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Hello, and welcome to this episode
of Superhero Ethics Friends. Today, We've

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got some big news for you,
and that's gonna be a big part of

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what we talk about today. If
you are a longtime listener to Star Wars

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Generations podcast or just older episodes of
this podcast, you've probably heard one of

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my favorite guests, Riki Hayashi.
Reeky has given us great insight on everything

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from the Clone Wars and Rebels to
Go Jura movies, to the Green lantern

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and the Yellow lanterns and other things
like that. And after having him on

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so many times as a guest,
I'm happy to announce that he is going

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to be the new co host for
us here on Superhero Ethics, and he

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and I had a great conversation about
bringing him on and some of the ways

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we could kind of adjust where we've
been going with this podcast and make some

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changes to maybe get back get a
little bit closer to what some of the

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original ideas were and some of Reeky's
great ideas. So, Reeky, let

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me just for first start by saying
thank you so much and introduce yourself.

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Matthews, thank you so much.
I mean, it is a great joy

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to be joining you always anytime.
I appreciate the insights you have and how

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it challenges me, how we challenge
each other in terms of understanding of our

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fandom and media and of the topic
of this podcast. Right, superhero ethics

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moving perhaps a little bit away from
superhero in general, but definitely like fandom

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ethics, like in terms of our
geek fandom. So I really appreciate the

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opportunity to be a bigger part of
this, and like you said, it's

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maybe like a little refocus on ethical
dilemmas and within fandom, within media.

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For those of you who don't know, my name is Riki Hayashi. A

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long time well, I'm not even
that by default. I was about to

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say I'm a long time judge.
I'm not. I used to be a

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judge Magic the Gathering judge. That's
how Matthew and I met. And I've

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moved on to some different games and
fandoms and all that, but have always,

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like at my root, been a
geek, a nerd and Star Wars

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especially as you may have heard on
the other podcast. But I love just

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everything you know. I've been a
longtime comic book fan, like actual comic

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books, anime, any kind of
science fiction star Wars star Trek, of

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course, so I'm just like I'm
always excited to talk about them in general.

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But I have always held a deep
appreciation for this podcast in which you

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tried to do with it, or
what you have done with it to make

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it a little more serious. Really, I really love that. And part

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of why I think I thought you'd
be the perfect co host is that you

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and I have had a great many
discussions over the years about these different questions

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that we love and the stories we
love and things like that. But we

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never had a debate. It's always
about here's my position, here's yours,

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how do they differ, how are
they the same? And right now,

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I think so much of fandom is
about debate. It's about It's not about

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listening to other people and hearing their
perspectives and having that inform yours. It's

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about how do I win? How
do I get the best singer, how

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do I get the best you know? One ups on this and there's a

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lot of fandom that I think is
great and I love. I'm not using

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this an attack on fandom, and
I certainly don't want to act like we're

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better and above it all by any
means we're fans, we're part of fandom.

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But I've really found that I think
there is an audience, and to

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all you out there listening, I'm
really glad you're part of it too.

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Who wants to go a little deeper
on these questions that I think a lot

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of times the creators really clearly want
to. You know, the stuff we're

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talking about is not invented things.
There have been so many wonderful people who

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have over the years use these mediums
of I guess genre fiction or things geeks

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love is the kind of terms I've
used to encompass all of it, because

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you're right, it is way off
superheroes at this point. It's just sort

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of all those things that you mentioned
and more. And they've always been,

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you know, ever since. You
can go back to the first Captain America

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episode, you can go back to
Mary Shelley writing what is considered Frankenstein,

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the first work of science fiction.
You can go back, you know,

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hundreds of years, you have thousands
of years probably people use stories as ways

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to raise questions or perhaps suggest answers
to those questions. And that's what I

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really want us to explore here more
of and you know, is looking at

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that, and so I'm just really
excited that you're a partist and that we're

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going to have that discussion together.
Yeah. Another thing I come like my

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background is as a sports fan,
especially baseball, Like it's so laden with

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statistics historically, and it's very fascinating
to be in baseball fandom and have discussions,

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whether it's like the current season,
like who's the MVP or more historical

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like who is the greatest of all
time? Right, and you bring up

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names like Babe Ruth versus Barry Bonds
who played it, you know, almost

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one hundred years apart and in very
different eras under very different circumstances. But

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because of the continuity of statistics,
you can you can have discussions, but

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no one is ever going to be
right in those discussions because you can't be

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there's no actual way to tell who
was quote unquote better at baseball or who's

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the greatest. But it's fun to
have those discussions. And that's the kind

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of thing I like to do,
whether it's baseball or whether it's in fandom,

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is that it's not even like agreed
to disagree, but have fun disagreeing,

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because that's like the discussion is where
we can have fun. Yeah,

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it doesn't necessarily have to be about
changing minds, because I you know,

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I don't need to change someone's mind
about whether I love a certain piece of

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media or fiction, right, Yeah, But if I express why I love

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it, maybe you'll gain a different
appreciation, and even if you don't love

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it as much as I do,
come to a certain understanding. Yeah.

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I think it's such a great way
to put it. And it's like as

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often happens. There's like five different
things I want to comment on, but

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let me just start with the baseball
comment you made. First of all,

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today's the perfect day to say that, because it is opening day for Major

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League Baseball. For most of Major
League Baseball. Two teams started Major League

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Baseball a week and a half ago. Things are a little weird. My

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own New York Mets are starting tomorrow
because of rain delay, the only reason

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I'm available to record right now.
But also I am also a huge baseball

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fan. One thing I have found
really interesting in baseball, As you said,

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not only do we have these statistics
over time, but over time,

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the way in which we look at
statistics has changed a lot. And part

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of why it's hard to draw the
comparisons that we do is that not only

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was the context, you know,
taking like your babe Ruth versus Barry Bond's

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discussion, not only is the context
which those two people played so different,

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but the stats by which we evaluate
them. Many of you have heard me

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talk about money ball and how much
you know the Billy Bean in the Oakland

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A's and this whole idea of you
know him coming to a team and saying,

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baseball used to be measured by these
statistics, but actually we should These

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statistics are a better way of looking
at it. We should use those rubrics

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instead, and it meant reevaluating a
lot of modern players and also reevaluating a

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lot of older players. The reason
I'm saying all of that is because I

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think one of the things that we
often do, and I really appreciate that

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you you feel like we get the
nuances of these conversations is not only do

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we often analyze media right now,
but we do look back on things from

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ten, twenty thirty to fifty one
hundred years ago, and sometimes the big

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and interesting part of the conversation is
to say, okay, well, let's

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there's lenses of analysis that we have
today that we can use to evaluate these

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things, remembering that that's not the
lens that people were writing through back then.

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But you know, and I think
it's very easy to just say,

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oh, it was a different time, so they're completely forgiven, or it's

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very easy to say that the time
was so different that that that their time

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was bad and wrong, so everything
from that is bad and wrong. And

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I think, you know, one
of the things we like to do here

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is to be able to say,
yeah, we can acknowledge that the lenses

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we look at media through are are
not only different, but are evolving and

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changing and different and will continue to
be different. And I hold that all

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that complexity in mind. We look
at media not just today from a long

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time ago. Yeah, especially right
now. I mean, this is a

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topic that I put in the suggestions
nostalgia media. So we we'll probably in

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a future episode get to it more
in depth, but I just want to

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touch on the fact that currently we
are we have an ongoing series called X

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Men ninety seven that is based on
Slash, possibly a continuation of a cartoon

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series from the nineties that ended in
nineteen ninety seven, and a lot of

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those stories are based on comic book
stories that were written in the nineteen eighties,

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so we have this like multi generational
legacy and how like modern writers update

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the stories or change those stories is
very interesting to me. And evaluating what

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those stories mean to us today versus
what they may have meant to audiences at

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the time that they were originally released. Like that's I find that very fascinating,

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especially as like comic books, Star
Wars, Star Trek, we are

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getting into multi generational content creation where
the people who are making the products now

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weren't alive or maybe like we're kids
when these products were originally released and they

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grew up as fans, and now
they are getting to contribute to the continuation

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of that. Yeah, And I
think that's such an important discussion to have

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on two different levels, because one
level is what is the nostalgia of the

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creators and the society itself, but
also what is the nostalgia of us as

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viewers, you know, because Batman
starts in the nineteen thirties as a comic

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and so for many you know,
I don't know, there's too many viewers

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who were I don't know, there's
too many listeners who were around long enough

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to have read that. But so
I certainly salute you, but certainly,

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you know, some of our older
viewers probably started reading comics in the fifties

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or sixties or watched the Batman sixty
six show. I know, for me,

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my introduction to Batman was was that
Batman sixty six show, but really

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was Michael Keaton. And so for
me personally, nostalgia of Batman starts in

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the mid eighties with Michael Keaton.
And for someone else it might start,

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you know, like you said,
with the X Men. For someone else,

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uh, their nostalgia and the X
Men might start with I'm wis say,

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Patrick Swayzey, Patrick Stewart and Ian
McKellen, or might start with the

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animated show, or it might start
with the comic books or whatever it is.

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And so I think that's the nostalgy
thing is such an interesting thing to

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look at. So, but putting
it back on you for just a second,

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because I want to want to get
a little bit more about you.

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What was kind of your first nerd, your nurse, what was kind of

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your first fandom, What was the
first thing that you really started to kind

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of get into as a kid or
whatever? Age Star Wars. Yeah,

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because I I can't verify this,
but I have been told by my parents

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that they took me to Empire Strikes
Back in theaters when I was I was

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not really like a cognizant child,
So I take that at face value that

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that was the first movie I went
to in theaters. Certainly Return of the

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Jedi was the first movie. Like
I really remember owning the video cassette,

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the VHS of and just playing it
over and over again. I also had

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audio cassettes kind of like summaries of
those movies, and I listened to those

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all the time. They they basically
like were like yeah, like short narratives

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of it of the movies with some
audio from the movies spliced in. I

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believe, really weird product of time. I didn't listen to the Star Wars

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ones, but I had one of
Michael Jackson telling me et story, so

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I know, act what you're talking
about there, And yeah, I had

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some of you know, like the
action figures of toys. Obviously like none

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preserved in the original packaging. I
don't I don't think I even own any

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of them anymore at this point,
but that that was definitely like my original

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fandom, and to this day is
one of my favorites, and then I

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would say that Japanese manga and anime
really played a big part in my youth

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to teenage years. Dragon Ball became
really big when I was a kid,

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and I still I have I own
all of the original books of that,

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and then through Dragon Ball, there
were several other ones that I have followed

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over the years, including one piece
which is still going over a thousand episodes.

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We'll we're talking a little bit about
that in the bonus content at the

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end of this episode when you give
people some more context for that, because

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I know you speak both English and
Japanese quite well, if I can ask

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which one did you kind of grow
up speaking? And am I right that

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you were born in Japan but then
came to this country or yes, I

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was. I'm a Japanese citizen and
I grew up speaking both languages, basically

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Japanese at home and English in public
slash school. And I did also attend

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a Saturday Japanese school up until about
high school. I believe so culturally like

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I am very US like western based, because that's how I grew up,

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Like that's most of the media I
consumed. But I had another like I

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had grandparents in Japan who would send
me things like video that they would record

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on vhs, like episodes of manga
that they knew I liked they sent me,

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you know, like toys, video
games and all that stuff. So

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I have absorbed a lot of Japanese
culture, but not not necessarily directly,

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like as part of a Japanese audience, right, because you moved here when

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you were fairly young. Yeah,
and then seeing I would say, like,

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what was it? Tsunami caused kind
of like the first Golden Age of

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anime in the United States when they
aired episodes of Dragon Ball and other things,

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and then right now I feel like
we're in the Silver Age, like

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with streaming on Netflix, Like I
have caught up on so many anime that

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I kind of only knew tangentially,
and have gotten to watch them in Japanese

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also as well, because like Tsunami
would have been dubbed, right, So

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the ability to watch a lot of
these shows in the original Japanese to me

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is very special and a fantastic opportunity
for me to practice a little of my

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language as well, which has got
very rusty. Well, I think it

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is something that's been so valuable to
us on past episodes. I'll do the

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anime, but also with things everything
from like Goji Ra to some of the

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other things we've seen, where you
know, I think it's and I'm a

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big believer in kind of the postmodern
idea of like that wherever your social placement

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is, your experience of the movie, there is not right or wrong.

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It's you're different some someone else's.
But being able to give more of that

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background and history on things like the
Rorory Kenchin movies that we've seen together,

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or the Gojura movies, Godzilla movies
and stuff like that has really been so

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invaluable. Yeah, And the thing
is like context, context matters, especially

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for anime, in that you have
to accept that certain tropes exist or certain

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like characters exist. And I think
I've mentioned this in the past. Japanese

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media, especially anime, often has
like the one character who is a bit

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of a misogynistic pervert right right,
and these days, like in a Western

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media, you would never write a
character like that. And we talked about

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how the New Avatar, you know, Sokka's misogyny was very toned down,

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and I think we are starting to
see that again, Like I'll mention one

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piece, the character Sanji is much
more of a womanizer, I would say

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in the original manga and anime,
So we might be seeing a kind of

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blending and maybe smoothing out of traits
like that, but still like it exists

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like to this day, Like a
lot of anime I watched, there's that

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one character where we're like, yep, that's that's the guy, like he's

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kind of treating women poorly. Yeah, what I think, understanding those tropes

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is so fundamental really to all of
media. And this question I come to

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from a particularly strange place, but
I think it really fits. When I

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was in seminary and we were talking
about the Hebrew Bible, my professor,

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you know, really wanted us to
better understand the context in which certain parts

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of the Bible were written. I'm
actually the same with Christian scriptures, and

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so one example he used, he
asked us what war was the TV show

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match about, and we all kind
of wrote something down, and you know,

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he you know, went the room, and the next day it said

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like that he could pretty clearly tell
what age someone was by how they answered

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it. Because most of the younger
viewers said that the the TV show matches

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about the Korean War, because that's
what it literally is about. But anybody

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who actually watched it at the time
it was coming out knew very well it

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was. It was one hundred percent
about the Vietnam War, you know,

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it was. They used Korea as
the metaphor. But if you understood it

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in the context of its time,
they're talking about that, you know,

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in the same way that like,
I don't think you can ever understand the

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first Gojura movie without understanding that was
made shortly after the American occupation of Japan,

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left only a couple of years after
the nuclear bomb. Things like that,

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and that that's true for you know, the understanding the X Men and

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how I think you know, stan
Lee and Jack stan Lee and Jack Kirby

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are writing in the sixties during civil
rights and then christerrher Columbus. That's not

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his name, is it, the
author Chris Claremont, Chris Claremont, Christ

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Club is very different obviously, christpher
Claremont. You know, he's writing in

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the eighties where I think, if
you don't understand all the debates about homosexuality

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and HIV, AIDS and all that, it's very hard to under you know,

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you don't get the whole meaning,
so, you know, and I

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think that's something we're gonna really kind
of look at, is how do we

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both hold these shows in the context
in which they're written, but also understand

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them the context which we experience them
today, because I think that is just

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as valuable. But yeah, and
one of the things that we talked about

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with your blessing I hope to add
to this podcast is like deeper research pieces

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on history, like on the history
of what might have been happening in the

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real world, like when some older
piece of media came out or was written.

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Because I love that stuff. I'm
a history I'm a student of history,

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So like putting stuff into the context
of what was happening or just like

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a deep dive like story about something
is right up my alley. Yeah,

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no, I'm one hundred in here
for that. And I think that's been

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I think sometimes people, especially because
we go into the longer conversations about it,

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because I think it's very easy to
say, you know, to pull

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one fact out of history and say, oh, this is about that,

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and so therefore this is commenting on
that, and therefore this means this and

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that kind of thing, and it's
obviously much more complicated than that, and

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so I think it's interesting actually here
we are in the True Story family of

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podcasts. When I was one of
the co hosts of the Marvel Movie Minute,

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that was very much something we did, and so when we went when

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we did Thor, we did a
lot of research on the Norse uh you

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know god ideas that somewhat and the
Norse mythology that so much with that was

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based on, as well as the
Shakespearean references that were so often being made

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and the the all the other imagery
and historical references that are being made by

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you know, superhero movie. So, yeah, that is something I'm gonna

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be really excited about. And just
let's talk about you a little more.

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So you start out a Star Wars
fan, again, very much where I

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am. I'm I think a couple
of years older than you, but basically

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the same experience. Return of the
Jedi is the first thing I remember seeing

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in theaters. I was told I
went to see Empire. I don't remember

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a time where I hadn't watched a
New Hope or Empire. But where where'd

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it go from there? You talked
about manga, you talked about some other

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things. What was kind of the
path for you. Yeah, I mean

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at some point I got into Star
Trek. I guess it would have been

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Next Generation. I remember watching episodes
of Star Trek, the original series in

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syndication, but but it was just
like another one of those shows I watched,

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you know, like of that era. Night Rider is another one I

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remember, which is does not hold
up at all. I'm not speaking speaking

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of like terribly misogynistic characters. Michael
Knight. Yikes. I tried. I

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tried to watch it recently. I
was like, no, no thanks,

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I'll just leave that in the nostalgia
bin. But then, yeah, like

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Star Trek, Next Generation, I
would say for teenage me was the most

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influential TV series of that time,
of that era. As an adult fan,

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now I have a deeper appreciation for
Deep Space nine, but at the

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time, it was definitely TNG that
kind of caught my imagination and I watched

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every week. I actually I bought
books and I read about the production and

296
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about all the little things. And
so to this day, like I can

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still probably name over fifty percent of
Next Generation episodes just after like the first

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five minute teaser p Recreants teaser.
Yeah, so that's how deep of a

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fan I am, Like, I
am that like Trivia nerd when it comes

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to TNG at least well, and
I know that TNG all the Star Trek,

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really, my mother pointed out,
kind of going back all the way

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to the original series has always been
very explicit about not just you know,

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crazy explosions and ship fights and fun
aliens, but about really raising ethical questions

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in the kind of way that science
fiction does it its best. I think

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Star Wars also has, but Star
Trek's a lot more explicit. Do you

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think at was there a certain age
or was it from the beginning that those

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particular questions like that you kind of
enjoyed talking to your friends about, like,

308
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oh, yeah, what do you
think the should the captain have done

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this or that or that kind of
thing? Yeah, in terms of the

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superhero ethics of it all, I
don't recall that being the case. When

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I was a kid. Of course, I recognized that Star Trek you know

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what we would now call woke.
Yeah, and but it I don't know,

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Like, I think one of the
beautiful things about what Star Trek does,

314
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like right from the original series,
is that it just normalizes things.

315
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Yeah, I didn't even think too
deeply about the fact, you know that

316
00:24:00.839 --> 00:24:07.000
the bridge crew of the original Enterprise
had an Asian man, a Japanese man,

317
00:24:07.079 --> 00:24:12.640
Hikutusu played by George Taka or Uhura
played by Michelle Nichols, Right,

318
00:24:12.680 --> 00:24:18.279
like, even even growing up in
the nineties, like I guess, it

319
00:24:18.319 --> 00:24:23.720
was still a bit on the token
is scale. But diversity existed in pass

320
00:24:25.480 --> 00:24:29.680
especially of like science fiction shows.
But it didn't It didn't really occur to

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me at the time when I was
watching as a kid that that that was

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somehow revolutionary for the time and was
like really ahead of its time. And

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it wasn't until definitely later that I
read about things, you know, like

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Michelle nichols conversation with doctor Martin Luther
King on how on why she she was

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she wanted to quit the show after
season one and he was the one who

326
00:24:53.559 --> 00:24:57.359
convinced her to stay. Really how
yeah, this is a very it's a

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famous story. You should look it
up, like retelling of it is very

328
00:25:00.599 --> 00:25:06.279
beautiful. And she talked about how
he was like, no, absolutely not,

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like do you know how important you
are to have a competent black woman

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on a national television show? And
he was the one who can misce her

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to stay. And yeah, like
I don't even she didn't realize like how

332
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important that role was. And that's
that's the kind of thing like now as

333
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an adult, like you can look
back and see things like that or see

334
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the way that media mismanages or misuses, you know, minority characters or actors,

335
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performers, And I think that that
it is deeply important. Yeah,

336
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because we are not We have certainly
come a long way as a society,

337
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and we have come a long way
since the nineteen sixties, even the nineteen

338
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nineties. You know, we're talking
about Next Generation. I was just watching

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a video about I believe the episode
see Out. I think it's Code of

340
00:26:00.359 --> 00:26:06.519
Honor, the famous Next Generation episode
where they go to a planet of all

341
00:26:06.599 --> 00:26:11.559
black people that the depiction of them
but is very racist, right, And

342
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yeah, I think it's the first
episode after Farrest Gate for the second one.

343
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It's really bad and so like even
even in the nineties, that was

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happening, and it's like either no
one thought about it, or the people

345
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who did thought about it were not
in a in a strong enough position of

346
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power to put a stop to it, and just kind of like, Okay,

347
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I guess we're doing this and a
lot of the people who participated in

348
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that production, whether it's the writers, the actors, most of them have

349
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you know, who speak about it, have come out and said that was

350
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bad. Shouldn't have done that.
And so that's the other perspective I bring

351
00:26:52.200 --> 00:26:56.720
to myself, like as a human
being and just to everything that that we're

352
00:26:56.759 --> 00:27:00.400
going to be talking about, is
that we're never done. We should never

353
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be done growing, learning, getting
better. Like even a show like Star

354
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Trek has made mistakes. Yeah,
and it is our ability to learn from

355
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those mistakes and move forward and make
the next thing we do better. And

356
00:27:17.160 --> 00:27:21.000
there will still we'll still make mistakes, right Like now we are in an

357
00:27:21.079 --> 00:27:30.279
era where television media is more comfortable
telling stories about LGBTQ, the LGBTQ people,

358
00:27:30.960 --> 00:27:37.880
and yet those there will be mistakes
just because it's not enough representation in

359
00:27:37.920 --> 00:27:41.079
the writer's room or whatever. Like
people will make bad assumptions, et cetera.

360
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And that doesn't mean like we should
stop trying. It means we should

361
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try try more. And I think
that's such a great way of looking at

362
00:27:49.720 --> 00:27:56.359
it, because you're right, it's
easy to look back at some things and

363
00:27:56.359 --> 00:28:00.319
say oh, it doesn't meet the
standards of today, so therefore want to

364
00:28:00.359 --> 00:28:03.240
watch it. And sometimes I think
that is the right thing to do.

365
00:28:03.359 --> 00:28:07.680
Like you know what you said about
night Writer. I still love the movie

366
00:28:07.680 --> 00:28:11.599
Ghostbusters because it still hits that nostalgic
thing. But I wouldn't recommend it to

367
00:28:11.640 --> 00:28:15.039
someone today because it is incredibly misogynistic
and has a lot of other problems,

368
00:28:17.759 --> 00:28:22.839
really homophobic and way of portraying kind
of the main villains is very efeminate and

369
00:28:22.880 --> 00:28:26.359
that kind of stuff. But at
the same time, I think we can

370
00:28:26.359 --> 00:28:30.519
also look at the So there's that
category, but there's also ways we can

371
00:28:30.559 --> 00:28:37.400
say, look, this was making
steps intentionally to really improve on stuff that

372
00:28:38.400 --> 00:28:42.559
you know had been done in the
past, and here's some ways which were

373
00:28:42.680 --> 00:28:45.880
succeeded, and here's some ways in
which we today look at it and think,

374
00:28:47.039 --> 00:28:49.160
you know, it's not great.
And you know, recently our Flag

375
00:28:49.200 --> 00:28:55.079
Means Death has been lauded as one
of the best shows for queer representation out

376
00:28:55.119 --> 00:28:57.319
there. It is a very good
show, I think, and I'm sure

377
00:28:57.359 --> 00:29:00.039
that in thirty or forty years,
pople are going to look back out and

378
00:29:00.119 --> 00:29:02.960
go, oh, this was wrong, and this was wrong, and this

379
00:29:03.079 --> 00:29:07.519
was wrong and all these kinds of
analysis analyzes that you and I would never

380
00:29:07.559 --> 00:29:11.839
even dream of. And to me, that's where it really interesting. Where

381
00:29:11.920 --> 00:29:15.400
that is where the really interesting conversations
can lie is is how do we both

382
00:29:15.039 --> 00:29:19.119
look at it through the eyes of
today and also look at it through what

383
00:29:19.279 --> 00:29:22.960
was trying to be said back then. Because I also think that's important is

384
00:29:23.000 --> 00:29:29.799
that, Yeah, the original Star
Trek puts a far more diverse crew on

385
00:29:30.000 --> 00:29:34.039
screen than we've ever seen before.
It still has the black woman is basically

386
00:29:34.079 --> 00:29:40.720
the like, you know secretary,
which you know commented a lot Michelle Nichols's

387
00:29:40.839 --> 00:29:45.960
role was revolutionary for the time.
Looking back on it today, it's still

388
00:29:45.960 --> 00:29:48.880
a very like this is the best
that they could do for a woman,

389
00:29:48.000 --> 00:29:52.079
especially a woman of color. But
we can look at it from both sides.

390
00:29:52.119 --> 00:29:57.119
You know, Captain Kirk was very
open handed and very you know,

391
00:29:57.240 --> 00:30:03.039
had some great attitudes and ideas is
that were pretty progressive and revolutionary for his

392
00:30:03.119 --> 00:30:07.920
time. He's also not the greatest
towards women in a lot of ways.

393
00:30:10.279 --> 00:30:12.000
So yeah, I'm just really excited
to have all these conversations. It's not

394
00:30:12.039 --> 00:30:15.400
it's not just about bash. I
think I think you can hear this and

395
00:30:15.440 --> 00:30:18.039
think we're bashing on things. It's
not that at all. It's much more

396
00:30:18.039 --> 00:30:22.519
about understanding things in their context,
talking about how we see things today,

397
00:30:22.960 --> 00:30:27.039
and and figuring out how do we
each our own meaning from that. Yeah,

398
00:30:27.160 --> 00:30:36.400
I think the important thing is that
things aging poorly is a sign of

399
00:30:36.519 --> 00:30:40.839
progress. Yeah. Like, if
we look back on stuff from our lens

400
00:30:40.880 --> 00:30:44.759
today and say, like, this
property has aged poorly, like these jokes

401
00:30:44.799 --> 00:30:48.000
have aged poorly, this character is
aged poorly, that means we've made progress

402
00:30:48.079 --> 00:30:53.880
and come that much farther from where
things were that day. And it would

403
00:30:53.880 --> 00:31:00.480
be a very sad day for us
if we look back on something from years

404
00:31:00.480 --> 00:31:04.200
ago and said, this still holds
up like aoka perfectly fine, Like everything

405
00:31:04.279 --> 00:31:08.599
is fine. No, Like,
I don't think there's any media that should

406
00:31:08.640 --> 00:31:14.200
hold up fine after thirty years.
I think a lot of them can hold

407
00:31:14.279 --> 00:31:18.519
up better, either because they were
ahead of their time, or maybe because

408
00:31:18.559 --> 00:31:22.240
they don't touch upon as many things. You know that will change over time.

409
00:31:22.359 --> 00:31:27.200
Right. I think there are properties
you can watch and read that hold

410
00:31:27.279 --> 00:31:33.359
up better just because they're a little
more generic, and there's nothing wrong with

411
00:31:33.400 --> 00:31:37.799
that. I think that that is
a There can be a very good way

412
00:31:37.799 --> 00:31:44.279
of writing things that way where they
hold up over time. But like I

413
00:31:44.319 --> 00:31:49.000
think about the discussions about Lord of
the Rings, for example, and the

414
00:31:51.079 --> 00:31:56.039
racism of Tolkien, I think for
his time, like Tolkien does appear to

415
00:31:56.079 --> 00:32:00.480
have been a very progressive person and
progressive thinker, but even from that perspective,

416
00:32:01.039 --> 00:32:07.599
looking back at it from our today, like his progressive vism was regressive

417
00:32:07.640 --> 00:32:12.400
in some ways. Yeah, I
think the total number of spoken lines by

418
00:32:12.400 --> 00:32:15.759
women in those books is like three
pages, four pages, something like that.

419
00:32:16.400 --> 00:32:19.799
And I think that that's the other
part of the conversation though is also

420
00:32:21.759 --> 00:32:24.799
and again something being of its time
doesn't excuse it, but I do think

421
00:32:24.799 --> 00:32:30.440
there's a big difference between someone who
was Like all three of these analysises matter

422
00:32:31.039 --> 00:32:36.039
is how does it hold up compared
to our current lens, How does it

423
00:32:36.079 --> 00:32:39.720
hold up compared to our lens looking
at the time, and how does it

424
00:32:39.920 --> 00:32:45.559
hold up versus like the lens of
that particular time, you know, because

425
00:32:45.599 --> 00:32:50.119
there are some things that were written
that were seen as very racist even at

426
00:32:50.119 --> 00:32:53.799
the time they were written. Others
that were pulling on tropes that were done

427
00:32:54.200 --> 00:33:00.960
by everyone at that time. And
again it tell let's me get to another

428
00:33:00.279 --> 00:33:02.279
of the big themes that I think
we're really gonna be kind of trying to

429
00:33:02.759 --> 00:33:06.240
not that I think we've lost,
but then I think you're gonna help us

430
00:33:06.279 --> 00:33:09.920
refocus on a little bit. When
I say these things, I don't mean

431
00:33:09.960 --> 00:33:15.000
that we are going to be the
declarative. Here's the answer. You know,

432
00:33:15.119 --> 00:33:19.000
Superman meant this. Batman should have
done that. This cause of rate

433
00:33:19.119 --> 00:33:22.680
of media is problematic. That this
is not. That's not the point at

434
00:33:22.720 --> 00:33:28.599
all. Also in grad school,
one of my favorite professor has made the

435
00:33:28.599 --> 00:33:30.839
comment, and he's speaking here about
religion, but I think it can be

436
00:33:30.880 --> 00:33:35.400
applied to anything, which is that
it does it. It does its best

437
00:33:35.440 --> 00:33:38.680
when it raises hard questions. It
does it. It does its worst when

438
00:33:38.680 --> 00:33:44.640
it offers easy answers to those questions. And for me and your listeners,

439
00:33:44.680 --> 00:33:46.680
I want you to really help hold
us to this. I want our job

440
00:33:46.759 --> 00:33:52.839
to be asking questions in new ways, get asking questions that can help people

441
00:33:52.880 --> 00:33:55.839
think about things in new ways,
or just acknowledging the questions that the creators

442
00:33:55.839 --> 00:34:00.680
that we're talking about are raising uh
through their works. And in times it'll

443
00:34:00.720 --> 00:34:04.400
be we we each have our thoughts
and what the answer should be, or

444
00:34:04.720 --> 00:34:07.640
sometimes the creator, you know,
Like, I think there are some times

445
00:34:07.680 --> 00:34:12.599
where a Star Trek episode leaves it
pretty open in terms of what you think

446
00:34:12.599 --> 00:34:16.039
should or shouldn't happen. I think
there are other times where, you know,

447
00:34:16.159 --> 00:34:20.559
like with one of the my favorite
episodes, Measure of a Man,

448
00:34:20.840 --> 00:34:24.119
where they raise very interesting questions about
androids, But I think the show comes

449
00:34:24.159 --> 00:34:28.679
down pretty hard on the idea that
data is, you know, data should

450
00:34:28.719 --> 00:34:32.760
have rights over his own existence.
And I think both of those can be

451
00:34:32.800 --> 00:34:36.800
good. But the point is always, I think, more than anything,

452
00:34:36.840 --> 00:34:39.400
I want people to walk away with
more questions that they're thinking about, rather

453
00:34:39.400 --> 00:34:42.639
than just saying, oh, well, Matthew and RICKI said this, so

454
00:34:42.679 --> 00:34:45.400
that's the answer, or much more
likely, Matthew and Ricky say this,

455
00:34:45.440 --> 00:34:47.880
so the answer must be something else. Yeah. I think one of the

456
00:34:47.920 --> 00:34:53.559
things I suggested is we try to
have like an opening question yeah to our

457
00:34:53.599 --> 00:34:58.880
discussions in the future, Like not
just say we're going to talk about like

458
00:34:59.039 --> 00:35:01.800
X Men ninety seven, but have
like X Men ninety seven brings up this

459
00:35:01.920 --> 00:35:08.840
question about whatever and then go from
there and that can inform our discussion.

460
00:35:09.239 --> 00:35:15.840
But I hope also invite listeners to
write in with their answers or write in

461
00:35:15.880 --> 00:35:21.800
with their follow up questions or other
other questions that they thought up. Definitely,

462
00:35:21.800 --> 00:35:25.840
because I agree, like it's it's
really boring to just like listen to

463
00:35:25.880 --> 00:35:31.679
something like a podcast and just have
people tell you how it is and then

464
00:35:31.719 --> 00:35:36.880
you're done. I prefer it when
I listen to a podcast and I go,

465
00:35:37.039 --> 00:35:39.880
well, okay, let me like
do some of my own research now

466
00:35:39.880 --> 00:35:44.760
and like try to figure out what
I think about this. Like it's it's

467
00:35:44.800 --> 00:35:47.039
always a good starting point, especially
if it's like a little research piece,

468
00:35:47.079 --> 00:35:50.360
like I said, I want to
I want to try to do that more.

469
00:35:50.400 --> 00:35:53.840
It's like put a little bit more
research like into the history of things

470
00:35:54.719 --> 00:36:01.840
because I love that. But then
just like open more doors for listeners and

471
00:36:01.960 --> 00:36:07.239
for us too. I you know, Matthew, you and I have a

472
00:36:07.440 --> 00:36:13.239
history of just talking way too long
about things, yep. So I'm sure

473
00:36:13.280 --> 00:36:15.800
that will continue. But I look
forward to that, and I look forward

474
00:36:15.800 --> 00:36:19.800
to the Oh I just have like
one more thought. It's like, well,

475
00:36:20.480 --> 00:36:22.280
yeah, we don't have time for
that now, but maybe like in

476
00:36:22.320 --> 00:36:25.960
the future and we can like have
two partners or something like that. Yeah,

477
00:36:25.960 --> 00:36:29.800
I think we might start having regular
feedback episodes. And and some of

478
00:36:29.840 --> 00:36:31.119
the feedback episodes might just be like, oh, here's the one more thing

479
00:36:31.159 --> 00:36:35.440
that each one of us thought about, Yeah, you know, feedback to

480
00:36:35.480 --> 00:36:38.519
ourselves. Yeah, exactly exactly.
And I will say we've gotten great listener

481
00:36:38.519 --> 00:36:42.599
feedback. We've got some great ones
during the Avatar Show. We've gotten some

482
00:36:42.639 --> 00:36:45.719
more from that. We're gonna do
that more, and we're gonna definitely be

483
00:36:45.960 --> 00:36:50.840
reading your feedback in these episodes,
both after it comes out, but also,

484
00:36:51.000 --> 00:36:52.480
as Riki said, sometimes beforehand,
where we'd like to say like,

485
00:36:52.559 --> 00:36:55.920
hey, look, this piece of
media is coming up and here or it

486
00:36:57.000 --> 00:36:59.360
might be in the media from ten
years ago, but here's an interesting question

487
00:36:59.400 --> 00:37:01.199
we're gonna look at. And that
was something we did a lot in the

488
00:37:01.239 --> 00:37:06.840
earlier years of this podcast. It's
funny. I was thinking that one of

489
00:37:06.880 --> 00:37:12.360
the lenses of analysis I do sometimes
look at media through and I was wonderful

490
00:37:12.440 --> 00:37:14.119
to bring this up, and I
think I should bring it up because I

491
00:37:14.119 --> 00:37:20.280
think I've been guilty of it too. Obviously, this media costs an incredible

492
00:37:20.280 --> 00:37:25.960
amount of money to produce, and
there are definitely times when the struggle between

493
00:37:27.280 --> 00:37:30.920
the creative team and the people who
are paying for the creative team is a

494
00:37:30.920 --> 00:37:34.960
struggle and there are compromises that have
to be made, And like when you

495
00:37:34.960 --> 00:37:38.320
brought up that episode, I wonder
to what extentive that was part of that,

496
00:37:39.920 --> 00:37:45.719
And I think that there have definitely
been times when creative decisions are made

497
00:37:45.559 --> 00:37:50.320
out of a fear or concern over
what audiences will want to see or what

498
00:37:50.360 --> 00:37:53.480
not to see. On the episode
that actually came out just before this,

499
00:37:53.920 --> 00:37:58.679
my guests were talking about how for
the longest time, people thought you couldn't

500
00:37:58.719 --> 00:38:04.679
put a black man as your main
hero for a superhero movie on a poster,

501
00:38:05.199 --> 00:38:07.880
and that's why Black Panther, you
know, it took so long to

502
00:38:07.920 --> 00:38:10.800
get it made, let alone that
Blade had been made decades ago, but

503
00:38:10.920 --> 00:38:17.039
still same with Seang Chi. And
but I'd bring all that up to say

504
00:38:17.400 --> 00:38:22.599
I think that that's a very real
concern. I think it's over the idealistic

505
00:38:22.639 --> 00:38:24.679
to say so everything should just be
completely for creative, because these things do

506
00:38:24.719 --> 00:38:28.559
cost money, and I understand that, but I wish that the creative was

507
00:38:28.639 --> 00:38:31.199
driving it a lot more. But
I'll also say I think part of why

508
00:38:31.239 --> 00:38:37.760
this podcast started to focus more on
covering media exactly when it came out and

509
00:38:37.760 --> 00:38:43.519
therefore doing more of the kind of
broad reach instead of a specific question is

510
00:38:43.639 --> 00:38:47.320
because the week or that really the
three days after a new piece of media

511
00:38:47.360 --> 00:38:51.679
comes out is when the most people
are searching for it, and so it's

512
00:38:51.679 --> 00:38:53.119
the way to get our podcasts to
get the most hits and get the most

513
00:38:53.119 --> 00:38:58.199
listens and increase our audience. And
I think that's was a big part of

514
00:38:58.239 --> 00:39:00.840
what was driving me, and there's
still gonna be some of that. I

515
00:39:00.880 --> 00:39:02.440
do think it's great to be part
of the conversation right when it's relevant.

516
00:39:02.880 --> 00:39:05.920
But I do think we're gonna kind
of take a step back from that a

517
00:39:05.920 --> 00:39:08.920
little bit and really be able to
look a little bit more at you know,

518
00:39:08.960 --> 00:39:13.760
there are eight million people telling you
how good or how bad the new

519
00:39:13.800 --> 00:39:17.280
Ghostbusters movie is, and we haven't
done coverage on that yet. I'm going

520
00:39:17.280 --> 00:39:22.159
to do Ghostbusters episode at some point
soon, but it's probably gonna be much

521
00:39:22.199 --> 00:39:24.079
more looking at a specific question.
Quite likely that might be the time to

522
00:39:24.079 --> 00:39:28.320
talk about nostalgia. I haven't seen
the movie yet, so I can't tay

523
00:39:28.400 --> 00:39:30.119
for sure, but I think that's
what we're going to try to be going

524
00:39:30.119 --> 00:39:35.360
for a lot more, is how
do we look at this through that little

525
00:39:35.360 --> 00:39:38.320
bit deeper lens, not even deeper
that sounds pejora to others, but just

526
00:39:38.360 --> 00:39:40.639
how how can we look at through
so much different lens than what a lot

527
00:39:40.639 --> 00:39:46.320
of is out there. It's funny. I was going to bring up Ghostbusters

528
00:39:47.079 --> 00:39:53.159
because I was I was looking at
the box office numbers and basically that the

529
00:39:53.199 --> 00:40:00.559
new one, Frozen Empire, has
matched After Life in kind of like it's

530
00:40:00.639 --> 00:40:07.800
opening weekend box office numbers, and
then comparing that to the is it just

531
00:40:07.840 --> 00:40:12.280
called Ghostbusters the all female cast?
Right? Yeah, I think it's just

532
00:40:12.320 --> 00:40:20.519
called Ghostbusters. I think that one
actually made more money overall than Afterlife and

533
00:40:20.679 --> 00:40:22.920
is on track to have made more
money than Frozen Empire, like if the

534
00:40:23.360 --> 00:40:30.440
trends hold up, But that one
costs a lot more to make, and

535
00:40:30.519 --> 00:40:34.199
if you watched it, you can
tell like they went a little ham with

536
00:40:34.280 --> 00:40:38.480
the special effects of all the ghosts, right, and so yeah, like

537
00:40:38.519 --> 00:40:44.119
when it comes to these studios putting
out media, money has to be a

538
00:40:44.159 --> 00:40:49.199
concern, and the success of something
you have to look at look at it

539
00:40:49.239 --> 00:40:52.440
through the lens of both the money
it brings in but also the cost,

540
00:40:53.119 --> 00:40:59.360
right, And I think unfortunately from
the studios perspective, that cost is measured

541
00:40:59.400 --> 00:41:05.199
not only in the actual cost in
terms of money was spent on the movie

542
00:41:05.280 --> 00:41:07.679
itself, but also when the negative
press it gets. And I think it's

543
00:41:07.719 --> 00:41:12.159
something we've I'm not gonna I think
at one point we were trying to get

544
00:41:12.159 --> 00:41:14.880
into responding to a lot of the
trolling arguments. We're probably not going to

545
00:41:14.960 --> 00:41:16.679
do that much, but we'll definitely
talk about it because I do think that

546
00:41:17.559 --> 00:41:23.760
the there was a public perception that
everybody hated that movie. Really they didn't.

547
00:41:23.760 --> 00:41:27.280
It made a lot of money and
a lot of people loved that movie,

548
00:41:27.760 --> 00:41:30.639
but as often happens, the people
who went online and talked about it

549
00:41:30.880 --> 00:41:34.480
and who were most often you know, retweeted and resent around where the people

550
00:41:34.519 --> 00:41:37.039
were saying, oh my god,
get these girls out of my Ghostbusters.

551
00:41:37.079 --> 00:41:39.360
This is so you know, silly
and bad and all this kind of stuff.

552
00:41:40.800 --> 00:41:45.320
Yeah, but but here's here's the
point I I want to make is

553
00:41:45.360 --> 00:41:50.719
that I agree that all that happened, and it's possible that it has had

554
00:41:50.760 --> 00:41:55.000
a role in some opinions and decisions. But the cost, like the cost

555
00:41:55.039 --> 00:42:00.880
of production is like I think it
was like double of what Afterlife? Right,

556
00:42:00.079 --> 00:42:02.760
And again, like if you watch
both movies, you can tell based

557
00:42:02.800 --> 00:42:07.880
on like how they use the special
effects and the scenes that they set up,

558
00:42:07.360 --> 00:42:14.400
like the the set piece towards the
end of The Ghostbusters with the dance

559
00:42:14.880 --> 00:42:20.000
number. I don't know if you
recall that one is a really big scene,

560
00:42:20.199 --> 00:42:22.920
like in terms of all the extras
and the special effects, because like

561
00:42:22.000 --> 00:42:28.280
ghosts are dancing as well, right, And I think from the studio perspective

562
00:42:29.119 --> 00:42:31.800
like that that had to have been
a concern. It's like the overall cost

563
00:42:32.320 --> 00:42:37.199
and then like the little decisions that
led to it costing so much. So

564
00:42:38.480 --> 00:42:45.639
yeah, like do execs like red
Reddit maybe, but overall I would think,

565
00:42:45.719 --> 00:42:51.760
like the money issue was a bigger
thing. Well, but what that

566
00:42:51.800 --> 00:42:54.000
franchise has done, I think if
that's true, Like I do think you're

567
00:42:54.039 --> 00:42:58.559
right. The money is definitely a
big part of it. But you know,

568
00:42:59.519 --> 00:43:04.119
Kate mcay, Kate McKinnon, Christine
wigg Leslie Jones, these he aren't,

569
00:43:04.159 --> 00:43:08.159
you know, demanding huge, huge
salaries, And I don't know why

570
00:43:08.199 --> 00:43:14.079
you couldn't have just made a sequel
in that universe with you know, a

571
00:43:14.159 --> 00:43:16.320
much more reduced budget in terms of
special effects and things like that. Like

572
00:43:16.480 --> 00:43:21.320
I definitely hear you, and I
think I think we I think a lot

573
00:43:21.360 --> 00:43:25.119
of people, probably myselves included,
overblow the effect of online trolling. But

574
00:43:27.159 --> 00:43:30.239
you know, the Snyder cut was
re released, the Snyder cut was or

575
00:43:30.440 --> 00:43:32.599
no, sorry, the Snyder cut. What's the other? Yeah, the

576
00:43:32.719 --> 00:43:37.599
Snaper cut, the Snyder cut was
released, The Star Wars movies were changed.

577
00:43:37.599 --> 00:43:40.280
I think we haven't on record in
part because of a lot of the

578
00:43:40.280 --> 00:43:45.079
fan pushback. So you're right,
we're not in the boardrooms. We have

579
00:43:45.119 --> 00:43:49.199
no way to know, and it's
entirely possible that it is much more about

580
00:43:49.199 --> 00:43:53.239
the money. But I do think
that the trolling has more of an effect

581
00:43:53.920 --> 00:43:57.559
than I think you're coming from.
But you're probably also right. The money

582
00:43:57.639 --> 00:44:05.239
is much more to Yeah, I
mean we barring inside information, like we

583
00:44:05.280 --> 00:44:10.599
don't know why certain people aren't brought
back four things, but I think it's

584
00:44:10.639 --> 00:44:15.679
notable. Like you're talking about the
actresses in that Ghostbusters movie, but the

585
00:44:15.719 --> 00:44:21.559
whole production team changed, right,
Like that Ghosts movie was hemmed by like

586
00:44:21.719 --> 00:44:29.079
Paul Faigue and they and for After
Life, they brought in right men.

587
00:44:29.440 --> 00:44:31.960
I can't remember his first name,
but the son of the original director,

588
00:44:32.239 --> 00:44:37.280
right son of Ivan Rightman. Yeah, well, but I'm just saying it's

589
00:44:37.320 --> 00:44:40.159
not unheard of by any means to
keep the same cast, keep the same

590
00:44:40.599 --> 00:44:45.320
canon, but bring in a completely
new set of you know, production.

591
00:44:50.920 --> 00:44:53.760
That's a I don't know, that's
like a big topic, like in terms

592
00:44:53.800 --> 00:44:58.880
of franchises and stuff like. I
pay attention like to a lot of horror

593
00:44:58.920 --> 00:45:06.840
media and right now Scream has gone
through a lot of drama. So it

594
00:45:07.320 --> 00:45:10.440
Yeah, I don't have an answer. This would be a great topic for

595
00:45:10.519 --> 00:45:15.480
us to research and dive into.
Yeah. Well, and so with that,

596
00:45:15.519 --> 00:45:17.519
what are some of the other topics
that you want to either other questions

597
00:45:17.599 --> 00:45:21.400
you want us to explore, or
other forms of media that you want us

598
00:45:21.400 --> 00:45:24.039
to dive into more, either you
particular stories or medium. I mean,

599
00:45:24.079 --> 00:45:30.960
I just brought it up, but
horror, I think is something Have you

600
00:45:30.039 --> 00:45:36.159
ever touched upon the horror franchises at
all? Not too much? You know

601
00:45:36.239 --> 00:45:38.599
over on Stranded Panda, the podcast
network that I'm still very fond of.

602
00:45:39.239 --> 00:45:43.800
Bill and Ashley's Terror of Theater does
great coverage and that kind of stuff,

603
00:45:43.840 --> 00:45:46.400
and we've had them on as guests
once or twice. But I've always wanted

604
00:45:46.440 --> 00:45:52.559
to explore that more, especially because
from my understanding at least as far back

605
00:45:52.599 --> 00:45:59.360
as the fifties, because horror was
seen as so irrelevant. A lot of

606
00:45:59.400 --> 00:46:04.800
the most like critical of the McCarthy
era type stuff was happening in horror in

607
00:46:04.840 --> 00:46:07.119
part because it was the one piece
of media that the mccarthyites and the rest

608
00:46:07.159 --> 00:46:10.159
of them weren't even looking at.
So yeah, I think, and I

609
00:46:10.159 --> 00:46:15.159
think I can go all the way
to Jordan Peele today with everything thrown in

610
00:46:15.199 --> 00:46:17.519
there. So yeah, horror is
a genre I would definitely love to look

611
00:46:17.519 --> 00:46:22.800
at further. Yeah, I think
we should because I mean you said going

612
00:46:22.840 --> 00:46:28.519
back to the fifties, I would
say, like fifties era horror was mixed

613
00:46:28.519 --> 00:46:31.800
in more with science fiction, right
with like the monster era, like uh

614
00:46:32.440 --> 00:46:37.960
is it them? The giant ants, like a lot of radioactive themed monsters,

615
00:46:37.119 --> 00:46:43.760
not just you know, not just
Godzilla, and more modern like it's

616
00:46:43.840 --> 00:46:51.199
it's fascinating. I think modern slasher
horror mm hmm. If you think about

617
00:46:51.239 --> 00:46:55.199
it, it's just like blood and
gore and like people killing people or supernatural

618
00:46:55.199 --> 00:47:00.079
things killing people, Like it's so
much deeper than that, like Texas and

619
00:47:00.239 --> 00:47:05.639
Saw Massacre, the Hills have Eyes, like these franchises have so much going

620
00:47:05.679 --> 00:47:10.079
on in terms of social commentary at
the time, that is still very relevant,

621
00:47:10.960 --> 00:47:16.559
and I think like exploring those questions
is important because and it's not just

622
00:47:17.000 --> 00:47:20.800
what the people are doing, but
it's the people who are doing it.

623
00:47:21.840 --> 00:47:25.840
If you look at not just actors
who got their star in horror, but

624
00:47:27.000 --> 00:47:32.760
directors, right, the actual people
making movies who got their start in horror

625
00:47:34.599 --> 00:47:42.199
these days, like James Gunn,
Guillermo del Toro, I think maybe kind

626
00:47:42.239 --> 00:47:49.119
of Robert Rodriguez, like these people
have very deep roots in horror. So

627
00:47:49.320 --> 00:47:54.199
it's also like this breeding ground of
talent, I think, because like you

628
00:47:54.840 --> 00:47:59.480
can kind of get into it on
the cheap side, so to speak,

629
00:47:59.639 --> 00:48:05.599
and practice in a in a setting
that is, you know, like free

630
00:48:05.639 --> 00:48:09.280
from a lot of prying eyes in
terms of media criticism and all that,

631
00:48:09.559 --> 00:48:14.159
and just like hone your talent there. I think that's true. And I

632
00:48:14.199 --> 00:48:17.679
think that even just the lines of
what is horror, what is science fiction

633
00:48:17.880 --> 00:48:21.920
versus you know, like the Godzilla
movies that we love to talk about,

634
00:48:22.000 --> 00:48:24.039
like is that monster horror? I
think some of them definitely are. A

635
00:48:24.039 --> 00:48:29.199
lot of them aren't, but they
should have a well some of the ones

636
00:48:29.239 --> 00:48:31.039
are just kind of you know,
fun people in rubber suits fighting each other,

637
00:48:31.079 --> 00:48:35.119
but a lot of them have a
ton of social commentary, and you

638
00:48:35.159 --> 00:48:37.360
can even go much, much,
much further. I mentioned Mary Shelley Frankenstein

639
00:48:37.440 --> 00:48:42.119
is the first science fiction novel.
I think you can also describe it as

640
00:48:43.039 --> 00:48:45.920
one of, if not the first
horror novels in the same kind of way.

641
00:48:46.679 --> 00:48:51.840
Yeah, And to me, there's
so much to talk about there,

642
00:48:52.639 --> 00:48:57.840
both because often there's commentary that the
directors are making. Also because a lot

643
00:48:57.840 --> 00:49:00.920
of times there's commentary that they're not
trying to make, or maybe they are,

644
00:49:00.960 --> 00:49:07.519
but we can definitely see because certainly, I think if you watched the

645
00:49:07.559 --> 00:49:10.079
slasherom movies I grew up on,
you know, the Friday the thirteenth to

646
00:49:10.159 --> 00:49:15.079
Nightmare on Elm Streets, one of
the first moral lessons you learn is that

647
00:49:15.079 --> 00:49:19.599
if you're a teenager who has sex, you deserve to die, because that's

648
00:49:19.599 --> 00:49:22.320
what every one of those movies shows. And there's always that sort of you

649
00:49:22.360 --> 00:49:27.320
know, sex nagati that like they
play on the sexiness to get people there,

650
00:49:27.519 --> 00:49:29.920
but also they always kill the people
who have sex, and it's often

651
00:49:30.280 --> 00:49:32.639
the whole last girl syndrome. So
yeah, there's tons there. We could

652
00:49:32.639 --> 00:49:37.280
talk about talk more about anime and
mangos. I know that's another area that

653
00:49:37.280 --> 00:49:43.000
you want us to explore some more. Yeah, well, I mentioned that

654
00:49:43.039 --> 00:49:46.519
we are in what I would call
like a silver age, like they don't

655
00:49:46.559 --> 00:49:52.119
have names, right, but we
apply these terms to them. But it

656
00:49:52.320 --> 00:49:59.079
anime right now, Like the ability
to watch anime has never been easier,

657
00:50:00.079 --> 00:50:02.400
and I have enjoyed that a lot, and I know like a lot of

658
00:50:04.119 --> 00:50:08.639
people out there have been enjoying it. And it's also weird that we're getting

659
00:50:08.719 --> 00:50:15.519
into this era of adaptations which has
been going on in Japan for quite some

660
00:50:15.639 --> 00:50:21.679
time, and they're about is equally
bad. It's most of the ones we

661
00:50:21.719 --> 00:50:27.599
are getting in English. So what
I want to say about that is that

662
00:50:28.280 --> 00:50:31.280
I had lunch with a friend today
and we like to talk about TV,

663
00:50:31.440 --> 00:50:34.920
and I asked about Avatar, like, hey, have you seen Avatars?

664
00:50:34.960 --> 00:50:37.320
Like, yeah, we watched the
live action one and now we just started

665
00:50:37.320 --> 00:50:43.239
season one of the animated Avatar series. I said, oh, that's good

666
00:50:43.280 --> 00:50:45.719
because I think that one's better.
So, you know, in the past,

667
00:50:45.800 --> 00:50:50.760
on our Avatar cover, which we
mentioned who is this for, right,

668
00:50:50.840 --> 00:50:52.639
and one of the points was,
well, it's for people who maybe

669
00:50:52.800 --> 00:50:59.719
didn't necessarily watch the animated show,
and it gives them away an entry point

670
00:51:00.159 --> 00:51:04.360
into the fandom. So there was
an example of that. You know,

671
00:51:04.440 --> 00:51:08.760
my friend, because they watched the
new live action one have now got into

672
00:51:08.800 --> 00:51:12.800
the animated one. I hope,
I hope he enjoys it. I hope

673
00:51:13.800 --> 00:51:17.000
he likes it. But that's the
thing. And then and so you know,

674
00:51:17.360 --> 00:51:22.400
it comes back to what you said
earlier about money. Yeah, if

675
00:51:22.440 --> 00:51:30.800
it makes the studio money and kind
of prolongs the franchise, I guess then

676
00:51:30.960 --> 00:51:36.719
we'll continue to get things like this
because that that's ultimately for the studios what

677
00:51:36.800 --> 00:51:38.920
it's about, right, Like if
you have a property that you know is

678
00:51:39.000 --> 00:51:45.840
successful, Avatar the Last Airbender,
you don't want it to just end like

679
00:51:45.000 --> 00:51:49.760
nothing. That's the other thing about
fandom now is that nothing ever ends.

680
00:51:50.199 --> 00:51:52.679
No one ever dies, no character
ever dies, nothing ever ends, and

681
00:51:52.760 --> 00:51:59.679
the soaka must always have to be
continued in you know, Captain America will

682
00:51:59.719 --> 00:52:02.159
appear You're next in this movie,
right, as we always get at the

683
00:52:02.199 --> 00:52:07.519
end of the MCU movie, right, because that is the perpetual money maker

684
00:52:08.280 --> 00:52:13.920
is once you hit upon a formula
or a set of characters or a world

685
00:52:14.519 --> 00:52:19.760
that people like I say, you
like, they gotta keep milking that,

686
00:52:20.280 --> 00:52:24.280
which if we like these worlds good, I think for the most part,

687
00:52:24.679 --> 00:52:30.480
sometimes it's disappointing. And we'll certainly
talk about that about like the balance of

688
00:52:30.519 --> 00:52:37.280
being excited that there's another Star Wars
series versus disappointment that maybe that Star Wars

689
00:52:37.280 --> 00:52:40.639
series isn't as good as we as
past ones. I think it's really true,

690
00:52:42.800 --> 00:52:45.440
but we're getting more Star Wars.
Like you and I have both lived

691
00:52:45.480 --> 00:52:52.639
through eras where it was like decades
between a movie I really thought I was

692
00:52:52.639 --> 00:52:57.159
doing with Star Wars after the Drinkles, and we've read the books, like,

693
00:52:57.599 --> 00:53:00.320
yeah, I've read so many of
those books because I just wanted more

694
00:53:00.360 --> 00:53:06.679
stories with lu Khan, Lea Lando, et cetera. Yeah, And I

695
00:53:06.719 --> 00:53:12.840
will say, just going back to
what you're saying more about anime, you

696
00:53:12.880 --> 00:53:15.280
know, one of the reasons why
it's not easier to watch, especially here

697
00:53:15.320 --> 00:53:17.039
in the United States for in other
countries is that there is a lot more

698
00:53:17.039 --> 00:53:22.880
of its streaming and a lot of
people can watch doubt, which is great,

699
00:53:22.079 --> 00:53:25.559
and what I'm about to say may
well be heresy, But I think

700
00:53:25.599 --> 00:53:29.760
also another way that it's easier for
some of us, those of us with

701
00:53:29.880 --> 00:53:34.000
ADHD or things like that to watch
is that studios are now putting a lot

702
00:53:34.079 --> 00:53:39.920
more money and hiring much better translators
and writers and actors for dubs. Because

703
00:53:40.440 --> 00:53:46.360
I am someone for whom with my
ADHD and other neurodivergence, sitting and staring

704
00:53:46.400 --> 00:53:51.239
at a screen so that I can
read everything is very difficult for me.

705
00:53:51.480 --> 00:53:53.840
I'm able to do it, and
definitely is a lot of things that make

706
00:53:53.840 --> 00:53:58.079
it worthwhile, but especially for a
show, it's really hard for me to

707
00:53:58.079 --> 00:54:01.280
sustain and something I want to keep
getting better at. And I'm teaching myself

708
00:54:01.320 --> 00:54:07.480
to get better and better at watching
stuff that isn't dubbed and just reading the

709
00:54:07.519 --> 00:54:14.199
subtitles. But there's a lot of
great pieces that I you know, Full

710
00:54:14.239 --> 00:54:15.760
Metal Alchemist, which I really want
to talk to you about when you get

711
00:54:15.760 --> 00:54:20.280
a chance to watch some of it. I watched that because of the it

712
00:54:20.320 --> 00:54:23.719
was dubbed into English, and the
English actors and translated. The writing was

713
00:54:23.719 --> 00:54:28.960
fantastic in a way that so often
it isn't. So it's just one more

714
00:54:29.000 --> 00:54:31.119
part, and I'm sure that's the
conversation will have. Is because I am

715
00:54:31.119 --> 00:54:37.880
absolutely sure that there are elements of
the original that I'm completely missing. And

716
00:54:38.079 --> 00:54:43.960
even with what was the first movie, I think it was on a Kinsin

717
00:54:44.000 --> 00:54:47.159
movie, the first Kinchin movie we
brought on where you talked about how the

718
00:54:47.559 --> 00:54:52.760
translation that Paul and I had gotten
was wrong because it's you know, it

719
00:54:52.840 --> 00:54:57.320
was the word not to not cut
versus to not kill. But I also

720
00:54:57.400 --> 00:55:00.920
think that like when you can make
things eighty percent accessible to a group who

721
00:55:01.000 --> 00:55:04.559
are never gonna be able to experience
it as one hundred percent accessible, that's

722
00:55:04.960 --> 00:55:13.480
still step forward. Yeah. I
mean, in general, when people get

723
00:55:13.480 --> 00:55:21.000
on their high horses about sub versus
dub I think it's it's there's no right

724
00:55:21.039 --> 00:55:29.159
answer to it. I obviously I
prefer watching in or listening in Japanese,

725
00:55:29.559 --> 00:55:36.119
and I often have it with the
English subtitles because that's just how the television

726
00:55:36.159 --> 00:55:39.880
works. But also like if Sarah
is there with me, my wife,

727
00:55:40.199 --> 00:55:46.519
and I notice because I'm like listening
and reading and I notice when the translations

728
00:55:46.559 --> 00:55:52.039
are I'll just say, like,
wonky, I don't know. This is

729
00:55:52.079 --> 00:55:57.920
something I've been thinking about a lot
with translation, is that you can't just

730
00:55:58.199 --> 00:56:05.840
do like a word for word transliteration, because you know, dialogue and conversation

731
00:56:06.360 --> 00:56:12.400
is often about feeling. I was
watching a show you U Hawk show,

732
00:56:12.679 --> 00:56:16.880
the live action one, which is
I highly do not recommend. I'm a

733
00:56:16.960 --> 00:56:22.239
huge fan of the original manga and
I was thinking about catching up and watching

734
00:56:22.280 --> 00:56:29.639
the anime version, but this live
action one takes like three separate storylines,

735
00:56:30.320 --> 00:56:35.559
like three separate arcs, and condenses
it into four episodes of a TV show.

736
00:56:35.880 --> 00:56:38.519
I was like, what have you
done? But my point was there

737
00:56:38.599 --> 00:56:44.199
was an interesting scene in it where
two characters are in a hospital with one

738
00:56:44.239 --> 00:56:50.280
of the character's mother and she's she
starts coughing because she's in the hospital because

739
00:56:50.280 --> 00:56:54.679
she's sick, and the sun character
says, oh coscissan, which is just

740
00:56:54.760 --> 00:57:00.400
mother. He says mother twice,
but the subtitle says like are you okay,

741
00:57:01.679 --> 00:57:07.199
right, instead of just mother,
because like the context is that he's

742
00:57:07.280 --> 00:57:14.239
concerned for his mother, and I
think that comes through in the acting the

743
00:57:14.280 --> 00:57:20.719
way that the character intonates saying oh
cossan. But if you don't know what

744
00:57:20.800 --> 00:57:23.880
he's saying, then it doesn't matter
like how he's saying it, so you

745
00:57:23.960 --> 00:57:29.480
have to translate that into like what
he means, right and yeah, And

746
00:57:29.519 --> 00:57:32.159
so that's why I like I'm okay. I'm coming around of being okay with

747
00:57:32.280 --> 00:57:37.000
like, however you want to consume
it? And I don't know, like

748
00:57:37.639 --> 00:57:40.880
sub versus, I think sometimes like
sub and dove actually uses different translations,

749
00:57:40.920 --> 00:57:47.000
even maybe because maybe a dub of
that scene, the character in English would

750
00:57:47.079 --> 00:57:51.360
just say mother like, mother like, and you would maybe get what he

751
00:57:51.480 --> 00:57:55.400
means through the way he's saying it
right, that you wouldn't get if you're

752
00:57:55.440 --> 00:57:59.639
creating the written word. Yeah,
And I think that's so true. And

753
00:57:59.679 --> 00:58:01.760
I it's interesting you went there,
because I often think it becomes the most

754
00:58:01.760 --> 00:58:06.679
important is with the idioms, you
know, whether a phrase that like,

755
00:58:06.719 --> 00:58:08.480
you know, we say like,
oh yeah, that really takes the cake

756
00:58:09.199 --> 00:58:13.599
if you translate that into some other
language. People brought you no idea,

757
00:58:13.800 --> 00:58:17.960
but there's probably other I imagine most
languages have a similar idiom that means something

758
00:58:19.000 --> 00:58:22.360
similar or at least a similar phrase, you know. And I will say

759
00:58:22.360 --> 00:58:28.840
that's one other thing. I wish
the strike had been settled far sooner.

760
00:58:29.079 --> 00:58:30.920
I wish that. I'm glad the
Union got a lot of things they wanted.

761
00:58:30.920 --> 00:58:35.360
I wish they'd gotten even more.
But I will say that one silver

762
00:58:35.440 --> 00:58:37.039
lining, at least from me and
I think I heard this from a lot

763
00:58:37.039 --> 00:58:40.559
of you fans and creators, is
that during the strike, a lot of

764
00:58:40.639 --> 00:58:45.119
us were given a good push to
look outside the traditional American media system in

765
00:58:45.159 --> 00:58:50.079
the big Hollywood studios. And I
definitely wanted to do a lot more things

766
00:58:50.079 --> 00:58:52.400
that are not created in the United
States, and a lot of that will

767
00:58:52.440 --> 00:58:58.239
be Japan, both because I think
that Japanese media is probably the like the

768
00:58:58.280 --> 00:59:02.800
second most influential to English speaking geeks
after you know, American or British,

769
00:59:04.280 --> 00:59:07.760
but also you know, and but
also because of your skills and knowledge and

770
00:59:07.800 --> 00:59:12.079
experience. But there's also great stuff
being made all around the world, and

771
00:59:12.159 --> 00:59:15.119
I'm looking forward to seeing, you
know, like there you know, stuff

772
00:59:15.159 --> 00:59:20.239
from Italy, France, China,
Africa, you know that we can talk

773
00:59:20.239 --> 00:59:24.119
about and look into and and and
they're due for their research. And also

774
00:59:24.119 --> 00:59:29.360
I think it'll be very important that
Reeky is my co host. But just

775
00:59:29.400 --> 00:59:32.239
as happened when Paul is the co
host or Jacob's the co host, we're

776
00:59:32.239 --> 00:59:36.639
often probably gonna have a third person. It's a lot easier to have a

777
00:59:36.639 --> 00:59:39.039
co host than try and recruit a
guest for every week. But I'm hoping

778
00:59:39.079 --> 00:59:43.239
at least one or two episodes a
month. We'll probably have a third person

779
00:59:43.280 --> 00:59:46.679
in here, often just because it's
a great person who has other great opinions,

780
00:59:47.000 --> 00:59:51.280
but also because sometimes it'll be someone
who represents a different perspective than either

781
00:59:51.280 --> 00:59:54.119
of the two of us. Can
Reeky and I are very different, but

782
00:59:54.159 --> 00:59:57.519
we're both mask and presenting. We're
both, you know, geeks of a

783
00:59:57.519 --> 01:00:02.039
certain generation. You know, there's
some ways in which they're there. There's

784
01:00:02.079 --> 01:00:06.800
never a way we can get every
voice onto the podcast, and certainly I

785
01:00:06.840 --> 01:00:08.320
don't want any person to feel like
they're Okay, you're here to be my

786
01:00:08.400 --> 01:00:12.559
black guest or my gay guest or
whatever it is. But I just think

787
01:00:12.599 --> 01:00:15.519
that there's there's a lot of perspectives
you and I have They're gonna be great.

788
01:00:15.559 --> 01:00:17.639
But also having more guests is just
always gonna add to the conversation.

789
01:00:22.079 --> 01:00:27.920
Yeah, I always appreciate you when
you have me on to talk about something

790
01:00:28.079 --> 01:00:32.440
like anime based or japan based and
I and I know, like, you're

791
01:00:32.440 --> 01:00:37.880
not doing it just because I'm Japanese
like it. It's because we always have

792
01:00:38.000 --> 01:00:45.960
good conversations. But I am happy
to provide what uh lived experiences or like

793
01:00:46.159 --> 01:00:51.639
research I've done because I can like
do research in both languages and try to

794
01:00:51.679 --> 01:00:55.960
find out stuff about things. And
I think that's I think it's important to

795
01:00:57.119 --> 01:01:04.519
consider all perspectives on things. And
it doesn't mean that people are there just

796
01:01:05.119 --> 01:01:08.039
because they like it's complicated, like
they're not just there because of who they

797
01:01:08.079 --> 01:01:12.400
are like that, you know,
that's what they bring. But you have

798
01:01:12.440 --> 01:01:15.000
to you have to listen. You
have to listen to other people, right,

799
01:01:15.079 --> 01:01:17.679
so at some point you have to
have them on. I think I

800
01:01:17.679 --> 01:01:23.440
think the key difference is you you
shouldn't just have people on on those episodes.

801
01:01:23.960 --> 01:01:29.119
Yeah, right, Like I have
been on to talk about you know,

802
01:01:29.360 --> 01:01:32.119
like we say Green Lantern Sinestro,
which has nothing to do with being

803
01:01:32.199 --> 01:01:36.400
Japanese. That was the first thing
I remember, that was the first thing

804
01:01:36.400 --> 01:01:42.320
I think we brought you on fore, So that I think that's the important

805
01:01:42.360 --> 01:01:46.960
thing of like not tokenizing people is
don't don't just engage with them on the

806
01:01:47.039 --> 01:01:52.079
topic of like whatever their identities.
I just use like big air quote parentheses

807
01:01:52.559 --> 01:01:57.239
for listeners. I think it's very
true. And I'll also say for listeners,

808
01:01:57.960 --> 01:02:00.199
if you have ideas of other people, you should have as definitely please

809
01:02:00.280 --> 01:02:06.119
let us know either yourself or I'm
sure everyone out there has great opinions.

810
01:02:06.119 --> 01:02:07.840
I would like someone who, like
you know, has some content out there

811
01:02:07.840 --> 01:02:10.519
already that I can listen to,
or as you know, some some background

812
01:02:10.599 --> 01:02:14.000
or something like that. But if
you think you'd make a good guest,

813
01:02:14.079 --> 01:02:15.400
or if you think that you know
another creator and you want to send me

814
01:02:15.400 --> 01:02:19.760
their Twitter account or their TikTok or
their podcast or anything like that, let

815
01:02:19.800 --> 01:02:25.519
me know, because yeah, I
think part of Riki why you know you

816
01:02:25.559 --> 01:02:29.000
are someone who I know could reach
out to because you and I had formed

817
01:02:29.000 --> 01:02:34.400
a connection in other ways. And
there are people who I have now you

818
01:02:34.480 --> 01:02:37.880
know, built contacts with. Jessica
Plumber, someone who have become very good

819
01:02:37.880 --> 01:02:40.320
friends with. I've had her on
for a whole range of topics, and

820
01:02:40.800 --> 01:02:45.760
when there is something about feminism in
the superhero world, she's the first person

821
01:02:45.800 --> 01:02:50.920
I look to. But I know
there's also there's others, and I'm always

822
01:02:50.960 --> 01:02:52.519
trying to expand that pool. The
pool is still a lot more narrow than

823
01:02:52.519 --> 01:02:55.880
I would want it to be right
now, And so listeners, you've got

824
01:02:55.880 --> 01:03:00.599
thoughts and ideas, definitely please let
us know. Well, Reeky has been

825
01:03:00.639 --> 01:03:05.039
a great conversation. There's a lot
more we can say, and we're gonna

826
01:03:05.039 --> 01:03:08.480
have a special bonus episode for the
members on give you just a little taste

827
01:03:08.519 --> 01:03:14.360
of our opinions on the one piece
live action. We will do about that

828
01:03:14.440 --> 01:03:16.039
later, but we have a lot
of things to say already, And of

829
01:03:16.079 --> 01:03:20.639
course if you aren't don't have access
to that, you can become a member

830
01:03:21.159 --> 01:03:23.599
from the five dollars a month fifty
five dollars a year. With Wreeky now

831
01:03:23.679 --> 01:03:27.440
on board as a co host,
I'm gonna start making bonus full episodes what

832
01:03:27.519 --> 01:03:30.679
you do on the Star Wars podcast
just for members. As a member,

833
01:03:30.000 --> 01:03:32.679
you're a member of the Ethical Panda, which is both of these podcasts.

834
01:03:32.760 --> 01:03:37.360
You get access to both of those, but if you just want superher ethics,

835
01:03:37.480 --> 01:03:38.880
you can just listen to those.
That's just fine too. So,

836
01:03:39.440 --> 01:03:44.760
uh Reeky, do you have any
last questions or thoughts or piece of media

837
01:03:44.840 --> 01:03:45.920
or something like that you wanted to
raise that you're looking forward to exploring.

838
01:03:50.960 --> 01:03:58.440
I think I just want to reiterate
like, horror is amazing, and especially

839
01:03:58.480 --> 01:04:03.800
when you're talking about like the internation
media. I like the number of horror

840
01:04:03.880 --> 01:04:09.119
things that I watch from other countries, whether it's like these days, there's

841
01:04:09.159 --> 01:04:13.599
a lot of great Korean horror,
a lot of Spanish language stuff. I've

842
01:04:13.599 --> 01:04:17.280
been watching Italian as well, obviously, like Italian Suspiria is one of the

843
01:04:17.320 --> 01:04:25.199
all time classics that I think is
a genre that really go. It is

844
01:04:25.599 --> 01:04:30.960
deeply international, and because of the
way horror is structured, like the things

845
01:04:31.000 --> 01:04:36.639
that scare people is different, right, like culturally, like the folk tales

846
01:04:36.679 --> 01:04:41.280
and the legends people tell, And
that to me is what makes horror so

847
01:04:41.440 --> 01:04:46.400
deep. Is like seeing another culture's
boogieyman, so to speak. Yeah,

848
01:04:46.679 --> 01:04:51.400
is very fascinating to me, and
I think that becomes really interesting both looking

849
01:04:53.039 --> 01:04:59.079
like internationally but also looking chronologically.
There's a great thing I read a while

850
01:04:59.159 --> 01:05:03.480
ago that was basically about how I
think this lined up to around generationtion CK's

851
01:05:03.679 --> 01:05:06.360
millennial, but the years they were
looking at might have been a little bit

852
01:05:06.400 --> 01:05:10.559
off from that, but it was
basically saying how at one point the cultural

853
01:05:10.599 --> 01:05:14.840
obsession was with vampires, and then
it became the cultural obsession was with zombies,

854
01:05:15.159 --> 01:05:17.119
and like what was that about and
what was a cultural reasoning for that?

855
01:05:17.199 --> 01:05:19.280
And I think that that's that,
you know, they made some really

856
01:05:19.320 --> 01:05:27.159
good points about that, and Professor
Matthew. Professor Matthew Cappelle also has some

857
01:05:27.599 --> 01:05:30.639
great theories about that in terms of
uh, vampires more being elitist and zombies

858
01:05:30.719 --> 01:05:34.400
being much more populist. And where
does those different fears come from and things

859
01:05:34.440 --> 01:05:38.719
like that, you know, the
fear of the elites versus the fear of

860
01:05:39.079 --> 01:05:42.719
you know, the the unthinking mass
uh. And I think, you know,

861
01:05:42.800 --> 01:05:45.000
that's another great analysis to look at. So yeah, it's and I

862
01:05:45.079 --> 01:05:46.719
think that's more of the kind of
thing we can look at. It is

863
01:05:46.760 --> 01:05:49.039
like, read some of these articles, do more of that research to go

864
01:05:49.480 --> 01:05:57.719
to go a lot deeper clowns,
Like I'd read a research piece basically that

865
01:05:58.000 --> 01:06:04.239
says our obsession was like scary clowns
is rooted in the real life serial killer

866
01:06:04.280 --> 01:06:11.440
John Wayne Gacy. You can he
often dressed up as a clown, I

867
01:06:11.440 --> 01:06:15.360
believe to lure victims or something like
that, or that was his day job.

868
01:06:15.400 --> 01:06:17.840
I don't remember that part of it, but like that's what he is

869
01:06:17.880 --> 01:06:25.239
famous for. And that's like when
clowns in media started to get scary,

870
01:06:25.320 --> 01:06:30.079
like it's Stephen King's, it's you
may well be onto something. I will

871
01:06:30.079 --> 01:06:32.920
say, until this moment, I
didn't know that John Wayne Gacy dressed up

872
01:06:32.920 --> 01:06:35.519
as a clown. I do know
that a clown shot water in my face

873
01:06:35.519 --> 01:06:38.840
when I was five years old at
the circus and I've hated him ever since.

874
01:06:39.760 --> 01:06:42.480
But you know, it may well
be so who knows, Danny Clown's

875
01:06:42.480 --> 01:06:44.880
out there in the audience. I
apologize, it just happened to me.

876
01:06:45.119 --> 01:06:48.400
Who knows, But yeah, I'm
moving forward to these conversations. We have

877
01:06:48.440 --> 01:06:54.320
a great, great time. We're
bringing this episode under seventy minutes, which

878
01:06:54.360 --> 01:06:56.559
is going to be my goal for
our main episodes, and try to be

879
01:06:56.920 --> 01:07:00.360
one hour and a half for the
total episode of bonus content, hopefully lower.

880
01:07:00.760 --> 01:07:02.880
When Paul gets on here, all
bets are off because the three of

881
01:07:02.960 --> 01:07:09.039
us are by far, with Jessica
Plumber coming and forth the most phone.

882
01:07:09.039 --> 01:07:12.079
We did speakers on this podcast,
but hopefully we'll have a lot to say.

883
01:07:12.320 --> 01:07:14.960
So Reggie, thank you so much
to our listeners. Thank you so

884
01:07:15.039 --> 01:07:17.320
much to our members. You're awesome. You're what's helping make all this happen.

885
01:07:17.960 --> 01:07:20.719
You're why I can people can see
me on the video again. Because

886
01:07:20.719 --> 01:07:25.880
I have a new computer. I
still have a lot of it to take

887
01:07:25.920 --> 01:07:28.719
care of, but more membership is
great. But to those more members,

888
01:07:28.760 --> 01:07:30.000
thank you so much. Your modus
content is coming in just a moment.

889
01:07:30.119 --> 01:07:33.400
For everybody else, thank you so
much. We have spoken. Yep,

890
01:07:33.519 --> 01:07:38.400
no, I don't know. I
need to sign on. There you go,

891
01:07:47.440 --> 01:07:49.519
all right? For our members,
welcome back. Thank you so much.

892
01:07:49.559 --> 01:07:54.760
As always, so, Reggie,
before you even touch the live action,

893
01:07:54.920 --> 01:07:58.440
talk to me about your first experiences
of One Piece, because if I

894
01:07:58.480 --> 01:08:00.400
understand correctly, you got into it
not with the anime but with the manga.

895
01:08:00.400 --> 01:08:04.920
Correct, Yeah, I mean,
but what is manga for those are

896
01:08:04.960 --> 01:08:09.400
Audians who don't know that term.
Well, manga is just comics, comic

897
01:08:09.559 --> 01:08:14.760
books in Japan, right, that's
just I think it's just a word for

898
01:08:14.840 --> 01:08:19.680
like drawn characters or something like that. But in Japan, so in the

899
01:08:19.800 --> 01:08:25.159
United States, comic books come out
once a month, is that right?

900
01:08:25.319 --> 01:08:29.800
Yeah? Yeah, and so you
get twelve issues a year. In Japan,

901
01:08:30.319 --> 01:08:38.119
a lot of this media comes out
weekly. So like One Piece or

902
01:08:38.199 --> 01:08:45.399
Dragonball, you would get fifty two
episodes a year, and then those are

903
01:08:45.680 --> 01:08:51.680
condensed into the novels like the books, and those have I don't know how

904
01:08:51.680 --> 01:08:55.760
many of them have maybe like ten
episodes in each book or something like that.

905
01:08:56.079 --> 01:08:59.520
So usually like every year you get
one or two of the books as

906
01:08:59.560 --> 01:09:04.000
well. Mm hmm, basically like
the equivalent of our graphic novels here.

907
01:09:04.880 --> 01:09:14.800
And one piece in particular was publish
is published in a franchise called Shonen Jump,

908
01:09:15.000 --> 01:09:17.680
which just is like Shonen is the
Japanese word for young boy, young

909
01:09:17.760 --> 01:09:21.359
man, and then the Jump is
just the brand. So it's like clearly

910
01:09:21.439 --> 01:09:27.600
like it's for young boys, but
people of all generations and you know,

911
01:09:27.680 --> 01:09:32.880
all gender do read read the Shonen
Jump, but it's primary primary audience is

912
01:09:32.960 --> 01:09:39.479
young young boys, right, And
this was the this was the magazine that,

913
01:09:39.640 --> 01:09:44.279
like Dragonball was published in as well, so I was very familiar with

914
01:09:44.319 --> 01:09:47.760
it. And just one week it
was actually like before the series started,

915
01:09:48.159 --> 01:09:54.319
there was like a preview or a
like a one shot. They often they

916
01:09:54.359 --> 01:09:58.359
would often have like one shots from
new authors, kind of like testing out

917
01:09:58.560 --> 01:10:01.680
the market or test out their art
style and whatnot. So I remember it

918
01:10:01.720 --> 01:10:06.359
was I think it was called Romance
Dawn, which I believe is also the

919
01:10:06.439 --> 01:10:11.520
name of the first episode of the
actual manga run. And it was just

920
01:10:11.560 --> 01:10:17.479
like a one shot of this goofy
pirate kid who has gummy abilities because the

921
01:10:17.560 --> 01:10:26.000
aid of magical fruit, and it's
kind of a quirky pre industrial, right,

922
01:10:26.039 --> 01:10:30.560
like pre industrial fantasy world. Like
it's clearly not Earth, but it

923
01:10:30.640 --> 01:10:36.279
has like a lot of Earth,
like seventeen hundred's ish technology and like the

924
01:10:36.319 --> 01:10:45.439
pirate era of our real history.
It's just a fun, fun universe.

925
01:10:46.079 --> 01:10:51.199
Yeah, And it was from the
beginning and now is I think it's like

926
01:10:51.239 --> 01:10:58.000
the second longest ongoing franchise in history, maybe the first at this point,

927
01:10:58.359 --> 01:11:04.199
but it has obviously become like the
worldwide phenomenon and now like I think the

928
01:11:04.239 --> 01:11:11.399
live action adaptation is the best live
action adaptation of an anime I've ever watched,

929
01:11:11.760 --> 01:11:15.199
and it was phenomenon. I'm looking
for more of it, and it's

930
01:11:15.319 --> 01:11:21.119
just I don't know. Since Dragon
Ball, it is definitely the manga series

931
01:11:21.199 --> 01:11:25.800
that I collected the most books of. I mean, I actually probably have

932
01:11:25.960 --> 01:11:30.439
more books because it's gone on longer, but it was the one that I

933
01:11:30.560 --> 01:11:34.920
tried to keep up with and I
stopped because it just kept going and going.

934
01:11:35.239 --> 01:11:38.279
But I have, like, I
don't know, like forty of the

935
01:11:38.319 --> 01:11:45.079
books. I think, yeah,
no, that's great, and I I

936
01:11:45.119 --> 01:11:46.239
think one of the reason why the
People was so interesting to talk about one

937
01:11:46.239 --> 01:11:51.199
piece is because I the exact tops
experience. I went into it knowing almost

938
01:11:51.199 --> 01:11:56.039
nothing about it. The only thing
really that I knew was that a lot

939
01:11:56.079 --> 01:12:00.239
of people there's some anime I've really
enjoyed, but for the most part,

940
01:12:00.319 --> 01:12:02.479
it's not really a genre that I
have no critique of it. I think

941
01:12:02.479 --> 01:12:06.800
it's fantastic, it's not really one
that speaks to me, and a lot

942
01:12:06.800 --> 01:12:11.199
of people say, look, if
you ever really wanted to watch an anime,

943
01:12:11.359 --> 01:12:15.760
that that is the closest you can
get in English language live action show

944
01:12:15.880 --> 01:12:19.760
to the spirit of this particular kind
of anime, This is it, and

945
01:12:20.520 --> 01:12:24.039
I think it's awesome. They were
really able to capture that so well.

946
01:12:26.960 --> 01:12:32.600
Yeah, I was thinking about this
the other day because there was a terrible

947
01:12:32.720 --> 01:12:38.520
dragon Ball live action movie called dragon
Ball Evolution, and first off, like

948
01:12:38.560 --> 01:12:45.920
they completely changed pretty much everything about
it, which was weird, but also

949
01:12:46.640 --> 01:12:51.560
dragon like, you can't make dragon
Ball live action, like we were talking

950
01:12:51.560 --> 01:12:57.359
in the main episode about costs,
and there's just like no point in spending

951
01:12:57.399 --> 01:13:00.279
the CGI budget to do what they
do in dragon Ball if you can just

952
01:13:00.319 --> 01:13:04.800
do it in animation, because it'll
be much cheaper and it'll be much cleaner,

953
01:13:05.319 --> 01:13:11.920
like the speed of the characters and
the combat and dragon Ball doesn't translate

954
01:13:11.960 --> 01:13:16.600
to live action at all because it
just it looks goofy. I think of

955
01:13:16.800 --> 01:13:24.000
like Lego Loss doing the old font
surfing in Return of the King, Like

956
01:13:24.279 --> 01:13:27.920
it's like the CGI was not there
yet. But it's also like the action

957
01:13:28.079 --> 01:13:32.079
looks goofy, like for a quote
unquote real person to be doing that.

958
01:13:32.840 --> 01:13:36.680
I mean, I think if you
want to watch a lot of the earlier

959
01:13:36.720 --> 01:13:41.720
comic book movies, even after like
the you know, I think almost all

960
01:13:41.800 --> 01:13:45.399
the twentieth century, translating that stuff
to live action was really hard to do

961
01:13:45.520 --> 01:13:50.079
and a lot of time the fight
scenes look ridiculous. Yeah, and even

962
01:13:50.159 --> 01:13:56.239
now, like that's probably one of
the weaker aspects of one piece because like

963
01:13:56.279 --> 01:14:01.720
when he uses his gom gom ability, it it looks goofy. I think

964
01:14:01.800 --> 01:14:06.800
the CGI is more believable than it
has been in the past, and so

965
01:14:06.840 --> 01:14:12.479
it's okay, like it passes like
the smell test of like it doesn't necessarily

966
01:14:12.520 --> 01:14:16.039
look like CGI, but it's also
a little goofy that you were having like

967
01:14:16.079 --> 01:14:21.039
a real life person like punch someone
in this way, So that that is

968
01:14:21.079 --> 01:14:27.000
a thing that I have to concede
is like not translating the greatest, but

969
01:14:27.079 --> 01:14:30.760
I also think it's actually the least
important thing about one piece. I mean,

970
01:14:30.800 --> 01:14:34.039
I have to say. And this
is again probably where you know,

971
01:14:34.159 --> 01:14:38.600
I like, I think it was
a very interesting show and real interesting questions.

972
01:14:38.640 --> 01:14:43.199
It is very much not what I
enjoy. To me, the goofiness

973
01:14:43.279 --> 01:14:46.640
wasn't the punch, wasn't the animation
of the punch. It's him saying like

974
01:14:47.640 --> 01:14:51.479
whatever really Dick's catchphrase he says with
every punch. That just made me go,

975
01:14:51.680 --> 01:14:56.840
like, this kid's just annoying.
And again that's just me, But

976
01:14:57.000 --> 01:15:03.319
like I wonder that, like I'm
trying to better understand this because it it

977
01:15:03.359 --> 01:15:09.600
feels like the whole rest of the
show is so intentionally goofy that wouldn't you

978
01:15:09.640 --> 01:15:12.520
want the fight scenes to look just
as goofy as the rest of the show

979
01:15:12.560 --> 01:15:15.079
is. Or is it just that
I see as goofy when it really isn't.

980
01:15:15.640 --> 01:15:17.520
Well you, I mean you're talking
about him calling out his moves,

981
01:15:17.600 --> 01:15:23.399
right, yeah, Like it's his
primary move as I believe, go pistol,

982
01:15:24.119 --> 01:15:28.119
right, gum gum pistol. When
he just like throws his gummy arm

983
01:15:28.239 --> 01:15:34.199
like way back and then punches it
forward and again like that that's just anime.

984
01:15:34.560 --> 01:15:39.560
Like yeah, when they make that
joke about like all great fighters call

985
01:15:39.640 --> 01:15:43.479
out their moves, that is like
a that was a very tongue in cheek

986
01:15:43.560 --> 01:15:47.800
meta joke in the story, but
also about the whole industry. Like in

987
01:15:48.239 --> 01:15:54.039
Dragon Ball, the most famous move
is Kamehameha, which is Goku's like big

988
01:15:54.159 --> 01:16:00.800
energy blast and you have to have
that, Like Bleach is another where they

989
01:16:00.840 --> 01:16:03.720
all like they have these giant swords
and they all have moves that they call

990
01:16:03.800 --> 01:16:08.680
out when they when they do their
maneuvers. And the reason is because you

991
01:16:08.800 --> 01:16:14.039
want it to you want audiences to
recognize, right, right, Like it's

992
01:16:15.560 --> 01:16:19.680
I don't do you watch professional wrestling
like WWE and all that. I've seen

993
01:16:19.720 --> 01:16:23.560
a little bit of the monitor.
I surely grew up watching it on the

994
01:16:23.680 --> 01:16:26.119
WWF era, but yeah, I've
seen some of it. I know,

995
01:16:26.199 --> 01:16:30.520
Yeah, they all have signature moves
and right, and the wrestlers themselves aren't

996
01:16:30.520 --> 01:16:33.159
gonna call them out because they're not
miked up, like you, you can't

997
01:16:33.199 --> 01:16:36.960
hear them. But that's what the
commentators are for, right, Like the

998
01:16:38.000 --> 01:16:43.199
commentator is there to narrate the action
for one and like bring some drama and

999
01:16:43.239 --> 01:16:46.680
excitement, but also to like explain
things and then in that key moment to

1000
01:16:46.800 --> 01:16:50.520
say, like the rock's going for
the rock bottom or the people's elbow,

1001
01:16:50.600 --> 01:16:54.840
and to name the move so that
the fans know what it is and can

1002
01:16:54.880 --> 01:16:58.359
get excited about it. And I
think that that, to me is like

1003
01:16:58.399 --> 01:17:02.600
the same idea is that you know, when Lufi does the gome Gong pistol,

1004
01:17:03.000 --> 01:17:05.840
like that's a big thing at least
early on, like that's his big

1005
01:17:05.920 --> 01:17:10.239
move, and you know, like
he's going for like this, this is

1006
01:17:10.279 --> 01:17:14.600
his finisher right now, and he's
going to knock out the opponent. And

1007
01:17:14.680 --> 01:17:18.479
then in like that gives you context
of in a future fight if he does

1008
01:17:18.560 --> 01:17:24.039
the gome Gong pistol and it doesn't
work or it doesn't knock out the opponent,

1009
01:17:24.079 --> 01:17:27.439
you're like, Okay, now we
have moved up a step in the

1010
01:17:27.479 --> 01:17:31.840
battle where this opponent is stronger,
so he needs a different move, so

1011
01:17:31.880 --> 01:17:36.560
he'll do something else, He'll he'll
develop a new technique, and like the

1012
01:17:36.640 --> 01:17:45.279
same thing pretty much happens in all
this combat anime is that there there's like

1013
01:17:45.359 --> 01:17:47.439
these level of moments, and I
think that's part of the reason you have

1014
01:17:47.520 --> 01:17:50.960
to name the moves, is that
the audience has to recognized A that the

1015
01:17:51.039 --> 01:17:58.600
move is special, that it's worth
naming beyond, just like punching real hard,

1016
01:17:59.000 --> 01:18:03.800
and b like when the signature and
move of the past doesn't work anymore,

1017
01:18:04.479 --> 01:18:10.159
then now you know it's time for
the training montage or just like an

1018
01:18:10.159 --> 01:18:15.119
in fight level up moment where he
comes up with a new technique. M

1019
01:18:15.880 --> 01:18:21.239
Yeah, that makes sense. I
don't know it's because I didn't grow up

1020
01:18:21.239 --> 01:18:24.479
doing it, or because it's not
a big fan of fight scenes. It

1021
01:18:25.920 --> 01:18:30.439
everything you say makes perfectly logical sense
if you start from the first principle,

1022
01:18:30.720 --> 01:18:32.479
which is what I just can't kind
of afford with. But you know,

1023
01:18:32.560 --> 01:18:36.760
well you said, but I think
let me just say, I think that's

1024
01:18:36.760 --> 01:18:42.000
one of the things about this podcast
I want to really acknowledge, is it's

1025
01:18:42.039 --> 01:18:45.159
okay if not every piece of media
is for everyone. And and there's a

1026
01:18:45.199 --> 01:18:48.199
lot of anime that surprised me,
and you know, I want to I

1027
01:18:48.239 --> 01:18:50.840
think one piece raised some great questions
that I'm really looking forward to talking to

1028
01:18:50.840 --> 01:18:53.840
you about. And I think that
we can do that even with stuff that

1029
01:18:54.279 --> 01:18:59.479
isn't her on Personal Taste of Entertainment, which I don't know if you like

1030
01:18:59.520 --> 01:19:02.960
you said it intentionally, but I'm
pretty sure you just said that you didn't

1031
01:19:03.000 --> 01:19:10.520
grow up doing this rather than like
watching, and that that is like a

1032
01:19:10.600 --> 01:19:13.960
key to me, is that I
grew up like I said, with dragon

1033
01:19:14.000 --> 01:19:17.960
Ball, and if you are a
kid of a certain era, or maybe

1034
01:19:17.960 --> 01:19:21.680
even like an adult of a certain
era, if you didn't like in the

1035
01:19:21.680 --> 01:19:26.800
playground, just like go to your
friend and go cal me, ha me,

1036
01:19:27.920 --> 01:19:30.720
like throw your energy ball at you
know, your fake energy ball at

1037
01:19:30.720 --> 01:19:35.399
them. Like that's that we all
did. Thatskid, And that's what I

1038
01:19:35.399 --> 01:19:39.479
think too, is like we talked
about the audience, is that this is

1039
01:19:39.560 --> 01:19:45.239
shownand jump because it's like young boy
jump and like that thing of playing like

1040
01:19:45.279 --> 01:19:48.800
I don't know, like for I
think wrestling is the closer analogy because like

1041
01:19:48.880 --> 01:19:58.359
super superhero like DC and Marvel superheroes
don't do anything right. I don't think

1042
01:19:58.359 --> 01:20:03.079
they often have taken sure moves,
but the often have like lines like yeah,

1043
01:20:03.159 --> 01:20:10.399
like you know, Ben Grimm,
you know in Fantastic four it's clobber

1044
01:20:10.439 --> 01:20:14.359
in time there you okay? And
yeah, I think kids definitely on the

1045
01:20:14.359 --> 01:20:17.079
playground definitely ran around saying those things. I was in a corner reading a

1046
01:20:17.079 --> 01:20:20.800
book because you know, I was
autistic as hell. So yeah, maybe

1047
01:20:20.800 --> 01:20:25.680
it's just like I didn't do those
things growing up, So that's what.

1048
01:20:25.880 --> 01:20:29.039
Yeah, Like it's clamber and time
is a good one, like Hulk smash.

1049
01:20:29.479 --> 01:20:31.600
Yeah it was another good one,
right, So that I mean,

1050
01:20:32.199 --> 01:20:36.439
I think it's the calling out of
the move like is kind of a melding

1051
01:20:36.520 --> 01:20:42.640
of that, like the catchphrase and
the wrestling signature moves, right, I

1052
01:20:42.640 --> 01:20:46.840
mean, it's surely the point you
made about how easily you can show that

1053
01:20:47.039 --> 01:20:51.840
this enemy is much worse than the
others by having the signature move not do

1054
01:20:53.159 --> 01:20:57.600
expected to do. I mean I
immediately thought of a similar moment in Marvel,

1055
01:20:58.079 --> 01:21:02.920
which is when or throws his hammer
hammer and Hella catches it and crushes

1056
01:21:02.960 --> 01:21:09.520
it, because we have seen that
hammer destroy every enemy, you know,

1057
01:21:10.079 --> 01:21:13.239
along the way, and Thorne doesn't
have a single catchphrase, but he almost

1058
01:21:13.239 --> 01:21:16.600
always says something ridiculous while he throws
his hammer, and it always works.

1059
01:21:17.199 --> 01:21:20.239
And it's because it always worked that. Yeah, when we saw her crush

1060
01:21:20.239 --> 01:21:24.920
it, we knew everything that that
scene meant, you know, that had

1061
01:21:24.960 --> 01:21:27.640
been built up by these years and
years of seeing him do this thing with

1062
01:21:27.680 --> 01:21:30.760
a hammer. So yeah, no, I totally get it. It's just

1063
01:21:30.800 --> 01:21:33.800
the goofy line itself. But that's
the thing. There's more that we'll get

1064
01:21:33.840 --> 01:21:38.600
in as we talk about one piece
itself, because I think I just there

1065
01:21:38.600 --> 01:21:45.159
are elements so that that character represents
a genre of the like super exuberant,

1066
01:21:45.600 --> 01:21:48.640
super hopeful. I'm living in a
bit of a fantasy world, but I'm

1067
01:21:48.680 --> 01:21:53.800
just gonna drag everybody else into it
instead of acknowledging the reality of the world

1068
01:21:53.880 --> 01:21:58.039
everyone else lives in. And I
mean that like metaphorically, not in terms

1069
01:21:58.079 --> 01:22:00.920
of, like, you know,
an actual different world. That's never been

1070
01:22:00.920 --> 01:22:10.199
my favorite kind of character. And
that's fine, that's totally okay. I'm

1071
01:22:10.279 --> 01:22:16.479
laughing because the thing that is currently, like right now March twenty twenty four,

1072
01:22:17.199 --> 01:22:26.119
what the character Lufy is doing,
I believe is like literally rewriting reality.

1073
01:22:26.479 --> 01:22:30.439
Like that's that's that's where that property
has finally reached, like in terms

1074
01:22:30.479 --> 01:22:33.319
of power level. So it's funny
that you said it that way. Yeah,

1075
01:22:33.359 --> 01:22:36.760
the metaphorical become literal. I like
it. Yeah, But it's also

1076
01:22:36.960 --> 01:22:46.079
like if you can believe it,
like this is what the writer was looking

1077
01:22:46.119 --> 01:22:50.800
at all along, because I agree
what you said about the character, like

1078
01:22:51.000 --> 01:22:58.960
he is very much an anime trope
of a super optimistic protagonist character. But

1079
01:22:59.119 --> 01:23:03.399
I think what has all is made
One Piece special is is that optimism is

1080
01:23:03.439 --> 01:23:10.640
like far beyond any other similar characters, any other similar protagonist. And if

1081
01:23:10.800 --> 01:23:14.399
if we can believe that he meant
this all along, that he can literally

1082
01:23:15.479 --> 01:23:21.800
rewrite reality because of his sheer sunny
disposition, like it all tracks, it

1083
01:23:21.840 --> 01:23:27.199
all makes sense. It's goofy as
all heck, But we live in an

1084
01:23:27.239 --> 01:23:31.560
era where, like you know,
Marvel characters are changing history literally and like

1085
01:23:31.680 --> 01:23:41.159
rewriting things to their own whims.
So it's I agree it is. It

1086
01:23:41.279 --> 01:23:47.640
is like a very different storytelling.
Yeah, but to me, the fact

1087
01:23:47.760 --> 01:23:54.680
that it appears like that he actually
had a plan is kind of amazing in

1088
01:23:55.359 --> 01:24:00.119
the era of like jj Abrams is
my favorite punching back in terms of like

1089
01:24:01.039 --> 01:24:06.119
didn't have a plan, like created
an amazing mystery box and then like didn't

1090
01:24:06.119 --> 01:24:10.159
know what to do when he opened
it, Like it it seems like oda

1091
01:24:10.239 --> 01:24:15.000
sense in the beginning of One Piece, like had a certain vision, or

1092
01:24:15.000 --> 01:24:18.359
at least like had started to like
coalesce into a vision early on enough that

1093
01:24:19.359 --> 01:24:23.479
it's all fitting together, and that's
kind of like one of the most mind

1094
01:24:23.479 --> 01:24:29.960
blowing things about a property that's gone
on. This law. Yeah, no,

1095
01:24:30.159 --> 01:24:32.319
I think it sounds fascinating, and
I'm you know, in the same

1096
01:24:32.399 --> 01:24:36.840
kind of way that I think understanding
that the Vietnam War helps you to better

1097
01:24:36.920 --> 01:24:42.279
understand mash I'm sure that better understanding
the world of anime and the world of

1098
01:24:42.319 --> 01:24:46.279
manga and the world in which one
piece sits, not like the world that's

1099
01:24:46.279 --> 01:24:49.239
created in the show, but just
like culturally the world of creation helps you

1100
01:24:49.279 --> 01:24:53.640
understand that a lot more. So
we'll make that episode when that comes up

1101
01:24:53.680 --> 01:24:56.279
soon, whereas a lot of other
good episodes we're doing soon. To our

1102
01:24:56.319 --> 01:24:59.159
members, as always, thank you
all so much. You have been fantastic.

1103
01:25:00.079 --> 01:25:08.399
We have spoken and wrote

