I believe they said that they had not 76 00:12:03,559 --> 00:12:07,159 done that before, so so that was great. So we might play that 77 00:12:07,279 --> 00:12:09,480 later in the show. We also have a request in the chat room for 78 00:12:09,519 --> 00:12:13,399 a Joey Painter song, so if we get to it. We do have 79 00:12:13,440 --> 00:12:15,200 a busy show, but if we can fit it in, we will. 80 00:12:15,679 --> 00:12:18,840 Joey Painter was here with us. Uh was that last week? Yeah? 81 00:12:18,879 --> 00:12:20,440 That was last week. That was really good. Yeah, Joey Painter and 82 00:12:20,559 --> 00:12:24,320 John Tommy Ghost, we're here with us live in studio and they did a 83 00:12:24,360 --> 00:12:28,600 couple of songs acoustic, really really good. We have a ghost in the 84 00:12:28,679 --> 00:12:33,840 studio. Yes, So today we've got Moonfallen, who's going to be calling 85 00:12:33,919 --> 00:12:37,480 in or skyping in shortly. Then in the second hour we have More in 86 00:12:37,519 --> 00:12:41,600 the Light, followed by the great Dylan Reynolds. And in the third hour 87 00:12:41,679 --> 00:12:45,679 we have almost honest who I believe we're playing tonight at Terminus in Nashua, 88 00:12:45,879 --> 00:12:48,720 so they're in the area and they're going to come in and hang out with 89 00:12:48,840 --> 00:12:52,399 us. So we've got got a lot going on today on the program, 90 00:12:52,080 --> 00:12:58,879 and I should make sure I have Skype ready open and ready here for for 91 00:12:58,000 --> 00:13:03,200 what moon moonfall And of course Mike Woolsey, who's we've known for a couple 92 00:13:03,240 --> 00:13:07,000 of years. He's had some different projects, very very talented guy. He's 93 00:13:07,039 --> 00:13:09,120 a great friend of the show too. He's always bringing me great new bands 94 00:13:09,159 --> 00:13:11,679 to check out. Well, I was gonna say, yeah, the Texas 95 00:13:13,000 --> 00:13:16,080 bands that we've had on the show, those come from him. Initially, 96 00:13:16,159 --> 00:13:18,519 right, I mean a lot of them, A lot lot of the bands 97 00:13:18,600 --> 00:13:20,440 we get from Texas do come from him, and every one of them has 98 00:13:20,480 --> 00:13:24,120 been amazing. Yeah. I really have been impressed with how much talent there 99 00:13:24,240 --> 00:13:28,440 is in Texas. Yes, yes, there is a lot of talent in 100 00:13:28,600 --> 00:13:33,600 Texas. There is fun to say that, what talent in Texas? Yes, 101 00:13:33,360 --> 00:13:39,919 yes, absolutely so. So they'll be they'll be skyping in. Yeah. 102 00:13:41,159 --> 00:13:43,559 Well we've got a lot of skype planned for today. Yeah, that 103 00:13:43,679 --> 00:13:46,919 just kind of happened. It was certainly not intentional, but it's fun to 104 00:13:48,039 --> 00:13:50,360 bounce around. Yes, and then, well, one of our guests is 105 00:13:50,440 --> 00:13:56,360 calling, and we should say hello to everybody in the chat room. Justin 106 00:13:56,440 --> 00:14:00,279 Michaels joins us since says good morning. He's the one who requested the Billy 107 00:14:00,320 --> 00:14:03,159 Painter track. Actually not Billy, I mean, uh not not Billy Painter, 108 00:14:03,279 --> 00:14:05,720 Joey Painter. I did that last time too. We know too many 109 00:14:05,799 --> 00:14:13,159 painters. Haha. Yes, yes, you know what, we might actually 110 00:14:13,200 --> 00:14:16,240 play it right now. We'll play it right now. Well, because we 111 00:14:16,480 --> 00:14:24,120 know that, due to some unforeseen circumstance, More in the Light might be 112 00:14:24,279 --> 00:14:28,919 delayed a moment or two, which is completely understandable under the circumstances. So 113 00:14:28,960 --> 00:14:33,399 I'm kind of thinking maybe we'll sneak in that alien ship is supposed to be 114 00:14:33,480 --> 00:14:37,679 rushing them back. Let's sneak this in right now, go for it. 115 00:14:37,879 --> 00:14:41,360 I'm a painter, the great Joey Painter. Here we hang on. Something 116 00:14:41,399 --> 00:14:46,960 else's playing. I'll tell you what. If it's Saturday, it's uh time 117 00:14:46,039 --> 00:14:50,519 for the Gremlins to come out. Here we go, Joey Painter. I'm 118 00:14:50,559 --> 00:15:00,399 a painter. Yeah, Pte Smith Mdoor run a cuts amp be five audio 119 00:15:00,559 --> 00:15:07,799 list, go you gotta man, It's like Hoky, here be my message, 120 00:15:07,039 --> 00:15:13,039 honey. With light and Mena's being crazy, confessions, crazy depressions. 121 00:15:13,120 --> 00:15:16,759 For this got to be raised for Roses. Start racing your mar o'clock in 122 00:15:16,840 --> 00:15:20,279 the morning light with Ross declaring all out more to get out of these mental 123 00:15:20,360 --> 00:15:24,240 help ruts. Man. I felt like I was come on crazy. I'm 124 00:15:24,240 --> 00:15:26,960 saying straight up nuts, I'm working right now. You with me, we're 125 00:15:28,039 --> 00:15:31,720 focused, focus, focus, done with this and that drimnd at time where 126 00:15:31,759 --> 00:15:35,600 I'm hopeless, but I'm always continuing. You'll see me with got these cars, 127 00:15:35,600 --> 00:15:39,519 I free me in, got me sgreement with Prince. Yeah, I've 128 00:15:39,519 --> 00:15:43,519 been missing things since. But I have to keep my eyes on the price 129 00:15:43,679 --> 00:15:46,840 with my pride. You have to fly and a pride. This is my 130 00:15:46,080 --> 00:15:52,480 rep poor I was wasn't flying? I'm disappointed in myself for things for have 131 00:15:52,639 --> 00:15:56,679 you signed? For tears? Is on my leek and for the tracks I 132 00:15:56,759 --> 00:16:00,879 got a little leftus straight. I'm on my head, yell, it's not 133 00:16:00,200 --> 00:16:06,759 just a rap up. Humble pain not just so paindom, but humble trapper 134 00:16:07,679 --> 00:16:11,759 was not just a trapper. Humble pain was not just a paindom, My 135 00:16:11,919 --> 00:16:17,320 humble trapper? Am I the only one that understood that? Man Shia, 136 00:16:17,879 --> 00:16:21,840 I'm poor mind desire with this passion from the Shia, I feel my head 137 00:16:21,919 --> 00:16:26,399 is being held aya to the seven event motivation and consistency fee minutes of equal 138 00:16:26,559 --> 00:16:30,759 ten? How was this def an engine of rubles? You want to get 139 00:16:30,840 --> 00:16:34,840 out of bend? So depressed and said this is what I confessed, greatness 140 00:16:34,919 --> 00:16:38,799 will come to you? Would you true the greatness? I'm working right now. 141 00:16:40,399 --> 00:16:45,159 I'm here, no weightless rhymes, no fake this right amy, create 142 00:16:45,200 --> 00:16:49,480 this deploying everything in sight and yet some leaf and traces shot faces and places 143 00:16:51,000 --> 00:16:55,639 or mayors on a mic monovation and consistency. Second time of Saddy right, 144 00:16:55,879 --> 00:17:00,960 keep it going. How last he owed you become the SA with your routine. 145 00:17:00,360 --> 00:17:06,200 You'll see that sold. You get your mind ready to start the motions. 146 00:17:06,359 --> 00:17:11,480 Manny's well playing like mystical potions. Quiet. It's not just a trapper, 147 00:17:11,079 --> 00:17:17,480 humble pain, but not just a pain of my humble trapper was not 148 00:17:17,759 --> 00:17:22,799 just a trapper, humble pain. Was not just some pain of my humble 149 00:17:22,920 --> 00:17:40,680 Kappa with the style, I'm like yours. You know what's up that? 150 00:18:32,680 --> 00:18:36,759 That was a good request, well done justin That was Joey Painter, I'm 151 00:18:36,799 --> 00:18:38,799 a painter. If you missed it last week, Joey Painter and Tommy Ghosts 152 00:18:38,799 --> 00:18:42,319 were here with us in the third hour of last week's Matt Connorton Unleash, 153 00:18:42,599 --> 00:18:45,680 go back and check it out. It was a lot of fun, really 154 00:18:45,720 --> 00:18:48,200 really talented guys. Enjoyed having them here. And of course Jenny is here 155 00:18:48,240 --> 00:18:53,240 with me live in studio and joining us now via Skype. We have the 156 00:18:53,319 --> 00:18:57,440 members of the band Moonfallen. Hey, welcome to the show. How are 157 00:18:57,480 --> 00:19:03,640 you all. I'm glad you're I'm glad you were able to make it. 158 00:19:03,680 --> 00:19:06,359 I know there was a little bit of a mishap on your end there this 159 00:19:06,480 --> 00:19:10,319 morning. So uh so, welcome and I'm glad you were able to get 160 00:19:10,359 --> 00:19:12,519 on safely. And that's the key, you know, we did it. 161 00:19:12,640 --> 00:19:18,359 Joe, Uh, Mike Woolsey, of course you've been on the show with 162 00:19:18,480 --> 00:19:21,400 us before. I will let you do the honors. Why don't you go 163 00:19:21,440 --> 00:19:27,359 ahead and introduce your bandmates to us? Yeah, so we're moving and it's 164 00:19:27,480 --> 00:19:33,400 myself and Sean and Kelly, and then we have a couple of other people 165 00:19:33,440 --> 00:19:37,480 that are potentially going to be here. Jason is our drummer, and we're 166 00:19:37,480 --> 00:19:40,559 trying to find to remember, we're not sure who are going to be the 167 00:19:40,640 --> 00:19:44,680 show. Okay, okay, So Kelly, welcome. You're the vocalist obviously, 168 00:19:45,759 --> 00:19:48,200 Hello, love your voice. I love that track. We're gonna play 169 00:19:48,240 --> 00:19:52,160 it in a little bit. And Sean, what do you do in the 170 00:19:52,240 --> 00:19:59,319 band? I played bass originally and I've switched to guitar, but on the 171 00:19:59,480 --> 00:20:03,000 on the record, I'm playing bass. Oh okay, okay, very good. 172 00:20:03,240 --> 00:20:07,519 So this is a relatively new project, right, how long has Moonfallen 173 00:20:07,599 --> 00:20:11,759 existed? Since about October of last year? Oh so this is very new, 174 00:20:12,160 --> 00:20:15,119 very new. Yeah, yeah, but there's been a lot of changes 175 00:20:15,200 --> 00:20:21,079 since then, a lot of evolutions, like Kelly wasn't even the original vocalist 176 00:20:21,160 --> 00:20:26,319 for the project. Oh really need tell that of Mike. So the after 177 00:20:26,519 --> 00:20:30,920 Trinity Vane broke up. You already know who they are, yes, So 178 00:20:33,880 --> 00:20:34,920 I kind of like went on my own, kind of just started doing my 179 00:20:34,960 --> 00:20:38,799 own thing solo. And from there I just started kind of like doing things 180 00:20:38,920 --> 00:20:41,759 just for myself. Didn't really want to do anything with a band. And 181 00:20:41,799 --> 00:20:45,839 then my friend from the Unifi came Doom and called me and said, hey, 182 00:20:47,279 --> 00:20:48,920 let's put this together and do like an internet type band. I'm like, 183 00:20:49,000 --> 00:20:52,759 okay, let's try it out. So I started out with Sam and 184 00:20:52,920 --> 00:20:56,599 myself, and then I brought in Tyler, who's no longer with us, 185 00:20:56,640 --> 00:20:59,680 and then I brought Sean in. Then Sean brought Kelly in, and here 186 00:20:59,720 --> 00:21:03,279 we are. You said, he's no longer with us again, like he 187 00:21:03,480 --> 00:21:07,279 died, he's still you got to phrase it. Yeah, I was gonna. 188 00:21:07,400 --> 00:21:14,119 I was gonna say, I'm sorry for your loss. He lived in 189 00:21:14,160 --> 00:21:18,160 Minnesota, and after we did the video, we kind of because these guys 190 00:21:18,240 --> 00:21:22,400 lived like eight minutes apart, so he lived in and so we wanted to 191 00:21:22,440 --> 00:21:25,200 take it live and we had to you know, it was it was hard. 192 00:21:25,240 --> 00:21:26,319 It was kind of like, we want to play this live and you 193 00:21:26,359 --> 00:21:32,799 don't live here. Sorry. We love Tyler. He was an amazing that 194 00:21:32,960 --> 00:21:36,680 producer. There's no hard feelings. He just lives in a different state and 195 00:21:36,839 --> 00:21:41,279 we want to go live now. Uh but what about from his perspective? 196 00:21:41,359 --> 00:21:45,440 Is he better? Is he better? I'm kidding. I'm sure he's not. 197 00:21:45,519 --> 00:21:48,440 I'm sure he understood. I'm just just kidding. Well, I don't 198 00:21:48,480 --> 00:21:53,359 know. Is he better? Tell us he understands. I mean, it 199 00:21:53,480 --> 00:21:56,319 was hard. It was very hard for him to We're not going to talk 200 00:21:56,319 --> 00:22:00,519 about him. No, we love him. We love him. Yeah, 201 00:22:00,359 --> 00:22:04,880 you know, but it's really hard to do anything, you know when That's 202 00:22:04,960 --> 00:22:08,039 kind of why Samantha is not hearing you beat all the way in the UK. 203 00:22:08,200 --> 00:22:11,119 It's like impossible to have a band, you know what I mean. 204 00:22:14,720 --> 00:22:17,839 Yeah, I mean it's it's We're blessed to live in a time where, 205 00:22:17,839 --> 00:22:21,400 of course, the technology that we have allows you to make music with really 206 00:22:21,440 --> 00:22:25,119 anybody in the world, but to actually play live shows together with everybody in 207 00:22:25,160 --> 00:22:30,319 the world, that's a little more complicated. Oh yeah, you know, 208 00:22:30,440 --> 00:22:36,160 we had to collaborate through a dropbox with everybody. You know, we would 209 00:22:36,319 --> 00:22:41,279 separately do our tracks and then dump them in the drop box. And this 210 00:22:41,440 --> 00:22:48,160 one track took eight months, no kidding. Yeah, well that actually that 211 00:22:48,200 --> 00:22:52,640 doesn't surprise me in a sense because it's pretty sophisticated and obviously, you know, 212 00:22:52,680 --> 00:22:55,440 you really want to make sure you get it right. We're going to 213 00:22:55,480 --> 00:22:59,079 play the whole thing in a in a minute, but I'm particularly taken with 214 00:22:59,200 --> 00:23:03,119 the intro here. Let's let's listen just to the intro, uh, to 215 00:23:03,279 --> 00:23:06,400 the to the song and we can because this really kind of sets up the 216 00:23:06,440 --> 00:23:08,039 whole the whole thing, and and we can we can talk about this and 217 00:23:08,119 --> 00:23:11,079 then you know, at the end of the segment, we'll play the entire 218 00:23:11,160 --> 00:23:33,920 thing. But this is just the uh, the intro ill leslie. I'm 219 00:23:33,960 --> 00:23:41,960 forever searching for a sudden piece in my mind. Can it be that it 220 00:23:42,000 --> 00:23:51,960 will never come to pass? Senseless? Yes? Not divine? As the 221 00:23:52,000 --> 00:23:53,759 wind blows, I have to admit it's not exactly what I expected. Well, 222 00:23:53,759 --> 00:24:00,240 well, let's hear a little more frozen in time, a nice age 223 00:24:00,359 --> 00:24:07,079 that's never ending, while skulls of those pretending trapped in their own delusion, 224 00:24:07,720 --> 00:24:18,000 but it's all an illusion being. Is my prison being? Is my prison 225 00:24:21,200 --> 00:24:30,519 being? Is my prison being? Is fine? Here? I'm sorry. 226 00:24:30,559 --> 00:24:34,160 What's up? Oh the guy that did that that that's doing the voiceover for 227 00:24:34,240 --> 00:24:37,599 that part. His name's Lou and he's hilarious. That's actually the Nights of 228 00:24:37,759 --> 00:24:44,920 Me from Monty Python. Oh well in the studio, Oh we have we 229 00:24:45,000 --> 00:24:48,240 have a call. Actually, Hi, welcome to Matt Connorton Unleashed. Who's 230 00:24:48,279 --> 00:24:55,279 this Michael, Yes, Michael, yes, yeah, yeah, yes, 231 00:24:55,519 --> 00:24:59,319 yes, I was just listening to that. I can't help but feel a 232 00:24:59,440 --> 00:25:02,519 little, for lack of a better time. I know, I'm trying to 233 00:25:02,559 --> 00:25:04,759 be radio friendly here, but a little missed. It seems a little stereotypical 234 00:25:04,839 --> 00:25:10,599 of us from the UK. I just can't believe that they would have anything 235 00:25:10,680 --> 00:25:12,279 like that. It just feels like everybody thinks we're like over here, like 236 00:25:12,440 --> 00:25:17,160 everything's just lumberjacks and you know, dead parrots and stuff, and it just 237 00:25:17,279 --> 00:25:19,279 I don't know it just so you feel a little offensive to me. So 238 00:25:19,559 --> 00:25:22,839 so, Michael, I want to be I want to be sensitive to your 239 00:25:22,839 --> 00:25:29,480 concerns. So you feel you feel that the banned Moonfallen has unfairly stereotyped folks 240 00:25:29,759 --> 00:25:33,880 from your part of the world. Yeah, yes, I mean it's it's 241 00:25:33,079 --> 00:25:37,599 everybody just looks at us, like the UK, like somehow we're just you 242 00:25:37,680 --> 00:25:41,279 know, it's like all tea and crumpets and fish and chips and everything else, 243 00:25:41,440 --> 00:25:44,519 like we're just not an actual country, like we're just cartoon characters or 244 00:25:44,559 --> 00:25:47,640 something, right right, Uh, well, the members of moonfall and are 245 00:25:47,680 --> 00:25:48,920 here with us, obvious sky. But do you have a response to that? 246 00:25:52,640 --> 00:25:56,480 No comments, sir, and our lawyer will be in contact to you. 247 00:25:56,839 --> 00:26:02,559 Yeah. That's oh my goodness, that's that's funny. That is slander 248 00:26:03,359 --> 00:26:07,279 and we will. Well, well, Michael, I I'm sorry, but 249 00:26:07,599 --> 00:26:11,240 I'm sorry that your feelings are hurt by this. But it sounds like Moonfallen 250 00:26:11,400 --> 00:26:18,880 is about to retaliate with the the full breath of their legal arsenal if you 251 00:26:18,960 --> 00:26:22,200 will. Yep. Exactly where are they from that they think that they have 252 00:26:22,359 --> 00:26:26,880 this kind of like authority that they can just sit there at any time anybody 253 00:26:26,920 --> 00:26:29,519 says anything to them, they get so offended. Well, they're you know, 254 00:26:29,559 --> 00:26:33,720 they're from Texas. They'd be okay if if I put out a track 255 00:26:33,759 --> 00:26:37,759 that it was just like yeehaw, how do how do you partner? Let 256 00:26:37,839 --> 00:26:41,319 me take my horses in. They'd be okay with that country, right? 257 00:26:42,480 --> 00:26:48,599 Would would you all be okay with that? Yes, I'll see. That's 258 00:26:48,640 --> 00:26:51,839 actually our next single. We're going full Beyonce with the next one. I 259 00:26:51,880 --> 00:26:55,759 think you're trolling them. I think you're trolling our new British friend. I 260 00:26:55,880 --> 00:27:00,400 love I love Britain. I've been there many times. No worries. Hmmm, 261 00:27:02,079 --> 00:27:07,839 that's not the real track either. Oh it's not. No, Oh, 262 00:27:07,960 --> 00:27:10,680 and that's in that case. Never mind, I just forget about what 263 00:27:10,759 --> 00:27:15,480 everything I said. Then, Oh, good good. Empire isn't even British. 264 00:27:15,799 --> 00:27:18,839 He's from eighteen eighty four, and that is a trans continental accent. 265 00:27:21,319 --> 00:27:25,799 Oh, this is all getting very complicated. Yeah, I don't. I 266 00:27:25,799 --> 00:27:27,920 don't understand any of this stuff. And I don't know. I'm from Dallas, 267 00:27:27,920 --> 00:27:30,640 so I don't. I don't get any of this. Your voice is 268 00:27:30,720 --> 00:27:37,240 very familiar, sir. I feel like we may have spoken recently. Yeah, 269 00:27:37,240 --> 00:27:40,359 I kind of feel like we've talked somewhere, like maybe last week or 270 00:27:40,400 --> 00:27:49,240 something. Maybe. Hmmmm, is this Lou? This is this? Hey, 271 00:27:49,319 --> 00:27:52,680 Kelly, this is Lou. This is Mike's fault. You put me 272 00:27:52,759 --> 00:27:56,400 up to this, I called it before what's up? I said this blue 273 00:28:00,519 --> 00:28:04,799 Wait, I'm your honor. See I told them that you're hilarious. Yes, 274 00:28:06,440 --> 00:28:10,559 so yeah, So Louis, is that your voice on the actual song, 275 00:28:10,640 --> 00:28:15,160 which we will play shortly, both of them. Actually, I kind 276 00:28:15,160 --> 00:28:18,960 of sent that one as a goof the one you just played, because Mike, 277 00:28:18,079 --> 00:28:21,559 whenever they told me, they said, if you can do me a 278 00:28:21,640 --> 00:28:26,279 favor, give me kind of a British type accent at the beginning, and 279 00:28:26,240 --> 00:28:29,759 I just thought it would just be hilarious just to send them that and just 280 00:28:29,839 --> 00:28:32,000 be completely serious about it, going, oh, here, this is what 281 00:28:32,119 --> 00:28:33,680 you wanted. Rite. Yeah. So the first one I ever sent him 282 00:28:33,799 --> 00:28:38,799 was that one. Yeah, it's got a very Monty python vibe. Oh 283 00:28:38,920 --> 00:28:42,319 no, totally. I went for Spanish inquisition on that, like Michael Pale 284 00:28:42,319 --> 00:28:45,400 in the whole way. There you go, there you go. No, 285 00:28:45,559 --> 00:28:48,240 that's a good choice. That's a good choice. Yeah, but on the 286 00:28:48,319 --> 00:28:52,680 actual song, that is you in the beginning as well. Correct, correct, 287 00:28:52,720 --> 00:28:56,519 I'm on the actual song and they I did a segment at the beginning 288 00:28:56,559 --> 00:29:00,160 of the music video too that was filmed for it to so I mimic am. 289 00:29:00,160 --> 00:29:03,519 I lined there. Oh that's right. Yeah, I watched it. 290 00:29:03,359 --> 00:29:06,839 I watched the video the other night and I said, oh, yeah, 291 00:29:06,880 --> 00:29:11,200 that that is Lou. Yep, so very good, very good. Uh? 292 00:29:11,359 --> 00:29:15,559 Are you so? Are are all of you going to be working together 293 00:29:15,599 --> 00:29:18,400 in the future, Like, are you going to continue to collaborate? Is 294 00:29:18,680 --> 00:29:22,640 Moonfallen going to continue to collaborate with Lou and with other artists from other bands 295 00:29:22,839 --> 00:29:29,839 or what's the future trajectory there? Yeah, and hopefully play live with them 296 00:29:29,920 --> 00:29:33,279 too. Ah, there you go of the first time we played the song 297 00:29:33,400 --> 00:29:37,079 live, to pull out the desk and have Lou dude where it's Lacy cravats 298 00:29:37,160 --> 00:29:41,240 and then do the intro live. I think it'd be fun. Oh, 299 00:29:41,319 --> 00:29:45,240 that would be fantastic. Yes. And if you don't know, if you 300 00:29:45,279 --> 00:29:48,359 don't know what we're talking about, you've got to check out the video the 301 00:29:48,440 --> 00:29:52,079 video for My Prison by Moonfall and it's it's really really cool. Uh, 302 00:29:52,839 --> 00:29:56,119 Lou, We can let you go unless you want to hang out on the 303 00:29:56,200 --> 00:29:57,880 line. You're You're welcome to if you want to be a part of the 304 00:29:59,079 --> 00:30:03,599 ongoing discussion. I'll let them do their thing. This is this is their 305 00:30:03,680 --> 00:30:06,359 interview. So I'm gonna hang out too. Listen in on the stream. 306 00:30:06,720 --> 00:30:07,839 I'll chime in on the chat if I need to. All Right, it 307 00:30:07,880 --> 00:30:12,319 sounds good, all right, Lou, thank you so much. All right, 308 00:30:12,319 --> 00:30:15,400 by bye. By the way, Lou was with us last week. 309 00:30:15,680 --> 00:30:19,279 He's in a couple of great bands, Coiled Back and Love Sick Drug, 310 00:30:19,400 --> 00:30:22,759 and so we actually got to got to talk to Lou about both of those 311 00:30:22,839 --> 00:30:29,720 bands for a couple of segments last week. Really really great stuff. So 312 00:30:29,880 --> 00:30:33,400 what's what is the future trajectory for Moonfall? And obviously you have this song 313 00:30:33,440 --> 00:30:34,759 and you've put a lot into it and the video is really cool and everything. 314 00:30:36,279 --> 00:30:38,720 Do you have more music that you're actually recording now? Do you have 315 00:30:38,839 --> 00:30:41,640 the next do you have another single that's going to be coming up, or 316 00:30:41,680 --> 00:30:47,759 what's the plan working on it? We're working on it. It's a slow 317 00:30:47,839 --> 00:30:51,200 process at the moment, but I think once we get everybody lined up it 318 00:30:51,240 --> 00:30:55,640 will be a lot faster. Yeah, we have like a couple different tracks 319 00:30:55,640 --> 00:30:57,839 we're working on right now, Like at least the beginning parts of it kind 320 00:30:57,880 --> 00:31:03,079 of outline and so we aren't working. Yeah, it's kind of hard. 321 00:31:03,319 --> 00:31:07,480 We did that. That track is so huge and theatrical that now we're kind 322 00:31:07,519 --> 00:31:11,759 of like, where do we go from here? Like do we keep writing 323 00:31:11,960 --> 00:31:15,720 kind of thematic stuff or do you know what I mean? Like, so 324 00:31:15,839 --> 00:31:18,559 we're trying to figure out how do we follow that? Really, I think 325 00:31:18,680 --> 00:31:25,160 is the hard part. Was that the intention with this from the beginning that 326 00:31:25,240 --> 00:31:29,519 you wanted it to be very big and theatrical, because obviously that takes a 327 00:31:29,559 --> 00:31:32,480 lot more time. You know, it's a lot you know, it takes 328 00:31:32,519 --> 00:31:34,599 a lot more to do that than to say, you know, bang out 329 00:31:34,680 --> 00:31:38,880 some some punk songs or something. Was was that the plan from the beginning 330 00:31:40,000 --> 00:31:42,599 or or did it kind of just become this, this, this monster because 331 00:31:42,599 --> 00:31:47,240 obviously it's a lot of work. Well, it was really just the one 332 00:31:47,400 --> 00:31:49,079 the one track. It was just going to be what, you know, 333 00:31:49,200 --> 00:31:52,079 as cool as it is, and we didn't when we were doing it, 334 00:31:52,160 --> 00:31:55,680 we didn't think we were going to do this live or continue doing it. 335 00:31:55,759 --> 00:31:59,359 It was just kind of going to be a thing. And now, yeah, 336 00:31:59,480 --> 00:32:06,240 because where to go from it? Yeah? Yeah, yeah, because 337 00:32:06,279 --> 00:32:12,240 when you do play out, obviously there's gonna be a lot a lot to 338 00:32:12,319 --> 00:32:15,079 figure out in terms of presenting this live. I mean, what have you 339 00:32:15,319 --> 00:32:19,559 have you thought that far? Or are you just kind of focused on the 340 00:32:19,640 --> 00:32:23,240 studio work at this point. We have a couple of different things in mind, 341 00:32:23,359 --> 00:32:28,279 Like we're looking at actually getting maybe a keyboardist, if not a keyboardist, 342 00:32:28,359 --> 00:32:31,680 maybe somebody who's like a DJ type situation where they you know, are 343 00:32:31,720 --> 00:32:36,599 able to be button pushers or whatever that kind of type thing. But what 344 00:32:36,799 --> 00:32:42,480 are sixteen piece orchestra behind us? Right? Yeah? Well, I mean 345 00:32:42,519 --> 00:32:45,200 again though, with technology, there's a lot that you can do now, 346 00:32:45,640 --> 00:32:47,279 not only in terms of recording, but that you can do live too, 347 00:32:47,559 --> 00:32:51,880 and and you know, and different people have different ideas about that, you 348 00:32:51,960 --> 00:32:53,480 know, how much of that they think is okay or how much of that 349 00:32:53,599 --> 00:32:57,920 they don't like because they think that it's not really live. But I mean, 350 00:32:57,960 --> 00:33:00,400 personally, I'm of the point of view that anything goes. I mean, 351 00:33:00,440 --> 00:33:02,119 it's it's you're you're there performing. You know, even if you have 352 00:33:02,240 --> 00:33:06,880 to push a button on something to trigger a sound, you know, you're 353 00:33:06,920 --> 00:33:09,960 still there doing that. You're still making that happen. So but I think 354 00:33:10,000 --> 00:33:13,480 what we should do is, uh, since we've been talking about it, 355 00:33:13,559 --> 00:33:15,039 let's go ahead and play the track and then we'll, uh, we'll come 356 00:33:15,119 --> 00:33:17,319 back and we'll uh we'll talk a little bit more about it. How does 357 00:33:17,359 --> 00:33:22,039 that sound great? Good? All right, let's give this a listen everybody. 358 00:33:22,079 --> 00:33:25,920 So this is the real actual song with the real actual intro. But 359 00:33:27,119 --> 00:33:30,160 this is really good. Just uh just listen. Uh. Put on if 360 00:33:30,200 --> 00:33:31,839 you can, if you're not in the car, if you're listening at home, 361 00:33:31,880 --> 00:33:35,480 put on some headphones if you can. You want to really experience this 362 00:33:35,599 --> 00:33:37,799 because it is very It's got a nice big sound to it. This is 363 00:33:37,880 --> 00:34:04,839 called My Prison, and the band is moonfallen endlessly. I'm forever searching for 364 00:34:06,400 --> 00:34:14,159 a certain peace in my mind? Can it be that it will never come 365 00:34:14,320 --> 00:34:24,400 to pass? Sinceless yet defined? As the wind blows, my existence seems 366 00:34:24,559 --> 00:34:34,320 like it's first any time a nice see sis deferentity, what's cross those fertility 367 00:34:34,960 --> 00:34:45,719 jack in the old delusion? But it's being is my prison? Bee is 368 00:34:45,840 --> 00:35:00,280 my present being? Is my prisons? Being is a prison. That's what 369 00:35:00,559 --> 00:35:45,519 prisons, That's what results thousands, That's not prisons, that's what personal and 370 00:35:45,599 --> 00:36:24,000 the cat and I hate to do listens the worst comes the other sons don't 371 00:36:25,480 --> 00:38:28,519 don't so uselves to small can and say I do said I stop come justice. 372 00:38:34,679 --> 00:39:44,559 It's just as for side is called the side say side you sad sus 373 00:39:45,079 --> 00:40:30,719 s s Scots side that is epic. Huh that is my prison. And 374 00:40:30,880 --> 00:40:35,519 the band is moon Fallen and we have moon Fallen with us via Skype. 375 00:40:36,360 --> 00:40:37,840 That was awesome. Yeah, I love it. Yeah. Yeah, the 376 00:40:37,920 --> 00:40:40,639 video is really cool too. I encourage people to check out the video. 377 00:40:40,800 --> 00:40:45,280 So so so great job. And we have a moon Fallen here with us. 378 00:40:45,400 --> 00:40:50,159 And by the way, where does the name Moonfallen come from? Does 379 00:40:50,199 --> 00:40:57,679 it have any significance? No significance. When we started this whole thing with 380 00:40:57,960 --> 00:41:01,159 Sam and I, she had for a whole list of different things, and 381 00:41:01,239 --> 00:41:06,559 Tyler had for his whole list about right, and then we kind of like 382 00:41:06,639 --> 00:41:08,840 picked out a name. Yeah, it was just kind of a I don't 383 00:41:08,840 --> 00:41:12,400 know. For about a week it was just names getting thrown out on the 384 00:41:13,199 --> 00:41:16,880 messenger and then yeah, somebody said moonfall and it was just like I think 385 00:41:16,920 --> 00:41:20,960 that, you know, it worked out, and it works out because there's 386 00:41:20,960 --> 00:41:25,800 a movie called that too, so oh okay, that moonful Yeah, but 387 00:41:25,920 --> 00:41:31,440 it's it's apparently a really bad movie or there's a lot of yeah reviews. 388 00:41:31,599 --> 00:41:36,960 Maybe no, I like that movie. It had Sam from it. But 389 00:41:37,920 --> 00:41:44,800 we search for that movie It'll find us instead. So what now are you 390 00:41:45,280 --> 00:41:49,400 obviously you've got your mind on on the next track. Have you already started 391 00:41:49,480 --> 00:41:52,159 working on the next song that you're going to be doing that you're recording. 392 00:41:52,039 --> 00:41:57,760 Yeah, Kelly handled a lot of that beginning parts and she said here go 393 00:41:58,599 --> 00:42:01,039 yeah kind of things. So yeah, talking there, I want two. 394 00:42:04,039 --> 00:42:07,360 Well, I think the reason why they brought me in because this is a 395 00:42:07,719 --> 00:42:17,639 symphonic metal band and I am not metal in the slightest really. I mean, 396 00:42:17,679 --> 00:42:22,000 I guess like in the nineties, I listened to Pantera, White Zombie 397 00:42:22,159 --> 00:42:28,039 Corn, all of that good stuff. But I like, you know, 398 00:42:28,199 --> 00:42:31,119 the obviously as you heard, I'm I don't do the scream. I don't 399 00:42:31,159 --> 00:42:38,480 do the the metal screech. I like harmonies and lots of vocals. And 400 00:42:40,079 --> 00:42:45,519 I guess that's why Sean. Well, Kelly and I have worked together a 401 00:42:45,639 --> 00:42:49,920 lot, and Kelly has like five or six albums you can find online, 402 00:42:50,199 --> 00:42:55,800 don't find them material, and I've her and I did an album and then 403 00:42:55,840 --> 00:42:59,800 I've collaborated with her on other songs. There's actually a couple of videos out 404 00:42:59,800 --> 00:43:02,199 there. But that's kind of why, because I wanted her in because Kelly 405 00:43:04,239 --> 00:43:07,360 is almost creative people. The most creative person I've ever met. Like she 406 00:43:07,440 --> 00:43:10,920 gets an idea and you just cannot stop her. She will stay up for 407 00:43:10,920 --> 00:43:13,920 a week and then be like, look what I made, and you're like 408 00:43:14,079 --> 00:43:20,119 you did that? Like she inspired and just runs with it, and then 409 00:43:20,159 --> 00:43:25,519 that inspires everybody around her, and it's just a great artistic environment. Thank 410 00:43:25,559 --> 00:43:32,639 you. But yeah, I didn't. I wasn't planning on changing my sound 411 00:43:32,760 --> 00:43:39,280 when I came in. I wanted to bring that sound into their metal right, 412 00:43:40,000 --> 00:43:46,639 kind of meld the two worlds together and in the because the song was 413 00:43:46,679 --> 00:43:55,320 already started when I came in. So I'm hoping and planning on for future 414 00:43:55,440 --> 00:44:01,719 music. I'm just going to keep, you know, writing my style and 415 00:44:01,840 --> 00:44:06,039 then hand it off to them, or they write their style and hand it 416 00:44:06,079 --> 00:44:09,599 off to me, and we just keep making the two worlds collide and make 417 00:44:09,679 --> 00:44:21,480 something beautiful. And that I was gonna say, bad bad a h. 418 00:44:21,800 --> 00:44:24,079 When you came into the project and you heard what these guys were working on, 419 00:44:25,480 --> 00:44:29,760 did did you feel right away that you would that this would work for 420 00:44:29,840 --> 00:44:32,360 you Kelly vocally? Did you or did you have to kind of work with 421 00:44:32,440 --> 00:44:36,280 it a little bit and and see and try to figure out what your uh, 422 00:44:36,360 --> 00:44:39,000 what your approach was going to be. I knew, I knew right 423 00:44:39,039 --> 00:44:44,599 away that I wanted yeah, because when they presented it to me, it 424 00:44:44,760 --> 00:44:50,320 was just that beginning, not the very beginning part that's actually all me and 425 00:44:50,639 --> 00:44:55,760 Lou, right when the guitars come in before it gets really hard. That 426 00:44:55,960 --> 00:45:00,000 was the only part of the song that was presented to me that was written. 427 00:45:00,599 --> 00:45:02,440 Okay, as soon as I heard it, I was like, I 428 00:45:02,519 --> 00:45:08,159 can work with this. I hope you'll have a lot of harmonies. I'm 429 00:45:08,159 --> 00:45:15,880 gonna put about sixteen tracks of just my vocals and let y'all do the rest. 430 00:45:15,519 --> 00:45:22,199 Yeah. Yeah, Uh, it's out of her wheelhouse, just like 431 00:45:22,239 --> 00:45:24,800 when I play with her, it's out of my wheelhouse. So it's you 432 00:45:24,880 --> 00:45:31,039 know, it's fun that way. Well, so you're not bored. Yeah, 433 00:45:31,199 --> 00:45:35,079 well there you go. Yeah, No, and it it came out 434 00:45:35,480 --> 00:45:37,159 great. By the way. You're getting some love in the Facebook live chat 435 00:45:37,480 --> 00:45:45,360 justin Michaels says, great track. Uh, Stephanie Hasting's throwing the horns in 436 00:45:45,400 --> 00:45:50,559 there, she approves. Uh. Lou Morris of course, who just joined 437 00:45:50,599 --> 00:45:54,199 us a few minutes ago via phone. Also in the chat room and hello 438 00:45:54,280 --> 00:45:58,679 to our friends on Melanie and Jay fed from the great state of Vermont of 439 00:45:58,760 --> 00:46:05,000 course. Uh yeah, Kelly. By the way, so what you mentioned 440 00:46:05,039 --> 00:46:07,960 that you had other music before you you had solo music before you joined the 441 00:46:07,000 --> 00:46:13,119 band. What what style was that or is that? I don't know, 442 00:46:14,079 --> 00:46:20,119 I would tell some of it. Yeah, that's the subs genre bedroom poppy. 443 00:46:20,360 --> 00:46:29,079 Okay, Billie Eilish eyes Billy was born, you know, kind of 444 00:46:29,880 --> 00:46:32,480 is how a lot of her early stuff is. It's really good. Actually, 445 00:46:34,440 --> 00:46:37,440 not that you should be surprised by that, right right, yeah, 446 00:46:37,519 --> 00:46:38,679 but it's over the place, like the album Minded, but there is a 447 00:46:38,719 --> 00:46:42,039 lot more poppy, and she's got a lot of stuff that's a lot more 448 00:46:42,079 --> 00:46:47,920 folky, but it's it's definitely all really melodic, really layered and really personal. 449 00:46:49,400 --> 00:46:52,199 Okay, yeah, we'll have to check that out. So what what 450 00:46:52,440 --> 00:46:57,800 name is that under Kelly my name? Okay, just okay, okay, 451 00:46:59,400 --> 00:47:04,760 all right, it's by Kelly Musler dot com. Oh yeah, all rightyeah 452 00:47:05,320 --> 00:47:09,039 then too, and her albums she doesn't want to You can listen to Bubble, 453 00:47:09,159 --> 00:47:12,760 that's my latest album. I'm still cool with that one, But all 454 00:47:12,800 --> 00:47:15,679 the older stuff I can't even listen to. Anymore. Oh, no kidding, 455 00:47:17,039 --> 00:47:22,360 Yeah, very very curious to check that out. And uh, by 456 00:47:22,400 --> 00:47:24,840 the way, so the video. Who came up with the concept for the 457 00:47:25,039 --> 00:47:28,840 video? Was that a group effort? Was that all of you or did 458 00:47:28,920 --> 00:47:31,119 did somebody come up with your initial idea and then you all just kind of 459 00:47:31,159 --> 00:47:37,599 ran with it or together kind of throughout some ideas and then she was just 460 00:47:37,719 --> 00:47:40,840 like I got it, and yeah, twenty four hours later she had an 461 00:47:42,039 --> 00:47:47,559 entire treatment set and script and ordered a million rose petals off Amazon, and 462 00:47:49,760 --> 00:47:52,239 she just told she directed it, she designed it, she filmed it. 463 00:47:52,519 --> 00:47:57,480 Wow. Yeah, we were just there. We were just props. Oh 464 00:47:57,559 --> 00:48:00,800 wow, Oh very cool. And that's pretty am too. You know, 465 00:48:00,880 --> 00:48:05,519 it's your first song as a band and already doing a really cool video like 466 00:48:05,599 --> 00:48:10,199 that. That's that's what's that, That's how we do. Yeah, there 467 00:48:10,280 --> 00:48:14,000 you go, there you go. Well, you know, if it's worth 468 00:48:14,039 --> 00:48:15,920 doing, it's worth doing, right, So no, I commend you and 469 00:48:15,000 --> 00:48:21,840 I encourage everybody check out the video. It is getting late in the hour, 470 00:48:22,519 --> 00:48:27,119 the time does go quickly. But before we go, please I want 471 00:48:27,159 --> 00:48:30,360 our listeners to know what is the best way to get of course, the 472 00:48:30,719 --> 00:48:35,280 single and what should people know about Moonfall and in terms of finding you online 473 00:48:35,360 --> 00:48:42,599 so that everybody can keep up with what you're doing. Thanks Facebook, Instagram, 474 00:48:43,400 --> 00:48:47,679 We have a merchandise shop. We're streaming on all platforms, downloadables, 475 00:48:49,079 --> 00:48:54,800 videos on YouTube. Please buy our merch because bands don't make money in streaming. 476 00:48:54,960 --> 00:49:00,880 And Kelley makes all the merch. All the designs she physically painted or 477 00:49:00,000 --> 00:49:05,679 drew or some ort digital or digital. But there we didn't order them from 478 00:49:05,679 --> 00:49:07,519 any places. She designed all of our merch Oh, no kidding, Oh, 479 00:49:07,679 --> 00:49:12,679 very cool. Yeah, that's the way to do it. Absolutely absolutely 480 00:49:13,039 --> 00:49:15,639 well. Listen when when you do have another single, we'd love to have 481 00:49:15,760 --> 00:49:19,639 you back. I love the sound. It's got a nice, big sound, 482 00:49:20,159 --> 00:49:22,960 really really cool. It's fun to like I said, if you're listening 483 00:49:22,000 --> 00:49:25,239 to it for the first time, I encourage everyone listen with headphones, you 484 00:49:25,320 --> 00:49:28,440 know, because you can just kind of get lost into it. Really good 485 00:49:28,480 --> 00:49:31,199 stuff. But but thank you all three of you, of course, Mike, 486 00:49:31,360 --> 00:49:36,400 Kelly, Sean and and anybody else who's uh who maybe is listening from 487 00:49:36,440 --> 00:49:39,039 the band who didn't make it on with us today. Really appreciate you joining 488 00:49:39,119 --> 00:49:43,280 us. And uh, by the way, how is it where you are? 489 00:49:43,400 --> 00:49:45,360 Is it already getting pretty hot. It's it's June. So are you 490 00:49:45,400 --> 00:49:50,719 in triple digits yet? As far as temps like, we just had it 491 00:49:50,800 --> 00:49:54,360 years with the rain and the last Bobby Swamp three weeks now it's just hot 492 00:49:54,400 --> 00:50:00,280 and given. Oh boy, I imagine though down the everybody's got air conditioning 493 00:50:00,400 --> 00:50:07,119 right blasting twenty four until it breaks. Yeah, all right, well, 494 00:50:07,159 --> 00:50:13,320 stay safe, stay cool and moonfallen. Thank you very much for joining us 495 00:50:13,360 --> 00:50:15,960 today. Thanks for having us. You got it all right, take care, 496 00:50:16,039 --> 00:50:20,599 thank you, bubbe all right, very nice. Yeah, I really 497 00:50:20,719 --> 00:50:24,840 like their sound. A lot good good stuff coming up in the second hour 498 00:50:24,920 --> 00:50:30,119 we have More in the Light, and then we have Dylan Reynolds also going 499 00:50:30,199 --> 00:50:31,440 to be joining us a little bit later, and then in the third hour 500 00:50:31,480 --> 00:50:36,920 we have almost Honest. But I think we should play again. We did 501 00:50:36,960 --> 00:50:38,199 it at the top of the show, but I want to hear it again, 502 00:50:38,239 --> 00:50:43,079 the new Already Dead single, Great Boston band. We're doing the world 503 00:50:43,159 --> 00:50:45,719 radio premiere of their track today, and then we'll after that we'll play something 504 00:50:45,760 --> 00:50:50,639 from More in the Light as we go into the next hour, and we'll 505 00:50:50,679 --> 00:50:52,760 have those guys on the air with us too. But here it is. 506 00:50:52,519 --> 00:51:38,960 This is the spirit of Massachusetts avenue the brand new single from already dead not 507 00:51:39,159 --> 00:51:43,559 brother make tie by a hospital die when a quote said, and I get 508 00:51:43,599 --> 00:51:46,000 a fixed by the three out of your fix, you're fixed that to die. 509 00:51:46,119 --> 00:51:50,400 You really don't mincause you set your tie at the rise of you by 510 00:51:50,639 --> 00:51:54,440 the b of the rod and a CASTI bir died got the idea that a 511 00:51:54,559 --> 00:52:00,280 man he looked at one of your room and work up better yours. Yet 512 00:52:00,400 --> 00:52:07,880 Papa get the way, can't you my y'll dot stash tell me all way, 513 00:52:08,280 --> 00:52:40,800 oh little gap problem, get away what I don't want trop cross my 514 00:52:42,000 --> 00:52:47,800 Charles Cambridge side great mind pay five pass bairday through self bed stay world go 515 00:52:49,039 --> 00:52:52,639 bar you beter like that in a way bend to say that my state high 516 00:52:52,719 --> 00:52:58,039 too. But later nor winterest year. But I question how you can tell 517 00:52:58,159 --> 00:53:09,719 break one and the youther do wallomayet the way d tell me all way wall 518 00:53:14,320 --> 00:53:54,280 got the way? Go I do what In times of crisis, you need 519 00:53:54,360 --> 00:53:59,199 a law firm that stands by your side. With over forty years of experience, 520 00:53:59,280 --> 00:54:04,320 Craigan Gets is dedicated to fighting for your rights. As former state prosecutors, 521 00:54:04,519 --> 00:54:07,920 our attorneys have the knowledge and trial experience to provide an aggressive defense against 522 00:54:08,000 --> 00:54:14,280 any charge, from DUIs to homicides. If you've been injured, our compassionate 523 00:54:14,320 --> 00:54:17,519 team will assess your case and fight for the compensation you deserve. Serving all 524 00:54:17,559 --> 00:54:22,280 of New Hampshire, Craigan Getzulis is here when you need us most. Visit 525 00:54:22,360 --> 00:54:25,920 Craigatzulis dot com or call six oh three five five five one two three four 526 00:54:27,039 --> 00:54:30,920 for a free consultation. Craigan Getsulus, your advocates, your allies come on 527 00:54:31,119 --> 00:54:37,519 down to the Hop Knot at one thousand Elm Street, Manchester's premiere Kraft Beer 528 00:54:37,639 --> 00:54:39,960 and war made Pretzel Bar. Tell us more Drudich. We make our dough 529 00:54:40,119 --> 00:54:45,760 fresh every day. We make a variety of styles of pretzels and serve craft 530 00:54:45,800 --> 00:54:49,920 beer, cocktails and a few bottles of wine. We do the traditional pretzel 531 00:54:50,159 --> 00:54:52,800 and we have multiple flavors for that. We also do stuff petzels, pretzeler 532 00:54:52,840 --> 00:54:58,480 sandwiches, three dessert pretzels and pretzel knots. The Hop Knot and the Brady 533 00:54:58,559 --> 00:55:01,920 Solovan Plaza at one two thousand Elm Street. I'll bring your kitchen to life 534 00:55:02,119 --> 00:55:07,920 with Queen City Cabinetry, located at eighty seven Elm Street in the historic Sunbeam 535 00:55:08,000 --> 00:55:13,920 Wall in Manchester. Open Monday through Friday nine am to five thirty pm, 536 00:55:14,239 --> 00:55:19,199 in Saturdays ten am to two pm. They can be reached at six oh 537 00:55:19,360 --> 00:55:24,440 three two two two to zero zero seven or on the web at Queen citycabinatrey 538 00:55:25,000 --> 00:55:31,639 NH dot com. Come see the possibilities Queen Citycabinetry. Another crowd sponsor of 539 00:55:31,920 --> 00:55:37,599 WMNH. Need storage space, look no further than Morgan's self storage with many 540 00:55:37,719 --> 00:55:42,519 sized units available. Are into our units are climate control that our wood floors 541 00:55:42,519 --> 00:55:46,400 alleviate any concern about moisture. Our facility is well lit and monitored for safety. 542 00:55:46,639 --> 00:55:52,320 Privately owned by the Morgan family for over twenty five years. Mentioned WMNH 543 00:55:52,400 --> 00:55:54,760 and get one hundred dollars off upon move in on select units. We're open 544 00:55:54,800 --> 00:55:58,840 seven days a week. Call us at six oh three six two three two 545 00:55:58,920 --> 00:56:04,360 thousand or visit Morganstorage dot com. Disneys Cafe is the place to put a 546 00:56:04,480 --> 00:56:07,400 smile on your face. Judy and the crew will take care of you. 547 00:56:07,639 --> 00:56:12,719 Bring your appetite and trigue your taste buds right. Busine's Cafe is always a 548 00:56:12,800 --> 00:56:19,039 winning choice breakfast, lunch or supper Dizze's Cafe at eight sixty Elm Street in 549 00:56:19,159 --> 00:56:22,840 downtown Manchester. Dine in, take out or make a reservation call six oh 550 00:56:22,960 --> 00:56:29,079 three, six oh six two five three two, eat, drink and be 551 00:56:29,280 --> 00:56:34,280 happy Dizze's Cafe. When it comes to keeping WMNH on the air and your 552 00:56:34,320 --> 00:56:38,320 own personal or business computer needs, trust Growland Computers, located on Elm Street 553 00:56:38,360 --> 00:56:44,280 in Manchester. Groland handles computer repair, virus removal and custom built systems. 554 00:56:44,360 --> 00:56:47,360 Are you looking for budget friendly options. Check out our selection of fully inspected 555 00:56:47,519 --> 00:56:52,760 used computers. We offer tailored on site solutions no unnecessary expenses here. Visit 556 00:56:52,840 --> 00:56:58,840 Groland dot com or call Grolling Computers at six zero three six four five zero 557 00:56:58,960 --> 00:57:01,800 one zero one. Your Tech, your way, Trust groll In Computers. 558 00:57:08,840 --> 00:57:16,800 Midnight seven times out of ten we listened to our music at night. That's 559 00:57:17,079 --> 00:57:22,000 one titled books Business program Late Night to Light with DJ Midas right here on 560 00:57:22,199 --> 00:57:31,519 WMNH Manchester because Saturdays and Sunday nights midnight to four am. This hour on 561 00:57:31,840 --> 00:57:39,599 WMNH is sponsored by CGI Business Solutions, located at five Dartmouth Drive in Auburn. 562 00:57:39,920 --> 00:57:45,599 They serve all your business needs, including employee benefits. Planning, corporate 563 00:57:45,679 --> 00:57:52,280 design and business administration, investments and wealth management and customized business insurance solutions. 564 00:57:52,599 --> 00:57:55,840 Their phone number is eight sixty six eighty four to one forty six hundred, 565 00:57:57,159 --> 00:58:05,480 or on the web at CGI Business Solutions dot com. Behold the harmony of 566 00:58:05,559 --> 00:58:09,880 airwaves as you immerse yourself in the captivating frequencies of w m NHLP. The 567 00:58:10,119 --> 00:58:15,400 sonic heartbeats of Manchester is transcending through the ether at ninety five point three megahertz 568 00:58:15,440 --> 00:58:21,639 frequency modulation or transmissions emanate from the zenith of one thousand Elm Streets to ensure 569 00:58:21,679 --> 00:58:24,920 into the hearts of our creative realm at one nineteen Canal Street, where innovation 570 00:58:25,159 --> 00:58:30,199 and sound collage. They're the impro moder of Manchester Public Television Service in the 571 00:58:30,280 --> 00:58:35,960 venerable City of Manchester, New Hampshire, USA. Enrich your auditory journey with 572 00:58:36,079 --> 00:58:39,360 the depth of our license to wesdens spent your missives to w m n H 573 00:58:39,480 --> 00:58:44,800 ninety five to three at gmail dot com, or traverse the virtual corridors of 574 00:58:45,039 --> 00:58:49,920 wmnhradio dot org. Engage with our sonic vibrations by communing with us through the 575 00:58:50,039 --> 00:58:54,239 digital channel or radio. Beckons eager to enthrall you with its mesmerizing kidence, 576 00:58:54,280 --> 00:58:58,440 and develop you with a symmony of boundless auditories, wonder