WEBVTT

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Weird being way media him. Mister
Walters is see that guy with it now,

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he's an actor at the phone the
name, I'm a cam driver and

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the only camp driver in his place. Hello and welcome once again tonight mister

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Walters a taxi podcast. I'm your
co host HP and with me as always

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is my co host falla alone,
follow alone. How are you doing HPO,

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My Sonny boy. A reminder,
we are doing these shows in broadcast

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order and not in order of filming. This is episode twenty one. This

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is the last episode of season one. The episode is called The Substitute Father.

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It's written by Barry Kemp and of
course directed by James Burrows Resident Directors

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Burrows that was his term, a
resident director, a director who shapes the

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entire series. The episode begins and
we're starting off in the garage once again.

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You had mentioned in the last episode
about pans, about Burrows's thoughts on

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doing a pan pensiont he does,
and we start off this episode with a

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pan. We're following Jeff. We
pan passed the length of the garage on

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Jeff. We go past the poker
table, which I don't know if you

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noticed, but for one of the
few times in the series thus far,

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there's a bunch of extras playing poker
around the table. It's not the Cabby's

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that we know. I like it. It's a nice touch. You know.

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They shouldn't just be an empty table
because our leads aren't sitting there,

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Like what about everybody else? They
don't get a chance to sit at that

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table. It's reserved somehow. Although
you could see Banta going like, nobody

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sit at this table even when I'm
not here. One of the things I

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love about the shot is at least
two of the Cabby's at this table.

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They're older, and they're all wearing
these awesome newsboy style hats like you would

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see a Cavey maybe wearing it.
What I keep returning to in my mind

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is a few episodes ago you mentioned
you thought that there was a Marxist meeting

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going on. They show up in
this episode too. Man, they're in

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the background here. They keep popping
up the background actors. God, they're

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perfect. They just feel like old
New York caves that have been doing this

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forever. You say you want a
revolution, I still get the sunshine calf.

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Elaine rushes in. She's looking like
she just walked right out of Annie

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Hall. She has this sort of
trench coat with I don't know, like

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a bret. Very fashionable, but
she's in a rush. She was great

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as always. I gotta say I'm
not exactly stoked with her reason for being

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here. It should never be a
plot point that Elaine Nardo is going to

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be absent in an episode. That's
not something they should repeat. Ever,

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it felt a little bit Brady Bunch
like because she rushes in and loudly announces

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that she has a sick aunt in
Buffalo that she has to go take care

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for. I think that was actually
a plot point. I think Alice and

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Brady Bunch went somewhere to take care
of a sick relative. And that's when

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remember she had a twin sister who
was in the army. It makes everybody's

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life miserable. I'm sure Lucy Ricardo
had a sick aunt in such and such

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at some point. This is the
oldest trope in sitcom history. She goes

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to Alex and she says she needs
to go take care of her sick on

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for a couple of days, and
she's taking her daughter with her, but

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her son Jason has a big spelling
bee coming up. And she would hate

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for him to miss out on this, so could Alex take care of her

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son Jason for a couple of days. After some hemming and hawing, Alex

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kind of reluctantly agrees. Elaine goes, Okay, I'm going to go get

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Jason. He's waiting in the car, so she's going to bring him in,

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and then while she's gone, Alex
says, to no one in particular,

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I can't do this. He's not
looking forward to this in the least.

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You know why he's not looking forward
to this in the least HP.

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Potentially it's because he's wearing seven hundred
layers of clothing. He might just be

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delirious here, which is why he
said he has to begin with. He's

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wearing a turtleneck, a button down
shirt, a vest, and a jacket,

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not to mention burgundy pants. Those
are automatically going to give you at

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least some sort of topsy turvy brained
imbalance. They definitely went too far with

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Alex's costume choices. In this opening
scene, he's saying, Oh, I

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can't do this. I'm going to
have dinner with my sister one night,

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and then I have a hot date
the next night, he can't possibly watch

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Jason for this whole time. Perhaps
ill advisedly, he goes and asks Bobby,

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who, let's face it, Bobby
should be the last person if you

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ask Bobby couldn't keep a goldfish alive
for twenty four hours. Honestly, I

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would ask Wheeler, but if he
said no, I would take him at

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his word that he had good reason
to not engage. But I wouldn't ask

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him in the first place. I
wouldn't trust him. I don't know,

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you know what, And I would
ask an actor, because once the kid

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starts flattering him and talking about his
career and stuff, can't get enough of

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him. So we lose a narcissist. And that's what he that's what he

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craves. But he doesn't know.
At this point, we haven't met the

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kid. That's the problem. Riager
is preemptively asking around for help without realizing

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that the kid is Nardo's kid,
and it's going to be kind of special.

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And I mean that in the traditional
sense is special, and not like

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you know, mental or anything.
I think we've all been in situations where

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we commit to things that we have
a knee jerk reaction of. I really

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don't want to do this. You
know, you're going to a party that

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you're not really that enthused about.
You're gonna go see somebody you're not really

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that But oftentimes, at least my
experiences, those can turn into great opportunities.

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Like you go there, you have
a better time than you thought.

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That's what we're gonna end up seeing
here. He asks Bobby if he can

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help watch Jason, and Bobby protests, and Alex gives Bobby what I can

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only describe as the gas face.
He gives him this look that is right

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out of Prime Minister Pete Nice's playbook. Oh my god, you're going deep

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at the third base keeping oh yeah, oh yeah. And just the look,

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the look that Alex gives Bobby is
enough to make Bobby acquiesce. He

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says, I can watch him on
Thursday, but I have an acting class

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on Friday. Then Alex goes over
to Tony the Simpleton, who I probably

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wouldn't trust with the child for completely
different reasons, because I think he's like

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Lenny from of Mice and Men.
I think, without really really trying to,

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I think he would hurt this child, like break his arm or something.

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My god, this is just getting
dark. All of a sudden,

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and you know what, I can't
even focus on Taxi right now. I'm

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thinking about mc search. Alex does
go to talk to Tony and and ask

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him for help, but Tony says
he's got sparring plans on Friday, which

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is an odd thing to say,
Like I got a spar with somebody on

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Thursday. Wait a minute, Wait
a minute. Were you implying that Banta

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might hurt that child? Yeah,
but I but not meaning to. I

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honestly was really just daydreaming about MC
search, So I didn't understand what you

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were saying at all. Like what
that's I'm correct, you are going dark.

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That's horrible. Now, Banta would
never hurt that show. No,

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No, I don't think he would
do it intentionally. I don't think he

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would hit him out of danger back
Torrence, like kid got into my papers

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and I just pulled on the arm. No, I think that he might

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accidentally break his arm without realizing his
own strength, or or do something that

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he would immediately regret. He's a
man child, he doesn't know his own

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strength. I got empty search,
take me away. He can't watch the

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kid on Friday because he's got sparring
plans and now I also took a note

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that we've got another tough guy pose
for Gold. It's a tough guy productory

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pose. He's sitting on the hood
of the cab, but he's straddling the

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left fender. It's it's very very
discomforting. It's very weird. I don't

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know why he's doing it. He's
like the top monkey in the cage,

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you know, just like just like
he's like in a jungle book, you

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know, King louis dejected. Burns
asks why did Alex ask him? Which

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I think is another clue that Burns
is a done deal. Maybe Burns is

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a ghost. At this point,
have we considered that possibility that Burns has

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been a ghost this entire time?
Sixth sense kind of a thing absolutely like

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maybe, you know, and not
for maybe the run of the series,

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but at a certain point, maybe
when Cab eight oh four was wrecked,

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maybe Burns ceased to exist on this
mortal plane and he's and that's why we

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haven't seen much of him, and
he's had no impact since that day.

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We've not seen his lovely bride,
Dorothy Hamilcut since the accident. Oh my

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god, HP, I think we've
done it, We've unraveled it, and

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it's fitting that this is the final
episode. Okay, here's the thing.

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I could totally watch a spinoff series, Ghost Taxi with John Burns navigating the

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paranormal world. In that case,
I would totally be on board with what

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a rube he was, because we
would all be a rube, because none

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of us have been to the paranormal
world, nor have we ever considered that

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we would need a taxi. Glenn
lest Charles, are you listening? This

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is gold. Let's make this happen
Ghost Taxi. I think the cabbys have

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already written Burns off because they just
don't. He doesn't seem to matter anymore

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in the grand scheme of the workings
of the garage. Alex, he says,

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oh okay, yeah, I for
some reason, it slipped his mind.

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He asks Burns, but Burns,
like the demon that he is,

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says he has class on Friday,
but he just wanted to be asked.

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I would hit the guy like he
makes this big show of being hurt that

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no one asks him. Then when
Alex asks him, he says, I'm

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busy, you prick say that cat
mind? Can you consider Burns his feelings

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for once, nobody's asking him anything
anymore. Plus, that's true, he's

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about to lose his job or is
it life, or maybe he's gone on

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to a fulfilling career in the forestry
Forestry Service. Hey, that's a possibility

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we haven't considered yet. I hope
I'm now pulling for good old John Burns.

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But he does say that he can
take Jason Friday morning if Tony can

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switch his sparring session. So look
at that. He's out there trying to

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do good. They're all rearranging their
schedules, trying to make sure this because

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it's only for a couple of days. The spelling Bee is on Saturday,

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and I want to say, this
is maybe a Wednesday or a Thursday,

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so it's not like they got to
watch the kid for a week. It's

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a very short span of time.
Elaine comes back in with Jason and it

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introduces him around the garage. I
also noted here this is the first time

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we've seen this, but when we
see Bobby Wheeler, his shirt is legitimately

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unbuttoned more than halfway down his chest. It's very off putting. I mean,

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there's a young boy in the and
he's walking around like Casanova, very

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disturbing. Whiller is not going to
tamp out his sexuality just because some kid

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has shown up unannounced in the garage. He's a line, he's got a

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he's got a prance, and he's
got that mane of hair that he likes

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to shake around like a lot of
tame him while can't be broken HP.

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Elaine says some hurried goodbyes to Jason, she hustles out. Unfortunately, she

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hustles out for the balance of the
episode, putting that aside, putting him

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that we're now going to be robbed
of Elaine Nardo for the rest of the

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episode. How about the fact that
she's dropped her son off for an indeterminate

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number of days with no change of
clothing or like food. Did she give

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him any money? Like it was
just like they were driving by and kicked

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him out of a car. He's
got no bags. You would figure they

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would make a show of her saying, here's twenty dollars if you need anything,

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here's the number that you can realise
me at. Here's the phone number

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of my ailing aunt. Please call
me and keep me abreast of the living

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situations with my child, like saying
is he still breathing the little things like

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that, I'd like to know while
I'm away. It does cast some doubt

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on her story. She could be
anywhere. Who knows. Do we even

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know that? Are we sure that
her daughter is going to be with her?

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We don't know, We don't.
Maybe she pawned off the daughter on

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her art gallery people, and she's
off with Tom Selleck for the weekend,

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and you know what at the end
of it, what she'll have at HB

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A lovely me. So she leaves. Now the Cabbys and Jason are in

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this awkward silence because they don't know
how to treat a boy, and he's

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he doesn't know these adults, so
they all end up kind of amscraying to

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make lame excuses. Oh you gotta
go do this. Everyone leaves except for

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Alex and Bobby and Jason. Alex
grabs before he can rush off and asks

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him to watch Jason while he gets
something out of his locker. So Alex

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goes upstairs. Bobby awkwardly starts a
conversation with Jason by saying, Hey,

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so you're a kid, Huh.
That's pretty much how I start conversations.

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That's the same level of comfort.
I feel usually like, so you're what

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the child? Okay, how's that
going for you? Jason already like immediately

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turns the charm on these adults,
and he says his mom told him that

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Bobby's an actor and that he's actually
a great actor. And as I alluded

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to earlier, this pushes just the
right buttons on narcissist Bobby, and all

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of a sudden, Bobby's face lights
up and he leans into the conversation.

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He's totally into the conversation now.
All the awkwardness is evaporated because he's been

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complimented by this kid. That's right, Wheeler knows what the kid knows what

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signed the bread is, butter is
on. And this leads to a conversation

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where Jason admits to Bobby that he's
kind of nervous about this the spelling Bee,

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and he asks Bobby how does he
keep from getting nervous when he performs?

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I'm sure you notice this. This
kind of took me out of the

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scene a little bit. Bobby's response
to Jason is clearly looped in. He

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says, everybody gets nervous in front
of an audience, but if you look

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his lips aren't even moving when he
says the line. Did you notice this?

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It's a rare misstep. I did
not notice it. Does anyone step

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on Bobby's line at that point?
Just like Louie interrupt or something? No,

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no, no, no. What
happens? He says the line and

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Alex is coming down the stairs.
Alex Conway doesn't even have a line.

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00:14:41.159 --> 00:14:46.759
All he's doing is laughing, And
somehow they decided maybe to make it more

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clear that he's conversing with his boy
and not just laughing. Oh no,

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I understand their motivation for doing it. I'm just wondering how they got out

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of it. And I guess that
would be that'd be Rigger coming into the

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scene. Alex comes down the steps
and he announces it's getting two layers of

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clothing and added a new one.
That's what Alex riger just went up to

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Dore. I'll take off this coat
and I will take off the puffy vest,

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cortex cortalics, and instead I will
replace it with a corduroy blazer.

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00:15:13.399 --> 00:15:18.279
Well, he's probably sweated through all
of those layers and he had to and

211
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now he needs a sponge, so
he put on a corduroy blazer. So

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00:15:20.639 --> 00:15:24.559
he says to Jason and out they're
going to get some breakfast. But suddenly

213
00:15:24.639 --> 00:15:28.120
Bobby is totally invested in this kid, and he says, no, no,

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00:15:28.240 --> 00:15:31.600
no, don't worry, I'll take
him out for breakfast, and they

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00:15:31.679 --> 00:15:37.360
rush out of the garage. They're
laughing the whole way. After they've gone,

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00:15:37.919 --> 00:15:41.720
suddenly very timid, and this lends
credence to my theory. By the

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00:15:41.759 --> 00:15:46.720
way, a very timid Tony creeps
out of wherever he's been hiding in the

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garage, and he asks if they're
gone, and he admits that he panicked

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00:15:50.200 --> 00:15:54.720
because he doesn't know what to do
around a kid. Probably out of sympathy

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00:15:54.120 --> 00:15:58.440
to this naive simpleton, Alex offers
to then take Tony to breakfast. But

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this just proves my point, by
the way, the idea that Tony is

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00:16:03.480 --> 00:16:08.960
afraid that he will cause bodily harm
to this meaning to he's frightened that this

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child is going to be his mental
superior. That's ultimately within his heart of

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00:16:15.080 --> 00:16:18.399
hearts, that's what he's concerned about. Meeting the meeting Nardo's child about,

225
00:16:18.600 --> 00:16:23.120
or I would like to pause it. Another theory that Banta is in fact

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the child's father, you gotta look
at that kid, looking a lot like

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00:16:26.799 --> 00:16:33.000
Banta get the same hair. Actually
it's the same hair complexion, looking a

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00:16:33.120 --> 00:16:37.639
little bit tony ish. Also,
the last episode, we had a lack

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of good background players. You're saying
here, we certainly got a return of

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00:16:41.360 --> 00:16:48.960
the Marxist revolution, and in this
particular scene, the return of Leggy blonde

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00:16:48.000 --> 00:16:52.279
in pantsuits. She's sitting in the
back having a conversation. I just wanted

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00:16:52.320 --> 00:16:56.360
to call her, really, the
one who was in the aluminum foil colored

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00:16:56.960 --> 00:16:59.159
no no, no, no,
no, no, no, no no,

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00:16:59.559 --> 00:17:03.480
that's that's space girl. Uh okay, Lady blonde in pant suit is

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this it's like this all red pant
suit with this like orange shirt. And

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she missed mystically appears once in a
while, I guess, just so good

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00:17:15.160 --> 00:17:18.920
luck on the cab. He's so. We cut to a b roll of

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a cab rolling into the garage,
the cab number eight o four. We've

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00:17:23.599 --> 00:17:27.119
seen this fucking shot a lot.
Man. I hope they're I hope they're

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00:17:27.160 --> 00:17:32.200
going to send out a new second
unit crew for second season. Here eight

241
00:17:32.240 --> 00:17:34.799
oh four is like the Mary Celeste
of cabs. Yeah, man, And

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00:17:34.799 --> 00:17:37.240
you know what, in the end, credits of this show, like they

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00:17:37.400 --> 00:17:41.240
follow a cab through the streets of
New York at night and it's eight oh

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00:17:41.240 --> 00:17:45.599
four. Again, it's the ghost
cab that you just maybe it is not

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00:17:45.720 --> 00:17:48.920
right because Burns died in that cab, so maybe it's just a tribute.

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00:17:48.000 --> 00:17:52.119
Oh geez, I take it all
back. And you know what, earlier

247
00:17:52.200 --> 00:17:56.599
in the episode, when the establishing
shot of eight oh four arriving in the

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cat at the cab company, they
do that shot from the back of the

249
00:18:00.079 --> 00:18:03.240
cab of the silhouette of a driver. We don't know who the driver is,

250
00:18:03.279 --> 00:18:04.880
but really, who's the passenger,
because who would be going to the

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00:18:04.960 --> 00:18:10.279
cab company. It's Burns. It's
the ghost of Burns returning for his scene.

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00:18:10.759 --> 00:18:15.720
So we're back in the garage now
and Louis is taking a complaint call

253
00:18:17.359 --> 00:18:19.720
in his cage and I have to
say, this is one of my favorite

254
00:18:19.759 --> 00:18:23.000
Louis bits. I remembered this as
it was going on. Yeah, he

255
00:18:23.200 --> 00:18:29.119
says, you say one of the
drivers was rude to you, and he's

256
00:18:29.200 --> 00:18:32.119
as he's doing this, he's taking
notes down with a pencil and he says,

257
00:18:32.200 --> 00:18:37.400
well was it he said, exactly? I see, And how fat

258
00:18:37.440 --> 00:18:41.680
are you? I love the casual, insulting way that he responds. Danny

259
00:18:41.720 --> 00:18:48.920
DeVito is the master of delivering these
lines with just the perfect note of passive

260
00:18:48.960 --> 00:18:53.640
aggression. I don't know's he just
there's something so brilliant in the way he

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00:18:53.680 --> 00:18:56.640
delivers these lines, I think.
And he's got quite a few good lines

262
00:18:56.640 --> 00:19:00.920
in this episode. I had to
say, this is a really good episode

263
00:19:00.000 --> 00:19:03.480
for Louis to palmer Tony runs into
the garage. He's sort of chasing off

264
00:19:03.480 --> 00:19:06.519
after it. Hold on, I
got to say, this is something I

265
00:19:06.720 --> 00:19:11.200
always wished one of my managers would
have done for me. Not necessarily that

266
00:19:11.279 --> 00:19:15.680
I'm out there like making fun of
people or anything, but you know somebody

267
00:19:15.680 --> 00:19:19.640
who would go, let me just
ascertain what kind of an idiot you are

268
00:19:19.680 --> 00:19:23.519
complaining, you know, like,
oh, I see, you're actually the

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problem. It's not my employee.
The wonderful thing is, through the course

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00:19:27.240 --> 00:19:30.880
of the scene, we'll see him
finish up this call, and at no

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00:19:32.039 --> 00:19:34.559
point are we led to believe that
the person on the other end of the

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00:19:34.599 --> 00:19:38.920
call is catching on to what Louie's
doing like that. The call begins and

273
00:19:38.960 --> 00:19:42.119
it ends, and I think he
even says, Okay, I'll make sure

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00:19:42.200 --> 00:19:48.440
that person is reprimanded. He's able
to deliver these sort of zingers without the

275
00:19:48.480 --> 00:19:52.599
person on the other end of the
of the phone really catching on to what

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00:19:52.640 --> 00:19:55.440
he's doing. Yeah, that's a
rare talent. I've only known a few

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00:19:55.480 --> 00:19:57.640
people in my life who can do
that, and they always marvel. This

278
00:19:57.720 --> 00:20:02.039
is sort of an odd episode,
but we do see quite a bit of

279
00:20:02.119 --> 00:20:04.400
Louis in this, and we get
some insight more insight into his character,

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00:20:04.759 --> 00:20:08.480
which I think is really great.
It's a good showcase for Danny DeVito.

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00:20:08.880 --> 00:20:15.960
Tony runs into the garage playfully chasing
after Jason. He's gotten over his reluctance

282
00:20:15.079 --> 00:20:22.240
to to watch Elaine's son. He
recognize, I guess or he accepts that

283
00:20:22.319 --> 00:20:27.359
he's his intellectual superior. Tony tells
Louis, oh, two boxing lessons and

284
00:20:27.400 --> 00:20:32.240
he can already beat my brains in. And here we get another great Louis

285
00:20:32.279 --> 00:20:36.160
line. Louis replies, what took
him so long? It's classic to Palma.

286
00:20:36.200 --> 00:20:41.039
We get a lot of that in
this episode. I love when he

287
00:20:41.160 --> 00:20:45.319
gets after Tony. It may be
like I really appreciate that because of my

288
00:20:45.480 --> 00:20:51.079
history with this series so far.
But we talked about this at length a

289
00:20:51.079 --> 00:20:56.559
couple of episodes ago, that Louis
is really the only person who can get

290
00:20:56.599 --> 00:21:03.000
away with insulting Tony in this fashion
because he's Tony's boss, and even though

291
00:21:03.039 --> 00:21:10.079
Tony could literally punch him into oblivion, Tony will never do that because Louie

292
00:21:10.160 --> 00:21:14.200
is his superior and it's a wonderful
dynamic between the two of them, and

293
00:21:14.279 --> 00:21:18.680
we see it here. Tony goes
to get Burns, who's apparently going to

294
00:21:18.759 --> 00:21:22.599
be taking over watching Jason. He's
going to take Jason out. Louis wraps

295
00:21:22.720 --> 00:21:29.359
up his complaint caller and he starts
his own conversation with Jason. He admits

296
00:21:29.400 --> 00:21:33.720
to Jason that it's kind of funny
he doesn't dislike Jason as much as he

297
00:21:33.759 --> 00:21:37.519
does other kids, and he's in
a rare bit of candor. Louie says,

298
00:21:37.519 --> 00:21:41.039
well, it must be because they
both have a single mother raising them

299
00:21:41.079 --> 00:21:45.559
in common. Without being saccherin about
it, they're peeling some of the layers

300
00:21:45.599 --> 00:21:48.599
of the Louie onion back and giving
you some insight into him. Oh,

301
00:21:48.640 --> 00:21:52.279
make a mistake, this is a
Louie episode. It really kind of is,

302
00:21:52.279 --> 00:21:56.000
isn't it. Oh? Ye,
as we'll see we get shades of

303
00:21:56.119 --> 00:22:00.000
everyone's reactions here. They're all involved, they all have the little mini arcs.

304
00:22:00.319 --> 00:22:06.839
This is about Danny DeVito's Louis de
Palma figuring out his place in the

305
00:22:06.960 --> 00:22:08.960
universe and whether or not he can
have children, or whether or not he

306
00:22:08.960 --> 00:22:12.160
would want them. I wasn't thinking
of it in those terms, but you're

307
00:22:12.200 --> 00:22:17.240
absolutely right. As we'll see,
Burns comes out and he says that he

308
00:22:17.319 --> 00:22:19.480
and Jason are going to go see
Death on the Nile. Oh, it's

309
00:22:19.480 --> 00:22:23.400
a perfect kids film. Agatha Christie, Yeah, really, played by Peter

310
00:22:23.480 --> 00:22:30.359
Houston. Okay, so look,
this episode aired on May fifteenth of nineteen

311
00:22:30.519 --> 00:22:34.519
seventy nine, which means that probably
filmed a few weeks beforehand. Death on

312
00:22:34.559 --> 00:22:40.279
the Nile was released in September of
nineteen seventy eight and ended up playing for

313
00:22:40.279 --> 00:22:42.319
about two years. For those of
you who are under the age of one

314
00:22:42.359 --> 00:22:47.160
thousand, movies used to play in
movie theaters for long periods of time.

315
00:22:47.200 --> 00:22:49.359
They'd stay around forever, So Death
on the Nile was definitely around in the

316
00:22:49.400 --> 00:22:55.000
spring of nineteen seventy nine. But
it begs the question, since that's the

317
00:22:55.039 --> 00:22:56.880
age, these are other movies that
were playing that he could have taken the

318
00:22:56.960 --> 00:23:02.599
child too, like The Whiz or
Lord of the Rings to Ralph foxt how

319
00:23:02.599 --> 00:23:04.799
about Watership Down. You could have
taken it into that, but I think

320
00:23:04.880 --> 00:23:07.359
in keeping with the Death on the
Nile theme, like why not take him

321
00:23:07.359 --> 00:23:11.319
to go see hardcore? That was
also playing time. How about the Deer,

322
00:23:12.039 --> 00:23:15.720
That's a perfect kids movie. I
think the absolute perfect kids movie would

323
00:23:15.720 --> 00:23:22.759
have been Paradise Alle featuring Sylvester Stallone
and armand De Sante as brothers in Hell's

324
00:23:22.839 --> 00:23:26.200
Kitchen in the nineteen forties. Tom
Waits is in that movie too. Oh

325
00:23:26.240 --> 00:23:30.319
my god, it's a trifecta of
greatness. All those would have been interesting

326
00:23:30.359 --> 00:23:34.079
options. We can only hope that
they don't end up at the Circus Cinema

327
00:23:34.400 --> 00:23:41.960
on the forty three was playing right
then. I guess Jason admits to Burns

328
00:23:41.960 --> 00:23:45.680
that he feels bad because he hasn't
really started studying for the spelling Bee that's

329
00:23:45.680 --> 00:23:49.519
going to happen in a couple of
days. Burns rather childlike. He doesn't

330
00:23:49.559 --> 00:23:53.359
pout, but he sulks about right. I guess we won't go to the

331
00:23:53.440 --> 00:23:57.200
movie, and I'll have to tell
Susanne that we're not going to meet her

332
00:23:57.240 --> 00:24:03.119
afterwards and seeing how did you acted? Burns is and this shows how mature

333
00:24:03.440 --> 00:24:06.359
Jason is for his age. He
insists, no, let's go to the

334
00:24:06.359 --> 00:24:08.839
movies. Let's go. I have
plenty of time to study. I'll put

335
00:24:08.880 --> 00:24:11.599
us oute of my studies. Let's
go see your movie. Silly, silly

336
00:24:11.640 --> 00:24:15.799
man. When I say mature,
obviously he should be studying. But he's

337
00:24:15.839 --> 00:24:22.319
at least able to recognize the disappointment
in Burns, and he tries to make

338
00:24:22.400 --> 00:24:25.480
him feel better. And I think
that's admirable for a boy that young.

339
00:24:26.480 --> 00:24:30.400
Here's the last I'll say about Death
on the Nile. Yeah. I saw

340
00:24:30.519 --> 00:24:33.079
Death on the Nile in the theater. I was taken to see the movie

341
00:24:33.119 --> 00:24:37.119
by my grandmother. Really yeah,
and oh I loved it. I thought

342
00:24:37.160 --> 00:24:40.640
it was like the most adult thing
in the world. I thought, oh

343
00:24:40.680 --> 00:24:45.079
my god, look at adults being
adults solving trimes. Was it an R

344
00:24:45.160 --> 00:24:48.720
rated movie? I don't think it
was R righted I out of curiosity,

345
00:24:48.720 --> 00:24:52.519
But this is the last episode of
the season. Let's just want to break

346
00:24:52.519 --> 00:24:55.039
this down a little bit. What
was your first R rated movie in the

347
00:24:55.039 --> 00:24:59.960
theater? Do you remember? Does
a drive in count Absolutely? I remember

348
00:25:00.000 --> 00:25:07.079
we're seeing the film Orca with Richard
Harris and uh, what's her name but

349
00:25:07.200 --> 00:25:15.039
Jacqueline Bessett. Who oh, no, jacquelbe said bo uh Derek, oh,

350
00:25:15.240 --> 00:25:18.200
Derek, Yes, yeah, Orca
with those two. Yeah, that's

351
00:25:18.200 --> 00:25:22.920
the first R rated thing I remember
seeing projected, and that was at a

352
00:25:22.000 --> 00:25:26.799
drive in and it was in a
double feature, I'll point this out with

353
00:25:26.000 --> 00:25:30.319
Star Wars, and it was the
opener for Star Wars. So I had

354
00:25:30.319 --> 00:25:34.759
to struggle mightily not to sleep through
Orca in order to get to Star Wars.

355
00:25:34.960 --> 00:25:38.720
I got as far as Darth Vader
showing up at the in the doorway

356
00:25:38.720 --> 00:25:41.480
of the Tanta four, and then
I was asleep on the top of the

357
00:25:41.559 --> 00:25:45.680
car. You must have been pretty
young if if Star Wars was the main

358
00:25:45.680 --> 00:25:48.400
feature, it might have been a
re release of Star Wars. See.

359
00:25:48.480 --> 00:25:52.720
For me, the first R rated
movie that I saw in the theater was

360
00:25:52.759 --> 00:25:57.519
Beverly Hills Cop with Eddie Murphy,
so I would have been eleven. I

361
00:25:57.759 --> 00:26:02.960
remember my dad, my brothers were
away. It was just me and my

362
00:26:03.000 --> 00:26:04.720
mom in the house. I don't
know where my brothers and my dad were.

363
00:26:06.400 --> 00:26:08.839
And yeah, she just decided to
take us go to the movies.

364
00:26:08.920 --> 00:26:11.960
Maybe we had nothing else to do, and I had this a similar reaction.

365
00:26:12.079 --> 00:26:17.680
I thought, Wow, this is
such an adult movie that I'm seeing,

366
00:26:17.720 --> 00:26:19.160
you know, like, there's not
a lot of sex. There's really

367
00:26:19.160 --> 00:26:23.240
no sex in it. None.
There's a strip club scene only putting myself

368
00:26:23.240 --> 00:26:26.440
in my mom's place. It wasn't
a lot of moments where she would have

369
00:26:26.440 --> 00:26:30.920
had to cover my eyes. It's
because something objectionable was happening. It was

370
00:26:30.960 --> 00:26:33.359
a lot of language and in violence, obviously, but I'll never forget that

371
00:26:33.440 --> 00:26:37.599
was the first I remember walking out
of it saying wow. Actually because by

372
00:26:37.640 --> 00:26:41.839
then I had seen many rated movies
on cable, but it was a big

373
00:26:41.880 --> 00:26:44.839
deal to see them in the theater. I guess, yeah, HP.

374
00:26:44.960 --> 00:26:48.519
Let me tell these two stories together. A decade later, in nineteen eighty

375
00:26:48.599 --> 00:26:52.039
nine, my grandmother and I went
to the movies and she wanted to see

376
00:26:52.039 --> 00:26:55.359
Beverly Hills Cop too, and I
wanted to see whatever the fuck I wanted

377
00:26:55.359 --> 00:26:59.319
to go see. So we went
to separate movies and at the end I

378
00:26:59.359 --> 00:27:02.599
asked her how Beverly Hills Cop Two
was, and she said to me,

379
00:27:03.440 --> 00:27:07.160
why won't they just let Eddie be
Eddie. I just want to let that

380
00:27:07.240 --> 00:27:11.680
out into the world that my grandmother
was a cool lady. So they're going

381
00:27:11.720 --> 00:27:14.519
to go to this movie. You
barely can hear it, but Bobby,

382
00:27:14.759 --> 00:27:17.079
when Bobby hears it, they're going
to go to the movies. Bobby does

383
00:27:17.119 --> 00:27:21.480
say, but it'll be g rated. So by now, I think Bobby's

384
00:27:21.519 --> 00:27:25.960
really feeling himself as a surrogate parent
looking out for Jason, which is great.

385
00:27:26.559 --> 00:27:30.000
Alex tells him to be back by
six because he's got Nicks tickets.

386
00:27:30.200 --> 00:27:33.400
Oh my god, they're running this
child ragged. Don't they understand He needs

387
00:27:33.440 --> 00:27:37.039
to study, He needs to know
how words are spelled. I think there's

388
00:27:37.039 --> 00:27:41.680
a moral in our future, but
we haven't gotten there yet. Burns and

389
00:27:41.759 --> 00:27:48.400
Jason go to see Death and then
Nihle and good movie. Peter used to

390
00:27:48.400 --> 00:27:52.920
know hercy. It's what every ten
year old kid wants to see. Madam

391
00:27:52.960 --> 00:27:59.200
already the fun. That's why Peter
used to know. So Alex checks with

392
00:27:59.279 --> 00:28:03.000
Tony to see about additional coverage for
Jason because they've run out of options now

393
00:28:03.039 --> 00:28:10.640
they you know, neither Tony nor
Bobby nor Burns can cover him for a

394
00:28:10.680 --> 00:28:15.519
period of time. And at this
point, Louis starts to loudly cough to

395
00:28:15.599 --> 00:28:18.640
try and get their attention to indicate
that, hey, he'd like to watch

396
00:28:18.799 --> 00:28:23.359
Jason, because clearly Jason and he
have shared this moment and he feels like

397
00:28:23.400 --> 00:28:27.400
he'd like to watch Jason. It's
like Burns all over again, except Louis

398
00:28:27.480 --> 00:28:33.480
means it. Clearly. Alex and
Tony have figured out what Louie is after,

399
00:28:33.039 --> 00:28:37.839
but they keep playing this charade to
make him become even more ridiculous with

400
00:28:37.920 --> 00:28:41.200
his coughing. And he's coughing,
and I guess the point where Louie is

401
00:28:41.200 --> 00:28:45.960
almost hacking up alung. He's coughing
so dramatically that's too much. It was

402
00:28:47.000 --> 00:28:51.920
exhausting. It is too much,
And we get another vaudeville moment because Tony

403
00:28:52.039 --> 00:28:55.759
finally says, I got it.
Let's ask Louie. And Alex's reply is

404
00:28:56.640 --> 00:29:03.599
I don't want him to catch his
cold, so but up up, we

405
00:29:03.680 --> 00:29:07.359
need a sounder for that. Every
time that happens. As we fade out,

406
00:29:07.400 --> 00:29:11.519
everybody's all smiles. They're all coming
together because they all love taking care

407
00:29:11.559 --> 00:29:18.680
of this Elaine's sun. So we
cut to this is this part was interesting?

408
00:29:19.000 --> 00:29:23.400
We cut to a nighttime b roll
as we fade into what I believe

409
00:29:23.480 --> 00:29:30.119
is Alex's bedroom and his apartment.
This is another interesting sort of set decorating

410
00:29:30.839 --> 00:29:33.680
situation where he's getting changed in his
bedroom, he's putting on a shirt.

411
00:29:34.079 --> 00:29:40.119
But in the doorway, you see
it's like a corridor and there's even a

412
00:29:40.279 --> 00:29:45.920
radiator. Did you see on the
wall there's at least eight pictures of what

413
00:29:47.000 --> 00:29:53.680
look like child drawings of trains just
plastering this part of the hallway. And

414
00:29:53.720 --> 00:29:57.079
then ominously, right on top of
that is a giant piece of paper that

415
00:29:57.119 --> 00:30:00.680
I could The only thing I could
read on it was the word in large

416
00:30:00.759 --> 00:30:06.200
letters, the word collection. Did
you see this too? I didn't,

417
00:30:06.480 --> 00:30:11.160
but now I'm frightened. I'm intrigued, because, I mean, the train

418
00:30:11.279 --> 00:30:15.079
thing is weird enough as it is, but this leads me to wonder is

419
00:30:15.200 --> 00:30:18.240
Alex is he getting evicted? Is
he in trouble with a collection agency?

420
00:30:18.279 --> 00:30:22.960
Why is there this giant paper on
his wall covering all these trains? Now

421
00:30:23.000 --> 00:30:27.599
that you put it that way,
is this a child criminal organization that is

422
00:30:27.640 --> 00:30:32.440
threatening him, but they're letting him
know that the train is coming for him?

423
00:30:32.759 --> 00:30:37.799
Is there an enforcer named the train
or because it's a child criminal organization,

424
00:30:38.319 --> 00:30:42.359
is he that chow chow. So
is this like a Bugsy Malone situation?

425
00:30:42.640 --> 00:30:47.359
I hope so Alex has dressed for
it in the past. We mentioned

426
00:30:47.359 --> 00:30:49.640
in an earlier episode he was just
very much like a like an extra from

427
00:30:49.920 --> 00:30:55.160
Bugsy Malone. So maybe that gang
is showing up. Fat Sam's gang is

428
00:30:55.160 --> 00:30:59.119
going to show up here to let
him know he can't be parading around like

429
00:30:59.200 --> 00:31:03.480
them sending him a message, that's
what they're doing. So Alex is changing

430
00:31:03.799 --> 00:31:07.720
in his bedroom and Louis and Jason
arrive. Jason's wearing a sport code and

431
00:31:07.720 --> 00:31:11.519
button down shirt and the collar,
I swear to God is about twenty inches

432
00:31:11.599 --> 00:31:15.880
wide. It's the biggest caller you've
ever seen on a ten year old boy.

433
00:31:15.359 --> 00:31:19.359
Jason announces that that Louie took him
to the wrestling match, which sounds

434
00:31:19.359 --> 00:31:22.240
like a lot of fun. Actually, I'd love to go to the wrestling

435
00:31:22.240 --> 00:31:25.680
match with Louis and Louie's mom,
right, Hell, yes, that would

436
00:31:25.680 --> 00:31:27.720
have been I would. I wish
we had spent a little time there with

437
00:31:27.759 --> 00:31:34.960
them. It was probably like really
old school wrestling matches with like gorgeous George,

438
00:31:36.920 --> 00:31:40.480
George the Animal Steel and all these
great It's gonna yeah, and it

439
00:31:40.519 --> 00:31:44.960
took place in like a community center
or some sort of like like a gym

440
00:31:45.039 --> 00:31:48.720
somewhere like a hall. Yeah,
exactly, like some high school auditorium.

441
00:31:49.119 --> 00:31:55.319
I'd love to have been part of
that experience. And they just judging from

442
00:31:55.359 --> 00:31:57.440
their demeanor, they had a great
time. And it's nice to see that

443
00:31:57.480 --> 00:32:01.119
Louie has really stepped up, that
he's really enjoying. As we said,

444
00:32:01.160 --> 00:32:06.519
this is kind of Louie's story.
He's enjoying taking care of Jason, spending

445
00:32:06.559 --> 00:32:10.079
time. All the cabbys love this
kid, so Elaine is doing something right.

446
00:32:10.559 --> 00:32:15.160
Louis asks what Alex and Jason are
going to do, and Alex says

447
00:32:15.160 --> 00:32:19.480
they're going to go out for ice
cream, which begs the question. We

448
00:32:19.559 --> 00:32:22.200
see Alex getting dressed. He's putting
on a nice button down shirt and he

449
00:32:22.240 --> 00:32:24.680
has a nice pair of slacks.
It's like the middle of the night.

450
00:32:25.119 --> 00:32:30.559
Why is he dressing up so fancy
to take the kid out for an ice

451
00:32:30.599 --> 00:32:34.400
cream cone? I couldn't figure out
staking him to the plaza, getting up

452
00:32:34.440 --> 00:32:37.880
some golds like the ice cream something. It's very fancy and it's very late

453
00:32:37.960 --> 00:32:43.079
to be having ice cream too.
Why wouldn't riger just go buy some ice

454
00:32:43.119 --> 00:32:45.720
cream and make Sundays at home like
Welcome home, Jason. Let's have some

455
00:32:45.799 --> 00:32:50.359
ice cream and get some studying done, get a little bit of hot fudge,

456
00:32:50.480 --> 00:32:52.079
make their own Sundays. Right there
would have been great. It made

457
00:32:52.119 --> 00:32:57.640
perfect sense. Jason once again says
that he really needs to study for this

458
00:32:57.839 --> 00:33:02.559
spelling bee. Now it's Friday,
the Friday before the Saturday where the spelling

459
00:33:02.599 --> 00:33:06.680
bee is going to take place,
so he's run out of time. Effectively,

460
00:33:07.359 --> 00:33:12.160
Alex admits that they've kept him so
busy all the cabbies that he hasn't

461
00:33:12.200 --> 00:33:14.880
had time to study, and he
kind of feels bad about it. Alex

462
00:33:14.960 --> 00:33:17.200
asks, are you gonna be okay
tomorrow for this spelling bee? And Jason

463
00:33:17.200 --> 00:33:21.599
says he just needs one good night
to study. At that point, there's

464
00:33:21.599 --> 00:33:25.880
horn blasts outside. It's Louie's mother
hawking the horn comes My favorite line,

465
00:33:25.960 --> 00:33:30.559
my favorite line reading in the entire
episode. It's Louis shouting down to his

466
00:33:30.599 --> 00:33:34.039
mother. What does he say,
Tom down, you crazy lady. Look,

467
00:33:34.480 --> 00:33:37.039
keep your pants on, crazy lady. And that's on, crazy lady.

468
00:33:37.839 --> 00:33:42.680
I don't know something about crazy lady. When you're talking to someone you

469
00:33:42.759 --> 00:33:49.000
love is hilarious. It's quintessential Louis
de Palm. It's perfect the way he

470
00:33:50.200 --> 00:33:52.519
yells that down, Like you said, the dichotomy, because we know that

471
00:33:52.559 --> 00:33:57.960
Louis loves his mother very much.
She's a single mother, raised him alone.

472
00:33:58.480 --> 00:34:01.839
But they have such an funny,
antagonistic relationship, but there's real love

473
00:34:01.880 --> 00:34:07.240
there. I love to see that. Equally acceptable is devil Woman. It's

474
00:34:07.359 --> 00:34:10.239
charming the way that he treats her
and calls her these names, but you

475
00:34:10.360 --> 00:34:15.880
know that he loves her. Alex
leaves Jason alone in the bedroom to study.

476
00:34:15.320 --> 00:34:17.599
The kid takes out like a big
pile of books. I think there's

477
00:34:17.599 --> 00:34:22.519
a dictionary mixed in there. And
sure enough he opens the books and just

478
00:34:22.559 --> 00:34:28.079
as quickly, Jason shuts his eyes
and falls asleep right there in the bed,

479
00:34:28.280 --> 00:34:30.440
right on the books. So he's
had no time to study. Oh

480
00:34:30.519 --> 00:34:35.639
my god. On a very special
tax day, we fade in. It's

481
00:34:35.679 --> 00:34:38.119
a school auditorium. It's time for
the spelling bee. Look, the last

482
00:34:38.119 --> 00:34:43.559
episode, you didn't like the set
decoration for the Plaza Hotel. They more

483
00:34:43.760 --> 00:34:47.840
than make up for it with their
rendering of a school auditorium. It was

484
00:34:47.880 --> 00:34:53.880
amazing. Well, let's talk those
goddamned exit doors because I want them in

485
00:34:53.920 --> 00:34:59.800
my house right now. The exit
doors are painted in an arrow pattern with

486
00:35:00.079 --> 00:35:01.920
the word exit on it. It
is a work of art. It is

487
00:35:02.159 --> 00:35:07.159
gorgeous. I would sit in that
auditorium and just stare at those doors.

488
00:35:07.559 --> 00:35:12.559
People who like us, old people
who have lived through the period that's sort

489
00:35:12.599 --> 00:35:15.840
of rendered in this show. We
saw this. This was a thing that

490
00:35:15.880 --> 00:35:21.840
you saw in public buildings. There
must be a name for that style of

491
00:35:21.920 --> 00:35:24.719
design. But yeah, it was
an arrow, pointing, straight up,

492
00:35:24.880 --> 00:35:31.199
giant arrow that covered the door with
the word exit written vertically going up the

493
00:35:31.280 --> 00:35:36.480
door. It was brilliant. There's
a stage. There's an actual stage with

494
00:35:36.760 --> 00:35:39.960
American flags on it and a moderator. On the left hand side. There's

495
00:35:40.400 --> 00:35:45.760
seating for what appears to go on
for rows and rows of chairs with parents

496
00:35:45.840 --> 00:35:52.239
filing in. It was one of
the best set decorating that we've seen yet

497
00:35:52.280 --> 00:35:54.760
on this show. I thought it
was wonderful. Yeah that's saying a lot,

498
00:35:54.840 --> 00:35:59.519
because yeah, look, but in
the last episode it was the lackluster

499
00:35:59.599 --> 00:36:05.599
third ap a new location. But
every other episode has just been topping itself

500
00:36:05.719 --> 00:36:09.679
over and over and over again.
We're always impressed with how amazing they make

501
00:36:09.760 --> 00:36:14.840
their world whenever they step out of
that garage, and this is a topper.

502
00:36:15.480 --> 00:36:17.079
What a way to go out.
They topped themselves. I mean like

503
00:36:17.119 --> 00:36:22.519
we've seen them build gyms with a
boxing ring in them, We've seen them

504
00:36:22.559 --> 00:36:27.119
build out reception halls for high school
reunions. This topped at all. The

505
00:36:27.159 --> 00:36:30.280
only thing that they just didn't top
was Bobby's basement apartment, which I think

506
00:36:30.320 --> 00:36:34.880
is still the gold standard. But
this was great Bobby's basement apartment. That

507
00:36:35.000 --> 00:36:39.079
was a recurring location. We're talking
about the third act locations that take place

508
00:36:39.400 --> 00:36:44.119
in a location that we'll probably never
come back to. At this point,

509
00:36:44.119 --> 00:36:49.920
a nervous Alex and Jason file in
the rest of the cabbys arrive to watch

510
00:36:50.199 --> 00:36:54.000
Jason compete, and he's thrilled.
It's like all of these surrogate fathers come

511
00:36:54.039 --> 00:37:00.760
in here to watch Jason. It's
just a fun little scenario where these cabbies,

512
00:37:00.800 --> 00:37:04.320
these sort of some of them,
like Louis, we didn't know that

513
00:37:04.400 --> 00:37:08.639
he had this in him to be
kind of an expectant father figure in a

514
00:37:08.639 --> 00:37:14.239
way, and it's just wonderful to
observe. And Louis says to Jason he's

515
00:37:14.280 --> 00:37:16.719
got nothing to worry about. He's
had to look at the rest of him,

516
00:37:17.159 --> 00:37:22.480
and they're all loses. Something in
the way that De Palma says the

517
00:37:22.519 --> 00:37:30.000
word loses, It rolls off his
tongue like honey, it's perfect, and

518
00:37:30.039 --> 00:37:32.559
he says that a bunch of times
in this scene. I love it.

519
00:37:32.840 --> 00:37:37.679
HP. I'm I'm gonna hire Danny
DeVito in a cameo to call you a

520
00:37:37.719 --> 00:37:42.480
loser. I would love that.
The moderator, as I said on the

521
00:37:42.519 --> 00:37:45.360
stage, announces the start of the
beat. All the kids file in,

522
00:37:46.239 --> 00:37:51.760
the moderator announcing the name of each
contestant, and after the first girl is

523
00:37:51.800 --> 00:37:55.239
introduced, I love this moment.
The father who's sitting near Louie proudly says

524
00:37:55.280 --> 00:38:00.679
to Louie, hey, that's my
daughter, and Louis says, will she's

525
00:38:00.760 --> 00:38:06.480
a loser right to the guy's face. It's so great. Jason is introduced

526
00:38:06.679 --> 00:38:09.599
and the Cabby's it's like they're at
like a Yankees game. They go nuts

527
00:38:09.719 --> 00:38:15.079
cheering for him. At this point, Louis bets the father whose kid he

528
00:38:15.199 --> 00:38:20.239
just insulted. He bets the parent
twenty bucks that Jason's gonna win the spelling

529
00:38:20.280 --> 00:38:24.639
beat and his father has understandably taken
aback, and he says, I do

530
00:38:24.719 --> 00:38:29.000
not bet on my child, to
which, yes, you guessed it.

531
00:38:29.159 --> 00:38:34.880
Louis comes back and says, that's
because you know she's a loser. Couldn't

532
00:38:34.880 --> 00:38:38.119
get any better. So carnucopia of
losers for you here. I'm in love

533
00:38:38.119 --> 00:38:43.840
with the idea that it's this guy's
doing nothing more than cheering his daughter on,

534
00:38:44.280 --> 00:38:49.000
and he's got this yahoo in the
audience who calls her repeatedly a loser.

535
00:38:49.360 --> 00:38:52.639
It's perfect. In season two we
should have a segment like Loser of

536
00:38:52.679 --> 00:38:54.440
the Week. A bit of trivia. By the way, one of the

537
00:38:54.559 --> 00:39:00.400
kids on the stage is introduced as
Mary Lou Hartman. As you might guess,

538
00:39:00.719 --> 00:39:04.199
this is a relative of Mary Lou
Henner. In fact, this is

539
00:39:04.239 --> 00:39:09.320
Mary Lou Henner's niece Suzanne. In
a little cameo, Wow, good good

540
00:39:09.320 --> 00:39:15.280
for her keeping here in the family. Better than Conaway's sister scamo right where

541
00:39:15.320 --> 00:39:20.199
they just during that soap opera the
beginning she got laughs though, so maybe

542
00:39:20.280 --> 00:39:22.280
Conaway's sister is the victor here.
What was it it was like? For

543
00:39:22.360 --> 00:39:25.679
better or for worse? Was that
better? For worse? My god,

544
00:39:25.719 --> 00:39:30.280
man, I keep getting it wrong. The spelling bee starts and Jason takes

545
00:39:30.320 --> 00:39:36.440
the stage. Banta says, oh, the first round is always the toughest,

546
00:39:36.599 --> 00:39:38.559
and again Louis can't help but give
it to him, and he replies,

547
00:39:38.639 --> 00:39:42.840
you ought to know, Banta,
that's the only round you fight in.

548
00:39:43.679 --> 00:39:46.000
Of it, He's giving it to
Tony any chance he gets. It's

549
00:39:46.039 --> 00:39:51.239
great, Louis, heaven, I
didn't think of it until you mentioned it.

550
00:39:51.320 --> 00:39:55.679
But this is really Louie's episode.
I keep returning to that central notion

551
00:39:55.960 --> 00:40:00.639
right now. We used to feel
doubly robbed that they were so interested in

552
00:40:00.679 --> 00:40:06.400
the goddamn plot of this episode of
keeping this kid from studying that we did

553
00:40:06.440 --> 00:40:08.320
not get to see Louis de Palm
and this kid at the wrestling match together,

554
00:40:08.360 --> 00:40:12.559
with Louis falling in love with him
and wanting to be a dad.

555
00:40:13.119 --> 00:40:15.800
And that would have been a great
set. They would have built the whole

556
00:40:15.840 --> 00:40:20.239
wrestling ring, maybe like an auditorium
or a hall of VFW where if they're

557
00:40:20.239 --> 00:40:22.239
fighting, would have been great.
I'm in this high school auditorium. Put

558
00:40:22.280 --> 00:40:25.239
a ring in there. Instead of
the seats, we still get the doors.

559
00:40:25.519 --> 00:40:31.320
Uh perfection. Jason correctly spells the
word phosphorus, and again the Cabbes

560
00:40:31.800 --> 00:40:37.440
are cheering like they're at a baseball
game. Alex is embarrassed and he says

561
00:40:37.480 --> 00:40:40.400
to know in a particular you know, excuse our excitement, to which Tony

562
00:40:40.480 --> 00:40:44.960
adds, yeah, we're his father, which is actually kind of sweet.

563
00:40:45.360 --> 00:40:49.440
I've been beating up on Tony for
this whole episode, but that's kind of

564
00:40:49.519 --> 00:40:52.119
nice to see him feel like a
part of Jason's life. He didn't think

565
00:40:52.119 --> 00:40:55.039
he could handle it, but he
is. Yeah, man, you know

566
00:40:55.159 --> 00:40:59.119
that's you beating up on Banta.
I don't have any problem with that guy.

567
00:41:00.000 --> 00:41:01.760
Hey, look, I'm admitting that
I'm a little wrong in this case.

568
00:41:01.880 --> 00:41:06.119
I can change. So we fade
out or we fade in. And

569
00:41:06.159 --> 00:41:08.320
it's clearly later on in the competition. I think a lot of the kids

570
00:41:08.639 --> 00:41:12.880
have been knocked out. It's Jason
and I think a couple of other kids.

571
00:41:13.079 --> 00:41:15.760
Oh a note, by the way
they cut to the Cabby's. Did

572
00:41:15.760 --> 00:41:20.559
you notice they cut to the Cabbys
and Jeff Conaway really makes a meal out

573
00:41:20.639 --> 00:41:23.760
of this yawn to sell the idea
that they've been sitting in this auditorium forever

574
00:41:23.960 --> 00:41:29.719
watching this play out. Did you
notice that it's right, Bobby Wheeler registering

575
00:41:29.760 --> 00:41:34.920
to everyone in the auditorium. Eat
things up there, man. He's supportive,

576
00:41:34.920 --> 00:41:39.280
but he ain't that goddamn supportive.
He just yawns like nobody's business.

577
00:41:39.320 --> 00:41:44.519
It's crazy how much he yawns.
The third to last kid is knocked out,

578
00:41:44.880 --> 00:41:49.599
and now it's just between Jason,
and ironically it's the daughter of the

579
00:41:49.639 --> 00:41:53.239
man that Louis repeatedly insults, and
they go back a few times, and

580
00:41:53.800 --> 00:42:00.239
unfortunately, in a head to head
matchup, Jason loses on the word for

581
00:42:00.480 --> 00:42:02.320
meal. And that's the word I
wasn't familiar with. You know what?

582
00:42:02.519 --> 00:42:07.679
Vermal means something green. I don't
know what. According to the Mirriam Webster

583
00:42:07.719 --> 00:42:15.639
Dictionary, for meal is a noun
which means gilded silver. Who knew?

584
00:42:15.679 --> 00:42:21.280
You learn something new every day.
The other girl in the spelling Bee nails

585
00:42:21.519 --> 00:42:24.400
the word and she wins, and
Louis, of course, jumps out of

586
00:42:24.400 --> 00:42:30.000
his chair and starts yelling fix,
Fix, and the other caves hustle him

587
00:42:30.000 --> 00:42:34.280
out of the auditorium before he can
cause any more trouble. They cut to

588
00:42:34.320 --> 00:42:38.039
the garage and the rest of the
caves are trying to cheer Jason up.

589
00:42:38.079 --> 00:42:44.960
About his spelling bee defeat. Again, Alex admits that the Cabby's should feel

590
00:42:45.000 --> 00:42:49.239
bad because they kept him too busy
to study. At that point, Elaine

591
00:42:49.440 --> 00:42:53.599
hustles back in. She's still wearing
her trench coat beret combo, but it

592
00:42:53.639 --> 00:42:58.320
sounds like her aunt is on the
mend, which is good. Looks like

593
00:42:58.320 --> 00:43:01.840
Elaine didn't bring any clothing for her
selfie either. She's clearly too irresponsible to

594
00:43:01.840 --> 00:43:05.320
be a parent. You got that
phone call and just hustled out the door.

595
00:43:05.960 --> 00:43:08.239
It casts doubt on what she was
actually doing. I think you're I

596
00:43:08.320 --> 00:43:13.199
agree with you. I think she
was spending that time with the art collector

597
00:43:13.239 --> 00:43:19.119
played by Tom Selleck from the Caveto
four episode. She's still wearing the same

598
00:43:19.159 --> 00:43:23.039
clothes she wore three days ago.
She gives Jason a kiss and says,

599
00:43:23.159 --> 00:43:27.960
how are you? I missed you? How is the spelling beat? And

600
00:43:28.440 --> 00:43:34.480
Jason tells his mom that he lost, and Alex again takes the bullet for

601
00:43:34.639 --> 00:43:37.920
Jason and says it's all their fault
because they kept him too busy, But

602
00:43:38.119 --> 00:43:43.639
Jason admits it's his responsibility to do
the studying and he didn't do that,

603
00:43:43.719 --> 00:43:46.840
and it's his fault for not studying, and Elaine is so proud of him

604
00:43:47.239 --> 00:43:52.639
for taking responsibility. Jason says,
is goodbye to all the caves. And

605
00:43:53.079 --> 00:43:58.440
after Elaine leaves, all of the
cabby's there, and again it's Burns,

606
00:43:58.480 --> 00:44:02.039
it's Tony, it's Bobby, it's
Louis and Alex. They all become really

607
00:44:02.119 --> 00:44:08.360
pensive. They're missing their proxy fatherhood
and they get very reflective about it.

608
00:44:08.400 --> 00:44:13.320
And Louis, of all people,
breaks the silence by sharing a bottle of

609
00:44:13.440 --> 00:44:16.880
twelve year old scotch that he's been
saving for a special occasion. I noticed

610
00:44:16.880 --> 00:44:21.400
it's almost a twelve year old bottle
of scotch. To me, that's realistic,

611
00:44:21.480 --> 00:44:25.519
because you can't expect a bunch of
New York cabbies in this garage to

612
00:44:25.599 --> 00:44:30.199
have something that's like a Louis the
thirteenth, like a bottle of super expensive

613
00:44:31.000 --> 00:44:35.239
scotch. That to me seems realistic. That's the best they can afford.

614
00:44:35.559 --> 00:44:37.840
Well, I think Louis didn't Louis
say they found it in a cab Did

615
00:44:37.880 --> 00:44:42.000
he say that? I don't remember
that part, which begs the question can

616
00:44:42.039 --> 00:44:46.960
you imagine what the lost and found
at a cab company in nineteen seventies New

617
00:44:47.039 --> 00:44:53.079
York looked like it must have been
a treasure trove of the weirdest and coolest

618
00:44:53.119 --> 00:44:59.280
stuff ever. Everything in that garage
just looks like it has soot all over

619
00:44:59.320 --> 00:45:02.239
it. Imagine that the the Lost
and Found is just so gross. When

620
00:45:02.280 --> 00:45:07.880
you dig through that box of biline
that probably yeah, it'd be Saturday Night

621
00:45:07.960 --> 00:45:15.320
Specialists and afro picks Galore Louis pulls
off this bottle of scotch, and all

622
00:45:15.360 --> 00:45:20.400
of these men admit that they're thinking
about having kids now or wondering about what

623
00:45:20.440 --> 00:45:23.519
it would be like because they've got
this. They've had this glimpse of what

624
00:45:23.519 --> 00:45:25.800
it would be like to be.
Of course, it's not the same thing,

625
00:45:25.840 --> 00:45:30.719
because this kid is fairly mature,
and it's not like they're changing diapers

626
00:45:30.800 --> 00:45:34.440
or anything. The experience has been
positive enough that they all feel like,

627
00:45:34.840 --> 00:45:38.199
well, are we missing out?
Hug of the Pole, the poll of

628
00:45:38.320 --> 00:45:45.199
fatherhood, the title pull the primal
Pole. Yeah. Even Bobby, who's

629
00:45:45.440 --> 00:45:49.599
the most self absorbed of all of
them, even he is now wondering about

630
00:45:49.599 --> 00:45:52.800
what he might be missing. Not
because he says, well, I've been

631
00:45:52.840 --> 00:45:55.719
I spent my whole life avoiding this, but now I'm wondering what am I

632
00:45:55.760 --> 00:46:00.400
missing? Then, Alex, of
course, being Alex, he bringing them

633
00:46:00.440 --> 00:46:02.159
back down to reality a little bit, and he says, they're only thinking

634
00:46:02.199 --> 00:46:07.119
about the good stuff, not about
all the money and the heartache that goes

635
00:46:07.159 --> 00:46:09.639
into it. What I found interesting, Father Malone, and I'm curious if

636
00:46:09.639 --> 00:46:14.760
you had a similar reaction, is
not once does he ever talk about the

637
00:46:14.800 --> 00:46:20.679
fact that he is a father.
Yeah, at no point during his laundry

638
00:46:20.679 --> 00:46:23.840
list of all of the woes that
come along with being a father, he

639
00:46:23.880 --> 00:46:30.079
never says, now I hear that
this is what it's like because he didn't

640
00:46:30.119 --> 00:46:34.079
go through any of this because he
didn't raise that job. I think it

641
00:46:34.119 --> 00:46:37.199
would have been a very interesting choice
head, because he could have then made

642
00:46:37.239 --> 00:46:40.679
the point like, well, I'm
feeling it even more acutely than all of

643
00:46:40.719 --> 00:46:45.960
you because I had fatherhood and I
gave it up. I willingly gave it

644
00:46:46.079 --> 00:46:50.559
up, and now I'm not a
day goes by that I don't think about

645
00:46:50.559 --> 00:46:53.199
that decision. But he doesn't do
any of that. That I think was

646
00:46:53.239 --> 00:46:57.880
a little bit disingenuous. I think
they missed an opportunity in the writing to

647
00:46:58.000 --> 00:47:00.480
really nail it, you know,
Yeah, you think about all the bad

648
00:47:00.519 --> 00:47:05.960
stuff I certainly did, and I
ran as far as I could, all

649
00:47:06.000 --> 00:47:08.440
the way to the Sunshine Cab Company
like the rest of you losers. So

650
00:47:08.719 --> 00:47:12.400
don't think you're just going to run
out and have a kid now suddenly,

651
00:47:12.400 --> 00:47:15.800
because Nardo has a good one.
But it's sweet that they're all sitting around

652
00:47:16.000 --> 00:47:22.159
wallowing a little bit in there uncertainty
and their sadness over possible missed opportunities.

653
00:47:22.639 --> 00:47:27.079
We actually have a bumper in this
episode, and it's actually cute. All

654
00:47:27.119 --> 00:47:31.719
these men, these cabs are still
in the garage drinking. Louis breaks into

655
00:47:31.719 --> 00:47:37.119
the song Sonny Boy with Alex,
and eventually all the rest of the cabbes

656
00:47:37.480 --> 00:47:42.320
join in and they finished the song
together and it's a sweet note and the

657
00:47:42.320 --> 00:47:45.960
show on. But by the way, we also get for the season finale

658
00:47:45.039 --> 00:47:50.480
to get another Pan's a tough guy
sitting on the cab moment. Did you

659
00:47:50.519 --> 00:47:52.400
notice that? Oh, certainly he's
on the hood of the cab again.

660
00:47:52.440 --> 00:47:55.880
He can't help it, He's got
to sit there. He doesn't belong.

661
00:47:57.559 --> 00:48:02.280
Can I say that the Sonny Boy
sequence were because Alex keeps doing that like

662
00:48:02.480 --> 00:48:07.880
jokey Mystery Science Theater three thousand d
kind of thing. Maybe like you know

663
00:48:07.000 --> 00:48:12.360
calin response where he's asking questions where
the next lyric of the song will be

664
00:48:12.400 --> 00:48:15.159
the answer. It's it is very
cute again, it keeps it from getting

665
00:48:15.840 --> 00:48:22.559
two sugary sweet and saccharin. It's
a little funnier that way should have ended

666
00:48:22.599 --> 00:48:27.039
with Jeff getting on the microphone and
going, could somebody go pick up a

667
00:48:27.159 --> 00:48:31.320
passenger? Are all of you drunk
right now? Is that really? We

668
00:48:31.400 --> 00:48:37.800
have no Cabby's Great Laca since the
Mama Gravis episode. I believe we haven't

669
00:48:37.800 --> 00:48:42.000
seen hide nor hair of Laka.
I don't know where he went. Did

670
00:48:42.000 --> 00:48:45.320
he go back to the old country? Is he living in shame because of

671
00:48:45.320 --> 00:48:47.840
what his mother did with Alex?
Still? Who knows, but we haven't

672
00:48:47.840 --> 00:48:52.599
seen him for a couple episodes.
Now, as is our custom, we're

673
00:48:52.599 --> 00:48:54.840
going to talk about yellow lights.
Now, what doesn't all light mean?

674
00:48:55.039 --> 00:49:00.880
As a reminder, we grade each
episode on a score of one to five

675
00:49:00.960 --> 00:49:06.639
yellow lights. Five yellow lights is
the perfect quintessential episode of Taxi. One

676
00:49:06.719 --> 00:49:10.119
yellow light is it doesn't get any
worse than this. This is the worst

677
00:49:10.199 --> 00:49:15.760
that Taxi has to offer. As
is also our custom, I'm going to

678
00:49:15.800 --> 00:49:20.280
throw it to you father alone,
how many yellow lights do you give Substitute

679
00:49:20.280 --> 00:49:27.079
Father. This the season finale of
season one of Taxi Substitute Father. I

680
00:49:27.119 --> 00:49:30.320
give two yellow lights. It is
neither here nor there. It is neither

681
00:49:30.360 --> 00:49:35.519
hot nor cold. It is lukewarm. Therefore I spew it from my mouth.

682
00:49:36.880 --> 00:49:39.400
Really. Wow, that is very
terse and to the point. It

683
00:49:39.480 --> 00:49:45.760
just didn't really make you feel anything
either way. No, it's good to

684
00:49:45.800 --> 00:49:50.480
see the gang and particularly the relationship
between Louis and the boy, but it

685
00:49:50.599 --> 00:49:54.360
only made me wish that it was
an entirely Louis episode with the boy and

686
00:49:54.639 --> 00:49:59.360
made me obsess on a scene that
didn't happen, But they brought it up,

687
00:49:59.440 --> 00:50:04.639
so I feel justified in doing so. Which is the deleted scene of

688
00:50:05.320 --> 00:50:09.800
Louis to Palma and the child at
a wrestling match released the DiPalma cut.

689
00:50:10.079 --> 00:50:14.760
I can't disagree with what you're saying. Well, I can, but I,

690
00:50:15.519 --> 00:50:20.559
on the other hand, I gave
this episode three yellow lights. Actually,

691
00:50:20.599 --> 00:50:23.280
when I came into this episode to
watch this episode, I had a

692
00:50:23.320 --> 00:50:28.440
memory of watching it however many years
ago at the last time I watched it,

693
00:50:28.960 --> 00:50:34.360
and just the memory of the plot
and the synopsis made me think,

694
00:50:34.440 --> 00:50:37.000
going in, Oh, this is
probably going to be a two yellow lighter.

695
00:50:37.400 --> 00:50:40.519
But then I watched it again it
was better than my memory led me

696
00:50:40.559 --> 00:50:45.960
to believe it was going to be. It is a very SITCOMI plot,

697
00:50:45.039 --> 00:50:50.880
there's no question, but I think
it's really nice to see the male leads

698
00:50:51.480 --> 00:50:57.559
of the show showing this different side
to their personalities, especially Louis, because

699
00:50:57.679 --> 00:51:01.119
to the point that You've made several
times, it becomes a Louis episode because

700
00:51:01.519 --> 00:51:07.920
he's probably the least likely to go
on to have kids, so it becomes

701
00:51:07.239 --> 00:51:10.800
more special for him this bond that
he makes with Jason, and I really

702
00:51:10.880 --> 00:51:15.800
like that. Yes, it's a
fairly predictable episode. You know that they're

703
00:51:15.880 --> 00:51:21.440
running this kid so ragged that he's
bound to fail at the Spelling Bee,

704
00:51:21.800 --> 00:51:27.039
But I really liked seeing these cabbes
band together to take care of e Lane's

705
00:51:27.360 --> 00:51:31.519
son. And there's some really,
really solid laughs during the spelling be scene.

706
00:51:31.559 --> 00:51:36.719
Particularly it's all Louis. I mean, if I'm being honest, Louis

707
00:51:36.880 --> 00:51:40.280
is really the driving force to the
humor in that part of the episode,

708
00:51:40.320 --> 00:51:45.440
So I still found it genuinely funny. I love his line readings. We

709
00:51:45.480 --> 00:51:50.880
talked about keep your pants on crazy
lady. That is quintessential Louis de Palma

710
00:51:51.000 --> 00:51:53.400
right there. For those reasons,
I'm going to give it three yellow lights.

711
00:51:53.440 --> 00:51:58.239
This is slightly above average for me. If Burns had taken him to

712
00:51:58.280 --> 00:52:01.719
see Halloween, which was still playing
theaters, then I would get a bit

713
00:52:01.719 --> 00:52:05.800
of three yellow lights. If he
had tried to do that, then Bobby

714
00:52:05.800 --> 00:52:07.119
would have objected and said, no, no, it has to be a

715
00:52:07.199 --> 00:52:10.519
g rated movie. I'm taking him
to see a holiday movie. And then

716
00:52:10.639 --> 00:52:15.199
Bobby Wheeler would leave and he'd say, I wonder if Halloween is still scary

717
00:52:15.239 --> 00:52:17.920
in the middle of June. It's
the end of season one. Folks,

718
00:52:19.079 --> 00:52:22.199
Thank you so much for sticking with
us, and we look forward to more

719
00:52:22.320 --> 00:52:29.159
taxi talk for season two coming soon. Follow alone. When you're not clocked

720
00:52:29.199 --> 00:52:31.800
into the garage, where can folks
find you? I just want to stop

721
00:52:31.840 --> 00:52:37.480
before I plug anything and say farewell, John Burns. We'll meet again.

722
00:52:38.599 --> 00:52:43.239
Don't know where, don't know where. He might have been a ghost the

723
00:52:43.239 --> 00:52:45.559
whole time. We're gonna have to
re examine all of that. Anyway,

724
00:52:45.679 --> 00:52:49.280
if you want to hear anything I'm
doing, over to Weirdingwaymedia dot Com.

725
00:52:49.320 --> 00:52:52.800
I do a couple of shows over
there, including Midnight Viewing, the Night

726
00:52:52.880 --> 00:52:55.159
Gallery. No, well, it's
kind of a night Gallery podcast, but

727
00:52:55.199 --> 00:53:00.239
it's also Attempt the Dark Side podcast. It's an horror anthology podcast. Check

728
00:53:00.280 --> 00:53:04.480
that one out. Also check out
Dark Destinations, which is a half hour

729
00:53:04.920 --> 00:53:08.840
and sometimes our long radio drama I
write and produce over there. Check those

730
00:53:08.880 --> 00:53:13.079
things out, Or you want to
support me in any way, go to

731
00:53:13.239 --> 00:53:17.679
Patreon to fatherm Alone. That's me
there, so go to those places for

732
00:53:17.800 --> 00:53:24.079
myself. I'm also involved in other
podcasts on the weirding Way network. I

733
00:53:24.159 --> 00:53:30.840
do a music podcast called Noise Junkies
with fatherm Alone and Mondo Heather's Heather Drain,

734
00:53:30.960 --> 00:53:35.000
which I would encourage anyone who loves
music or is as obsessed with it

735
00:53:35.039 --> 00:53:39.519
as we are please check that out. And I've also helped out fatherom Alone

736
00:53:39.840 --> 00:53:45.119
in musical in some non musical ways
on Dark Destinations. I would doubly encourage

737
00:53:45.159 --> 00:53:50.159
you to check that out as well. Additionally, I have a band camp

738
00:53:50.280 --> 00:53:55.679
site for some of my musical nonsense. It's hpmusicplace dot bandcamp dot com.

739
00:53:55.719 --> 00:54:00.440
Please check that out. If you
so does so, that's going to do

740
00:54:00.519 --> 00:54:05.920
it. For this episode of Night
Mister Walters. Thank you so much for

741
00:54:06.000 --> 00:54:08.320
listening. If you like what you
hear, please feel free to subscribe to

742
00:54:08.360 --> 00:54:13.039
the podcast, write a review,
rate us. We'd love to hear from

743
00:54:13.039 --> 00:54:16.079
you in any manner that you see
fit for myself and for father alone.

744
00:54:16.440 --> 00:54:25.599
Thank you and we will see you
again next season. Night, mister wals

