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Find a documentary of Carlos Andrés Pérez' s days in Venezuela. I don

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' t remember the exact name Meru
who is out there in the days of

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Carlos Andrés Pérez in Venezuela. In
the eighties and nines, Venezuela made the

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decision of the Venezuelan people to vote
again, because the Andrés Pérezs to see

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if they would return those days of
glory that this politician gave to Venezuela.

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Between seventy- four and seventy-
nine, the time of Tabara Totamedo,

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many Venezuelan planes in the domestic and
international airports of Venezuela. Many Venezuelan pods

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were leaving in their private planes,
small planes, etc, because they had

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an economic bonanza those good years of
the oil of the deprivation of the east,

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that sheath to put in the name
of State the Venezuelan oil companies,

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that sheath. Carlos Andrés Pérez was
for many an excellent President, with his

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shadows and lights. He returned to
power in the eighties, but Carlos Andrés

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Pérez had made a series of mistakes
and proposed to remove Venezuela from the hole

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in which he had left it the
product of all the environment that was generated

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at the end of his government and
Campings. When he was sworn in,

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he said that what he had been
given was a briefcase full of bills.

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That it was the President who succeeded
Carlos Andrés Périz, who had to pay

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the price of the mistakes of the
previous years, of the previous governments here

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was fixed point agreement of one thousand
nine hundred fifty- eight. Well,

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then in that Venezuela of nineteen hundred
and eighty- nine, with almost thirty

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years or thirty years of fixity and
democracy, of accumulated crises, of a

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bonanza that did not flow, as
the average Venezuelan was accustomed and as it

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had sold out. Venezuela was the
richest country in Latin America, as Carlos

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Andrés Pérez arrived and a lot of
decisions had to be made. And Carlos

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Andrés came determined to reverse a lot
of decisions that he made in his government

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and that were taken after his government
to re- route Venezuela on the path

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of progress and development. But he
didn' t tell the Venezuelans. He

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did it after he arrived and before
arriving he decided Carlos Andrés Pérez that the

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congressional hall where traditionally the presidents in
democracy in Venezuela were sworn in, as

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it was not enough and chose the
Teresa Carreño theater, the daughter of that

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gentleman of the author of the Carreño
manual. Well that theater, which is

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one of the most sumptuous and important
theaters in America. For there and a

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spectacle of swearing for more than swearing, seemed the coronation of one of a

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tsar or a king, Fidel Castro
himself. I would comment to Carlos Andrés

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Pérez that, if he did not
think the pomp for an oath for a

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period of government was exaggerated, Fidel, you know, very close friend and

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ally of Carlos Andrés, was critical
of him. For this reason, Carlos

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Andrés, in February of a thousand
nine hundred and eighty- nine, staged

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his show. It was an orationation, I repeat, sumptuous, magnificent in

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this theater and a week after all
this began the problems to bloom and Carlos

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Andrés, because he would end up
having to resign the Presidency and a lot

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of pods. So there' s, behind that documentary, a comment that

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says it seems that Carlos Andrés dropped
a sacues salt for having removed the president

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' s mandate from the National Congress. Venezuelans are ten times more powerful than

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us. You ask that Venezuelan that
what you think had to do with Carlos

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Andrés' s failure, and many
will tell him about those who lived in

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that time that he put on saracs. The swearing out in Venezuela is the

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curse of Bolivar. I don'
t know what sheath Venezuelan, like all

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Latinos, is well- mandated.
I say all this because sometimes cabals allow

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you to leave the pods as they
are. And the President of the Republic

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announced yesterday that why they can'
t be sworn in by him and raquel

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in the National Theatre. And you' ll say, Pussy Alberto. We

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thought you were a smart guy.
You believe in those pods. I believe,

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in those pods. I believe that
the symbolism he has for power,

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the hall of the Chamber, the
Hall of the National Assembly and more than

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that, that building symbolizes the first
power of the State, to which he

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owes submission, the executive power.
No, if you know that the National

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Congress is the first power of the
state, it is the one that controls

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and controls the entire state through the
representatives who are there, who are deputies

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and senators, from where the laws
are commanded and where it is governed.

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One understands the country, but the
executive is the one who executes, the

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one who administers, the one who
manages. And I don' t think

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I know. It seems symbolic to
me that if the Dominican tradition has traditionally

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been, the redundancy will be sworn
in there because there are no three guests

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to move that to the National Theatre. I am a cavalosian and I can

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be of no, because there are
other countries. I don' t make

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ad populum arguments. I am very
thorough and I believe and think that in

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symbolic terms, it gives me a
bad omen of the idea personally. What

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doesn' t call me sorry,
what strikes me powerfully is that there'

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s no room for people or something
that pre they can tell completely exactly,

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but isn' t there room for
people? But renting the National Theatre and

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making that expense, of that montage
in the middle of the conversation of a

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possible tax reform and all the loans
they have taken, does not seem to

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me a smart decision. I think
it' s absurd. If it doesn

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' t fit, in the Senate
they gather somewhere else, somewhere after the

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inauguration and I don' t care
about it, you do the book and

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I don' t like it either. Everything I do, I say.

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I wanted to bring back that history
of Venezuela, because sometimes it is good

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to reflect already, as he says
Sunday ora, if there is a little

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doll, a little thing that his
martita, at what time it will be

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carpet at eight in the morning.
A ridiculous one. It' s ridiculous.

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All logistics is going to be the
first. The deputies and senators will

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take office at eight in the morning. Surely they will make the directives of

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both chambers and will be transferred by
bus to the National Theatre the members of

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the National Assembly, which are the
two chambers together, gathered in session to

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swear to the President, in joint
session to swear to the President and the

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Vice- President of the Republic.
There' s an orchestra playing there,

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there' ll be a lot of
pomp and lots of parties. I'

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m sure cheer fund, the one
or earlier than in these four years there

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was something that wasn' t in
the twenty. There' s no closure,

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there' s no closure, and
there' s room, because there

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' s a lot of people there
that' s already cleaned up and there

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' s room, to hire the
sixteen, there' s got to be

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at least twenty dances here in town. They have to get their hands on

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announce where they hire cheerleaders. What
I was telling you, the main restaurants,

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their lounges, the main ones of
the most expensive and exclusive, are

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already reserved for the 16th of August, after noon. I don' t

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want anyone to say no, it' s too late. He' s

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saying, making ominous and random parallels
about no. I believe and think that

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the National Congress and as they say
the Constitution, says no side that it

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has to say there. Well,
by the tradition bands it is there.

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And more than anything else, because, while the palace is the symbol of

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power, of the executive power of
the Presidency of the Republic, the first

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power of the State, its symbol
and seat is the palace of the National

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Congress. I think that for a
matter of symbolism, out there simply because

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countries also build traditions and these traditions
occur over time and I do not,

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00:09:16,120 --> 00:09:22,559
but nothing do that you want the
producer of that. There' s a

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tirijala. Let me tell you the
devil don' t relax. If we

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don' t have to produce someone, otherwise wait. There' s a

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long pull of that. Why,
because the campaign of good friendships yes,

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yes, on the issue of production, if the closure of the campaign closures

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of oron enmitys. There' s
a tug in that red shape. He

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must have introduced himself to whom I' ve seen. You guys who saw

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him today, we' re coming.
