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Good morning, Mother? Good morning, Mother? Common sphere of the soro

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source and already welcome to a good
morning eusode, mother? Wait for this

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podcast that accompanies you every week with
themes, books with challenges, with interviews

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always destined for an education, a
little bit easier, a little more positive,

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with a little more humor and in
which in our program you already know

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that we have every month a section
dedicated to the comics, to the monthly

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releases and in the latest releases of
the field of children' s and youth

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comics, so that you have a
good list of novelties, juicy appetizing among

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the ones to choose and that then
you can blame our friend Simple with these

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beards that does not arrive the budget
for children' s comics, jueveniles,

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because the guilt will always be hello
s in how you are welcome, very

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good, yes, yes, there
you can blame me. I' ve

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dealt with the blame to the editors. I mean, there are cool things

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and that' s it, and
that the wheel of guilt is spinning and

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splashing to the winds, exactly we
return one more month with new temptations and

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in this case we accompany you in
the month of May with last April'

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s launches and those things that have
stayed, that have suddenly come to you

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or that have remained pending. Well, you know here a little bit tailor

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- made. That' s the
chicken and lamb mix for this program.

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This is the news of April and, well, half of May of what

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we' re wearing. We'
ve gathered here in a bar with extra

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double meat and cheese, and this
is the small but select menu we bring

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for today' s program. I
have brought four fresh news and a bonus

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track also for the end I even
want to see. We are going to

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start, then, effectively, with
the first of the things for the little

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ones, as always, because from
the way we do it here, we

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are starting at the earliest ages,
at the recommended ages, of readers and

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readers already a little more averse.
Let' s start with art, with

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art for all the Monica ages to
see what you think. I want to

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introduce you Otto and cas an adventure
in the museum, a publication of friends

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and friends of free will publishing and
it is a recommendation for first readers,

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readers and readers, since it is
recommended from six years that you can even

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read it without problems, with your
and your little ones before five years,

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without problems. Well, what'
s this about Otoikas? Who brings it

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to us. This is a work
by Monica here Mo Gutiérrez Serna, full

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author, script and drawing is a
rustic edition with flap. It' s

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a finite comic forty- eight pages
for fifteen euros. And what' s

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this about otoi Kas, what about
what' s going on to another adventure

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house in the museum, well,
here we basically have is the story of

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Cassandra, who' s this little
girl here and or touching who' s

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her dog, her dog, her
dog, her faithful pet. And well,

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let' s say they present us
like this, starting at home,

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painting and drawing in their things both. The mother arrives and well, because

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she already puts us on the background
that the next day, Cassandra is going

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to have a school trip to the
art museum and when she goes to bed

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at night accompanied by her dog,
because both begin to have a dream,

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a very special dream, and the
two dream at the same time and the

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same dream. Let' s say
that the two appear suddenly and suddenly in

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a museum and start to explore it
and start to see begin to see works

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of art, that all the works
of art that are being found go away,

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but the much begin to explore,
to go through the corridors and at

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a given moment they run into a
painting, is a very special picture,

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is the page that will walk around
here that all and all have seen many

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times that it is this one here, which is basically the Guernica of Picasso.

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In it appears a lamp that in
which it is pressed light bulb and

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suddenly, because this light bulb is
lit here. You can' t appreciate

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much that I teach it by wordcamp
but well, the light bulb let'

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s say it goes on and that
light bulb, because it starts to descend

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through the picture. He' s
starting to grow a few piercites and a

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few hands and a fart sticks a
jump out of the picture and escapes into

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the hallway ahead. And of course, these two poor people stay there a

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little bit like what happened, they' re making the bombia where they go

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and suddenly, of course, the
picture of the Grandyca is totally black.

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And of course, here we already
have our two little protagonists chasing this disca

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bulb, hallway up, corridor down
the whole museum. And it is the

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museum' s own works of art
that give some clues to our characters from

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where this bulb is escaping and,
of course, does not want to go

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back to where it was. And
the others go after her trying to return

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her to the painting so that the
painting, therefore, recovers all its brightness

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and all its splendor. And basically
this is the story that they' re

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telling us here in ottoic adventure,
at the Museum. Things to comment on,

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then, a few. The truth. What a musical discovery, friends,

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friends, listening listeners, so beautiful, so cool and what a fortune

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I would say that there are creators
who continue to rethink, that these things

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continue to be reconsidered that keep thinking
about content of this kind, that to

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me they seem very interesting not only
already, but already directly necessary and,

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of course, that there are also
editorials behind that support them and that bet

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to get these things going. I
say so, obviously, as an interested

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party in the world, as I
have studied art since I was in high

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school and in my college stage and
everything. But even if I hadn'

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t, that is, I think
it' s a fundamental thing to drink

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a little bit of a minimum,
since we' re small in art and

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visual culture, which, after all, because that' s the culture in

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which we' re fully immersed today, which is the images that are educating

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us every second of the day.
The first thing I have to say,

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in the background of this good comic, because it is a little bit perhaps

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the obvious, which is a story
that, basically good, is the dream

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translation of a sensitive dream that these
protagonists have and, thus, on the

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table, basically it is the mommy
hears that today I have dreamt, this

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with which so many conversations, because
they start the mornings of our homes with

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the little ones And it is something
that, evidently, because precisely for this

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reason I believe that it is something
that childhood that you can see very well

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represented to such an extent that that, that is that it is something that

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the children is a process that can
repeat one day and another. I mean,

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well, I' ve had this
story and I come and tell you

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and I' ve dreamed of something
that I' ve seen in class and

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I' ve dreamed of something that
we' ve talked about at home and

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that' s why a play like
this, I think it' s perfect

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to capture the interest of the kids
themselves as readers, that is, because

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it' s something that they almost
intuitively manage in their day- to-

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day lives. And, of course, because as a dream, which is

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also that it is a comic,
it is a jet of imagination, as

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it has to be a good dream
and as it has to be a good

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story for kids And not so young
and good things that have caught my attention

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just by opening it up, or, in fact, almost the first thing

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that has caught my attention is the
look of that graphic treatment, is the

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treatment of the images and how they
plant it, and especially through the color,

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that is, because it meets has
big cartoons, has capital letters,

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has few texts inside the snacks,
that is, it meets all these basic

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criteria, more or less associated with
what is being the recommended reading for first

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readers. But above all, it' s what has caught my attention the

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most just by opening them. The
theme is the theme of color. And

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I' m saying that because if
you look at it, there' s

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a couple of things that just open
it call a lot. The attention is

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that, on the one hand,
the lines that delimit the edges of the

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vignettes in ninety- nine percent of
the graphic production that you will find anywhere,

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as it comes to be a black
edge and not here. Here are

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colored vignettes, each of a border
of a different color and not only that,

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but the very edges of the snacks, of the dialogues happens the same

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thing, they are also colored with
different colors, so this is what gives

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it in the background is a roll
of almost rainbow to the page. It

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is not a thing like very luminous, very visual and that we very strongly

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call attention even the very colors of
the backgrounds of the cartoons, which are

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that they have their texture, as
well as of brush and others, but

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it has a color treatment with a
very flat color that also go according to

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the same colors with which the edges
of the cartoons are being colored as well

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as the edges of the sandwiches.
It' s all very homogenous, my

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homogenous. I think that at the
same time it is very very, very

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very visual, that is to say
that they enter through the eyes like a

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shot And to me this, well, I liked very much, in part

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a detail and in addition, this
adds this simplified aspect as of drawing so

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fully infantile. This whole set of
things makes this thing that we have a

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comic book that is irremediably going to
exercise a super powerful appeal, I think,

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about the little ones and they'
re going to look really good reflected

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to the truth and good more things. I think another of the things that

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I have liked most or that possibly
is what I find most interesting, is

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that, deep down that story,
what it is doing is taking you hand

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in hand for a tour of many
of the great universal works of art and

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here I think I would say that
the brightest thing, almost if possible,

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is that, for the most part, they are works of contemporary art,

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because I have read other things that
in the end they intend to do more

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or less similar things. And a
lot of work has always been done since

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the traditional and you almost become from
Altamira from the bison to here and with

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Egyptian art and whatever. But here
is a lot, a lot of contemporary

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work. And this isn' t
the usual thing. The truth is,

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let' s say the author'
s taking us. The author' s

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taking us on a tour she'
s mixing with. Yes, there are

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classical works, obviously, but then
you get others that, in addition to

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being contemporary, are not so well
known by the public. And that gives

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me a huge hallelujah. I don' t remember me coming to my head.

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The words of my co art history
teacher came to my mind with this

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comic, and this woman was telling
us when we studied 20th- century art

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history, that we were truly privileged. He told us why, from this

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point on, we were going to
become or enter into a sort of select

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group of people who were going to
understand a minimum of what modern art is

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and that we could go to museums
of contemporary art and, at least understand,

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if not all much of what was
happening there, of what we had

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in front of us, because we
already had this base taken from the classes.

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And deep down, it' s
something to which many people are certain

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that they don' t have access
or because they don' t have the

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interest, they don' t have
the interest And it' s something that,

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deep down, I' ve always
thanked is having that little bit of

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knowledge that you say Hey, you' re able to contemplate a contemporary work

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of art and to know, more
or less, to place it in its

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context, in its time, in
its relationship with the author, etcetera,

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and to give it the courage that
is supposed to you so that you don

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' t get this phrase from good
to first, they' re brother-

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in- law to say, so
go things. This scribble could be done

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by my two- year- old
son and it would be better for him,

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because deep down, there' s
a baggage behind all that and there

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' s an understanding of something that, well, you' ve had to

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powder it, another one had to
count it in one way or another.

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And, of course, the most
thing that has finished me falling in love

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is that, even in this comic
book, the author puts in many sculptures

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that this already does, which is
something that has blown my head off reading

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it, because this kind of artistic
manifestation yes, that is very echoing.

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Also, as I said before,
in most of these comic books or illustrated

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books and so on, because basically
they also focus on painting, because it

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seems that it is like the easiest
thing and in the end, sculpture is

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one of these artistic branches that are
still there again and again in the little

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drawer and hidden corners of the unknown. And here' s a lot,

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I mean, that I' ve
freaked out. The truth. I'

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ve freaked out when I meet Luis
Bourgea' s spider, Jeff Kons'

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dog, Frankusi' s column,
Henry Moore' s oval, and Calder

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' s cell phones That' s
to say that all those things appear here

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in this comic book It' s
been like my mother, it' s

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been an in love, but tremendous
and total. I thought it was a

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real pass. And deep down,
it' s true. From here I

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tell you how much I adore you
teachers and profas of childhood and elementary school.

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I love you crazy. I have
always loved you and I will always

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love you, but to give art
in school, to teach, in your

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children' s schools, there is
life beyond me, Admiro, because I

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Admiro is an author that I like, he is an artist to claim.

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But it' s like always the
trajectory that I' ve been able to

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see personally and more or less close, it' s like the basic cliché

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that you always throw away, that' s well taken to present the art

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precisely to the kids and obviously,
because it has its reason to be by

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color shapes and so on. But
it' s just that contemporary art is

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so broad and there are so many
interesting options, cool ones that I don

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' t know this very thing that
I find myself with this kind of thing.

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Says Mira, it' s just
that we' ve well outdone me,

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I admire, there are other options
to see and learn art. For

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the kids, it' s super
good and I like these things anyway,

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because they fascinate me. I'
m happy with my soul and I'

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m happy with the day and the
week and everything so nothing good. Basically

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uplicas, this is a direct invitation
to dive into art and go out to

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see museums. It' s basically
this. And then, besides, he

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' s got more stuff. He
has his points of humor well thrown out,

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00:18:37,359 --> 00:18:41,640
which are even necessary and comes very
well sometimes to deal with and address

210
00:18:41,720 --> 00:18:47,440
these kinds of issues. What we' re talking about before the scribbles and

211
00:18:47,440 --> 00:18:51,119
so on the ways you don'
t understand, well, it' s

212
00:18:51,240 --> 00:18:55,880
obvious this is a relatively closed world
and you have to get well inside to

213
00:18:55,880 --> 00:19:00,359
understand things. And sometimes you don' t even need to say at the

214
00:19:00,599 --> 00:19:06,519
end out, one of the first
main premises of art that also has to

215
00:19:06,599 --> 00:19:11,000
conquer you with reason, but with
the heart and with what it conveys to

216
00:19:11,039 --> 00:19:15,960
you things And if they transmit to
you interesting good things, even if you

217
00:19:17,000 --> 00:19:18,920
don' t finish understanding it,
well, that also has its validity,

218
00:19:19,359 --> 00:19:22,880
of course yes, as it couldn' t be otherwise. So, another

219
00:19:22,880 --> 00:19:29,480
Ks is a highly recommended work if
you are especially interested in something of all

220
00:19:29,519 --> 00:19:33,000
this that we are telling you to
pass it on to your gries. If

221
00:19:33,079 --> 00:19:40,759
you are a bit of an eye- catcher and you like it, you

222
00:19:40,759 --> 00:19:48,599
want them to see, to sing, to try, to smell, to

223
00:19:49,000 --> 00:19:53,160
investigate elements of art history and,
above all, contemporary art, because it

224
00:19:53,240 --> 00:20:00,000
is a super, super, super
recommendation that I throw you from here ottoi

225
00:20:00,279 --> 00:20:03,920
kas adventure in the free will museum
and also we have just spent the day

226
00:20:03,920 --> 00:20:08,200
of museums. He does nothing,
doing nothing. It' s been three

227
00:20:08,200 --> 00:20:15,559
days. Yeah, so very well
written friend. Yeah. Yes, yes,

228
00:20:15,640 --> 00:20:18,680
yes, it makes a very pleasant
surprise, the truth is that I

229
00:20:18,759 --> 00:20:26,200
took a look at the store and
I said this one has to go deeper

230
00:20:26,200 --> 00:20:29,799
into it and look. Yeah.
Yeah, yeah, super happy to have

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00:20:29,799 --> 00:20:33,559
it in your hands, and I' m thanking you so much. At

232
00:20:33,680 --> 00:20:38,640
free will, for betting on these
things that they will not tire of besides

233
00:20:38,720 --> 00:20:47,000
that frees me will, which is
one is an editorial that we still had

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00:20:47,000 --> 00:20:51,519
pending. I don' t know
if we' ve ever thrown anything with

235
00:20:51,559 --> 00:20:53,880
it and if we haven' t. It has been for circumstances as very

236
00:20:53,880 --> 00:21:02,440
concrete, because I remember that I
stayed there when they took out the collection

237
00:21:02,480 --> 00:21:07,359
of the first volume of Calpurnia,
that I had it there to take it

238
00:21:07,400 --> 00:21:08,480
out in the program and in the
end, I did not actually take it

239
00:21:08,480 --> 00:21:11,880
out. I mean, it'
s an editorial that they' re pulling

240
00:21:11,880 --> 00:21:15,400
out really cool stuff. Take a
look at their catalog, because good childish

241
00:21:15,599 --> 00:21:22,000
things don' t have much,
but what they have is good caviar.

242
00:21:22,720 --> 00:21:26,119
Yes, yes, yes, and
good details to end with other TV tracks

243
00:21:26,200 --> 00:21:30,319
of the 17th edition by twenty-
four centimetres. It is a finite comic,

244
00:21:30,839 --> 00:21:33,759
okay and good, because at the
end of the comic, here is

245
00:21:33,880 --> 00:21:38,880
an invitation to know and investigate on
your own what all these works of art

246
00:21:38,960 --> 00:21:41,200
are really like throughout these pages that, in the background is the coolness of

247
00:21:41,240 --> 00:21:48,000
this by listing all these works with
the name of each one of them and

248
00:21:48,039 --> 00:21:52,160
where they are, in which museum, in which place in the world they

249
00:21:52,200 --> 00:21:57,839
are and we can find them.
And in addition, they are placed a

250
00:21:57,960 --> 00:22:03,160
little page by page for you to
locate, search, research on the Internet

251
00:22:03,200 --> 00:22:07,680
or wherever and compare and keep learning. So this seems like a great and

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00:22:07,839 --> 00:22:11,400
good detail to me. The comic
book, it sure did seem like it

253
00:22:11,440 --> 00:22:15,000
to me. The comic is expensive
for what it brings in the sense,

254
00:22:15,079 --> 00:22:18,279
that is, to remember that it
is fifteen euros for forty- eight pages,

255
00:22:18,839 --> 00:22:25,160
but precisely for this extra of the
end, this invitation, you want

256
00:22:25,240 --> 00:22:30,240
to know more about all this,
that you have just seen with all this

257
00:22:30,480 --> 00:22:33,720
ristra of works that offer us here. I give this a great deal of

258
00:22:33,720 --> 00:22:37,440
value, because it can give you
a much greater journey to this volume,

259
00:22:38,240 --> 00:22:41,799
which is something that you also have
to take into account, that is to

260
00:22:41,799 --> 00:22:45,720
say, no. This is not
exactly a comic book to get you the

261
00:22:45,720 --> 00:22:48,480
forty- eight pages, you close
it and you leave it on a shelf

262
00:22:48,880 --> 00:22:52,559
and as much as ninety- nine
of the comics that are edited here today,

263
00:22:53,359 --> 00:22:57,359
let' s say that what you
can squeeze much more. This one

264
00:22:57,400 --> 00:23:03,880
I see with all this information that
comes here and deep down is I think

265
00:23:03,880 --> 00:23:07,440
it' s what you' re
looking for and that' s what you

266
00:23:07,480 --> 00:23:11,559
' re doing, that something like
this, because it can make a difference

267
00:23:11,559 --> 00:23:18,000
and makes him see you yes,
that it' s a very good purchase

268
00:23:18,039 --> 00:23:22,519
and that it' s a very
recommended action and that deserves the money you

269
00:23:22,119 --> 00:23:25,440
invest for him so good leaving it
there, as I say ottoic adventure in

270
00:23:25,440 --> 00:23:27,920
the museum. In the first of
the recommendations that I bring to you today

271
00:23:29,559 --> 00:23:37,519
for small readers, the little ones
of the house, we go with the

272
00:23:37,599 --> 00:23:44,440
second recommendation also for the little ones
of the house, that basically we go

273
00:23:44,680 --> 00:23:52,359
now with a couple of lovers who
is the most adorable couple of lovers of

274
00:23:52,359 --> 00:24:00,920
the African savanna, that is,
Mr Elephant and Mrs Gazela dream of the

275
00:24:00,279 --> 00:24:04,119
big city notice that the most curious
title, a publication of the friends of

276
00:24:04,119 --> 00:24:08,640
Astronave. It is also a recommended
publication for readers, readers from six years

277
00:24:08,680 --> 00:24:12,319
old, and that is a work
to see if he pronounced it well by

278
00:24:12,440 --> 00:24:18,079
Martin Batts Halt in script and Max
Hitler in drawing and ink with the color

279
00:24:18,160 --> 00:24:23,039
of Claire Pack and Alicia. Well
in translation, in labors, translation Carpone,

280
00:24:25,000 --> 00:24:29,920
Canton Maiden, Astronave, the good
of the usual sixty- eight pages

281
00:24:30,000 --> 00:24:34,200
by seventeen with ninety- five And
what is this story about, what is

282
00:24:34,279 --> 00:24:40,119
it about? Mr Fan and Mrs
Gazela dream of the big city, because

283
00:24:40,160 --> 00:24:44,000
it' s a curious story.
Well, it' s the story of

284
00:24:44,559 --> 00:24:48,839
some African savannah people who are very
particular. In this case it is the

285
00:24:48,839 --> 00:24:56,680
elephant, Mr Horst and Mrs Elvira, elvira the gazelle. It turns out

286
00:24:56,759 --> 00:25:04,519
that this couple, because they are
a true couple and they are in love

287
00:25:04,559 --> 00:25:11,400
and want to live together their love
in conditions, but of course, they

288
00:25:11,480 --> 00:25:15,000
live in a place where they really
cannot give free rein to that love that

289
00:25:15,160 --> 00:25:18,480
they bring, because the pond where
they see and where they are, is

290
00:25:18,480 --> 00:25:22,480
a place that is full of dangers, There are crocodiles and there are lions

291
00:25:22,519 --> 00:25:29,279
and there are everything and, moreover, what is worse, it is full

292
00:25:29,279 --> 00:25:32,079
of human tourists of the most annoying
and emphatic. However, one of these

293
00:25:32,119 --> 00:25:36,519
good days, because they find an
iPhone thrown on the floor there next to

294
00:25:36,640 --> 00:25:41,119
the pond by a road and thanks
to it, they find out much more

295
00:25:41,200 --> 00:25:47,160
about the origin precisely and the origin
of all these plast humans who always roam

296
00:25:47,200 --> 00:25:52,279
around there with their gips and making
noise and making scandals and discover. What

297
00:25:52,319 --> 00:26:00,519
they discover is that these humans live
in some places called cities where they go

298
00:26:00,519 --> 00:26:07,160
to mind, have all the comforts
and luxury that any one of them could

299
00:26:07,240 --> 00:26:10,359
desire or dream. They don'
t live in places with shops. They

300
00:26:10,400 --> 00:26:15,119
live in places that have cafes,
which have one meter to move underground,

301
00:26:15,720 --> 00:26:18,799
like mice, but also, in
places that some things that move you autonomously,

302
00:26:19,039 --> 00:26:25,960
such as the subway or trains,
have their private homes, they have

303
00:26:26,000 --> 00:26:30,799
nice dresses, that is, they
have a little of everything. No.

304
00:26:32,720 --> 00:26:37,759
So, of course, both elvira
and hort this couple get caught up in

305
00:26:37,920 --> 00:26:44,160
everything they' re telling them.
The beetle doesn' t show up around

306
00:26:44,200 --> 00:26:48,519
here in the brown part. So
that' s basically what he' s

307
00:26:48,519 --> 00:26:52,680
got in his hands here. Well, then, this light and flat beetle

308
00:26:52,799 --> 00:27:00,359
so rare that it' s called
siri that well, it sounds so great

309
00:27:00,400 --> 00:27:03,599
to you about what you' re
telling them. And well, they start

310
00:27:03,640 --> 00:27:11,720
quickly fantasizing about a life there together
where they can finally enjoy their love together

311
00:27:11,480 --> 00:27:15,759
and their cosmopolitan life, without,
well, no one else bothering them.

312
00:27:17,960 --> 00:27:22,200
So, well, they' ll
do something about it, because this is

313
00:27:22,200 --> 00:27:26,599
something because you' re going to
have to find out, because I invite

314
00:27:26,720 --> 00:27:29,680
you to read it and you'
re going to be astounded in this curious

315
00:27:29,680 --> 00:27:34,720
story. Well, I loved this
comic as well as the previous one.

316
00:27:34,759 --> 00:27:38,440
It' s also been all a
surprise, which I think is what a

317
00:27:38,480 --> 00:27:45,400
fun move, what a crazy love
story. They' re presenting us here

318
00:27:45,440 --> 00:27:51,119
with a most worthy thing to mention
Let' s go. I really liked

319
00:27:51,160 --> 00:27:55,359
the way it starts. I also
wanted to say this, because it has

320
00:27:56,599 --> 00:27:59,039
seemed to me because of the rhythm, for everything, not because of the

321
00:27:59,119 --> 00:28:04,759
staging, that it has a lot
of rope to something, to a cinematographic

322
00:28:04,759 --> 00:28:10,480
start in how the action is happening, how well the vignettes will be shown

323
00:28:10,480 --> 00:28:14,480
a little bit, how they are
happening, two or three things until we

324
00:28:14,559 --> 00:28:21,799
arrive, then, from the third
page the start, already of the story,

325
00:28:22,480 --> 00:28:22,200
with the title and that how they
introduce us to the story. I

326
00:28:22,240 --> 00:28:26,839
think it is very well done and
it works very well, that is to

327
00:28:26,960 --> 00:28:32,119
say you get right into the situation
of it, this is the savannah wild

328
00:28:32,279 --> 00:28:37,440
fauna territory, where eating or being
eaten reigns and well, deep down,

329
00:28:37,640 --> 00:28:41,880
it is almost like watching a documentary
and the theme is strong here of this

330
00:28:41,960 --> 00:28:48,079
story. I' d say it' s getting into an animal' s

331
00:28:48,079 --> 00:28:52,400
point of view, obviously a wild
animal in this case, and thinking about

332
00:28:52,480 --> 00:28:57,480
how they' d see us.
Let' s say to ourselves that it

333
00:28:57,519 --> 00:29:03,759
has to be something, thinking about
how to make it work, where in

334
00:29:03,799 --> 00:29:07,279
the background there is also a flow
of information. Obviously, a wild animal

335
00:29:07,319 --> 00:29:12,920
does not have any contact with humans, for it does not even know that

336
00:29:14,000 --> 00:29:18,319
we exist. So somehow you have
to give this case that they observe us,

337
00:29:18,440 --> 00:29:25,440
that they conjecture their things in a
way as a situational exchange, as

338
00:29:25,720 --> 00:29:33,359
in meals, as the famous or
typical entangled comedies of the genre. And

339
00:29:33,440 --> 00:29:37,079
it' s really beyond the comic. Obviously, from this situation, to

340
00:29:37,160 --> 00:29:42,200
me it has been very interesting how
well raised it is, that is all

341
00:29:42,640 --> 00:29:48,279
about also the number of subtexts,
that there are, of second readings,

342
00:29:48,599 --> 00:29:51,079
that there is everything below, because, after all, here are animals that

343
00:29:51,240 --> 00:29:59,599
are performing different functions, that are
representing different roles within what I think about

344
00:29:59,640 --> 00:30:07,559
humans. There are animals that see
the positive part of what humans are or

345
00:30:07,599 --> 00:30:15,319
what humans do. There are those
who only see the negative, the radicals,

346
00:30:15,920 --> 00:30:18,680
those who understand nothing, know nothing
or want to know anything and pass

347
00:30:18,720 --> 00:30:23,880
everything. There are those who,
of course, are curious about what humans

348
00:30:23,920 --> 00:30:29,920
do and there are the fans of
humans. I mean, there' s

349
00:30:29,920 --> 00:30:33,640
a mix. Here we are getting
the good and we are getting the bad

350
00:30:33,119 --> 00:30:38,640
out of ourselves and the intermediate greys
too, so we see these different positions

351
00:30:38,640 --> 00:30:42,160
that, in the background, is
like life itself, that we are not

352
00:30:42,240 --> 00:30:48,599
being planted a story that stays in
a place, as well as very naiz,

353
00:30:48,119 --> 00:30:53,440
very silly, but here, there
are the pros and cons. And

354
00:30:53,440 --> 00:30:56,039
I liked that point because I think
it' s okay for kids to see

355
00:30:56,160 --> 00:31:06,960
and understand this, that they understand
that there are all these things here that,

356
00:31:10,480 --> 00:31:15,400
above all, that where we humans
leave us, that they see what,

357
00:31:17,119 --> 00:31:21,279
because this is putting you a little
bit in that part, the part

358
00:31:21,359 --> 00:31:23,960
of seeing us from the outside,
seeing what our role is, how they

359
00:31:25,000 --> 00:31:29,599
see us, how they would see
us from the outside if that hypothetical case

360
00:31:29,759 --> 00:31:34,519
were to happen. So fantasizing with
this story what advantages and also what virtues,

361
00:31:37,240 --> 00:31:41,720
but also what mistakes and what defects
we have as a society or as

362
00:31:41,000 --> 00:31:45,119
a species and what we are doing
with everything else, with this world with

363
00:31:45,119 --> 00:31:49,920
which we are sharing with other living
beings, with other animals, vegetables,

364
00:31:49,960 --> 00:31:52,720
etcetera, etcetera. So, well, I think it' s a very

365
00:31:52,960 --> 00:31:59,720
curious way of looking at ourselves actually
that it' s basically about what they

366
00:31:59,759 --> 00:32:04,799
' re describing to us from their
point of view. It seems to me,

367
00:32:05,000 --> 00:32:08,279
because it' s kind of interesting. There' s the one with

368
00:32:08,359 --> 00:32:10,079
the animals, these that show up
around here. Well, there' s

369
00:32:10,599 --> 00:32:15,960
the buffalo, the giraffe, who
are the representatives as the most opposing wing,

370
00:32:15,160 --> 00:32:20,519
we have the monkey that is a
pro- human animal to the full

371
00:32:20,640 --> 00:32:23,359
because it descends from his grandfather,
who was already in contact with humans long

372
00:32:23,400 --> 00:32:28,319
ago, in a circus and knows
very well the world of humans. There

373
00:32:28,319 --> 00:32:31,079
are the two protagonists who, of
course, if they are very curious and

374
00:32:31,119 --> 00:32:37,039
are full of enthusiasm and want to
see and do things like the little buffaloes

375
00:32:37,079 --> 00:32:40,680
the pups that like good kids that
are because they are full of curiosity and

376
00:32:40,759 --> 00:32:45,759
ask for everything and want to know
about everything and what is the other And

377
00:32:46,200 --> 00:32:50,079
at the same time there is a
lot to see, that there is a

378
00:32:50,079 --> 00:32:55,440
lot of diversity. I also want
to say the story has a general point

379
00:32:57,240 --> 00:33:00,680
from the background that, moreover,
is that it is like very adorable this

380
00:33:00,759 --> 00:33:05,640
couple as they discover new things or
aspects of what the city is, because

381
00:33:05,720 --> 00:33:07,319
they are being made you see that
they are getting an idea, as well

382
00:33:07,880 --> 00:33:14,640
as very clear of what they want
and what they want and how they pretend

383
00:33:14,799 --> 00:33:17,440
to be their life in the city. So they have it, as they

384
00:33:17,839 --> 00:33:22,160
are idealizing it little by little,
in a way, because as very tender,

385
00:33:22,880 --> 00:33:28,880
as very innocent, logically as almost
as a child account, we are

386
00:33:28,920 --> 00:33:32,480
going to do this another, we
are going to go a little there or

387
00:33:32,480 --> 00:33:35,720
here in our house. It'
s gonna be state- of- the

388
00:33:35,920 --> 00:33:39,519
- art and they' re gonna
come up. And it brings me a

389
00:33:40,519 --> 00:33:45,000
pleasant surprise at the end of the
volume, when I read it, because

390
00:33:45,079 --> 00:33:51,519
well, there' s like a
lot of information about it that I thought

391
00:33:51,559 --> 00:33:53,200
was a closed story, and it
turns out to be a series. It

392
00:33:53,200 --> 00:33:59,960
will continue, which has left me
quite surprised, because, indeed, it

393
00:34:00,160 --> 00:34:07,000
is all to continue. They have
just begun to prepare the way here and

394
00:34:07,000 --> 00:34:14,280
I have remained very eager to see
how this brief and delicious adventure that has

395
00:34:14,360 --> 00:34:21,679
begun here follows. And well,
the very main subtext that I have seen

396
00:34:21,719 --> 00:34:27,559
here or from which I get better
said, is a bit the one that

397
00:34:27,559 --> 00:34:32,360
told you before the idea that the
world, as we have it preconceived as

398
00:34:34,360 --> 00:34:39,599
people in this case, because it
can also expand to explore things that go

399
00:34:39,599 --> 00:34:47,320
beyond. Why can' t two
very different people relate or love each other,

400
00:34:49,039 --> 00:34:51,960
because this right here is a gazelle
and they' re an elephant.

401
00:34:52,079 --> 00:34:54,119
But well, then extrapolate this to
our society, another pole of this to

402
00:34:54,960 --> 00:35:01,719
our environment. They also want,
want to get out, want to live

403
00:35:01,760 --> 00:35:05,679
the dream, to go away,
to try something new, to try something

404
00:35:05,679 --> 00:35:08,039
different, that is, why not
dare, you have to try to do

405
00:35:08,480 --> 00:35:13,559
things, to see that there is
beyond our borders, of our limits,

406
00:35:13,880 --> 00:35:17,840
a little everyday of what we see
from the window of house. It'

407
00:35:17,920 --> 00:35:22,159
s all this stuff. If you
have the will and you can look for

408
00:35:22,159 --> 00:35:27,400
the possibilities to do it, remove
fears from your head, all these things

409
00:35:27,400 --> 00:35:30,960
are here. Travel, listen to
other things, ask questions. I think

410
00:35:30,000 --> 00:35:38,840
that this reading is very good to
raise these kinds of questions and to put

411
00:35:38,920 --> 00:35:44,880
these questions and ultimately favor, because
all this that we are talking about is

412
00:35:44,920 --> 00:35:49,320
developing in the children, in the
children, because the spirit is necessary,

413
00:35:50,559 --> 00:35:55,920
critical spirit with which we have to
try to grow little by little, especially

414
00:35:55,920 --> 00:36:04,280
based on curiosity or why not,
because it comes forward. There are things

415
00:36:04,280 --> 00:36:07,320
that, maybe, aren' t
what I would do to everyone, but

416
00:36:07,320 --> 00:36:10,280
it' s not everyone. We
have to be the same or do the

417
00:36:10,480 --> 00:36:16,679
same things In the end, that' s what gives you the wealth of

418
00:36:17,639 --> 00:36:20,320
a culture and so, well,
I don' t know. I thought

419
00:36:20,400 --> 00:36:22,599
it was a very cool play.
I love the humor he has. I

420
00:36:22,639 --> 00:36:29,320
love the jokes that arise in relation
to the conversations they have with Siri with

421
00:36:29,400 --> 00:36:35,559
the phone that is cool because,
of course, they confuse it with an

422
00:36:35,639 --> 00:36:37,119
animal that I have weirder and start
asking questions and the series makes it a

423
00:36:37,519 --> 00:36:40,119
little crazy and the others is like
anyway, it' s pretty funny.

424
00:36:43,639 --> 00:36:47,599
The truth and regarding the drawing because
it is also very well collected I have

425
00:36:47,599 --> 00:36:52,960
seen that or I have noticed,
that it collects as well as much of

426
00:36:52,000 --> 00:36:58,639
the tradition of illustrated books, even
good with graffiti. So also very typical

427
00:36:58,760 --> 00:37:06,159
of pulling the press, which collects
all this grace and this freshness of the

428
00:37:06,199 --> 00:37:10,199
loose stroke, the coloring also works
very, very, very well here and

429
00:37:10,840 --> 00:37:15,800
well, let' s say that
everything goes like a shot in this comic

430
00:37:15,719 --> 00:37:21,800
the truth And well, just,
to finish, I think for me the

431
00:37:21,840 --> 00:37:24,360
real function look at what I'
m going to tell you about the imagination.

432
00:37:24,760 --> 00:37:30,559
I think it comes perfectly defined in
this volume, in this book.

433
00:37:30,599 --> 00:37:37,039
And why do I say that,
because the classic fantasy to set you such

434
00:37:37,079 --> 00:37:42,199
an easy- to- understand example, is great, but the imagination.

435
00:37:44,599 --> 00:37:45,800
I' m not gonna say good. Well it' s a very daring

436
00:37:46,000 --> 00:37:52,360
word, but I don' t
know if saying true isn' t to,

437
00:37:52,559 --> 00:38:01,800
in the background, make simple things
like this available, but they also

438
00:38:01,880 --> 00:38:07,880
work when you give it a little
whirl, that is, take your own

439
00:38:07,880 --> 00:38:15,480
thing, pick out elements of our
daily reality and give them a little spin

440
00:38:15,559 --> 00:38:17,480
to find something new, something attractive
and something fun. And this is exactly

441
00:38:17,599 --> 00:38:22,880
how good it is. I don' t have to go to lost worlds

442
00:38:22,920 --> 00:38:30,039
and think about extraterrestrial civilizations or things
like that to say good, because things

443
00:38:30,039 --> 00:38:34,800
I have in the everyday realm.
Imagine it' s a breakfast. You

444
00:38:34,840 --> 00:38:37,760
' re living your coffee and all
of a sudden you' re thinking that

445
00:38:37,840 --> 00:38:42,239
you hear and if I was that
coffee, what sensations, if that coffee

446
00:38:42,280 --> 00:38:46,480
is probably thinking and imagine you put
yourself at the point of coffee and coffee,

447
00:38:47,280 --> 00:38:53,199
because it' s internalizing, because
it' s going to enter the

448
00:38:53,280 --> 00:38:55,039
body and go through the intestines as
if it were a whole. I don

449
00:38:55,079 --> 00:38:59,239
' t know and from creating a
story like crazy, because that' s

450
00:38:59,280 --> 00:39:06,199
the real thing that imagination has and
the function that it has to take us

451
00:39:06,920 --> 00:39:13,400
to parallel worlds that we have very
close to ours. I think it'

452
00:39:13,440 --> 00:39:19,000
s part of the grace that this
is all about. I' m done.

453
00:39:19,039 --> 00:39:23,239
Details of the 18th edition two by
twenty- four centimetres. As I

454
00:39:23,239 --> 00:39:27,760
said before, Cartones del Bueno,
you have no extras to review, except

455
00:39:28,159 --> 00:39:35,400
for the authors' biography page,
which you also sell here at the end

456
00:39:35,400 --> 00:39:37,360
of the book Vale. I really
like the detail. I want to comment

457
00:39:37,360 --> 00:39:43,320
on the back cover where the vignette
synopsis comes from is like a page on

458
00:39:43,599 --> 00:39:46,079
the inside, and not through a
block of text that is telling you here

459
00:39:47,119 --> 00:39:51,119
in a few sentences that goes here, if not directly, because with some

460
00:39:51,199 --> 00:39:54,000
vignettes you get a little idea of
the thing there, a little weird that

461
00:39:54,079 --> 00:39:59,920
you will find here that I think
this invites you more to look at it

462
00:40:00,039 --> 00:40:04,440
and to want to read it this
way already beginning and it works very well.

463
00:40:04,599 --> 00:40:08,000
One last vignette here in the back
guards, which is a little what

464
00:40:08,079 --> 00:40:13,079
I told you before look. Here' s the bison group. He'

465
00:40:13,599 --> 00:40:17,840
s watching the cabin because of these
giris that are there from Safari at night

466
00:40:17,920 --> 00:40:21,599
watching TV and the TV says yes, the coffee has everything, i e,

467
00:40:21,840 --> 00:40:23,360
he' s throwing in an ad. The animals are seeing it and

468
00:40:23,320 --> 00:40:29,119
says the calves these of that it
is coffee dad and says the father,

469
00:40:29,360 --> 00:40:34,400
something that is not for children,
because this is the exchange that I told

470
00:40:34,480 --> 00:40:37,920
you of culture at the end that
generates this debate of good, human,

471
00:40:38,119 --> 00:40:42,679
yes, human, what we are
doing with him, with the planet,

472
00:40:42,960 --> 00:40:47,400
with these people around here, agreeing
well, Mr Elephant and Mrs Gazela dream

473
00:40:47,480 --> 00:40:52,920
of the great city astroave the second
of the recommendations of the program today I

474
00:40:53,320 --> 00:41:00,039
see you very cool And we go
with the third of things, of the

475
00:41:00,239 --> 00:41:05,760
recommendations also for today. We go
with a group of girls on their shoulders,

476
00:41:06,360 --> 00:41:09,599
no more and no less than the
fate of their respective realms. There

477
00:41:09,599 --> 00:41:15,280
' s no good there. This
is the number one Ericornias, the call

478
00:41:15,920 --> 00:41:22,599
of the goddess new series, also
that brings us the friends of astronave reading,

479
00:41:22,639 --> 00:41:28,960
in this case recommended from eight years
old for readers of that age.

480
00:41:29,480 --> 00:41:32,719
A little up is fine. This
is the work of kid Tu sond al

481
00:41:34,199 --> 00:41:37,800
Screenplay and VerónicaÁlvarez, with works
of drawing and color and diego of the

482
00:41:37,880 --> 00:41:44,960
saints in the work of translation I
cartón eighty pages, eighteen with ninety-

483
00:41:45,320 --> 00:41:49,599
five euros and what this is about
the hericornias that are telling us here.

484
00:41:49,679 --> 00:41:58,960
Okay. Basically, there is a
tradition in the ancient Kingdom of Lemuria that

485
00:41:59,039 --> 00:42:02,880
dictates that every hundred years, the
heir of the kingdom has to go alone

486
00:42:04,119 --> 00:42:07,239
to the temple of the Goddess,
which is in a place as very remote

487
00:42:07,320 --> 00:42:13,920
and remote to ask for protection,
to ask for peace and to ask for

488
00:42:14,159 --> 00:42:16,280
prosperity for the next hundred years of
her kingdom. It is a mission,

489
00:42:16,599 --> 00:42:22,480
therefore, very important and this time, the one in charge of carrying it

490
00:42:22,480 --> 00:42:28,320
out is Celeste, she is the
little sister of which she would actually have

491
00:42:28,920 --> 00:42:32,920
to be in charge, who is
the first- born of the kingdom,

492
00:42:34,119 --> 00:42:37,480
is the princess astra no, but
who is precisely sick at the moment when

493
00:42:38,760 --> 00:42:44,000
this prophecy of every hundred years,
this pilgrimage has to be fulfilled. And

494
00:42:44,199 --> 00:42:47,960
so, well, the mission has
fallen there, the brown one to his

495
00:42:49,000 --> 00:42:54,239
little sister, and of course it
is a mission with risks and let'

496
00:42:54,360 --> 00:43:00,920
s say it has a couple of
advantages to prevent and solve them. They

497
00:43:01,039 --> 00:43:07,000
have been educated and created in an
environment in which, well, that has

498
00:43:07,119 --> 00:43:15,679
been given to these girls, those
princesses, a couple of elements that will

499
00:43:16,840 --> 00:43:21,800
play in their favor. On the
one hand, they can invoke weapons,

500
00:43:22,639 --> 00:43:28,000
which are a kind of clothing armor
that envelops them and can invoke their protective

501
00:43:28,119 --> 00:43:32,519
unicorn, which is the one that
will manifest itself, is the lens that

502
00:43:32,559 --> 00:43:37,840
manifests itself and comes next to them
in case of need. They are mystical

503
00:43:37,760 --> 00:43:43,440
or magical unicorns, as you want
to call them. And well, it

504
00:43:43,480 --> 00:43:47,679
turns out that, indeed, there
is a point in history at which this

505
00:43:49,599 --> 00:43:57,119
need comes and invokes these elements and, moreover, with it also comes the

506
00:43:57,159 --> 00:44:01,320
discovery that, in reality, she
is not the only erico that exists classuricorns,

507
00:44:01,320 --> 00:44:04,719
which are, therefore, the name
that has been given to these heirs

508
00:44:04,760 --> 00:44:10,360
of the unicorns protector of these realms. And it turns out that there are

509
00:44:10,400 --> 00:44:15,159
several kingdoms that have sent their own
Ericornia. They coincide the dates to go

510
00:44:15,280 --> 00:44:20,800
all to see this goddess and,
therefore, they all have the same purpose

511
00:44:20,840 --> 00:44:23,519
as celestial and here that, suddenly, as it joins with four other Ericornias

512
00:44:23,599 --> 00:44:30,679
plus each one coming from a different
place. And basically this is to see

513
00:44:31,039 --> 00:44:35,880
what happens to them, what happens, how this series starts, because I

514
00:44:35,880 --> 00:44:42,039
invite you and it will be your
turn to read the volume. And,

515
00:44:42,519 --> 00:44:50,000
well, you' re watching and
you' re telling yourself things about this

516
00:44:50,000 --> 00:44:52,880
volume. Well, as I was
saying before, well, from a story

517
00:44:52,960 --> 00:44:58,159
of imagination to another more fantastically cut
imagination, from things we' ve seen

518
00:44:58,159 --> 00:45:04,719
here before and, as we said
before, more classic history, pure and

519
00:45:04,920 --> 00:45:08,760
hard fantasy. It' s a
typical travel story of the heroin hero,

520
00:45:08,920 --> 00:45:15,239
in this case, with an aroma
that to me the little bit of reading,

521
00:45:15,519 --> 00:45:23,880
has come a little to mind,
things or ingredients like lascylort Moon or

522
00:45:24,360 --> 00:45:29,079
the knights of the zodiac. If
you have these things a little on your

523
00:45:29,079 --> 00:45:35,079
head, you will discover a little
bit of the aroma or part of the

524
00:45:35,119 --> 00:45:39,360
ingredients with what is being cooked.
This series is very sidelor Moon also good

525
00:45:39,360 --> 00:45:43,599
here. You' re gonna find
unicorns. You will find brave girls from

526
00:45:43,639 --> 00:45:51,440
different backgrounds and aspects and others with
different abilities, with different customs. You

527
00:45:51,440 --> 00:45:52,679
' re gonna find the adventures.
You' re going to find conflict.

528
00:45:53,199 --> 00:45:58,840
Let' s find bubble guns,
let' s find lizards, howlers cookies,

529
00:45:59,400 --> 00:46:02,079
let' s find armor, let' s find cool suits. I

530
00:46:02,119 --> 00:46:06,400
mean, well, this series has
all the ingredients, after all, to

531
00:46:06,400 --> 00:46:08,840
generate a story with interest, a
story that' s cool, a story

532
00:46:08,920 --> 00:46:15,280
that hooks us all and everyone that
we' re going through here. I

533
00:46:15,280 --> 00:46:19,400
think I' ll go. In
fact, this first volume is a start

534
00:46:19,480 --> 00:46:23,159
for me is a perfect presentation story. It is a story of introduction to

535
00:46:23,199 --> 00:46:29,519
pure and hard use in which we
are going to get to know each character

536
00:46:29,559 --> 00:46:34,320
that launches the main plot, that
we run into the antagonist, that raises

537
00:46:34,480 --> 00:46:37,719
a thousand and one questions that are
going to be solved. We understand little

538
00:46:37,800 --> 00:46:44,760
by little, as the series progresses
with successive adventures and numbers. It'

539
00:46:44,840 --> 00:46:47,159
s all right It' s all
set. You will see how each character,

540
00:46:49,480 --> 00:46:53,840
each of these girls within the group, are going to have their more

541
00:46:54,280 --> 00:46:59,159
or less characteristic role so that the
group is more or less compensated and,

542
00:46:59,800 --> 00:47:04,039
in essence, so that they can
complete the mission they have assigned and this

543
00:47:05,079 --> 00:47:12,920
has also given me a lot of
vibrating air to what would be a classic

544
00:47:13,000 --> 00:47:17,800
role- playing campaign in terms of
that this is a mission that needs to

545
00:47:17,840 --> 00:47:23,119
be completed and how everything is organized. It didn' t give me much

546
00:47:23,119 --> 00:47:25,960
of that air. Then you'
ll see a detail. You can be

547
00:47:27,000 --> 00:47:30,679
a detail that in the end has
confirmed to me too and well, I

548
00:47:31,639 --> 00:47:37,480
think the drawing stands out here above
everything else. Without a doubt, I

549
00:47:37,559 --> 00:47:45,280
have loved this style of Venunica albertÁlvarez, author. Patria is another of

550
00:47:45,280 --> 00:47:58,280
these young comic realities of our country
that are coming out so strongly and with

551
00:47:58,360 --> 00:48:02,360
more and more Swiss assiduousness in our
panorama and from which we are infinitely happy

552
00:48:02,400 --> 00:48:09,960
a woman forced in forging in the
world of animation with a trajectory already of

553
00:48:10,119 --> 00:48:16,039
years that, moreover, combines the
creation of comics with the editorial illustration for

554
00:48:16,079 --> 00:48:21,239
books, which has a very beautiful
line, has a very dynamic drawing,

555
00:48:21,920 --> 00:48:35,440
very expressive, very well done very
well all the anatomy, the forms,

556
00:48:35,639 --> 00:48:44,519
the line, the dynamism, good
of everything, the own color of the

557
00:48:44,519 --> 00:48:46,360
comic, which is a very beautiful
color, very attractive, very luminous,

558
00:48:46,679 --> 00:48:52,519
that fills every page to the thousand
wonders, works super well all and good.

559
00:48:54,400 --> 00:49:00,639
For me, it is the perfect
complement for this writer the kit Tu

560
00:49:00,800 --> 00:49:06,400
Sant that is the creator of another
series that we have already brought here to

561
00:49:06,639 --> 00:49:14,119
the program they were drawing habilin stocar
also another great cartoonist coming from the world

562
00:49:14,119 --> 00:49:15,760
of animation. So, well you
see that this gentleman, because he likes

563
00:49:16,679 --> 00:49:24,599
to surround himself with fetn cartoonists with
such a very characteristic style, with an

564
00:49:24,719 --> 00:49:29,239
aroma of animation, so nothing very
good for him, because the results in

565
00:49:29,320 --> 00:49:35,519
sight are good to cool a lot. It' s a very promising series.

566
00:49:36,079 --> 00:49:38,480
I liked it very much that it
leaves you with a good taste of

567
00:49:38,480 --> 00:49:43,440
mouth and, of course, because
as always, wanting to know how this

568
00:49:43,519 --> 00:49:45,920
move continues that in the end is
the most important thing. My Hija has

569
00:49:45,920 --> 00:49:53,360
asked for it just this week and
I will start reading it to you shortly.

570
00:49:53,480 --> 00:49:58,800
I really want to see what he
says, what he tells me,

571
00:49:59,800 --> 00:50:00,599
if he' s cool or if
he doesn' t tell him or if

572
00:50:00,599 --> 00:50:04,440
he doesn' t. Well,
I' ll see if someone like this,

573
00:50:04,519 --> 00:50:07,440
as always, if any of you
already have it in your hands and

574
00:50:07,440 --> 00:50:14,519
you' ve read it or so
for the comments write us something about social

575
00:50:14,519 --> 00:50:22,679
networks, to the platforms where we
upload the program or where you want and

576
00:50:22,760 --> 00:50:27,480
to see what you think of all
these things that we are presenting to you

577
00:50:27,559 --> 00:50:32,880
as details of the edition, because
format also of eighteen five by twenty-

578
00:50:32,880 --> 00:50:37,679
four centimetres similar to that of before. As an extra it brings something very

579
00:50:37,679 --> 00:50:40,599
interesting that, besides linking what I
was going to comment links with what I

580
00:50:43,039 --> 00:50:46,039
was talking to you, you have
a kind of enlargement of the world,

581
00:50:46,039 --> 00:50:49,880
of the world of the Ericormias.
And basically what brings us are like some

582
00:50:49,920 --> 00:50:53,679
character tiles, in this case,
in particular, two of those of these

583
00:50:53,800 --> 00:51:00,679
protagonists, Celeste and Rama, because
this is a description of all of these

584
00:51:00,760 --> 00:51:07,119
characters, with their different attributes,
with their strengths, weak points, a

585
00:51:07,119 --> 00:51:14,000
description of how they are of the
Kingdom of how the choice of these Ericornias

586
00:51:14,079 --> 00:51:22,039
occurs within this realm. In this
case, because the celestial is a choice

587
00:51:22,079 --> 00:51:29,440
by birth and branch is a choice
by Drawing what is the promise of the

588
00:51:29,519 --> 00:51:31,320
heiress, what is the personal desire, because it is one of the things

589
00:51:31,400 --> 00:51:36,920
that are also entitled when they come
to make that request to the goddess make

590
00:51:37,039 --> 00:51:43,280
that request for her kingdom, but
they also keep the possibility of asking to

591
00:51:43,559 --> 00:51:46,440
make a request for a specific desire
for them as heiress. It is not

592
00:51:46,440 --> 00:51:52,559
something to which they are entitled and
from the back, because you also have

593
00:51:52,039 --> 00:51:57,840
specific tokens of the unicorns that they
mount, of the unicorns of which they

594
00:51:57,920 --> 00:52:04,280
are heirs, in this case the
unicorn of Celeste and the unicorn of Macraft.

595
00:52:04,440 --> 00:52:07,760
And that authentic one, it'
s an authentic role card, that

596
00:52:07,760 --> 00:52:12,920
is, with the star attributes of
more or less defense, in attack,

597
00:52:13,199 --> 00:52:19,519
power, speed and agility, to
magic, telepathy, etcetera. And with

598
00:52:19,719 --> 00:52:24,400
a baby description of the political system, of the shield, of the general

599
00:52:24,440 --> 00:52:31,960
situation, of the nation, in
particular the economic situation. Well, it

600
00:52:32,000 --> 00:52:36,559
' s all the colored powers,
how the horn is, and so on.

601
00:52:37,119 --> 00:52:38,800
So it seems super cool because this
is precisely what gives you this is

602
00:52:38,880 --> 00:52:45,280
information about the lore, about the
history, about the composition of this universe

603
00:52:45,320 --> 00:52:50,440
that we have presented here and everything
that you know and they are informing you

604
00:52:50,559 --> 00:52:58,480
about the protas, because in the
end it is food, for fantasy and

605
00:52:58,519 --> 00:53:04,000
for gender, that atmosphere that you
need so that history pulls forward. So

606
00:53:04,000 --> 00:53:06,960
there' s one thing that'
s been done to me a little bit

607
00:53:07,000 --> 00:53:09,960
weird, which is there' s
no map, a situation map of what

608
00:53:10,000 --> 00:53:14,239
the world is and the nations and
so on, which is kind of super

609
00:53:14,320 --> 00:53:19,599
super ultra mega typical of this kind
of publications. So much fantasy to put

610
00:53:19,679 --> 00:53:22,079
us in a good position, because
they have to travel, they have to

611
00:53:22,199 --> 00:53:25,159
do all this travel, especially when
they are journeys of the hero of this

612
00:53:25,199 --> 00:53:27,800
type that they have to do missions. And I don' t know where

613
00:53:27,800 --> 00:53:30,360
to go, I don' t
know how many places to get an idea

614
00:53:30,400 --> 00:53:32,559
of where the places they' re
going, etcetera, etcetera. And here

615
00:53:32,599 --> 00:53:38,039
for the moment, because in this
first volume, there is not that does

616
00:53:38,119 --> 00:53:44,639
not mean that because equal to that, then they end up taking it out

617
00:53:44,639 --> 00:53:49,840
and presenting it to us. I
say that maybe we can see it and

618
00:53:50,079 --> 00:53:52,440
as the numbers come out, I
understand that they will also introduce us the

619
00:53:52,519 --> 00:53:58,960
chips of the other characters that are
appearing in the hour. So, well,

620
00:53:59,400 --> 00:54:04,239
this is the Ericornias, the number
one, the goddess' call.

621
00:54:05,119 --> 00:54:10,039
Third of the recommendations we brought you
for today' s program and we go

622
00:54:10,199 --> 00:54:21,039
with the last, but not the
least, which is a history of a

623
00:54:21,880 --> 00:54:30,400
very unusual veterinary clinic, this is
he Bet Bettery Bruges. Again also work

624
00:54:30,599 --> 00:54:37,440
of astronabia. Today we have brought
many things of spaceship, a recommended reading

625
00:54:38,119 --> 00:54:44,039
for ages from eight or nine years
old, also readers from nine years old.

626
00:54:44,920 --> 00:54:46,960
This is a work by St Davis, script and full drawing author,

627
00:54:47,400 --> 00:54:54,239
complete, with more snooping translation work. It is a rustic publication with a

628
00:54:54,800 --> 00:54:58,679
hundred and eighty- four pages.
This is already the chubby beo of this

629
00:54:58,719 --> 00:55:02,920
program for nineteen with ninety- five. And what' s this about Hebet,

630
00:55:04,960 --> 00:55:07,639
Beter and Witches? Well, a
little bit. As the name suggests,

631
00:55:07,360 --> 00:55:15,400
here are veterinary witches, in the
veterinary world. We' re gonna

632
00:55:15,400 --> 00:55:19,760
meet here. We are meeting or
presenting two different stories within this volume,

633
00:55:19,960 --> 00:55:23,400
the first, which is much lighter
we would say, and the second,

634
00:55:23,719 --> 00:55:28,239
which has more plot, which has
more chicha, more points of interest and

635
00:55:28,239 --> 00:55:31,159
which, in one way or another, also links a little with the first.

636
00:55:32,280 --> 00:55:38,559
The question with which this volume starts
this series. Well, if you

637
00:55:38,559 --> 00:55:43,920
' ve ever wondered where magical animals
go when they get sick, then to

638
00:55:44,000 --> 00:55:50,280
a magic veterinary clinic, it looks
like it' s a little bit.

639
00:55:50,559 --> 00:55:53,719
The most obvious answer is that not
everything magical, well it heals with a

640
00:55:53,800 --> 00:55:59,239
spell as maybe we can think,
or with something like that, a little

641
00:55:59,239 --> 00:56:02,360
simple to lift a magic wand and
shake it to do in Chinchan and that

642
00:56:02,360 --> 00:56:06,840
' s it. Let' s
not say that this is a veterinary clinic

643
00:56:07,280 --> 00:56:12,840
done and right run by the most
reputed beter and witch in the region,

644
00:56:13,360 --> 00:56:17,280
with a somewhat particular staff, because
you have a chief nurse who is a

645
00:56:17,320 --> 00:56:23,079
believer and an unpathetic of life,
and then you have these two young apprentices

646
00:56:23,119 --> 00:56:29,360
of Betir and Bruges, who are
the real protagonists of the volume that,

647
00:56:30,639 --> 00:56:35,079
well, they are two apprentices who
apply to the maximum with their peculiar patients,

648
00:56:35,159 --> 00:56:38,599
which is a little what they have
to deal with every day in the

649
00:56:38,599 --> 00:56:45,280
consultation. You have to earn your
pointed hat from Bruges. Based on this,

650
00:56:45,519 --> 00:56:50,800
to learn the trade and to give
everything, and here we have them

651
00:56:50,800 --> 00:56:54,119
to Nán and to clarion Nan is
the protagonist the rubita that we have here

652
00:56:54,320 --> 00:56:59,039
and Clarion is the one that has
the darkest hair than here. Well,

653
00:56:59,079 --> 00:57:02,960
here they are putting all their daily
efforts and, obviously, how these kinds

654
00:57:04,079 --> 00:57:08,000
of stories happen, because things twist
and get complicated very quickly, and their

655
00:57:08,920 --> 00:57:14,079
real abilities to react to the crisis, well, they look pretty fast.

656
00:57:16,400 --> 00:57:21,639
They are put to the test as
regards the chief, because they have to

657
00:57:21,679 --> 00:57:28,039
be absent from the emergency room and
they are left alone. In the office.

658
00:57:29,159 --> 00:57:34,280
Let' s say that the first
story, the action develops quite contained

659
00:57:34,360 --> 00:57:37,119
within what is the consultation itself,
and let' s say that in the

660
00:57:37,199 --> 00:57:45,320
second story, already the situational range
of the story expands and we get into

661
00:57:45,400 --> 00:57:50,480
other scenarios. We also go further
into the village, we go into the

662
00:57:50,480 --> 00:57:53,519
context of families, we go into
the forest itself, in the surroundings,

663
00:57:54,280 --> 00:58:00,199
we go even to the sky,
where they take there to their own consultation

664
00:58:00,280 --> 00:58:06,000
to deal with the animals and who
live up there. That is, that

665
00:58:06,000 --> 00:58:10,320
the possibilities open up much more and
to really understand and see what is happening,

666
00:58:10,400 --> 00:58:14,480
because a little bit the usual we
do not invite you to take it

667
00:58:15,840 --> 00:58:21,519
and open it, read it and
speak it and tell us to see if

668
00:58:21,599 --> 00:58:25,599
you like it or not to comment. Well, this again a new series

669
00:58:25,760 --> 00:58:31,360
dedicated to the world of witches,
of magic in its school side or information,

670
00:58:34,079 --> 00:58:38,119
as you want to call it.
It is a theme that still seems

671
00:58:38,559 --> 00:58:45,960
to appear a month after month,
which is still something inexhaustible, it continues

672
00:58:45,079 --> 00:58:53,559
to appeal to new generations, generating
new stories, new series year after year.

673
00:58:53,920 --> 00:59:00,239
This is an echo that continues on
high and, in fact, this

674
00:59:02,719 --> 00:59:13,159
echo of relating magic witchcraft to the
subject of veterinarian I was something that also

675
00:59:13,199 --> 00:59:15,800
resonated in my head, because in
this same program, in this same podcast,

676
00:59:16,159 --> 00:59:22,880
we have already told you in your
day of another series with relatively similar

677
00:59:22,920 --> 00:59:32,679
characteristics that was this series from here
in Ola and the fantastic animals, which

678
00:59:32,679 --> 00:59:39,440
was, because of something similar the
series of Yogui Shan Blend, the screenwriter,

679
00:59:40,559 --> 00:59:45,880
of the series of the cherry diaries, in which, well, it

680
00:59:45,880 --> 00:59:51,159
is in the history of this veterinarian
specialized in animals, tales and legends.

681
00:59:52,320 --> 00:59:59,960
If I invite you, as always, to search in the previous episodes of

682
01:00:00,159 --> 01:00:05,239
the program and if you have this
curiosity, give another little listen, no,

683
01:00:05,559 --> 01:00:08,639
but good that is Higsberg. The
volume that we have in our hands

684
01:00:09,920 --> 01:00:16,599
today is totally another line, it
is another different roll and I also invite

685
01:00:16,599 --> 01:00:20,440
you. We' re inviting you
to take a look at it. On

686
01:00:20,559 --> 01:00:24,519
the one hand, theme and setting. This is a fully magical world,

687
01:00:25,559 --> 01:00:30,599
so we can appreciate where the magical
and the everyday also live in a natural

688
01:00:30,679 --> 01:00:36,960
way. And also the scope is
like that, as very clinical, as

689
01:00:37,039 --> 01:00:45,119
I said before, the environment,
the treatments, the cures, the very

690
01:00:45,440 --> 01:00:50,400
environment that you see on the cover, because this is a pure and hard

691
01:00:50,400 --> 01:00:54,480
clinic. They were going with their
suits, their vet coats and their gloves

692
01:00:54,559 --> 01:01:01,159
and their phone two copies and all
that stuff is no longer as real in

693
01:01:01,199 --> 01:01:06,920
that sense. I have liked that
approach, besides that there is the link,

694
01:01:07,320 --> 01:01:12,119
for example, that also that these
two girls, this couple of students,

695
01:01:12,519 --> 01:01:15,000
are forming, because here what we
are seeing is that, little by

696
01:01:15,039 --> 01:01:19,320
little as we get to know them
how each one has their things, how

697
01:01:19,440 --> 01:01:25,480
each one of them takes different feet
and between them are generating a cocktail,

698
01:01:27,760 --> 01:01:32,960
then, of introversion, on the
one hand, but also with decision,

699
01:01:34,519 --> 01:01:39,840
empathy, mystery, companionship, audacity, of despair, are elements that each

700
01:01:39,880 --> 01:01:45,760
one is contributing to that tandem,
this duo. And good is all this

701
01:01:45,800 --> 01:01:52,079
makes them complement each other quite well
that they can generate bonds that are helping

702
01:01:52,199 --> 01:01:57,679
them to get a little bit of
the chestnuts out of the things that are

703
01:01:57,760 --> 01:02:00,480
happening, because along the pages,
both of them want to give everything to

704
01:02:00,559 --> 01:02:08,599
become this true witches, true empeter
and witches. And deep down, they

705
01:02:08,679 --> 01:02:15,840
know they' re in the best
place they can be, because it'

706
01:02:15,920 --> 01:02:20,920
s a well- known clinic.
Yes, the nurse is a little bit

707
01:02:21,320 --> 01:02:25,079
the boss above them, he'
s a pretty stupid character, actually,

708
01:02:25,239 --> 01:02:30,440
quite ridiculous. And then the Veterinary
Chief is like this, as the pages

709
01:02:31,000 --> 01:02:35,760
go over, as in a whole
character to keep in mind and also to

710
01:02:35,840 --> 01:02:38,679
follow that it is a character full
of questions, full of mysteries that you

711
01:02:38,679 --> 01:02:45,159
notice it with a lot of wisdom
behind that gradually gains whole, because you

712
01:02:45,239 --> 01:02:49,119
see that it hides much more than
it seems to shine at a given moment

713
01:02:50,159 --> 01:02:55,039
and what they are showing themselves.
He' s someone who' s very

714
01:02:55,480 --> 01:03:05,199
wise, very complex, and he' s gradually conquering you, and he

715
01:03:05,199 --> 01:03:06,360
' s taking them well with him. And, well, then, regarding

716
01:03:06,400 --> 01:03:15,239
the drawing, it' s quite
caricature. I would say I draw much

717
01:03:15,639 --> 01:03:21,480
attention to the treatment, I'
m going to say it anatomically, when

718
01:03:21,480 --> 01:03:22,320
it comes mainly to developing whole bodies. To me, what has attracted me

719
01:03:22,400 --> 01:03:29,519
the most attention is a very curious
style, very simple. The truth is

720
01:03:30,920 --> 01:03:35,639
there are bullets that are very well, very well done. There are even

721
01:03:35,639 --> 01:03:39,960
some that powerfully call attention. I
can find that there are none in particular,

722
01:03:40,760 --> 01:03:46,480
but then, on the other hand, for example, this snake over

723
01:03:46,519 --> 01:03:50,000
here the design. I mean,
there are things that are very, very,

724
01:03:50,199 --> 01:03:54,039
very cool, but then, on
the other hand, there are moments

725
01:03:54,079 --> 01:03:58,559
that I see and that surprise me. But like this, it' s

726
01:03:58,559 --> 01:04:01,599
weird. There' s this weird
jua, this is a weirdo point of

727
01:04:02,440 --> 01:04:09,480
view, well, it kind of
offers you a more childish point of view

728
01:04:09,519 --> 01:04:16,159
and what it should or perhaps in
relation to what I think is a more

729
01:04:16,239 --> 01:04:20,679
not- so- worked drawing,
but good that it' s part of

730
01:04:20,760 --> 01:04:23,280
the personal look of the eye author. Not that it' s wrong,

731
01:04:23,679 --> 01:04:26,320
but much less. I don'
t mean that either, but that'

732
01:04:26,320 --> 01:04:31,400
s why I say, it'
s a curious visual aspect, it'

733
01:04:31,400 --> 01:04:32,800
s a different style. You have
to get a little used to it,

734
01:04:33,119 --> 01:04:36,639
especially if you' re a little
bit of a micchis like my case as

735
01:04:36,639 --> 01:04:44,559
a reader. Of course, for
the small zero problem, i e that

736
01:04:44,559 --> 01:04:49,119
the drawing is in that sense,
it is very, very, very well

737
01:04:49,119 --> 01:04:51,519
bulleted and, in fact, in
this case, for example, a type

738
01:04:51,639 --> 01:04:59,840
of bullet that works great, with
soft or almost non- existent backgrounds,

739
01:05:00,679 --> 01:05:03,960
with very soft colors, a quite
continuity palette. In the end, all

740
01:05:03,960 --> 01:05:06,679
this makes what you focus very well
on action and what the story is telling

741
01:05:06,679 --> 01:05:15,920
you. All that is super well
achieved, what all these ingredients, what

742
01:05:15,000 --> 01:05:21,039
gets you is the basic and main
question of any story, which is that

743
01:05:21,079 --> 01:05:28,079
to see how this follows that we
give them a chance that you say hey

744
01:05:28,159 --> 01:05:30,639
this boot is okay. I want
to know more about those people where the

745
01:05:30,679 --> 01:05:33,920
shots are going, what they'
re going to show us next they'

746
01:05:33,920 --> 01:05:40,760
re going to expand this magical world. This is almost circumscribed to the clinic

747
01:05:40,880 --> 01:05:45,800
environment and a little bit outside,
but you want to go seeing and knowing

748
01:05:46,760 --> 01:05:53,559
that more girls can offer you these
people and that to see where the thing

749
01:05:53,599 --> 01:06:00,760
comes out and where we are going
to get out for next volumes. Because

750
01:06:03,320 --> 01:06:06,360
it' s happened to me a
little, maybe like what I told you

751
01:06:06,400 --> 01:06:11,239
before that, on the other hand, the way that good this is already

752
01:06:11,239 --> 01:06:15,400
a little bit. Details of the
edition is worth fifteen two by twenty-

753
01:06:15,519 --> 01:06:23,480
two centimeter, twenty- two with
two centimetres that told you that it also

754
01:06:23,599 --> 01:06:30,000
deconcentrated me a little, because at
no time does it seem to be mentioned

755
01:06:30,239 --> 01:06:32,360
that it is a story of continuation, because you do not appear your enumeration

756
01:06:32,360 --> 01:06:35,000
or anything. But if you get
inside the credits page, it actually appears,

757
01:06:35,559 --> 01:06:39,679
because this is the number one and
number two of the original edition put

758
01:06:39,800 --> 01:06:45,119
into a single volume. Therefore,
as the second story closes, it gives

759
01:06:45,280 --> 01:06:48,679
us the feeling that there is going
to be a process of continuing later with

760
01:06:48,760 --> 01:06:58,639
the next part of the stories that
are to come and as an extra final,

761
01:06:59,159 --> 01:07:01,639
because it is also a very cool
extrang of these things that I always

762
01:07:01,679 --> 01:07:06,920
tell you about how to draw a
comic book page. I think we'

763
01:07:06,960 --> 01:07:13,639
re also dealing with that in the
previous show, precisely that other comic book

764
01:07:13,639 --> 01:07:16,400
that had this extra. And me, well, like I say, I

765
01:07:16,599 --> 01:07:21,599
always love storyboarding. How does the
story war pose, how do the sketches

766
01:07:21,639 --> 01:07:28,440
pose every step of the way,
how does the ink, the color,

767
01:07:28,840 --> 01:07:34,440
the retouching, all and to end
with the labeling and the final finishes,

768
01:07:34,639 --> 01:07:41,000
that is, that are details that
I very much appreciate, that are super,

769
01:07:41,559 --> 01:07:45,480
super interesting to me to understand the
creative process that the authors take when

770
01:07:46,519 --> 01:07:50,760
it comes to generating their works and
I value very much of this type of

771
01:07:50,760 --> 01:07:56,920
elements. So, well, it
also has the corresponding biography page. So,

772
01:07:57,039 --> 01:08:01,719
well, some extras, because this
is pretty cool, he bet,

773
01:08:02,440 --> 01:08:09,960
spaceship, beter and witches, witches, bugs, monsters, magics. Anyway,

774
01:08:10,199 --> 01:08:15,280
winning horse as usual, and well
let' s just say the four

775
01:08:15,400 --> 01:08:20,199
main titles we had for today I' ve just commented on them. But

776
01:08:20,239 --> 01:08:27,039
I do want to throw a last
extra ball at you and I didn'

777
01:08:27,800 --> 01:08:31,960
t want to do it without commenting
on one of the releases that came out

778
01:08:32,000 --> 01:08:39,239
at the end of March, the
first of April, that for me the

779
01:08:39,319 --> 01:08:48,359
truth is very cool and it'
s basically who is that Smurf of Tebo,

780
01:08:48,560 --> 01:08:54,960
a publication of editorial norm in cardboard
fifty- six pages per eighteen horites

781
01:08:55,039 --> 01:08:58,199
of the typical book of European comic
cob format and good because that' s

782
01:08:58,319 --> 01:09:01,039
basically what is a story of the
Smurfs, but it' s not of

783
01:09:01,079 --> 01:09:09,239
the classics of hair of all life, but it' s a personal vision

784
01:09:09,359 --> 01:09:15,520
of Tebo this French author, good
in norm that he owns the license of

785
01:09:15,560 --> 01:09:20,399
the publication Sken who edits of the
characters that needs the classic collection of the

786
01:09:20,399 --> 01:09:21,079
Smurfs in Spain, which is of
the original author' s hair. Here

787
01:09:21,199 --> 01:09:27,239
what brings us is a new adventure
of our famous little blue and adorable and

788
01:09:27,359 --> 01:09:33,319
loving people we know all our lives. But with a new vision, it

789
01:09:33,359 --> 01:09:41,039
is the most particular and more exclusive
vision of this author in a play,

790
01:09:41,199 --> 01:09:45,399
as this is very similar to the
one we have recently been offered, for

791
01:09:45,439 --> 01:09:53,159
example, Luis stretching Fin, for
example, who published with Astiberry the Portutatis.

792
01:09:54,399 --> 01:10:00,960
It is a different version, new
and personal, therefore, of the

793
01:10:00,000 --> 01:10:08,720
characters of the irreducible village, of
Gauls of asterix and obligs because in this

794
01:10:08,760 --> 01:10:15,119
case it is Tebo who is generating
us here in a new work of the

795
01:10:15,199 --> 01:10:17,119
Smurf I normally the same, well, because I would not have taught this

796
01:10:17,119 --> 01:10:23,680
anyway. But I think it'
s precisely because of this, even this

797
01:10:23,720 --> 01:10:25,640
comic that' s just been released
here. And I fear, therefore,

798
01:10:25,680 --> 01:10:30,039
is the perfect time and occasion for
us, thanks to this special volume,

799
01:10:30,800 --> 01:10:39,279
to come and rescue and take out
the stage of these characters that obviously remain

800
01:10:39,359 --> 01:10:45,159
fully in force. And that is
surely the new generations, because perhaps they

801
01:10:45,159 --> 01:10:49,239
neither know it nor know it in
its original realm, which is that of

802
01:10:49,279 --> 01:10:54,560
comics. And basically the same,
they have them fresher and they know them,

803
01:10:54,560 --> 01:10:59,319
because of the little dolls out there
and the modern versions of the cinema.

804
01:10:59,319 --> 01:11:02,720
These are films that they made with
this actor, with nil Patrick Harris,

805
01:11:03,279 --> 01:11:06,439
who are fine, who are curious, that we have had in cinema

806
01:11:06,479 --> 01:11:11,479
is relatively few years ago. But
surely they do not know the comics,

807
01:11:11,520 --> 01:11:18,119
because they know that this is really
the smurfs where you have to pat them

808
01:11:18,439 --> 01:11:23,560
and smurf them well is through the
comics. And, well, it'

809
01:11:23,560 --> 01:11:25,720
s a comic book that' s
all over the place. I' ve

810
01:11:25,800 --> 01:11:30,439
snuck in on me, and besides, he' s got it back by

811
01:11:30,479 --> 01:11:32,720
taking it all the way to the
end. In his parody. The purest

812
01:11:32,800 --> 01:11:36,279
essence of what these characters were in
their beginnings, which were little blue bridges

813
01:11:36,319 --> 01:11:41,239
that were not understood at all,
because all they did was smurf everything and

814
01:11:41,279 --> 01:11:46,680
they were not smurfed at anything.
Actually, between them, they obviously smurfed

815
01:11:46,800 --> 01:11:50,600
super well. But good for others, for there was no God to smurf

816
01:11:50,720 --> 01:11:57,199
anything. And of course, it' s all so much chaos and so

817
01:11:57,239 --> 01:12:00,960
much chaos, so much cause and
so much chaos, and it' s

818
01:12:00,000 --> 01:12:01,640
so funny, it' s so
much fun in history. It' s

819
01:12:01,760 --> 01:12:04,159
something tremendously typical of them. Typical
and topical. No, there' s

820
01:12:04,199 --> 01:12:09,840
a smurf that appears here in the
middle of nowhere in the village, smurf

821
01:12:09,880 --> 01:12:11,800
that doesn' t even know who
it is. He doesn' t know

822
01:12:11,800 --> 01:12:12,920
what he' s doing there,
he doesn' t know how he got

823
01:12:12,920 --> 01:12:14,880
there. You don' t know
why it' s blue. You don

824
01:12:14,920 --> 01:12:17,319
' t know why he' s
got that white hat, so ridiculous on

825
01:12:17,319 --> 01:12:20,960
his head? He doesn' t
know why he' s wearing white dancer

826
01:12:21,000 --> 01:12:27,000
' s tights on his legs and
he doesn' t know why there are

827
01:12:27,119 --> 01:12:31,079
dozens of clones alike, just like
him that are choking him all the time

828
01:12:31,279 --> 01:12:34,239
and tainting meaningless things in his ear. So, of course, the rest

829
01:12:34,239 --> 01:12:39,640
get very smurfs and put there smurfs
to the work to solve this mystery so

830
01:12:39,920 --> 01:12:44,319
smurf. That' s the way
it is. Smurfs are like that.

831
01:12:44,359 --> 01:12:46,199
It' s a delight. I
like it a lot. And also,

832
01:12:46,239 --> 01:12:50,439
it is that the story, especially
in addition to the story, Tebo'

833
01:12:50,520 --> 01:12:56,239
s style gives him good as an
authentic glove, super dynamic, very big

834
01:12:56,800 --> 01:13:00,439
- mouthed, very caricatured that has
caught him. I think one hundred and

835
01:13:00,479 --> 01:13:03,840
ten percent the point to the characters. And well, it also brings a

836
01:13:03,840 --> 01:13:11,760
lot of surprises inside other characters that
are appearing around here a lot of humor,

837
01:13:12,399 --> 01:13:19,640
fun wildness, a breath of fresh
air that is worth plapping and smurfing

838
01:13:19,680 --> 01:13:26,159
with mouths. I mean, you
have a tebo smurf by editorial rule.

839
01:13:26,159 --> 01:13:30,319
So the extra ball I wanted to
show you, because yes, because he

840
01:13:30,520 --> 01:13:33,800
deserves it. The being the classic
series, also if you can take a

841
01:13:33,880 --> 01:13:36,479
look at it, then take a
look at it. And obviously, this

842
01:13:36,600 --> 01:13:42,000
program focuses on other things, not
a modern comic book of today that'

843
01:13:42,039 --> 01:13:45,159
s just like good, it'
s not the mortaderos of all life that

844
01:13:45,239 --> 01:13:48,159
that' s still there, but
good. There are, fortunately, very

845
01:13:48,239 --> 01:13:53,880
very, very different things, very
cool things, but it is that the

846
01:13:53,920 --> 01:13:57,720
smurfs continue to be edited, it
continues to be done and with things as

847
01:13:57,760 --> 01:14:00,560
cool as these, because when something
like this comes out, you have to

848
01:14:00,560 --> 01:14:05,279
get it out. And so much
so, thank you so much for joining

849
01:14:05,359 --> 01:14:12,640
us for another month, for illustrating
us with these novelties of children' s

850
01:14:12,640 --> 01:14:15,920
and youth comics. We will return
next month with a new one and I

851
01:14:15,000 --> 01:14:19,119
with these comics and we with a
new Good morning, Mother Sphere next week

852
01:14:19,199 --> 01:14:24,960
in which we will bring you the
space and mother sphere that will be held

853
01:14:25,000 --> 01:14:29,479
live this Saturday twenty- fifth of
May, dedicated to the school thing and

854
01:14:29,800 --> 01:14:33,199
technology and its relationship with technology and
that you are still in time to book

855
01:14:33,199 --> 01:14:39,359
your tickets and want to accompany us
live with Martin, Masana and Pablo Duchment

856
01:14:39,720 --> 01:14:43,479
who will be with us in Madrid
in space Fundación Telefónica. So, folks,

857
01:14:43,920 --> 01:15:09,760
we' re going back to a
new episode soon enough. Bye s s s