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Hello, and welcome to this episode
of Superhero Ethics. When a beloved animated

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series is turned into a live action
show, a lot of things can go

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wrong, some things can go really
right, and in some cases there have

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been examples of this that are utterly
beloved. In some there are ones that

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I love it but nobody else does, like Cowboy Bebop, but certainly a

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thing that has a lot of trepidation
attached to it. No more so,

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I think than with the show that
will be launching in just a few days

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after this podcast comes out, the
live action Avatar The Last Airbender. I

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will be doing episode by episode coverage
of it, probably two episodes at a

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time, on one episode, possibly
with the help of some of the guests

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that I have on today. But
today we're going to talk about the animated

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series. And we're doing this for
a couple of reasons. One is because

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many of you may not have seen
the animated series. I want to have

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some idea of what it is going
into this show. Personally, as good

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as I think this podcast will be, I think you'd have a lot better

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time hitting stop and then watching the
show itself instead. But the show is

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going to be about forty hours,
and this podcast is going to be closer

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we hope to sixty to ninety minutes. Fingers majorly crossed because Paul is one

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of the guests, but also for
those who have seen it, this is

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meant to be kind of a you
know, a refresher we haven't seen it

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in a while, but even more
so, we're gonna be discussing not a

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like, oh, what do we
expect from the show based on the trailers

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and the news we have all been
trying it for the most part, avoid

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all of that, but instead just
talking about one of the things that we

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love about this show, the animated
version, that we think are kind of

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essential to the show, and that'll
really like not work unless this is in

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some way explored in this live action. So it's kind of a primer for

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the live action, but without being
all about the trailers and the spoilers,

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just being about what it is we
feel about the original show, mostly what

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we love, maybe not highly,
and how that can translate to live action.

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So I'm going to introduce teaching my
guests and give the chance to I

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tell you their name and who they
are, but also how did they first

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watch the show? How did they
come to it and kind of what was

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their first impression of it. And
Paul, since I already mentioned you and

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your long windedness and how you encourage
my long windedness, that's just as much

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my fault as yours, as proven
by this long winded intro that I'm now

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making even more long winded by a
tangent about the long windedness. And I'm

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really tempted to go into another tangent
about the tangent, but I'm just gonna

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say, Paul, take it away. Sure, I'm Paul for Happyaks and

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Madman. I watched this show actually
for the first time in twenty ten while

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writing, or more specifically, while
not writing my first book, Way of

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the Poker Warrior, which is like
available nowhere, but actually I guess you

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can find it on Lean Pup.
I think it's on Amazon, but I

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don't get any royalties from that because
the publisher died and I don't know.

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It's very complicated the point the copy
that'll sell for the best offer of nice

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I mean, there's I have the
PDF. But so I was like deep

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in a process of like trying to
do something for the first time, trying

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to learn it well, you know, kind of trying to like combine martial

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arts and poker, which fits really
well but also kind of doesn't or doesn't

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in like an obvious way necessarily.
And and my wife was like, hey,

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do you want to watch this?
I was like, yeah, sure,

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girlfriend at the time, but we
were like and I just the first

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few episodes I enjoyed, and just
over time I just liked it more and

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more. You know, I found
that I identified a lot with the main

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character, aang and for various reasons, but you know, among them like

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the obvious sort of ones, so
that like he's a vegetarian. There's not

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a lot of vegetarian protagonists in fiction, you know, especially in either animated

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or like live action like on screen
fiction, right, And so I liked

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that, but also just kind of
his personality of, you know, dealing

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with a lot of heavy stuff.
And I'd say the show more broadly also

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deals with a lot of really heavy
stuff, you know, like war and

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genocide and death, and but I
feel like it does it all with a

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very light touch, and I feel
like it manages to find humor not necessarily

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from the horrible things, but like
in spite of the horrible things, and

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there are I could think of at
least one specific movie that I won't name

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because I don't want to get into
it, but that like I felt like

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kind of tried to do that and
it felt like just a glaring mismatch and

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a clash that felt like awful to
me. And somehow I feel like the

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show gets away with it and actually
manages to pull it off in a way

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that resonates with me, you know. And I think some other people probably

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found this movie or like other movies
like to be able to do that as

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well, but to me, it
feels like a very rare thing to be

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able to succeed in. And so, you know, the not all of

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the humor in the show is like
necessarily oriented towards my sense of humor,

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but I feel like there is a
pervasive there is humor coming from the characters

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more than just from the situations a
lot of the times, and you know,

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and sometimes maybe some of that's even
how they're dealing with the difficulties that

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they face, you know. And
then as the show goes on, like

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it has you know, spoilers,
but like one of the best redemption arcs

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I've ever seen, maybe the best
even you know, it has themes of

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like found family, and it has
animal non human animal characters who are characters,

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and one of whom actually gets like
a whole episode, you know,

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And you know that episode is mostly
devoted to his suffering, which you know,

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is I think says a lot of
about the world we live in and

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the way you know, most humans
look at non humans. But but like,

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that episode is one of my favorite
episodes of any on screen fiction.

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It's like up there with the epilogue
of Justice League Unlimited, you know,

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And yeah, that's that's most of
it. You know. I'd say it's

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one of my three favorite series of
all time. And I've rewatched it many

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many times, and I deliberately actually
didn't rewatch it this time because I kind

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of want to give a chance to
the live action series to kind of live

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on its own separately in my mind. And we can we can circle back

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to Cowboy Bebop and how that kind
of fits in with that. Actually,

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sure, And Riki Hashi, what
about yourself? Hi, Riki hi Ashi

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here, I did not watch this
show originally when it came out, only

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watched it for the first time maybe
a couple of years ago, and didn't

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know anything about it. I was
familiar that they had made a live action

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movie which was much panned, and
that that was only that was like my

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cultural understanding of it was that it
was a cartoon and then a movie,

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and I didn't know anything about it. Fell in love with it almost immediately,

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like maybe like three or four episodes
in it really grabbed me. And

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it's lovely that it's only three seasons. Yeah. Yeah, they really tell

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a full arc in a concise way, which is one of the things I

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like it. It doesn't linger too
long and like have you know what people

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call filler episodes? And I too, like Paul, I identify strongly with

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the main character Uncle Iro. No, I'm kidding. Obviously, the Aang

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is the main you know, the
main protagonist. But I think one of

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the beautiful things about this show is
that so many of the secondary characters,

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like probably like six or seven deep, are really fleshed out and given their

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own arcs and given a chance to
get to know them, and different people

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can can really identify with different characters
in a meaningful way and gain some appreciation

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that way. So I love the
show. Yeah, I very much agree

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with that, and I think that's
where I'll start my conversation as well,

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is saying I love the show for
so many reasons. First and foremost,

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though, is the redemption arc of
the character I most relate to, and

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the one who I think is If
you go way back to the archives and

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listen to Paul and I talk about
season one of Daredevil, we often talk

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about how the show comes like a
hair breadth away from making Kingpin the protagonist

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of the show, and in many
ways, I think Zuko is really the

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second main character behind Aang and it's
his redemption story and it's one that I

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feel I think it says a lot
about, you know, our relative positions

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that for me, that's the one
I very much identify with. And I'll

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talk pretty honestly about that because i've
and at the time that I watched it,

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that was really important, because I
will say that when I first heard

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about this show, I was still
in a place where I kind of looked

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down my nose at animation. I
really liked Disney animation, and I thought

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there was a lot of fun kid
stuff, like I loved the music from

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Little Mermaid and Aladdin and stuff like
that, and I thought cartoons were fun.

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But I didn't look to them for
serious discussion of the kind of issues

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that I liked. And there were
a couple of shows that were recommended to

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me that I think really changed my
perspective on that, and Paul was the

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main driver, I think, for
all three of getting me to watch them,

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and they were Avatar, The Last
Airbender, Star Wars, The Clone

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Wars, and Batman the animated series. And I will say the first time

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with this show, like Paul,
I really liked what you said about like

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finding that balance of humor, because
I'll admit I didn't and I and to

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this day, I still don't love
the first season of the show because cuz

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my impression at least is that it
does the first season is a little bit

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more on the childish, he slapsticky
side of the humor, which is one

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that I just don't react well to. And so and it does give me

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some trepidations about where we're going in
season one, although I do think that

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season one winds up having some incredible
plot lines. But I also think that

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I did rewatch it the last couple
of days, and one of the things

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that I really got out of it
was that, to me, a big

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part of what the show is about
is about the like I forget where I

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heard this first, but there's kind
of an old child. There's an old

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cliche about like all of the terrible
things that are life, and you have

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to learn to be cynical, and
you have to learn to be to not

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trust people that you know. You
can say children are idiots because they haven't

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learned that, or you can say
children are the one who should lead us

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because they haven't learned those things,
and that innocence is such an important thing,

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and for me, that's a huge
part of I think what makes this

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story work so well, and what
makes Aang work so well is, at

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least as I understand it, Aang
is present. Most of the kids are

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like early pubescent. I think they're
supposed to be like thirteen to fifteen or

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sixteen, with Aang being a little
Aang being clearly youngest and at least and

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maybe even yeah, twelve and maybe
even chronologically but closer. But you know,

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it seems like Zuko has gone through
puberty. All of the people in

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Zuko's crowd have gone through puberty,
Katara has, Sokka's in the middle of

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it. Aang hasn't yet and for
me, that's a big part of kind

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of what is able to set him
apart and kind of make the humor really

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work, which I have a lot
of thoughts about. But let me kind

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of stop there and let anyone comment
or or either what I said or what

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anyone else said. Well, I
said twelve, but he's actually one hundred

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and twelve, So right, he
has been frozen in carbonite, forgive me,

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frozen in the South Pole, forgiv
me, frozen at the bottom of

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the map for one hundred a year
that he has aged twelve years. Yeah,

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and to me, there's this sort
of like this combination of wisdom and

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you know, you could call it
innocence, but I'm not sure that's exactly

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the word I would use. But
like, you know, over the course

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of the series, like he sees
a lot of bad things and is confronted

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with a lot of situations where it's
very difficult to not make, you know,

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the hard choice or whatever. And
I mean, you know, because

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it's fiction, sometimes there might be
like a third way, right, and

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but like I think manages to come
out of it still being the same person,

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which I think is often a lot
of you know, a lot of

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people tend to there's an idea that
like a story is supposed to be about

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a character changing, right, And
I think a story can be about a

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character not changing. Of course,
if you wanted to say it has to

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be about a character changing, then
Zuko would be the main character, you

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know. But and I will say
as an aside that I do identify much

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more now with Uncle Iro, maybe
partially because I resemble him more in a

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shape than at the time I didn't. But but no, I mean Uncle

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Iro is also one of my favorite
characters of all time. And even if

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Aang's my favorite protagonist, I can't
say that I necessarily like him more as

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a character than Iro. Like it's
it's just and there's there's other characters in

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the show though also that I think
are such great characters that kind of are

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are are unique, don't feel like
just like art types, you know.

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And in terms of you know,
the the much maligned adaptation, one of

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the things that I think M Night
Shamalan, who I believe wrote and directed

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it, said and was a producer
like that he didn't want to have that

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kind of humor in in the movie
because he just didn't like that, like

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he watched it with his kid and
thought there's a lot of great stuff in

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it, but just didn't want to
And I feel like you can't. You

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cannot play that up as much as
maybe the first season did. You know,

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you can like try and not make
it as much of it, But

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I feel like if you really try
to excise that from the story, I

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just think you're not gonna get something
that carries the same I don't know,

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sort of like spirit as the show. So I don't know. I think

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you're you're left necessarily with something fundamentally
different that could be good on its own,

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but I think you I think you
have to maintain some of the humor,

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some of the sense of humor of
the characters at least, otherwise they're

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just not the same people at all. In my view. No, I

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wont one hundred percent agree. And
I would say maybe childlike wonder is the

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better word for him than innocence,
and that he has this like they're in

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the middle of the war and he's
so like, we have to go find

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the weapon, we have to go
find the the thing that will allow us

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to win. But oh my god, here's this cool animal who I can

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like run on and write right.
And I love the point you made about

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this being the story where the protagonist
doesn't change, because I think it was

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that the protagonist is unaffected by the
events of the story. Then that's often

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not great writing. To me,
it's more that this is an experience that

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would be the darkening moment for so
many characters, like this is the they

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get PTSD from this, or they
become more cynical or become And to me,

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it's really about him, not that
he doesn't change because he's not affected,

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is that he is struggling so hard
not to change and not to be

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changed by all the things that happened
to him. Yeah, I think the

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strongest part of Aang's character is that
he changes the world. Obviously as the

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hero, like he saves the world. But what I mean specifically here is

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we're talking like full spoilers, right, Like we're just talking about what happens

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in the series. At the end
in the finale, everyone's like, you

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have to kill fire Lord OZI,
right, that's your destiny is the avatar.

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You have to kill him, and
he chooses not to kill him,

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and that is the moment of his
heroism in my opinion, that he makes

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this moral choice, and I you
know, I'm not as satisfied with how

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he manages that with the magic of
the now, I know, how to

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take away someone's bending like that seemed
a little bit sudden, But I really

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like that he makes that choice and
goes against the conventional thinking. Like it

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felt like he comes out of the
ice and to me, like that echoes

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Captain America. And it's similar to
in Civil War when he comes to that

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point of like when the world tells
you to move, like, you say

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no, right, like everyone's telling
ann you have to kill him. He

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says, no, that's not the
right thing to do. Yeah, I

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think, I think that's really true. And I never even really thought of

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it this way. But I think
one of the things that the show really

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does a great job of depicting,
and it leads to what's probably my favorite

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single potline and which we'll talk about, is the way that a hundred years

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of war have changed the world and
that you know, most of these people

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are where now multiple generations away from
remembering a time of peace, and so

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just all of the hatreds of the
other and all of the fears of we

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have to make sure that we have
enough because we're in such scarcity and all

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that, and hasn't experienced any of
that. He was frozen into the ice

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literally before the war started, and
so he's not experienced any of that.

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I want to shift gears a bit
because this brings up what is as I'm

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thinking about it. One of my
biggest concerns that I'm moved to live action,

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and I wonder if you guys are
thinking about this as well. One

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of the points that I heartbom all
the time in this podcast is the idea

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that I've often bothered when a TV
show or a movie presents the idea that

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a character can choose to engage in
violence that is quite you know, doing

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incredible damage to bodies, but that
it is non lethal, and that you

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know, because I understand it.
You know a lot of times when I'm

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like, I'm watching Batman do things
to people and I'm like, yeah,

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that's plot force trauma. That that
person is dead, and so Batman saying

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like I will not kill doesn't make
any sense. Same with Daredevil. A

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lot of these things in this show. There are a certain number of instances

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where Ang does things where I'm like, yeah, that person's not alive.

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Anymore, except that the animation style
is so it's not trying to be realistic.

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In the fight scenes, like the
martial arts of it feels very realistic,

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but like people are constantly being thrown
hundreds of feet and slammed into walls

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and slammed into ice in ways that
would be lethal to a human body in

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a way that I think works.
And again because of the animation stuff,

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which is a kind of like intentionally
over the top, it feels to me

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like that's going to be very hard
to translate to live action in a way

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that I think is believable that this
much combat is happening, but that aang

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is intentionally choosing to never end a
person's life. What's your all thought on

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that it can work in live action? May Paul, you're the martial artist,

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right, maybe I think I think
it's a very good point. I

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think I think it's less about the
animation style because the people move in very

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realistic ways, like actually, it's
some of the best martial arts animation I've

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seen, you know, and they
actually were informed by like real martial arts,

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and like each you know, style
of bending, each nation has its

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own specific like real world style of
martial arts that they drew from. So

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it's not so much to me about
like how people move, it's about when

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I mean when I watch animation.
I think when people watch animation, the

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brain is doing something different than when
it's watching human bodies, like actual live

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action humans move through space, right, Like we are seeing representations that we

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recognize as representations of like the idea
of a person. We're not seeing a

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physical person. So I think,
yeah, there's like it's easier to accomplish

279
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that in animation, where the idea
of something that is potentially lethal, like

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in a lot of those things,
I would say, no, that person's

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not definitely dead, but like if
you do that one hundred times, you

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know sometimes it's going to result in
death probably, right, But in animation,

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because like we're already looking at these
kind of like avatars of people instead

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of like physical human bodies, I
think there's a paradigm shift that's very easy

285
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to make work in the whereas with
live action that doesn't always that's harder to

286
00:21:06.359 --> 00:21:12.599
accomplish. However, having recently watched
you know, some some like Hong Kong

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00:21:12.680 --> 00:21:17.440
movies like Enter the Fat Dragon or
like like there's a lot of like kind

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00:21:17.480 --> 00:21:22.119
of slapstick kung fu movies, and
they managed to accomplish much the same thing,

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where there is extreme violence that is
just completely non lethal, and I

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kind of think having that lightness,
having that humor, be an element of

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like that pervades the entire production.
I for me, allows me to more

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readily accept that something is simply not
lethal in the way that it would be

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in our world. And so I
think a show like Daredevil or maybe some

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00:21:52.119 --> 00:21:56.880
sort of like the Dark Night version
of Batman maybe are a little harder to

295
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accept that these kind of this extreme
you know, hand to hand violence can

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be non lethal is a little harder
to accept because it's this like dart gritty,

297
00:22:10.519 --> 00:22:15.400
more real world feeling setting, right
Whereas when it's just clear that the

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paradigm that you know, the the
the show or movie or whatever is operating

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in has you know, it's like, yeah, people survive that you see

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someone survive at one time, and
then it's like, Okay, that's that's

301
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what we're working with. The things
that bother me are when that's clearly the

302
00:22:33.559 --> 00:22:36.759
established paradigm, and then all of
a sudden the writers want to kill off

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00:22:36.799 --> 00:22:41.240
a character and they're like, Okay, now physics and biology work differently because

304
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you know, we want this to
happen, you know, and then that

305
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kind of that sort of shakes me
out of the story because it's like,

306
00:22:48.680 --> 00:22:52.720
well, I thought these were the
rules, and now you're telling me these

307
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are the rules. And so I
would say they need to establish early on

308
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this kind of you know, you
could call it comic book book violence,

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00:23:00.519 --> 00:23:03.599
you could call it, you know, whatever you want, you know,

310
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animated violence or whatever, but sort
of establish the idea that like, yeah,

311
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you can you can hit someone with
a fireball and they're not just going

312
00:23:11.519 --> 00:23:17.240
to get burns to a crisp,
They're gonna get like knocked over, you

313
00:23:17.279 --> 00:23:18.759
know. And it's like, if
that's how it plays, that's how it

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00:23:18.799 --> 00:23:23.920
plays. I do absolutely agree,
though, or I would say that it

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00:23:25.000 --> 00:23:29.920
must be harder to achieve that in
live action than in animation. Yeah,

316
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I would axpect. Yeah, Like
the thing with the Bending is that,

317
00:23:37.279 --> 00:23:44.039
like Earth Bending, they literally throw
boulders at each other, right like that

318
00:23:44.200 --> 00:23:49.160
presumably way tons I'm gonna say.
And then like Fire Bending, it's it's

319
00:23:49.400 --> 00:23:55.640
just fire that they are hurling at
each other. And there there's a scene

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00:23:56.359 --> 00:24:03.920
where Zuko accidentally burns tough, right, Aang accidentally burns Katara by barely touching

321
00:24:03.960 --> 00:24:07.720
them with some fire bending, and
yet when they're fighting with the fire bending,

322
00:24:07.720 --> 00:24:11.039
they're just hurling at each other and
and like they put up their guard,

323
00:24:11.160 --> 00:24:14.440
it's like it's still gonna burn your
your forearms, right, Like you

324
00:24:14.480 --> 00:24:18.160
can hide your face, but your
forearms are now singed. So I agree,

325
00:24:18.200 --> 00:24:22.880
like the the violence, you know, the fantastical violence, Like,

326
00:24:25.119 --> 00:24:27.720
as long as it serves the story, i think we can suspend our disbelief,

327
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I'm okay with that, and I
prefer that. I actually don't like

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00:24:33.680 --> 00:24:37.160
like realistic depictions of violence, like
you said in Daredevil. I haven't watched

329
00:24:37.160 --> 00:24:44.079
the show, but I've seen a
clip where Daredevil is literally like punching someone

330
00:24:44.119 --> 00:24:47.279
to death, and I think I
asked, maybe Matthew, like is this

331
00:24:47.359 --> 00:24:48.319
what the rest of the show was
Like? Is that? Yeah, yeah,

332
00:24:48.319 --> 00:24:52.319
it's pretty representative, Like that's just
not for me, Like, I

333
00:24:52.400 --> 00:24:55.440
don't I don't enjoy that. Yeah, but that guy was probably fine,

334
00:24:55.440 --> 00:24:59.960
by the way, because Dared Oval
doesn't kill people. Yeah, exactly exactly,

335
00:25:00.920 --> 00:25:03.759
But that's part of the story,
right, Like that's his story,

336
00:25:03.839 --> 00:25:07.079
yes, And so when violence is
used that way, in stories like it

337
00:25:07.119 --> 00:25:11.240
bothers me. And I'm not saying
that it's wrong, it's just like not

338
00:25:11.480 --> 00:25:15.359
my taste, so like I don't
enjoy that as much. Yeah, I

339
00:25:15.359 --> 00:25:18.680
think that makes a lot of sense. And I think, you know,

340
00:25:18.680 --> 00:25:21.759
Paul, when you're talking about the
style of animation, I guess what I

341
00:25:21.839 --> 00:25:23.440
mean is that I feel like there's
some styles of animation that are trying to

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00:25:23.480 --> 00:25:27.599
be kind of hyper realistic, whereas
this one is very much not. You

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00:25:27.640 --> 00:25:30.680
know, so when you see,
for example, like the character getting very

344
00:25:30.720 --> 00:25:34.720
angry and in a very kind of
like animation style, like you see like

345
00:25:34.759 --> 00:25:40.079
all like the colors around them change
their eyes bug out to five times.

346
00:25:40.319 --> 00:25:42.680
That obviously doesn't happen in real life, but it's a trope of a way

347
00:25:42.720 --> 00:25:48.160
to represent that. I think you're
right. I think they keep the violence

348
00:25:48.240 --> 00:25:53.720
more on the if they keep the
violence more on the fantastical side, certainly

349
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because we don't have actual people able
to throw fireballs and ice balls and rocks

350
00:25:59.319 --> 00:26:02.559
at each other in our own world, I'm able to more you know,

351
00:26:02.920 --> 00:26:07.799
understanding of that, I would say
the scenes where Ang causes tanks full of

352
00:26:07.880 --> 00:26:11.960
people to fall off mountain cliffs,
there's no degree of fantasy. That's gonna

353
00:26:12.000 --> 00:26:15.079
let me think that the people in
that tank have survived, and so if

354
00:26:15.079 --> 00:26:18.079
we can maybe not have that exact
scene, that's to me the worst.

355
00:26:18.079 --> 00:26:22.440
But I definitely think that, Yeah, I think we'll all kind of agreement

356
00:26:22.480 --> 00:26:23.880
that there are ways to do it
in live action. It's just gonna be

357
00:26:23.920 --> 00:26:29.440
something that I really hope that they're
away because I at least feel that if

358
00:26:29.440 --> 00:26:32.880
I'm watching these things going like,
oh yeah, and kill that person,

359
00:26:32.960 --> 00:26:37.160
and kill that person? Could Tara
kill that person? Ang struggle about what

360
00:26:37.240 --> 00:26:40.599
which Ricky you brought up that I
think is such a pivot over his character

361
00:26:40.640 --> 00:26:44.960
won't land as well? Right,
Yeah, in the final battle, the

362
00:26:45.279 --> 00:26:48.359
like part of the rest of the
team is taking down airships. It's like

363
00:26:48.400 --> 00:26:53.200
if those crash, the occupants are
just dead. Yeah, very much so

364
00:26:53.400 --> 00:26:56.880
a bunch of them land in the
water. Though. I think it's like

365
00:26:56.359 --> 00:27:00.359
this is a thing in animation that
they often show yeah, yeah, yeah,

366
00:27:00.400 --> 00:27:03.799
you know, and they do that
in the you know, the old

367
00:27:03.960 --> 00:27:07.240
X Men animated series, and they
do that in the Justice like they show

368
00:27:07.279 --> 00:27:11.440
the people like jumping out of the
thing crashes down. I mean, I

369
00:27:11.480 --> 00:27:15.119
think that is like a tele that
could be like a television requirement you're hearing

370
00:27:15.119 --> 00:27:19.359
about, g I Joe, was
that they they could not show anyone presumably

371
00:27:19.440 --> 00:27:22.759
dying, right, so like any
time a plane is shotdown, they always

372
00:27:22.839 --> 00:27:27.119
have to show the pilot parachuting out. Yeah thing. Yeah, it was

373
00:27:30.440 --> 00:27:33.240
someone who grew up with that show. Yeah, it was very ridiculous,

374
00:27:33.799 --> 00:27:37.200
especially the tanks, because like people
always jump out of the tank right before

375
00:27:37.240 --> 00:27:40.519
it blows up. It's like,
how did you know your tank was going

376
00:27:40.599 --> 00:27:45.720
to blow up? Yeah, So
let's talk about the individual characters because I

377
00:27:45.759 --> 00:27:51.440
think them and their journeys is such
an important part of the show. And

378
00:27:51.519 --> 00:27:53.359
Riki, let's start with you.
What is it about Iro that you think

379
00:27:53.400 --> 00:27:57.240
of as like when you think about
like what you have to do to get

380
00:27:57.279 --> 00:28:02.599
Iro right? What does that mean
to you? Oh? Gosh? I

381
00:28:02.599 --> 00:28:10.119
mean, first off, his voice
actor is legendary Mako Iwomatsu, and tragically

382
00:28:10.119 --> 00:28:14.440
he passed away I think after season
one or like at the beginning of season

383
00:28:14.440 --> 00:28:18.119
two, and so there was a
handoff to another actor and it's noticeable.

384
00:28:18.240 --> 00:28:23.200
But the new guy, I can't
remember his name. I think it's Greg

385
00:28:23.200 --> 00:28:29.079
Baldwin. Yeah, Greg Baldwin does
a good job, like as far as

386
00:28:29.200 --> 00:28:34.400
like trying to do someone else's voice. It's obviously very hard, but I

387
00:28:34.440 --> 00:28:41.200
don't think it's as noticeable as like
Clone Wars when Papatine's voice acting changes.

388
00:28:41.880 --> 00:28:48.880
Yeah, And so there's just like
a tenderness to the Iro performance, you

389
00:28:48.920 --> 00:28:53.880
know, in contrast with Zuko and
supporting that character. And you talked about

390
00:28:53.920 --> 00:29:00.160
the redemption arc of Zuko. I
think it is supported and pre dated by

391
00:29:00.279 --> 00:29:07.279
Iro's redemption arc, which is largely
told in flashbacks right that he was the

392
00:29:07.960 --> 00:29:14.079
general the Dragon of the West,
who assaulted bossingh Say and laid siege to

393
00:29:14.119 --> 00:29:18.200
it for six hundred days and then
failed to capture the city and came home

394
00:29:18.400 --> 00:29:25.240
and had a change of heart and
wanted to change the Fire nation. And

395
00:29:25.319 --> 00:29:29.279
unfortunately, like at that point,
I think Ozi had already taken over and

396
00:29:29.319 --> 00:29:33.880
taken control and banished to go and
banished Iro. And so he is also

397
00:29:33.920 --> 00:29:40.079
on this arc of not only trying
to redeem his himself, like his own

398
00:29:40.279 --> 00:29:45.160
soul, but redeem his nation that
he feels like he let down in in

399
00:29:45.319 --> 00:29:49.759
like he in failing to capture the
city, but also in leading this war

400
00:29:49.799 --> 00:29:53.880
effort. I think is where he
comes to is that not only did he

401
00:29:53.960 --> 00:29:59.400
fail militarily, but he failed to
be the leader that the fire Nation needed.

402
00:29:59.480 --> 00:30:03.440
And that's what he's trying to impart
in Zuko in the story, and

403
00:30:03.119 --> 00:30:08.400
all of his lessons are just beautiful
with Zuko, and he interacts with other

404
00:30:08.480 --> 00:30:14.599
characters and teaches them lessons as well, and it's just wonderful to have an

405
00:30:14.680 --> 00:30:22.000
antagonistic character able to play that role
of mentor to your heroes. And I

406
00:30:22.039 --> 00:30:27.640
don't know, I mean, like
the Tales of Bossing say, episode overall

407
00:30:29.079 --> 00:30:33.039
is kind of medium, but his
section is just like top tier to me,

408
00:30:33.559 --> 00:30:37.599
and that I think it's like five
to ten minutes, but to me,

409
00:30:37.799 --> 00:30:41.839
like that's all you need to know
about Iro is in that episode,

410
00:30:41.920 --> 00:30:45.000
and it's such a beautiful story.
I cry, like I cry when Zuko

411
00:30:45.119 --> 00:30:52.519
comes and apologizes to him. It's
just top tier storytelling to me, and

412
00:30:52.599 --> 00:30:57.480
voice acting and it just works beautifully
though. I love Iro And it's kind

413
00:30:57.519 --> 00:31:03.960
of like we talk about aspiring to
be like heroes, right, and characters

414
00:31:04.200 --> 00:31:10.240
like we want them to be inspirational
to me, Iro as inspirational as a

415
00:31:10.960 --> 00:31:18.000
example of positive masculinity. Yeah,
and just like non violence, he obviously

416
00:31:18.079 --> 00:31:22.440
like uses violence, he uses fire
bending, he fights, but I think

417
00:31:22.480 --> 00:31:26.759
he's reached a point where he's aspiring
to a life of non violence. And

418
00:31:26.119 --> 00:31:29.440
at the end when he says like, after this is done, I'm just

419
00:31:29.440 --> 00:31:33.039
going to reopen my tea shop and
live out my days. And I imagine

420
00:31:33.119 --> 00:31:37.240
like after that point he only ever
uses fire bending to heat his tea.

421
00:31:37.359 --> 00:31:41.759
Right. I never really thought of
it until this moment, but I feel

422
00:31:41.759 --> 00:31:48.000
like there's an amazing and probably very
intentional mirroring between Aang and Gliro that they're,

423
00:31:48.039 --> 00:31:51.839
you know, the youngest and the
oldest of the main characters we spend

424
00:31:51.920 --> 00:31:56.599
time with. And you know,
I talked before about how you know,

425
00:31:56.680 --> 00:31:59.720
Aang is the person who, no
matter how dark things get, he's going

426
00:31:59.759 --> 00:32:02.759
to fight and pleasure in the simple
joys of you know, splashing around in

427
00:32:02.799 --> 00:32:07.519
the ocean and doing fun tricks and
playing with animals and and loving animals and

428
00:32:07.799 --> 00:32:10.960
relating to them. And Iro strikes
me is very much the same, and

429
00:32:12.000 --> 00:32:16.000
his like, well, okay,
you know, we didn't find the clue

430
00:32:16.039 --> 00:32:19.799
that will help us get to the
enemy, but I did find a piece

431
00:32:19.799 --> 00:32:22.400
for the game that I want to
play, and you know, his love

432
00:32:22.400 --> 00:32:25.519
of I want to call it,
uh, what do you remember what the

433
00:32:25.599 --> 00:32:29.880
name of it. It's kind of
like a Fellow type game. It's like

434
00:32:29.920 --> 00:32:32.799
it's a Fellow I remember what was
reading it from one of the writers,

435
00:32:32.799 --> 00:32:38.079
Like a fellow and Chess kind of
mixed together. But that game his love

436
00:32:38.079 --> 00:32:43.599
of tea and the there's one scene
where him and Toff was part of the

437
00:32:43.599 --> 00:32:47.200
Avatar gang, but they don't know
that they're part of these rival groups yet

438
00:32:47.400 --> 00:32:51.000
meet each other and wind up and
he says, you know, there are

439
00:32:51.000 --> 00:32:54.079
a few things in life better than
sharing tea with an interesting stranger. And

440
00:32:55.440 --> 00:32:59.599
that sort of ability to find the
joy and the love of the simplicity I

441
00:32:59.599 --> 00:33:02.480
think is Important's character and in a
way is really to me. She feels

442
00:33:02.519 --> 00:33:09.799
very much a mirroring of Aang.
Yeah. I feel like they're very too.

443
00:33:10.359 --> 00:33:17.799
They're two very similar characters in terms
of who they are inside and kind

444
00:33:17.839 --> 00:33:21.480
of how they want the world to
be and in a way, how they

445
00:33:21.640 --> 00:33:24.440
see the world. But Iro has
seen a lot more of the world and

446
00:33:24.640 --> 00:33:31.119
was born in like almost an opposite
setting, right like, and grew up

447
00:33:31.200 --> 00:33:37.519
in a monastery, you know,
among a bunch of monks who basically you

448
00:33:37.519 --> 00:33:43.480
know, sat around like hanging out
with well and I mean there air nomads,

449
00:33:43.559 --> 00:33:45.279
right, so it traveled a lot
as well, but like you know,

450
00:33:45.400 --> 00:33:51.720
hanging out with skybison and you know, being friends with animals and being

451
00:33:51.960 --> 00:33:58.079
peaceful and you know, exploring the
world. And Iro grew up in the

452
00:33:58.079 --> 00:34:02.240
Fire Nation after it had been and
you know, like hyper militarized and become

453
00:34:02.279 --> 00:34:07.559
an empire, and you know,
I think he was the oldest son,

454
00:34:07.680 --> 00:34:13.119
right, and he was the one
expected to carry on after I forget's dad's

455
00:34:13.199 --> 00:34:27.039
name, Susan, his son is
the okay, grandfather. Susan is the

456
00:34:27.039 --> 00:34:31.039
one who starts them on the path. Yeah, Yea is named after him,

457
00:34:31.079 --> 00:34:37.840
right, and then what's his name? And then Ozi. But so

458
00:34:37.119 --> 00:34:40.360
I think he I think Iro was
like the oldest son. He's born into,

459
00:34:40.599 --> 00:34:45.039
you know, this family that's ruling
this empire and is this very military

460
00:34:45.199 --> 00:34:51.760
force, and so I think he
becomes a general because that's what's expected of

461
00:34:51.880 --> 00:34:57.320
him. And he and then he
lays siege to the city. His son

462
00:34:57.440 --> 00:35:01.800
dies in that siege, right,
and and I think maybe that's like the

463
00:35:02.000 --> 00:35:10.480
sort of triggering incident or whatever.
But you know, Iro's redemption story is

464
00:35:10.480 --> 00:35:15.159
is mostly backstory, right, it's
mostly something that's already happened. And then

465
00:35:15.239 --> 00:35:22.400
he's able to facilitate Zuko's redemption story, his redemption arc. But Zuko's redemption

466
00:35:22.559 --> 00:35:29.000
arc is really like the conclusion in
a way of Iro's where you know,

467
00:35:29.559 --> 00:35:31.519
like Zuko's like, oh, you've
got to go, you know, fight

468
00:35:31.599 --> 00:35:37.320
my dad basically, and and Iro's
like, then history would just remember this

469
00:35:37.400 --> 00:35:42.400
battle as like one brother fighting another
brother for control over an empire, you

470
00:35:42.440 --> 00:35:45.360
know, and like he was like, you've got to do it, you

471
00:35:45.400 --> 00:35:47.159
know, And then he doesn't fight
ohs, he fights his sister. But

472
00:35:47.280 --> 00:35:52.239
like, you know, the point
being that, like I think it took

473
00:35:52.599 --> 00:35:54.719
Ira most of his life to get
to the point where he was able to

474
00:35:54.840 --> 00:36:00.400
kind of become who he wanted to
be, like who he was in side

475
00:36:00.400 --> 00:36:05.280
to like match his behavior outside in
a way. And maybe he always had

476
00:36:05.280 --> 00:36:07.559
this kind of exterior of I mean, I'm sure he always loved Tea and

477
00:36:07.639 --> 00:36:12.519
Pai Sho and like you know things
like that, but like he was an

478
00:36:12.519 --> 00:36:15.320
active general in an army that was
trying to conquer other nations, you know,

479
00:36:15.920 --> 00:36:22.559
and so I think he it,
well, it didn't take him as

480
00:36:22.599 --> 00:36:25.559
many chronological years to kind of get
everything to kind of match up the same

481
00:36:25.599 --> 00:36:34.280
way. But like that we get
a character who's already gone through so much

482
00:36:34.679 --> 00:36:39.800
and we can feel that in his
actions. But also, I mean,

483
00:36:40.000 --> 00:36:46.599
I think Maco did a brilliant job
of like just bringing the character to life

484
00:36:46.679 --> 00:36:52.280
and making the character really feel and
so when you know, when we're not

485
00:36:52.280 --> 00:36:54.280
going to talk about specific casting,
right, but like as far as casting

486
00:36:54.320 --> 00:36:59.599
goes, like that's one of the
roles that to me, like you really

487
00:36:59.639 --> 00:37:04.360
have to yet, right because like
the bar was set so high that I

488
00:37:04.400 --> 00:37:08.239
wouldn't want to compare someone to someone
but like too much. Right, But

489
00:37:08.480 --> 00:37:15.039
like, I think that's a very
challenging role because there's so much depth from

490
00:37:15.199 --> 00:37:20.480
all this stuff that happened to the
character that we just don't really get to

491
00:37:20.519 --> 00:37:22.639
see on screen, but we have
to kind of feel it in a way.

492
00:37:24.079 --> 00:37:28.199
Yeah, I think it's really true. And you're right, the sort

493
00:37:28.239 --> 00:37:31.599
of love of tea and the kind
of like simpleness is always there. And

494
00:37:32.119 --> 00:37:38.119
because there's one point where the flashback
we see a Zuko and Azula being read

495
00:37:38.800 --> 00:37:43.320
one of their parents is reading them
a letter that Uncle Iro sent from the

496
00:37:43.320 --> 00:37:46.119
battlefield, and he starts in a
very like I found a new kind of

497
00:37:46.159 --> 00:37:51.639
tea. It's wonderful and isn't this
sweet? And you know, I'm loving

498
00:37:51.719 --> 00:37:53.639
Uncle Iro. And by the way, Sue will be able to knock down

499
00:37:53.679 --> 00:37:58.360
this wall and conquer these horrible people
for the glory of the fire Nation.

500
00:37:58.480 --> 00:38:01.599
And it's it's so great because it
is still all of those things of Iro

501
00:38:02.239 --> 00:38:08.320
mixed with this other you know,
the other stuff. Yeah, there's a

502
00:38:08.440 --> 00:38:14.440
very important moment in Iro's character that
I think is so important both for him

503
00:38:14.480 --> 00:38:17.199
and for Zuko. But I'm wondering
how you two see it, Which is

504
00:38:17.199 --> 00:38:20.320
that one of the things about Iro, and that one of the reasons I

505
00:38:20.320 --> 00:38:24.119
think why people so gravitate towards him, is he really comes across as you

506
00:38:24.159 --> 00:38:28.360
know, the person who will never
turn their back on you. You know,

507
00:38:28.440 --> 00:38:30.920
they will always love you, they
will always be there for you.

508
00:38:30.960 --> 00:38:35.519
You don't have to worry about disappointing
them. And there's so many scenes where

509
00:38:36.440 --> 00:38:39.440
he feels like Zuko, you know, does something that his uncle doesn't want

510
00:38:39.519 --> 00:38:43.760
and doesn't like, and you know
when he comes back, he's like,

511
00:38:43.840 --> 00:38:45.320
Uncle, you must be so disappointed
in me, or you know, mad

512
00:38:45.360 --> 00:38:47.920
at me, and he's like,
no, I'm just I was so sad

513
00:38:47.920 --> 00:38:51.440
that you are so lost, you
know, these beautiful stepments of love.

514
00:38:52.679 --> 00:38:57.360
But then in the beginning of the
third season, Zuko has given a chance

515
00:38:57.440 --> 00:39:00.880
to turn his back on the Avatar, turn his back on his uncle,

516
00:39:01.400 --> 00:39:06.920
and rejoin the Fire Nation and take
up the position of you know, his

517
00:39:06.920 --> 00:39:10.360
father's right hand that he was trying
so hard for in the first season.

518
00:39:10.400 --> 00:39:14.800
And then Ira was so proud of
him for letting go of his desire for

519
00:39:14.840 --> 00:39:17.480
that, And as a result,
Ira is arrested and Zuko gets all his

520
00:39:17.559 --> 00:39:22.360
power and privilege and position again.
And in this really beautiful scene, Zuko

521
00:39:22.440 --> 00:39:25.599
goes down to the prison to try
and talk to Iiro and I think,

522
00:39:25.599 --> 00:39:29.079
try that so to say like,
look, I hope you understand why I

523
00:39:29.119 --> 00:39:32.519
did this, And Iro turns his
back on him and just refuses to talk

524
00:39:32.559 --> 00:39:39.199
to him. And I am not
sure is it supposed to be, because

525
00:39:39.440 --> 00:39:44.039
even Ira has a breaking point,
and even Iro has a point where he

526
00:39:44.079 --> 00:39:46.159
will say like I may love you, but I cannot support you. I

527
00:39:46.199 --> 00:39:52.000
cannot be there for you anymore,
which I don't think would be a portrayal

528
00:39:52.039 --> 00:39:53.599
of the character. I think would
be a very true thing for the character,

529
00:39:54.079 --> 00:39:59.199
and a really important message of like, you know we you know where

530
00:39:59.239 --> 00:40:04.000
we can go? Or do you
think it is that he just strategically understands

531
00:40:04.639 --> 00:40:07.599
that anything he does, any kind
of response he has, is going to

532
00:40:07.639 --> 00:40:12.920
wind up coming off as enabling to
his nephew. And it is only by

533
00:40:13.960 --> 00:40:19.920
feigning a complete lack of any empathy
or desire to relate to his nephew anymore

534
00:40:20.159 --> 00:40:22.760
that he can help give the nephew
his pors she needs to come back to,

535
00:40:22.800 --> 00:40:28.760
like doing the right thing. Yeah. I interpret that as kind of

536
00:40:28.800 --> 00:40:32.199
IRA's final lesson, which is that
Zuko has to figure it out on his

537
00:40:32.280 --> 00:40:39.079
own, like he Zuko made the
choice to betray the Avatar or to betray

538
00:40:39.159 --> 00:40:45.719
Iro in return to the Fire Nation, and so at that point he has

539
00:40:45.760 --> 00:40:51.800
the agency and he has to make
the choice again later to betray his father

540
00:40:52.400 --> 00:40:59.000
and to decide to join the Avatar's
group and Zuko, I mean sorry,

541
00:40:59.079 --> 00:41:04.440
Iro no ows what has to happen
for like Zuko's redemption, but he can

542
00:41:04.480 --> 00:41:08.480
no longer tell him what to do
anymore because it's kind of like him Zuko

543
00:41:08.599 --> 00:41:13.920
growing up, right, Like this
is his moment where he has to decide

544
00:41:13.960 --> 00:41:15.920
who he's going to be. I
think is like literally words that he says

545
00:41:16.039 --> 00:41:20.159
earlier to him, like you have
to decide your own path, I think

546
00:41:20.199 --> 00:41:23.599
he said in the moments before betrayal
at the end of season two, and

547
00:41:23.679 --> 00:41:29.400
so like he's holding true to that
and turning his back not saying anything because

548
00:41:29.440 --> 00:41:30.800
he's already told him what he has
to do. You have to decide your

549
00:41:30.840 --> 00:41:37.679
own path. I couldn't agree more. That's that's like exactly how I've always

550
00:41:37.719 --> 00:41:45.960
seen it, and I think it's
definitely not Iro giving up on Zuko.

551
00:41:45.079 --> 00:41:51.679
I think he is deeply saddened that
Zuko hasn't come to the conclusion. He

552
00:41:51.880 --> 00:41:58.920
hopes that he will yet, because
I think that opportunity and a vision of

553
00:41:58.960 --> 00:42:02.400
what could be, what else could
be Zuko has seen right, he has

554
00:42:02.480 --> 00:42:07.119
been able to see, Okay,
things can be different. I don't have

555
00:42:07.199 --> 00:42:09.400
to be the guy looking for the
avatar all the time. I don't have

556
00:42:09.480 --> 00:42:13.920
to be like my father's son,
basically in terms of like his heir to

557
00:42:13.960 --> 00:42:20.480
this empire. So Iro showed him
that possibility, and so did circumstance.

558
00:42:20.559 --> 00:42:23.440
Right life brought him to the understanding
that things don't have to be that way.

559
00:42:24.239 --> 00:42:30.679
But he also understands that there's a
way that Zuko always had things in

560
00:42:30.679 --> 00:42:36.920
his mind of repairing, you know, regaining his honor and like going back

561
00:42:36.960 --> 00:42:40.280
and then following in his father's footsteps, basically being at his side and then

562
00:42:40.440 --> 00:42:44.480
taking over it for him, presumably
even though we all know a zula would

563
00:42:44.519 --> 00:42:49.039
have been the way to take over
anyway. But like he now, he

564
00:42:49.079 --> 00:42:54.079
needs to see how things would be
if he got his wish from the beginning,

565
00:42:54.679 --> 00:43:00.519
and he needs to understand that's not
really what he wants. And I

566
00:43:00.559 --> 00:43:04.559
think Iro hopes that that's what will
happen. I don't think he knows that

567
00:43:04.599 --> 00:43:07.480
will happen, right, I mean, I don't think you can know that

568
00:43:07.519 --> 00:43:10.360
will happen. But I think he
maybe he trusts that, like Zuko has

569
00:43:10.400 --> 00:43:15.280
seen enough of the other possibilities,
that Iro has given him everything that he

570
00:43:15.320 --> 00:43:20.320
can give him, and that now
Zuko has to He has to make the

571
00:43:20.360 --> 00:43:23.199
decision himself. Right. It can't
be Iro talking him into it in a

572
00:43:23.239 --> 00:43:29.440
conversation. It has to be Zuko
seeing things can be one way, seeing

573
00:43:29.800 --> 00:43:32.880
how things are the way he thought
he wanted them, and then deciding which

574
00:43:32.920 --> 00:43:36.039
way do I want them to be? Who do I want to be?

575
00:43:36.400 --> 00:43:37.719
You know, what role do I
want to play in all of this,

576
00:43:39.480 --> 00:43:44.039
and you know, and then then
he makes his choice, and yeah,

577
00:43:44.199 --> 00:43:50.440
it's crazy. Critically, like when
Zuko makes his decisions, he has these

578
00:43:50.519 --> 00:43:55.039
like pretend conversations with Iro, like
he does his bad irosion, like well,

579
00:43:55.079 --> 00:43:59.800
what Uncle Iro saying right is like? And he comes up with very

580
00:43:59.840 --> 00:44:04.960
like bs philosophical sounding nonsense, but
it guides him on the right path.

581
00:44:05.239 --> 00:44:09.280
It's like, even though the actual
Iro doesn't say anything to him at that

582
00:44:09.360 --> 00:44:15.800
point, thereafter he has the Iro
inside of him to guide him right.

583
00:44:16.320 --> 00:44:21.320
And that's really what teaching and mentoring
is. I think it's not about being

584
00:44:21.360 --> 00:44:25.320
with someone every step of the way. It's like giving someone as much guidance

585
00:44:25.360 --> 00:44:30.360
and wisdom and knowledge as you can
and then leaving that with them. They

586
00:44:30.719 --> 00:44:34.559
have that and they can take that
with them and then use that in whatever

587
00:44:34.599 --> 00:44:39.760
capacity they can manage to right.
It's the classic devil and angel on your

588
00:44:39.760 --> 00:44:45.079
shoulders. But ultimately, even though
you're having these pretend conversations with good and

589
00:44:45.119 --> 00:44:47.840
evil, it comes from within you, like the final decision. Yes,

590
00:44:49.519 --> 00:44:55.000
yeah, it's interesting because I see
that scenes so differently for me because for

591
00:44:55.039 --> 00:45:00.960
me, one of the keys it
is that is happening. Iro is also

592
00:45:01.159 --> 00:45:07.760
like barely eating and he's he's like
There's a later scene in episodes later where

593
00:45:08.840 --> 00:45:12.679
Iro, I think, gets reminded
that there is hope. I think someone

594
00:45:12.719 --> 00:45:15.639
gives him a piece from the game, and he all of a sudden starts

595
00:45:15.719 --> 00:45:21.239
to you know, train his body
again and think about escaping and things like

596
00:45:21.280 --> 00:45:28.400
that. But all that happens after
this conversation with Zuko, and I took

597
00:45:28.440 --> 00:45:32.000
it not as him, probably not
that he would consciously say that he's given

598
00:45:32.079 --> 00:45:37.880
up, but then he's lost a
lot of hope. Like I kind of

599
00:45:37.920 --> 00:45:43.039
saw this as Iro at his most
broken because of how much he had thought

600
00:45:43.119 --> 00:45:45.719
that they're like. And I think
a lot about his role in the family

601
00:45:45.800 --> 00:45:50.920
that he is. You know,
he has seen the brokenness of his entire

602
00:45:51.039 --> 00:45:54.400
family, and he is very much
the literal and as well as figurative outcast

603
00:45:54.440 --> 00:46:00.599
of the family, and yet Zuko
has become his ally at Zuko has become

604
00:46:00.719 --> 00:46:04.679
the like no, I also see
all the brokenness in the family, and

605
00:46:04.679 --> 00:46:12.599
then Zuko turns his back on him. And I love supportive you know characters

606
00:46:12.679 --> 00:46:15.199
like that who will catch people when
they fall and be like, yeah,

607
00:46:15.239 --> 00:46:17.719
you did the really terrible thing here, but I still love you and all

608
00:46:17.760 --> 00:46:22.880
that. I guess for me,
when that the degree of that becomes almost

609
00:46:23.039 --> 00:46:28.559
superhuman, it kind of loses something
from me. So for me, I

610
00:46:28.559 --> 00:46:31.880
think it's a very important moment that
even Iro has his limits of you know,

611
00:46:31.920 --> 00:46:36.239
that he maybe that he has some
of that strategic thought in mind,

612
00:46:36.320 --> 00:46:38.760
but also that he he just doesn't
want to, you know, show love

613
00:46:38.800 --> 00:46:44.599
and show forgiveness and comfort to Zuku
at this moment because of all, you

614
00:46:44.639 --> 00:46:49.880
know how he feels about it all. And I think it is a I

615
00:46:49.880 --> 00:46:52.840
imagine that you know, in terms
of writer's intent, it was probably a

616
00:46:52.840 --> 00:46:54.239
lot more of what you guys are
talking about, but maybe some of what

617
00:46:54.280 --> 00:46:59.320
I'm talking about as well. But
I think it is a statement to how

618
00:46:59.400 --> 00:47:02.559
good the act stating in the writing
and the scene is that it's unclear that

619
00:47:02.599 --> 00:47:07.280
it's like left is kind of like
what exactly is happening here, particularly because

620
00:47:07.519 --> 00:47:10.280
there is no moment to the end
where Iro says, you know, please

621
00:47:10.320 --> 00:47:14.039
know, I would have never turned
my back on you. I only did

622
00:47:14.079 --> 00:47:16.000
that because you needed it. Like, there's no sort of moment where Iro

623
00:47:16.159 --> 00:47:20.559
explains his actions in that moment,
right, I mean, so First of

624
00:47:20.599 --> 00:47:23.320
all, I don't. I don't
see it as a superhuman level of like

625
00:47:23.440 --> 00:47:30.800
not giving up on someone. I
find it very relatable in very specific ways.

626
00:47:30.840 --> 00:47:37.159
But I do think he feels heartbroken
and betrayed. Like I think he

627
00:47:37.280 --> 00:47:44.320
was really hoping that Zuko was gonna, you know, not rejoin you know,

628
00:47:45.079 --> 00:47:49.119
his dad with the Fire Nation and
just gonna find his own way,

629
00:47:49.199 --> 00:47:52.119
a different way, you know.
So I don't think he's like he has

630
00:47:52.159 --> 00:47:54.400
no emotions about it. I don't
think he's like, oh, yes,

631
00:47:54.480 --> 00:47:58.960
okay, well he just needs to
go through this and whatever. But I

632
00:47:59.440 --> 00:48:05.639
think he has understanding of that,
maybe not that Zuku that this is what's

633
00:48:05.639 --> 00:48:09.800
going to happen, but that like, if Zuko is going to change his

634
00:48:09.880 --> 00:48:14.000
life, he's going to have to
be the one to do it, you

635
00:48:14.039 --> 00:48:19.800
know. I think that's true.
But and of course there's uncertainty. I

636
00:48:19.800 --> 00:48:22.599
mean, there's there's always uncertainty.
I don't I don't think he has some

637
00:48:22.719 --> 00:48:27.480
like unyielding faith that Zuko that you
know, the goodness in Zuko is gonna

638
00:48:27.519 --> 00:48:30.360
win out or whatever. But I
think I think that's his hope. And

639
00:48:31.239 --> 00:48:35.920
but I do think I mean,
I I've been in a situation where like

640
00:48:36.000 --> 00:48:43.039
I felt like I did everything I
could to try and give someone whatever might

641
00:48:43.119 --> 00:48:46.760
be helpful of whatever I had to
offer, and then they have to make

642
00:48:46.800 --> 00:48:51.599
their choice about what they want to
do, you know, and like that's

643
00:48:51.719 --> 00:48:57.039
not I I didn't and I don't
view that as giving up. I view

644
00:48:57.079 --> 00:49:00.840
that as like, at the end
of the day, people have to make

645
00:49:00.840 --> 00:49:05.920
their own decisions, right, That's
like I totally agree, And I think

646
00:49:06.280 --> 00:49:08.599
the super human comment was false.
I get a better way, I guess

647
00:49:08.599 --> 00:49:14.840
of saying it is of me.
I feel like I rowe until this point

648
00:49:14.920 --> 00:49:22.480
has been able to like basically put
his his own emotional response to Zuko's actions

649
00:49:22.800 --> 00:49:23.840
were not going to be the focus. He was going to focus more on

650
00:49:23.880 --> 00:49:29.920
being a mentor and a parent figure
instead of having his own emotional reaction of

651
00:49:30.039 --> 00:49:32.559
I am angry at you, and
I think that that's what I'm more.

652
00:49:32.639 --> 00:49:36.639
Yeah, and I will just tack
on, like I don't really care what

653
00:49:36.679 --> 00:49:38.039
the writers in tent was, like
if they say, oh, this is

654
00:49:38.079 --> 00:49:40.280
what we met, Like, I
don't care. I care what they put

655
00:49:40.320 --> 00:49:45.679
on screen. I am happy with
my interpretation of it. I'm happy to

656
00:49:45.719 --> 00:49:51.119
hear other people's interpretations of it.
I think it's cool that like different people

657
00:49:51.159 --> 00:49:52.440
can see it a little different,
you know, Like I don't think that's

658
00:49:52.480 --> 00:49:57.360
a problem. I don't think that's
necessarily like a deliberate oh, we want

659
00:49:57.400 --> 00:50:00.400
to make this vague. But I
do think like anytime, you know,

660
00:50:00.920 --> 00:50:07.599
unless you have characters always just like
speaking their motivation like out loud every single

661
00:50:07.639 --> 00:50:12.840
time, which strikes me as usually
quite poor writing, there's always going to

662
00:50:12.840 --> 00:50:15.920
be room for interpretation. I think
that's nice, you know, And I

663
00:50:15.039 --> 00:50:20.440
like that it allows more people to
kind of relate to characters, and it

664
00:50:20.480 --> 00:50:25.079
allows more people to kind of draw
something that they enjoy from it. And

665
00:50:25.679 --> 00:50:30.840
so I think I think that's cool, you know, and good. Yeah,

666
00:50:30.880 --> 00:50:34.119
I agree one hundred percent. Like
when it comes to villains, you

667
00:50:34.159 --> 00:50:39.239
know, relatable villains that we identify
with, it is often because their motivations

668
00:50:39.840 --> 00:50:44.400
are a bit murkier and they don't
just say, like I want to do

669
00:50:44.519 --> 00:50:47.159
this because like blah blah blah,
like those are what we often referred to

670
00:50:47.280 --> 00:50:52.480
is us mustache twirling right right,
and so like even in this story,

671
00:50:52.639 --> 00:51:00.400
the villainy of some of the characters
I think is interesting, Like I guess

672
00:51:00.400 --> 00:51:06.599
we should transition to Zuko right,
like often related to Iro, but Zuko

673
00:51:06.920 --> 00:51:12.280
starts this story out as a villain, and he does have his whole like

674
00:51:13.119 --> 00:51:19.760
I have to capture the Avatar because
my father. But but it's I think

675
00:51:19.800 --> 00:51:22.880
there's something so relatable about the fact
that it's his father, right, like

676
00:51:23.760 --> 00:51:30.679
right, right, I mean we
have to because we all have fathers,

677
00:51:30.920 --> 00:51:37.039
and not everyone has relationships with him. But when you do, like you

678
00:51:37.039 --> 00:51:42.559
you feel that, like the disappointing
your father is probably one of the most

679
00:51:43.000 --> 00:51:47.039
devastating, like relatable things in many
of our lives, I feel like,

680
00:51:47.639 --> 00:51:52.679
and so part of the story of
Zuko is that for me, the line

681
00:51:52.679 --> 00:51:55.760
that comes to mind is from Guardians
of Galaxy Too at the end of that

682
00:51:57.519 --> 00:52:01.480
where he says he may be your
father, but he'll never be your daddy.

683
00:52:01.599 --> 00:52:07.159
I think is the line, right, And Ozi is Zuko's biological father,

684
00:52:07.440 --> 00:52:12.880
but in the end he chooses Iro
as his daddy, he chooses the

685
00:52:12.920 --> 00:52:15.039
ideals of Ira, and I think, like, that's that's what makes Zuko

686
00:52:15.239 --> 00:52:22.559
such a great character for me.
Yeah, I think it's really true.

687
00:52:22.599 --> 00:52:24.599
And I think you know, I
said before that Zuko is the character I

688
00:52:24.639 --> 00:52:28.760
most relate to because I think I've
I've been a pretty horrible person at various

689
00:52:28.920 --> 00:52:30.239
points in my life, and somebody
who talks to him about on this podcast

690
00:52:30.280 --> 00:52:38.119
and made decisions that that hurt people
quite a lot. And it's the fact

691
00:52:38.239 --> 00:52:42.920
that I think often one of the
things I don't like about redemption story is

692
00:52:42.920 --> 00:52:46.159
is this idea that you you have
a moment where all of a sudden you're

693
00:52:46.159 --> 00:52:51.920
better and now you have you know, you've saved your son from the evil

694
00:52:51.960 --> 00:52:54.880
person, or you've you know,
decided to do good and now everything is

695
00:52:54.920 --> 00:53:01.239
better and everyone accepts you. And
Zukho really struggles to find redemption. He

696
00:53:01.320 --> 00:53:07.039
really struggles because, in part because
it's not like there's a clear moral compass

697
00:53:07.079 --> 00:53:14.199
that he is rejecting and then deciding
to accept again. He has been taught

698
00:53:14.280 --> 00:53:17.920
all of his life that finding your
father's honor and being honored in the eyes

699
00:53:17.960 --> 00:53:22.440
of your father and your community is
the moral good thing, and so he's

700
00:53:22.480 --> 00:53:27.880
looking for that, and it's the
he is questioning that and then then going

701
00:53:27.960 --> 00:53:31.760
back on it and finding, you
know, which way to turn, And

702
00:53:36.119 --> 00:53:38.360
for me, the fact that his
stumbles and they're like, he wants to

703
00:53:38.400 --> 00:53:42.000
do the right thing, but he
he wants to do the right thing,

704
00:53:42.039 --> 00:53:44.960
but he also wants to go back
to do the comfortable thing, and that

705
00:53:45.039 --> 00:53:46.320
he wants to do the right thing
but isn't always sure what that is.

706
00:53:47.480 --> 00:53:52.679
And then that especially in the latter
half of season three, when he really

707
00:53:52.760 --> 00:53:57.440
has realized that he can't be that
person anymore and he wants to join with

708
00:53:57.480 --> 00:54:01.119
the Avatar and help the Avatar,
and I don't welcome him with open arms.

709
00:54:01.400 --> 00:54:07.960
And there's one scene in particular that
I really incredibly related to because one

710
00:54:07.960 --> 00:54:10.400
of the things I found it and
I've talked with others, you know,

711
00:54:10.679 --> 00:54:15.719
who've had moments like this of where
like I'm trying to show people that I'm

712
00:54:15.760 --> 00:54:16.800
not the person who I used to
be, and I'm trying to do the

713
00:54:16.880 --> 00:54:22.719
right thing. And I don't want
to get into the exact details of what

714
00:54:22.719 --> 00:54:25.000
happened in my own life, but
like, there was a moment that I

715
00:54:25.000 --> 00:54:29.280
described as like, you know,
if everybody knows you're an alcoholic and someone

716
00:54:29.360 --> 00:54:32.239
sees you drinking ginger ale in a
dark bar and thinks that it's a beer

717
00:54:32.840 --> 00:54:37.000
something that I did being seen by
someone who doesn't understand the context or doesn't

718
00:54:37.000 --> 00:54:39.800
even know like a fat factor to
about it, or you know, misunderstoods

719
00:54:39.800 --> 00:54:45.599
whatever it is, but just that
feeling of doing trying to do the right

720
00:54:45.679 --> 00:54:50.000
thing and having it be seen as
not as good as you think it is

721
00:54:50.039 --> 00:54:53.039
because you haven't really understood the depth
of what you did wrong incredibly relatable.

722
00:54:53.599 --> 00:54:59.239
But then that also happening of the
doing the right thing but having it be

723
00:54:59.280 --> 00:55:02.599
misunderstood because the suspicion people have of
you for very legitimate reasons, and those

724
00:55:02.639 --> 00:55:07.000
things happening at the same time,
and just the feeling of like, how

725
00:55:07.199 --> 00:55:08.559
how do I deal with this?
How do I seek redemption? Is it

726
00:55:08.599 --> 00:55:13.360
even fair to seek redemption? And
the way that that's played out, and

727
00:55:14.039 --> 00:55:19.119
particularly I think because for so much
of the show, the mom figure and

728
00:55:19.159 --> 00:55:22.119
the one who I think has almost
as big a heart as Iro is Katara,

729
00:55:22.880 --> 00:55:27.559
and the fact that it's she who
is the last to accept him and

730
00:55:27.599 --> 00:55:31.519
the most hesitant to accept him.
It plays so incredibly well. And I

731
00:55:31.559 --> 00:55:36.719
just think that there's just so much
about that story that I think is very

732
00:55:36.719 --> 00:55:38.480
relatable, both to people who have
screwed up and are trying to do better

733
00:55:38.519 --> 00:55:42.639
but also to the repair, but
also to all of us in terms of

734
00:55:42.639 --> 00:55:46.599
seeing the people who have heard us
of that you can both recognize that a

735
00:55:46.639 --> 00:55:50.880
person's doing growth but not because I
don't think there's ever a moment where the

736
00:55:50.880 --> 00:55:52.719
avatar Creu is wrong not to open
him with open arms, you know,

737
00:55:53.280 --> 00:55:59.760
and that you can recognize a person's
done better, but also recognize your own

738
00:55:59.760 --> 00:56:01.440
pain about the situation is such that
you don't want them back in your life,

739
00:56:01.480 --> 00:56:04.239
or that it's gonna take more to
have the back in your life.

740
00:56:05.320 --> 00:56:12.880
M Well, that's heavy. I
mean, it's very good and it's a

741
00:56:12.880 --> 00:56:17.760
lot to think about. Like,
so here's here's the thing with Zuko.

742
00:56:20.199 --> 00:56:23.840
When we talk about redemption arcs or
redemption stories. You know, we are

743
00:56:23.880 --> 00:56:28.960
Star Wars fans. We've talked about
this a lot. We kind of dislike

744
00:56:29.119 --> 00:56:34.239
the Darth Vader and the Kylo Ren
redemptions because they redeemed in death right,

745
00:56:34.280 --> 00:56:37.159
Like it's they they don't have that
moment with the other characters where they have

746
00:56:37.199 --> 00:56:43.639
to apologize and try to regain trust. And then in Rebels we have the

747
00:56:44.039 --> 00:56:45.719
callous arc where we do get that, and we like that a lot.

748
00:56:46.599 --> 00:56:54.400
Here it is it's it's so brutal
because Zuko starts as a villain and so

749
00:56:54.599 --> 00:56:58.519
like for the main cast, like
he's a villain, like you have to

750
00:56:58.559 --> 00:57:04.960
redeem from that. But he has
the secondary arc in season two where he

751
00:57:05.119 --> 00:57:09.360
and Iro travel to Bossing Say and
he has this glimpse of a peaceful life.

752
00:57:09.719 --> 00:57:14.559
He has that beautiful episode Zuko Alone, where he learns what the Fire

753
00:57:14.639 --> 00:57:17.360
Nation people think, or the Earth
Nation people think of the Fire Nation.

754
00:57:17.800 --> 00:57:22.199
And even though he saves this kid, this kid, you know, has

755
00:57:22.239 --> 00:57:25.760
this built up racism and says like, I don't want your gift, like

756
00:57:25.840 --> 00:57:29.480
you're from the Fire Nation. I
hate you, even though you just saved

757
00:57:29.639 --> 00:57:32.679
my family, right, Like that's
very powerful, and it's him kind of

758
00:57:32.719 --> 00:57:37.119
like learning about the world, learning
about himself. And then at the end

759
00:57:37.119 --> 00:57:42.840
of that he falls again, like
he fails Iro, he betrays Iro and

760
00:57:42.880 --> 00:57:49.840
the Avatar. And that's what makes
it so devastating and so redemptive to me,

761
00:57:50.599 --> 00:57:54.480
is that he starts as a villain
already and has a like upward curving

762
00:57:54.559 --> 00:58:00.440
path of redemption and then falls and
we have to go through that with him,

763
00:58:00.800 --> 00:58:04.719
and then spend that that part of
the first half of seasons three where

764
00:58:04.760 --> 00:58:08.000
IRA's not talking to him, giving
him the cold shoulder, and we're devastated

765
00:58:08.079 --> 00:58:15.960
by that and just to have that
whole like roller coaster. Is what makes

766
00:58:15.000 --> 00:58:19.719
it so good to me is like
we we have to have two redemptions essentially.

767
00:58:21.440 --> 00:58:24.239
Yeah to me, no, go
ahead. And to finish up like

768
00:58:24.320 --> 00:58:30.159
to have the the Avatar gang,
I think there's like three episodes where he

769
00:58:30.239 --> 00:58:35.360
has to go on like little adventures
with each of them with their gang Sokka

770
00:58:35.400 --> 00:58:39.639
and Katara, And that tof is
like I didn't get my Yeah, it

771
00:58:39.679 --> 00:58:47.840
a life changing field. They dedicate
three episodes to him doing penance essentially with

772
00:58:47.920 --> 00:58:52.400
the three main characters. I think
four even because those soccer ones like a

773
00:58:52.440 --> 00:58:55.920
two parter. Oh yeah, yeah, yeah, yeah, I think.

774
00:58:57.239 --> 00:59:00.760
And the fact that it's it's not
four episod with the whole gang because he's

775
00:59:00.840 --> 00:59:06.079
hurt each of them in different ways. Yeah, and so that journey has

776
00:59:06.119 --> 00:59:13.079
to be individualized for each of them. Yeah, exactly. Yeah. I

777
00:59:13.480 --> 00:59:22.599
think it feels like more earned than
any other redemption arc I really can think

778
00:59:22.639 --> 00:59:25.199
of. Like I mean, I'll
say I love the Darth Vader redemption arc

779
00:59:25.679 --> 00:59:29.519
because even an empire, I like
kind of thought he was like the main

780
00:59:29.599 --> 00:59:34.920
character, right, but like although
I had seen Jedi first, maybe I'm

781
00:59:34.960 --> 00:59:39.800
not sure I was little, but
like I do feel the same thing where

782
00:59:39.800 --> 00:59:43.599
it's like, I don't know,
maybe Darth Vader had to die so Zuko

783
00:59:43.679 --> 00:59:49.440
could live, but like it's you
know, I love getting to see a

784
00:59:49.480 --> 00:59:55.159
redemption arc where the character not only
lives on but then tries to either a

785
00:59:55.159 --> 01:00:01.199
tone or just just make up for
or cause not Like he's not trying to

786
01:00:01.320 --> 01:00:05.960
undo the harm that he did,
right, He's not going around to help

787
01:00:06.039 --> 01:00:08.840
rebuild the villages that he incinerated,
right, That's not what he's doing.

788
01:00:09.079 --> 01:00:13.159
He's trying to Yeah, yeah,
maybe he does that later, Yeah,

789
01:00:13.440 --> 01:00:19.960
but he's he's trying to He's gone
from doing harm and making the world less

790
01:00:20.079 --> 01:00:24.360
like the way that you know,
the protagonists and the viewers mostly would want

791
01:00:24.360 --> 01:00:28.800
to see it and try to make
the world war that way. Now,

792
01:00:29.079 --> 01:00:32.360
so you know, it's kind of
like, you know, kind of balancing

793
01:00:32.360 --> 01:00:36.760
the scales or whatever. But it's
like, it doesn't feel like that's why

794
01:00:36.760 --> 01:00:39.599
he's doing it. To me,
it doesn't feel like he's seeking redemption.

795
01:00:40.280 --> 01:00:45.440
It feels to me like he understands
who he wants to be and now he

796
01:00:45.519 --> 01:00:50.719
just wants to do that right,
And he does have to make things up

797
01:00:50.760 --> 01:00:54.280
and kind of square things with the
other characters in order to really be accepted

798
01:00:54.440 --> 01:00:59.920
into their you know, into Team
Avatar. But like that's not why he

799
01:01:00.119 --> 01:01:01.719
does He doesn't do it because like
it feels like, oh, there's this

800
01:01:01.840 --> 01:01:07.800
score sheet. It's like he wants
to stop his father, right, he

801
01:01:07.840 --> 01:01:12.920
wants to change the Fire Nation,
and you know, he grew up learning

802
01:01:13.280 --> 01:01:15.079
you know, you're supposed to go
fight for your country against the other countries,

803
01:01:15.159 --> 01:01:20.119
right against the other nations. But
like now he's like, that's not

804
01:01:20.400 --> 01:01:22.000
how I want the world to be. Like, we don't the Fire Nation

805
01:01:22.079 --> 01:01:25.760
doesn't need to spread its goodness across
the world. The Fire Nation can just

806
01:01:25.760 --> 01:01:30.239
be the Fire Nation. The Earth
Nation can be the Earth Nation, and

807
01:01:30.000 --> 01:01:34.039
I guess and can just be the
Air Nation for now. But like you

808
01:01:34.079 --> 01:01:37.840
know, and the Water Nation,
but well it's there's no Water Nation,

809
01:01:37.960 --> 01:01:42.960
right, there's two water tribes.
But the point being just that like it

810
01:01:43.239 --> 01:01:46.280
it feels the way he stumbles feels
it doesn't to me. It doesn't feel

811
01:01:46.360 --> 01:01:50.960
contrived, right, it feels like
super believable. If they tried to do

812
01:01:51.000 --> 01:01:53.920
that three or four times through like
a whole bunch of seasons, Like if

813
01:01:53.920 --> 01:01:59.760
this series went seven seasons and they
said Okay, Zuko can only like,

814
01:02:00.639 --> 01:02:05.159
you know, turn in like season
seven, I think that might have been

815
01:02:05.199 --> 01:02:08.280
excruciating, you know. And there's
another series that I like a lot that

816
01:02:08.320 --> 01:02:14.840
has a redemption arc that is also
very highly praised that I like, but

817
01:02:15.079 --> 01:02:17.880
did feel like there were a few
too many of that moment in, you

818
01:02:17.920 --> 01:02:22.000
know, and I think the one
I think we're talking about capture from Shira,

819
01:02:22.400 --> 01:02:23.719
and I do praise it all the
time, I do think that it

820
01:02:23.760 --> 01:02:25.840
has won too many of the right
Yeah, so like it could be both

821
01:02:25.920 --> 01:02:29.320
right, it could be great,
but also just you know, they had

822
01:02:29.360 --> 01:02:31.119
a certain number of seasons and here
it's like maybe they were going to do

823
01:02:31.159 --> 01:02:34.719
four seasons and then do some stuff
after the end of this, but like

824
01:02:35.400 --> 01:02:38.719
three seasons felt so right for this
show. It felt like a disciplines,

825
01:02:38.880 --> 01:02:42.920
like this is the story we have
to tell. We're going to tell that

826
01:02:43.039 --> 01:02:47.719
story. And they did. And
it wasn't such a long story that like

827
01:02:49.280 --> 01:02:52.000
you had to just keep dragging off
out like Zuko's arc. You know,

828
01:02:52.039 --> 01:02:57.400
It's like instead you got to kind
of hit to me what felt like just

829
01:02:57.480 --> 01:03:01.360
the right number of points, right, And you know, there's something about

830
01:03:01.360 --> 01:03:06.199
a trilogy that often works well you
know, the end of the second one

831
01:03:06.639 --> 01:03:09.199
is the low point, not just
for the heroes, because like, Ang

832
01:03:09.320 --> 01:03:13.519
just got blasted by a lightning bolt
in the back when he was in the

833
01:03:13.519 --> 01:03:16.440
Avatar state and now he's his chokras
are all jammed or whatever, but like

834
01:03:16.719 --> 01:03:21.719
it's a low point for Zuko because
he's achieved what he wanted to achieve,

835
01:03:21.760 --> 01:03:24.920
but that's not what he really wants
or should be doing, right, Right,

836
01:03:25.079 --> 01:03:30.199
So I think that's so true and
one of the things I think is

837
01:03:30.239 --> 01:03:32.119
so essential about what he's doing at
the end there, because right, it's

838
01:03:32.119 --> 01:03:35.920
not just that he wants them to
be forgiven for his own well being,

839
01:03:35.960 --> 01:03:39.599
it's I want to help. Yeah, And until this point he's had a

840
01:03:39.639 --> 01:03:43.719
real like I need to be the
fighter, I need to be the one,

841
01:03:44.840 --> 01:03:47.119
and him having this moment of the
best way I can help is not

842
01:03:47.239 --> 01:03:51.960
to be the one to take these
people on. It's to help train Ang

843
01:03:52.199 --> 01:03:54.239
so that he can be the one. That also just feels like such an

844
01:03:54.280 --> 01:04:00.360
important shift for him of metal level. It's sort of like from most of

845
01:04:00.360 --> 01:04:03.519
the show, these two have each
had their point of view story and it's

846
01:04:03.599 --> 01:04:06.400
him being like, you know what, I'm not the main character Yeah,

847
01:04:06.440 --> 01:04:11.599
I'm okay, I'm gonna step back
and be this secondary, secondary but incredibly

848
01:04:11.639 --> 01:04:15.159
important onle and like, who's his
role model that he's chosen to take on

849
01:04:15.320 --> 01:04:21.039
as his sort of figure And what
did Iro do? Iro decided I'm going

850
01:04:21.119 --> 01:04:26.199
to spend this part of my life
trying to help someone else become who they

851
01:04:26.199 --> 01:04:30.239
can be, you know, so
like Zuko is literally passing on that same

852
01:04:30.039 --> 01:04:34.000
lesson that's saying, like, okay, Iro gave me everything he could so

853
01:04:34.079 --> 01:04:36.440
I could be the best me that
I could be. Now I'm going to

854
01:04:36.480 --> 01:04:40.320
try and give aang what I have
to give so that he can be a

855
01:04:40.400 --> 01:04:45.599
fully realized avatar and you know,
kill my dad. Yeah, there's one

856
01:04:45.599 --> 01:04:46.519
other thing I want to add just
on that, which is kind of go

857
01:04:46.559 --> 01:04:49.639
back to what's happening with Iro in
that scene moment that we can move on

858
01:04:49.719 --> 01:04:55.079
to promise, but it goes back
to Riki something you said about how Ira

859
01:04:55.280 --> 01:05:00.719
is both wanting to help Zuko find
redemption but also wanting to redeem himself in

860
01:05:00.760 --> 01:05:04.119
some ways for his role and all
the terrible things that the Fire Nation did,

861
01:05:04.159 --> 01:05:10.159
and to help change the Fire Nation
for me. I think that's the

862
01:05:10.199 --> 01:05:13.280
other part of that's because the other
thing that happens there that once he does

863
01:05:13.320 --> 01:05:16.760
begin training, what he's doing is
preparing himself to go be part of the

864
01:05:16.760 --> 01:05:20.719
White Lotus Society, which we learned
he is really the head of which is

865
01:05:20.719 --> 01:05:25.360
going to do its own thing to
help fight the Fire Nation and liberate the

866
01:05:25.400 --> 01:05:30.880
Earth Kingdom. Specifically, yeah,
to deliberate the city that he was trying

867
01:05:30.920 --> 01:05:35.119
to conquer that his nieces, that
his niece wound up the actually conquering with

868
01:05:35.199 --> 01:05:40.679
his nephew's help. And I think
so to me, again, I agree

869
01:05:40.719 --> 01:05:44.039
with that it's not turning as back
necessarily on Zuko, but I think it

870
01:05:44.119 --> 01:05:47.679
is a moment of his saying that
until now I have felt the best thing

871
01:05:47.719 --> 01:05:51.079
I can do to help the Fire
Nation is to help Zuko be the person

872
01:05:51.119 --> 01:05:56.559
the Fire Nation needs. Now I
hope Zuku can become that, but I'm

873
01:05:56.559 --> 01:05:59.480
going to go off on my own
quest to focus on making the Fire Nation

874
01:05:59.559 --> 01:06:02.119
or what it should and fixing the
harm of the Fire Nation rather than focusing

875
01:06:02.119 --> 01:06:04.960
on Zuco. Well, we need
to keep moving on to some of the

876
01:06:05.000 --> 01:06:09.760
other characters and plot lines. And
I'm also gonna say this because we're going

877
01:06:09.840 --> 01:06:12.199
to go a while, so this
is going to be the end of part

878
01:06:12.239 --> 01:06:15.519
one to our listeners, We're gonna
have a second episode. We're gonna record

879
01:06:15.559 --> 01:06:18.239
some bonus content at the end of
that second episode, which might get broken

880
01:06:18.320 --> 01:06:20.679
up over the two or it might
just be at the end of the second

881
01:06:20.679 --> 01:06:25.320
one. We have a lot more
to say, so I can't really say

882
01:06:25.320 --> 01:06:29.159
we have spoken. I will say
we are in the midst of speaking.

883
01:06:29.960 --> 01:06:30.599
Thank you so much.

