Good morning, Mother? Good morning, Mother? Common sphere of the soro
source and already welcome to a good morning eusode, mother? Wait for this
podcast that accompanies you every week with themes, books with challenges, with interviews
always destined for an education, a little bit easier, a little more positive,
with a little more humor and in which in our program you already know
that we have every month a section dedicated to the comics, to the monthly
releases and in the latest releases of the field of children' s and youth
comics, so that you have a good list of novelties, juicy appetizing among
the ones to choose and that then you can blame our friend Simple with these
beards that does not arrive the budget for children' s comics, jueveniles,
because the guilt will always be hello s in how you are welcome, very
good, yes, yes, there you can blame me. I' ve
dealt with the blame to the editors. I mean, there are cool things
and that' s it, and that the wheel of guilt is spinning and
splashing to the winds, exactly we return one more month with new temptations and
in this case we accompany you in the month of May with last April'
s launches and those things that have stayed, that have suddenly come to you
or that have remained pending. Well, you know here a little bit tailor
- made. That' s the chicken and lamb mix for this program.
This is the news of April and, well, half of May of what
we' re wearing. We' ve gathered here in a bar with extra
double meat and cheese, and this is the small but select menu we bring
for today' s program. I have brought four fresh news and a bonus
track also for the end I even want to see. We are going to
start, then, effectively, with the first of the things for the little
ones, as always, because from the way we do it here, we
are starting at the earliest ages, at the recommended ages, of readers and
readers already a little more averse. Let' s start with art, with
art for all the Monica ages to see what you think. I want to
introduce you Otto and cas an adventure in the museum, a publication of friends
and friends of free will publishing and it is a recommendation for first readers,
readers and readers, since it is recommended from six years that you can even
read it without problems, with your and your little ones before five years,
without problems. Well, what' s this about Otoikas? Who brings it
to us. This is a work by Monica here Mo Gutiérrez Serna, full
author, script and drawing is a rustic edition with flap. It' s
a finite comic forty- eight pages for fifteen euros. And what' s
this about otoi Kas, what about what' s going on to another adventure
house in the museum, well, here we basically have is the story of
Cassandra, who' s this little girl here and or touching who' s
her dog, her dog, her dog, her faithful pet. And well,
let' s say they present us like this, starting at home,
painting and drawing in their things both. The mother arrives and well, because
she already puts us on the background that the next day, Cassandra is going
to have a school trip to the art museum and when she goes to bed
at night accompanied by her dog, because both begin to have a dream,
a very special dream, and the two dream at the same time and the
same dream. Let' s say that the two appear suddenly and suddenly in
a museum and start to explore it and start to see begin to see works
of art, that all the works of art that are being found go away,
but the much begin to explore, to go through the corridors and at
a given moment they run into a painting, is a very special picture,
is the page that will walk around here that all and all have seen many
times that it is this one here, which is basically the Guernica of Picasso.
In it appears a lamp that in which it is pressed light bulb and
suddenly, because this light bulb is lit here. You can' t appreciate
much that I teach it by wordcamp but well, the light bulb let'
s say it goes on and that light bulb, because it starts to descend
through the picture. He' s starting to grow a few piercites and a
few hands and a fart sticks a jump out of the picture and escapes into
the hallway ahead. And of course, these two poor people stay there a
little bit like what happened, they' re making the bombia where they go
and suddenly, of course, the picture of the Grandyca is totally black.
And of course, here we already have our two little protagonists chasing this disca
bulb, hallway up, corridor down the whole museum. And it is the
museum' s own works of art that give some clues to our characters from
where this bulb is escaping and, of course, does not want to go
back to where it was. And the others go after her trying to return
her to the painting so that the painting, therefore, recovers all its brightness
and all its splendor. And basically this is the story that they' re
telling us here in ottoic adventure, at the Museum. Things to comment on,
then, a few. The truth. What a musical discovery, friends,
friends, listening listeners, so beautiful, so cool and what a fortune
I would say that there are creators who continue to rethink, that these things
continue to be reconsidered that keep thinking about content of this kind, that to
me they seem very interesting not only already, but already directly necessary and,
of course, that there are also editorials behind that support them and that bet
to get these things going. I say so, obviously, as an interested
party in the world, as I have studied art since I was in high
school and in my college stage and everything. But even if I hadn'
t, that is, I think it' s a fundamental thing to drink
a little bit of a minimum, since we' re small in art and
visual culture, which, after all, because that' s the culture in
which we' re fully immersed today, which is the images that are educating
us every second of the day. The first thing I have to say,
in the background of this good comic, because it is a little bit perhaps
the obvious, which is a story that, basically good, is the dream
translation of a sensitive dream that these protagonists have and, thus, on the
table, basically it is the mommy hears that today I have dreamt, this
with which so many conversations, because they start the mornings of our homes with
the little ones And it is something that, evidently, because precisely for this
reason I believe that it is something that childhood that you can see very well
represented to such an extent that that, that is that it is something that
the children is a process that can repeat one day and another. I mean,
well, I' ve had this story and I come and tell you
and I' ve dreamed of something that I' ve seen in class and
I' ve dreamed of something that we' ve talked about at home and
that' s why a play like this, I think it' s perfect
to capture the interest of the kids themselves as readers, that is, because
it' s something that they almost intuitively manage in their day- to-
day lives. And, of course, because as a dream, which is
also that it is a comic, it is a jet of imagination, as
it has to be a good dream and as it has to be a good
story for kids And not so young and good things that have caught my attention
just by opening it up, or, in fact, almost the first thing
that has caught my attention is the look of that graphic treatment, is the
treatment of the images and how they plant it, and especially through the color,
that is, because it meets has big cartoons, has capital letters,
has few texts inside the snacks, that is, it meets all these basic
criteria, more or less associated with what is being the recommended reading for first
readers. But above all, it' s what has caught my attention the
most just by opening them. The theme is the theme of color. And
I' m saying that because if you look at it, there' s
a couple of things that just open it call a lot. The attention is
that, on the one hand, the lines that delimit the edges of the
vignettes in ninety- nine percent of the graphic production that you will find anywhere,
as it comes to be a black edge and not here. Here are
colored vignettes, each of a border of a different color and not only that,
but the very edges of the snacks, of the dialogues happens the same
thing, they are also colored with different colors, so this is what gives
it in the background is a roll of almost rainbow to the page. It
is not a thing like very luminous, very visual and that we very strongly
call attention even the very colors of the backgrounds of the cartoons, which are
that they have their texture, as well as of brush and others, but
it has a color treatment with a very flat color that also go according to
the same colors with which the edges of the cartoons are being colored as well
as the edges of the sandwiches. It' s all very homogenous, my
homogenous. I think that at the same time it is very very, very
very visual, that is to say that they enter through the eyes like a
shot And to me this, well, I liked very much, in part
a detail and in addition, this adds this simplified aspect as of drawing so
fully infantile. This whole set of things makes this thing that we have a
comic book that is irremediably going to exercise a super powerful appeal, I think,
about the little ones and they' re going to look really good reflected
to the truth and good more things. I think another of the things that
I have liked most or that possibly is what I find most interesting, is
that, deep down that story, what it is doing is taking you hand
in hand for a tour of many of the great universal works of art and
here I think I would say that the brightest thing, almost if possible,
is that, for the most part, they are works of contemporary art,
because I have read other things that in the end they intend to do more
or less similar things. And a lot of work has always been done since
the traditional and you almost become from Altamira from the bison to here and with
Egyptian art and whatever. But here is a lot, a lot of contemporary
work. And this isn' t the usual thing. The truth is,
let' s say the author' s taking us. The author' s
taking us on a tour she' s mixing with. Yes, there are
classical works, obviously, but then you get others that, in addition to
being contemporary, are not so well known by the public. And that gives
me a huge hallelujah. I don' t remember me coming to my head.
The words of my co art history teacher came to my mind with this
comic, and this woman was telling us when we studied 20th- century art
history, that we were truly privileged. He told us why, from this
point on, we were going to become or enter into a sort of select
group of people who were going to understand a minimum of what modern art is
and that we could go to museums of contemporary art and, at least understand,
if not all much of what was happening there, of what we had
in front of us, because we already had this base taken from the classes.
And deep down, it' s something to which many people are certain
that they don' t have access or because they don' t have the
interest, they don' t have the interest And it' s something that,
deep down, I' ve always thanked is having that little bit of
knowledge that you say Hey, you' re able to contemplate a contemporary work
of art and to know, more or less, to place it in its
context, in its time, in its relationship with the author, etcetera,
and to give it the courage that is supposed to you so that you don
' t get this phrase from good to first, they' re brother-
in- law to say, so go things. This scribble could be done
by my two- year- old son and it would be better for him,
because deep down, there' s a baggage behind all that and there
' s an understanding of something that, well, you' ve had to
powder it, another one had to count it in one way or another.
And, of course, the most thing that has finished me falling in love
is that, even in this comic book, the author puts in many sculptures
that this already does, which is something that has blown my head off reading
it, because this kind of artistic manifestation yes, that is very echoing.
Also, as I said before, in most of these comic books or illustrated
books and so on, because basically they also focus on painting, because it
seems that it is like the easiest thing and in the end, sculpture is
one of these artistic branches that are still there again and again in the little
drawer and hidden corners of the unknown. And here' s a lot,
I mean, that I' ve freaked out. The truth. I'
ve freaked out when I meet Luis Bourgea' s spider, Jeff Kons'
dog, Frankusi' s column, Henry Moore' s oval, and Calder
' s cell phones That' s to say that all those things appear here
in this comic book It' s been like my mother, it' s
been an in love, but tremendous and total. I thought it was a
real pass. And deep down, it' s true. From here I
tell you how much I adore you teachers and profas of childhood and elementary school.
I love you crazy. I have always loved you and I will always
love you, but to give art in school, to teach, in your
children' s schools, there is life beyond me, Admiro, because I
Admiro is an author that I like, he is an artist to claim.
But it' s like always the trajectory that I' ve been able to
see personally and more or less close, it' s like the basic cliché
that you always throw away, that' s well taken to present the art
precisely to the kids and obviously, because it has its reason to be by
color shapes and so on. But it' s just that contemporary art is
so broad and there are so many interesting options, cool ones that I don
' t know this very thing that I find myself with this kind of thing.
Says Mira, it' s just that we' ve well outdone me,
I admire, there are other options to see and learn art. For
the kids, it' s super good and I like these things anyway,
because they fascinate me. I' m happy with my soul and I'
m happy with the day and the week and everything so nothing good. Basically
uplicas, this is a direct invitation to dive into art and go out to
see museums. It' s basically this. And then, besides, he
' s got more stuff. He has his points of humor well thrown out,
which are even necessary and comes very well sometimes to deal with and address
these kinds of issues. What we' re talking about before the scribbles and
so on the ways you don' t understand, well, it' s
obvious this is a relatively closed world and you have to get well inside to
understand things. And sometimes you don' t even need to say at the
end out, one of the first main premises of art that also has to
conquer you with reason, but with the heart and with what it conveys to
you things And if they transmit to you interesting good things, even if you
don' t finish understanding it, well, that also has its validity,
of course yes, as it couldn' t be otherwise. So, another
Ks is a highly recommended work if you are especially interested in something of all
this that we are telling you to pass it on to your gries. If
you are a bit of an eye- catcher and you like it, you
want them to see, to sing, to try, to smell, to
investigate elements of art history and, above all, contemporary art, because it
is a super, super, super recommendation that I throw you from here ottoi
kas adventure in the free will museum and also we have just spent the day
of museums. He does nothing, doing nothing. It' s been three
days. Yeah, so very well written friend. Yeah. Yes, yes,
yes, it makes a very pleasant surprise, the truth is that I
took a look at the store and I said this one has to go deeper
into it and look. Yeah. Yeah, yeah, super happy to have
it in your hands, and I' m thanking you so much. At
free will, for betting on these things that they will not tire of besides
that frees me will, which is one is an editorial that we still had
pending. I don' t know if we' ve ever thrown anything with
it and if we haven' t. It has been for circumstances as very
concrete, because I remember that I stayed there when they took out the collection
of the first volume of Calpurnia, that I had it there to take it
out in the program and in the end, I did not actually take it
out. I mean, it' s an editorial that they' re pulling
out really cool stuff. Take a look at their catalog, because good childish
things don' t have much, but what they have is good caviar.
Yes, yes, yes, and good details to end with other TV tracks
of the 17th edition by twenty- four centimetres. It is a finite comic,
okay and good, because at the end of the comic, here is
an invitation to know and investigate on your own what all these works of art
are really like throughout these pages that, in the background is the coolness of
this by listing all these works with the name of each one of them and
where they are, in which museum, in which place in the world they
are and we can find them. And in addition, they are placed a
little page by page for you to locate, search, research on the Internet
or wherever and compare and keep learning. So this seems like a great and
good detail to me. The comic book, it sure did seem like it
to me. The comic is expensive for what it brings in the sense,
that is, to remember that it is fifteen euros for forty- eight pages,
but precisely for this extra of the end, this invitation, you want
to know more about all this, that you have just seen with all this
ristra of works that offer us here. I give this a great deal of
value, because it can give you a much greater journey to this volume,
which is something that you also have to take into account, that is to
say, no. This is not exactly a comic book to get you the
forty- eight pages, you close it and you leave it on a shelf
and as much as ninety- nine of the comics that are edited here today,
let' s say that what you can squeeze much more. This one
I see with all this information that comes here and deep down is I think
it' s what you' re looking for and that' s what you
' re doing, that something like this, because it can make a difference
and makes him see you yes, that it' s a very good purchase
and that it' s a very recommended action and that deserves the money you
invest for him so good leaving it there, as I say ottoic adventure in
the museum. In the first of the recommendations that I bring to you today
for small readers, the little ones of the house, we go with the
second recommendation also for the little ones of the house, that basically we go
now with a couple of lovers who is the most adorable couple of lovers of
the African savanna, that is, Mr Elephant and Mrs Gazela dream of the
big city notice that the most curious title, a publication of the friends of
Astronave. It is also a recommended publication for readers, readers from six years
old, and that is a work to see if he pronounced it well by
Martin Batts Halt in script and Max Hitler in drawing and ink with the color
of Claire Pack and Alicia. Well in translation, in labors, translation Carpone,
Canton Maiden, Astronave, the good of the usual sixty- eight pages
by seventeen with ninety- five And what is this story about, what is
it about? Mr Fan and Mrs Gazela dream of the big city, because
it' s a curious story. Well, it' s the story of
some African savannah people who are very particular. In this case it is the
elephant, Mr Horst and Mrs Elvira, elvira the gazelle. It turns out
that this couple, because they are a true couple and they are in love
and want to live together their love in conditions, but of course, they
live in a place where they really cannot give free rein to that love that
they bring, because the pond where they see and where they are, is
a place that is full of dangers, There are crocodiles and there are lions
and there are everything and, moreover, what is worse, it is full
of human tourists of the most annoying and emphatic. However, one of these
good days, because they find an iPhone thrown on the floor there next to
the pond by a road and thanks to it, they find out much more
about the origin precisely and the origin of all these plast humans who always roam
around there with their gips and making noise and making scandals and discover. What
they discover is that these humans live in some places called cities where they go
to mind, have all the comforts and luxury that any one of them could
desire or dream. They don' t live in places with shops. They
live in places that have cafes, which have one meter to move underground,
like mice, but also, in places that some things that move you autonomously,
such as the subway or trains, have their private homes, they have
nice dresses, that is, they have a little of everything. No.
So, of course, both elvira and hort this couple get caught up in
everything they' re telling them. The beetle doesn' t show up around
here in the brown part. So that' s basically what he' s
got in his hands here. Well, then, this light and flat beetle
so rare that it' s called siri that well, it sounds so great
to you about what you' re telling them. And well, they start
quickly fantasizing about a life there together where they can finally enjoy their love together
and their cosmopolitan life, without, well, no one else bothering them.
So, well, they' ll do something about it, because this is
something because you' re going to have to find out, because I invite
you to read it and you' re going to be astounded in this curious
story. Well, I loved this comic as well as the previous one.
It' s also been all a surprise, which I think is what a
fun move, what a crazy love story. They' re presenting us here
with a most worthy thing to mention Let' s go. I really liked
the way it starts. I also wanted to say this, because it has
seemed to me because of the rhythm, for everything, not because of the
staging, that it has a lot of rope to something, to a cinematographic
start in how the action is happening, how well the vignettes will be shown
a little bit, how they are happening, two or three things until we
arrive, then, from the third page the start, already of the story,
with the title and that how they introduce us to the story. I
think it is very well done and it works very well, that is to
say you get right into the situation of it, this is the savannah wild
fauna territory, where eating or being eaten reigns and well, deep down,
it is almost like watching a documentary and the theme is strong here of this
story. I' d say it' s getting into an animal' s
point of view, obviously a wild animal in this case, and thinking about
how they' d see us. Let' s say to ourselves that it
has to be something, thinking about how to make it work, where in
the background there is also a flow of information. Obviously, a wild animal
does not have any contact with humans, for it does not even know that
we exist. So somehow you have to give this case that they observe us,
that they conjecture their things in a way as a situational exchange, as
in meals, as the famous or typical entangled comedies of the genre. And
it' s really beyond the comic. Obviously, from this situation, to
me it has been very interesting how well raised it is, that is all
about also the number of subtexts, that there are, of second readings,
that there is everything below, because, after all, here are animals that
are performing different functions, that are representing different roles within what I think about
humans. There are animals that see the positive part of what humans are or
what humans do. There are those who only see the negative, the radicals,
those who understand nothing, know nothing or want to know anything and pass
everything. There are those who, of course, are curious about what humans
do and there are the fans of humans. I mean, there' s
a mix. Here we are getting the good and we are getting the bad
out of ourselves and the intermediate greys too, so we see these different positions
that, in the background, is like life itself, that we are not
being planted a story that stays in a place, as well as very naiz,
very silly, but here, there are the pros and cons. And
I liked that point because I think it' s okay for kids to see
and understand this, that they understand that there are all these things here that,
above all, that where we humans leave us, that they see what,
because this is putting you a little bit in that part, the part
of seeing us from the outside, seeing what our role is, how they
see us, how they would see us from the outside if that hypothetical case
were to happen. So fantasizing with this story what advantages and also what virtues,
but also what mistakes and what defects we have as a society or as
a species and what we are doing with everything else, with this world with
which we are sharing with other living beings, with other animals, vegetables,
etcetera, etcetera. So, well, I think it' s a very
curious way of looking at ourselves actually that it' s basically about what they
' re describing to us from their point of view. It seems to me,
because it' s kind of interesting. There' s the one with
the animals, these that show up around here. Well, there' s
the buffalo, the giraffe, who are the representatives as the most opposing wing,
we have the monkey that is a pro- human animal to the full
because it descends from his grandfather, who was already in contact with humans long
ago, in a circus and knows very well the world of humans. There
are the two protagonists who, of course, if they are very curious and
are full of enthusiasm and want to see and do things like the little buffaloes
the pups that like good kids that are because they are full of curiosity and
ask for everything and want to know about everything and what is the other And
at the same time there is a lot to see, that there is a
lot of diversity. I also want to say the story has a general point
from the background that, moreover, is that it is like very adorable this
couple as they discover new things or aspects of what the city is, because
they are being made you see that they are getting an idea, as well
as very clear of what they want and what they want and how they pretend
to be their life in the city. So they have it, as they
are idealizing it little by little, in a way, because as very tender,
as very innocent, logically as almost as a child account, we are
going to do this another, we are going to go a little there or
here in our house. It' s gonna be state- of- the
- art and they' re gonna come up. And it brings me a
pleasant surprise at the end of the volume, when I read it, because
well, there' s like a lot of information about it that I thought
was a closed story, and it turns out to be a series. It
will continue, which has left me quite surprised, because, indeed, it
is all to continue. They have just begun to prepare the way here and
I have remained very eager to see how this brief and delicious adventure that has
begun here follows. And well, the very main subtext that I have seen
here or from which I get better said, is a bit the one that
told you before the idea that the world, as we have it preconceived as
people in this case, because it can also expand to explore things that go
beyond. Why can' t two very different people relate or love each other,
because this right here is a gazelle and they' re an elephant.
But well, then extrapolate this to our society, another pole of this to
our environment. They also want, want to get out, want to live
the dream, to go away, to try something new, to try something
different, that is, why not dare, you have to try to do
things, to see that there is beyond our borders, of our limits,
a little everyday of what we see from the window of house. It'
s all this stuff. If you have the will and you can look for
the possibilities to do it, remove fears from your head, all these things
are here. Travel, listen to other things, ask questions. I think
that this reading is very good to raise these kinds of questions and to put
these questions and ultimately favor, because all this that we are talking about is
developing in the children, in the children, because the spirit is necessary,
critical spirit with which we have to try to grow little by little, especially
based on curiosity or why not, because it comes forward. There are things
that, maybe, aren' t what I would do to everyone, but
it' s not everyone. We have to be the same or do the
same things In the end, that' s what gives you the wealth of
a culture and so, well, I don' t know. I thought
it was a very cool play. I love the humor he has. I
love the jokes that arise in relation to the conversations they have with Siri with
the phone that is cool because, of course, they confuse it with an
animal that I have weirder and start asking questions and the series makes it a
little crazy and the others is like anyway, it' s pretty funny.
The truth and regarding the drawing because it is also very well collected I have
seen that or I have noticed, that it collects as well as much of
the tradition of illustrated books, even good with graffiti. So also very typical
of pulling the press, which collects all this grace and this freshness of the
loose stroke, the coloring also works very, very, very well here and
well, let' s say that everything goes like a shot in this comic
the truth And well, just, to finish, I think for me the
real function look at what I' m going to tell you about the imagination.
I think it comes perfectly defined in this volume, in this book.
And why do I say that, because the classic fantasy to set you such
an easy- to- understand example, is great, but the imagination.
I' m not gonna say good. Well it' s a very daring
word, but I don' t know if saying true isn' t to,
in the background, make simple things like this available, but they also
work when you give it a little whirl, that is, take your own
thing, pick out elements of our daily reality and give them a little spin
to find something new, something attractive and something fun. And this is exactly
how good it is. I don' t have to go to lost worlds
and think about extraterrestrial civilizations or things like that to say good, because things
I have in the everyday realm. Imagine it' s a breakfast. You
' re living your coffee and all of a sudden you' re thinking that
you hear and if I was that coffee, what sensations, if that coffee
is probably thinking and imagine you put yourself at the point of coffee and coffee,
because it' s internalizing, because it' s going to enter the
body and go through the intestines as if it were a whole. I don
' t know and from creating a story like crazy, because that' s
the real thing that imagination has and the function that it has to take us
to parallel worlds that we have very close to ours. I think it'
s part of the grace that this is all about. I' m done.
Details of the 18th edition two by twenty- four centimetres. As I
said before, Cartones del Bueno, you have no extras to review, except
for the authors' biography page, which you also sell here at the end
of the book Vale. I really like the detail. I want to comment
on the back cover where the vignette synopsis comes from is like a page on
the inside, and not through a block of text that is telling you here
in a few sentences that goes here, if not directly, because with some
vignettes you get a little idea of the thing there, a little weird that
you will find here that I think this invites you more to look at it
and to want to read it this way already beginning and it works very well.
One last vignette here in the back guards, which is a little what
I told you before look. Here' s the bison group. He'
s watching the cabin because of these giris that are there from Safari at night
watching TV and the TV says yes, the coffee has everything, i e,
he' s throwing in an ad. The animals are seeing it and
says the calves these of that it is coffee dad and says the father,
something that is not for children, because this is the exchange that I told
you of culture at the end that generates this debate of good, human,
yes, human, what we are doing with him, with the planet,
with these people around here, agreeing well, Mr Elephant and Mrs Gazela dream
of the great city astroave the second of the recommendations of the program today I
see you very cool And we go with the third of things, of the
recommendations also for today. We go with a group of girls on their shoulders,
no more and no less than the fate of their respective realms. There
' s no good there. This is the number one Ericornias, the call
of the goddess new series, also that brings us the friends of astronave reading,
in this case recommended from eight years old for readers of that age.
A little up is fine. This is the work of kid Tu sond al
Screenplay and VerónicaÁlvarez, with works of drawing and color and diego of the
saints in the work of translation I cartón eighty pages, eighteen with ninety-
five euros and what this is about the hericornias that are telling us here.
Okay. Basically, there is a tradition in the ancient Kingdom of Lemuria that
dictates that every hundred years, the heir of the kingdom has to go alone
to the temple of the Goddess, which is in a place as very remote
and remote to ask for protection, to ask for peace and to ask for
prosperity for the next hundred years of her kingdom. It is a mission,
therefore, very important and this time, the one in charge of carrying it
out is Celeste, she is the little sister of which she would actually have
to be in charge, who is the first- born of the kingdom,
is the princess astra no, but who is precisely sick at the moment when
this prophecy of every hundred years, this pilgrimage has to be fulfilled. And
so, well, the mission has fallen there, the brown one to his
little sister, and of course it is a mission with risks and let'
s say it has a couple of advantages to prevent and solve them. They
have been educated and created in an environment in which, well, that has
been given to these girls, those princesses, a couple of elements that will
play in their favor. On the one hand, they can invoke weapons,
which are a kind of clothing armor that envelops them and can invoke their protective
unicorn, which is the one that will manifest itself, is the lens that
manifests itself and comes next to them in case of need. They are mystical
or magical unicorns, as you want to call them. And well, it
turns out that, indeed, there is a point in history at which this
need comes and invokes these elements and, moreover, with it also comes the
discovery that, in reality, she is not the only erico that exists classuricorns,
which are, therefore, the name that has been given to these heirs
of the unicorns protector of these realms. And it turns out that there are
several kingdoms that have sent their own Ericornia. They coincide the dates to go
all to see this goddess and, therefore, they all have the same purpose
as celestial and here that, suddenly, as it joins with four other Ericornias
plus each one coming from a different place. And basically this is to see
what happens to them, what happens, how this series starts, because I
invite you and it will be your turn to read the volume. And,
well, you' re watching and you' re telling yourself things about this
volume. Well, as I was saying before, well, from a story
of imagination to another more fantastically cut imagination, from things we' ve seen
here before and, as we said before, more classic history, pure and
hard fantasy. It' s a typical travel story of the heroin hero,
in this case, with an aroma that to me the little bit of reading,
has come a little to mind, things or ingredients like lascylort Moon or
the knights of the zodiac. If you have these things a little on your
head, you will discover a little bit of the aroma or part of the
ingredients with what is being cooked. This series is very sidelor Moon also good
here. You' re gonna find unicorns. You will find brave girls from
different backgrounds and aspects and others with different abilities, with different customs. You
' re gonna find the adventures. You' re going to find conflict.
Let' s find bubble guns, let' s find lizards, howlers cookies,
let' s find armor, let' s find cool suits. I
mean, well, this series has all the ingredients, after all, to
generate a story with interest, a story that' s cool, a story
that hooks us all and everyone that we' re going through here. I
think I' ll go. In fact, this first volume is a start
for me is a perfect presentation story. It is a story of introduction to
pure and hard use in which we are going to get to know each character
that launches the main plot, that we run into the antagonist, that raises
a thousand and one questions that are going to be solved. We understand little
by little, as the series progresses with successive adventures and numbers. It'
s all right It' s all set. You will see how each character,
each of these girls within the group, are going to have their more
or less characteristic role so that the group is more or less compensated and,
in essence, so that they can complete the mission they have assigned and this
has also given me a lot of vibrating air to what would be a classic
role- playing campaign in terms of that this is a mission that needs to
be completed and how everything is organized. It didn' t give me much
of that air. Then you' ll see a detail. You can be
a detail that in the end has confirmed to me too and well, I
think the drawing stands out here above everything else. Without a doubt, I
have loved this style of Venunica albertÁlvarez, author. Patria is another of
these young comic realities of our country that are coming out so strongly and with
more and more Swiss assiduousness in our panorama and from which we are infinitely happy
a woman forced in forging in the world of animation with a trajectory already of
years that, moreover, combines the creation of comics with the editorial illustration for
books, which has a very beautiful line, has a very dynamic drawing,
very expressive, very well done very well all the anatomy, the forms,
the line, the dynamism, good of everything, the own color of the
comic, which is a very beautiful color, very attractive, very luminous,
that fills every page to the thousand wonders, works super well all and good.
For me, it is the perfect complement for this writer the kit Tu
Sant that is the creator of another series that we have already brought here to
the program they were drawing habilin stocar also another great cartoonist coming from the world
of animation. So, well you see that this gentleman, because he likes
to surround himself with fetn cartoonists with such a very characteristic style, with an
aroma of animation, so nothing very good for him, because the results in
sight are good to cool a lot. It' s a very promising series.
I liked it very much that it leaves you with a good taste of
mouth and, of course, because as always, wanting to know how this
move continues that in the end is the most important thing. My Hija has
asked for it just this week and I will start reading it to you shortly.
I really want to see what he says, what he tells me,
if he' s cool or if he doesn' t tell him or if
he doesn' t. Well, I' ll see if someone like this,
as always, if any of you already have it in your hands and
you' ve read it or so for the comments write us something about social
networks, to the platforms where we upload the program or where you want and
to see what you think of all these things that we are presenting to you
as details of the edition, because format also of eighteen five by twenty-
four centimetres similar to that of before. As an extra it brings something very
interesting that, besides linking what I was going to comment links with what I
was talking to you, you have a kind of enlargement of the world,
of the world of the Ericormias. And basically what brings us are like some
character tiles, in this case, in particular, two of those of these
protagonists, Celeste and Rama, because this is a description of all of these
characters, with their different attributes, with their strengths, weak points, a
description of how they are of the Kingdom of how the choice of these Ericornias
occurs within this realm. In this case, because the celestial is a choice
by birth and branch is a choice by Drawing what is the promise of the
heiress, what is the personal desire, because it is one of the things
that are also entitled when they come to make that request to the goddess make
that request for her kingdom, but they also keep the possibility of asking to
make a request for a specific desire for them as heiress. It is not
something to which they are entitled and from the back, because you also have
specific tokens of the unicorns that they mount, of the unicorns of which they
are heirs, in this case the unicorn of Celeste and the unicorn of Macraft.
And that authentic one, it' s an authentic role card, that
is, with the star attributes of more or less defense, in attack,
power, speed and agility, to magic, telepathy, etcetera. And with
a baby description of the political system, of the shield, of the general
situation, of the nation, in particular the economic situation. Well, it
' s all the colored powers, how the horn is, and so on.
So it seems super cool because this is precisely what gives you this is
information about the lore, about the history, about the composition of this universe
that we have presented here and everything that you know and they are informing you
about the protas, because in the end it is food, for fantasy and
for gender, that atmosphere that you need so that history pulls forward. So
there' s one thing that' s been done to me a little bit
weird, which is there' s no map, a situation map of what
the world is and the nations and so on, which is kind of super
super ultra mega typical of this kind of publications. So much fantasy to put
us in a good position, because they have to travel, they have to
do all this travel, especially when they are journeys of the hero of this
type that they have to do missions. And I don' t know where
to go, I don' t know how many places to get an idea
of where the places they' re going, etcetera, etcetera. And here
for the moment, because in this first volume, there is not that does
not mean that because equal to that, then they end up taking it out
and presenting it to us. I say that maybe we can see it and
as the numbers come out, I understand that they will also introduce us the
chips of the other characters that are appearing in the hour. So, well,
this is the Ericornias, the number one, the goddess' call.
Third of the recommendations we brought you for today' s program and we go
with the last, but not the least, which is a history of a
very unusual veterinary clinic, this is he Bet Bettery Bruges. Again also work
of astronabia. Today we have brought many things of spaceship, a recommended reading
for ages from eight or nine years old, also readers from nine years old.
This is a work by St Davis, script and full drawing author,
complete, with more snooping translation work. It is a rustic publication with a
hundred and eighty- four pages. This is already the chubby beo of this
program for nineteen with ninety- five. And what' s this about Hebet,
Beter and Witches? Well, a little bit. As the name suggests,
here are veterinary witches, in the veterinary world. We' re gonna
meet here. We are meeting or presenting two different stories within this volume,
the first, which is much lighter we would say, and the second,
which has more plot, which has more chicha, more points of interest and
which, in one way or another, also links a little with the first.
The question with which this volume starts this series. Well, if you
' ve ever wondered where magical animals go when they get sick, then to
a magic veterinary clinic, it looks like it' s a little bit.
The most obvious answer is that not everything magical, well it heals with a
spell as maybe we can think, or with something like that, a little
simple to lift a magic wand and shake it to do in Chinchan and that
' s it. Let' s not say that this is a veterinary clinic
done and right run by the most reputed beter and witch in the region,
with a somewhat particular staff, because you have a chief nurse who is a
believer and an unpathetic of life, and then you have these two young apprentices
of Betir and Bruges, who are the real protagonists of the volume that,
well, they are two apprentices who apply to the maximum with their peculiar patients,
which is a little what they have to deal with every day in the
consultation. You have to earn your pointed hat from Bruges. Based on this,
to learn the trade and to give everything, and here we have them
to Nán and to clarion Nan is the protagonist the rubita that we have here
and Clarion is the one that has the darkest hair than here. Well,
here they are putting all their daily efforts and, obviously, how these kinds
of stories happen, because things twist and get complicated very quickly, and their
real abilities to react to the crisis, well, they look pretty fast.
They are put to the test as regards the chief, because they have to
be absent from the emergency room and they are left alone. In the office.
Let' s say that the first story, the action develops quite contained
within what is the consultation itself, and let' s say that in the
second story, already the situational range of the story expands and we get into
other scenarios. We also go further into the village, we go into the
context of families, we go into the forest itself, in the surroundings,
we go even to the sky, where they take there to their own consultation
to deal with the animals and who live up there. That is, that
the possibilities open up much more and to really understand and see what is happening,
because a little bit the usual we do not invite you to take it
and open it, read it and speak it and tell us to see if
you like it or not to comment. Well, this again a new series
dedicated to the world of witches, of magic in its school side or information,
as you want to call it. It is a theme that still seems
to appear a month after month, which is still something inexhaustible, it continues
to appeal to new generations, generating new stories, new series year after year.
This is an echo that continues on high and, in fact, this
echo of relating magic witchcraft to the subject of veterinarian I was something that also
resonated in my head, because in this same program, in this same podcast,
we have already told you in your day of another series with relatively similar
characteristics that was this series from here in Ola and the fantastic animals, which
was, because of something similar the series of Yogui Shan Blend, the screenwriter,
of the series of the cherry diaries, in which, well, it
is in the history of this veterinarian specialized in animals, tales and legends.
If I invite you, as always, to search in the previous episodes of
the program and if you have this curiosity, give another little listen, no,
but good that is Higsberg. The volume that we have in our hands
today is totally another line, it is another different roll and I also invite
you. We' re inviting you to take a look at it. On
the one hand, theme and setting. This is a fully magical world,
so we can appreciate where the magical and the everyday also live in a natural
way. And also the scope is like that, as very clinical, as
I said before, the environment, the treatments, the cures, the very
environment that you see on the cover, because this is a pure and hard
clinic. They were going with their suits, their vet coats and their gloves
and their phone two copies and all that stuff is no longer as real in
that sense. I have liked that approach, besides that there is the link,
for example, that also that these two girls, this couple of students,
are forming, because here what we are seeing is that, little by
little as we get to know them how each one has their things, how
each one of them takes different feet and between them are generating a cocktail,
then, of introversion, on the one hand, but also with decision,
empathy, mystery, companionship, audacity, of despair, are elements that each
one is contributing to that tandem, this duo. And good is all this
makes them complement each other quite well that they can generate bonds that are helping
them to get a little bit of the chestnuts out of the things that are
happening, because along the pages, both of them want to give everything to
become this true witches, true empeter and witches. And deep down, they
know they' re in the best place they can be, because it'
s a well- known clinic. Yes, the nurse is a little bit
the boss above them, he' s a pretty stupid character, actually,
quite ridiculous. And then the Veterinary Chief is like this, as the pages
go over, as in a whole character to keep in mind and also to
follow that it is a character full of questions, full of mysteries that you
notice it with a lot of wisdom behind that gradually gains whole, because you
see that it hides much more than it seems to shine at a given moment
and what they are showing themselves. He' s someone who' s very
wise, very complex, and he' s gradually conquering you, and he
' s taking them well with him. And, well, then, regarding
the drawing, it' s quite caricature. I would say I draw much
attention to the treatment, I' m going to say it anatomically, when
it comes mainly to developing whole bodies. To me, what has attracted me
the most attention is a very curious style, very simple. The truth is
there are bullets that are very well, very well done. There are even
some that powerfully call attention. I can find that there are none in particular,
but then, on the other hand, for example, this snake over
here the design. I mean, there are things that are very, very,
very cool, but then, on the other hand, there are moments
that I see and that surprise me. But like this, it' s
weird. There' s this weird jua, this is a weirdo point of
view, well, it kind of offers you a more childish point of view
and what it should or perhaps in relation to what I think is a more
not- so- worked drawing, but good that it' s part of
the personal look of the eye author. Not that it' s wrong,
but much less. I don' t mean that either, but that'
s why I say, it' s a curious visual aspect, it'
s a different style. You have to get a little used to it,
especially if you' re a little bit of a micchis like my case as
a reader. Of course, for the small zero problem, i e that
the drawing is in that sense, it is very, very, very well
bulleted and, in fact, in this case, for example, a type
of bullet that works great, with soft or almost non- existent backgrounds,
with very soft colors, a quite continuity palette. In the end, all
this makes what you focus very well on action and what the story is telling
you. All that is super well achieved, what all these ingredients, what
gets you is the basic and main question of any story, which is that
to see how this follows that we give them a chance that you say hey
this boot is okay. I want to know more about those people where the
shots are going, what they' re going to show us next they'
re going to expand this magical world. This is almost circumscribed to the clinic
environment and a little bit outside, but you want to go seeing and knowing
that more girls can offer you these people and that to see where the thing
comes out and where we are going to get out for next volumes. Because
it' s happened to me a little, maybe like what I told you
before that, on the other hand, the way that good this is already
a little bit. Details of the edition is worth fifteen two by twenty-
two centimeter, twenty- two with two centimetres that told you that it also
deconcentrated me a little, because at no time does it seem to be mentioned
that it is a story of continuation, because you do not appear your enumeration
or anything. But if you get inside the credits page, it actually appears,
because this is the number one and number two of the original edition put
into a single volume. Therefore, as the second story closes, it gives
us the feeling that there is going to be a process of continuing later with
the next part of the stories that are to come and as an extra final,
because it is also a very cool extrang of these things that I always
tell you about how to draw a comic book page. I think we'
re also dealing with that in the previous show, precisely that other comic book
that had this extra. And me, well, like I say, I
always love storyboarding. How does the story war pose, how do the sketches
pose every step of the way, how does the ink, the color,
the retouching, all and to end with the labeling and the final finishes,
that is, that are details that I very much appreciate, that are super,
super interesting to me to understand the creative process that the authors take when
it comes to generating their works and I value very much of this type of
elements. So, well, it also has the corresponding biography page. So,
well, some extras, because this is pretty cool, he bet,
spaceship, beter and witches, witches, bugs, monsters, magics. Anyway,
winning horse as usual, and well let' s just say the four
main titles we had for today I' ve just commented on them. But
I do want to throw a last extra ball at you and I didn'
t want to do it without commenting on one of the releases that came out
at the end of March, the first of April, that for me the
truth is very cool and it' s basically who is that Smurf of Tebo,
a publication of editorial norm in cardboard fifty- six pages per eighteen horites
of the typical book of European comic cob format and good because that' s
basically what is a story of the Smurfs, but it' s not of
the classics of hair of all life, but it' s a personal vision
of Tebo this French author, good in norm that he owns the license of
the publication Sken who edits of the characters that needs the classic collection of the
Smurfs in Spain, which is of the original author' s hair. Here
what brings us is a new adventure of our famous little blue and adorable and
loving people we know all our lives. But with a new vision, it
is the most particular and more exclusive vision of this author in a play,
as this is very similar to the one we have recently been offered, for
example, Luis stretching Fin, for example, who published with Astiberry the Portutatis.
It is a different version, new and personal, therefore, of the
characters of the irreducible village, of Gauls of asterix and obligs because in this
case it is Tebo who is generating us here in a new work of the
Smurf I normally the same, well, because I would not have taught this
anyway. But I think it' s precisely because of this, even this
comic that' s just been released here. And I fear, therefore,
is the perfect time and occasion for us, thanks to this special volume,
to come and rescue and take out the stage of these characters that obviously remain
fully in force. And that is surely the new generations, because perhaps they
neither know it nor know it in its original realm, which is that of
comics. And basically the same, they have them fresher and they know them,
because of the little dolls out there and the modern versions of the cinema.
These are films that they made with this actor, with nil Patrick Harris,
who are fine, who are curious, that we have had in cinema
is relatively few years ago. But surely they do not know the comics,
because they know that this is really the smurfs where you have to pat them
and smurf them well is through the comics. And, well, it'
s a comic book that' s all over the place. I' ve
snuck in on me, and besides, he' s got it back by
taking it all the way to the end. In his parody. The purest
essence of what these characters were in their beginnings, which were little blue bridges
that were not understood at all, because all they did was smurf everything and
they were not smurfed at anything. Actually, between them, they obviously smurfed
super well. But good for others, for there was no God to smurf
anything. And of course, it' s all so much chaos and so
much chaos, so much cause and so much chaos, and it' s
so funny, it' s so much fun in history. It' s
something tremendously typical of them. Typical and topical. No, there' s
a smurf that appears here in the middle of nowhere in the village, smurf
that doesn' t even know who it is. He doesn' t know
what he' s doing there, he doesn' t know how he got
there. You don' t know why it' s blue. You don
' t know why he' s got that white hat, so ridiculous on
his head? He doesn' t know why he' s wearing white dancer
' s tights on his legs and he doesn' t know why there are
dozens of clones alike, just like him that are choking him all the time
and tainting meaningless things in his ear. So, of course, the rest
get very smurfs and put there smurfs to the work to solve this mystery so
smurf. That' s the way it is. Smurfs are like that.
It' s a delight. I like it a lot. And also,
it is that the story, especially in addition to the story, Tebo'
s style gives him good as an authentic glove, super dynamic, very big
- mouthed, very caricatured that has caught him. I think one hundred and
ten percent the point to the characters. And well, it also brings a
lot of surprises inside other characters that are appearing around here a lot of humor,
fun wildness, a breath of fresh air that is worth plapping and smurfing
with mouths. I mean, you have a tebo smurf by editorial rule.
So the extra ball I wanted to show you, because yes, because he
deserves it. The being the classic series, also if you can take a
look at it, then take a look at it. And obviously, this
program focuses on other things, not a modern comic book of today that'
s just like good, it' s not the mortaderos of all life that
that' s still there, but good. There are, fortunately, very
very, very different things, very cool things, but it is that the
smurfs continue to be edited, it continues to be done and with things as
cool as these, because when something like this comes out, you have to
get it out. And so much so, thank you so much for joining
us for another month, for illustrating us with these novelties of children' s
and youth comics. We will return next month with a new one and I
with these comics and we with a new Good morning, Mother Sphere next week
in which we will bring you the space and mother sphere that will be held
live this Saturday twenty- fifth of May, dedicated to the school thing and
technology and its relationship with technology and that you are still in time to book
your tickets and want to accompany us live with Martin, Masana and Pablo Duchment
who will be with us in Madrid in space Fundación Telefónica. So, folks,
we' re going back to a new episode soon enough. Bye s s s