1
00:00:01,639 --> 00:00:06,960
That here a hug to Miguel de
Jesús Rodríguez, the chocolate, who was

2
00:00:07,040 --> 00:00:11,160
a little affected to his health.
I hope that he will recover soon and

3
00:00:11,199 --> 00:00:14,759
with the faith and strength that he
always exhibits in God and Jesus Christ,

4
00:00:15,560 --> 00:00:18,280
health will come. So I send
you a hug from here that every day

5
00:00:18,359 --> 00:00:23,359
listens to us, from Pennsylvania,
yes, Pensylvania, the chocolate all legends

6
00:00:23,399 --> 00:00:27,960
of the radio of the Cibao.
He made a great journey in Turbo ninety

7
00:00:29,000 --> 00:00:30,960
- eight in the afternoons was that
I listened to him over there. It

8
00:00:31,079 --> 00:00:35,159
' s more than fucking years and
a tremendous master of ceremony. He'

9
00:00:35,159 --> 00:00:39,920
s a communicator, he was a
collaborator, and what' s the name

10
00:00:40,000 --> 00:00:44,280
of the thing people do when they
send him to a town or a super

11
00:00:44,280 --> 00:00:47,679
- Holy Week reporter. So for
him a hug you said, Eduardo,

12
00:00:47,840 --> 00:00:51,719
is that I don' t ask
you, because I always listen like candymen,

13
00:00:52,640 --> 00:00:57,159
chocolate, like those DJ names of
the time and also some that still

14
00:00:57,240 --> 00:01:00,439
have. I don' t know
about Candyman, but chocolate has an easy

15
00:01:00,439 --> 00:01:00,719
explanation. It' s just that
he' s a dark- haired man.

16
00:01:00,840 --> 00:01:06,319
If it varies from the Mao of
Valverde, as Peter Back was told

17
00:01:06,319 --> 00:01:10,200
in his time as an anime boy, as an animator, the vite didn

18
00:01:10,200 --> 00:01:11,200
' t take the lead. I
didn' t have, I didn'

19
00:01:11,200 --> 00:01:12,920
t have any nicknames. That'
s what I' m saying, Mommy,

20
00:01:14,879 --> 00:01:15,560
the pinter You' re going to
be on this side I' ve

21
00:01:15,560 --> 00:01:17,200
had a little kiss on this side. Tonight it cost you or s Sara

22
00:01:18,079 --> 00:01:27,799
once in it is not loose and
in sheath and very logic and in rumba

23
00:01:27,920 --> 00:01:33,760
the boy put me the fierce in
the nineties. What those were are you

24
00:01:33,799 --> 00:01:38,120
legends of animation and the Dominican radio
wins Boy Fromborno died as when ten years

25
00:01:38,200 --> 00:01:45,319
ago, he retired to fall in
the two thousand four. Through there he

26
00:01:45,439 --> 00:01:49,239
led Rumba and also Nobel ninety-
three in Bonao. It' s in

27
00:01:49,319 --> 00:01:56,599
that my they' re still Petter' s fierce. Don' t tell

28
00:01:56,599 --> 00:02:00,319
me another what our friend' s
name is. We threw him walk that

29
00:02:00,599 --> 00:02:02,879
announcers with a man. That'
s a pod. Eighty miners, the

30
00:02:04,000 --> 00:02:07,879
tomil to yes, but Tommy Mello
is a man, but don' t

31
00:02:07,000 --> 00:02:13,919
say your name on that guy.
Such a thing or perished. So I

32
00:02:13,919 --> 00:02:15,879
don' t know what sheath.
For example, Carlos Toma, who is

33
00:02:15,919 --> 00:02:21,800
one of the last 80- year- old litter of Carlos Thomas, graduated

34
00:02:21,800 --> 00:02:23,520
from the speech in the year ninety- three that took it was the radio

35
00:02:23,520 --> 00:02:27,000
bonitillo. It' s cute and
it' s the real edge. Carlos

36
00:02:27,039 --> 00:02:30,159
takes what he has to Green Eyes
and in a country where people so ugly

37
00:02:30,199 --> 00:02:32,280
have green eyes. It' s
a plus. Not in his time.

38
00:02:32,680 --> 00:02:36,439
He was good, he was an
elegant guy. Yeah, yeah, yeah,

39
00:02:36,759 --> 00:02:39,599
yeah, yeah, he was a
fancy guy. The bonito on the

40
00:02:39,719 --> 00:02:45,159
radio or wey yeah, yeah,
yeah. I' ve never done it,

41
00:02:45,439 --> 00:02:49,159
never a mommy, not Carlos Thomas, never again looks at anyone,

42
00:02:49,319 --> 00:02:53,039
Never Mommy, gave me three schools
on the Medrado group radio station. I

43
00:02:53,120 --> 00:02:55,639
' ve never had no mamea who' s not called friend to and black.

44
00:02:55,639 --> 00:03:00,599
And how is the super black,
the super black super black who doesn

45
00:03:00,800 --> 00:03:07,360
' t catch the black Pelusa,
what doesn' t fucking Pelus, the

46
00:03:07,639 --> 00:03:13,599
sun worker so free I' ll
clear you of the wow. Not like

47
00:03:13,639 --> 00:03:16,360
that, not anymore. In fact, there are already animators, there are

48
00:03:16,400 --> 00:03:23,080
no longer jasso I believe that already
the last, the last animators, since

49
00:03:23,120 --> 00:03:28,120
they are left of the new generation. There are no good animators, besides

50
00:03:28,159 --> 00:03:31,800
that we are already very good speakers, but animators like those who met the

51
00:03:31,879 --> 00:03:36,599
radio in the seventies and eighties,
and perhaps the last great litter of good

52
00:03:36,680 --> 00:03:38,759
animators was in the nineties, that
is where the very yulísima Meri Jane and

53
00:03:38,840 --> 00:03:45,319
a number of names that became popular, Chico Maxi, for me one of

54
00:03:45,360 --> 00:03:53,360
the best animators that the radio has
had. Ah that Maxi was sometimes too

55
00:03:53,400 --> 00:03:59,639
hairy, an old young man,
was more yes or young old, or

56
00:03:59,719 --> 00:04:03,319
at twenty- seven years old he
seemed to be eighty years old in temperament

57
00:04:03,400 --> 00:04:08,639
gives me a name because what Miguel
Ortega tells me was a good animator in

58
00:04:08,639 --> 00:04:12,080
his time. So that Miguel Ortega
had a short trance on the radio,

59
00:04:12,759 --> 00:04:15,920
because he hi are more television than
radio. Oh, that' s right.

60
00:04:16,040 --> 00:04:18,920
He was the first director who had
independence from FM in the ninety-

61
00:04:19,920 --> 00:04:24,600
five, the Gaby Gavilan, Gaby
of the best of all time and care

62
00:04:24,839 --> 00:04:30,399
if his generation was not the best
teacher, master of animators. But that

63
00:04:30,600 --> 00:04:33,920
doesn' t exist anymore. Well, our friend Ross Peña said it,

64
00:04:34,120 --> 00:04:40,279
Roberto said it, and your friend
Frankie said it more humanely than the peace

65
00:04:40,319 --> 00:04:45,199
that was dedicated to radio real estate. Franquia, Franquiaria, Franquearia, was

66
00:04:45,600 --> 00:04:51,279
rock very good, had a nickname
when I was in poor, was in

67
00:04:51,800 --> 00:04:57,680
power and I was in Universal,
also universal and in the mornings in supra

68
00:04:57,480 --> 00:05:02,639
and don Roberto did not have to
be good, not frank, because there

69
00:05:02,680 --> 00:05:11,000
was a particularity on Radio Universal,
especially in that stretch of the nineties and

70
00:05:11,120 --> 00:05:15,160
it was that in universal gradio they
had a mardito bosolón everything that went out

71
00:05:15,199 --> 00:05:18,879
there, starting with rospeñas. The
broadcaster who died was already the director of

72
00:05:18,959 --> 00:05:23,480
Dominicana Femas. I left the named
Marian de la Mota. She was one

73
00:05:23,519 --> 00:05:28,639
of the cleanest female voices I'
ve ever heard on the radio. It

74
00:05:28,759 --> 00:05:31,879
was for a long time the voice
that identified in channel one hundred and five

75
00:05:33,720 --> 00:05:36,240
in the Vega Mario de la Mota. Imagine you getting into that league.

76
00:05:38,360 --> 00:05:45,959
It was quite good, very good
and to stand out is because it was

77
00:05:45,959 --> 00:05:48,680
very good with that equipacio, the
pimp Mami super who had very good animators.

78
00:05:48,720 --> 00:05:55,000
That' s where Orlando was,
too. He saw very little that

79
00:05:55,000 --> 00:05:57,680
he later became a doctor, but
there was the one who left for New

80
00:05:57,680 --> 00:06:01,639
York. Rudy very rude Franco who
brought him from Santiago for here was in

81
00:06:01,639 --> 00:06:10,399
Turbo ninety- eight remember Frankie Aria
was Frankeria in universal and Pedro Piedra in

82
00:06:10,480 --> 00:06:15,199
Power one hundred and three and that
double sheath Yes, two, double talent,

83
00:06:15,560 --> 00:06:19,720
double talent, yes, yes,
yes, educated, but truly and

84
00:06:19,839 --> 00:06:24,240
with all the love of the world. But the Yulisima marked a stage that

85
00:06:24,240 --> 00:06:30,839
no one has been able to overcome. Vicky, also the Vicky who worked

86
00:06:30,920 --> 00:06:32,680
here in rhythm ninety- six and
again, in space chain many years,

87
00:06:33,240 --> 00:06:38,920
but worked on radio m also for
a long time. Very good cheerleader,

88
00:06:39,240 --> 00:06:44,319
and now I' m running the
street. Yes, very good announcer and

89
00:06:44,439 --> 00:06:48,759
clear is for me the best of
the best of all time. In the

90
00:06:48,879 --> 00:07:00,279
fucking pucci, the damn hard puchera, the end I eblo crawls, but

91
00:07:00,399 --> 00:07:06,279
he gave him the i we would
call him the tell me, because everyone

92
00:07:06,360 --> 00:07:11,680
can have their list. The most
complete of all was Super fran a super

93
00:07:11,720 --> 00:07:15,399
Frank More than that is an intellectual
of the radio, no one exceeded,

94
00:07:15,759 --> 00:07:21,160
a genius of the radio creativity,
a passionate of what makes tremendous super tobacco,

95
00:07:21,800 --> 00:07:28,000
yes, of course, super super
franfrago to a generation of animators that

96
00:07:28,279 --> 00:07:30,759
from there detached everything that then stood
out here on the radio throughout the country.

97
00:07:32,319 --> 00:07:36,800
And the one who discusses it in
a different way is a petty,

98
00:07:39,120 --> 00:07:43,920
yao tremendous announcer, tremendous animator,
tremendous programmer and tremendous creative of the radio

99
00:07:43,959 --> 00:07:49,319
that was rapping animate that has rapping
raps cheering on the devil uncle and talking

100
00:07:49,319 --> 00:07:54,120
on horse pussy. It tells me
that Super Franca is engaged in a commercial

101
00:07:54,160 --> 00:08:00,879
for a meeting with a hippolyte.
They politicized me. I wasn' t

102
00:08:00,879 --> 00:08:03,519
there for that. Right, it' s true. Open up. Yes,

103
00:08:03,600 --> 00:08:07,279
yes, yes, but hard,
hard, now, frank because your

104
00:08:07,319 --> 00:08:13,720
occurrences and experience and wisdom are always
necessary, necessary. I have other issues.

105
00:08:13,120 --> 00:08:16,360
Yeah, yeah, yeah, what
do you do now and then?

106
00:08:16,920 --> 00:08:20,319
Yes, but certainly what they say
is that there are no good animators anymore,

107
00:08:20,600 --> 00:08:24,480
I think it is not because of
lack of talent, but rather of

108
00:08:24,560 --> 00:08:28,439
people who already find this interesting for
the new generations. Radio is evolution.

109
00:08:28,759 --> 00:08:35,039
Yeah, these more conversational abortions and
the whole pod. But even now this

110
00:08:35,200 --> 00:08:39,200
seems not to be exciting and does
not appeal to people like maybe like me

111
00:08:39,240 --> 00:08:43,120
who approached the radio. Out of
curiosity, the voices the way to animate

112
00:08:43,360 --> 00:08:46,720
excellent here my and I have lacked
the radio in English, because where you

113
00:08:46,759 --> 00:08:52,360
leave you who was in his last
stage on the rocks. Oh, my

114
00:08:52,360 --> 00:08:56,200
God, he passed away nine years
ago. Wow I did the name,

115
00:08:56,159 --> 00:09:01,080
but I was in Listin for a
while, no more, but not like

116
00:09:01,120 --> 00:09:03,919
Rol was the voice. He identified
semisola for a long time. I'

117
00:09:03,919 --> 00:09:09,759
m talking about this announcer who really
liked Britain and all that sheath. Wow,

118
00:09:11,600 --> 00:09:15,039
I left the one who worked with
Pompo Ombrea for a long time.

119
00:09:15,159 --> 00:09:18,679
It was also a pompon was very
hard and his brother, too, Mario

120
00:09:18,679 --> 00:09:24,000
Obrea, was a pompo of music. He' s got man, don

121
00:09:24,039 --> 00:09:26,200
' t man, I don'
t say another, my God, it

122
00:09:26,200 --> 00:09:28,200
wasn' t man' s name. They' re going to give it

123
00:09:28,279 --> 00:09:37,519
to you if this good one gives
you Alberto Ricardo Herrera, a Mike Romero

124
00:09:37,600 --> 00:09:41,000
who was very hard Romero, Ricardo
Rana DJs. Mike Romero is the one

125
00:09:41,039 --> 00:09:43,879
who' s fucking with me,
teacher and such a good friend that he

126
00:09:43,879 --> 00:09:48,720
was a mom. I' m
old, but there hasn' t been

127
00:09:48,879 --> 00:09:52,480
here and write it down Look,
I was a barombalete fan. Karina Ciprián

128
00:09:52,600 --> 00:10:01,000
is one of the best voices in
English radio and radio station animation. It

129
00:10:01,000 --> 00:10:05,320
is still there on the radio,
but this country has not given birth to

130
00:10:05,480 --> 00:10:11,320
a better music animator or English rock
radio stations that is Mike Romero. He

131
00:10:11,320 --> 00:10:15,200
' s there. It' s
there in the videos and the story.

132
00:10:16,080 --> 00:10:20,360
So nothing. All of them must
be greeted. Others stayed about sixty-

133
00:10:20,679 --> 00:10:26,320
five corners where they arrived. But
anyway, what' s surprising now is

134
00:10:26,320 --> 00:10:30,879
that there' s no good animos
perhaps in the fields. There' s

135
00:10:30,960 --> 00:10:33,360
still the field radios. Passionate is
that I enter a town and I enter

136
00:10:33,399 --> 00:10:37,440
the fifth oy radio porifa, I
begin to give and fsi. Yeah,

137
00:10:37,679 --> 00:10:43,360
yeah, yeah, I threw in
an absorbed amino pod. Or that when

138
00:10:43,399 --> 00:10:48,279
you on a station that took promotions
from several stations with various voices, you

139
00:10:48,320 --> 00:10:52,919
edited it and threw it away.
It' s good. Fuck me.

140
00:10:54,000 --> 00:10:58,320
We have to have a couple of
coconuts. Eh more to camp twelve in

141
00:10:58,480 --> 00:11:07,679
the middle of Chancha Charan Chara Chara? Cha Charan Clararan Chan Now it was

142
00:11:07,720 --> 00:11:11,200
the noon special with you I read
give and they have told us that they

143
00:11:11,200 --> 00:11:16,240
have known us that that decree was
drugged in the two thousand one. Ah,

144
00:11:16,559 --> 00:11:18,879
but you put that on people'
s drug- and- pol theater.

145
00:11:20,559 --> 00:11:22,399
People, people stay, they know
the story of that. You can

146
00:11:22,440 --> 00:11:26,639
' t be that turn Dad rad, Dad Pa knows that he has the

147
00:11:26,679 --> 00:11:31,840
man when it sounds that they visaged
him for the watch Sara rod, bread

148
00:11:31,039 --> 00:11:35,240
to stop now, bread stop the
two of them eating When I made Vaina

149
00:11:35,240 --> 00:11:37,679
here I always forget Bellin. I
don' t put it because it'

150
00:11:37,720 --> 00:11:41,159
s not because they believe you like
that, because you get the exact patri

151
00:11:41,159 --> 00:11:45,559
sense. I think we should get
back to that again by noon the national

152
00:11:45,600 --> 00:11:50,360
hino. That' s why I
put the identity, the national identity that

153
00:11:50,399 --> 00:11:54,639
is so attacked and so in danger
of being eroded. I think the tremendous

154
00:11:54,759 --> 00:12:00,639
jolt also puts her more often in
class. Yeah, there, if I

155
00:12:00,679 --> 00:12:05,480
run a station, put the anthem
in at noon. That, like you,

156
00:12:05,759 --> 00:12:09,200
the gartian probes must use you.
It also looks like a kind of

157
00:12:09,200 --> 00:12:13,679
thing. I understand that we see
more attention to two and a message after

158
00:12:13,759 --> 00:12:18,399
that the water is life, you
see it doesn' t waste it and

159
00:12:18,480 --> 00:12:22,720
that there is a drop where it
was that they got that drop. It

160
00:12:22,799 --> 00:12:30,799
seemed to me that in the ocean
bye tomorrow we have the beer tiger here.

161
00:12:30,840 --> 00:12:33,279
It' s coming tomorrow, yeah, yeah, yeah, go,

162
00:12:33,639 --> 00:12:37,919
Adam Núñez. It comes tomorrow with
beer that Olén' s friends have this

163
00:12:37,120 --> 00:12:43,759
July' s dring Fest, and
also comes the data advocate. There are

164
00:12:43,840 --> 00:12:46,159
many topics to deal with the attorney
dor here at the rhythm of the morning

165
00:12:46,240 --> 00:12:50,279
go and be very careful. Ah
By the way, my friend got screwed

166
00:12:50,360 --> 00:12:54,799
with the five- day theme,
because the five days were a calendar for

167
00:12:56,120 --> 00:12:58,519
article eighty- one. Besides,
it shouldn' t have been five days,

168
00:12:58,720 --> 00:13:01,720
I see it' s thirty.
Bye,
