Roper, Williams and Lee. The Deadly Three penetrate the secret chambers of an
evil island empire. When you know abou Haa, he lives like a king
on that island, totally so sufficient, a fortress without walls, protected by
an invincible army that needs no ordinary weapons. This is Enter the Dragon,
the first martial arts film produced by a major Hollywood studio. John Saxon is
Roper. He was in it for the money. US Karate champion Jim Kelly.
As Williams, he was there because he had no choice. Black Belt
Hall of Fame, undisputed martial arts champion and international film star Bruce Lee,
his job was to get them out alive. I'm hoping you'll join us,
represent us in the United States. You want me to join this Wilper,
Williams and Lee. Just when they think they've broken the secret of the island,
they find there is no escape from the inscrutable Han. Warner Brothers presents
Enter the Dragon, where the world's greatest martial arts athletes meet the ultimate challenge
with the most patient and deadly of weapons, the human body. Enter the
Dragon from Warner Brothers Bruce Lee. Even over fifty years after his death,
his name hearkens to martial arts. His contributions to worldwide cinema cannot be understated,
and with one film, he brought martial arts films to the popular consciousness
of America, a country at once shunned him. Sadly, he was never
alive to see its enduring legacy that lasts to this day. Released in nineteen
seventy three and directed by Robert klaus Enter, The Dragon gives us the tale
of Lee played by Bruce Lee, a martial arts master tasked with entering a
martial arts tournament hosted by the deadly Han, a renegade monk that has become
a crime lord, and Lee is tasked with uncovering his criminal empire. Joining
Lee in the tournament is the gambling addicted businessman Roper played by screen legend John
saxon In Williams played by American martial arts master Jim Kelly. Our first clip
is Lee being presented with the mission. I chose this scene because it presents
the dark and mysterious nature of Han, a man that lives in a fortress
like men Chin, and it's only opened up for this martial arts tournament.
This is a trope regarding villains now commonly seen in martial arts films that began
with this very film. What do you know about Hahn? He lives like
a king on that island, totally self sufficient. All of his efforts seemingly
are directed towards supporting what he calls his school of martial arts. Han's only
contact with the outside world is this tournament, which he holds every three years.
This was a stewardess, Mary King fun floating in the harbor. Nothing
unusual about a body in the harbor, but this girl was last seen at
a party aboard hans private junk. They'd reported a lost at sea before the
body was found. We believe he selects attractive girls and methodically builds their dependence
on drugs, then sells them to an elite cleon tern around the world.
What did the autopsy review as the cause of death? She did not drown,
She odeed. H Yes, cause of death was a heroin overdose.
I gather you still don't have enough to bust up his operation. We know
everything, we can prove nothing. We want you to go in there as
our agent, get us our evidence, and come out in one piece to
give it to you. We'll give you anything you need, electronic equipment,
weapons, anything, drink? No thanks, guns now, why doesn't somebody
pull off forty five and bang settle it? No? No guns. Look
at this map here. As you know, the possession of a weapon is
a serious offense. Here. Han's island rests partly within our territorial waters.
If we were given the slightest reason to believe that he has any kind of
arsenal, we'd move in on him. Besides, Hahn would never allow guns
on the island anyway. He had a bad experience with them once and he's
fearful of assassination. Can't really blame him. Any bloody fool can pull a
trigger. I guess I won't need anything. There's a radio on the island.
We'll be monitoring it on the chance that you can get to it,
and then you come someone will. We aren't an agency of enforcement. We
function as gatherers of information evidence upon which interested governments can act. I see
if there's any trouble, you make a phone call. Oh, by the
way, two months ago we managed to place a female operative on the island.
Since then we've lost her. If she's still there, she might have
something names a Melee, Sure you want to have one? No thanks.
Martial arts films have a very distinct way of showing us, the viewer,
the difference between heroes and villains. The heroes or good guys look at martial
arts as a way of life, a way of living that one should not
fight, and use it unless provoked as a means of defense. Villains look
at it as a way of force, a way to intimidate and consolidate power.
Our next two clips show this. First, in a brief clip,
we hear Han show off his treasures to Roper that he has acquired through criminal
activity. Then, in an early clip from the film, we will hear
Lee speak to his martial arts master. Of note here is the piece in
ease that Lee's master carries compared to Hot in the way that he explains Lee's
martial arts skills as being a part of him and not a skill. Learn
this is my museum. It is difficult to associate these horrors with the proud
civilizations that created them. Spata Rome, the Knights of Europe, the Samurai.
They worship strength because it is strength that makes all other values possible.
Nothing survives without it. Who knows what delicate wonders have died out of the
world for want of the strength to survive? What's this, oh, a
souvenir, And now Lee and his master. I see your talents have gone
beyond the mere physical level. Your skills are now at the point of spiritual
insight. I have several questions. What is the highest technique you hope to
achieve? We have no technique? Very good? What are your thoughts when
facing an opponent? There is no opponent? Then? Why is that?
Because the word I does not exist? So continue? A good fight should
be like a small play, but played seriously. A good martial artist does
not become tense but ready, not thinking yet not dreaming, ready for whatever
might come. When the opponent expand, I contract. When it contracts,
I expand. And when there is an opportunity, I do not hit.
It hits all by itself. No, you must remember the enemy has only
images and illusions behind which he hides his true motives. Destroy the image and
he will break the enemy. The hit that you refer to is a powerful
weapon, easily misused by the martial artists who deserts his thoughts. For centuries
now, the covide of the Shanin Temple has been preserved. Remember the honor
of our brotherhood has been held true. Tell me now, I'm the sheld
Income Endment number thirteen. Hey, Mashwatis has to take responsibility for himself and
accept the consequences of his own doing. Prior to the release of this film,
Bruce Lee was known in America. This was through his films from Golden
Harvest over in Hong Kong that had found their way to the States in his
time playing Cato in the short lived American television series The Green Hornet. But
this film made him a global legend that endears to this day. Our final
clip will be Lee's daughter Shannon Saxon and actor Bob Wall not just talking about
Lee in this film, but his long lasting, ever reaching legacy. Everywhere
they know who my father is, and they've been touched in some way,
inspired in some way, or just excited in some way, and it's such
a blessing. I now work doing things for the legacy through my foundation and
through our licensing business and that sort of thing. But I'm just so amazed
and so inspired on a daily basis, and it's really why I want to
do what I do. In keeping the legacy alive because I'm inspired by it.
If you know, there hadn't been that depth of philosophy behind it,
if there hadn't been so much more to it and so much authenticity to it,
then I don't know that i'd be doing what I'm doing today. I
had been doing things like judo and Japanese karate and stuff like that, and
eventually I began to be seeing other kinds of things. Bruce obviously helped me
a good bit, and I would ask him, what do you think i'd
try to do this kind of thing? He said, that's pretty good.
Tried that, and we were working like that all the time. You know,
you know, it probably didn't mean it. But when I got to
Hong Kong, I was there with my wife and my son, who was
not yet two years old. And the next day I went to see Bruce
and he brought me into his house. He was waiting to see me,
and then I saw he had a gem and I looked at it and reminded
me of what I had a little bit of at my home, you know.
And we began to talk this and that, and he was telling me
things what he could do with kettlebells, and stuff and things that I had
little contact with at that time. And we kept going on and on and
on, and then all of a sudden he began to tell me, show
me, show me how you do your side kick. And I said,
okay, But I had done a scene at the park about two or three
weeks or four weeks prior, where I had sprained my ankle, and I
said, oh, well, all right, he's wanting to do this with
me, I'll do it, you know. So all of a sudden I
threw a kick and then he said, let me show how I do mine,
and he did. He moved around with a chair and I didn't know
what he was doing, you know, I was looking over his shoulder like
that, and all of a sudden he stood in front of me for about
fifteen feet or something like that, and he did a hot skip and a
jump and hit had a bag, you know, and he knocked me clear
across on my heels like there's going into a chair like that, and the
chair fell down and broke, and I got up Linn and I saw he
was very kind of quiet and anxious about this, and I said, listen,
it's okay. I mean, I didn't get hurt. I didn't get
hurt. He says, I know, but that's my best chair. And
it was the same chair that he had everybody else do the same thing with
me that I discovered later sit behind the stand behind it, and then he'd
kick and you'd go back and boom, you'd hit this chair. But I
had broken it. I was the only one that had broken it. Okay.
I loved Bruce Lee and we were really close friends for many, many
many years, over ten and training partners, and I got five hundred a
week when I was making ten to twelve thousand a week my real estate business.
My wife of forty four years now said why are you doing this?
And said, I just love Bruce. He's my first close Chinese friend.
And I can take these hits and everybody's afraid of them, and I've been
training with him. I can take the hits. And Bruce wanted to do
everything real. He really Freddie and Paul can tell you they Bruce got hurt
a lot in this film. He got bit by the snake, he got
hurt by the windows, he got cut with a glass scene with me,
we're using real bottles. So my pardon it was, I was really enjoying
it. You don't see yourself as a bad guy all, and my wife
does. He thought it was type casting. And I've had so many people
over the years say I hated you, I wanted you dead. Even Freddy
said I wanted him to kill you, and he did't even want to hire
me for the part in the beginning. But I really enjoyed doing it.
I loved Bruce and it was It's like my partner for forty years is Chuck
Norris, and they're both the saying Chuck and Bruce. And people say,
you've never missed a workout with either one of them, and I said,
no, why would you miss a painting lesson from Picasso? In the world
the cinema words groundbreaking, landmark, in trend setting are used ad nauseum.
I will admit I'm guilty of overusing them, even on these reviews. If
there ever was a film deserving of those words, though, it is this
film here. It is an understatement to say this film brought martial arts films
to America. It affected many other film genres. This film led to blaxploitation
films and other action films using martial arts as a way of fighting and not
just using guns, knives, and explosives. This film has generated an American
gross box office of one hundred and twenty million dollars upon its release, and
to this day it has generated two billion dollars in worldwide box office gross through
its original release and countless re release pie. For Lee, it finally made
his dream come true to have jee Kundo his version of martial arts brought to
the American mainstream. Sadly and tragically, he never had a chance to see
it come to fruition. Lee suddenly passed away July twentieth, nineteen seventy three,
almost two months before the film's American release. However, its influence carries
on, and that is due to Lee, who would have celebrated his eighty
third birthday this past November twenty seventh. To know what American martial arts films
are, one must see where they began, and that is with this action
masterpiece. I hope you join me next week when we will look at the
directorial dating of screen legend Robert de Niro. Next week's film is a Bronx
Tale starring de Niro in Chaz commentary for W M n H and Matt Connorton
unleashed. This has been a classic film with Eric Pilcher