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Welcome back to the Melkay Show.
Many of you know my guests today.

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He has written amazing books and knows
so much about so much history and philosophy

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and everything. And if you are
not following Jay Dyer, you should be.

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Thank you for joining me, sir. Thank you, Mel glad to

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be back. It's been a while
since we had a conversation, and we

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always have pretty good deep dives,
so I'm glad to be back. Oh,

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thank you so much. I so
admire your work. Also, I

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spent, as most people know,
twenty years as a writer in la and

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so when I first read it.
You have two volumes about occult Hollywood that

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are really I mean, things that
people know but used to go so far

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into it. And you can't really
once you read one of your books,

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you can't unsee what you see in
front of you. And you're very good

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at breaking down. You've done amazing
work on also deconstructing tragedy and Hope,

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which is a very hard book to
read, but we'll give a lot of

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people insight. And in many other
ways. You're also you know, I

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have so much work on philosophy and
religion, and all of this stuff is

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kind of coming to a head,
like from when you started your podcast to

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now, so much of it has
become common knowledge. And I was watching

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recently some of your work, So
just talk a little bit about where you

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are right now in this in this
crazy kind of inverted world we're living in.

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Well, lately, I've been covering
a lot of the bizarre. So

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I've been doing some streams on you
know, supposed paranormal phenomenon. I mean,

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I think that sometimes that happens,
and those are just those are more

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fun streams. So we've been having
fun with that. I've been doing a

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lot of streams. We always do
our movie streams at least once a week.

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We've been We've been pretty consistent with
that from many years. So we've

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been covering like deeper themes in a
lot of the pop poppy stuff like Pirates

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of the Caribbean. We did a
whole show on that. We did we

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did a breakdown of Right now,
we're doing My Buddy and I breakdown to

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The Godfather the not just the films
because I've kind of done those many times.

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We're actually doing the novel, the
whole novel, and we're halfway through

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it right now. On a weekly
book Club Breakdown, and it actually fits

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in perfectly with what we're talking about
today. But yeah, I mean beyond

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that, I'm always covering history,
geopolitics. I did a lecture on Marxism

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recently in the History of Dialectics.
So so we're pretty consistent with movies.

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ID broke down, Oppenheimer and Barbie, you know, all the all the

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recent things that I think are interesting, we've broken those down. Yeah,

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and you're you're great at it.
And I mean, honestly, uh,

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being a trained screenwriter, a lot
of people don't see a lot of this

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stuff that you tend to see,
which is really the script. There's nothing

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in any movie that isn't there on
purpose. It is very well thought out,

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multiple takes. There's no accidents in
filmmaking or TV. And you're great

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at that. And that's interesting that
you're reading The Godfather, the actual book

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right now, because that is what
I am working on. So I've put

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my whole life, like a lot
of people, on hold, and went

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to ended up doing this show.
But I had had a project that is

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a true story, kind of mafia
based, and the protagonist is a bad

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guy who really really wishes that he
wasn't but he was, I believe born

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that way and it's in his blood
and it is slowed or whatever. And

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it's been a journey. It's been
a five year journey on writing that project.

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But I went back during the COVID
and I watched five series that are

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related to some extent to the storyline
and the subject matter in some ways.

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They had them being breaking bad Better
Call Saul Sopranos Ozark. And now I'm

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finishing up Dexter as I and I
watched it from the pilot as a writer

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to the last episode, every one
of these in the last five months,

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and I have to tell you,
I was thinking about it, and I

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thought, I want to ask Jaye
Dyer's take on this, because what I

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realized was, in every single one
of these shows, we are dealing with

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very, very in most cases evil
sociopaths that have no conscience and create so

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much hardship and tragedy around them,
and yet as an audience member or somebody

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sitting at home, we root for
them. And I was wondering, you

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know, what is this doing and
what is this doing to society? That

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I am so upset when I think
Dexter is almost going to get caught that.

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I'm like, I'm thinking of all
the ways, or Jimmy from Better

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Call Saul, and You're thinking,
but what they do is so despicable,

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and in my head I've rationalized that
they should get away with it. Do

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you see anything in that? Absolutely? Uh. I mean, like I

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was telling you, I don't think
anybody has done a podcast on this,

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so I thought you had a really
great idea. I have to confess though,

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and I know this is kind of
embarrassing, but a couple of these

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shows I've not seen, so I'm
not actually I'm not actually seen Breaking Bad.

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I'm one of the few people out
there that have not watched it.

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And it's not because I'm not interested
in it. It's because it was once

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I got really going with what I
do. It's really hard to commit to

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like a super long show like that. Yeah, but we do. I

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have done it sometimes, like we
did full We did a full breakdown of

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the Sopranos a couple of years ago, and so that's still fresh in my

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mind. I know it very well. I have been watching Hannibal. That's

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my psychos serial killer series, and
that's kind of similar to Dexter because,

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as you know, you know,
the premise of Dexter is a serial killer,

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you know, catching serial killers.
But it's kind of the same with

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Hannibal, because Hannibal, at first, you know he's actually working with the

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FBI to help catch the bad guys. Of course, we find out that

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he's really in the background as the
puppet Master. But if you go back

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to the nineties, and I would
say we can go back even further into

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you know, old noir films,
where we start to see the emergence of

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the what I think begins as the
dark hero archetype, which I don't have

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a problem with Batman as the dark
hero. You know, he's got a

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a trauma in his past and it
helps him be the dark hero. You

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know that I don't have a you
know that that makes for an interesting character

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and the character development. Sure that's
ancient, you know, literary technique,

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but you're absolutely right that we started
seeing more and more of a shift away

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from not just a character whether trauma
and is pasted or a flawed hero,

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but we're more and more so the
bad guy is actually the good guy.

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The bad guys the protagonist. We're
on his side. We want to see.

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So there are certain films in the
forties and fifties where they started having

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you know, the plot shift to
where it was we're on the side of

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the villain, watching to see if
he would get away. One of these

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is that we just recently watched was
White Heat, where you're following James Cagney

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throughout the movie and you're wondering when
they get to this big climax and had

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the shootout at the chemical plant.
You know's how's he going to get out

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of this? He's he's gotten out
of everything so far, and then he

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ends up with this just wow,
right, and the whole thing blows up.

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So it's almost like a nihilistic just
you know, let's just rip it

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all down kind of story. But
it was a very gripping It's a very

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gripping film for you know, forties
or whatever. If I know, you've

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probably seen it, but for the
audience that they haven't seen. I had

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not seen that. So because my
wife and I've been watching a lot of

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old movies lately from the forties and
fifties, we are noticing a lot of

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early trends and patterns that you know
were normal today, but we're like rare

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event right, Like Sunset Boulevard is
rare because it's a tragedy. But I

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mean, you could argue the protagonist
is actually you know Norma Desmond, the

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psycho uh, you know Hollywood actress
who you know is no longer in movies

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because she's in this delusional world because
she was a silent film star and now

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she's basically going insane. She's dissociating, she has an associated break down,

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she has alters. It was a
very early presentation of alters in film.

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I know that Hitchcock, Strangers on
the Train, Psycho presents alters in films.

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So key, I think key kickoff
here, James Cagney characters, a

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lot of Joan Crawford characters are actually
psychotic protagonist them fatals who has she She's

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either a victim who claws her way
to the top or she's the evil mastermind

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clawing her way to the top and
you're rooting for her. And she pretty

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much always played the psycho woman character
throughout her career because they said she was

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really that way in real life.
They made that one movie about her with

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des Yeah, yeah, exactly.
Yeah. So I'm rambling, but yeah,

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I'm thinking back to these old movies
where we started seeing villains as the

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protagonist, which was a new kind
of thing. And then I think you

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can get up into like, you
know, The Godfather was a key one

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for this as well, because being
into the novel now it's fresh in my

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mind. I've seen the movies many
many times. Even though the I think

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ultimately the message of The Godfather's positive
because the story is basically a warning about

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the temptations of if you live your
life for greed and power at all costs.

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The thing that you were saying it
was for Oh, it's for the

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family. It's for the good of
the things. It's always for the family.

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And then how does Michael end up? A lot of people hate on

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Godfather Three, but how does Michael
end up in Godfather Three? He's alone

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and he's lost his daughter, so
he doesn't so all of this work to

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build this empire and the family's gone, it's just him. I think that,

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you know, the movie gets the
third movie gets all of Hey,

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but I thought, actually think that's
a pretty good message. And I think

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that, you know, people said
that the message of Puzo's novel is you

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know, ultimately positive. So anyway, I don't want to talk too much

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here, But yeah, and I
think what you're saying though is what I

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what I'm seeing too, And this
is important. This is why you know

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people that don't understand that, you
know, when you're talking about the archetypes,

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this is a very different situation because
what you are saying right now.

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I noticed in all five of the
things that I cited is they're always saying

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it's about the family. And the
other thing is there's so much money involved,

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especially and the only one that they
end up looking like they're going to

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get away with it, but you
don't know because it was arc ends right

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there. But is that movie because
none of them enjoy the finite the money

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that they make at all, everyone
around them suffers and all of that.

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But yet I wonder what it's doing
to the audience because it's one project for

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this and then I'll tell you,
you and I both know it's all bs

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the awards season, these movie these
shows are also the ones that win the

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awards too, So it's there's an
effort, I feel like to normalize sociopathy

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and psychopathy as normal, and I
wonder. I think that it has to

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be permeating in culture because instead of
being it's not one's, there's this is

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the new model I feel like for
these one hour dramas, so they are.

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I don't I haven't read a specific
Tavistock study on doing this, but

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I would be willing to bet that
they've absolutely studied the arts to the inn

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degree such that they would come to
the conclusion that one way to effectively change

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the culture in this direction would be
to invert the hero and make the villain

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the hero and make the hero a
psychopath. And as we got up in

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to say eighties and nineties, we
started seeing the popular genre of the serial

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killer explode, right, I mean, Hannibal comes out. I remember in

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the nineties, you know, you
had the State of Them come out.

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There was seven and there was California
with Brad Pitt and Juliette Lewis. There

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was Hannibal, right, Boonted Lambs. So we started seeing in the nineties

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this explosion and that it was very
different from the eighties because the eighties still

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had the strong masculine hero archetype figure. And in the nineties we started getting,

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oh, but what about the overlooked
serial killer? Right, but what

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about the complexities of the serial killer? Helping to solve the crimes. And

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then we start to you know,
to see this getting more and more prevalent.

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I think you started noticing a lot
of at the same time, very

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bizarre horror started flooding into the West. For example, really gross jap In

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horror. I remember the nineties,
it started getting really popular and they started

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you know, like the almost like
the torture level stuff, right I saw

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in a hostel. You know that
wasn't it exactly, But a lot of

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it was like specifically Japanese influenced,
like because I was getting very popular in

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the nineties. I remember, was
because I was really into film even back

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in the nineties as a teenager,
and they started remaking you know, weird

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Japanese horror movies into Western you know, the Naomi watched The Ring. I

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mean, the Ring isn't like that
grows, but it's it's an example of

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where they was. They started making
those Japanese horror movies that are at times

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pretty gross and disgusting, and they
were really they wanted to push you know,

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the envelope. Right, So if
we've already pushed the envelope in a

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lot of ways, how do we
do it now? Well, let's start

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having human centipede and there's really disgusting
things that pushed the envelope in a in

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an attack on the human body way, I think, and going along with

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that, as you said, is
this figure of the psychopath. I also

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have to admit that, you know, something I've studied in grad school.

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James Bond is is actually one of
the key archetypal switch figures that we could

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point to where the psychopath is now
the hero. Even though in the movies

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you could argue at times he has
morals, he wants to subtle down,

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he doesn't want to be a hit
man. They but in the novels,

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you know, Ian Fleming makes it
clear and it comes out in many of

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the film presentations as well, that
he's just a killing machine. He doesn't

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have any compunction. So, actually, James bond is a psychopath sociopath type

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of figure as well, and I
think he might have also pioneered in many

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ways the same archetype of the serial
killer. I mean, he is in

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many ways a serial killer, right, you know, because and a lot

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of the work that you've done in
the past as well, you talk about

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kind of this class of people that
are you know the superclass that I really

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don't. They don't see the humanity
the same. Their conscience is not the

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same. They see themselves as other
than. And it's funny. The one

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I'm almost done now watching beginning to
end its Dexter. And in Dexter,

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he doesn't see himself as human.
He sees himself as a monster and evil,

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and though he puts on the mask. And what's scary is in a

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lot of these Ozark the same thing. I saw a lot of this in

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Ozark. I see a lot of
this in the leaders that have been exposed

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in the light in the last you
know, five years, certainly last ten

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years. Are these people that are
they seem to be wearing masks, and

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we're accepting that we're seeing one evil
thing. I mean, just for an

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example, even the whole jeff Jeffrey
Epstein thing. We're seeing one evil thing

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after another evil thing, and kind
of as we do when we're watching these

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programs, you kind of are like, well, that's just who they are,

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and there's never accountability. They never
pay the price, I mean the

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Clinton's of course, you know,
we're seeing these characters in real life.

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Klaus Schwabs of the world and yet
it's not a movie and it's not a

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TV show, and and and I
see some kind of like are we at

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a place where we're just accepting real
life characters that are exactly you know.

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I never watched it, but people
were saying at the time, what was

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that DC drama that was huge,
like Kevin Space, How's the Cards?

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How's the Cards? Everybody was saying, oh, this is just like DC.

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And but I didn't watch it,
but people were making that if you've

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seen it, would you say that
that's an example of that. Yeah.

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I already couldn't stand him because I
knew too much when I was still in

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it. So it was hard to
watch him because I saw I felt like

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I was watching a psychopath. But
I have to say, yeah, I

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see that. But and now I
think that it's become so like like we're

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kind of as if we're always watching
a movie and here's all these people that

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Tony Soprano is one that you really
dug into on your show, accepted that

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they are them, and therefore we
are letting it go. We're at a

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place where now we go after I
know you've said this too, and I

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said all that we're going after agencies
and you know, institutions. We never

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go after people anymore. People never
pay a price, and I feel like

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we're conditioned now to be okay with
that somehow. Something that this occurred to

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me is that probably part of the
reason for this would be the mass acceptance

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through the education system and through mass
media that humans are basically just another type

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of biological animal. And if we're
biological animals, and if we listen to

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people like you know, Sam Harris
and uh, you know, Daniel Dennett

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and all the big atheist philosophers,
they've hammered into everybody for decades that we're

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basically just determined machines. And if
you're a determined machine through just pure determined

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chemical causation and process, you're not
accountable for your actions. You can't have

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virtue, advice, good and evil
free will in a world where everybody is

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just a determined chemical process. So
it's very hypocritical because all those guys are

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always touting morals and they always something
how they're more they have, they try

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to have moral high ground, but
they don't actually have a basis for a

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justification for morals themselves, right or
wrong. In fact, they're deterministic philosophy

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undercuts that. Now, I say
that because that's perfectly applicable to the archetype

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of the serial killer. In fact, in many serial killer stories, the

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serial killer identifies himself as a process
of nature and rawbs your force of nature.

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Who's not accountable because he's beyond good
and evil. That's Nietzschean, right,

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right, beyond good and evil.
And he's a think of Anton Sugar,

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Anton Sugar and the Cohen Brothers.
No Country for old Men. Yes,

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he walks into the store and he's
basically like, you know, choose

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flips the coin. If you choose
wrong, I kill you because it was

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a process and I'm just I'm just
one link in the chain. Right.

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Also, I just remembered I forget
which one it is because I get all

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these mixed up in my head.
But the Hannibal sequel, uh, the

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one with Ray Fine where he's the
serial killer. Yes, Remember he's got

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that giant tattoo in his back,
and he thinks he's involved in a ritual

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process whereby he's going to achieve apotheosis. He's going to become God, he

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thinks. But he also believes that
he's the next phase of evolution, and

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a lot of these serial killers present
themselves, I mean in the stories and

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what you read in the real stories
as well of serial killers in the movies

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and in the in the fictional presentations. They think that they're the next phase

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of human evolution, right, Yeah, So that's I think a big part

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of what's going on is that this
idea of I'm at the top of the

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food chain, I'm the next phase
of you know, the levels of godhood,

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so to speak. And they think
that because they think, well,

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the world is just predator. Oh
I'm what I was going to play the

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first the eighties Hannibal story, the
first one Manhunter oh right, yeah,

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man and Manhunter. They keep referring
to him as a wild beast. There's

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these references, these symbolic images.
They'll even show like this tiger at one

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point, and he the beast is
a reference to him because we're just beasts.

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Right, that's the first Hannibal.
Oh okay, Wine Hunter is the

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FBI serial killer show, Oh right
about the Real Profiler, which was also

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very disturbing, exactly perfectly fits into
this as well. Yeah, but it's

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also this is what I wonder and
this is something you write about a lot,

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which is they're normalizing this stuff because
they watch it and you see you

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think, like, you know,
because Dexter whole thing is they deserved it

283
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as if he does, if he's
you know, doing everyone a favor,

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you know. But also in all
of these even in the Sopranos, when

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they kill somebody, they deserved it
and it's okay. And this is translating

286
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into real life. We have a
lawless basically society right now that is very,

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very violent, and yet I feel
like people are desensitized to this violence

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after you know, kind of falling
in love, having an intimate whether it's

289
00:21:25,519 --> 00:21:30,279
in their brains or not, bond
with these characters that you can't wait to

290
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see what they're going to do next, and you know it's going to be

291
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evil and people are going to die
and be hurt, but you know,

292
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as long as they get out of
it, then I feel good about it.

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And it feels like this is what's
going on in society right now.

294
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Even in this debate between what just
happened this week in with all this horror

295
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and terror and all of that,
it still seems like it like we're not

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acting like this is real life exactly. I think dehumanization is the key,

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right, and if we can all
be seen as just animals, because the

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serial killer is just the top of
the you know, the apex predator,

299
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and yeah, you're right, it's
it's Manhunter with William Peterson. It's what

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I was thinking of. Okay,
yeah, first one and then mind Hunter.

301
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Is that FBI. That's actually the
creation of the serial Killer Bureau,

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right, which I think is a
little that's exaggerated. I also think that

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the Serial Killer Bureau contributed to the
idea that there was serial killers everywhere.

304
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I think they wanted to foster the
idea of oh, actually, you know

305
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everybody is on the spectrum of being
a serial killer, right, Like maybe

306
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you only have three percent serial killer, but you still got some serial killer

307
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in it, right, Yes,
Yeah, to Tony. Tony's fascinating because

308
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when we did our big breakdown of
all the Sopranos, I mean, it

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was it was a lot like The
Godfather, and that it really incorporated a

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00:22:53,119 --> 00:22:59,720
lot of elements, the conspiracy element, the geopolitics element, the you know,

311
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the great character development of psychology that's
in the Godfather. So I really

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00:23:03,240 --> 00:23:10,599
enjoyed it. But I think that
even though it's a tragedy as well.

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For you know, all seven or
eight seasons. I mean, you're pretty

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00:23:14,079 --> 00:23:21,920
much you're the character. The viewer
is intended to feel like he's part of

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00:23:21,960 --> 00:23:26,119
Tony's crew. You know, you're
on You're You're with Polly Walnuts and all

316
00:23:26,119 --> 00:23:30,759
these guys throughout the whole, you
know, all of their escapades all there,

317
00:23:30,319 --> 00:23:33,759
and so you're you feel like you're
part of the family. I think

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that was what the show was really
trying to do, and it was successful

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00:23:37,160 --> 00:23:41,880
in doing that, and everybody's rooting
for Tony even though Tony is a psychopath,

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00:23:41,960 --> 00:23:47,799
absolutely right. I mean he's consistently
I mean, and to be fair,

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00:23:47,920 --> 00:23:52,640
we're we're told that he's that way
essentially because of his mother. Right,

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So he has this it's a sort
of a Freudian relationship to his mother,

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where because she was so controlling,
it created this Freud has a word

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00:24:04,200 --> 00:24:07,400
for this. I'm trying to remember
the name of it, like the the

325
00:24:07,440 --> 00:24:11,599
Mommy's Son dialectic problem. I forget
what it's called. But I was just

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watching a Jordan Peterson lecture on Freud
and he was talking about this. I

327
00:24:15,279 --> 00:24:19,160
think it's true. But anyway,
the point is that what you see in

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the micro cosm of the figure of
Tony, who, if I recall,

329
00:24:23,920 --> 00:24:29,799
didn't have a good father figure,
Well, his father was a vicious psychopath

330
00:24:29,880 --> 00:24:34,519
too, that's it exactly, So
it perpetuates. Yeah, the psychopathy perpetuates,

331
00:24:36,039 --> 00:24:41,480
the mom is a controlling psycho witch, and then that produces Tony.

332
00:24:41,200 --> 00:24:45,759
And so what I'm saying is that
on the macro scale, if you were

333
00:24:45,880 --> 00:24:52,200
an evil social engineers, psychopath technocrat, you would want society to be,

334
00:24:52,799 --> 00:24:56,200
you know, flooded with these kinds
of stories. Again, I'm not knocking

335
00:24:56,319 --> 00:25:00,640
the quality of The Godfather. I
think it's great as a as a story,

336
00:25:00,680 --> 00:25:06,160
but to have so much of this
everywhere where everybody's a psycho, everybody's

337
00:25:06,200 --> 00:25:10,880
a serial killer, the sociopest's always
the hero, I think. Yet in

338
00:25:10,920 --> 00:25:17,519
cual case, the idea it can
use fiction to promote the very problems that

339
00:25:18,319 --> 00:25:22,440
Tony is experiencing, because if society
loses the family unit, then we're all

340
00:25:22,480 --> 00:25:30,240
going to basically be raised by failed
dads and raised by single moms. Yeah

341
00:25:30,319 --> 00:25:33,720
right, which we've basically had a
generation of that, and it produces a

342
00:25:33,759 --> 00:25:37,640
lot of you know, kind of
psycho gen Z type people, right,

343
00:25:40,920 --> 00:25:47,880
Ozark particularly but certainly Sopranos and Breaking
Bad. They have children, and they

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00:25:47,920 --> 00:25:51,200
bring their children into the crimes.
At Sopranos, he tries not to.

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We never see that evolve, but
you can see it happening to the Sun,

346
00:25:53,880 --> 00:26:00,160
especially near the end. But Ozark
and they Ozark, they bring their

347
00:26:00,240 --> 00:26:04,319
children in very young into the crime
crime family. So again, and this

348
00:26:04,440 --> 00:26:07,960
happens in a lot of uh these
mafia stories too, that's just what they're

349
00:26:07,960 --> 00:26:12,960
supposed to do next. So there's
also that level of the family involved in

350
00:26:14,400 --> 00:26:18,079
these crimes. And it's it's really
I just feel like it's really it's normalizing

351
00:26:18,279 --> 00:26:22,920
this kind of behavior. And then
you see more and more. Look,

352
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we have all this stuff coming into
our country. We have a major trafficking

353
00:26:26,519 --> 00:26:29,920
issue, we have a major drug
issue, we have major you know,

354
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criminality. We don't know what's coming
across the border. And we're seeing more

355
00:26:33,920 --> 00:26:40,200
and more I think criminality be normalized
in real life. And yet we've been

356
00:26:40,240 --> 00:26:44,920
watching it for years. These seemingly
normal families from outside and you see behind

357
00:26:44,960 --> 00:26:48,400
the curtain and they're straight up all
psychopaths that you know, have given up

358
00:26:48,400 --> 00:26:52,359
on God. There's even a whole
part of Dexter, where he's trying to

359
00:26:52,359 --> 00:26:56,880
figure out if there's a god and
just resigns it to know. So it's

360
00:26:56,880 --> 00:27:02,559
like, it's this, it's this
inn We did a show before on predictive

361
00:27:02,599 --> 00:27:04,680
programming, but this is a whole
different level of that. I think,

362
00:27:06,960 --> 00:27:10,720
yeah, I think this is tooling. And I have commented a little bit

363
00:27:10,759 --> 00:27:15,400
on this. We haven't covered this
specific topic, but tweaking the archetypes,

364
00:27:17,279 --> 00:27:22,240
right, Tweaking the archetypes would be
great for breaking bed, wouldn't it.

365
00:27:22,480 --> 00:27:29,640
For sure? Tweaking the archetypes such
that the archetype of say, you know,

366
00:27:29,640 --> 00:27:33,519
the classical masculine hero figure like you
see in you know, eighties action

367
00:27:33,640 --> 00:27:37,119
movies with Bruce Willis or something like
that, right, tweak that to be

368
00:27:37,920 --> 00:27:41,720
like you said, like Dexter,
Hannibal, And I was thinking more about

369
00:27:41,720 --> 00:27:45,440
Hannibal. I have seen the first
season of Ozark, so I understand what

370
00:27:45,480 --> 00:27:49,279
you're saying with Ozark. That's that's
a great example. I haven't seen Dexter,

371
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but in the TV show Hannibal.
One thing that surprised me was that

372
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in the first season they intentionally chose
for one the FB guy. I forget

373
00:28:00,720 --> 00:28:06,279
exec what's role is but the Will
character who's kind of like aiding Laurence Fishburne

374
00:28:06,279 --> 00:28:08,920
and trying to figure out who's doing
the murders. Will is a spurg like

375
00:28:08,960 --> 00:28:18,039
he literally has Aspergers, so they
have him with that deficiency in his character,

376
00:28:18,839 --> 00:28:23,079
and he's going to Hannibal for therapy
and you know, hey, I

377
00:28:23,119 --> 00:28:29,400
have to deal with you know,
all these bloodied bodies everywhere. Can you

378
00:28:29,440 --> 00:28:33,240
help me doctor, you know,
doctor Lecter to sort out my problems?

379
00:28:33,240 --> 00:28:40,079
And all it's doing is basically allowing
Hannibal to learn everything about the psyche of

380
00:28:40,200 --> 00:28:45,359
Will so that he can't be caught
by Will. And he's actually programming Will,

381
00:28:45,960 --> 00:28:49,720
getting Will to believe, oh maybe
you're a serial killer in training as

382
00:28:49,720 --> 00:28:53,319
well, Will, So he's manipulating
and using Will saying, you know,

383
00:28:53,400 --> 00:28:57,720
it's kind of like a member,
doesn't Heath Ledgers say something like that to

384
00:28:57,799 --> 00:29:02,000
Batman, like, oh yeah,
and dark just like me. You know

385
00:29:02,079 --> 00:29:03,559
you have what I have. You're
just like me, You're the second.

386
00:29:03,720 --> 00:29:10,000
What I think is going on here
is exactly normalizing this take on a massive

387
00:29:10,039 --> 00:29:12,680
scale. And it's like the movies
are the villains telling all of us,

388
00:29:14,200 --> 00:29:18,079
you'll just like me, right right? I mean, because it's so because

389
00:29:18,119 --> 00:29:22,319
you feel like you know these people. The quality of this content, I

390
00:29:22,359 --> 00:29:26,519
feel like is really really good that
you feel like you know them. And

391
00:29:26,559 --> 00:29:30,599
then and then what happens with predictive
programming and this stuff is when you're in

392
00:29:30,680 --> 00:29:34,599
real life and have to make real
life choices, I think people start to

393
00:29:34,640 --> 00:29:37,720
think in terms of, well,
you know, I went through those twelve

394
00:29:37,720 --> 00:29:42,319
months, what would Dexter do in
this sewage? That's a great example.

395
00:29:42,519 --> 00:29:47,039
Yeah, I mean, isn't that
what have you seen Season one of Hannibal?

396
00:29:47,519 --> 00:29:52,720
Yeah? I did, Yeah,
it's the scene. It's been a

397
00:29:52,720 --> 00:29:56,319
few months since I watched it too, But isn't that what Hannibal's doing.

398
00:29:56,319 --> 00:30:02,559
He's like, he's leading Will down
this primrose pipe piper path right right right?

399
00:30:02,720 --> 00:30:03,880
And then I think at the end
of season one, they're starting to

400
00:30:03,920 --> 00:30:07,400
figure out, hey, wait,
maybe it's this guy. Maybe. And

401
00:30:07,400 --> 00:30:11,839
then you take it from what's happening
in the show what is happening to the

402
00:30:11,920 --> 00:30:15,480
audience? I mean, and then
you know, even when when James Gandolfini

403
00:30:15,559 --> 00:30:18,000
died in real life, I feel
like people felt like a family member died,

404
00:30:18,440 --> 00:30:23,319
like it was it was on a
massive scale. I A. And

405
00:30:23,400 --> 00:30:26,680
so you know there's that there's that
disconnect. Also, part of it might

406
00:30:26,720 --> 00:30:30,079
also be the weird thing is that
when we were younger, I was saying

407
00:30:30,079 --> 00:30:33,440
this to somebody the other day.
It would end on Sunday night, and

408
00:30:33,480 --> 00:30:37,160
you'd see the next season next Sunday, you know, or the next next

409
00:30:37,200 --> 00:30:42,960
show. Now you can watch an
entire series of this and feel like you're

410
00:30:44,039 --> 00:30:47,680
intimately involved, and like you said, like in the Sopranos, part of

411
00:30:47,680 --> 00:30:51,400
the writing was that you watching it
felt like you were in on their team,

412
00:30:51,720 --> 00:30:53,559
you were with them. So there's
like another level of that. Now.

413
00:30:53,559 --> 00:30:56,640
A lot of this has to do
with suspension of disbelief about it,

414
00:30:56,759 --> 00:31:00,279
but it's happening in real life.
It's not on this it's not in the

415
00:31:00,359 --> 00:31:04,319
movie. I feel like a lot
of this behavior is transferring into our culture

416
00:31:04,359 --> 00:31:07,720
and into how people act. One
good example, I don't know if you've

417
00:31:07,720 --> 00:31:12,359
seen this lately, but ice Cube
is arguing with people online and so are

418
00:31:12,440 --> 00:31:18,480
other people about whether gangster rap had
an influence on the black community. But

419
00:31:18,599 --> 00:31:23,920
I don't see how you don't look
at from Public Enemy and Snoop Dogg and

420
00:31:23,960 --> 00:31:30,160
all of that to what happened to
the black young guys that either became that

421
00:31:30,160 --> 00:31:33,920
that was their goal or you know, something else was. But it did.

422
00:31:33,960 --> 00:31:37,279
He's saying it didn't. But again
that's what I'm saying about culture,

423
00:31:37,359 --> 00:31:41,440
because I think that's an example of
or even the Kardashians and all the girls

424
00:31:41,440 --> 00:31:47,039
that now are Instagram Oh absolutely does. Absolutely. Yeah. So you look

425
00:31:47,079 --> 00:31:52,880
at this dynamic and you think,
well, are people emulating that now they

426
00:31:52,880 --> 00:31:56,920
think being a drug dealer or cooking
meth or running a gang or is you

427
00:31:56,960 --> 00:32:00,880
can also too have a very normal
life and family. I mean, it's

428
00:32:01,000 --> 00:32:07,640
very odd. It's a great point. Yeah, and there was a there

429
00:32:07,640 --> 00:32:10,240
were stories that came out that and
I think it's credible. I don't know

430
00:32:10,279 --> 00:32:14,759
if it was ever one percent verified, but there's mainstream stories that came out

431
00:32:14,880 --> 00:32:22,160
that gangster at was actually okayed by
high level executives and intelligence people as a

432
00:32:22,200 --> 00:32:24,440
form of cultural warfare. And to
me, that's not surprising at all,

433
00:32:24,480 --> 00:32:30,200
because you know Huxley and the CIA
and all of that, which I've covered

434
00:32:30,240 --> 00:32:34,960
at nauseum. I mean, they
basically said we're going to do this in

435
00:32:35,000 --> 00:32:38,119
the nineteen sixties, right for the
white people, for the white culture,

436
00:32:38,240 --> 00:32:43,279
through the LSD and all that stuff. So you had the sixties kind of

437
00:32:43,279 --> 00:32:46,960
cultural revolution, and I think that
for black people that was rolled out as

438
00:32:47,000 --> 00:32:53,920
gangster at as a cultural toxifying control
mechanism. And you know, Tavostok studies

439
00:32:53,960 --> 00:32:57,880
this kind of stuff all the time. This is literally what they do.

440
00:32:57,920 --> 00:33:01,240
They study culture and tweaking. And
I mean, it's crazy to think this

441
00:33:01,319 --> 00:33:08,319
way, but I just downloaded a
paper from Tavistock that doctor Coleman mentions from

442
00:33:08,559 --> 00:33:16,359
seventies or eighties, and it was
talking about doing specific types of things in

443
00:33:16,519 --> 00:33:21,599
pop songs to mind control people,
to like, to get them to do

444
00:33:22,640 --> 00:33:25,559
and to steer them in certain directions
through pop music and through the Billboard Top

445
00:33:25,559 --> 00:33:29,559
one hundred. It's an older paper, so it was talking about how to

446
00:33:29,640 --> 00:33:35,160
do this in the seventies or eighties. But it's one example amongst countless you

447
00:33:35,160 --> 00:33:40,519
know, white papers, scientific journals
that were actually writing about doing culture control

448
00:33:40,839 --> 00:33:45,880
through things like the top ten,
the top twenty, the billboard charts and

449
00:33:45,880 --> 00:33:47,480
all that. It was wild.
I mean, I studied this all the

450
00:33:47,480 --> 00:33:50,599
time, and I just learned this
one. So this is a new one.

451
00:33:50,640 --> 00:33:53,880
So if you haven't read this,
I highly recommend recommittee at three hundred

452
00:33:54,039 --> 00:33:59,880
because there's an old chapter in there
where he also talks about that the plan

453
00:34:00,240 --> 00:34:07,319
would be to once they destroyed the
family as a coherent thing unit or whatever,

454
00:34:07,000 --> 00:34:13,119
then they would roll out a lot
of the drug culture to the next

455
00:34:13,239 --> 00:34:16,880
level. Right. And so I
think that those shows that you're talking about

456
00:34:17,199 --> 00:34:23,159
are promoting the idea, at least
at a subtle level, that as society

457
00:34:23,159 --> 00:34:27,559
gets worse and worse, and as
there's no jobs and as there's no right,

458
00:34:28,960 --> 00:34:31,800
he's maybe it's time to turn to
the rackets, you know exactly now,

459
00:34:31,880 --> 00:34:35,480
That's what I think. I think
they're normalizing it, and they're normalizing

460
00:34:35,480 --> 00:34:40,079
it on a family level. These
are all of these people are family members,

461
00:34:40,119 --> 00:34:43,800
and they all say the same thing. Even for Dexter, it's his

462
00:34:43,880 --> 00:34:46,400
sister he's trying to protect, and
the whole time his father is is in

463
00:34:46,480 --> 00:34:51,280
his head or there to some extent. But a lot of this is about

464
00:34:51,760 --> 00:34:54,599
being a criminal. You can be
a hero too, and I mean a

465
00:34:54,639 --> 00:35:01,360
really bad criminal. And it's also
the normalizing of such achopathic behavior to where

466
00:35:01,599 --> 00:35:05,320
you know, if you are cheering
for that, and let's say you're watching

467
00:35:05,320 --> 00:35:08,880
it, you know, on streaming, you know, and you're intimately involved

468
00:35:08,880 --> 00:35:12,880
with this and then culture, you've
cut off from culture because you know there's

469
00:35:12,880 --> 00:35:15,719
something else I wanted to ask you
about that's come up a lot in my

470
00:35:15,800 --> 00:35:20,800
work lately, which is loneliness and
kind of Rent who I studied a lot.

471
00:35:21,199 --> 00:35:24,280
She said that she's a whole thing
where she says that totalitarianism and what

472
00:35:24,400 --> 00:35:28,880
we're dealing with and talk about a
lot. The best time for it to

473
00:35:28,880 --> 00:35:31,239
come in is when people are most
lonely and isolated. And I think a

474
00:35:31,280 --> 00:35:37,960
lot of people think that social media
has brought us closer together, but I

475
00:35:37,079 --> 00:35:40,559
happen to think that it's done quite
the opposite. And I think one of

476
00:35:40,599 --> 00:35:46,320
the biggest things afflicting our country and
our world is this isolation and loneliness that

477
00:35:46,400 --> 00:35:52,119
has been I think made worse by
the Internet. Absolutely. I mean,

478
00:35:52,840 --> 00:35:59,920
has everybody forgotten like five or six
years ago when the Silicon Valley tech nerds

479
00:36:00,079 --> 00:36:05,760
and goons were all saying, sorry, we created Facebook and ruined society.

480
00:36:05,880 --> 00:36:08,079
Yeah, I mean I remember that
they were all on the Remember I forget

481
00:36:08,079 --> 00:36:12,719
that the Facebook guy, but there
was one that from Facebook, and then

482
00:36:12,719 --> 00:36:15,519
there was another guy, that dude
that wors the driver, Jason Lannier,

483
00:36:15,679 --> 00:36:19,920
that's his name, and He's like, stop using social media right now.

484
00:36:19,920 --> 00:36:23,920
It's going to destroy your family and
your society. So I think you're absolutely

485
00:36:24,000 --> 00:36:30,679
right, And I think that not
everybody in tech wants that, But I

486
00:36:30,719 --> 00:36:38,119
do think that very manipulative, you
know, technocratic individuals knew that and wanted

487
00:36:38,159 --> 00:36:42,239
it out there on purpose. I
think, I think so. Yeah.

488
00:36:42,440 --> 00:36:45,599
And and to me, I guess
the thing is, and this goes back

489
00:36:45,639 --> 00:36:52,199
to your books, especially the all
cult Hollywood books, is we are there's

490
00:36:52,239 --> 00:36:55,079
a battle going on right now.
I think even in that realm for uh

491
00:36:55,800 --> 00:37:00,239
to go back to the other but
it's it's being you know things. We

492
00:37:00,280 --> 00:37:05,760
still have to find a parallel way
to make projects, you know that aren't

493
00:37:06,000 --> 00:37:09,360
along the lines of destroying society from
the inside out subconsciously in other ways.

494
00:37:09,760 --> 00:37:15,239
And so to me, do you
see any I'm not seeing it. I

495
00:37:15,280 --> 00:37:16,639
don't know if it's happening. I
know a lot of people are trying.

496
00:37:16,719 --> 00:37:22,920
I know you have a different perspective, but are we society and culture are

497
00:37:23,039 --> 00:37:28,480
so feel damaged right now. Where
do you see the trajectory going? Because

498
00:37:28,559 --> 00:37:37,079
I felt like there would have been
a backlash by now your thoughts. That's

499
00:37:37,119 --> 00:37:39,760
a tough one. I mean,
you know, in the last say,

500
00:37:39,840 --> 00:37:45,880
three or four years, I got
into more and more into horror as a

501
00:37:45,960 --> 00:37:52,360
genre and psychological thrillers. I don't
mean like human centipede type, not that,

502
00:37:53,199 --> 00:37:57,480
more of the supernatural thrillers and this
kind of stuff, because what was

503
00:37:57,519 --> 00:38:01,880
interesting was that that was one of
the last genres to still not be woke.

504
00:38:02,480 --> 00:38:06,639
And then now what we're seeing is
that in the last three or four

505
00:38:06,719 --> 00:38:09,199
years, more and more woke horror
is coming out, and I think the

506
00:38:09,280 --> 00:38:15,599
stories are really formulaic, and they're
they're really dumb, and they're I mean

507
00:38:15,639 --> 00:38:19,079
there I know that every movie we
have a degree of suspension disbelief, but

508
00:38:19,920 --> 00:38:22,840
I mean it's getting to the point
where it's like woke horror is just ridiculous.

509
00:38:22,840 --> 00:38:29,760
It doesn't achieve the effect of horror
except that they're all horrible, which

510
00:38:29,800 --> 00:38:34,119
is horrific. So but I mean
that was one of the and I kind

511
00:38:34,119 --> 00:38:38,760
of watched that genre kind of go
completely woke because I was just getting into

512
00:38:39,360 --> 00:38:45,280
a lot of good supernatural psychological thrillers
in the last four or five years that

513
00:38:45,280 --> 00:38:47,679
I had never seen. So there's
still every now and then, there's still

514
00:38:49,360 --> 00:38:52,039
a decent I think any horror movie
that comes out that's pretty good. And

515
00:38:52,079 --> 00:38:55,159
a lot of times I think they
also weeded out people. I mean,

516
00:38:55,199 --> 00:38:59,119
I saw it happen when I'm still
there in the two thousands, but this

517
00:38:59,159 --> 00:39:01,400
is what happened. I believe even
our military, in our FBI, in

518
00:39:01,440 --> 00:39:07,559
our government, is that they've weeded
out the real creatives and talents that would

519
00:39:07,599 --> 00:39:09,840
stand for their work. I mean, Shyamalan is one of the people.

520
00:39:09,840 --> 00:39:14,039
I'm sure you've watched some of his
stuff. He seemed to hold on as

521
00:39:14,079 --> 00:39:16,679
long as he could. But you
know, it's funny that you say that,

522
00:39:16,880 --> 00:39:25,199
because I was just thinking about the
other day how the whole medium has

523
00:39:25,280 --> 00:39:30,159
been so hijacked, and I'm surprised
there's not a backlash. I think the

524
00:39:30,320 --> 00:39:35,599
I think the strike on both fronts
was good, but you know, we

525
00:39:35,719 --> 00:39:37,559
kind of have to go back to
what is it about and what are we

526
00:39:37,679 --> 00:39:43,440
making here? I really I feel
like there's a whole world of renaissance because

527
00:39:43,440 --> 00:39:46,199
I have friends that tried to or
we're working on a and these are the

528
00:39:46,239 --> 00:39:51,599
true story about Latino gangs, and
they were even going in and oh,

529
00:39:51,679 --> 00:39:53,559
Amazon was like, no, no, you got to change this character.

530
00:39:53,639 --> 00:39:57,000
You can't have this in it.
You can't have that in it, and

531
00:39:57,199 --> 00:40:00,519
it seems like there's a backlash happening. But it's going to be in the

532
00:40:00,559 --> 00:40:05,079
independent realm to some extent. But
I feel like nobody's buying it. But

533
00:40:05,159 --> 00:40:07,000
here's the other thing, Jay,
it used to be about making money.

534
00:40:07,039 --> 00:40:09,880
It's not about me. It's not
about making money anymore. Even about that.

535
00:40:09,960 --> 00:40:14,000
Yeah, that's wild, yeah,
because I think you know, you

536
00:40:14,039 --> 00:40:19,559
look at somebody like a Sound of
Freedom, which wasn't a huge production in

537
00:40:19,639 --> 00:40:22,719
terms of money, but you know, it basically within a couple of days

538
00:40:22,920 --> 00:40:28,960
beat out the new Indiana Jones movie, which is wild, right, and

539
00:40:29,039 --> 00:40:34,639
so people and the money actually would
be for those kinds of projects. But

540
00:40:36,039 --> 00:40:38,119
like, to me, the only
thing that explains it is like it's the

541
00:40:38,159 --> 00:40:42,960
same in the other arenas, like
the corporate world, where it's like,

542
00:40:43,000 --> 00:40:47,119
well, when these companies go whoa, it does damage their stock price and

543
00:40:47,119 --> 00:40:50,559
their bottom line, and they still
keep doing it. It's like they don't

544
00:40:50,559 --> 00:40:53,519
even care. So it's like there's
another agenda at work, right, which

545
00:40:53,719 --> 00:40:58,920
is saying, you do it anyway, we don't care if you don't make

546
00:40:58,960 --> 00:41:00,440
money, you keep doing it.
So it almost as like a cult,

547
00:41:00,559 --> 00:41:05,199
right, Yeah, it does.
And that's the thing. I hope people

548
00:41:05,239 --> 00:41:08,760
realize that a lot of this is
by design. You have to find your

549
00:41:08,760 --> 00:41:12,679
own, your own avenues to create. I know a lot of people are

550
00:41:12,719 --> 00:41:17,599
trying, and it's not easy though, to break this hold that evil I

551
00:41:17,639 --> 00:41:22,400
seem I think has has on most
of the arts at the moment. But

552
00:41:22,880 --> 00:41:25,400
I see, I see hope there. And so what are you working on

553
00:41:25,480 --> 00:41:29,719
right now that people can follow you
and watch and check out your work.

554
00:41:31,559 --> 00:41:36,639
Let's see well. I hosts fourth
hour Bollox shows every Friday still, so

555
00:41:36,719 --> 00:41:39,639
you can catch me there at that
show. We've been doing a lot of

556
00:41:39,679 --> 00:41:47,239
responses to Muslim stuff, Islamic arguments
and debates I've been doing. We did

557
00:41:47,239 --> 00:41:53,159
a breakdown of the recent Creator movie, which it was super woke and goofy.

558
00:41:53,519 --> 00:41:57,039
I mean, it had some potential. First act I thought was pretty

559
00:41:57,000 --> 00:41:59,440
sorry, this is gonna be all
right, but then it went off into

560
00:41:59,679 --> 00:42:04,679
the same old stuff that you expect
from the big, big Hollywood productions.

561
00:42:04,719 --> 00:42:07,320
Now, you know, it's interesting. I want to stop you because I

562
00:42:07,360 --> 00:42:10,039
just I just read this artist this
Martin Scorsese was doing an interview and he

563
00:42:10,119 --> 00:42:15,079
said that, uh, that the
the that they weren't making anything but superhero

564
00:42:15,079 --> 00:42:20,880
films like obviously DC comics and Marvel
and everything that it made made. He

565
00:42:21,000 --> 00:42:24,719
was saying, I I don't think
i'd make movies if I started now in

566
00:42:24,719 --> 00:42:29,840
this environment. They're they're even taking
away the desire to be creative. But

567
00:42:29,960 --> 00:42:34,679
also I keep talking about those superhero
films, especially because there is no when

568
00:42:34,719 --> 00:42:37,719
when when all hell breaks loose,
it's not the human that saves himself,

569
00:42:38,159 --> 00:42:43,760
there's no These aren't those those hero
and champion and standing up from the inside

570
00:42:43,760 --> 00:42:47,440
that make who made filmmaking great and
powerful. It's now from the outside,

571
00:42:47,480 --> 00:42:51,920
and this is you know, it
goes along the same lines. Yeah,

572
00:42:51,960 --> 00:42:55,159
it's a new kind of religion.
I think that they're replacing since people have

573
00:42:55,280 --> 00:43:00,760
left the idea of God and Western
religion and all that, the replacing it

574
00:43:00,800 --> 00:43:05,840
with these new stories which are essentially
the you know, the comic book characters,

575
00:43:05,880 --> 00:43:09,519
and it's like the Greek gods that
are back basically through through comic books.

576
00:43:10,400 --> 00:43:14,599
Yeah, and I think that is
by design because they can control that

577
00:43:14,719 --> 00:43:19,800
and then slip in the social engineering
through the big you know, Marvel and

578
00:43:19,960 --> 00:43:22,800
DC movies. Absolutely, so that's
what it's there to do. I think.

579
00:43:23,000 --> 00:43:27,280
And yeah, so you can follow
me at my website and I am

580
00:43:27,320 --> 00:43:30,840
working on the third Escot there Colleywood
books so great, so that's coming out.

581
00:43:30,840 --> 00:43:32,840
I got a question for you as
a as a female, do you

582
00:43:34,000 --> 00:43:39,800
miss like the strong, masculine action
hero character. Oh, one hundred percent.

583
00:43:40,360 --> 00:43:44,280
I can't stand. I think it's
I think the garbage now. And

584
00:43:44,360 --> 00:43:47,400
you know what's so sad because I
am a writer and I've been for twenty

585
00:43:47,440 --> 00:43:51,599
years. There's a lot of good
content out there that they won't even touch

586
00:43:51,920 --> 00:43:54,840
because they don't want that. And
I think we miss it. I think

587
00:43:54,960 --> 00:44:00,840
society needs it, and I think
it's real and now it's been and uh

588
00:44:00,280 --> 00:44:05,079
washed out to a point like even
while we're talking about about these psychopaths that

589
00:44:05,119 --> 00:44:09,239
are heroes, used to be the
cop or the FBI agent or the or

590
00:44:09,280 --> 00:44:14,119
the doctor or whoever that that was
the hero. And uh, yeah,

591
00:44:14,199 --> 00:44:15,840
I do miss it. I missed
the whole I miss the whole feeling of

592
00:44:15,880 --> 00:44:21,760
getting up after a movie and feeling
moved and inspired or horrified or whatever it

593
00:44:21,800 --> 00:44:23,599
is. When I was in school, it was like the goal was when

594
00:44:23,639 --> 00:44:27,519
somebody at the end of the movie, when it went black, you wanted

595
00:44:27,519 --> 00:44:30,519
people to not be able to talk
because they were too busy thinking about what

596
00:44:30,559 --> 00:44:34,079
they just digested. We don't have
that right now, and I miss it,

597
00:44:34,119 --> 00:44:36,159
and I miss the whole. I
wish that we would just take it

598
00:44:36,199 --> 00:44:40,079
all back. I do feel that
we're in like a god biblical spiritual moment.

599
00:44:40,119 --> 00:44:44,159
I keep saying to people, you
are living through something that is going

600
00:44:44,199 --> 00:44:46,960
to be in the history books forever
right now, and you're not treating it

601
00:44:47,000 --> 00:44:51,159
that way, and you're not finding
how you're going to be a part of

602
00:44:51,199 --> 00:44:52,840
it. And when people look back
on this time, even while you're talking

603
00:44:52,840 --> 00:44:59,320
about about strong male figures and in
entertainment, even like where we're where are

604
00:44:59,360 --> 00:45:01,920
these people? Where are the men
standing up? So yeah, I miss

605
00:45:02,000 --> 00:45:06,079
that and I feel like it's by
design. I mean, I honestly feel

606
00:45:06,079 --> 00:45:08,519
like it has your books Esoteria,
Hollywood. I have to tell you this

607
00:45:08,559 --> 00:45:12,840
is all by design, and you
really break that down. And I wanted

608
00:45:13,000 --> 00:45:15,119
people to come back on and be
reminded of you and your work so that

609
00:45:15,159 --> 00:45:19,360
they're not because I just read this
document and I'm sure you saw it.

610
00:45:19,400 --> 00:45:22,159
If you didn't, I'll send it
to you. It's from NATO. It's

611
00:45:22,159 --> 00:45:27,840
called cognitive warfare, the battles of
the brain. I've done podcasts on that.

612
00:45:28,199 --> 00:45:30,480
I'm going to have you back on
about it, because that's what I

613
00:45:30,480 --> 00:45:37,559
think we're dealing with, dealing with
exactly. This is Hollywood is callgnitive warfare.

614
00:45:37,559 --> 00:45:38,679
And so if you want to,
yeah, you can get my books

615
00:45:38,679 --> 00:45:43,000
at my website in the shop at
Jason Alsos dot com and all the companies

616
00:45:43,000 --> 00:45:45,679
are signed, so you can get
that there. Yeah. I think people

617
00:45:45,719 --> 00:45:50,559
really have to understand that what you
consume is consuming you. And yeah,

618
00:45:50,599 --> 00:45:54,519
we really have to be very aware. And Jay Dyer somebody has done incredible

619
00:45:54,559 --> 00:45:59,840
work on this, and uh,
start protecting your brain because they're really after

620
00:45:59,840 --> 00:46:04,360
your brain, right Jay, Yeah, absolutely, and your soul exactly,

621
00:46:04,400 --> 00:46:07,239
I know, through your brain.
Jay Diary's awesome. All his links are

622
00:46:07,239 --> 00:46:09,920
below. Thank you so much for
joining me again. I really appreciate it,

623
00:46:09,960 --> 00:46:15,559
and I think your work is incredible. Get Jay's books and go subscribe

624
00:46:15,599 --> 00:46:17,280
to him at rock Finn or on
his website or wherever you find him.

625
00:46:17,559 --> 00:46:23,599
It's unending brain good, good for
your brain as opposed to what you're getting

626
00:46:23,599 --> 00:46:25,719
everywhere else. Thank you so much, sir, Thank you
