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Hello, everybody, Welcome to That's
no mattal This is your weekly rock and

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heavy metal podcast and everything else that
might fall under the heavy music banner.

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This is hyper Blasts. It's a
bit of a pregame Hyperblast for us,

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I guess because I am joined today
by Sam Dignon, the two of us

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plus Elliott. We're all going to
be off to Damnation Festival tomorrow morning.

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So we're off for the weekend and
we'll catch up on all of that when

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we return, but we're here just
to give you a little bit of news

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before all of that exciting stuff.
Sam. I know we've just said that.

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You know, we've got some big
coming up this weekend. But have

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you been up to anything this week? Not a work stuff, you know,

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no, Jamie Lemmon this week at
work. But so this was grinding

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you down ahead of the weekend,
right literally? Yeah, Like I was

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like helping them opening up another store, and it was just like a very

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busy time. But I'm already and
fired up to you know, go Damnation.

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I'm excited for Damnation. It's like
I was looking at there's only five

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bands on there I've seen before,
and the rest of it is almost like

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entirely new stuff for me, so
it's going to be a really good time.

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Yeah, I did get up something
this week. I went to see

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Employed to Serve on their headline tour, which I was really looking forward to

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because Employee to Serve. I had
not seen a headline show of theirs since

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I think the warmth of the Dying
Sun era, like just in terms of

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kind of personal schedules, and then
of course covid and fucked up a lot

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of their touring for the last couple
of albums. I'd not been able to

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you know, I'm back like this
year. I'm back to seeing them like

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three times in a year, which
is nice. But this was the first,

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like you know, of their own
shows I'd seen in a long long

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time, and I didn't feel right
going without that for for so long.

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So I went along and I caught
what is like madly the first proper headlining

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tour for Conquering, released two years
ago. It was a you know,

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very good, you know UK as
you'd expect with those guys, you know,

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heavy Bill supporting them going off with
the first band on. I know

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you were really keen on the album
that. Yeah, we spoke about earlier

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at the start of this year.
They seem to have really taken the Halloween

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week thing to heart because I didn't
even see them on Halloween, but I

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walked in and they were on stage
and they were in full costume. We

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had ghost Face on guitar, we
had hockey mask Jason on bass, and

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the singer was complete full clown attire, like we are talking like, you

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know, the full suit with the
fucking little bobbles down the middle of the

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chest, huge you know, fingered
white gloves which are hilarious when he's throwing

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his hands around in two step and
stuff, you know, full face paint,

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full fucking curly haired, wig,
red nose, and it made watching

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him perform going off songs just really
surreal. Those songs, like I said,

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they are violent, angry, like
scathing hard core. Watching a clown

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do that is going to be a
weird. It was really intimidated. They

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had some like there had some big
tech difficulties at one point and he literally

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pulled out some balls and started juggling
to film. That's like, playmate,

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I hope you've learned that tummit him
into the just for this. Pupil Slicer

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were second first time I had seen
them since the release of the Blossom early

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this year, which we all and
a lot of you as well, very

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very much enjoyed. It was an
incredibly different experience to some of the other

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times I've seen them because it was
all Blossom material compared so, you know,

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completely new lick of lick of paint
from anything I've seen them do before.

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But it meant that they were doing
some things, like, you know,

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kind of quite long songs with you
know, some heavy, clean passages

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and stuff like that that exists on
record. They had, like they're utilizing

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smoke machines and stuff like that.
So when I've seen PUBI Size in the

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past, it's often it's quite it's
quite goofy in the you know, kind

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of very self aware sort of way, you know, with the shades and

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everything. This time it felt more
like a kind of you know, it

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had a bit more of a kind
of atmosphere and a weight to it.

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They still like they've not been able
to equal the mix of the album,

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I suppose in that in that setting, like when they were playing the title

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track of Blossom, it took me
a moment to actually recognize what song it

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was. And it's an extremely recognizable
song, but that chorus when they hit

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it, it's like they've actually got
a proper fucking chorus in the in the

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set now. They opened with No
Temple, which is just like the pure

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groove on that record, just immediately
really hard and it's into spice, spiced

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with all these kind of like you
know, electronic you know, breakbeats and

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stuff like that. Yeah, so
it was quite a different affair. And

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then employed to Serve who seemed to
be in a kind of unadulterated heavy metal

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era, Like the playlist beforehand was
like Saxon and all of this kind of

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time. He was wearing like a
ridiculous gearish blue black Sabbath Born Again long

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sleeve. And then they came out
to the Hellion as their intro and as

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well as employed to serve, seeing
them over the course of this year,

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you know, performing essentially the the
big game support for the Conquering record,

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right because it was playing with Gajira, opening in you know, arena sized

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venues and then you know the summer
festival circuit as well, seeing them are

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Bloodstock. It was all very focused
on you know that that recent material,

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which was right and good. I
was really I wanted to see all that

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stuff, and that's what you would
put in front of, you know,

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an audience, but also, yeah, employed to serve are a band who,

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as I kind of allude to be
for, I used to go and

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see an awful, awful lot in
some of their earlier days when they were

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first being spoken up on this podcast. I have a real soft spot in

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me for that era of that band, and I was like, you know,

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I hope that there, you know, there are some kind of some

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nods to the wider catalog rather than
just it be completely being I guess someone's

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like a new band on these last
couple of records, and all fears of

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that sort of dispersed when they came
out and immediately opened with void ambition.

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It was like my my heart soared
in that moment, you know, the

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first time seeing that song or anything
off that record in like five years or

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something, having it just smack out
of the gates so so good, you

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know. Obviously all the conquering and
turnal for emotion stuff was really really great.

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Got to see more of the Conquering
record, Like I think it's the

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first time at least I had seen
them do the title track from that record,

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which is my personal favorite on that
record. So that was fucking wicked

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that you know, that pit stir
a riff in the middle part of it

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exactly what I wanted to see Mark
of the Grave as like the standard closer

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now is so fucking big, but
also in terms of like you know some

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of that other you know stuff that
you might not have seen on the festival

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circuit or supporting Kajira this year,
same way I thought of that void ambition

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when in that last run of songs
along with like you know, a Turn

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of four Emotion Mark of Grave,
I spend my days wishing them away with

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Katie from Pupil Slicer coming out and
like basically jumping into the crowd during that

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that like you know again that we're
still gonna get the full body head bang,

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isn't there. Yeah, that's the
one where I was like, if

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you're gonna put one of the old
ones into like the festival set, do

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I spend my days? But that
was so fucking rades see. And also

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the maddest bit was I think it
was dull Ake behind my Eyes, which

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is the song on a Turn of
FOURD Motion, which was the most kind

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of like mathy and like the earlier
stuff. Halfway through they like mashed up

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the first half of that song and
went into out of nowhere, the oh

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this well way, it's aren't you
breakdown from Beg for Rain from the first

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record. And when that happened without
warning, I was like I felt like

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I had been teleported in time a
few years. I didn't know what was

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happening, and I don't know how
many people in the room knew what it

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was because I was talking to Just
and she was saying, like, you

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know a lot of people, you
know, they know us now for the

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more recent material, but big Groovy
met Yeah. But like slipping in a

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breakdown from Gray than new member essentially
as an easter egg, was like very

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much appreciated, and they but they
were fucking brilliant. Like seeing them again

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in their own kind of venue was
a wonderful reminder of how just how on

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it that band are. So that
was thoroughly, thoroughly enjoyed. I hope

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that you all enjoyed it if you
went to other dates of that tour.

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Let's get into the news and the
first thing we're going to talk about musically

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is something that is out today as
this episode goes out. We have spoke

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quite a lot this year. We
spoke about one last week, if I

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remember correctly, about a fairly big
stream of high profile EPs this year.

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It feels like there's been a lot
of you know, the kind of buzz

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bands have been really doing stuff with
that format and maybe this will be the

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last really big one for the year. I don't know, but spirit Box

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are releasing their six track EPs that's
quite a substantial one today. It's called

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the Fear of Fear. I was, you know, obviously been announced for

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a while. I was surprised in
a way to see another spirit Box EP

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because you expect them. I supposed
to follow up Eternal Blue properly. You

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know, you'd be looking next year
to kind of really keep the momentum going.

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Will they now do that within a
year of dropping this EP? I

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don't know, We'll say, I
hope so, but you know we have

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it's you know, two years of
spirit Box EPs on the go. Is

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this EP after you know, let's
say the previous one and obviously album for

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what enough to kind of keep you, you know, say, in an

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interest and excited about what Spiritbox are
doing. Kind I kind of fallen in

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the middle of this EP. Really, I think half of it I think

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is really good. Like I really
like sort of half the tracks on here

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and the other half I kind of
think they could just have been sort of

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offcuts from Eternal Blue. That's kind
of where I'm landing on this EP at

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the moment. Yeah, I think
that half of this EP feels like stuff

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they can do in their sleep.
And I think, you know, when

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you press play on it and there's
that just scatter gun cellar door, cellar

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doors, fucking yeah, that's one
of the best songs they've done. That

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fucking crazy poly rhythm in there,
Like that's such a good way to open

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it. And that's because it's got
that kind of point. And then when

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they really leans that low end beat
down on it as well, I'm like,

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this will be like anyone knows that
it's probably pitstir Holy Rollers moment.

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Yeah. The thing is that that
didn't Holy Roll again. Holy Rollers a

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song that came on like just between
bands and I was like show the other

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day, and that feels like such
a kind of it cemented its place there

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as a song that everyone knows.
This doesn't feel like a floor filler in

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the same way the whole of Rollie
does. It's more like them going for

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a kind of like a panic attack
approach like that is it's the most extreme

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song perhaps that they've done. Like
the breakdown part that you mentioned is hilarious.

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It's so extra like all the swirling
guitar noise and stuff around that they

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can go for that and I heard
that and go like, yeah, fucking

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fair play for them. I'm also
I like, just one of the spirit

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box tricks that they do that I
really enjoy is when they get like a

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real kind of like up tempo like
dance energy bounce going, but they're able

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to kind of deliver that with the
kind of like glacial melodic sheen. I

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feel like this song was released probably
an age ago, but the Void is

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like the Void is that That's Yeah, That one's really grown on me in

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that it's it's more kind of major
key than they've kind of been, I

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think, and so brighter then,
like even on their mormlodic passages, the

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Void is actually quite bright and dancy, and I think that would go and

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again really grown on me that those
are the standout too, I would sell,

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Yeah, I would agree. I
think the rest of it is a

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kind of bite sized version of some
stuff that they do pretty effortlessly, right

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like that kind of you know,
the sort of the circle with Me kind

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of template of that kind of you
know, getting that beauty pretty effortlessly.

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Like I do think they do it
really well. Like you know, the

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having the actual the humanity and the
singing performances I think really really helps those

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kind of melody of them get over
the top. I think it's more is

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this and there's not a huge amount
of growth really with this kind of pretty

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melodica stuff. They like they've done
that on Eternal Blue to a high enough

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standard. And you know, last
time we were talking about like some of

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the directions they went on Rotoscope and
that doesn't really feel like it's been followed

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up so much here. Uh So, you know, this old Ultra Violet

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has some kind of sense builds and
stuff, but it's still pretty normal.

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I think this EP it's it's like
a it's a reminder of the classic pretty

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normal thing that Spirit Box do.
And I think the harder leanings on something

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like that first track are kind of
the moments that will be more remembered for

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I was they are still definitely better
than most of these sort of other band

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I like this EP. That's a
start, right, Yeah, Like the

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Gempans aren't really ripping off the sugar
if anymore, they're ripping off the Architects

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version of the Sugar. If it's
because of they're doing the copy of the

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copy at this point. Yeah,
that first song that on this EP,

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the really hard one, actually does
remind me of Mush Sugar, right,

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Yeah, that's the other one.
I would say one of the other ones

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is like, you are doing Architects
doing with Sugar, yes, and I

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like, but I'm still like there's
more conviction in Spiritbox doing that than all

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the other bands. I think,
like the clean parts are really nice.

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I just think, yeah, i
Rotoscope is my favorite Spiritbox song. I

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think that is the most interesting and
just like bang a thing they've done.

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And I kind of was hoping we
get a little bit more of that kind

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of smong the more industrial dance sort
side of things, and this just feels

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like, oh, yeah, you
know, they're still good at the sort

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of slightly techy genty metalcore thing,
but it's not it's not kind of set

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the world on fire a bit.
Yeah, I think aside from that first

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track. This does not excite me
as much as the Rotors Go EP did.

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But but you know, if we
were to get an album next year,

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I hope that they can bring some
of these different you know, kind

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of wells together and really, you
know, show how, you know again,

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where they can progress from Eternal Blue
on something like a second record,

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if they can take you know,
again, some of the best parts of

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both of these EPs and whatnot that
they've done. There's also there's two more

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Blink on eighty two songs from this
new album. We've only just fucking spoken

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about this album like two weeks ago, whatever it was, But there are

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songs from the digital only edition of
the album, I guess the one you

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have to purchase that have also now
made their way online. I put this

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in the news here in case it's
kind of like, you know, you

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know, maybe these are some of
the better songs on the record, in

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case I like the sort of lost
Shining Lights or anything like that. I

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don't think these are that. I
think one of them is best than the

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other, the the more kind of
the second one on the album, that

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the more sort of tom led Sympthia
one. I quite like that a bit

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more than I can't do that.
See You. Yeah. So there's there's

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see You, which I listened to
first, and to me, it sounded

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like a like a worse auto tuney
version of the kind of neighborhood zee.

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I like the neighborhoods you think,
so I as well, but this is

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like a you know, yeah,
a worse version. I cut me off.

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A So we were speaking about some
of the auto tune on the album.

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This is so robot It's like it's
almost this almost feels like they've actually

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cut off the songs from the album
that ended up sounding the most like our

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City, like it's crazy. Yeah, no, I'm coming off in one.

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I was like, I was like, oh yeah, you know them

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definitely didn't need this, but I
think I think see You I would There's

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there's songs. I probably would have
cut off the album and replaced with SeeU.

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But cut me off. Didn't need
that at all. Yeah, twitching

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tongues. This week, of course
Halloween, they play a show as the

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twitch fits. This was actually I
believe it was in relation to a benefit

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chords for the tailor Young's the Pit
Studio, which is having to move somewhere

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else. But the video of that
set looked really, really fucking cool.

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This is of course a Misfits cover
set, as he twitch fits. They

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also then on Halloween Night itself,
they put up a bunch of those songs

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that they've recorded actually on streaming.
And there's not a lot to say about

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this, right, it's it's twitching
tongues doing Misfits doing Misfits. But that

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sounds like a good time to me. Colin has got the voice to put

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on Yeah, yeah, goes hard. Yeah, I'm just down with this.

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My favorite bit is in Astro Zombies
the way they term the PARANDU reactive

248
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exterminate into it just a full on
hardcore. I think it's Brody from God's

249
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Hate, just coming on going extra
like it. Do you do the fucking

250
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us hardcore? You know, just
all out version of that. So that's

251
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rad And you can go listen to
that if you want. We'f you're talking

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about Creed for a little while and
they've just brought to our attention here how

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good their US tour announcement video is
in the fact it's a follow on to

254
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a like that. They've embraced the
kind of like social media TikTok a little

255
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bit and I'm like, you know
what, self aware Creed, I can

256
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kind of go with even more.
But Scott stap you know, acting going

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hey, we're going at tour,
I know, just the guy to call

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and literally getting his phone up there
and then having immediately accessible on the other

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end, facetiming what's his name from
three doors down and going we and the

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boys want you to come along.
Very very funny festival stuff going on.

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Bloodstock announced a I think a very
good handful of bands here, Like this

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is a you know, no major
slots or anything here, but it's a

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handful of bands that makes me go, oh yeah, Like the festival looks

264
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tastier for having them on the on
the poster. Whitechapel have been added,

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which is good because they had to
pull out last year. They're not in

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that. I think they're playing like
Beneath Malevolence, Beneath Architects, so that

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that's a run that's a solid like
Saturday Night that would be a very powerful

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one. I was going to say
they're not. They were when they were

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meant to be playing last year they
were doing the Sophie Tent headliner, but

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are out on the main stage in
a higher slot is perfectly good by Meat

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as well. Dea Side is very
fucking exciting because, like I saw de

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Aside for the first time ever,
even though they were the first deslot of

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bands I got into like a couple
of months ago around this Bloodstock and it's

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because like they've been so rare to
appear on the UK festival circuit and stuff

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like that. So that's like something
that would be I think, you look

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00:17:56,759 --> 00:17:57,799
at that and you go, yeah, that makes sense deside of Blood Stop,

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but that's actually quite a rare thing
to have, so that's rad.

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We also have Grand Magus on their
beefing up the heavy metal and speaking of

279
00:18:07,400 --> 00:18:12,759
a real long in the waiting festival
you know, proper summer festival appearance for

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Eternal Champion in the UK there on
the Sophie stage as well. That is,

281
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you know, considering they're one of
the smallest logos on the poster right

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now, that's one of the biggest
gets. So that's very good. And

283
00:18:23,240 --> 00:18:26,200
uh, Sam, you just need
to kind of bear with me for a

284
00:18:26,240 --> 00:18:30,960
moment while I while I talk about
I've mentioned before there's a festival that's happening

285
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that I believe it started for its
first year this year called Fortress Festival,

286
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which is a black metal festival that
happens in the Scarborough area, and I

287
00:18:41,079 --> 00:18:42,720
was like, this year, I'd
quite like to go. They had Panopticon

288
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on there, they had Lampa Murmur
on there. I was like, yeah,

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00:18:45,640 --> 00:18:49,839
that's I'd like to go this year. Then this time they have added

290
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ten bands this week. One of
them is a headlining slot from Trip Tocon,

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so obviously I'm there. They also
announced the the UK, the first

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00:19:03,279 --> 00:19:07,039
time it's ever happened in UK,
Soil Wolves in the Throne Room playing their

293
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seminal Two Hunters record in its entirety
there, along with a whole bunch of

294
00:19:11,200 --> 00:19:12,960
other good stuff. Dodd's reat are
on there, which is a band I've

295
00:19:14,000 --> 00:19:15,920
been wanting to do a UK show
for a quite a long time after I

296
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was so in love with their latest
record. So this is now the thing

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00:19:19,039 --> 00:19:22,680
I'm looking forward to the most next
year. You have to deal with me

298
00:19:22,680 --> 00:19:26,039
me talking about it looks good if
you're into your artsy black metal. Isn't

299
00:19:26,039 --> 00:19:29,400
it that this is a proper They've
pulled up the fucking stops announcement that is

300
00:19:29,440 --> 00:19:33,279
like Trip to con a fucking two
Hunters set. Some really good undercar stuff

301
00:19:33,319 --> 00:19:37,359
going on as well. That's that's
now my highlight of next year. So

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00:19:37,519 --> 00:19:42,720
you know, wonderful stuff Paren goes
where Trip go. Absolutely, but I

303
00:19:42,720 --> 00:19:45,440
mean it's it's fucking serious that and
there's still a loads more to come,

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so that is well exciting. And
then I've grouped these two stories together so

305
00:19:52,000 --> 00:19:55,279
we can sort of go through them. I guess under things that people are

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00:19:55,319 --> 00:19:57,680
mad at this week, and it's
all it's all coming out of America.

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00:19:57,720 --> 00:20:03,440
It always does, isn't it as
always where discourse happens. Yeah. The

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00:20:03,519 --> 00:20:06,960
first follows up on the band that
we've just been speaking about, Blink one

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00:20:06,960 --> 00:20:11,920
A two this week did a small
little show where they popped up at Denny's.

310
00:20:11,559 --> 00:20:15,920
And at this show they were selling
a what the Fuck up Is Up?

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00:20:17,039 --> 00:20:21,960
Denny's Blink Twentity two shirt, which
if that sounds familiar, I believe

312
00:20:21,960 --> 00:20:23,559
we've referenced it in one of the
titles of this podcast, like you know,

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not too many months ago. This
is because this is referencing a already

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00:20:29,799 --> 00:20:34,519
happened kind of viral moment where the
hardcore band lived without play. The show

315
00:20:34,519 --> 00:20:38,200
at Denny's gave it the old what
the Fuck Is Up? Denny's that immediately

316
00:20:38,200 --> 00:20:42,160
became a bit of hardcore law Blink
one A two doing it and selling the

317
00:20:42,759 --> 00:20:47,640
shirt in particular, has riled up
a lot of people basically accusing them of

318
00:20:47,680 --> 00:20:52,440
being kind of corporate profiteers swooping in
to do something, you know, rip

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00:20:52,480 --> 00:20:56,880
off something that much much tinier band
who would never ever see the sales of

320
00:20:56,880 --> 00:21:00,559
a Blank Twentity two have done,
and to piggyback their merch off the back

321
00:21:00,599 --> 00:21:03,480
of it, which I think,
to be honest, it's fair enough,

322
00:21:03,720 --> 00:21:08,440
that's a reasonable criticism. It's one
of those I'm like, some of the

323
00:21:08,720 --> 00:21:14,200
like level of like outrage has been
a bit much like this isn't that blue

324
00:21:14,200 --> 00:21:17,440
whited to play? Pay the band
reparations and stuff like that. I'm like,

325
00:21:17,519 --> 00:21:21,200
yeah, that's that's You're being a
bit dramatic there, But I do

326
00:21:21,279 --> 00:21:23,440
agree is it is a bit of
a lame thing for like a massive band

327
00:21:23,480 --> 00:21:29,440
to piggyback off another band's viral moment
where and again, like a lot of

328
00:21:29,480 --> 00:21:33,000
Blank Winy two fans aren't ever going
to know that they might have seen the

329
00:21:33,039 --> 00:21:34,640
video, but they're never gonna know
who are And I think it's it's a

330
00:21:34,640 --> 00:21:40,200
shame that they've kind of not credited
the band for the inspiration. Yeah,

331
00:21:40,240 --> 00:21:45,160
I could see, you know,
I can almost see the the the innocence

332
00:21:45,160 --> 00:21:47,000
in blank when they too doing this. You think it's cool or whatever,

333
00:21:47,039 --> 00:21:51,240
but it is it's a bit shitty
to have, you know, massive band

334
00:21:51,480 --> 00:21:56,519
swoop in start selling merch with you
know, a phrase that was maybe popular

335
00:21:56,559 --> 00:22:00,039
by a band a you know,
a billionth of a size, so that

336
00:22:00,200 --> 00:22:04,200
is you know, yeah, like
figure out where these things come from a

337
00:22:04,240 --> 00:22:07,160
little bit more. And then the
other thing is even stupider. And I

338
00:22:07,200 --> 00:22:11,599
don't even know where we really take
this conversation, but there was major,

339
00:22:11,960 --> 00:22:19,119
major outraging discussion at least on my
timeline recently because Frozen Soul played a show

340
00:22:19,319 --> 00:22:26,279
somewhere in the US and a viral
video went out that someone had filmed of

341
00:22:26,440 --> 00:22:30,480
a group of guys sat in the
middle of the Frozen Soul pit, people

342
00:22:30,559 --> 00:22:36,359
running around them, having a full
on game on the floor of magic the

343
00:22:36,400 --> 00:22:41,079
gathering with you know, all of
the cards and everything, and Frozen Soul

344
00:22:41,640 --> 00:22:44,359
just took it in like a yeah, this is awesome, keep patter.

345
00:22:44,519 --> 00:22:47,920
They encouraged it, they said,
do it like this is funny whatever,

346
00:22:47,960 --> 00:22:48,960
and a few people are like,
yeah, this is great, but also

347
00:22:49,000 --> 00:22:52,559
a lot of people I think this
is good. This is coming off of

348
00:22:52,839 --> 00:22:53,640
I don't know if we spoke about
it on the show or not, but

349
00:22:53,680 --> 00:22:57,440
the was it the death Grips the
other way, the death Grip situation where

350
00:23:00,079 --> 00:23:03,279
people seem to have lost their fucking
minds of how to behave at shows.

351
00:23:03,599 --> 00:23:07,400
And I think in particular, like
I like, I'm not throwing my toys

352
00:23:07,400 --> 00:23:08,960
out of the pran about It's like
if I saw this, I wouldn't go

353
00:23:10,039 --> 00:23:14,160
up there and I wouldn't stamp on
their cards, right, But I do

354
00:23:14,440 --> 00:23:19,200
lean towards here. These guys have
clearly gone in with it in their heads

355
00:23:19,200 --> 00:23:23,599
that we like, we are going
to turn this show into a specifically social

356
00:23:23,680 --> 00:23:27,759
media viral video. They're they're not
going and playing magic for the fun of

357
00:23:27,759 --> 00:23:32,480
it, right, Like they have
gone in there with the contrived idea of

358
00:23:33,000 --> 00:23:37,000
getting a viral video out of it
and something that is supposed to be about

359
00:23:37,000 --> 00:23:41,359
you know, a band playing and
you know, enjoying the show and everything.

360
00:23:41,880 --> 00:23:47,880
People making it so much about themselves
and distracting from that for online clout.

361
00:23:48,119 --> 00:23:52,160
I can't help but feel is a
a bit cringe, but b I

362
00:23:52,200 --> 00:23:57,200
do think it is a clearly escalating
phenomena in recent years and months, even

363
00:23:57,319 --> 00:24:00,079
as we've seen with things like the
death Grip say I mean this, I

364
00:24:00,559 --> 00:24:03,240
agree with that. I do think
there is an ongoing thing of everyone wants

365
00:24:03,279 --> 00:24:06,240
to be the next viral moment.
They want to be you know, that

366
00:24:06,319 --> 00:24:08,880
what the fuck is up Denny's moment
essentially the thing that everyone they get someone

367
00:24:08,920 --> 00:24:12,640
talking, and I find that verythating. This is one of the more harmless

368
00:24:12,680 --> 00:24:18,240
ones for me personally. I'm like, you know, it's it almost was

369
00:24:18,680 --> 00:24:21,680
in the back of we when the
highlight of this was someone's filming a show

370
00:24:21,680 --> 00:24:25,480
on their freed d s or something
like that, like that being one of

371
00:24:25,480 --> 00:24:29,079
the more innocent takes on this.
But I know part of me was like,

372
00:24:29,160 --> 00:24:30,160
I was like, I think a
lot of the outrage of this is

373
00:24:30,160 --> 00:24:33,960
coming from hardcore kids who are getting
reminded that definitely kind of music for nerds,

374
00:24:34,000 --> 00:24:38,279
a little bit like they were doing
this in the eighties though like,

375
00:24:38,440 --> 00:24:41,519
no, I know, but it's
still like a lot of it. A

376
00:24:41,519 --> 00:24:44,240
lot of the outrages come from I
think the more hardcore side of the frozen

377
00:24:44,279 --> 00:24:45,599
soul fans and the more metal side
of them, like, you know,

378
00:24:45,680 --> 00:24:49,160
it's funny. Yeah, I think
it is kind of funny. Again,

379
00:24:49,200 --> 00:24:55,400
I'm not I'm not going to fucking
debase myself to being genuinely upset about this,

380
00:24:55,599 --> 00:25:00,480
But I do like the principle of
kind of going in with the idea.

381
00:25:02,160 --> 00:25:06,559
Literally, you've brought something into a
show with the exact purpose of during

382
00:25:06,880 --> 00:25:11,599
X song, I am going to
do this to distract and hopefully cause a

383
00:25:11,680 --> 00:25:14,759
viral moment. I do think he's
lame, and I think that that's a

384
00:25:14,799 --> 00:25:18,640
mentality that we do for the benefit
of, you know, shows going forward.

385
00:25:19,079 --> 00:25:22,799
We need to poo poo it a
little bit. Okay. Questions on

386
00:25:22,839 --> 00:25:26,759
this edition of Hyperblasts. As I
said, we had some leftover from last

387
00:25:26,799 --> 00:25:30,720
week, so here they are.
Arna Schrader asks, are there any bands

388
00:25:30,759 --> 00:25:33,920
that make it hard for you to
take their music seriously because their vocalist sounds

389
00:25:33,960 --> 00:25:37,000
a bit too much like a cartoon
character in your head? I really struggle

390
00:25:37,079 --> 00:25:40,799
with at the Drive In Slash,
the Mars, Volta, God Smack,

391
00:25:41,079 --> 00:25:44,960
Idols, King Diamond, and way
too many more. An incredible Rogues gallery

392
00:25:45,000 --> 00:25:48,640
there of completely different sounding artists.
I understand what you mean. And here

393
00:25:48,839 --> 00:25:52,759
is the thing. Your list of
bands there there is one major major outlier

394
00:25:52,920 --> 00:25:56,359
for me because King Diamond, King
Diamond, it's not just that I love

395
00:25:56,400 --> 00:26:00,200
him, is that he is a
cartoon character. And I agree, yeah,

396
00:26:00,200 --> 00:26:04,440
And I think this is a difference
someone like idols being like kind of

397
00:26:04,680 --> 00:26:11,240
finding their vocal stick off putting is
in part because of how kind of you

398
00:26:11,279 --> 00:26:17,680
know, serious, faux deep whatever
you may think. The the music to

399
00:26:17,960 --> 00:26:26,359
be King Diamond is a enormous theater
piece. So I I really really love

400
00:26:26,480 --> 00:26:33,200
a lot of stuff in that regard
that is kind of like super extravagant,

401
00:26:33,599 --> 00:26:38,440
weird, you know, like off
the beaten track vocal often because it plays

402
00:26:38,480 --> 00:26:44,880
into that kind of theater world building
or whatever. That real kind of character.

403
00:26:45,200 --> 00:26:48,480
That to me is like a feature, not a bug, And it

404
00:26:48,559 --> 00:26:53,839
is notably different from someone sort of
posturing as a either you know, super

405
00:26:53,880 --> 00:26:59,119
super tough or super super kind of
heart on sleeve of motive or whatever.

406
00:26:59,359 --> 00:27:03,920
Someone's sound being funny in that context
is very different to me than you know,

407
00:27:04,079 --> 00:27:07,079
what one of the all time goals
down as examples of a King Diamond

408
00:27:07,160 --> 00:27:11,000
of someone who is like it is
the point that they are larger than life.

409
00:27:11,799 --> 00:27:15,000
Yeah, No, I agree,
Like I I I I was one

410
00:27:15,039 --> 00:27:18,720
of the band says I go,
yeah, I do struggle to take I

411
00:27:18,759 --> 00:27:22,000
used to I'd quite like idols,
but when he got more and more ridiculous

412
00:27:22,000 --> 00:27:25,319
with his kind of es. I
think they've had moments, but I could

413
00:27:25,359 --> 00:27:27,880
quite happily never hear him again at
this point. For me, like the

414
00:27:27,920 --> 00:27:32,519
one I always struggle is not necessarily
the ones where it's like it's it is

415
00:27:32,559 --> 00:27:34,680
the sort of the foe. I'm
so deep and emotional, and again,

416
00:27:34,720 --> 00:27:40,559
I like a lot of singers who
are overly emotional, but like and to

417
00:27:40,599 --> 00:27:41,759
a point where the cans on a
cartoon character. I know, obviously you

418
00:27:41,799 --> 00:27:45,079
know Dylan's first love songs, but
that one I feel like, I'm like,

419
00:27:45,240 --> 00:27:48,160
no, that's just him. He's
actually Genie pointing out that's why it's

420
00:27:48,200 --> 00:27:52,119
known to me and then say fucking
bad omens or any of the or amity

421
00:27:52,119 --> 00:27:56,240
affliction. I prevail it where it's
so yeah, where it's so forced,

422
00:27:56,319 --> 00:28:00,119
and like I'm like, I don't
buy your emotion. That's why that that's

423
00:28:00,119 --> 00:28:03,319
why I find I can't take these
bands seriously. Not the vocal sounds a

424
00:28:03,319 --> 00:28:04,519
bit silly, because you know,
I again, vocals sounds a bit silly.

425
00:28:04,559 --> 00:28:07,200
If it's part of the package,
I can go with it. Yeah,

426
00:28:07,240 --> 00:28:10,599
I think, like I said,
you know, with King Diamond,

427
00:28:10,680 --> 00:28:12,079
you know, on the Halloween Roundubuck
we're doing, we were talking a lot

428
00:28:12,079 --> 00:28:15,519
about the band Manilla Road, and
their vocalist is kind of one you sort

429
00:28:15,519 --> 00:28:18,160
of could fall into this, Like
I was dying your impressions when you just

430
00:28:18,680 --> 00:28:22,880
go into the mid sentence like alas, yeah, it's brilliant, and you

431
00:28:22,880 --> 00:28:26,759
know, I love that kind of
character. But that feeds into it for

432
00:28:26,839 --> 00:28:30,680
me as opposed to my biggest ones
for these are I guess some of the

433
00:28:30,720 --> 00:28:37,400
things that you've mentioned of like when
someone sounds actively funny when they are trying

434
00:28:37,400 --> 00:28:41,119
to be super like over Earnest is
when it falls down for me again.

435
00:28:41,279 --> 00:28:45,480
So like you know, you know
you mentioned in Spanish Love Songs, guy

436
00:28:45,839 --> 00:28:49,480
is one of the real ones that
falls into there fucking dashboard confessional. Man,

437
00:28:49,720 --> 00:28:52,400
I just that guy sings and I'm
like, stop it, you can't,

438
00:28:52,559 --> 00:28:57,440
you can't make me take you seriously, you know, the lardestputes of

439
00:28:57,440 --> 00:29:02,480
this world, et cetera, and
like right now, yeah, and then

440
00:29:02,480 --> 00:29:04,599
here's one who I am like,
I like a lot of this guy's songs.

441
00:29:04,759 --> 00:29:07,319
So I'm not saying this one is
a deal breaker. But people in

442
00:29:07,359 --> 00:29:11,680
the kind of Jordan Pundick realm of
like how are you a real man?

443
00:29:11,880 --> 00:29:15,960
You know, like, how are
you as like a what like forty five

444
00:29:17,039 --> 00:29:22,200
year old guy singing? Actually then
from neck deep has always been the reason

445
00:29:22,240 --> 00:29:26,640
I can't get on, Like his
fake American accent has always been like a

446
00:29:26,680 --> 00:29:29,880
deal breaker for me. Yeah,
but again I would encourage you, you

447
00:29:29,880 --> 00:29:33,559
know, question ask her here again, We're with you on some of these

448
00:29:33,559 --> 00:29:37,000
ones, like someone like Idol's begging
you to take them seriously. Well this

449
00:29:37,119 --> 00:29:41,799
or whatever, go into a King
Diamond record or immerca or fake record.

450
00:29:41,240 --> 00:29:48,680
With it in mind that it is
all about extravagant. It's not trying to

451
00:29:48,880 --> 00:29:53,000
I don't know, it's not aiming
for you to be as grounded and serious

452
00:29:53,039 --> 00:29:56,559
in that sense. It is about
kind of escapism, and you know it

453
00:29:56,759 --> 00:30:02,559
for me at least it works.
Wonders callum Waal asks Mount Rushmore of modern

454
00:30:02,680 --> 00:30:07,240
UK metal bands. Now that's you
know, a very simple question that in

455
00:30:07,319 --> 00:30:10,079
turn kind of opens it up to
some vagueness. So there are different I

456
00:30:10,079 --> 00:30:12,759
feel like there almost there are different
categories of what kind of bands we could

457
00:30:12,759 --> 00:30:18,079
put into such things. What was
your first I've poured so much over it.

458
00:30:18,440 --> 00:30:22,200
I was like, I mean,
how modern are we talking modern?

459
00:30:22,359 --> 00:30:25,319
Like what we're saying, what we're
classing is modern at this point. Yeah,

460
00:30:25,440 --> 00:30:26,359
I wonder where there was a cup
of how long they've been around?

461
00:30:26,359 --> 00:30:32,440
I mean, I've got like a
couple almost different Mount Rushmos of different sort

462
00:30:32,440 --> 00:30:34,799
of niches. I suppose because kind
of end up pulling up the sound.

463
00:30:34,880 --> 00:30:38,400
Yeah, because my again some of
my own personal ones, my personal one

464
00:30:38,480 --> 00:30:41,799
might be more towards the underground or
whatever. But I feel like in terms

465
00:30:41,880 --> 00:30:47,240
of I guess Mount Rushmore is meant
to be the biggest of the big in

466
00:30:47,319 --> 00:30:55,720
terms of current significant to like the
popular, ye universally accessible metal bands.

467
00:30:56,200 --> 00:30:59,319
There was an easy four for me, which was bring me Architects Sleeps very

468
00:30:59,319 --> 00:31:02,559
tomorrow. That's perfectly fair enough.
I I was trying to think a little

469
00:31:02,599 --> 00:31:03,960
bit newer than that. I guess. I guess you know you could have

470
00:31:04,720 --> 00:31:07,119
again, but as well do you
count some of those metal bands still?

471
00:31:07,160 --> 00:31:10,200
But I was if I had to
go, like, why, I know

472
00:31:10,440 --> 00:31:14,519
the talking points of UK metal where
three of those bands have recently at least

473
00:31:14,680 --> 00:31:18,920
sold out arenas, Yeah, one
of them. I wouldn't argue with that

474
00:31:18,920 --> 00:31:22,359
too. If someone's put that for
I think that that's perfectly fair. Four

475
00:31:22,400 --> 00:31:25,720
that I came up with similarly were
again we're going almost like a tear down

476
00:31:25,799 --> 00:31:30,559
in terms of not as, but
this is probably maybe more metal. I

477
00:31:30,599 --> 00:31:36,319
thought architects, malevolence, psilosis,
believe from within that was exactly that was

478
00:31:36,319 --> 00:31:40,799
gonna be another pick for me or
everything smaller. If we weren't beang architects,

479
00:31:40,880 --> 00:31:44,640
I would have gone malevolant, silosis, believeble being conjura or employed to

480
00:31:44,640 --> 00:31:47,160
sell. Because because there we moved
down to akut of my one, I

481
00:31:47,160 --> 00:31:48,839
guess we should also throw out,
you know, if you're going for that

482
00:31:48,839 --> 00:31:51,440
really huge when we bring me in
everything Sleep Token are currently kind of the

483
00:31:51,440 --> 00:31:53,079
biggest new bands, so maybe they
would, you know, have an argument

484
00:31:53,079 --> 00:31:56,880
to get in there. But my
my four I've gone for just like,

485
00:31:56,920 --> 00:32:01,000
what are the four that I am
most creatively kind of passionate about at the

486
00:32:01,079 --> 00:32:06,240
moment, And again they come from
kind of different realms of thing. The

487
00:32:06,279 --> 00:32:08,599
only thing that unites in here is
uk metal, I guess relatively close to

488
00:32:08,640 --> 00:32:13,000
the underground, even though again employed
to serve to me should be on there

489
00:32:13,000 --> 00:32:15,960
with like the malevolence, you know, architects one, but my four that

490
00:32:16,000 --> 00:32:22,599
I have is employed to serve Conjurer, Ashen Spire, and the fourth one

491
00:32:22,599 --> 00:32:25,920
that I think are just the best
in the country is the banded Voices.

492
00:32:28,920 --> 00:32:31,640
I think you know a lot of
people would make the arguments for Ithaca to

493
00:32:31,759 --> 00:32:36,759
go on that, and that's fair
enough Svalbard. You know, have you

494
00:32:36,799 --> 00:32:38,359
know, kind of put the work
in and enough at this point to really

495
00:32:38,519 --> 00:32:44,000
be on them argue for ver.
Yeah, relative mass is again for that

496
00:32:44,119 --> 00:32:45,400
kind of underground for I was like, what's their cut off point? Have

497
00:32:45,440 --> 00:32:49,720
they been kind of around longer than
the other one, you know obviously pupil

498
00:32:49,720 --> 00:32:52,000
Slicer as well as another one.
Personally, like purely selfishly my four would

499
00:32:52,000 --> 00:32:57,119
be employed to serve Conjuration and spire
voices, but I could you know what

500
00:32:57,200 --> 00:33:01,279
I would got. I would go
architects, malevolence, silosis, and then

501
00:33:01,319 --> 00:33:04,599
I would probably go employed to serve. At this point, it was then

502
00:33:04,640 --> 00:33:07,119
we'll bleed them within lif if I
had to repick me personally, not just

503
00:33:07,200 --> 00:33:09,359
kind of going who are the biggest
and most like significant, But yeah,

504
00:33:09,359 --> 00:33:14,400
that's why I pick us my my
personal four Yeah, and then Ruddy mccahn

505
00:33:15,160 --> 00:33:17,000
says, we got Actually, we've
got two questions here that were essentially the

506
00:33:17,000 --> 00:33:21,359
same. So I thought, because
people have asked the same kind of sentiment,

507
00:33:21,359 --> 00:33:22,640
I've got to put it in.
But you know, I'll read both

508
00:33:22,720 --> 00:33:27,400
questions. I'm a total punk and
generally don't like progue or power metal,

509
00:33:27,480 --> 00:33:30,839
but I think cod and Cambria and
Blind Guardian are great. Hey, so

510
00:33:30,960 --> 00:33:35,119
do I like? Did you rate
this? So? So? What are

511
00:33:35,160 --> 00:33:37,720
your musical exceptions artists whose genre or
style you normally that enjoy but you think

512
00:33:37,759 --> 00:33:42,319
it a great And then Matt Bailey
individually asks which band in our world will

513
00:33:42,359 --> 00:33:45,480
people not expect you like? For
instance, I listen to mainly metalcore,

514
00:33:45,519 --> 00:33:49,279
death Court and death Metal, buy
a huge spot for Alter Bridge and Miles

515
00:33:49,359 --> 00:33:53,720
Kennedy. So essentially the same sentiment
of question here, musical exceptions bands you

516
00:33:53,839 --> 00:33:58,440
like in styles you normally don't anything
of the prog bands I like. I

517
00:33:58,440 --> 00:34:01,319
wouldn't necessarily say Code because you know
they've got that post hardcore emo thing,

518
00:34:01,440 --> 00:34:05,680
but Lepra's kind of probably feel like
one the obvious ones where they are like

519
00:34:05,759 --> 00:34:09,960
a frog band and I have just
everything I've heard from Lepros. I've just

520
00:34:10,000 --> 00:34:13,559
been absolutely in love of the one
of the sets I'm most excited about seeing

521
00:34:13,559 --> 00:34:16,079
this weekend. So I would probably
say like they're there the big sort of

522
00:34:16,119 --> 00:34:22,079
standout one for that others much of
the things there isn't like I've kind of

523
00:34:22,119 --> 00:34:24,119
like dabbled in anything enough that that
I don't think anything else where that's like

524
00:34:24,159 --> 00:34:30,760
a genre I actively dislike where there
is a thing that I think is one

525
00:34:30,800 --> 00:34:36,760
of the best liked. Yeah,
I guess I don't have many styles these

526
00:34:36,840 --> 00:34:40,840
days that I like point blank,
blot out right like one. I have

527
00:34:40,880 --> 00:34:46,079
styles that I am much less keen
on. I'm the same, isn't it

528
00:34:46,079 --> 00:34:50,199
than others? But I don't think
there are many genres where I just go

529
00:34:50,519 --> 00:34:52,320
no, I don't like that at
least we're in the walls of kind of

530
00:34:52,320 --> 00:34:54,239
you know what we what we cover. But it always would be that kind

531
00:34:54,239 --> 00:34:59,639
of like, you know, heartland
punk. I suppose heartland rock, like

532
00:35:00,199 --> 00:35:02,719
the Granddaddy's of it are not really
into, so it always did feel like

533
00:35:02,760 --> 00:35:08,320
an outlier. When I fell in
love with the Menzingers even and then you

534
00:35:08,360 --> 00:35:13,199
know the Mensingers and you know pre
the latest one. The excerpts were the

535
00:35:13,199 --> 00:35:16,760
bands who were kind of the standouts
there. I've never you know, you

536
00:35:16,760 --> 00:35:21,000
know, kind of I was never
a tech fest guy, right, like

537
00:35:21,159 --> 00:35:22,800
you know what I mean by that
kind of instrumental tech metal or whatever.

538
00:35:23,039 --> 00:35:25,559
That's like we don't really review this
stuff on the show because I feel like

539
00:35:25,599 --> 00:35:29,679
none of us really have the passion
for it. But I really I've had

540
00:35:29,719 --> 00:35:32,719
big kind of dalliances with Animals as
leaders, Like I think on their their

541
00:35:32,719 --> 00:35:37,599
best day, that band can be
fucking brilliant. But even then, I

542
00:35:37,639 --> 00:35:38,239
was trying to think of, like
what our styles I don't like, and

543
00:35:38,239 --> 00:35:40,519
one of the things that obviously came
to mind sim is what we're saying with

544
00:35:40,519 --> 00:35:46,039
another question before, is that kind
of over emotional hardcore thing, like the

545
00:35:46,079 --> 00:35:52,039
spoken words style you don't like or
defeata But there's bike exception. I quite

546
00:35:52,079 --> 00:35:54,840
like Defeata. Well, I was
gonna say, is you quite like you

547
00:35:54,880 --> 00:35:58,760
quite like Modern Life? Yeah?
The Modern Life is War record I thought

548
00:35:58,840 --> 00:36:00,599
was was was pretty good, but
I was reminded this year because we saw

549
00:36:00,639 --> 00:36:02,920
him an outbreak and I hadn't listened
to them in like a few years,

550
00:36:04,159 --> 00:36:07,000
but I was like, yeah,
defeat her actually the one in that kind

551
00:36:07,039 --> 00:36:08,760
of lardest ute two chet Lane.
I don't know if they're a bit harder,

552
00:36:09,039 --> 00:36:13,079
a bit less whiny. I don't
know what it is. It's darker

553
00:36:13,119 --> 00:36:15,559
and less kind of like all sadness, but like, yeah, I think

554
00:36:15,599 --> 00:36:17,760
again, I'm not in love with
them, but I think defita are you

555
00:36:17,960 --> 00:36:22,440
a band? I happily watched the
outbreak and really enjoyed what they were doing,

556
00:36:22,920 --> 00:36:25,199
and then I guess, of the
kind of current gente pop metal thing,

557
00:36:25,239 --> 00:36:28,559
you know, talking about them earlier, I really like spirit Box when

558
00:36:28,559 --> 00:36:30,760
I don't like a lot of the
other ones that are, you know,

559
00:36:30,840 --> 00:36:32,639
kind of as popular. I mean, you go, I hate a lot

560
00:36:32,639 --> 00:36:37,800
of the sort of the TikTok music, and I love Scene Queine, and

561
00:36:37,840 --> 00:36:42,159
she kind of does sit into that
category of of TikTok alternate music, like

562
00:36:42,320 --> 00:36:45,000
I I mean, most of that
stuff is terrible, but I'm I'm all

563
00:36:45,000 --> 00:36:49,719
about Scene Queen. There you go. Okay, Patreon this week making some

564
00:36:49,760 --> 00:36:52,519
allusion to Manilla Road before the thing
that went up. For all the lovely

565
00:36:52,559 --> 00:36:55,639
people who support us and give their, you know, the harder money to

566
00:36:55,679 --> 00:36:59,840
keep this podcast going, we absolutely
appreciate all of that. What we gave

567
00:36:59,840 --> 00:37:02,360
you the week was in lieu of
the month's usual album club is we took,

568
00:37:02,440 --> 00:37:06,719
you know, the once in a
year opportunity to see the Halloween album

569
00:37:06,920 --> 00:37:10,119
Roulette. That was myself, Mark
and Elliott who came together to do that.

570
00:37:10,199 --> 00:37:15,519
Sam. I sent you the podcast
listened to and you'd sent over this

571
00:37:15,599 --> 00:37:19,280
morning that you were listening to alude
to Vinamin Sannas for the first time in

572
00:37:19,519 --> 00:37:23,440
however long? How much of that
has been awoke in you? Like I

573
00:37:23,480 --> 00:37:25,119
was, I was sad, I
was in part of this, but I've

574
00:37:25,159 --> 00:37:28,440
not listened to the whole thing.
Yeah, I've still got the Macca part

575
00:37:28,480 --> 00:37:32,239
to go. But maddest going back
to going back to the first Morbid Angel

576
00:37:32,280 --> 00:37:37,360
album I ever heard, and and
kind of going like, hang on a

577
00:37:37,360 --> 00:37:40,039
minute, this album is daft,
stupid and terrible and I'm having a great

578
00:37:40,079 --> 00:37:46,280
time listening to it. How much
fun did you like? Rad? I

579
00:37:46,320 --> 00:37:50,639
was like, fuck me, Like, like the thing is though, is

580
00:37:50,679 --> 00:37:52,800
like Blazer with ba is actually like
fucking legit banger. I mean, that's

581
00:37:52,800 --> 00:37:58,599
what's wicked. But there was like
two extreme in radical kind of bookending the

582
00:37:58,599 --> 00:38:01,480
album. Even though there's stuff,
it's just like Jesus Christ This album is,

583
00:38:01,840 --> 00:38:06,840
Yeah, it's terrible but kind of
brilliant. The Halloween arm Wreck we

584
00:38:06,880 --> 00:38:09,400
did it was it's the longest one
of those we've done by a fair old

585
00:38:09,400 --> 00:38:13,960
way, and it's entirely on the
last two albums because essentially what we did

586
00:38:14,119 --> 00:38:17,480
is we had a you know,
the pretty normal way we go about the

587
00:38:17,559 --> 00:38:21,440
Halloween album without picking stuff that sounds
spooky or whatever. We had a nice

588
00:38:21,480 --> 00:38:24,719
little conversation about you know, things
like Niller Road and the Coffin Shakers and

589
00:38:24,800 --> 00:38:28,360
you know, some some stuff for
the punk fans and stuff for the metal

590
00:38:28,360 --> 00:38:31,320
fans and all of that. But
then the last two albums we just just

591
00:38:31,440 --> 00:38:38,280
sidetracked, like it just it went
so much deeper into like again, with

592
00:38:38,360 --> 00:38:45,400
Morbid Angel, one of the most
like just infamous has to be dissected,

593
00:38:45,639 --> 00:38:49,599
what the hell happened here moments in
any metal band's creative history. It's one

594
00:38:49,639 --> 00:38:53,960
of those moments. And then with
Macarb it was like me and Elliott seemed

595
00:38:53,960 --> 00:38:57,800
to have built up so much macab
law from over the years, and it

596
00:38:57,840 --> 00:39:00,119
was like, we're never going to
talk about the band again. We have

597
00:39:00,159 --> 00:39:04,800
to get it all out. It's
like this is someone chance to talk about

598
00:39:04,800 --> 00:39:07,159
all things but carb and it's it's
a fascinating album in terms of, you

599
00:39:07,159 --> 00:39:09,519
know, how it makes you feel, the ethics of it, et cetera.

600
00:39:09,639 --> 00:39:13,079
We went into all of that,
but yeah, it was it was

601
00:39:13,079 --> 00:39:15,599
like a normal album Roulett to begin
with that was, you know, always

602
00:39:15,639 --> 00:39:19,559
enjoyable as they are. That then
went fucking deranged towards the end. So

603
00:39:19,599 --> 00:39:23,000
that's why it ended up as it
did. It was really really funny to

604
00:39:23,039 --> 00:39:27,960
talk about as a result. So
I you know, if I really recommend

605
00:39:28,079 --> 00:39:30,840
you go out and check the Hallow
I've heard I've enjoyed a lot. Yes,

606
00:39:30,920 --> 00:39:34,119
yeah, just an absolute hoot and
holler talking about some fucking sick,

607
00:39:34,840 --> 00:39:37,199
sick stuff. So that is the
how we down that. That was that

608
00:39:37,280 --> 00:39:42,800
patron of com slash that's not metal. We will be resuming the Allison Chain

609
00:39:42,880 --> 00:39:46,360
Special with the third and final William
Devall themed part within the next couple of

610
00:39:46,400 --> 00:39:51,800
weeks. And now let's just close
this hyperblast with the release ran up for

611
00:39:52,039 --> 00:39:55,519
this week. First thing, I
guess first week of November and the I

612
00:39:55,519 --> 00:39:59,559
guess that the probably the most hot
high profile release here in the UK at

613
00:39:59,639 --> 00:40:04,000
least comes from Green Lung. It's
their record this Heathen Land. That is

614
00:40:04,000 --> 00:40:06,519
a band who have a lot kind
of expectations riding on their shoulders, I

615
00:40:06,519 --> 00:40:09,199
think with this one, so you
know, good luck to them there.

616
00:40:09,360 --> 00:40:12,920
Also, if we jump to the
as a side of the Atlantic, the

617
00:40:13,280 --> 00:40:17,679
highest profile releases perhaps the new Dying
Wish album Symptoms of Survive All these second

618
00:40:17,920 --> 00:40:23,079
full length album from one of the
most beloved current bands in metallic hardcore.

619
00:40:23,280 --> 00:40:28,719
Continuing down the hardcore all least heavy
route, Fuming Mouth that is the kind

620
00:40:28,719 --> 00:40:32,800
of death thrash hardcore band who we've
spoken about a couple times over the years.

621
00:40:34,079 --> 00:40:37,440
Their record Last Day of Sun is
out and from here we will go

622
00:40:37,519 --> 00:40:39,679
to Sugar Horse, Truth or Consequence, New Mexico. That's a band I

623
00:40:39,719 --> 00:40:44,000
know that in kind of when they've
released records in recent years, they've had

624
00:40:44,000 --> 00:40:46,880
a fair bit of kind of interest
in them. So that is out on

625
00:40:47,119 --> 00:40:51,840
Blue Grape Records. That is the
label that is now home to Code Orange

626
00:40:51,840 --> 00:40:55,599
and many others. You go listen
to the self titled Spiritual Cramp record.

627
00:40:57,159 --> 00:41:00,719
This is one that involves members of
you know, Convert and Death Heaven and

628
00:41:00,760 --> 00:41:05,719
all that kind of you know,
death Wish supposed lot Sexless Marriage releasing a

629
00:41:05,760 --> 00:41:07,960
record This is not Love. I
think, you know, if you like

630
00:41:07,000 --> 00:41:09,880
those bands. Jake Bannon does some
guest vocals and stuff on parts of that.

631
00:41:09,960 --> 00:41:15,239
You know, go go down in
that avenue elsewhere. We have got

632
00:41:15,840 --> 00:41:19,559
actually continuing in that kind of death
wishy type route, you know, produced

633
00:41:19,679 --> 00:41:22,440
and mixed I believe by Kurt balou
Morna. We're Engraved with Pain. That's

634
00:41:22,440 --> 00:41:24,920
some kind of sludgy post metal stuff
there with that, you know, blue

635
00:41:25,000 --> 00:41:30,880
filter on it, your kind of
alt rock emo. Stop this Week is

636
00:41:30,960 --> 00:41:34,599
a self titled a record from a
band called All Get Out. And as

637
00:41:34,599 --> 00:41:39,480
we move into the extreme stuff,
we have death metal icons Suffocation returning with

638
00:41:39,599 --> 00:41:45,239
their album Hymns from the Apocrypha.
This is their first album in Pharaoh.

639
00:41:45,280 --> 00:41:47,280
I think it's like six years now, but I think more notably, it's

640
00:41:47,480 --> 00:41:53,599
the first with the new Suffocation lineup
that now features no longer features Frank Mullen,

641
00:41:54,079 --> 00:41:59,039
their longtime vocalist has now fully departed
the band, and they've now got

642
00:41:59,039 --> 00:42:01,119
the guy Ricky, the guy who
has been doing vocals with them live for

643
00:42:01,119 --> 00:42:05,679
a long time. This is his
first proper studio recording, so you know,

644
00:42:06,039 --> 00:42:07,679
I guess something riding on that Suffocation
record, but it sounds like they're

645
00:42:07,719 --> 00:42:12,760
kind of, you know, supplying
what Suffocation always do, which is what

646
00:42:12,760 --> 00:42:15,360
people I guess want from them when
they make a change like that, some

647
00:42:15,440 --> 00:42:20,760
finish kind of occult seventies rock.
We've got Crypta with Altu Laksu and speaking

648
00:42:20,800 --> 00:42:28,639
of occult Italian freaks, I suppose
Mortuary Drape Black Mirror. We also have

649
00:42:28,880 --> 00:42:31,639
the live album from Wata, which
is called Die in Fire, Live in

650
00:42:31,679 --> 00:42:35,679
Hell, Live in Hell, whichever
you prefer, I presume, but that

651
00:42:35,800 --> 00:42:38,480
is their recording of, you know, the whole the agony and NEXI of

652
00:42:38,559 --> 00:42:44,440
Watan live cycle they've done and they've
immortalized it in live form and a few

653
00:42:44,480 --> 00:42:47,519
EPs. We have STREEGOI Bathed in
a Black Son. That is Greg McIntosh

654
00:42:47,559 --> 00:42:52,159
from Paradise Lost. This is his
kind of crusty death metal project that followed

655
00:42:52,159 --> 00:42:57,599
on from his Valan Fire project Melo
Death. We have Insomnium Songs of the

656
00:42:57,679 --> 00:43:00,199
Dusk, and of course we have
the spirit Box Epia that we open this

657
00:43:00,239 --> 00:43:05,119
episode talking about. So go and
listen to those. Thank you very much.

658
00:43:05,719 --> 00:43:08,400
We are now off, but we
will return next week and be with

659
00:43:08,519 --> 00:43:13,519
you once again with what we've seen
what we've been up to and anything else

660
00:43:13,519 --> 00:43:15,760
that's happened in the week since.
So yeah, we'll see you all there.

661
00:43:15,960 --> 00:43:16,440
Bye bye,
