1 00:00:15,400 --> 00:00:32,799 Did you know mary Anne? Before the worst speaking there she she was in 2 00:00:35,399 --> 00:01:02,719 self. Love was back again. That's why you oriels you in light the 3 00:01:03,280 --> 00:01:18,719 room to the balm forever more will stay friends, but we'll have other plans 4 00:01:19,959 --> 00:01:29,280 for love. Love still. I wish that i'd expressed that more help we 5 00:01:29,480 --> 00:02:09,560 felt always love you as if time stood still. When light the room to 6 00:02:10,240 --> 00:02:23,800 the realm, now rosing in the moment, Where are you when I want 7 00:02:24,080 --> 00:03:04,199 the now feel yours in the gold? I yes that I'll have to add 8 00:03:04,520 --> 00:03:25,919 him. Jos Cour Well, I've loved you since very Firstly, let me 9 00:03:27,319 --> 00:04:17,160 bed to ride and a boolie, Well, what a beautiful song. Welcome 10 00:04:17,160 --> 00:04:23,480 everybody. It's Matt Connorton Unleashed and we are live from the studios of wm 11 00:04:23,720 --> 00:04:29,040 NH ninety five point three FM and Glorious Manchester, New Hampshire. We are 12 00:04:29,040 --> 00:04:30,600 not, by the way, we're not streaming live on Facebook this morning. 13 00:04:30,639 --> 00:04:34,639 We are having a little bit of an issue with Facebook as Facebook will be 14 00:04:34,680 --> 00:04:38,839 Facebook. But of course you can stream the show from anywhere if you go 15 00:04:38,879 --> 00:04:42,160 to Wmnhradio dot org and click listen live, or you can always go to 16 00:04:42,199 --> 00:04:46,439 my website Mattconnorton dot com. For all your live streaming options, social media 17 00:04:46,480 --> 00:04:49,959 links, contact info, show archives, etc. Etc. Today is Saturday, 18 00:04:49,959 --> 00:04:56,160 February ten, twenty twenty four. We have a stacked show for you 19 00:04:56,279 --> 00:04:59,920 today. I'm going to in just a couple of moments, I will introduce 20 00:05:00,319 --> 00:05:03,720 Tyler Allgood, the gentleman who is responsible for that beautiful song that we just 21 00:05:03,759 --> 00:05:08,240 heard. And and then in the second hour we have our friend Ray Coates 22 00:05:08,360 --> 00:05:10,920 skyping in from the UK. He's got a bunch of new music and I 23 00:05:10,959 --> 00:05:15,399 always love talking to Ray. And in the third hour the band Vice's Inc. 24 00:05:15,600 --> 00:05:18,240 From Portland, Maine. They are traveling all the way here to sit 25 00:05:18,319 --> 00:05:21,399 down and uh and talk with us in studio. So really looking forward to 26 00:05:21,399 --> 00:05:25,279 that. So we have a we have a busy show, as we do 27 00:05:25,399 --> 00:05:29,360 on Saturday mornings. And speaking of busy Saturdays too, I want to mention 28 00:05:29,560 --> 00:05:33,279 this Jenny's not here with me this morning. She's uh, she's home resting 29 00:05:33,360 --> 00:05:39,279 up. She's got a big it's a big day for Jenny. She's got 30 00:05:39,279 --> 00:05:42,000 the the art show today. So I want to for people in the area 31 00:05:42,040 --> 00:05:44,519 who want to come check this out. It is of course open to the 32 00:05:44,519 --> 00:05:48,879 public. Actually, I'll take this right from Jenny's social media post you're are 33 00:05:49,000 --> 00:05:55,680 you are invited to the opening reception of the All Hearts Statuses exhibition at the 34 00:05:55,680 --> 00:06:00,279 Mosaic Art Collective. That is today from four to eight pm. I am 35 00:06:00,319 --> 00:06:03,639 honored to have one of my pieces of one Heart on display. So this 36 00:06:03,839 --> 00:06:08,720 is very proud of her. You know, Jenny has just come along way 37 00:06:08,720 --> 00:06:13,439 with her art and gets a lot of great feedback online and it's pretty cool. 38 00:06:13,480 --> 00:06:15,920 You know, at home, we've got art all over the place and 39 00:06:15,959 --> 00:06:19,720 it's it's really remarkable. And this is a big deal because this is her 40 00:06:19,759 --> 00:06:26,600 first time having a piece showing at an art studio and an actual uh at 41 00:06:26,639 --> 00:06:30,720 an event. So she's she's excited and nervous and and uh but it's it'll 42 00:06:30,720 --> 00:06:33,800 be it'll be fun. So that's today from four to eight pm. Mosaic 43 00:06:33,879 --> 00:06:40,680 Art Collective. It's right above, right above the Palace Theater, Yes, 44 00:06:40,879 --> 00:06:46,560 trying to remember which theater on Hendover Street, so very very easy to find, 45 00:06:46,680 --> 00:06:48,560 but it's on the second floor. That's a beautiful building if you've never 46 00:06:48,600 --> 00:06:53,160 been inside there. But Mosaic Art Collective, of course, we've had them 47 00:06:53,160 --> 00:06:57,519 on the show a couple of times and just just a great place, really 48 00:06:57,600 --> 00:07:00,759 really cool, and we talk about them a lot because we them. But 49 00:07:00,120 --> 00:07:06,279 yeah, Jenny has a piece that will be on display today at Mosaic Art 50 00:07:06,279 --> 00:07:09,759 Collective, as well as a lot of other I don't know how many artists 51 00:07:09,759 --> 00:07:13,319 are participating, but here's a little bit about the event. Mosaic Art Collective 52 00:07:13,399 --> 00:07:17,959 is thrilled to present All Heart Statuses, an enchanting exhibition that invites you to 53 00:07:18,040 --> 00:07:25,680 explore the diverse realms of human emotion, whether you're a fervent admirer of love 54 00:07:25,800 --> 00:07:30,279 or navigate the intricate pathways of heartache. This showcase celebrates the myriad expressions of 55 00:07:30,319 --> 00:07:35,439 the heart, from vibrant displays of passion to introspective reflections on solitude. All 56 00:07:35,439 --> 00:07:41,480 Heart Statuses is a testament to the intricate beauty of human connection and the complex 57 00:07:41,680 --> 00:07:46,439 nature of our emotional landscape. So that'll be so. The exhibition dates are 58 00:07:46,720 --> 00:07:51,240 February five to twenty eight, but the event is today and oh, actually 59 00:07:51,240 --> 00:07:55,560 it says you're located in the Daily Mirror building. Maybe that's an easier way 60 00:07:55,560 --> 00:07:58,879 to find it instead of the Palace Theater. I don't know, but sixty 61 00:07:58,920 --> 00:08:01,160 six an over Street is the event and as sweet two o one, So 62 00:08:01,319 --> 00:08:03,680 uh do join us if you're in the area. It's gonna be fun. 63 00:08:03,720 --> 00:08:05,759 Jen. Like I said, Jenny's nervous. This is our first one. 64 00:08:05,759 --> 00:08:07,600 This is a big deal for her, but we're all very proud of her. 65 00:08:07,680 --> 00:08:11,839 So and let me give the studio line because we've got a great guest. 66 00:08:11,879 --> 00:08:15,439 I'm gonna introduce in a moment and you might have questions for him. 67 00:08:15,800 --> 00:08:18,319 Six oh three two five oh six oh seven six oh three two five oh 68 00:08:18,360 --> 00:08:22,959 six oh seven. You can also contact me during the show if you uh, 69 00:08:22,319 --> 00:08:26,639 or anytime really, but if you contact me during the show via social 70 00:08:26,680 --> 00:08:30,160 media, I'll try to read your comment or question. I'm on social media 71 00:08:30,199 --> 00:08:33,600 at Matt Connorton. You can text me at six one seven nine one seven 72 00:08:33,600 --> 00:08:37,960 four four seven six, and you can email me Matt at mattconnorton dot com. 73 00:08:37,240 --> 00:08:41,159 But the best course of action so that we can hear your Dulca tones 74 00:08:41,559 --> 00:08:46,440 is to call the studio line live at six oh three two five oh six 75 00:08:46,600 --> 00:08:52,240 oh seven and without further ado, our first guest today on this morning, 76 00:08:52,320 --> 00:08:54,759 we have Tyler all Good in studio with us. How are oh wait wrong, 77 00:08:54,799 --> 00:08:58,879 Mike, I'm still getting used to the new setup here at our new 78 00:08:58,879 --> 00:09:01,519 Canal Street studio. I think I got the right one, Tyler. How 79 00:09:01,519 --> 00:09:03,399 are you very good? How you doing? Man? Welcome, Welcome, 80 00:09:03,799 --> 00:09:07,960 and uh, that is a beautiful song we opened with. I loved it 81 00:09:07,000 --> 00:09:11,600 so much. I didn't even play my normal show intro because I didn't want 82 00:09:11,639 --> 00:09:18,120 to kill the vibe. Well, I have an intro that's very uh metallic 83 00:09:18,159 --> 00:09:20,600 for lack of a better term. But no, but I just the song 84 00:09:20,679 --> 00:09:26,279 is so beautiful and that's kind of a hit for you on YouTube. Right, 85 00:09:26,279 --> 00:09:28,519 You've got a quarter of a million views on the video. You've got 86 00:09:28,559 --> 00:09:31,600 a very cool video that goes with it. Yes, yes, I was. 87 00:09:31,919 --> 00:09:37,559 I was blessed to do some amazing work with some amazing people and just 88 00:09:37,600 --> 00:09:45,120 so happened that the universe had it lined up that way. Tyler. I'm 89 00:09:45,159 --> 00:09:46,519 sorry, Tyler, can you can you either? Yeah? Just pull that, 90 00:09:46,840 --> 00:09:50,320 Yeah, just pull it closer. It's whoops, having a hard time, 91 00:09:52,799 --> 00:09:56,919 Yeah that that might be the issue. We'll just get that. Get 92 00:09:56,919 --> 00:10:00,919 that nice and close, Okay, thank you? Yeah again. We're still 93 00:10:00,919 --> 00:10:05,919 getting used to our new environs here at the beautiful Canal Street studio. So 94 00:10:07,320 --> 00:10:09,360 everything's everything's set up well, actually, I shouldn't say everything set up different. 95 00:10:09,399 --> 00:10:13,879 It's this part over here is the same where I'm sitting, but everything 96 00:10:13,919 --> 00:10:20,440 else is a little different. Yeah, now that I get the impression from 97 00:10:20,480 --> 00:10:22,600 the lyrics of that song, it's it sounds like it's a very personal song, 98 00:10:22,679 --> 00:10:26,440 like it's it's about a specific person. It sounds like, Yes, 99 00:10:26,519 --> 00:10:31,600 a friend of mine had passed on a couple of years ago, and we 100 00:10:31,679 --> 00:10:39,559 had had some really special time together some years before that, and it wasn't 101 00:10:39,559 --> 00:10:43,159 in the cards for us to spend our lives together, but we were really 102 00:10:43,200 --> 00:10:52,519 close afterwards, and she was really dear to my heart and so so yeah, 103 00:10:52,639 --> 00:10:54,600 so that's that's where the song goes. Yeah, no, it's it's 104 00:10:54,879 --> 00:10:58,639 it's really beautiful. And what can you tell us about the video for that 105 00:10:58,639 --> 00:11:00,799 too? Because I want to encourage people to what's the name of the song 106 00:11:00,799 --> 00:11:03,600 again? Light the room to the brim. I want to make sure. 107 00:11:03,679 --> 00:11:05,799 Yeah, I wanted to let you say the title because I was afraid I 108 00:11:05,840 --> 00:11:07,919 would screw it up because it's it's a lot. Let me ask you this, 109 00:11:07,960 --> 00:11:13,200 what's the meaning behind the title of the song? Well, the meaning 110 00:11:13,240 --> 00:11:20,480 behind the title of the song is that somebody like mckela coming into coming into 111 00:11:20,519 --> 00:11:24,360 any room, any put in. You know, these special people when they 112 00:11:24,519 --> 00:11:31,519 come into a room, they just amplify, bring out all of the all 113 00:11:31,600 --> 00:11:35,879 of the love and all the highs and and that joyous feeling. And so 114 00:11:35,840 --> 00:11:39,559 when she would enter the room, that's what that's the feeling you get because 115 00:11:41,559 --> 00:11:45,320 because she's a special person. Yeah, you'll often hear people describe that way, 116 00:11:45,399 --> 00:11:48,799 but you know, you know something about this person, They just light 117 00:11:48,919 --> 00:11:54,039 up the room when they walk in, and that's yeah, that's Uh. 118 00:11:54,480 --> 00:11:56,000 What can you tell us about the video? Because the video is very cool 119 00:11:56,080 --> 00:12:00,879 and obviously it was professionally done and it looks it looks amazing. The I 120 00:12:00,919 --> 00:12:05,799 mean it's you know, some music videos they don't necessarily have to suit the 121 00:12:07,480 --> 00:12:11,519 lyrics of the song. You can apply all kinds of creative license when you're 122 00:12:11,519 --> 00:12:13,240 making a video. There's no rules. But I feel like that video, 123 00:12:15,720 --> 00:12:18,759 you know, it really captures the vibe of the song. At least that's 124 00:12:20,360 --> 00:12:22,519 that's how I felt watching it, Like it's just it. What can you 125 00:12:22,600 --> 00:12:26,039 tell us about the video? And who did you work with on that? 126 00:12:26,679 --> 00:12:33,639 So my friend who passed away, her older sister, Danielle's to Tuto. 127 00:12:33,879 --> 00:12:37,519 She does work for Netflix. Oh okay, so she asked it was her 128 00:12:37,600 --> 00:12:43,519 idea to put this video together, and she's in La so she wasn't able 129 00:12:43,600 --> 00:12:48,480 to be here. So we hired somebody that was close to Peterborough and ended 130 00:12:48,559 --> 00:12:56,440 up having landing Joe Plant, who's a really special guy and his videography work 131 00:12:56,960 --> 00:13:03,559 is amazing, and so we teamed up together. Joe and I did the 132 00:13:03,120 --> 00:13:07,679 big eight hour day. It was around this time of year. It was 133 00:13:07,720 --> 00:13:11,639 like January eighteenth, twenty twenty one. It was like eighteen degrees. Yeah, 134 00:13:11,639 --> 00:13:16,559 it looks I think. I think if I remember correctly, you can 135 00:13:16,679 --> 00:13:18,679 see your breath and at least one of the scenes. Oh yeah, yeah. 136 00:13:18,720 --> 00:13:22,320 Yeah. It was a cold, long shoot day, but it was 137 00:13:22,399 --> 00:13:28,120 really fun and Joe's a professional like no other. Yeah, and we hit 138 00:13:28,200 --> 00:13:31,519 it off. He's one of my one of my great friends now excellent, 139 00:13:33,080 --> 00:13:39,240 excellent, Still working with him was phenomenal and having that and then Michaela's sister 140 00:13:39,440 --> 00:13:46,600 Danielle also phenomenal. So I was just blessed to be able to showcase my 141 00:13:46,720 --> 00:13:50,080 work like this. Yeah excellent. Now we should also mention too, and 142 00:13:50,120 --> 00:13:54,159 we're going to play it in a little bit, we're gonna go. We'll 143 00:13:54,200 --> 00:13:56,639 hold off, kind of tease people with it. But you've got a brand 144 00:13:56,720 --> 00:13:58,559 new song. We have a world radio premiere. That's right, so we'll 145 00:13:58,799 --> 00:14:01,200 we're gonna do that in a little bit. But uh but before we do 146 00:14:01,279 --> 00:14:03,039 that, did you want to you brought your guitar? Did you want to 147 00:14:03,039 --> 00:14:09,159 play something live for us in studio? Sure? I should, And let 148 00:14:09,200 --> 00:14:11,919 me pull up that pull up that other mic. There, we got a 149 00:14:13,000 --> 00:14:16,879 separate mic on the guitar. We'll see. Uh oh, you know what, 150 00:14:18,000 --> 00:14:20,440 I have to turn this on. See, we got new we got 151 00:14:20,519 --> 00:14:24,600 new stuff, which is fun. It's fun when you have new new toys 152 00:14:24,639 --> 00:14:39,919 to play with, but there's also a learning curve. M hmmm, yeah, 153 00:14:41,000 --> 00:14:46,639 that sounds pretty good, all right, Tyler. I think we're I 154 00:14:46,720 --> 00:14:52,519 think we're we got the MIC's uh set sounds good whenever you're whenever you're ready 155 00:14:52,559 --> 00:15:05,879 to go for it, my friend. Mm hmm. A woman is a 156 00:15:05,120 --> 00:15:16,200 beautiful thing. Give her what she needs, even when your thoughts are to 157 00:15:16,360 --> 00:15:28,039 pleaded, give her what she needs. A woman is a delicate thing. 158 00:15:28,720 --> 00:15:39,200 Only pluck with care. She blue wooms with or without you. Only pluck 159 00:15:39,519 --> 00:15:52,919 with care. A woman is an artistic thing with the brush so long, 160 00:15:54,320 --> 00:16:41,200 go lightly with your strokes. Her map is not drawn. The mother is 161 00:16:41,440 --> 00:16:51,440 the most precious thing. She takes it all. She'll give, van give 162 00:16:51,679 --> 00:17:03,200 and give when she's gotten none left at all. Woman is a scary thing. 163 00:17:04,880 --> 00:17:17,400 Herbite so strong, Remailber. She's the contender in a world that fall. 164 00:17:22,039 --> 00:17:33,519 Wish that I knew anything about it, so I could take on anything 165 00:17:36,319 --> 00:18:07,839 truble your mother, Remailber. She's the contender in beautiful. What is that 166 00:18:07,960 --> 00:18:12,319 called? That's called a woman? A woman? A woman. That's a 167 00:18:12,599 --> 00:18:18,400 much shorter title than the uh than the other song. Very good, very 168 00:18:18,559 --> 00:18:22,119 very nice. If you're just joining us, we have Tyler all Good live 169 00:18:22,359 --> 00:18:27,039 in studio with us here on Matt Connorton, unleashed on this Saturday morning. 170 00:18:27,559 --> 00:18:30,880 Uh, kind of mild Saturday morning. I guess it's going to be a 171 00:18:32,000 --> 00:18:37,200 very warm weekend. Uh. My sinuses have indicated an early spring, so 172 00:18:37,440 --> 00:18:41,480 forget about the groundhog. This My sinuses tell me it's spring now pretty pretty 173 00:18:41,519 --> 00:18:47,279 much. Yeah. Absolutely. If you have any questions or feedback or anything 174 00:18:47,279 --> 00:18:49,240 at all for our guests, uh, six O three two five oh six 175 00:18:49,359 --> 00:18:52,559 oh seven, the studio line is open. Six O three, two, 176 00:18:52,680 --> 00:18:56,680 five oh six, O seven. Do you play out a lot, tyler? 177 00:18:56,759 --> 00:19:00,440 Do you do a lot of shows? I do ye? And is 178 00:19:00,480 --> 00:19:03,799 it always solo acoustic or do you ever play with a band or what? 179 00:19:03,960 --> 00:19:07,519 For the most part, it's solo acoustic. I've been doing this for five 180 00:19:07,640 --> 00:19:12,000 plus years. Yeah, I've played with various bands and done plenty of that 181 00:19:12,160 --> 00:19:18,680 over the years. Yeah. I play bass and sing in a bluegrass band. 182 00:19:18,559 --> 00:19:22,680 That's a whole nother thing. But that's a lot of fun. We 183 00:19:22,759 --> 00:19:25,279 play a lot of the same places too. Oh, very cool, very 184 00:19:25,279 --> 00:19:27,960 cool. What's the name of the band? That's White Mountain Rounders? Okay, 185 00:19:29,160 --> 00:19:33,279 okay, yeah, bluegrass is my my impression. I've I've never played 186 00:19:33,319 --> 00:19:37,240 in a bluegrass band, but obviously I've seen bluegrass bands and to me, 187 00:19:37,279 --> 00:19:40,240 it looks challenging. I mean, is a challenging playing bas in a bluegrass 188 00:19:40,279 --> 00:19:45,319 band. It can be yep, yeah, playing and singing at the same 189 00:19:45,400 --> 00:19:48,039 time, for sure. Yeah, but it's a lot of the boom boom 190 00:19:48,319 --> 00:19:52,839 boom boom. Okay, yeah, because I'm a bass player myself, but 191 00:19:52,920 --> 00:19:56,519 I've just I've just played in bands where I didn't have to be particularly technically 192 00:19:56,599 --> 00:20:00,720 proficient, So we saying, but bluegrass is always look kind of challenging to 193 00:20:00,799 --> 00:20:07,519 me. Very cool. Now as far as your so your solo material, 194 00:20:07,799 --> 00:20:11,799 do you do you prefer that to being then because you mentioned you've been in 195 00:20:11,839 --> 00:20:15,240 a lot of bands before, I mean, is it is it kind of 196 00:20:15,279 --> 00:20:18,440 liberating to be able to do your own thing. You know you don't have 197 00:20:18,559 --> 00:20:22,319 to. I mean, collaboration is nice, but getting to express yourself solo 198 00:20:22,440 --> 00:20:29,680 must be nice too. It is. It's it helps to have it directly 199 00:20:33,039 --> 00:20:38,240 only my energy whatever, And so I had I went through some things with 200 00:20:38,359 --> 00:20:42,440 that when I was doing my original music, trying to find the right members 201 00:20:42,559 --> 00:20:49,240 and trying to to find the right pieces. And I had a really special 202 00:20:49,319 --> 00:20:55,240 band called band Band where we were doing lots of original stuff and unfortunately that 203 00:20:55,359 --> 00:20:57,799 came to an end. But what I had to do was learn how to 204 00:20:57,880 --> 00:21:03,880 do all the insweration. I had to be able to get everything out of 205 00:21:03,000 --> 00:21:10,480 my head into my recording. And I feel that that's finally coming coming together, 206 00:21:10,640 --> 00:21:17,599 especially on this new third album. But it has been slowly manifesting into 207 00:21:17,960 --> 00:21:21,759 everything I need. While I play the piano and write the horn parts, 208 00:21:21,839 --> 00:21:25,039 play the drum parts, do all the things right so yeah, I was 209 00:21:25,079 --> 00:21:27,400 reading online. So you're you're a multi instrumentalist. You're one of those people 210 00:21:27,400 --> 00:21:30,799 who I'm always so jealous. You're one of those people who can play a 211 00:21:30,839 --> 00:21:33,319 whole bunch of instruments. I play bass on that song. I can play 212 00:21:33,319 --> 00:21:37,839 a little bit of guitar, but that's that's really it. But so on 213 00:21:37,000 --> 00:21:41,880 your on your albums, are you doing everything? Yes? Wow? Yeah, 214 00:21:41,920 --> 00:21:45,480 my last two this, yeah, on all three albums? Okay, 215 00:21:45,640 --> 00:21:48,799 Well, what was your first instrument? First instrument was guitar, okay, 216 00:21:49,119 --> 00:21:52,799 yeah, and then and then from a guitar, you started what was what 217 00:21:52,960 --> 00:21:56,160 was next? I played bass, and I think I messed around with the 218 00:21:56,240 --> 00:22:00,960 drums a little bit, and then I've only been playing piano for about five 219 00:22:00,119 --> 00:22:03,640 years, but it was a dream of mine to always be fluent on the 220 00:22:03,680 --> 00:22:11,039 piano. Oh, no kidding. And so I had a major spine surgery 221 00:22:11,960 --> 00:22:17,160 and it was getting too too painful to practice guitar all the time. So 222 00:22:17,279 --> 00:22:19,599 I took that opportunity. I got a keyboard, put it up on my 223 00:22:19,720 --> 00:22:23,400 dresser, and taught myself how to play. Wow, no kidding. So 224 00:22:23,480 --> 00:22:27,119 you had spine surgery? Yeah? Wow? Did do you mind if I 225 00:22:27,119 --> 00:22:32,640 ask what happened. Or I had an accident when I was eighteen, construction, 226 00:22:33,839 --> 00:22:37,759 kept working, kept skateboarding. By the time I was twenty eight and 227 00:22:37,440 --> 00:22:41,319 had gotten sober, so I became aware of everything going on in my body. 228 00:22:41,519 --> 00:22:48,400 Yeah. I was in extreme agony every day. Wow. My thirtieth 229 00:22:48,480 --> 00:22:52,880 birthday I had I had fusion surgery. Oh wow. So leading up to 230 00:22:53,000 --> 00:22:57,680 that, so when you had the accident, was it just kind of vow, 231 00:22:59,160 --> 00:23:02,160 you know, I'll just want it off and you just kind of put 232 00:23:02,240 --> 00:23:06,079 it off. Or I was stuck in an old man position, hunched over 233 00:23:06,240 --> 00:23:10,599 for about three weeks. Wow, So that's when the doctors think, that's 234 00:23:10,680 --> 00:23:17,400 when the inconsistency happened. Okay, and just being young, not have the 235 00:23:17,440 --> 00:23:21,279 surgery then just fight through it. Yeah yeah, because when you're young, 236 00:23:21,359 --> 00:23:26,440 you're invincible and you know, even if something horrible happens, I'll just walk 237 00:23:26,519 --> 00:23:30,119 it off. I'm on. Yeah. Yeah. You learn later that, 238 00:23:30,319 --> 00:23:33,400 well, you got to take care of your body. So the lesson from 239 00:23:33,440 --> 00:23:37,599 that being, if you have a spinal injury, don't don't wait years to 240 00:23:37,680 --> 00:23:41,240 deal with Yeah, just slow down a little bit, slow down and listen 241 00:23:41,279 --> 00:23:45,519 to your body. Don't listen to people who are telling you to overwork yourself. 242 00:23:45,759 --> 00:23:48,079 Just slow down, listen to your body, listen to your soul. 243 00:23:48,400 --> 00:23:51,279 Now, what was the recovery like did it? Did it take a long 244 00:23:51,319 --> 00:23:53,519 time to recover from that? Yeah? It was miserable. Wow, yeah, 245 00:23:53,640 --> 00:23:56,160 put it had to be done right. Yeah, So I but I 246 00:23:56,279 --> 00:24:00,480 took I played a gig the night before my surgery. Actually, yeah, 247 00:24:00,640 --> 00:24:04,119 I figured I'm in pain, I'm going to get this surgery. Why not 248 00:24:04,400 --> 00:24:10,119 just push it? Push it? And so played a gig before the night 249 00:24:10,200 --> 00:24:15,759 before surgery, and then I was back to gigs after four or five months. 250 00:24:15,960 --> 00:24:22,000 But it was really challenging, and I wasn't doing much other work. 251 00:24:22,119 --> 00:24:26,079 So I was blessed to be able to kind of take things slow. But 252 00:24:26,200 --> 00:24:32,359 it's it's been almost five years and it's still healing. There's still things that 253 00:24:32,480 --> 00:24:36,799 are that the muscles are getting stronger, yeah, and so it's been a 254 00:24:36,839 --> 00:24:40,039 long process. Do you still have lingering pain from it? Yeah? I 255 00:24:40,119 --> 00:24:42,799 have bad days, But for the most part, it was a success. 256 00:24:44,039 --> 00:24:48,279 Good because I was I was in complete agony every day. Oh wow. 257 00:24:48,519 --> 00:24:53,680 Yeah. It did that sort of inform your songwriting at all? That it 258 00:24:53,799 --> 00:24:57,920 did or your general approach to music? Being in pain all the time. 259 00:24:59,480 --> 00:25:03,799 So yeah, absolutely, I wrote some really good stuff from that. I 260 00:25:04,079 --> 00:25:08,160 think what what I've done for years and years is right from my pain. 261 00:25:10,599 --> 00:25:15,759 And I've had a lot of trauma as I was younger, and addictions and 262 00:25:17,119 --> 00:25:19,680 and all sorts of issues, and I just it all goes back to that 263 00:25:19,839 --> 00:25:25,799 pain, you know, and it's been my release, my therapy to write 264 00:25:25,839 --> 00:25:29,880 from that space and honest and vulnerable in that space. Well, it's like 265 00:25:29,960 --> 00:25:32,079 I always say, and I mean it's not an original thought. I think 266 00:25:32,079 --> 00:25:33,799 everyone kind of realizes this. But you know, if you if you are 267 00:25:33,839 --> 00:25:38,119 able to take things that are traumatic or painful, be it emotionally or literally 268 00:25:38,200 --> 00:25:42,400 physically painful, if you can take that and and do something constructive with it, 269 00:25:42,599 --> 00:25:45,519 you know, create art with it or from it, or inspired by 270 00:25:45,640 --> 00:25:49,799 it, you know, then at least it's you know, you're you're taking 271 00:25:49,839 --> 00:25:53,279 it and turning it into something positive, you know, to the to the 272 00:25:53,319 --> 00:25:56,559 extent that it's possible. I you know, I've never experienced that kind of 273 00:25:56,599 --> 00:26:00,559 chronic pain, so I you know, I mean I've seen it up close 274 00:26:00,599 --> 00:26:03,200 because Jenny, you know, she has a CRPS, and you know she 275 00:26:03,319 --> 00:26:06,880 deals with it every day. So but but I you know, I can 276 00:26:06,960 --> 00:26:10,839 only imagine. But you know, but you've got a You've got a lot 277 00:26:10,880 --> 00:26:12,279 of great music from it. Uh, no doubt about that. So, 278 00:26:14,440 --> 00:26:18,599 and I'm glad it's getting better. So yeah, thank you. Yeah we 279 00:26:18,680 --> 00:26:22,319 should uh yeah, before it gets too late. I want to share the 280 00:26:22,359 --> 00:26:25,799 new song with everybody, and I'm sure you do too. Now this is 281 00:26:26,759 --> 00:26:30,200 so. This is a world radio premiere of of your new song. And 282 00:26:30,440 --> 00:26:33,799 uh, what's this called? This one's called nothing but Cry? And anything 283 00:26:33,839 --> 00:26:38,640 you want us to know about this before we hear it. No, that's 284 00:26:38,680 --> 00:26:41,079 okay, we'll talk about it after all right, all right, it sounds 285 00:26:41,119 --> 00:26:45,279 good. This is really good. Uh this is Nothing but Cry from Tyler 286 00:26:45,400 --> 00:26:51,240 All good the world radio premiere here on Matt connorton Unleashed. Check this out. 287 00:26:52,160 --> 00:26:56,640 Whoops, except remember the thing I said about I'm still getting used to 288 00:26:56,680 --> 00:27:00,559 the new environs. I should probably turn up the fan. Here we go. 289 00:27:00,240 --> 00:27:26,480 Nothing but Cry wrong that I can't do nothing but cry. I can't 290 00:27:27,200 --> 00:27:41,279 do nothing but cry. Waited all my life to feel somethin right. What 291 00:27:41,759 --> 00:27:56,039 right is so Watrow? What does it take solo to understand yourself? With 292 00:27:56,240 --> 00:28:26,559 your heart on the shelf? Because we held each other last night. We 293 00:28:27,000 --> 00:28:51,079 cin to lie. Now all is sor I've done something so for me, 294 00:28:52,119 --> 00:29:00,839 I've got in hide. That's what I've seen it through. Always drown in 295 00:29:02,079 --> 00:29:21,799 the blue. I can't do nothing good. Cry, I can't do nothing 296 00:29:22,480 --> 00:29:33,880 good. Cry waited, oh my life to feel something right? What's right? 297 00:29:33,960 --> 00:29:52,640 What's mhmm? Love it? Nothing but cry from Tyler Allgood and Tyler 298 00:29:52,759 --> 00:29:56,240 all Goood is here with us live in studio this morning on Matt connorton Unleashed. 299 00:29:56,319 --> 00:30:00,960 Great song. I love that, very catchy. One of the drum 300 00:30:00,079 --> 00:30:03,680 kicks in too. It's it's impossible not to kind of move to it, 301 00:30:03,759 --> 00:30:07,200 you know, really really good. And that's and that's brand new. That 302 00:30:07,359 --> 00:30:11,119 is brand new. That is not even up on the socials yet, but 303 00:30:11,279 --> 00:30:15,920 it is getting published and sent by the end of the month or the beginning 304 00:30:15,960 --> 00:30:21,559 of March. Outstanding, Is that on an album or an upcoming album that 305 00:30:21,599 --> 00:30:23,680 you're working on? Okay, Yes, this is part of that's the first 306 00:30:23,759 --> 00:30:30,319 song off of this is my third album, okay, and so it'll slowly 307 00:30:30,400 --> 00:30:33,240 release over the next couple of months. Outstanding, Yeah, yeah, where 308 00:30:33,279 --> 00:30:37,920 do you record this is? Actually give a shout out to Charlie Kronopolis. 309 00:30:38,359 --> 00:30:41,279 That's a name I heard on the show. Yeah, Charlie is a great 310 00:30:41,400 --> 00:30:48,160 guy and just an amazing musician. So he's also a recording engineer and he 311 00:30:48,240 --> 00:30:55,839 has a studio in Wilton. And I went to Charlie to produce this work 312 00:30:56,039 --> 00:31:00,079 because we're in the same genre, we're in the same field, and I 313 00:31:00,160 --> 00:31:04,400 knew that there was something really special also that he could do pedal steel for 314 00:31:04,559 --> 00:31:10,160 me. And so you actually hear Charlie's pedal steel playing on that as well 315 00:31:10,240 --> 00:31:12,759 as he did the drums for that one. I did the drums on the 316 00:31:12,799 --> 00:31:19,799 rest of the album. So it was it was an amazing experience, and 317 00:31:19,960 --> 00:31:23,680 he and I are very close now and it's it's very special. What what 318 00:31:23,759 --> 00:31:30,519 about previous material that you've done. My second album, Through the Empty I 319 00:31:30,640 --> 00:31:36,480 did with Ben Rogers in Jeffrey and that was also that was incredible. Yeah, 320 00:31:37,279 --> 00:31:42,720 a great project. My first album I did with Ryan Gardner or Ryan 321 00:31:42,880 --> 00:31:51,079 Reminis as his stage my stage name might say Yea, And I loved every 322 00:31:51,680 --> 00:31:55,279 you know, working with three different people on those, it's been it's been 323 00:31:55,359 --> 00:32:00,440 great, Yeah, excellent, excellent, And now what's uh, tell tell 324 00:32:00,519 --> 00:32:04,240 us a little bit about the new song in terms of nothing but cry, 325 00:32:04,359 --> 00:32:07,720 in terms of like, what what's it about? Is it about something specific? 326 00:32:07,039 --> 00:32:13,799 So the album is called of Love, and it's just it takes on 327 00:32:15,039 --> 00:32:21,839 the whole perspective of this relationship that had a really hard time evolving and becoming 328 00:32:21,960 --> 00:32:32,680 something and and it was it was very it was very painstaking, and it 329 00:32:32,839 --> 00:32:45,839 brought up pretty much every emotion and every event possible for me. And yeah, 330 00:32:45,000 --> 00:32:52,160 so this it's not always an easy thing to talk about because obviously, 331 00:32:52,279 --> 00:32:54,480 you know, your songs are very personal. You know, this one's very 332 00:32:54,599 --> 00:33:01,160 vulnerable. But and you'll hear some blame in anger and grief and and really 333 00:33:01,240 --> 00:33:06,680 I don't think there's anything bad to say about one person, you know. 334 00:33:06,799 --> 00:33:08,759 And there was a lot to be learned. Yeah, I got to learn 335 00:33:08,759 --> 00:33:15,440 a lot about myself and and I still love that woman dearly, so but 336 00:33:15,559 --> 00:33:21,000 I had to write through those differences, and I had to write through that 337 00:33:21,119 --> 00:33:23,279 pain because I had no other, nohere, the place to go. Yeah, 338 00:33:23,480 --> 00:33:28,079 yeah, do you want to play another live one for us? Yeah, 339 00:33:28,480 --> 00:33:30,200 if you're just joining us, we have Tyler all Good live in studio 340 00:33:30,279 --> 00:33:34,839 this morning on Matt connorton Unleashed. We are, of course in our Canal 341 00:33:34,960 --> 00:33:39,559 Street studio and uh loving it. And Tyler is going to play play another 342 00:33:39,599 --> 00:33:44,440 one for us, and uh, what's what's this one called, Tyler? 343 00:33:44,640 --> 00:33:47,200 This one's called can we have that day again? Oh? Okay, can 344 00:33:47,279 --> 00:33:52,839 we have that day again? This is part of this, this new album 345 00:33:52,000 --> 00:33:57,640 of love, just like a woman was as well, and you kind of 346 00:33:57,680 --> 00:34:05,200 see a beautiful story and then unravels the grief and the loss that starts to 347 00:34:05,279 --> 00:34:22,239 happen. Okay, all right, very good. Whenever you're ready. You 348 00:34:22,559 --> 00:34:37,920 wait next to me, glad to know your eyes say it's okay your way. 349 00:34:43,480 --> 00:34:53,440 Did you only have the day? So we put the coffee on and 350 00:34:53,639 --> 00:35:10,000 not waste our time, feel the lie and down the trail we go up 351 00:35:10,119 --> 00:35:24,480 the ridge to a private pond. Since I never felt so full the rais, 352 00:35:24,760 --> 00:35:38,400 kiss your hair and I blurred out all my stuff and I always go 353 00:35:38,719 --> 00:35:52,880 to fall. Now see the bitter end. We would need that day again 354 00:35:58,400 --> 00:36:07,440 just to hold my my best friend. Can we have that dick again? 355 00:36:12,199 --> 00:36:25,039 Can we have that dick again? Just to hold my best friend? Just 356 00:36:25,239 --> 00:37:13,880 to hold my best friend? Can we have that dick again? M beautiful? 357 00:37:15,599 --> 00:37:17,599 If you're just tuning in and you're wondering who that amazing voice is. 358 00:37:17,639 --> 00:37:22,239 That is Hyler all good and also quite quite the guitar player. Do you 359 00:37:22,239 --> 00:37:27,679 always fingerpick? Yeah? I stopped using a pick a long time ago at 360 00:37:27,719 --> 00:37:31,000 this right now, what what was the reason why? Like why did you 361 00:37:31,039 --> 00:37:36,800 phase out using a pick? I think I always wanted to be a finger 362 00:37:36,880 --> 00:37:42,840 picker, and then at the same rate, it just became a more natural 363 00:37:42,960 --> 00:37:49,039 place. And I don't do anything conventional. I'll use the I use my 364 00:37:49,159 --> 00:37:54,880 fingernails in a flamenco kind of style. I'll pick and pluck sometimes, or 365 00:37:54,960 --> 00:37:59,440 I'll just kind of use my thumb if I need to play softer. Yeah, 366 00:37:59,599 --> 00:38:04,039 so I it's kind of a mixed style and I couldn't do it with 367 00:38:04,119 --> 00:38:06,800 a pick, and you don't have to worry about dropping your pick right where? 368 00:38:07,480 --> 00:38:10,400 What was it challenging to make that transition or what? It was a 369 00:38:10,519 --> 00:38:16,599 natural? It was a little bit challenging, But what happened was that it 370 00:38:16,800 --> 00:38:23,440 was when I finally got over the hump, it was so natural that it 371 00:38:23,599 --> 00:38:28,039 was after a little while it was easier to sing without the pick. It 372 00:38:28,159 --> 00:38:32,320 was really here to play in this kind of loose hand format and just kind 373 00:38:32,360 --> 00:38:36,719 of let it ride. Yeah. Now when you play out, is it 374 00:38:36,800 --> 00:38:38,440 always just you and the guitar? Or do you ever because you mentioned you 375 00:38:38,480 --> 00:38:40,639 know, you played learn to play piano, do you ever bring a keyboard 376 00:38:40,679 --> 00:38:45,320 with you and play that too? Or I have brought my keyboard to a 377 00:38:45,400 --> 00:38:49,599 few gigs. It just there's just too much set up. But it'll cumbersome. 378 00:38:50,079 --> 00:38:54,519 Yeah, just too much gear because I love playing piano and I do 379 00:38:54,679 --> 00:39:00,880 need a little more experience doing that live. But there's just so much gear 380 00:39:02,519 --> 00:39:08,719 pain, no doubt, no doubt. How many how many original songs do 381 00:39:08,719 --> 00:39:12,760 you have? Because you strike me as somebody who's probably always writing. I 382 00:39:12,800 --> 00:39:16,400 would imagine you always have ideas. Yeah. So I was talking to a 383 00:39:16,519 --> 00:39:21,079 friend, Kate Durman. Actually I think you know Kate. Yes, Actually 384 00:39:21,159 --> 00:39:23,000 she was commenting on social media, by the way, how much she loves 385 00:39:23,039 --> 00:39:27,239 that song that you displayed. H Yeah, love Kate. She's a wonderful 386 00:39:27,320 --> 00:39:30,920 person. Yeah, and she's been a great support over the years. Yeah. 387 00:39:30,960 --> 00:39:34,679 It does a lot for local music. Yeah, absolutely so, Hi 388 00:39:34,840 --> 00:39:37,519 Kate, Yeah, all the love. Yeah. We had we had her 389 00:39:37,559 --> 00:39:40,320 on not too too long ago, a number of months ago for Darlene hill 390 00:39:40,480 --> 00:39:45,440 Or Project and yeah, just amazing. Yeah that is incredible. Yeah, 391 00:39:45,559 --> 00:39:50,079 really good. Oh yeah, yeah, so wherever you forgot? What was 392 00:39:50,119 --> 00:39:52,519 I asking you? Oh yeah, I was asking you if you if you 393 00:39:52,559 --> 00:39:55,159 have an idea of how many original songs that you've written. So it's I 394 00:39:55,280 --> 00:39:59,719 think it's somewhere around one hundred of us. Oh, it's quite a few. 395 00:40:00,119 --> 00:40:04,440 Yeah. I write when it, when it happens. I try not 396 00:40:04,599 --> 00:40:07,639 to force it. Yeah, and sometimes I go through six or eight months 397 00:40:07,679 --> 00:40:15,280 without writing something really yeah that happened last year. But what it gives me 398 00:40:15,440 --> 00:40:17,840 time to kind of produce and write the instruments for the songs that I have 399 00:40:19,000 --> 00:40:23,280 written. Oh okay, so there's always always working always, So so you 400 00:40:23,320 --> 00:40:25,960 don't worry about it when that happens, right, because because some people do. 401 00:40:27,079 --> 00:40:29,239 Some people they get into their own heads about all, what do I 402 00:40:29,280 --> 00:40:31,199 have writer's block? Why I don't have any ideas? Right, But but 403 00:40:31,280 --> 00:40:36,239 you use the time productively. I do. I Mean, sometimes it bugs 404 00:40:36,320 --> 00:40:38,480 me and it feels like, oh, I'm not doing my purpose, I'm 405 00:40:38,760 --> 00:40:45,519 doing my thing right, And but I've learned to accept everything as it comes, 406 00:40:45,599 --> 00:40:50,440 you know, That's what kind of Yeah, just trying to accept the 407 00:40:50,519 --> 00:40:53,559 universe for what it gives. Yeah, yeah, do you want do you 408 00:40:53,599 --> 00:40:57,880 want to do one more for us live? Sure? Yeah, we have 409 00:40:58,000 --> 00:41:00,599 time and yeah, yeah you sound great. Thinks sound really really good. 410 00:41:00,719 --> 00:41:04,119 If you're just joining us, we have Tyler all Good. He is here 411 00:41:04,159 --> 00:41:07,360 with us live in studio. We just did a little bit ago the world 412 00:41:07,480 --> 00:41:13,840 radio premiere of his new studio track nothing but Cry. But he's also played 413 00:41:13,880 --> 00:41:15,760 some live ones for us today and what are you gonna play for us? 414 00:41:16,239 --> 00:41:22,239 This is hasn't been released yet, oh hasn't been produced, but it's a 415 00:41:22,480 --> 00:41:28,360 favorite of mine and some other people. This is called Fisherman's All Right, 416 00:41:28,400 --> 00:41:59,239 Fisherman's Blues. Tyler Allgood live in studio. His name is George. He 417 00:41:59,480 --> 00:42:08,440 heads out Sunday morn for the weed. He says, I can't talk right 418 00:42:08,559 --> 00:42:20,320 now, and most days I don't even like to speak. I've got my 419 00:42:20,679 --> 00:42:31,559 fishing rods and my buddy gun. What else do I need? Coolers in 420 00:42:31,800 --> 00:42:39,880 the back, so the front is reserved for we take that weed down the 421 00:42:40,000 --> 00:43:00,320 river. At home. He is the king of the block, king of 422 00:43:00,599 --> 00:43:13,239 the blog. A burly man he stands, but inside he is wickedly soft. 423 00:43:16,960 --> 00:43:22,239 He says, A long week on the coast. I am dreaming of 424 00:43:22,519 --> 00:43:31,320 my throne, my gal and my dog says, I don't mind the drives, 425 00:43:31,559 --> 00:43:44,480 but these nights are getting lost because at home he is so he's on 426 00:43:44,800 --> 00:43:53,360 the clock. He likes to feed the folks with his cross in a town 427 00:43:53,599 --> 00:44:05,119 between the Cave caught in Maine, he helps the working mine through the day 428 00:44:32,599 --> 00:44:40,199 because at home he is so hes on the clock. He likes to feed 429 00:44:40,480 --> 00:44:49,079 the folks with his crops. In a town between the Cape Caught in me 430 00:44:51,760 --> 00:45:07,519 he helps the working mind through the day to keep the busy bringing at baby 431 00:45:15,559 --> 00:45:22,400 outstanding Tyler all Good live in studio. It's been it's been wonderful to have 432 00:45:22,519 --> 00:45:24,920 you here. This is great, great meeting you and I love your stuff 433 00:45:25,519 --> 00:45:30,920 And where where should people go online to keep up with everything that you're doing. 434 00:45:31,679 --> 00:45:37,079 So my website is Tyler Allgod dot com. Nice and simple. Yeah, 435 00:45:37,880 --> 00:45:39,880 and all good is spelled exactly the way you would expect. Yes, 436 00:45:40,360 --> 00:45:44,199 yeah, I was blessed with a great last name. That is a great 437 00:45:44,280 --> 00:45:47,800 last name. I just used it, you know. Yeah, So Tyler 438 00:45:47,880 --> 00:45:54,360 Allgod dot com. I just released a new live studio video from Clarksville, 439 00:45:54,400 --> 00:45:59,480 Tennessee on my YouTube. Oh I saw that. Yes, so I released 440 00:45:59,559 --> 00:46:02,920 that. It's kind of like I don't have the spot if the new album 441 00:46:05,239 --> 00:46:07,360 up quite yet? Yeah, so I got you guys can have that for 442 00:46:07,480 --> 00:46:15,079 now. Yeah yeah, but so YouTube following me there, Spotify the website 443 00:46:15,159 --> 00:46:20,800 will let you know where my dates are. I'm playing all around New England. 444 00:46:22,039 --> 00:46:23,719 You had anything this uh this weekend? You want to plug? You 445 00:46:23,800 --> 00:46:30,800 had anything tonight? Nope, not this weekend. I'm trying to think. 446 00:46:30,920 --> 00:46:37,719 Actually I've had I have a show in Francistown, New Hampshire on Valentine's Day. 447 00:46:38,199 --> 00:46:42,639 I'll be playing. It's a local spot called toll Booth Tavern. Where 448 00:46:42,760 --> 00:46:45,920 is I'm embarrassed to say, where is Francis Town. I'm not even sure 449 00:46:45,960 --> 00:46:50,159 I've heard of it, but I can't picture it geographically. So there's you 450 00:46:50,199 --> 00:46:52,800 know, Peterborough. Yeah yeah, yeah, so if you get on the 451 00:46:52,920 --> 00:46:58,239 other side of Peterborough Francis Town. Actually I go through Francistown when I come 452 00:46:58,320 --> 00:47:01,440 to me. Oh gotcha. So it's like kind of close to Golf's Town. 453 00:47:01,639 --> 00:47:04,599 Oh, okay, in a way if you keep going, Oh, 454 00:47:04,599 --> 00:47:07,480 I'll be damned. Okay, I'm sure I've driven through it at some point 455 00:47:07,519 --> 00:47:10,519 and just never realized. Yeah, yeah, So it's a cool little tavern, 456 00:47:10,639 --> 00:47:15,320 great food, great people. Been playing there for about eight or nine 457 00:47:15,400 --> 00:47:22,360 years. It's close to home. Yeah. But I'll be in Rochester at 458 00:47:22,440 --> 00:47:29,559 Porter's Pub on February twenty fourth, and the bluegrass band is playing at Pinucci's 459 00:47:29,679 --> 00:47:38,280 Conquered on two seventeen and back Ats Holebooth on twenty three. Excellent, excellent, 460 00:47:38,760 --> 00:47:43,360 All right, Tyler, this has been wonderful, the great Tyler, 461 00:47:43,480 --> 00:47:45,800 all good, and thank you for sharing the new the brand new single with 462 00:47:45,960 --> 00:47:50,320 us too, Nothing but Cry, great great song that will be in our 463 00:47:50,880 --> 00:47:52,320 that will be in our rotation here on the show. Yeah, thank you 464 00:47:52,400 --> 00:47:57,840 for having me, absolutely and very good. So we've got coming up in 465 00:47:57,880 --> 00:48:00,039 the second hour we have Ray Coates is going to be joining us via Skype 466 00:48:00,119 --> 00:48:04,360 all the way from the UK. And then third hour today we have the 467 00:48:04,400 --> 00:48:08,000 band Vices Inc. From Portland, Maine. But we're gonna take a break, 468 00:48:08,119 --> 00:48:12,599 show some love to our amazing sponsors and when we come back, Ray 469 00:48:12,679 --> 00:48:15,559 Coats will be with us and Tyler all good, Thank you again, thank 470 00:48:15,599 --> 00:48:20,880 you you got it. Come on down to the Hop Knot at one thousand 471 00:48:21,000 --> 00:48:25,400 Elm Street, Manchester's premiere Kraft Beer and Gourmet Pretzel Bar tell us more Trudy. 472 00:48:25,519 --> 00:48:30,039 We make our dough fresh every day. We make a variety of styles 473 00:48:30,079 --> 00:48:34,239 of pretzels and serve craft beer, cocktails and a few bottles of wine. 474 00:48:34,360 --> 00:48:37,559 We do the traditional pretzel and we have multiple flavors for that. We also 475 00:48:37,679 --> 00:48:43,320 do stuffed pretzels, pretzeler sandwiches, three dessert pretzels, and pretzel knots. 476 00:48:43,440 --> 00:48:46,840 The howk Knot and the Brady Sullivan Plaza at one thousand Elm Street. I'll 477 00:48:46,880 --> 00:48:52,239 bring your kitchen to life with Queen City Cabinetry, located at eighty seven Elm 478 00:48:52,280 --> 00:48:58,880 Street in the historic Sunbeam Wall in Manchester, open Monday through Friday nine am 479 00:48:59,000 --> 00:49:02,719 to five thirty p m. In Saturdays ten am to two pm. They 480 00:49:02,800 --> 00:49:07,840 can be reached at six oh three two two two to zero zero seven. 481 00:49:08,199 --> 00:49:14,639 We're on the web at Queen citycabinat Tree NH dot com. Come see the 482 00:49:14,719 --> 00:49:20,639 possibilities. Queen City cabinat Tree, another proud sponsor of w MNH. Disness 483 00:49:20,719 --> 00:49:23,119 Cafe is the place to put a smile on your face. Judy and the 484 00:49:23,199 --> 00:49:28,480 crew will take care of you, bring your appetite and treat your Taste Buds 485 00:49:28,559 --> 00:49:34,440 Right Business Cafe is always a winning choice. Breakfast, lunch or supper Disney's 486 00:49:34,519 --> 00:49:39,039 Cafe at eight sixty Elm Street in downtown Manchester. Dine in, takeout or 487 00:49:39,079 --> 00:49:45,239 make a reservation call six oh three, six oh six two five three two, 488 00:49:45,519 --> 00:49:50,239 Eat, drink and be happy Dizze's Cafe. When it comes to keeping 489 00:49:50,440 --> 00:49:54,400 WMNH on the air and your own personal or business computer needs, trust Groland 490 00:49:54,400 --> 00:50:00,400 Computers, located on Elm Street in Manchester. Groland handles computer repair, virus 491 00:50:00,480 --> 00:50:04,519 removal and custom built systems. Are you looking for budget friendly options, check 492 00:50:04,559 --> 00:50:08,519 out our selection of fully inspected used computers. We offer tailored on site solutions, 493 00:50:08,719 --> 00:50:14,800 no unnecessary expenses here. Visitgrolind dot com or called Grollin Computers at six 494 00:50:14,960 --> 00:50:19,320 zero three six four five zero one zero one. Your tech, your way, 495 00:50:19,519 --> 00:50:25,960 Trust Grollin Computers. This hour on WMNH is sponsored by CGI Business Solutions, 496 00:50:27,280 --> 00:50:31,400 located at five Dartmouth Drive in Auburn. They serve all your business needs 497 00:50:31,519 --> 00:50:37,239 including employee benefits, planning, corporate design and business administration, investments, and 498 00:50:37,360 --> 00:50:44,000 wealth management and customized business insurance solutions. Their phone number is eight sixty six 499 00:50:44,320 --> 00:50:50,400 eight four one forty six hundred or on the web at CGI business Solutions dot 500 00:50:50,519 --> 00:52:09,119 com and a D eight A stage, how didn't you kill I had a 501 00:52:09,199 --> 00:52:31,960 straight past. What to say the SHOs gone? Made up metal notes, 502 00:52:40,840 --> 00:54:06,840 getting bad, got up your bugs, drink or toothing in a game. 503 00:54:07,159 --> 00:57:31,079 A names include containing a nay ninety nine a nat