WEBVTT 1 00:00:02.480 --> 00:00:10.240 Previously on the Fat Archives. I'm angry Hastings, and I'm afraid she still 2 00:00:10.279 --> 00:00:14.279 has not called. It appears that she hasn't gone too far from the city. 3 00:00:14.880 --> 00:00:19.079 She's only a couple hours away in Wisconsin. I am currently tracing the 4 00:00:19.120 --> 00:00:24.719 GPS on her smartphone. How am I connected to her? She thinks you're 5 00:00:24.719 --> 00:00:30.719 an anomaly, like me, a monster. You're not a monster, and 6 00:00:30.839 --> 00:00:36.119 he's not an anomaly. I am pretty confident that you're her first harbinger. 7 00:00:36.960 --> 00:00:40.679 This is why I'm telling you that we must eliminate them. We can vet 8 00:00:40.719 --> 00:00:43.880 Marcus first, but we need to be prepared for the fact that he is 9 00:00:44.000 --> 00:00:51.119 likely another anomaly. Emily will not be okay with us murdering Marcus. And 10 00:00:51.640 --> 00:00:57.200 who are Hastings in September? They're my friends, No, Emily, they're 11 00:00:57.280 --> 00:01:03.560 not. They are the real monsters. TCO Cleaning Supplies. How may I 12 00:01:03.600 --> 00:01:07.599 direct your call? This is contractor Hart with an update in the current product. 13 00:01:07.719 --> 00:01:11.280 Please proceed with your update. Hastings in September are still active and will 14 00:01:11.280 --> 00:01:15.879 attempt to disrupt the duel. I need to resolve the issue with them before 15 00:01:15.920 --> 00:01:21.079 proceeding, so, as I said, we cannot delay much longer. We 16 00:01:21.200 --> 00:01:26.480 must go get Emily back one way or another. Contractor Hart Please do not 17 00:01:26.560 --> 00:01:32.920 contact the main office or initiate a TCO cleaning supplies facility tour until negotiations are 18 00:01:32.959 --> 00:01:37.200 complete. Well Hastings in September looks site tonight at the end of the Root 19 00:01:37.280 --> 00:01:49.280 of Year. Archives has adult language and violence and is not suitable for children. 20 00:01:49.599 --> 00:01:53.640 Listener discretion is advised. Is FT Archives is a creative type of entertainment 21 00:01:53.640 --> 00:01:57.239 production. If you enjoy this show, we invite you to support us on 22 00:01:57.359 --> 00:02:04.400 Patreon at www dot patreon dot com, forward Slash Creative Typo. All levels 23 00:02:04.400 --> 00:02:08.840 of membership include ad free listening and alur banj Tia includes access to this complete 24 00:02:08.840 --> 00:02:53.039 season. Thank you for listening. M h M. Chapter eight The Chronicler 25 00:02:58.879 --> 00:03:07.919 observationcy from these fed Archives. It is hypothesized that an anomaly cannot gain direct 26 00:03:07.960 --> 00:03:14.599 control of their power. These fed drains life from creatures, foliage, and 27 00:03:14.719 --> 00:03:20.599 people around them. Because of this lack of control, every anomaly is to 28 00:03:20.639 --> 00:03:25.759 be treated and observed as a weapon of mass destruction. As a reminder, 29 00:03:28.000 --> 00:03:35.400 anomalies are not chroniclers, and thus they do have the ability to lie. 30 00:03:40.199 --> 00:03:46.520 Emily looked around the room absorbing every detail. The wood paneling on the walls 31 00:03:46.560 --> 00:03:51.479 of the small cabin reminded her of a cheap motel. The counterfeit nature of 32 00:03:51.520 --> 00:03:55.439 the room did little to quell the building anxiety in Emily's chest. There were 33 00:03:55.520 --> 00:04:00.520 cheap stock photos of deer and lakes hung on the walls. A tube TV 34 00:04:00.719 --> 00:04:04.639 with its power cable draped over its face, rested on the table. Besides 35 00:04:04.719 --> 00:04:08.919 the table, the only other piece of furniture in the room was the sofa 36 00:04:09.000 --> 00:04:14.599 that she sat on with Marcus. Marcus was a criminal. He was a 37 00:04:14.639 --> 00:04:17.560 bank robber that had just escaped police custody after a fuel truck ran into the 38 00:04:17.600 --> 00:04:24.279 police station and caused a horrific explosion. Even with this in mind, Emily 39 00:04:24.360 --> 00:04:29.279 felt an incredible amount of sympathy for the guy. Marcus was definitely younger than 40 00:04:29.319 --> 00:04:32.199 Emily, and already his brother had died. He was a wanted fugitive, 41 00:04:32.360 --> 00:04:35.920 and at this moment he was kidnapped with almost no clue as to what was 42 00:04:35.959 --> 00:04:42.600 going on. At least Emily knew enough to be both afraid and furious. 43 00:04:42.720 --> 00:04:46.199 Instead of just afraid, Emily pulled the throat blanket off the back of the 44 00:04:46.199 --> 00:04:50.519 sofa and draped it over her lap. She thought about sniffing the blanket before 45 00:04:50.600 --> 00:04:54.759 laying it across her legs, but decided that she was cold and wanted the 46 00:04:54.800 --> 00:04:58.360 blanket in any case, so it was best to remain ignorant of any foul 47 00:04:58.360 --> 00:05:05.120 odors it might have. The cabin really was an unwelcoming place. Harp, 48 00:05:05.279 --> 00:05:10.160 the woman that had, for all intents and purposes, kidnapped Emily and Marcus, 49 00:05:10.519 --> 00:05:14.240 had mentioned that this cabin was owned by her company, a group called 50 00:05:14.279 --> 00:05:17.480 the Contra. At this moment, Harp was outside speaking on the phone with 51 00:05:17.600 --> 00:05:23.360 said company. That was probably best. Emily had just about all she could 52 00:05:23.399 --> 00:05:33.319 take with Harp and her cryptic bullshit. Hey do you trust her? What 53 00:05:34.279 --> 00:05:41.800 her? Harp? Do you trust her? Oh? No, Marcus, 54 00:05:42.040 --> 00:05:48.160 I do not. Yeah, I don't either. You're the one that dragged 55 00:05:48.199 --> 00:05:54.800 me into her car. I don't know why I did that. It just 56 00:05:54.800 --> 00:06:00.279 seemed like that was the only option at the moment. I'm sorry if I 57 00:06:00.279 --> 00:06:04.279 put us in more danger. It's okay. I think I understand why you 58 00:06:04.319 --> 00:06:17.480 did it. So you really weren't at the bank, No, I wasn't. 59 00:06:18.360 --> 00:06:25.000 All of this is so weird, to say the least. It's been 60 00:06:25.040 --> 00:06:28.279 like this for the last couple of days, and to be quite honest, 61 00:06:29.959 --> 00:06:34.959 I'm exhausted. Do you think Harp can help us? I don't know. 62 00:06:36.439 --> 00:06:42.879 I don't know if anyone can help us. Well, what do we do? 63 00:06:43.879 --> 00:06:49.720 I don't know. I am open to suggestions, though. Should we 64 00:06:49.800 --> 00:06:56.279 try to? You know, escape? We could? But where do we 65 00:06:56.319 --> 00:07:00.519 go after we escape? We could go anywhere. You're a wanted criminal. 66 00:07:01.160 --> 00:07:08.040 I don't think we could go anywhere well, right, But I mean, 67 00:07:08.480 --> 00:07:12.279 there has to be a place that's safer than this one. I don't know. 68 00:07:13.079 --> 00:07:16.480 It seems like she wants us for something. I don't trust her, 69 00:07:17.000 --> 00:07:25.120 but I'm not certain that we're unsafe. I haven't felt safe since I walked 70 00:07:25.120 --> 00:07:29.720 into that bank. I think we should wait it out and see what Harp 71 00:07:29.839 --> 00:07:34.519 knows. She seems to have some information. Do you really believe all that 72 00:07:34.560 --> 00:07:42.240 stuff she told us? Yeah? I think I do. It lines up 73 00:07:42.279 --> 00:07:48.199 with what September and Hastings have told me. Some of it seems make believe, 74 00:07:49.480 --> 00:07:56.240 but I'm starting to think she's right about some pieces. Do you think 75 00:07:56.279 --> 00:08:01.560 her secret group or whatever they are, do you think they really want to 76 00:08:01.600 --> 00:08:07.279 help you? That's the part I'm having a hard time believing. If they 77 00:08:07.319 --> 00:08:11.199 really wanted to help people like me, why did they have to treat it 78 00:08:11.319 --> 00:08:16.560 like a secret society, And why didn't she just approach me with this information? 79 00:08:16.800 --> 00:08:22.839 Yeah? I was thinking, if they really do help other people like 80 00:08:22.920 --> 00:08:26.160 you, why didn't one of the other anomaly people that they've helped come with 81 00:08:26.199 --> 00:08:31.320 her? There are too many things that don't make sense. It's like we're 82 00:08:31.360 --> 00:08:39.879 missing some key points of information. So do you have a plan? I 83 00:08:39.919 --> 00:08:45.960 don't understand how you're so calm right now. Not a real plan. I'm 84 00:08:46.039 --> 00:08:50.080 gonna keep trying to get information out of her and hopefully just stall until my 85 00:08:50.120 --> 00:08:54.799 friends get here. Your friends are coming Hastings in September. Yeah, I'm 86 00:08:54.799 --> 00:08:58.279 pretty sure they are. At least they know about HARP, and I think 87 00:08:58.279 --> 00:09:07.919 they'll come. I hope they'll come. Hey, Emily, Yes, you 88 00:09:09.039 --> 00:09:20.159 keep saying that you're a monster. Why because I just never mind. I'm 89 00:09:20.159 --> 00:09:24.039 going to rest my eyes for a minute. My head is killing me and 90 00:09:24.159 --> 00:09:28.399 I'm exhausted. Will you wake me up if anyone else around here tries to 91 00:09:28.440 --> 00:09:33.639 kill me? Please? You're kidding, right, You're going to sleep, 92 00:09:33.440 --> 00:09:37.919 Marcus. With the last few days I've had, I could probably sleep through 93 00:09:37.960 --> 00:09:50.799 anything. Hastings enjoyed driving. There was something calming about the glide of an 94 00:09:50.799 --> 00:09:54.440 all wheel drive sports utility vehicle cruising down the interstate at sixty five miles per 95 00:09:54.440 --> 00:10:01.159 hour. Was it the best vehicle option for the environment. Were there faster 96 00:10:01.320 --> 00:10:07.840 and cooler looking vehicles that could be driven, Sure, but no vehicle would 97 00:10:07.879 --> 00:10:11.720 be as satisfying to him as the quiet, smooth ride of an suv. 98 00:10:11.600 --> 00:10:16.960 As a chronicler, Hastings could remember every time a human would complain about their 99 00:10:16.039 --> 00:10:20.759 vehicle. It was too expensive, they hated the color, they had to 100 00:10:20.759 --> 00:10:24.879 get an oil change again, and didn't have time. All these complaints were 101 00:10:24.919 --> 00:10:30.360 tiresome. For the better part of his life, his main mode of transportation 102 00:10:30.519 --> 00:10:35.840 was a horse, and while many people thoroughly enjoyed riding horses, when that 103 00:10:35.080 --> 00:10:39.120 is the only option you have for hundreds of years, the experience of driving 104 00:10:39.120 --> 00:10:45.600 an suv was to be appreciated. Hastings considered how September felt about the experience. 105 00:10:46.159 --> 00:10:48.679 September was a guide, so he frequently would be the lead when they 106 00:10:48.679 --> 00:10:54.000 traveled by a horse. Now there was a GPS module installed in the dashboard. 107 00:10:54.639 --> 00:10:58.480 September was a master of tracking in the wilderness, any terrain. Really, 108 00:10:58.720 --> 00:11:03.120 he was an absolute us in a forest. Now they had a digital 109 00:11:03.159 --> 00:11:05.919 map with a big blue dot that marked the location of Emily's mobile device and 110 00:11:07.200 --> 00:11:11.039 beautifully paved roads to take them there. Hastings reflected on all the little tasks 111 00:11:11.080 --> 00:11:16.480 that September used to do in their earlier travels. He would hunt fish and 112 00:11:16.639 --> 00:11:20.840 gather their meals for them. He always could identify which taverns or inns to 113 00:11:20.960 --> 00:11:26.039 visit and which to avoid. He could determine if other travelers would be hostile 114 00:11:26.440 --> 00:11:31.879 or hospitable. Now the guide simply stared out the window, observing the nearly 115 00:11:31.919 --> 00:11:37.360 full moon. You know the moon won't be completely full for two more days. 116 00:11:39.480 --> 00:11:43.720 That's nice. If you are feeling completely useless, I could assigned you 117 00:11:43.879 --> 00:11:48.840 some task while we drive. What what does that have to do with the 118 00:11:48.840 --> 00:11:58.080 moon? Nothing? Okay? What makes you think I'm feeling useless? Well, 119 00:11:58.480 --> 00:12:01.919 you are not doing any thing useful. That would be my first indicator, 120 00:12:03.799 --> 00:12:11.240 Hastings. Is there something specific you would like me to be doing me? 121 00:12:11.919 --> 00:12:16.720 No, I don't need anything. Okay. Then you seem contemplated for 122 00:12:18.000 --> 00:12:24.120 maybe flustered. Yeah, I am. Would you like to talk through it? 123 00:12:24.279 --> 00:12:28.159 I'm having a hard time mapping out a way to salvage the situation. 124 00:12:30.120 --> 00:12:33.759 Anything I think my work could easily be disrupted by is FIT. I need 125 00:12:33.840 --> 00:12:39.480 something more solid. Is Fit is chaos. Even if you had a great 126 00:12:39.480 --> 00:12:45.279 plan for us, is Fit's chances of dismantling it are really high. I 127 00:12:45.320 --> 00:12:48.480 think we should approach this as a rescue mission. When we arrive. I 128 00:12:48.519 --> 00:12:52.759 think we should try to speak with Harp. Maybe we can come to an 129 00:12:52.799 --> 00:12:56.960 understanding. That is unlikely. The more likely situation is that this is a 130 00:12:58.000 --> 00:13:03.120 trap and Harp is going to us. I'm tired, Hastings. I need 131 00:13:03.120 --> 00:13:07.759 this to work with Emily. I don't think that I can keep doing this. 132 00:13:07.879 --> 00:13:13.200 I don't want to get killed September. I like living. I'm not 133 00:13:13.320 --> 00:13:16.799 saying I want to get killed. I'm simply saying that I don't want to 134 00:13:16.919 --> 00:13:22.000 kill them. I would rather risk working with two of them than killing them. 135 00:13:22.120 --> 00:13:28.120 I see. I assume you have already calculated the risk. You have 136 00:13:28.240 --> 00:13:31.080 done that for me more times than I can count. We both know the 137 00:13:31.200 --> 00:13:37.440 risks. Yes, I suppose that is true, Hastings. What does your 138 00:13:37.480 --> 00:13:45.600 gut tell you, not just your head, but your actual instincts? Okay, 139 00:13:45.600 --> 00:13:50.279 September, let's do it your way. Let's rescue Emily and Marcus. 140 00:14:03.480 --> 00:14:09.799 Emily Swanson looked out onto a snowy landscape. Somehow she knew that the entire 141 00:14:09.879 --> 00:14:16.279 countryside was reported to be frozen without warning or explanation. The outside landscape looked 142 00:14:16.320 --> 00:14:20.840 so beautiful in an eerie, lonely way. When had it snowed? At 143 00:14:20.879 --> 00:14:26.679 that moment, she realized she was dreaming again, back in Chicago. Wait, 144 00:14:28.120 --> 00:14:31.840 no, I'm in Wisconsin. She was in Wisconsin now with Marcus and 145 00:14:31.960 --> 00:14:37.039 Harp. Back in Wisconsin, it was still summer and the day was warm. 146 00:14:37.080 --> 00:14:41.240 This was definitely a dream. She was getting better at managing her thoughts 147 00:14:41.279 --> 00:14:45.960 while in this dream state, but her body still could not be controlled. 148 00:14:46.639 --> 00:14:50.960 Maybe that would always be the case. Her dream host body turned away from 149 00:14:50.960 --> 00:14:54.600 the window with a small pang of regret at the loss of the beautiful view. 150 00:14:54.960 --> 00:14:58.120 Her host began walking down the sconsolate corridor. Emily realized that she carried 151 00:14:58.120 --> 00:15:03.639 a bold stew on a small platter. This stew was meant for the Lord 152 00:15:03.639 --> 00:15:07.679 of the keep. Someone moved alongside her as she made her way to the 153 00:15:07.679 --> 00:15:11.399 lord's bedchamber. Although she could only hear her own footsteps echo in the corridor. 154 00:15:11.799 --> 00:15:16.720 She knew Marcus was with her. When Marcus spoke, the voice resonated 155 00:15:16.759 --> 00:15:20.600 only in Emily's head. She had determined that the two were linked psychically. 156 00:15:22.840 --> 00:15:26.759 Where are we? We're in a dream. From the looks at this place 157 00:15:26.759 --> 00:15:31.600 where in maybe Europe, possibly a couple hundred years ago. Is this place 158 00:15:31.679 --> 00:15:39.159 real? It looks like a castle. I think they are memories or visions 159 00:15:39.200 --> 00:15:43.279 of some sort. I haven't quite figured that out yet. This isn't the 160 00:15:43.320 --> 00:15:48.399 first time this has happened to you, No, it is the first time 161 00:15:48.440 --> 00:15:52.080 someone else has been here. Though. How are you here? I don't 162 00:15:52.240 --> 00:16:00.039 know. I don't feel like i'm here though. Actually I feel like I'm 163 00:16:00.080 --> 00:16:08.919 really high, but everything is still clear. It doesn't make sense. Can 164 00:16:08.960 --> 00:16:15.080 you control your body? Yeah, of course, can't you. No, 165 00:16:15.879 --> 00:16:21.399 not at all, Emily. Who are those two women at the end of 166 00:16:21.399 --> 00:16:25.919 the hall. They're the last of the servants staff. It's a mother daughter 167 00:16:26.000 --> 00:16:29.240 duo that had nowhere else to go, so they stayed here to help me 168 00:16:29.320 --> 00:16:33.679 with the household. How do you know that? I don't know. Sometimes 169 00:16:33.720 --> 00:16:40.799 I just get these memories while I'm drifting through a dream like this, it's 170 00:16:40.799 --> 00:16:48.159 hard to explain and impossible to control. WHOA did you just see that? 171 00:16:48.919 --> 00:16:51.840 I can't see anything. I can't even turn my head when I'm in a 172 00:16:51.879 --> 00:16:55.159 host body like this. What did you see? No? I just I 173 00:16:55.240 --> 00:16:59.639 just walked through an end table like I'm a ghost. I couldn't feel anything. 174 00:17:00.159 --> 00:17:06.400 You can see things that I can't. That's strange, Okay, So 175 00:17:06.480 --> 00:17:10.440 what other things do you know about this place? This keep is in the 176 00:17:10.480 --> 00:17:15.799 countryside, I'm not certain where. The lord of this keep was of low 177 00:17:15.880 --> 00:17:18.359 rank in court, but was rich enough to employ a decently sized staff. 178 00:17:19.680 --> 00:17:23.480 Many of the staff left for home once the weather turned. Some of the 179 00:17:23.519 --> 00:17:29.720 staff have died from hunger or the cold. I am not impacted by the 180 00:17:29.759 --> 00:17:34.279 cold or the sickness in this house. I don't know. Why are you 181 00:17:34.359 --> 00:17:45.480 an anomaly here? I don't know anything else. There are only four servants 182 00:17:45.559 --> 00:17:49.960 left, the mother and daughter that we just passed, or two of them. 183 00:17:51.079 --> 00:17:53.079 The head of the house, which manages the property, is still here, 184 00:17:55.279 --> 00:17:59.799 and I am still here. I wasn't always delivering food to the lord. 185 00:18:00.440 --> 00:18:03.400 I helped train the horses. I think that's all I know. So 186 00:18:03.440 --> 00:18:10.480 far. Where are we going? We are taking this stew to the Lord's 187 00:18:10.480 --> 00:18:22.960 bedchamber. We're almost there, Emily. There is someone else in the room 188 00:18:23.000 --> 00:18:30.720 with the Lord. This man, he's the head of the house, the 189 00:18:30.759 --> 00:18:37.039 other person I told you about. Now there's something strange about him. What 190 00:18:37.920 --> 00:18:48.240 he knew, knew what he knew everything. He knew the freeze would come, 191 00:18:48.720 --> 00:18:55.319 he knew that all of those people would die, he knew everything would 192 00:18:55.319 --> 00:19:00.880 happen. Here is the stew, Sir, thank you. I will feed 193 00:19:00.960 --> 00:19:07.680 him. Will you please help him like you did before. I think he 194 00:19:07.319 --> 00:19:15.000 loves the master of this house. He's caring for him. Look how he's 195 00:19:15.039 --> 00:19:21.160 spoon feeding the Lord. Marcus. Can you see these blue lines this time? 196 00:19:22.079 --> 00:19:26.880 Yes? Yes, I do. What is that? These are the 197 00:19:26.880 --> 00:19:33.359 blue lines that I keep seeing when people die around me? Is the Lord 198 00:19:33.519 --> 00:19:37.960 going to die? I don't know. The lines are different this time. 199 00:19:37.519 --> 00:19:44.920 How so they're going from my chest and into the Lord. Every other time 200 00:19:44.960 --> 00:19:49.160 they've come from the other person and gone into my chest, then the blue 201 00:19:49.279 --> 00:19:53.880 drops from my chest to the ground where it seeps into the earth. This 202 00:19:55.039 --> 00:20:00.000 time is different. It feels like there's a reservoir of blue in my stomach. 203 00:20:00.119 --> 00:20:04.480 I can feel it trickling out of me. Emily, look at the 204 00:20:04.519 --> 00:20:11.000 lord. I think you're healing him. He is visibly getting better. Oh 205 00:20:11.079 --> 00:20:17.200 my god, I think you're right. I know I am, how so, 206 00:20:18.680 --> 00:20:22.960 because the head of the house knows you're healing him, and I think 207 00:20:22.000 --> 00:20:30.400 I'm connected to him. That is enough. You look fatigued. I will 208 00:20:30.440 --> 00:20:36.079 care for him from here on. Thank you. How are you connected to 209 00:20:36.160 --> 00:20:42.960 him? What does that even mean? I think he's a harbinger. I 210 00:20:44.000 --> 00:20:55.599 think I'm a harbinger. Emily and Marcus wake at the same moment. With 211 00:20:55.640 --> 00:21:00.400 her mind still hazy from sleep and her vision slowly coming into focus, Emily's 212 00:21:00.440 --> 00:21:06.119 gaze shifted from Marcus to the window where she heard the noise. Harp knelt 213 00:21:06.119 --> 00:21:08.960 with one knee on a small stool and the other bent with her foot on 214 00:21:10.039 --> 00:21:14.240 the floor for support. She had a tripod set up next to the window, 215 00:21:14.559 --> 00:21:17.960 and her arms were wrapped around a large, high tech rifle. Emily 216 00:21:18.000 --> 00:21:22.680 didn't know much about weapons, but she wagered that this particular model was military 217 00:21:22.680 --> 00:21:27.559 grade. She unknowingly was correct in this assessment. Headlights from an automobile shined 218 00:21:27.599 --> 00:21:32.200 through the cabin window. The noise that woke her and Marcus must have been 219 00:21:32.240 --> 00:21:37.039 the vehicle's door shutting. Whoever was outside, they were not attempting to be 220 00:21:37.079 --> 00:21:41.680 sneaky. A more intense panic began to set in for Emily. She was 221 00:21:41.799 --> 00:21:48.559 right, This Harp person was very dangerous and she had a sniper rifle. 222 00:21:48.519 --> 00:21:53.240 Was she the sniper from the cafe? Was she the person that set all 223 00:21:53.279 --> 00:21:57.720 of these events in motion by killing that man? Why hadn't Emily put this 224 00:21:57.799 --> 00:22:04.160 together before? And who was outside? What's going on? Harp? Emily? 225 00:22:06.240 --> 00:22:26.160 Are you in there? Emily Swanson is voiced by Tisha Zang. Marcus 226 00:22:26.200 --> 00:22:33.680 Baker is voiced by Nico Rodriguez. Hastings is voiced by Adam Culbertson September is 227 00:22:33.759 --> 00:22:38.559 voiced by Richard Collins, Head of the House and Chronicler. Rules read by 228 00:22:38.599 --> 00:22:45.880 Shamus Rodriguez and narrated by Michael cole ispet Archives was written by Nico Rodriguez in 229 00:22:45.880 --> 00:22:52.559 collaboration with Tisha Zangpet Archives is a Creative Typo entertainment production. Find out more 230 00:22:52.559 --> 00:23:00.839 about our show at www dot creative typo dot com. A special thank you 231 00:23:00.880 --> 00:23:08.160 to Nick mead Our, executive producer from Patreon. Hello listeners, It's Stitch 232 00:23:08.279 --> 00:23:11.960 aka the voice of Harp. We are so grateful for the time you've spent 233 00:23:11.960 --> 00:23:17.240 with our merry bands so far. ESFA Archives brought to you by Creative Typo 234 00:23:17.400 --> 00:23:19.759 is just being such a journey and I cannot tell you how much love has 235 00:23:19.799 --> 00:23:23.559 gone into this. If you're eager to know what lies ahead, subscribe to 236 00:23:23.559 --> 00:23:26.799 the Binge tail on Patreon. 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