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This is Jonathan Peshel. Welcome to
the Symbolic World. Hello everyone. I'm

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happy to be back here with Timothy
Petitsa. Many of you have seen him

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on my channel once before, but
most of you know him, uh,

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you know, as a as an
author and the Ethics of Beauty, especially

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because it's a book that many people
that have come to the Symbolic world and

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many people even that are coming to
Orthodoxy today are reading as part of their

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path on the way to that to
that world, and it offers such a

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powerful vision, you know, of
human engagement and what beauty can do for

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us. And so, you know, Timothy started a new film company that

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I just saw the first movie on
on st Amphilochios of pat most wonderful film,

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and so I thought it'd be a
great opportunity to maybe talk a bit

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about that, but then obviously continue
to talk about beauty and it's important for

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the for the meaning crisis. So
Timothy, thanks for showing up. Thank

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you, Jonathan. It's it's great
to be here. And so, you

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know, how do you go from
you know, professor teacher at a at

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a colled Deen at some point of
the Hellenic College and now starting a film

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company. What what was the impetus
for this? Yeah, that's a good

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question. I mean, I I
like cinema. I certainly like I think

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of film as you know, I
think of it as well. I think

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a lot about you know, how
information has been recorded and transmitted over you

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know, human the span of human
existence, and this idea that you know,

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long before there was writing, there
were people sitting around campfires telling in

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our fires at night, you know, telling stories, and it's so primordial

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and it seems like such a good
way to transmit information from generation to generation.

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And and to me, the film
on the big screen, it is

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the story is in the fire.
You know, you're in this, You're

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in this, you're in the dark. The campfire or the fire is the

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screen. That's the light, and
the story is there too, And I

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think that's just so powerful and such
a beautiful experience. And any anything that

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can be told in that way I
think is worth trying to tell. Of

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course, you know, followers of
Plato will say, you know, we're

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looking at the shadows on the on
the wall of the cave, and that

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it's it's really the worst way to
tell information. But I think it's Christians

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we don't. We don't also believe
that we think Christ actually fills the cave

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up. And so the idea that
that Christ fills up the world with his

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glory and all things are it's a
different vision than from what Plato presented.

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You know. It's like the images
on the wall the cave and the Christian

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vision have a reason for being there, and in some ways they're the ones

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that would lead you up out of
the cave if you were able to see

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them as an anagogical ladder. And
so I think that it's a it's I

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think that's a more consistent vision with
how reality functions than the simple than the

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one Plato presents as just the as
the illusions and then someone pulling you out

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of the illusions into this this pure
light. Did I did? I?

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That's that's so well said. Did
I ever tell you the story of meeting

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the Patriarch of Antioch? No,
it was it was it was a not

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the current patriarch, but the previous
one. I don't remember his name.

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Maybe it was ignacious, But I
was at a conference, a bioethics conference

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in two thousand and eight in Bala
Monde, and someone said the patriarch wants

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to meet you a hundred people at
this conference, Like, what's that about?

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And we were summoned to a room
and we waited. It was like,

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you know, one of these sort
of appointed rooms, and his beatitude

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came in and we stood up and
took his blessing. There was another guy

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from Greece and the patriarchs sat down
and he said, and he had this

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very classic voice, as patriarchs tend
to, and his was kind of like

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a little like rough sandpaper type of
voice, and I want to try to

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impersonate it, but he said,
the trouble with you Greeks is that you

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are all dualists. And while while
we were, you know, reeling from

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that opening statement, the opening statement, Yeah you asked me to come here,

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I'm reminded you invited me. You
know, I'm just saying, and

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his next statement was, even a
rock has a soul, And that was

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it. That was the whole meeting. That was the meeting. And and

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of course you know I had it
done Old Testament here at seminary, so

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I knew that the Semitic view,
you don't say I have a body,

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you know, you speak much more
in terms of I am a body I

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am this unity, or at least
my task is to make that integration even

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more so. And but certainly people
think of Plato, as you know,

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as having introduced a kind of dualism
into the West, although although left Cheestov

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thought, you know, it just
depend which depended which dialogue you were reading,

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you know, whether whether Plato was
the problem, you know, but

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anyway, Platini's was good. Yeah, well Platina I definitely Platonis is I

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mean, and there's such a connection
between Christian and Platonis that you do find

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some vision, a non dual vision
that takes you out of this problem.

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So tell us now why you started, why you started this film company,

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because we haven't answered that question yet. I just saw the movie. I

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just saw it last week. I
was in bc at doing a parish retreat

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and the and someone said the movie
and for Enfilochio's Saint of pat Moses playing,

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and so there you were. I
could see you, and you were

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part of you actually in the movie. I didn't know you were going to

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be in the movie as well.
Uh. And one of the things about

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it that really astounded me was,
you know, it was obviously the life

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of the Saint the powerful testimony,
but also not shying away from some stories

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that were really out there, like
that were really the story the old lady

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saying how in the same when he
was a baby would not suckle, you

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know, on fasting days like that
kind of really legendary type of way of

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speaking about saints. It surprised me, and in some ways I thought,

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like, of course him, he's
gonna was not going to shy away from

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those types of stories. But I
thought it was wonderful. Yeah, So

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what did you think of the film
as a film though? Overall? I

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mean, it's it's it's yeah,
I won't, I won't. Is it

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well done? I enjoyed it?
Of course I enjoyed it, you know.

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I mean it's it's a documentary,
and it has all the tropes of

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the documentary, you know, painting
visions of the of the areas with voiceover.

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You know. I thought it was
very is very it was very well

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done. It did what it had
to, you know. And I'm also

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I'm not curious to know why you
chose that subject to as well, So

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maybe you can tell us a bit
about, you know, the birth of

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this project. So one of my
closest friends is Tamaida Hudanish, and she

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was the director of Missions and Evangelism
for the San Francisco Metropolis, So she

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was on the West coast. I
was here on the East coast, and

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we would work together professionally or run
into each other when she was in Boston

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doing stuff. And we both had
wanted to do something in film or television

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that would help people experience pilgrimage.
So I think both of us felt like

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pilgrimage is just such a central aspect
of renewal and of joy in Orthodox life

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and in Christian life. And we've
gone on to lots of pilgrimages, and

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many times when we've been cool places, we've thought, if only I had

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a good camera right here, I
could just say something, even if it's

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you know, thirty seconds or a
minute. And so we were we were

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looking in you know, in those
terms. So we founded Beauty First Films,

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and people want to know the film
is called Amphilochios Saints of Potmos,

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and he reposed in nineteen seventy.
But we were looking for projects of what

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to do and that would I mean
for me as an educator, it's just

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it's just a different way to educate. I don't mean that a film should

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be didactic. I mean that,
you know, because obviously, as a

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beauty first person, I don't think
you know, I don't think education is

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you know, involves the whole soul
and everything. But but we realized that

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the first first ever feast day of
this saint, Saint Amphilochio so Popmost,

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was coming up in April of twenty
nineteen, and we realized that it would

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be like a very a very defined
window that to tell the story of his

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life in the words of people who
knew him or were big devotees and happened

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to come to the first feast day
on the island of Popmost. I mean,

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the story sort of already writes itself, right, And it's not like

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a six month production or three year
production. It's just four to five days

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of interviewing everyone you can. So
we knew it was a kind of a

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manageable, bite sized chunk, and
that was, you know, one reason

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why we went with it. And
then of course we love the saint.

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Yeah, and so is your plan
to do documentaries mostly? Are you also

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would like to do some fiction?
I well, we this was twenty nineteen,

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so we went from we went from
Popmost you know, through Athens straight

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to Tel Aviv and we filmed all
of Orthodox Holy Week that year of twenty

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nineteen, which you know, may
have been a kind of special moment in

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time, the end of an era, you know, as it turned out.

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So that is now in post production, So that'll be our next film

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and we'll just we'll just take it
from there. I mean, we would

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certainly like to find, you know, more financial support that could get one

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of us, not me, doing
this full time, because I think we

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can do a lot more. And
I don't know if you've seen our Beauty

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first films, liturgical seasons, calendar, so we've got creative ideas and tom

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Aida has a beautiful eye, so
she knows how to make things. Yeah,

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you know, it's just you know, I mean, I think it's

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a great it's a great project.
It's a great idea. You know.

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What what do you see because of
course, you you know, you wrote

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the Ethics of Beauty and sow you're
involved in make beautiful things. What do

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you see the role of beauty playing
in the meaning crisis in general? Because

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you know, we both are probably
in a similar position in the words for

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people that are coming at it and
are learning about Orthodoxy. It seems like

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beauty is also part of how they
find a kind of solution to the meaning

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crisis, which what would have seemed
surprising to someone even fifty years ago it'd

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say that one of the solutions denihilism
is beauty. But if you want to

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tell us a bit about how you
see that functioning, I mean, there's

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so many levels in whish to answer
that, and I you know, there's

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more philosophical, more theological. I
mean, I'm just starting with basic biology,

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which is that you know, most
living things out there are are do

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not have a cerebral cortex, and
yet they're making decisions just fine, and

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they're surviving and they're propagating, and
they are they are able to discern in

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the structure of the world, you
know, to the extent they need to

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and to respond appropriately. And so
you know, how are they doing this.

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They're doing this through sensation. And
if you go down to you know,

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the most basic cellular level, it's
somehow at the level of chemistry that

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you know, things are you know, the paramesium, the bacterial is out

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there sensing and reacting. So to
imagine that human beings, you know,

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unless you are are an exceptional theist, I mean not even a theist,

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but a gnostic. Then then to
imagine that human beings can divorce feeling from

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knowing, or divorce knowing from feeling
and sensing is really ridiculous. I mean,

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it's just nuts. Everything is out
there making decision and flourishing without the

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brain. I mean, just some
things have brains. And then that's another

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story, you know. And so
why do you formulate it as beauty?

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Because if you know, the way
that I would formulate it originally is I

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would I would talk about goodness,
you know, in the in the way

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that Dante talks about goodness, or
in the idea of that which is desirable,

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maybe even just that, like the
idea of moving towards that which is

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desirable, you know. And so
why is it that you feel the need

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to formulate it as beauty? Well, didn't Aristotle say that the beautiful is

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the radiance of the good or something? So, so to survive we need

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we need to remember again, you
know, how to how to think visually,

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how to think in terms of holes. We're we're trying to design a

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new major right now at the college, and I can't say what it is.

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But the thing that convinces me that
it's worth doing is the beauty of

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it. And and then the question, you know, has arisen, well,

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is that a sufficient grounds It isn't
maybe, but maybe it is,

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because a feeling for beauty or for
harmony is you know, it's it's the

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fastest way often to discern the health
of a situation, and the health,

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you know, as a cipher for
that underlying, underlying, you know,

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good functioning. So we were not
computers. We are you know, we're

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we're biological beings and we're you know, we're just that's we have that capacity

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and we don't have the possibility of
thought without that capacity. Yeah, and

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there's so yeah, I think that's
right. And but there's a there's an

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intuitive aspect to the way you're presenting
it, which is that, you know,

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our capacity to perceive health is it
good? It's a it's a good

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way to talk about beauty in a
way that that might stretch people. You

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know, when I look at someone, I perceive health very much so because

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I'm so, I'm my whole being
is there to detect that, to know

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even in terms of like infection,
even something like that or to understand in

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the situation that I'm dealing with.
And a lot of our markers for physical

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beauty are really just health markers and
and symmetry markers, you know, to

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to to be able to tell,
you know, how how aligned someone is

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towards reality, and so we can
then we can then uh understand that humans

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have that capacity in general, not
just towards people, but also towards situations.

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You know, when you you enter
a room and there's disorder, you

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know, you know, if people
are moving in ways that is not normal,

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like you know, the thay you
walked into a room where people have

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just had a fight, and you
will be able to detect that intuitively without

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thinking yet, because there'll be things
will be laid out in a manner,

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and the movements of the people will
be happening in a in a in a

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disorderly way, and you'll catch that
really fat even with before you're thinking.

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And so, you know, I
think that's an interesting way of talking about

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a very very immediate manner in which
beauty matters. There's so many aspects of

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this, and one of them is, you know, I think you know,

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the pivotal chapter for the twenty first
century is chapter twenty two of the

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Death and Life of Great American Cities, by Jane Jacob's mind friend and mentor,

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and that's the chapter where she presents
Warren Weaver's summation of the past three

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hundred and sixty years of science,
you know, science since we've had the

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scientific method, and he says,
although science is vast and does a lot

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of things, in fact, there
are three kinds of problems that we know

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how to solve. Three three you
know, as as a genus of problem,

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there's only three, and and one
of them is the problem in organized

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complexity. And what Jane Jacobs does
you know the problem with It's a living

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system. It's an organism, and
society is like that. The economies are

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that, cities are that, families
are that, institutions are that. You

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know, companies are that. And
and when you are in that realm,

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Jane Jacobs gives you here are the
tactics for Here are the tactics for understanding

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those kind of systems. And in
chapter eight of my book, I lay

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this out, and I add several
tactics of my own that are implied in

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her work or that I've so but
an eye for beauty train training and beauty

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or training in grammar, because you
know, for me, beauty, goodness,

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truth is the trivium of grammar,
logic, rhetoric. But training and

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pattern is the best training for understanding
living systems or just systems. And you'll

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a person training they know in a
flash, m all the all the and

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and Jane James specifically says, this
all the statistics that you can compile about

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and in this case it was Boston's
North End. Just you know, they

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don't tell you the full story,
but to go there and observe unaverage clues.

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Now you said, well, we're
better look for different statistics. Yeah,

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yeah, I mean that's and I
think the city example is a great

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example in the sense that you know, and I mean everybody's had these experiences

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like you're walking in a city that
you don't know, all of a sudden,

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you take a turn, and then
all of a sudden you realize that

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you've taken the wrong turn, and
that now you know that you're not in

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a place you probably should be,
or that you're in a place where all

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of a sudden the risk has gone
up, you know, substantially, And

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you can tell that even if there's
no people there, Like, even if

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there aren't people there that are suspicious
or whatever, you can tell by by

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by a myriad of signs that are
that are coming together in a pattern.

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You know, that is saying that
to you, you know, and that

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I think is a great example to
understand and you can understand how sometimes you

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know, the cliche of fixing a
city by saying we don't want broken windows,

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right, that kind of cliche where
it's to say that if you actually

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transform the pattern of the city itself, you can't even transform the culture that

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people live in. Because if I
if I'm walking through a dumb I know

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that I can just toss something on
the ground and it doesn't matter even if

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you might even not do that.
But if I'm walking through a place that

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is cared for, in pristine and
is full of care and attention, then

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even and my worst, my worst
habits might be rained in by the space

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in which I'm in. I mean, that's a powerful testimony to beauty right

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there. So so yeah, I
think training in the liberal arts or the

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fine arts, you know, is
is vital for people to acquire wisdom or

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to lead a big picture level,
like you shouldn't trust leaders who don't have

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a good aesthetic sensibility. And anyone, anyone could see that our approach to

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farming this like highly centralized government subsidized
the car gills and all this, and

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the you know, the the erasure
of the family farm and of rural culture,

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and the chemicals and you know,
of different kinds the fertilizers and the

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pesticides and all this that compared to
regenerative agriculture. Anyone with a with a

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liberal arts degree will know one is
sick and one is healthy. But people

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with trained in the other kinds of
science, reductive or statistical, will not

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see that, and they will push
us to the point of collapse. And

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that brings us, eventually now or
later to Ian McGilchrist, the Master and

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his Emissary, because what he's doing
in that book is saying, you know,

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is basically saying that the brain hemispheres
really are meant to unfold in a

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beauty, goodness, truth sequence,
and that we've lost that, We've lost

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the right hemisphere, we've lost the
feeling for holes, and we are reflexibly

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repeating things you know that are good, that are driving us to exhaustion and

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destruction. And so I mean It's
interesting because I imagine when you wrote The

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Ethics of Beauty, weren't aware of
I mcgil Chris. So what as his

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work? How does it transform your
vision or how's it affected the way you

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understand beauty. I think it just
made me want to kind of just just

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collapse, exhausted, like we don't
need my book. We've got that,

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Oh my goodness. I know.
I think you know he he ought to

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read the Ethics of Beauty and I
ought to finish the master in his necessary

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and then he's got this other one
that's called The Matter with Things. Oh

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my goodness, that book. It's
it's like if I mcgrucus you've ever seen

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00:22:26,839 --> 00:22:30,279
this, that book. You're not
allowed to write books like that anymore.

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We're not in the seventeenth century.
It's like, this is this is an

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attack on us, this book.
And so you know, I know people

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that have bought it and they keep
it on their table as as like daunting,

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as a daunting thing. I'm not
even there yet. One day I

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will buy it, but then you'll
stay on my table for like a year

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before I even touch it. But
I mean, you know, the thing,

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the thing there with just what he
shows you is that essentially you're meant

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that the two atmospheres do everything together. But the quality of the kind of

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attention that the right hemisphere, for
right handed people, the right hemisphere brings

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is it's concerned with holes and then
the left hemisphere is concerned with parts and

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the way thinking ought to proceed,
he says, is this a sense of

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context, handing off to the left
brain for analysis, handing back to the

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right brain for reintegration. So that's
exactly what I lay out. I mean,

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the Ethics of Beauty is you know, it's a book about cognition,

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is a book about many things,
but it's a you know, the structure

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of what it means to know and
as a human being, not as a

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computer. So it's the same exact
parallel. So so Noah, what does

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that really add? I think just
confirmation. For me, it's confirmation.

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And then he has, you know, kind of a theory of history of

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you know that civilizations start out with
a balance between the hemispheres, and then

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as they as they as they succeed, they get greedy, and as they

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get greedy and gluttonous, they start
to rely more and more on the left

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hemisphere. They just want to they
want more, and and then this coincides

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with a decline and intelligence, like
real intelligence, that global intelligence, and

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so they exhaust themselves. They just
drive themselves to destruction. Yeah, and

305
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so how do you see that in
like a you know, this is it

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to me? Is it? There
is a challenge. Let's say, I

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would say to us leaving as an
Orthodox Christian because you know, we have

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at this point. It wasn't the
case forever, but at this point we

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have something that we could call a
liturgical algorithm. Like we have a program.

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We've got it all, We've got
all the books and we've got it.

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We've got all the all the canons
and all the matins, and you

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know, it's all there, and
you could run it like you'd probably run

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it, you know, on a
computer. You could have a computer running

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the services and the would just be
all timely and you would have all the

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00:25:00,920 --> 00:25:06,119
right canons and the right the right
different the different hymns that at the right

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time and everything, you know.
And I'm being I love Orthodoxy, I'm

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Orthodox, I became Orthodox, and
so I'm being playing devil's advocate here.

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But you know, there it seems
like from the outside there is an argument

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to be made. That there's a
danger of that fixity in the liturgical practice,

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which is that you know, take
the book out, read the book.

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This is how it goes. To
just follow the rubrics, you know,

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that's how it works. Uh,
And that that we've lost the flexibility,

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you know that because we know the
early liturgies had more improvisation in them

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in the sense that then we knew
the sections, but that there was probably

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variation in different places in some aspects, although the liturgy was universal. I

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don't know if you've thought about that
in terms of like the use of written

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prayer and all that. If it
is an example of the danger of of

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00:26:04,480 --> 00:26:11,759
fix it right and of following the
rules and the rubrics. I didn't know

329
00:26:11,759 --> 00:26:14,680
I was going to go here,
by the way, this is just just

330
00:26:15,000 --> 00:26:19,279
came to me. No. I've
been thinking about this because it seems to

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me that to balance these two modes
of awareness, this right hemisphere, left

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00:26:26,039 --> 00:26:33,400
hemisphere, or the you know,
this wholeism and a more analysis, it's

333
00:26:33,480 --> 00:26:41,400
helpful to have. You need some
kind of a ritual that will help you.

334
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The purpose of ritual and of liturgy
is, you know, to bring

335
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chaos into order. Right. It
just it eats chaos, and it puts

336
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out order on the other side.
And but not just any order, it

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produces cosmos. I think, you
know, the liturgy is not enough.

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You have people formed by the liturgy. You need liturgy at fractal scale.

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You need people who are internally liturgical, who are deeply prayerful and deeply repentant,

340
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and whose consciousness has been transformed.
So the point of what McGilchrist is

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00:27:19,440 --> 00:27:26,599
worried is that the left hemisphere deals
with a representation of reality, not reality

342
00:27:26,640 --> 00:27:32,400
itself. And because that is easier
to work with and it is more efficient

343
00:27:32,440 --> 00:27:37,319
to work with it, it prefers
it. Liturgy is supposed to be openness

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to the radical unknown, and it's
supposed to be openness to a God who

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is so vast that you know,
without a mediation of liturgy, the encounter

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would crush us. And so hopefully
it's the opposite of that. There's really

347
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no way to ensure it. I
mean, it's just the adventure of freedom.

348
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But I think what happens practically,
you know, like this our saints,

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you know, in the movie santam
Fillochios, the moment his spiritual life

350
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started to get intense, he went
straight to Saint Niktarios, Saint Nactaris was

351
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seventy five eighty whatever he was,
and I'm santam Philochius was nineteen eighteen years

352
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old, and he would, you
know, travel from one island, you

353
00:28:18,799 --> 00:28:22,759
know, quite a ways to the
other for that guidance. And what other

354
00:28:22,920 --> 00:28:26,680
saints that I'm Philochios know well,
he was the spiritual father of Carlistos,

355
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where he was the person who tonsured
Saint Gabrielea the asthetic of love. He

356
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you know, those saints, they
run to each other because beauty, goodness,

357
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Truth is grammar, logic, rhetoric. Truth comes at this snatal level.

358
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It comes in some kind of a
communion where constantly it seemed good to

359
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the Holy Spirit and to us.
And hopefully liturgy is unleashing that sinidelity.

360
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But I'm not worried about liturgy for
the same reason the big Book of qualis

361
00:29:00,440 --> 00:29:03,960
anonymous. Isn't worried about who Who's
going to make sure an individual chapter of

362
00:29:04,000 --> 00:29:10,400
AA sticks to the rules. I
know because I said the disease and death

363
00:29:10,440 --> 00:29:15,640
will take care of that. And
if if people are faking liturgy, then

364
00:29:15,839 --> 00:29:22,079
you know their spiritual lives will wander
away to nothingness and the organization will dissipate.

365
00:29:22,480 --> 00:29:23,680
Yeah. Yeah, that's a good
point. That's a good point.

366
00:29:23,720 --> 00:29:29,559
And I think that the way you
describe it as being held by the lives

367
00:29:29,599 --> 00:29:33,119
and the testimony and the the experience
of the saints, you know, is

368
00:29:33,559 --> 00:29:40,920
is I think that's the right way
because obviously you know the fact that I

369
00:29:40,960 --> 00:29:45,400
have to go to confession, you
know, you know at some point if

370
00:29:45,440 --> 00:29:49,119
I want to commune, that's that
is not That's not a program, right,

371
00:29:49,160 --> 00:29:52,559
It's not. I mean, you
could probably do it as a program,

372
00:29:52,640 --> 00:29:55,960
you know, he wanted to,
but it definitely not running a program.

373
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It is it is. It is
always terrifying. It's always this kind

374
00:30:00,480 --> 00:30:03,640
of internal eye, this kind of
this you know this you know, and

375
00:30:03,680 --> 00:30:07,000
so you know, and no matter
how many times you do it, and

376
00:30:07,039 --> 00:30:11,160
a matter of times, any times
you repeat the same stupid sins over and

377
00:30:11,200 --> 00:30:15,039
over, it's still, at least
for me, is existentially uh, it

378
00:30:15,440 --> 00:30:19,400
fills you with that kind of existential
tear that does not have the cannot,

379
00:30:19,599 --> 00:30:26,119
could not traffic and the kind of
you know, limited certitude that I mean

380
00:30:26,160 --> 00:30:30,240
Gil Chris talks about in terms of
the left brain and and and just of

381
00:30:30,240 --> 00:30:33,759
the of this kind of rational understanding. And so if that is what feeds

382
00:30:34,039 --> 00:30:38,680
us through the liturgy, you know, then the liturgy becomes you know,

383
00:30:38,880 --> 00:30:45,160
a dance playing out you know,
those inner those inner struggles, and that

384
00:30:45,160 --> 00:30:48,319
that that inner compunction. I mean, the reason I didn't, you know,

385
00:30:48,400 --> 00:30:52,200
mention beauty at first, and I
mentioned, you know, protozoa or

386
00:30:52,200 --> 00:30:59,680
something is because you know, to
the to the to missus, blowfish,

387
00:31:00,119 --> 00:31:07,319
blowfish looks must look attractive. It's
it isn't yes, beauty in symmetry,

388
00:31:07,440 --> 00:31:15,079
beauty that is something real, but
spiritually we are asked to look beyond that

389
00:31:15,839 --> 00:31:18,279
or to you know, and we
are. And there's other kinds of beauty

390
00:31:18,319 --> 00:31:23,519
that we encounter and that you know, we see in the poor, or

391
00:31:23,680 --> 00:31:30,200
in the in the person who is
broken down by life, or the person

392
00:31:30,279 --> 00:31:33,839
you know. It's not just it's
not there's something sacred about, you know,

393
00:31:33,880 --> 00:31:37,640
a beautiful face. There is,
but you know, you start to

394
00:31:37,680 --> 00:31:45,680
see other dimensions of beauty that are
equally or more important. And yeah,

395
00:31:45,720 --> 00:31:51,000
well I think I think that they're
even even to argue it from a biological

396
00:31:51,720 --> 00:31:55,839
point of view, you know,
because life is costly, uh, And

397
00:31:55,839 --> 00:31:59,880
that it seemed like it would make
sense that at some point humans would be

398
00:32:00,119 --> 00:32:06,400
able to recognize the value of those
that are willing to make that pay that

399
00:32:06,519 --> 00:32:10,640
price, you know, and so
and so the idea of of of someone

400
00:32:10,839 --> 00:32:15,680
a warrior coming back, that's mame, that scarred, that someone you know,

401
00:32:15,720 --> 00:32:20,319
a woman who who gave herself into
in childbirth and you know, is

402
00:32:20,359 --> 00:32:24,480
affected physically, and and she has
the marks of that transformation. It seems

403
00:32:24,519 --> 00:32:28,880
like at at at the very basic
level, of course, you know,

404
00:32:29,000 --> 00:32:31,000
the beauty like you said, you
know, but but at a at a

405
00:32:31,079 --> 00:32:36,640
deeper level, and also over over
time, it seems like it would be

406
00:32:36,720 --> 00:32:42,960
necessary that people learn to recognize the
beauty of those sacrifices, which is why

407
00:32:43,400 --> 00:32:49,880
girls love scars too, Chicks digscars. It's sorry, sorry to take you

408
00:32:49,960 --> 00:32:52,480
off that, No, No,
I was, I was thinking of something.

409
00:32:53,480 --> 00:33:02,759
Yeah, you know, yeah,
I think that's this is true.

410
00:33:02,839 --> 00:33:07,920
And certainly the aesthetic of the church, which has is not sweet or merely

411
00:33:08,599 --> 00:33:14,640
externally perfect, but it has,
you know, bears scars within it.

412
00:33:15,000 --> 00:33:19,079
That joyful sorrow or whatever the word
is, bright sadness. That's that's the

413
00:33:19,119 --> 00:33:23,599
aesthetic of the church. And it's
more like you know, blues or or

414
00:33:24,240 --> 00:33:30,319
or blue grass or jazz than it
is like maybe then like is like classical

415
00:33:30,400 --> 00:33:35,039
music, although classical music, you
know, depends on the composer balances joy

416
00:33:35,079 --> 00:33:38,920
and sorrow, you know, and
it's great compositions as well. But Christopher

417
00:33:38,920 --> 00:33:44,960
Alexander talked about, you know that
somehow that the building has to age to

418
00:33:45,000 --> 00:33:47,400
be truly beautiful. It has to
kind of you know, it has to

419
00:33:47,480 --> 00:33:53,960
incorporate the passage of time, and
that wear is makes it start to come

420
00:33:54,000 --> 00:34:00,079
alive and glow with with a certain
fire. I think, I think that's

421
00:34:00,160 --> 00:34:05,759
right. I mean, our own
experience of things that are supremely beautiful often,

422
00:34:06,440 --> 00:34:10,079
you know, this is actually one
of the this has been my thinking

423
00:34:10,119 --> 00:34:14,239
about beauty, because you know,
we tend to say the beauty is harmony,

424
00:34:14,280 --> 00:34:16,639
and beauty is symmetry and all these
things, and sure, but then

425
00:34:17,000 --> 00:34:20,960
my experience of that was that it's
just that's not true, Like it's not

426
00:34:21,280 --> 00:34:28,119
completely true. It's partly true,
but it seems like my perception of it,

427
00:34:28,119 --> 00:34:31,159
it seems like what we find beautiful, even visually esthetically, is something

428
00:34:31,280 --> 00:34:36,639
like symmetry adapted to a particular It
seems to be something like that. It

429
00:34:36,679 --> 00:34:42,440
seems to be something like balance that
is well suited to a particular situation,

430
00:34:42,960 --> 00:34:49,480
and therefore it has to encompass some
type of play with its environment, whether

431
00:34:49,679 --> 00:34:53,199
it is the dings and scratches of
use, or whether it is a beautiful

432
00:34:53,480 --> 00:34:58,079
church that is laid in the slope, or whether it is you know,

433
00:34:58,280 --> 00:35:02,239
so there's this, there's always this
se of of order, but that is

434
00:35:02,800 --> 00:35:08,360
that is embedded in particular that is
more chaotic or more uh. Yeah,

435
00:35:08,440 --> 00:35:12,440
they can be a little that can
be off even, you know, and

436
00:35:12,480 --> 00:35:15,800
that that that seems to be part
of how we experience beauty. It's you

437
00:35:15,840 --> 00:35:20,440
know, it's because I mean,
it's because in the canosis of the logos,

438
00:35:20,480 --> 00:35:23,480
you know, which brings about the
creation of the world, the canosis

439
00:35:23,559 --> 00:35:32,400
is so complete that it's continually adapting
to the creature or to the situation of

440
00:35:32,440 --> 00:35:37,000
the creature. And and this is
fractal order, right, that that that

441
00:35:37,320 --> 00:35:45,039
infractals everything is exactly to its place. And and by the way, that's

442
00:35:45,079 --> 00:35:49,960
the Plato's cave answer too, because
within the cave is another kind of you

443
00:35:50,000 --> 00:35:57,360
know, it's at every scale.
And one of my former students, Georgia

444
00:35:57,400 --> 00:36:00,000
Williams, you know, she said, I think that to write an article

445
00:36:00,000 --> 00:36:06,599
about this somewhere. But she said, I think that what we call fractals

446
00:36:06,960 --> 00:36:12,880
is what Dionysius called the hierarchies.
And once you realize that the celestial hierarchies

447
00:36:13,079 --> 00:36:20,599
and the ecclesiastical hierarchies are fractal shapes, then everything, you know, just

448
00:36:20,639 --> 00:36:23,320
a lot more things make sense.
And first of all, hierarchy is not

449
00:36:23,360 --> 00:36:28,000
a dirty word anymore. It's just
fractal structure. This is the way the

450
00:36:28,000 --> 00:36:31,920
world has to be because what's being
given is so infinite or beyond infinite,

451
00:36:32,079 --> 00:36:37,559
and what's receiving it is so you
know, we're so weak, and yeah,

452
00:36:37,599 --> 00:36:42,360
we need and that's another reason why
you know, go film, Look

453
00:36:42,440 --> 00:36:45,559
not everything we can't I cannot be
in liturgy twenty four to seven. So

454
00:36:45,719 --> 00:36:51,519
what about you know, what fills
the space fractally other things you know the

455
00:36:51,599 --> 00:36:57,239
other times And yeah, that's I
mean, I think that that's some of

456
00:36:57,320 --> 00:37:00,199
the things that I've been talking about
in terms of, you know, use

457
00:37:00,280 --> 00:37:05,880
the family meal as an example of, you know, a type of liturgical

458
00:37:06,000 --> 00:37:10,840
act which is not strictly liturgical but
participates in the same in the same structure,

459
00:37:12,480 --> 00:37:15,679
uh this, and and you could
bring that all the way down to

460
00:37:15,119 --> 00:37:20,719
having coffee with a friend or a
conversation or breathing. Right, it's like

461
00:37:21,079 --> 00:37:23,559
these these these structures of of of
kind of moving in and out of the

462
00:37:23,639 --> 00:37:29,679
mystery. Uh is there at every
at every level. And you know,

463
00:37:29,840 --> 00:37:34,199
the Jesus Prayer, for example,
as like the basic liturgical structure for your

464
00:37:34,239 --> 00:37:38,280
thoughts, you know, kind of
expands and and and and you know,

465
00:37:38,360 --> 00:37:44,199
and can be seen through all aspects
of life and then into the grand cosmic

466
00:37:44,280 --> 00:37:49,239
liturgy of the angels. Uh.
And I think your perception about how are

467
00:37:51,320 --> 00:37:53,599
it was fractal, obviously very akin
to the things that I talk about.

468
00:37:53,599 --> 00:37:58,719
But the idea that that's how that
hierarchy is actually just the way the world

469
00:37:58,760 --> 00:38:02,280
works, it's not, and it's
not it actually is condescending. People always

470
00:38:02,280 --> 00:38:07,960
think of hierarchy as something which separates, But hierarchy is also something with unites

471
00:38:07,039 --> 00:38:14,159
because it adapts, it's glaring light
to the particular situation. You know,

472
00:38:14,239 --> 00:38:21,000
and sometimes you know, we we
don't understand that even in our lives.

473
00:38:21,079 --> 00:38:24,119
You don't understand that we're not ready
for the vision of the divine logos.

474
00:38:24,159 --> 00:38:27,840
You know, it's like you don't
want that, actually, and so you

475
00:38:28,000 --> 00:38:31,800
have to when you receive the little
graces that you receive. This is this

476
00:38:31,920 --> 00:38:36,400
is God loving you, right,
even if it's the smallest grace, it's

477
00:38:36,400 --> 00:38:40,119
God loving you because the reason why
you receive the grace, the small graces,

478
00:38:40,280 --> 00:38:44,920
where you receive them, is because
that is your capacity to receive them.

479
00:38:44,920 --> 00:38:49,559
They're the ones that can provide fruit. You know, if if the

480
00:38:49,719 --> 00:38:52,760
if the the fawced was opened and
the grace just fell on you, you'd

481
00:38:52,559 --> 00:38:57,039
be, you'd burn, like you'd
burn in hell. You would you would

482
00:38:57,079 --> 00:39:00,079
be, you would be, you
would be overwhelmed. And so that's why

483
00:39:00,320 --> 00:39:06,840
I think hierarchy is so if we
can help people understand how hierarchy what it

484
00:39:07,000 --> 00:39:10,159
is actually and that it's not just
like a you know, authority and power

485
00:39:10,199 --> 00:39:15,039
coming down, but it is this
condescension of of of authority down to the

486
00:39:15,119 --> 00:39:20,519
level that's appropriate. You know,
Sat Siloon, you know, he had

487
00:39:20,559 --> 00:39:23,079
a vision of Christ when he was
still a novice at Vesper's and he said

488
00:39:23,119 --> 00:39:28,119
afterwards, if that vision had lasted
even one more second, I would have

489
00:39:28,199 --> 00:39:32,039
died. And so so that that
is that we we and and I'm thinking

490
00:39:32,079 --> 00:39:37,800
of a recent elder in Russia who
a man came to him said I'm dying

491
00:39:37,800 --> 00:39:40,719
of cancer. I've heard you.
You know, you're a miracle worker.

492
00:39:40,760 --> 00:39:44,760
Heal me. And he said,
do you believe in God? He said

493
00:39:44,800 --> 00:39:49,760
no. Then the priest said said, do you want to believe in God?

494
00:39:50,239 --> 00:39:53,400
He said no, And so the
priests, without really you know,

495
00:39:53,679 --> 00:39:57,480
missing a beat, he said,
well, do you want to live?

496
00:39:57,679 --> 00:40:00,800
Do you love life? And the
man said yes, And so the priests

497
00:40:00,800 --> 00:40:02,679
healed them. And this is a
true story from the nineties. And I

498
00:40:04,000 --> 00:40:08,239
think, look, I know in
the film, you know, some things

499
00:40:08,280 --> 00:40:12,320
happen and are said that you know, are you know, like like that.

500
00:40:12,360 --> 00:40:16,000
People like to mock the thing about
babies that won't nurse on fast days.

501
00:40:16,960 --> 00:40:22,280
But Mother Nactaria, my other great
mentor you know, this was said

502
00:40:22,320 --> 00:40:27,480
about some some elders that you know, we knew, and she went to

503
00:40:27,519 --> 00:40:30,960
Cyprus and talked to like the women
of the village and they didn't they just

504
00:40:30,960 --> 00:40:34,320
said he it was. It was
the darnedest thing. They really feel out

505
00:40:34,360 --> 00:40:37,400
of it. But it still continues
to happen that, you know, some

506
00:40:37,519 --> 00:40:42,800
kids are just born with that much
grace. But it's not something I think

507
00:40:42,840 --> 00:40:47,199
about a lot, because that's not
my reality. Yeah, well that's why

508
00:40:47,280 --> 00:40:50,519
I loved it when you put it
in there, because I think like a

509
00:40:50,599 --> 00:40:54,159
more I think, like a more
modern type of person, like a modern

510
00:40:54,199 --> 00:40:59,679
type of filmmaker, would have not
put that in because it's so counter the

511
00:40:59,719 --> 00:41:04,760
way that our lives are, because
our lives are so mundane to some extent.

512
00:41:04,840 --> 00:41:07,559
But like you said, you know, the medieval world was full of

513
00:41:07,599 --> 00:41:12,000
these stories, and to think that
they're all made up is ridiculous. It's

514
00:41:12,039 --> 00:41:15,840
just the world was just you know, some people live in the in the

515
00:41:15,880 --> 00:41:20,280
world that is more like more of
a dance than ours. And and in

516
00:41:20,320 --> 00:41:24,159
the moments where you actually experience that
dance, you should understand that maybe that

517
00:41:24,239 --> 00:41:28,480
dance could be ten times more than
the one that you're experiencing right now in

518
00:41:28,519 --> 00:41:35,119
this these little moments. It is
a thing, you know. But but

519
00:41:35,199 --> 00:41:37,280
I think that the danger is,
you know, to to you know,

520
00:41:37,360 --> 00:41:40,400
like chase those things for themselves.
Yeah. Yeah, I think it's you

521
00:41:40,480 --> 00:41:45,119
know, the first the first commandment
Christ gave us, you know, in

522
00:41:45,159 --> 00:41:50,280
his incarnate ministry was repent and and
sam Patio said, just pray for a

523
00:41:50,320 --> 00:41:52,960
spirit of repentance. Don't ask for
anything else, because you won't be able

524
00:41:53,000 --> 00:41:58,079
to handle it when it comes and
and that's the fact. And if we

525
00:41:58,119 --> 00:42:01,400
can just pray for a spirit of
repentance and then miracles can come and go.

526
00:42:01,639 --> 00:42:05,440
Or you know, people can tell
stories and sometimes you know, people

527
00:42:05,440 --> 00:42:07,079
tell stories and they do seem kind
of made up, and you know,

528
00:42:07,159 --> 00:42:10,719
you let that go, and it's
it's not it's not a huge thing.

529
00:42:10,840 --> 00:42:15,719
That The point is, you know, to have your own, hopefully you

530
00:42:15,719 --> 00:42:22,119
know, dynamically, a live relationship
with Christ and to let that, you

531
00:42:22,159 --> 00:42:29,039
know, hold these other things along, you know. And so so the

532
00:42:29,039 --> 00:42:32,880
biggest, the biggest affront, at
least on its face to beauty is the

533
00:42:32,920 --> 00:42:39,519
cross, you know, because the
cross is it is the most horrible thing.

534
00:42:39,599 --> 00:42:44,400
You know, it's presented that way
in scripture. It's it's presented that

535
00:42:44,440 --> 00:42:47,440
way, and uh, you know, it's an object of torture, and

536
00:42:47,880 --> 00:42:57,239
Christ is tortured. But nonetheless we
have the intuition and we hear it in

537
00:42:57,280 --> 00:43:00,639
the church and we that that in
fact, the cross is beautiful. And

538
00:43:00,719 --> 00:43:04,760
so how do you square that,
like, how do you see that coming

539
00:43:04,800 --> 00:43:07,639
together? Oh? I don't know. I mean, I certainly as the

540
00:43:07,760 --> 00:43:13,320
ways as I don't know. I
certainly find my cross is hard to bear.

541
00:43:13,679 --> 00:43:22,039
But I find yours. Very beautiful
I find, you know, meeting

542
00:43:22,119 --> 00:43:25,840
someone who's willing to to risk their
lives for me. You know, I

543
00:43:25,880 --> 00:43:30,960
was in a fiery car crash on
in twenty seventeen, and thank god the

544
00:43:30,960 --> 00:43:35,000
car didn't tip, but you know, it was really on fire, and

545
00:43:35,840 --> 00:43:38,519
you know, as I emerged out
of the fire, there just happened to

546
00:43:38,519 --> 00:43:45,199
be a fireman getting off duty.
And you know when I when I thank

547
00:43:45,239 --> 00:43:47,400
God that the car didn't flip,
you know, because then that might have

548
00:43:47,480 --> 00:43:52,159
just either been the end of me
or I would be even uglier than I

549
00:43:52,199 --> 00:43:54,840
am. No, just kidding,
I would have you know, really been

550
00:43:54,880 --> 00:43:59,320
you know, had all kinds of
things going on, would be hard row

551
00:43:59,400 --> 00:44:05,239
to hoe. And my faith is
not infinite. But my main reason I'm

552
00:44:05,280 --> 00:44:09,000
happy is that that poor guy,
he was just coming home from work on

553
00:44:09,039 --> 00:44:13,639
a Sunday morning, and would he
have had to go into the flames for

554
00:44:13,679 --> 00:44:15,679
me, that would be awful,
I mean, but had he done it,

555
00:44:16,440 --> 00:44:22,159
yeah, it's just beautiful that God
put in there and that you know

556
00:44:22,440 --> 00:44:30,639
that he was ready, seems ready
so certainly, and when we encounter in

557
00:44:30,679 --> 00:44:36,360
a relationship that the other person is
unwilling or unable or psychologically unready to bear

558
00:44:36,440 --> 00:44:39,159
even the smallest cross for us.
That's really sad, you know, that's

559
00:44:39,199 --> 00:44:45,039
really that's much harder, you know. Then and then then we realize,

560
00:44:45,119 --> 00:44:49,079
well, we've got to up our
game and we've got to carry a few

561
00:44:49,079 --> 00:44:53,559
more crosses for the life of the
world and stop trying to be so ready

562
00:44:54,199 --> 00:44:59,679
and focus on being beautiful or on
being good and then letting the beauty come

563
00:44:59,679 --> 00:45:06,880
out of that. Mm hmm,
yeah, because you know, it was

564
00:45:06,920 --> 00:45:08,800
interesting. You know, I'd never
had that experience before, but I was

565
00:45:08,800 --> 00:45:14,760
on an ethos in. I mean, you actually helped organize my first trip

566
00:45:14,760 --> 00:45:15,960
there by the way, thank you. I'll say that in public that was

567
00:45:16,000 --> 00:45:21,159
wonderful. But I went back again, as you know, with Jordan Peterson,

568
00:45:22,880 --> 00:45:25,639
you know, and we met the
abbot of the of Xenophon monitor we

569
00:45:25,639 --> 00:45:32,119
were and to me that was really
something of an experience of the deep beauty

570
00:45:32,239 --> 00:45:37,400
because he was a broken old man, you know, I mean, his

571
00:45:37,519 --> 00:45:40,119
back was out, and you know, he had all the characteristics of a

572
00:45:40,239 --> 00:45:45,679
very elderly person who's had a very
full life. But you know, it

573
00:45:45,760 --> 00:45:51,480
was impossible to stop looking at him
like it was some there's something more than

574
00:45:51,760 --> 00:45:58,719
just the just the the usual advertisement, you know, Hollywood aspects of what

575
00:45:58,800 --> 00:46:02,440
we find to be beautiful, and
it was a visual thing like it it

576
00:46:02,519 --> 00:46:06,119
part of it was visual, that's
visual. Part of it was visual is

577
00:46:06,119 --> 00:46:08,679
that I really he was hypnotizing like
there was there was It was difficult to

578
00:46:08,679 --> 00:46:14,639
stop looking at his face because there
was so much simple joy and you know,

579
00:46:14,719 --> 00:46:17,880
and and the kind of presence that
was exuding from it. Uh.

580
00:46:17,920 --> 00:46:23,320
And so I think I did have
like a little bit of a of a

581
00:46:23,440 --> 00:46:29,519
vision of how the Cross can be
beautiful. You know, although we know

582
00:46:29,559 --> 00:46:31,880
when we make icons of the Cross, we were careful, you know,

583
00:46:31,960 --> 00:46:37,599
we tried to make it in a
way that won't attract to the to the

584
00:46:37,599 --> 00:46:39,199
the kind of torture aspect of the
of the cross. And I think it's

585
00:46:39,199 --> 00:46:43,519
good that we do that, but
we also know that that's what it was.

586
00:46:43,599 --> 00:46:46,400
I mean, we know that Christ
on the Cross visually did not look

587
00:46:46,559 --> 00:46:52,199
the way that we represent him in
a in an icon. Uh. You

588
00:46:52,199 --> 00:46:55,519
know, we're trying to represent the
inner aspect that that kind of transform aspect,

589
00:46:55,519 --> 00:47:00,559
but the outer aspect would have been
horrible. But I that was a

590
00:47:00,639 --> 00:47:06,599
moment where I felt like I was
able to see a surprising you know,

591
00:47:06,679 --> 00:47:10,039
in someone who is you know,
old and close to death and has had

592
00:47:10,079 --> 00:47:15,519
this full life of sacrifice, that
there was something shining. So anyways,

593
00:47:15,719 --> 00:47:17,639
I'm sure other people have had experiences
like that, but to me that was

594
00:47:17,800 --> 00:47:23,119
helpful to help me understand what beauty
is, you know, in in the

595
00:47:23,119 --> 00:47:28,760
deepest way. Well somehow it's a
society. And we had our kind of

596
00:47:28,760 --> 00:47:31,679
Disneyland phase of beauty, and you
know, we took that into our personal

597
00:47:31,679 --> 00:47:37,039
lives somehow and expect you know,
even our spouse or something to be like

598
00:47:37,039 --> 00:47:45,199
that. But the the I mean, I think, you know McGilchrist's point

599
00:47:45,440 --> 00:47:50,159
is that you know, we're in
a societal crisis or a civilizational crisis,

600
00:47:52,400 --> 00:47:55,360
you know, and somehow. The
thing is, I don't think that he

601
00:47:55,440 --> 00:48:00,880
can really All he can really do
is point very dimly, you know,

602
00:48:00,920 --> 00:48:07,199
to religion or to even philosophy something
that to say that the brain, you

603
00:48:07,199 --> 00:48:13,360
know, his functions functions in this
way, doesn't really give you a program.

604
00:48:14,519 --> 00:48:17,760
It just tells you that you might
want to pay attention to people who

605
00:48:17,800 --> 00:48:23,920
have the program. And I don't
know, yeah, there there is I

606
00:48:23,920 --> 00:48:28,719
mean, there is a a you
know, I think that his Reacing book,

607
00:48:28,760 --> 00:48:30,480
like I said, I haven't read
it. I think his reacent book

608
00:48:30,519 --> 00:48:31,440
is different, you know, in
the set, I think that he is

609
00:48:31,960 --> 00:48:37,760
trying to to give more of a
of a of a vision of how to

610
00:48:38,079 --> 00:48:42,480
live, because it's true that in
the mass and is emissary. It's it's

611
00:48:42,519 --> 00:48:45,400
like a it's a critique and saying
to someone, you know, use your

612
00:48:45,480 --> 00:48:51,719
right brain more. It doesn't mean
anything. Right doesn't mean anything existentially.

613
00:48:51,800 --> 00:48:55,400
It's not a it's not a phenomenological
proposition. It's a it's a prop it's

614
00:48:55,400 --> 00:49:00,039
an analytical proposition. It's a left
brain way of talking talking about the problem.

615
00:49:00,079 --> 00:49:05,360
When you say this it's a brain
problem, like it's it's it's an

616
00:49:05,440 --> 00:49:08,920
experienced problem, it's an engagement problem. It's it's not actually a problem with

617
00:49:08,960 --> 00:49:12,840
the brain at the outset. And
so I think in some ways he's a

618
00:49:12,840 --> 00:49:19,039
bridge because he's actually using left brain
way of talking about the world in order

619
00:49:19,119 --> 00:49:23,719
to ex to show the problem,
you know, and it helps people kind

620
00:49:23,719 --> 00:49:28,800
of understand what it is. But
honestly, like the brain has very little

621
00:49:28,840 --> 00:49:30,559
to do with your experience, Like
you do not experience your brain and your

622
00:49:30,599 --> 00:49:36,960
brain, you know you you don't. Your brain is an abstraction in your

623
00:49:37,039 --> 00:49:39,800
life. It's not something that you
you don't experience things through your brain.

624
00:49:39,880 --> 00:49:43,480
You don't, you know, I'm
not saying, I mean, careful people

625
00:49:43,559 --> 00:49:45,920
understand what I'm saying. I'm not
saying the brain doesn't do what we say

626
00:49:45,960 --> 00:49:50,159
it does. I'm saying that it's
it's it's like the motor of your car,

627
00:49:50,239 --> 00:49:52,639
right. You know, you drive
the car, and you have a

628
00:49:52,679 --> 00:49:54,960
steering wheel and you have the pedals. That's your experience of the car,

629
00:49:55,159 --> 00:50:02,880
like you don't experience what happening inside
the motor is second, very secondary to

630
00:50:02,920 --> 00:50:07,199
your experience of driving. And that's
that's also the I think one of the

631
00:50:07,239 --> 00:50:10,559
issues with not the issues, but
I think that that's in some ways where

632
00:50:10,639 --> 00:50:15,079
McGill, chriss and the Master's Emissary
kind of leaves us off with more this

633
00:50:15,239 --> 00:50:19,800
kind of technical way of talking about
it. But I never like, I

634
00:50:19,840 --> 00:50:22,360
wouldn't use that, I wouldn't say
right brain, left brain thinking, because

635
00:50:22,440 --> 00:50:27,679
yeah, I think Chapter twenty two
of Death and Life is better in the

636
00:50:27,719 --> 00:50:30,280
sense that it just tells you that
we have three modes of science, and

637
00:50:30,400 --> 00:50:34,360
we prefer the first two because they
give us, you know, the illusion

638
00:50:34,440 --> 00:50:37,559
of control and the illusion that the
universe is a dead thing, and the

639
00:50:37,599 --> 00:50:42,800
other one is just a lot harder. But the fact is, see,

640
00:50:42,800 --> 00:50:45,880
if I were a corporation, how
would I just absorb all this and try

641
00:50:45,920 --> 00:50:49,440
to stay unrepentant. I would just
say, well, let's just get out

642
00:50:49,519 --> 00:50:52,119
there and you know, fund some
great liberal arts programs and then just hire

643
00:50:52,159 --> 00:50:55,400
their graduates and we'll have them and
the engineers, you know, balancing each

644
00:50:55,400 --> 00:51:00,000
other like you would. You could
just try to operation like that, like

645
00:51:00,039 --> 00:51:06,159
we'll get your artists involved or just
get the problem is that life is a

646
00:51:06,239 --> 00:51:09,760
much harder form of art. And
yeah, the liberal arts are indispensable,

647
00:51:10,320 --> 00:51:15,800
but then you've got to have the
way of the heart. You've got to

648
00:51:15,039 --> 00:51:20,039
actually pursue the sacred and the holy, and you've got to do it well.

649
00:51:20,519 --> 00:51:24,199
And you know, it's all that's
it's it's education too. It's about

650
00:51:24,199 --> 00:51:28,480
people. That's the you're gonna have
to do. You can't make it into

651
00:51:28,519 --> 00:51:31,079
a system. It really is the
difference between a good teacher and a bad

652
00:51:31,119 --> 00:51:35,400
teacher is the world, you know. And you know, we just send

653
00:51:35,400 --> 00:51:37,199
our kids to high school and then
we just don't know who their teachers are,

654
00:51:37,599 --> 00:51:42,559
you know, and we just but
the reality is that all the great

655
00:51:42,599 --> 00:51:46,800
colleges were built on people. They're
not built just on abstract knowledge. And

656
00:51:47,119 --> 00:51:51,000
you know, I was, I
don't know if you know about Ralston College.

657
00:51:51,320 --> 00:51:53,159
I just came back from there.
I did as an event there.

658
00:51:53,199 --> 00:51:59,239
Migil Chris also, Yeah, and
they're they're building it, I think in

659
00:51:59,280 --> 00:52:01,199
the right way. The building it
based on. You know, it's like

660
00:52:01,679 --> 00:52:07,079
connections and people and understanding that you
know, a valuable person is more than

661
00:52:07,119 --> 00:52:12,079
a program that we need the program, but to have the right person in

662
00:52:12,119 --> 00:52:15,800
the right place, you know,
that has the right intentions. Uh,

663
00:52:15,199 --> 00:52:20,760
connecting with the students is more valuable. And anyway it's been, it's pretty

664
00:52:20,800 --> 00:52:23,119
it's pretty astounding what they're able to
to do. It gives you hope,

665
00:52:23,199 --> 00:52:28,039
you know, for for for liberal
arts. For sure, you'd love to

666
00:52:28,079 --> 00:52:30,559
learn more about it. Of course, of course, I think Hellenic College

667
00:52:30,599 --> 00:52:34,400
has the edge right now of any
liberal arts school in the nation, just

668
00:52:34,440 --> 00:52:42,480
because the you know, the reason
I became friends with Jane Jacobs is because

669
00:52:42,519 --> 00:52:49,440
I noticed that she was describing cities
as if they were really liturgies. And

670
00:52:49,440 --> 00:52:52,440
and I think when you when you
study living, you know, real real

671
00:52:52,920 --> 00:52:57,960
organic life, it always has this
you know that that breeding that you mentioned,

672
00:52:58,000 --> 00:53:05,360
that that sign of liturgical living things
are constituted liturgically, and it's and

673
00:53:05,599 --> 00:53:08,719
to have to have that be part
of your college experience. Now, if

674
00:53:08,760 --> 00:53:13,719
some young person is listening to this
and you know they can't come here necessarily,

675
00:53:13,719 --> 00:53:16,239
we don't have an engineering program,
but if you can put pilgrimage into

676
00:53:16,280 --> 00:53:21,760
your life and get good at liturgy
and understand what is the way of knowing

677
00:53:22,079 --> 00:53:27,400
that's imparted. Of course we have
this, we have them both here and

678
00:53:27,440 --> 00:53:31,320
it's still a struggle. That's just
life. I mean you just every day

679
00:53:31,440 --> 00:53:36,599
is a struggle. And but yeah, in some sense we're the ideal college

680
00:53:36,639 --> 00:53:43,400
at the moment, although thankfully not
no one seems to realize that. Well

681
00:53:44,119 --> 00:53:47,119
we handle thirty freshmen a year,
but or whatever. Well I can't wait

682
00:53:47,159 --> 00:53:52,400
because for people who don't know,
I am going to be at Helenic College

683
00:53:53,119 --> 00:53:59,480
in a few weeks on is it
April seventeenth? It's seventeen. That's a

684
00:53:59,519 --> 00:54:01,079
Thursday, right, Thursday night?
Is that is that when the event is?

685
00:54:01,119 --> 00:54:04,599
Because I have three days, but
it's it's around there. It's like,

686
00:54:04,880 --> 00:54:07,320
but you're coming on Wednesday and we're
hanging out on Thursday, and it's

687
00:54:07,360 --> 00:54:10,840
Thursday night. I think it's Thursday
night, and there's and tickets are available

688
00:54:10,880 --> 00:54:15,679
on event bright all right, so
an event Bright I will be selling out

689
00:54:15,760 --> 00:54:19,199
fast now the eighteenth, so get
your ticket. I can't wait to see

690
00:54:19,239 --> 00:54:22,760
the college because you know, I've
never been there, and so I can't

691
00:54:22,800 --> 00:54:27,480
I you know, and and I
am definitely interested in the future of education

692
00:54:27,679 --> 00:54:31,079
and also especially liberal arts education.
So it's it's wonderful to see an Orthodox

693
00:54:32,199 --> 00:54:37,039
based community trying to do liberal arts
in the right way. I think it's

694
00:54:37,079 --> 00:54:43,119
great. You know, liturgy has
to have a component of long, being

695
00:54:43,159 --> 00:54:46,320
long and boring. If it's if
it's if everything is as an you know,

696
00:54:46,400 --> 00:54:51,360
as a purpose function, and you
remain mired in the left brain and

697
00:54:51,760 --> 00:54:55,440
all you're really doing with your Christian
faith is doubling down on, you know,

698
00:54:55,639 --> 00:55:00,719
the mistake of the civilization, which
is to not be beautyful, and

699
00:55:00,760 --> 00:55:06,000
it's to be so entranced by,
you know, the power of utility that

700
00:55:06,320 --> 00:55:09,000
you know, you just are.
You're just a danger to yourself and others.

701
00:55:10,119 --> 00:55:13,920
I love I love you saying that, you know, your liturgical life

702
00:55:13,960 --> 00:55:19,920
has to be long and boring.
It has to weigh out yourself and your

703
00:55:19,960 --> 00:55:23,599
own flighty mind and come to something
deeper. Yeah, because I mean,

704
00:55:23,880 --> 00:55:29,559
anybody who's been through a long liturgical
service will notice that at some point your

705
00:55:29,599 --> 00:55:31,599
thoughts just go crazy, Like your
thoughts just kind of go all over the

706
00:55:31,599 --> 00:55:35,440
place, And at first you don't
notice it, but after you've been through

707
00:55:35,440 --> 00:55:37,599
several services, you're like, wait
a minute, I'm not here anymore.

708
00:55:38,000 --> 00:55:40,679
Like I'm just not even here.
I'm somewhere else. I'm thinking about,

709
00:55:40,760 --> 00:55:45,360
especially your creative person like you,
like me, who has plenty of things

710
00:55:45,400 --> 00:55:47,039
to think about, plenty of stories
to write, plenty of you know.

711
00:55:47,119 --> 00:55:51,400
So it's so easy to write stories
when you're during liturgy, right, It's

712
00:55:51,400 --> 00:55:54,039
like, oh yeah, but it's
it's a good exercise because it makes you

713
00:55:54,119 --> 00:55:58,000
realize to what extent, you know, you're a slave of your thoughts,

714
00:55:58,079 --> 00:56:01,679
and you of these you know,
of these that kind of drop in.

715
00:56:02,039 --> 00:56:07,400
So yeah, it's good to do
that. I feel bad for mentioning Hellenic

716
00:56:07,440 --> 00:56:09,400
And I'm not trying to hijack you
know, the podcast, I mean,

717
00:56:09,840 --> 00:56:15,280
but because the larger issue, though, you know, is, I mean,

718
00:56:15,360 --> 00:56:17,599
I've been reading a lot of Wendell
Berry this lent. I'm trying to

719
00:56:17,800 --> 00:56:22,719
make that part of lent because you
know, he's calling for some kind of

720
00:56:22,760 --> 00:56:29,000
social repentance, and you can see
how it really sinks with McGilchrist, and

721
00:56:30,599 --> 00:56:37,480
there is repentance should lead to kind
of social renewal. And and I think

722
00:56:37,760 --> 00:56:44,800
we see very clearly now that our
mental inability to comprehend beauty or its important

723
00:56:44,840 --> 00:56:49,159
sort of give it the respect it's
it's due, is something that is a

724
00:56:49,199 --> 00:56:52,119
mental state that needs to be repented
of. And that's what repentance is,

725
00:56:52,159 --> 00:56:58,599
you know, it's changed to renew
and transform the mind. I don't know,

726
00:56:58,639 --> 00:57:00,039
I mean, we didn't get into
something else, maybe for another time,

727
00:57:00,079 --> 00:57:05,360
but it's it does seem like,
you know, our civilization is is

728
00:57:05,400 --> 00:57:09,599
a struggle between the nominalists and the
realists. The only solution is is the

729
00:57:09,639 --> 00:57:13,960
symbolic and that's you know, what
you're trying to lead us back to.

730
00:57:14,679 --> 00:57:16,199
So I mean, I think the
things that I'm saying are kind of just

731
00:57:16,360 --> 00:57:21,599
very small pieces of that. What
your work is the main work that somehow

732
00:57:22,239 --> 00:57:27,360
to recover the symbolic vision. That's
where the nominal and the real are reconciled.

733
00:57:27,960 --> 00:57:30,840
Yeah, yeah, but no,
I think I think that we're both

734
00:57:30,840 --> 00:57:35,039
of us are very much in parallel, which is why people when they read

735
00:57:35,079 --> 00:57:38,559
your book, they feel like they're
that we're cousins in thinking, you know,

736
00:57:38,679 --> 00:57:42,519
like that, that that you're completing
some of the things that I'm saying,

737
00:57:42,559 --> 00:57:44,639
and I'm coming close to the things
you're saying, and so I think

738
00:57:44,679 --> 00:57:47,360
it's a wonderful. Oh, what's
wonderful. Yeah, sorry, you're wonderful.

739
00:57:47,400 --> 00:57:50,000
To know you're on my team,
is what I was going to say,

740
00:57:50,079 --> 00:57:51,880
or that I'm on your team,
that we're on the same team.

741
00:57:51,960 --> 00:57:53,679
Let's say it that way. You
were saying something I'd never heard, I'd

742
00:57:53,719 --> 00:57:59,920
never heard before, which which is
the best thing ever. You said that

743
00:58:00,320 --> 00:58:05,320
the word for the devil, right
is the the avola to separate is the

744
00:58:05,360 --> 00:58:12,119
exact opposite of simvalo symbol symbol,
and that's the that's the best thing ever.

745
00:58:12,800 --> 00:58:15,039
That really just puts it all right, there, doesn't it. But

746
00:58:15,039 --> 00:58:19,960
but this war between nominalists and realists, and of course the Anglo American response

747
00:58:20,400 --> 00:58:24,079
is to sit on the sidelines and
through this faint, faint memory of their

748
00:58:24,119 --> 00:58:30,400
Byzantine, you know, inheritance and
the Celts too, to be skeptics of

749
00:58:30,559 --> 00:58:35,519
both, you know. But but
that Anglo American skepticism is kind of wearing

750
00:58:35,559 --> 00:58:38,280
out. People want the thing itself, No, I think, I think

751
00:58:38,320 --> 00:58:43,800
so. But you know, the
thing is that nominalism is is going to

752
00:58:43,960 --> 00:58:46,119
is going to end with a lot
of is ending with blood. Like it's

753
00:58:46,480 --> 00:58:51,199
the Enlightenment thinking, and that all
of this is crashing, it's all,

754
00:58:51,280 --> 00:58:54,960
it's all falling apart. It's happening
rather fast. COVID was was like an

755
00:58:55,039 --> 00:59:01,679
accelerant of all of the the aspects
of you know that's a religious impulse and

756
00:59:01,679 --> 00:59:06,559
and uh all and you know,
all of that kind of crashing back in.

757
00:59:06,679 --> 00:59:09,320
So, you know, I think
that we it's time to deal with

758
00:59:09,360 --> 00:59:13,519
this, you know, it really
is time to be able to formulate and

759
00:59:13,559 --> 00:59:19,519
to participate in meaning in ways that
are fractal instead of you know, swaying

760
00:59:19,880 --> 00:59:24,599
crazily between you know, chaos and
tyranny, which is the tendency that we've

761
00:59:24,840 --> 00:59:28,639
that we've embarked on, you know, I think since the beginning of the

762
00:59:28,719 --> 00:59:32,880
Enlightenment. And so I think that
being helping people to formulate, but not

763
00:59:32,880 --> 00:59:39,079
not just formulate theoretically, but also
engage in practice this fractal relationship between unity

764
00:59:39,079 --> 00:59:43,519
and multiplicity at all the different levels. Uh, the music, right,

765
00:59:43,559 --> 00:59:49,199
the music of the spheres really that
that's that's and and the thing, the

766
00:59:49,239 --> 00:59:52,880
great thing about it is that when
people understand it and when people kind of

767
00:59:52,920 --> 00:59:58,519
see it, it rings so true
that at once you once you've seen down

768
00:59:58,559 --> 01:00:02,679
that, once you've seen down that
door, there's no turning back. It

769
01:00:02,760 --> 01:00:07,360
might be difficult to do it and
integrate it, it's difficult to live it

770
01:00:07,400 --> 01:00:14,880
completely, but once you've seen this
hierarchy of practical relationships, you can't go

771
01:00:14,960 --> 01:00:16,639
back to the to the to the
old way. I don't think so and

772
01:00:16,679 --> 01:00:22,719
so so at least I think we
have reality on our side, is what

773
01:00:22,800 --> 01:00:28,000
I mean. You know, like
liturgy, that the idea that the reality

774
01:00:28,039 --> 01:00:32,079
is liturgy is just true. And
so you know, as the more people

775
01:00:32,119 --> 01:00:38,480
can perceive it and engage with it, it will win in the end,

776
01:00:38,639 --> 01:00:43,880
no matter how crazy it becomes.
You know, truth will will will rise.

777
01:00:44,039 --> 01:00:47,920
There's no there's no other way,
you know, because if you it's

778
01:00:47,960 --> 01:00:52,519
like if things decompose, and then
the seed, the fractal seed that came

779
01:00:52,519 --> 01:00:55,519
from the tree that's planted in that
decomposed, that's the one that's going to

780
01:00:55,599 --> 01:01:00,360
grow. So I know it from
because that's how it works, and that's

781
01:01:00,360 --> 01:01:02,239
actually how it works in the world, and that's how it works at all

782
01:01:02,280 --> 01:01:07,039
the scales, you know, and
the stories tell us about the remnants that

783
01:01:07,079 --> 01:01:10,880
are taken out and that are planted
and grow again. And so I don't

784
01:01:10,920 --> 01:01:17,760
see I don't see another another way. You know. In his letters to

785
01:01:17,800 --> 01:01:22,599
the Soviet leaders, sol Janitsen,
you know, is calling for a societal

786
01:01:22,760 --> 01:01:28,119
social repentance for the for Russia because
you know, he says it's time to

787
01:01:28,519 --> 01:01:34,480
let the republics go and find their
own way. One of his regrets is

788
01:01:34,519 --> 01:01:37,559
that all the best minds were studying
military electronics. You know, all the

789
01:01:37,639 --> 01:01:42,159
young people were drawn to that,
and they were neglecting their humanities. I

790
01:01:42,239 --> 01:01:46,079
mean, it's such a sacred thing
if a person can give themselves to the

791
01:01:46,079 --> 01:01:53,039
study of literature and the classics,
or literature and theology, literature and art,

792
01:01:53,599 --> 01:02:00,400
you know so much the great you
know, when we talk about education,

793
01:02:00,480 --> 01:02:04,039
as you know, the great conversation, right this this beauty, goodness,

794
01:02:04,079 --> 01:02:07,960
truth or grammar, logic, rhetoric, the rhetoric stage. It's blood

795
01:02:07,960 --> 01:02:13,760
work, but it's there's a cynidelity. You've got to enter the Communion of

796
01:02:13,800 --> 01:02:19,079
Saints you've got to engage with the
other great writers and the great you know

797
01:02:19,440 --> 01:02:27,320
everything or whatever you're doing, it's
they are summoning you and do their company.

798
01:02:27,559 --> 01:02:30,760
They I no longer call you disciples, I call you friends. They

799
01:02:30,760 --> 01:02:37,079
are summoning you to that friendship.
And it's just that life is so busy

800
01:02:37,119 --> 01:02:39,719
and people don't have time to read. They don't feel at least with film

801
01:02:39,760 --> 01:02:45,840
they're getting something. Yeah, but
you know, audiobooks there's a solution.

802
01:02:45,239 --> 01:02:49,719
Everyone likes the audiobooks. Yeah,
that's the way to go. There's something

803
01:02:49,719 --> 01:02:52,519
that are hard to read with audiobooks. But for sure, audiobooks have been

804
01:02:52,559 --> 01:02:54,800
a life saver for me, especially
as a dad with three kids, working

805
01:02:54,800 --> 01:02:59,159
full time. You know, it's
like and then doing all this other stuff,

806
01:02:59,320 --> 01:03:01,320
the audiobook is wonderful. You know, then you want to drive,

807
01:03:01,360 --> 01:03:05,719
like you actually want to drive your
kids places because you get to listen to

808
01:03:05,719 --> 01:03:09,119
the audiobook. Uh So, so
that's been that's been wonderful. And it's

809
01:03:09,119 --> 01:03:14,480
weird. It's a it's weird technological
version of the you know, the monks

810
01:03:14,519 --> 01:03:19,679
reading in the during dinner at the
in the monastery. It's it's not completely

811
01:03:19,719 --> 01:03:22,880
the same. It lack I mean
obviously it's a it's a superficial version of

812
01:03:22,880 --> 01:03:28,360
that. But I think that we're
attuned to listening to things being told told

813
01:03:28,360 --> 01:03:30,239
to us since we're children, you
know, being read to, and so

814
01:03:30,320 --> 01:03:35,920
I think there's something intuitively right about
the audiobook that you can easily, you

815
01:03:35,960 --> 01:03:38,480
know, kind of pay attention while
you're doing other things and let it seep

816
01:03:38,519 --> 01:03:44,400
into you. So so so more
people need to More young men in the

817
01:03:44,480 --> 01:03:49,400
Orthodox tradition need to come to the
priesthood because if the if, if that's

818
01:03:49,480 --> 01:03:53,320
the symbolic act is you know,
the defeat of the disintegrative act, then

819
01:03:53,400 --> 01:03:59,599
that's that's a different way to present
this calling, this ministry because someone has

820
01:03:59,639 --> 01:04:04,400
to stand like Moses, you know, with their arms up. So maybe

821
01:04:04,440 --> 01:04:09,800
that is part of the answer,
just that increasing but all of us participate

822
01:04:09,800 --> 01:04:15,360
in that priesthood of the church,
and that's I mean the problem is us,

823
01:04:15,480 --> 01:04:18,800
right like, And that's that's the
great thing you know about I think

824
01:04:18,840 --> 01:04:23,639
all Christian faith, but Orthodoxy in
particular. I mean what I know,

825
01:04:23,760 --> 01:04:28,320
well, you know you are encouraged
to realize that you know, you're the

826
01:04:28,360 --> 01:04:33,679
issue. The problem, The problem
is you. I think this is a

827
01:04:33,880 --> 01:04:39,880
it's a great way to uh to
to to end our conversation, the problem

828
01:04:39,960 --> 01:04:44,559
is you, but the community of
the Saints are calling you, and not

829
01:04:44,719 --> 01:04:47,039
just the Saints, but the communion
of all those that came before it,

830
01:04:47,119 --> 01:04:50,679
the great thinkers, the great writers, those that have you know, showed

831
01:04:50,760 --> 01:04:56,599
us what is what is beautiful,
good and true. They are calling us

832
01:04:56,639 --> 01:05:00,960
in to participate. So can I
can I mention it dream I had recently

833
01:05:00,960 --> 01:05:04,719
because it's so fun. I was
meeting Lebron James for the first time and

834
01:05:04,760 --> 01:05:08,920
it was such a spiritual dream.
I was in tears. It was it

835
01:05:08,960 --> 01:05:14,119
was like this, and I was
I just said, you've You've given so

836
01:05:14,280 --> 01:05:17,480
much effort to excellence, You've worked
so hard to be excellent on what you

837
01:05:17,519 --> 01:05:21,599
do, and it just brought me. I don't even I'm not really even

838
01:05:21,639 --> 01:05:26,800
a basketball fan, but I just
there's so many people out there giving their

839
01:05:26,840 --> 01:05:32,639
all for for beauty in different ways. Yeah, you know, come in,

840
01:05:32,880 --> 01:05:36,480
come into the dance, everybody.
So Timothy, thank you for everything.

841
01:05:38,280 --> 01:05:44,079
I can't wait to see you again
at Holy Cross and at Hellenic College

842
01:05:44,199 --> 01:05:45,760
in a few weeks. Yes,
now, if we show all the best.

843
01:05:45,880 --> 01:05:51,760
Luck also with with the the movie
and the upcoming movie on on Holy

844
01:05:51,800 --> 01:05:55,239
Week. You know I can't wait
to see that as well, So thanks

845
01:05:55,320 --> 01:06:00,440
Timothy. If you enjoyed these videos
and podcasts, please go to this Symbolic

846
01:06:00,440 --> 01:06:03,199
world dot com website and see how
you can support what we're doing. There

847
01:06:03,199 --> 01:06:08,280
are multiple subscriber tiers with perks.
There are apparel and books to purchase,

848
01:06:08,559 --> 01:06:11,960
so go to the Symbolic world dot
com and thank you for your support
