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This is Later with Lee Matthews the
Lee Matthews Podcast More What You Here weekday

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afternoons on the Drive. Jane Ferguson
is a HULK, MP Body, OPCA

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and DuPont Award winning foreign correspondent for
PBS News Hour and contributor to The New

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Yorker. She's reported from nearly every
war around the globe, from Yemen to

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Syria, during the Arab Spring,
Afghanistan and the Fall of Kabul. And

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she's joining us now to talk about
her new memoir, No Ordinary Assignment,

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which is out now. Welcome Jane, Thank you Lee. So it all

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started for you in Ireland. It
certainly did in a literal sense. I've

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born in Northern Ireland, born and
raised just north of the border there and

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grew up there as a kid.
Were you there when things were getting rather

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warm? Shall we say? I? I was born in nineteen eighty four,

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so that was also I was really
growing up throughout the eighties and nineties,

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and I was living in just about
the last Protestant village before you get

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to South Arma, which was a
really big ira heartland right on the border

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with the south of Ireland. So
it was an extremely hot area. You

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know, when I was a kid
growing up, it was very very normal

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to me to have military checkpoints or
a British military helicopters landing in my father's

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fields were we were a farmers.
I lived on a small farm and and

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a lot of bombs going off,
so it was pretty common to have the

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local village police station blown up every
few years, bomb scares, a lot

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of bomb threats. You know,
as a kid, you just normalize everything.

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I thought this was normal, so
that was certainly a part of life

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growing up there. Do you think
that influenced your interest in military reporting?

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You know, I used to push
back against that when people would see me

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in the field, older reporters who
remembered covering the troubles, more senior veterans,

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and they'd say, oh, it
all makes sense. Of course she

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comes from Northern Ireland. And I
would bristle at that and say no,

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no, no, that that there's
no bearing on my career. But looking

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back, and certainly through the process
of writing a memoir and looking back,

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you really can't help but connect the
dots. I spent a lot of my

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career really focused on and I'm just
sort of really trying to understand insurgencies that

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became something I was quite specialist at. I spent time with Hoothie rebels,

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Hamas, Taliban, Hezballah, Darfurian
rebels my whole career, and I do

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think looking back, is this little
girl growing up in the foothills of Armah,

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knowing that there were IRA units out
there in the countryside, and somehow

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these groups of mostly men were bringing
the most one of the most powerful nations

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militaries to its knees with a bunch
of shotguns and bags of fertilizer, and

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I just I couldn't. I was
fascinated by that. I think it's also

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worth pointing out that you know,
we were growing up in the trouble,

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but it was The culture in Northern
Ireland is quite an understated one. You

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know, there are certain things you
just don't talk about, and you certainly

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don't talk about them with children.
So I think I was fascinated by the

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mystery of it all. It's her
memoir No Ordinary Assignment. Jane Ferguson writes

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all about her correspondence with several New
York and PBS networks in Yemen, in

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Syria and Arab Spring that all said
as it's something about the Middle East in

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that intrigues you more than any other
type of conflict, or is that where

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all the conflicts are. It's a
little bit of both. I was growing

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up watching on the television as a
little girl the First Gulf War as well

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as the wars in the Balkans.
So it wasn't necessarily that I grew up

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very very young thinking about living and
working in the Middle East. But as

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I got older, I did get
really interested in in the Middle East and

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the history there. And then when
I was in high school nine to eleven

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happened, and so I was this
youngster who knew I wanted to be a

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journalist, but had also just watched
journalism really come up as an important source

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of information for the world as the
wars in Iraq and Afghanistan really got started,

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So that sort of shaped my future. I was at college just really

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itching to get finished so I could
go out on the road and be a

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journalist. And you're right, at
the time, that's where so much of

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the news was coming from. Well, and I made a decision in this

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business early in my career. I
was fifteen when I started in this business.

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I knew what it was going to
mean, what it's going to what

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it was going to take. I
was going to move around a lot,

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working holidays, working weekends, working
overnights, a foreign correspondence in war.

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That is probably as dicey as it
gets. Were you prepared for it?

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I definitely go by the saying what
you don't know, you don't know.

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So I thought I was. Of
course, I had all these romantic notions

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of my life on the road,
and I think I I was as prepared

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for it as anybody can be without
having known what it's actually really like.

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I was lucky enough to find that
I loved the work. But as you

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say, those of us you know, who do this work, it is

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a massive, massive sacrifice on your
personal life. And I do get into

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that bit in the book, you
know, I really talk about what it

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actually takes and what it takes from
you as well, you know, things

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that that you don't mind doing in
your twenties, like running around, you

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know, never really feeling settled,
never really having a home, living on

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the road. That all feels very
romantic and exciting and is in your twenties.

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But you know, I do dig
into that in the book, about

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how it takes a lot from you. You know, you're you're You're not

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a good partner, You're not a
good you know, family member, You're

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often just absent for a lot of
it. So the cost of this extraordinary

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life is not to be underestimated.
You hear her work on PBS News Hour

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and see her writing in The New
Yorker. It's Jane Ferguson and the man

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was no ordinary assignment. What has
been your most dicey moment? Was there

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ever a moment where you didn't you
didn't think you're going to get out of

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it? I would say, and
I write about this in depth in the

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book. There's there's one moment where
I was very young. I was twenty

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seven, and I go to Syria
in the very early days of the war,

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and I'm really there as a bit
of an experiment for a network where

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they're sort of throwing me in as
a young freelancer, and I essentially connect

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with a bunch of activists who connect
me with the free Syrian army, defected

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rebels and the defected soldiers very very
early on in the revolution, and they

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smuggled me across the border from Lebanon
into Syria, and I spend several days

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in Holm's City, which was the
very center of the uprising there. And

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that was probably the most, even
to this day, the most dangerous assignment

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I've ever taken. And you know, the little rebel stronghold, if anybody

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remembers. This was an early twenty
twelve, was completely surrounded by Asad's forces,

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by Bashar al Assad's forces in Syria, and journalists were just about being

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able to be smuggled in. And
I had, and I had had an

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incredibly, incredibly frightening time running around
reporting. I was able to get my

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stories done, but I left,
and as I was leaving, they were

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essentially smuggling me out simply in effectively
a fruit truck part sitting up next to

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to the driver disguised as his wife, but traveling through Syrian checkpoints, past

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Syrian soldiers, you know, incredibly
close to getting caught in the end as

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we crossed back into Lebanon. And
I've always looked back and thought that was

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wild and foolhardy. The reporting was
worth it. It was incredibly important to

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get the news out. But the
activists were rotating journalists in just a tiny,

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tiny trickle of us, those who
would go following me there was a

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team went in that included Marie Colvin, the newspaper reporter from the Times of

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London Sunday Times of London, and
she was killed actually as the next journalists

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going in. So I've always looked
back and thought I was really pushing my

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luck there, and I was very, very lucky. It was no ordinary

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assignment. She writes more about it
in her memoir Jane Ferguson, and you'll

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hear her on PBS News Hour and
read her work in The New Yorker with

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thank you for joining us, Thanks
so much for having me, Thanks for

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listening to Later with Lee Matthews,
the Lee Matthews Podcast, and remember to

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listen to The Drive Live weekday afternoons
from five to seven and ihearts media presentation.

