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Hello everybody, Welcome to That's No
Metal On. Welcome back to Hyperblast.

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We are back here for the second
week now of twenty twenty four. News

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coverage, music coverage, having that's
going on over here. We are,

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of course still award winning by the
way, heavy Music podcast here with you

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every Friday. My name is Parenhiesh. Sam Dignon is here before me.

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Hello, Hello. Not a lot
going on in my lab at the moment,

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but you know, when's your when's
your first what's your first gig of

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the year? Come hopefully? Did
I get all sorted Spanish love songs in

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like next weekend? Right? Yeah? I was in the discord yesterday.

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Yesterday, I was in five guys
pre the gig I'm about to talk about,

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and some rocker with the Orcs was
playing the screaming trees hell yeah into

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a Spanish love song song. I
can't remember which one it was, but

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it's all about the garden. I
don't like him. It wasn't that one,

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but it was a real like,
oh shit, I can hear that

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that man while I'm eating some farmyard
meat in the form of this burger.

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Very appropriate and very fun, but
yeah, fair play there. Yeah,

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so as I've obviously just alluded to, we haven't got a question section this

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week because I feel like there's gonna
be a fair old run time on this

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anyway, because I have my first
show of the year to talk about,

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and it was a very one of
those cases where the first show of the

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year is one of the big sort
of you know live music story, say,

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the currently big tour of the year
is going to be one of the

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biggest tours of the year, isn't
it really? Yeah? Absolutely, I

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am, of course talking about Bringing
the Horizons Arena tour that was supposed to

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be in support of the post Human
Next Gen record. It's now a prelude

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to the Posthuman Next Gen record,
but you know, it brought along a

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really big support bill in terms of, you know, bands who are kind

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of up and coming at the moment, and I decided to go along.

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And my perspective going into this was
is a bit of a strange one,

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perhaps because the main reason I went
into this is essentially Bringing the Horizon were

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playing in the actual city I live
in, and so I didn't have to

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travel anywhere, and it sort of
felt like almost like a now or never

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moment in that regard of like me
actually going to see them because them before

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I remember no, because at their
like artistic peak, when they were like,

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you know, they were the up
and coming band, I wasn't like

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in and around their shows. I
never caught any of their like big arena

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tours prior to this. I didn't
do download last year. The shows I

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actually like would have liked to go
to were in places like Malaga. I

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wasn't going to go there, so
and I guess it's in the last few

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years they'd stopped being a band I
kind of prioritized, so and you know,

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this tour, you know, with
the that has and everything, I

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probably would have skipped over it again
personally if it hadn't been like right on

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my doorstep. So I was like, this is the time to do it.

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And as it happened, it became
a you know, it was a

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really fascinating experience for me to sort
of step into something that has you know,

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obviously it's evolved far past the time
that I was most plugged into it,

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and because of that, I got
to see, you know, as

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an overall package, top to bottom, as a tour, it obviously represents

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a lot of what has been rising
to the top in heavy music lately,

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you know, the Next Gen tour
and I think, you know, whether

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you like the bands on it or
not, it as a really encapsulating kind

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of case study that might end up
being remembered as like this tour is where

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popular heavy music was at in you
know, twenty twenty four. I mean

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that's kind of being the been the
case for bringing me tours a lot in

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the past when you look back to
you know, their massive twenty eleven tour

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when it was them Parkway Drive Architects, dev wes Prada like they they they

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the has always been about that kind
of like addressing the state of this is

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what is going on right now?
Yeah, the state of the scene if

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you will to someone else, but
yeah, And I went in with that

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with a total sense of like academic
curiosity, you know. I'd heard that

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their recent live shows had been good, you know, Elliott Download said that

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that was a really good performance,
and I was curious as to how,

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you know, other things would be
received. Stack Dress the band. I

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guess it was nice to see on
the bill because they are the thing closest

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to I guess us at the moment
where we come from as a podcast.

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The trade off for that is,
you know, you fear for them a

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little bit because they seemed to me
like a band who are best suited to

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kind of pop off in small venues, and like I saw them opening in

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an academy size venue a couple of
years ago. I think it was a

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funeral for a friend and it was
okay, and this was an arena,

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you know, bigger again, but
I thought for that slot they actually did

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perfectly well. It's still a case
of like their sound with all that sharp

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odd edges, is like not perfectly
suited to something like that, And you

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know, they're the act of the
four on this tour who kind of sung

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felt the most muddied. I guess
in that regard, nothing really came through

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apart from clean at the very end, but there was energy and they were

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very up for it, and they
clearly you know, there were people in

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the crowd who knew them and were
up for it as well, and it

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was just quite nice to hear some
like proper post hardcore ahead of like anything

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else, you know, and again, you know, kind of strange way,

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it made me wonder, like what
would someone like see Uspace Cowboy do

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with a stage like this if they
were sort of given that same opportunity.

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Cassiette comes on, who, to
put things very bluntly, I have only

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heard name dropped by people who just
don't seem to think the things are cool

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that I think are cool right as
a set, I have certainly heard and

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seen worse. But her logo looks
like it should be Cyber Dog in Camden,

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and I quite enjoyed the kind of
brain dead gabber energy it had at

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bits of it, although her you
know, non committal to like gabba dancing

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was pitiful. I don't want you
pretending to look cool and composed. I

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want you flailing your limbs like you're
a German in nineteen ninety five. But

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you know, it was all right. But like I just I think my

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thing with stuff like Cassieer is I
just don't quite understand what the aim or

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the audience is because it's it's essentially
just vapid pop where she screams. I've

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tried through so many of these acts
coming through and I'm just like, I'll

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just go listen to pop music,
like it's like, what that's my takeaway?

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Alternate even name only. But but
you've alienated yourself from the actual mainstream

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by you know, screaming and stuff. So it's it's not one thing or

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the other. And so it's the
kind of career where you're making pop music,

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but the endgame of it is seemingly
to be third on an arena bill

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to you know, still heavier bands
and you like bring me the horizon for

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you know, the rest of time. So I can't say it getting further

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than that. So I don't get
it, you know, like your face

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down, Anne Marie, Okay,
it just seems like a useless slice of

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the Venn diagram. It is very
funny, obviously after everything that was said

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on the T ANDM Award Show at
the end of last year that my first

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gig of twenty twenty four should end
up being seeing bad Omens, but they

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were the support act I was most
curious about because obviously they are annointed ones.

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I wanted to see it in action, particularly as we've said about it

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being seeming like a kind of us
phenomenon up to this point. But there

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are signs that this upcoming year might
be when bad Omens like really happens here

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and again, going into this with
as like objective academica mindset as possible you

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might be expected me to, you
know, really lay into this. There

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is you know, there's there's another
band who's often compared to bad Omens.

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The one time I have seen them, I went into it with this same

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kind of academic mindset of like,
let's see what you got. In that

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case. I cannot say it was
entirely you know, like you know,

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not in part due to the environment
they were in, admittedly, but that

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was genuinely dreadful. This what I
saw as something where watching it work on

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people, it made sense to me
why it was working. The people who

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were there like popping off for it, and I'd have to say it's probably

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one of the best reactions I have
seen for an arena main support band,

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like it's it's obviously happening. It
is just shouting networkor with then sad pop

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parts that are like White Weekend or
something like it's really obvious what the lines

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between the elements are. But you
know, for the generation who have grown

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up with those things as they're kind
of primary reference points, it obviously works

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like Gangbusters, and people were genuinely
reacting to the songs, like not just

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screaming at Noah or whatever, but
like, you know, while they're not

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for me, they do clearly have
some choruses and some songs that have made

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a mark on people. And it
was really slickly pulled off, like they

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have a genuine production themselves, like
it's a light show. Their mosh caulls

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were coming up on the scream and
all that kind of shit. There was

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nothing about them that looked like it
didn't look at home in an arena,

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which in itself is kind of impressive. The inverse was actually the thing that

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kind of jumped out of me in
terms of like what wasn't there because it

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was so machine like in that it
was like, yeah, it was clearly

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such a well oiled, well practiced
thing. They kept all leaving the stage

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after literally every single song. It
was really weird, like there was no

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sense at all of like, oh
that song's finished, band organically, you

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know, kick into the next thing
or whatever. No spontaneity of one thing

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lead to another. It was so
weird saying like every single support every single

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song of a support slot, even
like being treated like the first song of

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an encore, and that they all
left and then came back like the other

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guys on stage are adding absolutely nothing. There is one song that was the

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most egregious health ripoff I have ever
heard, like literally down to the vocal

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effect, just a health song,
and it threw me so hard for a

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loop when it came on. And
it's got millions more plays than all of

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health songs, So there might be
some legal grounds there. When they wander

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off, are they having like you
know, music and that atmospheric interview electerally

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it's playing in between them? Is
it just walk off and come back on?

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Mostly it's just sort of the lights
go down and then they come back.

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You know, it's not like an
extended, you know, three minute

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absence obviously having something to like see
it all together whilst they're wandering off stage,

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Like not not entirely, no,
it's just sort of like just kept

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being like where's he going? What
does he need to get off the stage?

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But you know, my main problem
with bad Omens isn't really even their

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songs or whatever. It's just that
it feels so much like a computer has

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spat out the result of an input
of modern metalcore band with twenty twenties pop

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elements, Like it's really competently performed
but it's just devoid of personality. And

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you know, someone I was with
afterwards said like, don't you just want

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to develop a cult like obsession with
this six out of ten at best band?

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But it was it was obviously very
assuredly delivered, you know, for

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that audience. And yeah, as
much as I'd like to say otherwise,

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it did feel like watching a band
in an ascendency. But you know,

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seeing a band put on a really
slick, professional pop metal core show but

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with no personality, it did set
the stage really well for Bring Me the

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Horizon to follow and kind of show
how it is actually kind of done,

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because, like I said, I
went into this tentatively positive, right,

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Like I was looking really to like
have a great time at least with the

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songs I have loved for a long
time, and otherwise just enjoy a big

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arena production show. And you know, a lot of talk has gone to

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the production on this run maybe similar
to what they had it download perhaps to

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my understanding, is it the greatest
production ever? It was very good.

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I'm just saying I've seen more than
one person call it that, and I'm

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like, can we grow up?
I think it's I think it's the greatest

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production that I have seen a metalcore
band put on, aside from perhaps a

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Parkway drive. Yeah, yeah,
who again, it must be said I

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have not seen Parkway in their arena
filling years. I'm thinking back some way

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in terms of like visuals rather than
just lots of fire. It was like

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a big, high budget production jump. Maybe you know, things in Bringley's

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realm aren't always touching for a number
of reason, and so I'm really glad

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I end up going in the end, you know, considering my thought was

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to basically grab tickets if there are
any left, like a week or two

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00:12:05,799 --> 00:12:09,559
ago, even if they're you know, not in my favorite era, ticking

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bring me off my list. While
they are like you know, entering that,

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while they are like very much in
their pomp as like a truly massive

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arena band, it was highly impressive. It's talking about the production. The

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first like handful of songs amusingly to
me, the stage basically look like a

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Creator show. Like there was like
crazy graphics or anything. Yeah, it

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was just like a vaguely religious backdrop
like they're at a church and some fire,

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right, Yeah, And I was
like, yeah, this is cool,

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but it's it's a Creator show it, but I kind of I admired

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that like no nonsense approach at the
start of it. You know, they

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00:12:41,919 --> 00:12:45,559
kind of they did let the performance
itself kind of do a decent amount of

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the lifting to begin with, and
those like first few songs dark Side to

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open, which I said when we
spoke about kool Aid is I think that's

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the single that like I almost missed
it being released, like it totally like

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passed me by and barely just coming
out. But to hear that like opening

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00:13:01,960 --> 00:13:05,720
the set and getting a really great
response was like a bit of a wake

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00:13:05,799 --> 00:13:09,480
up call. And then immediately after
that the first like oh yeah, kind

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00:13:09,480 --> 00:13:13,320
of moment of the night Empire let
them sing that's cool to drop like and

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00:13:13,440 --> 00:13:16,120
actually like heavy hit her off paternal
that one that is like, yeah,

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00:13:16,159 --> 00:13:18,399
big riff again going in. I
still think it's mad that, you know,

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we didn't get sleep Walking, didn't
get House of Wolves or anything,

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but you know, getting Empire second
was a lovely moment. And then the

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00:13:26,159 --> 00:13:31,440
sixth song after his first run was
kool Aid and again throughout it, you

206
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know, this must have been at
least kind of mostly new from the festival

207
00:13:35,840 --> 00:13:39,159
run they did last year, because
it was so new album centric, they

208
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had this like obviously they're in like
their video game era, right, like

209
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that's the whole stick. And they've
got this character Eve on the screens talking

210
00:13:46,080 --> 00:13:48,320
like she's from like a Dead Space
game or something like you know, hello

211
00:13:48,360 --> 00:13:52,840
everyone, you've got to strap in
whatever, and the dialogue is like pretty

212
00:13:52,840 --> 00:13:54,399
cringe a lot of the time,
like it is bringing the horizon. It's

213
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a lot of like hello, we're
here to fucking rock your world or whatever,

214
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and at time it's a bit of
the screen. It's a bit like

215
00:14:01,600 --> 00:14:03,120
you're standing in the room before you
get on a theme park ride where you

216
00:14:03,200 --> 00:14:07,440
have to pretain you're like boarding a
spaceship. But kool Aid hits the Sick

217
00:14:07,519 --> 00:14:15,440
song and this huge fucking like rotting, decaying angel thing like breaks through the

218
00:14:15,519 --> 00:14:18,440
backdrop of the stage on the screen
with this like three D effect because it

219
00:14:18,559 --> 00:14:22,399
like curved round the stage, and
you know, you hear that story about

220
00:14:22,440 --> 00:14:26,399
like the people who watched the first
ever like recorded moving image of the train

221
00:14:26,840 --> 00:14:28,919
coming towards them and how they all
like screamed because they thought they were going

222
00:14:30,000 --> 00:14:33,240
to die. If you showed them
this, they would have spontaneously combusted.

223
00:14:33,399 --> 00:14:37,399
Like it was seriously cool. There
was a part in the middle which essentially

224
00:14:37,399 --> 00:14:41,480
acted as like an advertisement slash assurance
for the new record, because they were

225
00:14:41,480 --> 00:14:43,840
like, yeah, it's coming,
and they played like a bunch of snippets

226
00:14:45,120 --> 00:14:48,600
of like unreleased songs, and then
they got people they were apparently recording a

227
00:14:48,639 --> 00:14:52,639
gang vocal that will be on the
album, where they got the whole crowd

228
00:14:52,639 --> 00:14:54,519
to like scream along and repeat a
word. So that was like a little

229
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fucking interlude in the middle, and
you know, the cool aid like the

230
00:14:58,679 --> 00:15:01,720
songs like that. You know,
obviously it's the post Human tour, and

231
00:15:01,759 --> 00:15:05,240
it was very much focused. They
got six singles out from this new thing,

232
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so they have to play all those
and then there was about four from

233
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the first one as well, so
that's like a bit a bit more than

234
00:15:09,039 --> 00:15:13,799
half of the set covered some of
them, like I don't think there's much

235
00:15:13,840 --> 00:15:18,120
saving die for you, even if
it is slightly less obnoxious than on record,

236
00:15:18,960 --> 00:15:22,799
doing the acoustic version of Strangers where
they all come together to kind of

237
00:15:22,799 --> 00:15:26,759
stand in the middle. I don't
think bring me or a band meant to

238
00:15:26,960 --> 00:15:30,159
sit in a sad little drum circle
together like they're the script. Like Matt

239
00:15:30,200 --> 00:15:33,480
looks so sad in the middle with
a like pathetic little acoustic drum kit.

240
00:15:35,320 --> 00:15:37,080
But that effect I just mentioned that
of, like, you know, some

241
00:15:37,120 --> 00:15:41,039
of these singles have had of kind
of like passing through my brain like kind

242
00:15:41,039 --> 00:15:46,000
of production line slop or whatever,
or in other cases being outright annoying.

243
00:15:46,919 --> 00:15:48,480
This really made it clear to me
that a lot of that is to do

244
00:15:48,519 --> 00:15:52,559
with this studio sound, because in
front of me with a crowd singing along,

245
00:15:52,879 --> 00:15:58,120
I found myself a lot more swept
up in dark Side or Lost or

246
00:15:58,240 --> 00:16:02,200
Parasite Eve than I expected. And
so when they are then playing the songs

247
00:16:02,279 --> 00:16:06,000
I do fucking love you know,
can you feel my heart? Shadow Moses,

248
00:16:06,000 --> 00:16:08,759
they're dropping at like the end of
like the first third of the set,

249
00:16:10,720 --> 00:16:15,159
thrown like they felt really amazing.
Olie sounds really strong with the screams

250
00:16:15,440 --> 00:16:19,000
like some guttur all noises coming out
of that boy. The melodic vocals,

251
00:16:19,000 --> 00:16:22,399
particularly on the new songs, obviously
there's a degree of like effects on his

252
00:16:22,559 --> 00:16:25,600
voice and everything, and he kept
saying like, oh, my voice is

253
00:16:25,639 --> 00:16:27,039
nearly going. I needed to help
me out, and then proceeding to sing

254
00:16:27,159 --> 00:16:33,440
pitch perfectly. But diamonds aren't forever. The one nod to the really disgusting

255
00:16:33,519 --> 00:16:36,480
days. I was annoyed because Ollie
was like, we're going to play an

256
00:16:36,519 --> 00:16:37,360
old song, and he's like,
what one do you want? Pray for

257
00:16:37,440 --> 00:16:41,480
plagues? They It's like, all
right, coward fucking do it. But

258
00:16:41,519 --> 00:16:45,200
Diamonds, you know you'll take.
They've been bringing Noah from bad Omens out

259
00:16:45,240 --> 00:16:51,080
for Antivist every night, but seemingly
for the first time last night, Yeah,

260
00:16:51,080 --> 00:16:53,000
they brought Ali Appleyard out to do
Diamonds and so the two of them

261
00:16:53,039 --> 00:16:59,080
together just a big ball of aggressive
energy on that. Yeah. Again,

262
00:16:59,120 --> 00:17:00,639
you know, to be fair to
them and settlers choices, like clearly most

263
00:17:00,639 --> 00:17:06,799
people are there for the posts and
paternal material. In terms of response the

264
00:17:06,839 --> 00:17:11,000
songs where they have like really prominent
guests on like the recent lot, it

265
00:17:11,119 --> 00:17:15,519
is a case of them like basically
playing a track for those parts with like

266
00:17:15,640 --> 00:17:19,079
some kind of representation on screen,
which, particularly in the case of Amen,

267
00:17:19,480 --> 00:17:26,519
was mental because they had this Daryl
Palumbo face on screen that it looked

268
00:17:26,519 --> 00:17:29,319
a bit like the bit in Twin
Peaks when Josie is trapped in the door

269
00:17:29,400 --> 00:17:32,759
toob like it was really fucking weird
and ugly. But again, the chorus

270
00:17:32,759 --> 00:17:36,440
of that song like really goes off. That's like one of the best of

271
00:17:36,480 --> 00:17:38,480
their like human tracks. I was
expecting a wall of young bloods, like

272
00:17:38,480 --> 00:17:41,960
when Baby Men will do that Sabaton
song, but we were spared that King

273
00:17:42,039 --> 00:17:47,039
Slayer. They've got like you know, fox Mask girls going ape shit on

274
00:17:47,079 --> 00:17:48,559
the screen doing a dance routine.
And to be fair, even when that

275
00:17:48,599 --> 00:17:52,559
song, that chorus being like on
track live, that song live, it's

276
00:17:52,599 --> 00:17:57,480
so fucking crazy energetic that it is
just like a proper blast in terms of

277
00:17:57,599 --> 00:18:00,319
carry you in it on that one, Like yeah, it's just the drum

278
00:18:00,400 --> 00:18:03,680
and based tempos with it. In
terms of like obviously a lack of Jordan

279
00:18:03,759 --> 00:18:08,319
Fish. I never saw them with
him, so I didn't notice it per

280
00:18:08,359 --> 00:18:12,319
se. It sounded great. They've
got like an extra guitar guy doing some

281
00:18:12,400 --> 00:18:18,079
backing vocals that I presume were his
before. Yeah, yeah, minimal difference

282
00:18:18,119 --> 00:18:22,599
live at least. I've never I've
never quite fully got there with like backing

283
00:18:22,720 --> 00:18:26,039
dancers at a metal show, but
Sexy Hazmat Suits was quite funny. And

284
00:18:26,039 --> 00:18:29,599
then they had this like during the
encore break, they had this like sort

285
00:18:29,640 --> 00:18:33,880
of you know, self indulging nostalgic
video of like clips of bringing Horrizon all

286
00:18:33,920 --> 00:18:37,400
down the ages, you know,
the famous the videos and the famous clips

287
00:18:37,440 --> 00:18:41,200
like Ollie jumping on cold place table, which took me back to that being

288
00:18:41,279 --> 00:18:45,039
covered on the show all you know, the way back then. But I

289
00:18:45,119 --> 00:18:47,559
was thinking about, like, you
know, around the kind of that's the

290
00:18:47,599 --> 00:18:49,240
spirit days. There was a little
bit of people feeling like that they'd been

291
00:18:51,000 --> 00:18:53,759
short changed from bringing me arena headlines
because they were doing these like short seventy

292
00:18:53,799 --> 00:18:56,960
minute sets or whatever, and here
they did like a full, you know,

293
00:18:57,119 --> 00:19:00,480
hour and forty minutes. Yeah,
with a really high budget production,

294
00:19:02,160 --> 00:19:04,240
a set list full of songs people
love, even with more than half it

295
00:19:04,279 --> 00:19:07,359
being songs from the last five years. I do think, you know,

296
00:19:07,480 --> 00:19:14,200
you have to go. Yeah,
that is definitely a proper arena headlining festival

297
00:19:14,200 --> 00:19:18,119
headlining show. Like if anyone was
still doubting that at this stage, it

298
00:19:18,119 --> 00:19:19,960
feels like, you know, obviously, but was it like nine years and

299
00:19:19,960 --> 00:19:23,400
one month ago was their first arena
show at that famous Wembley thing, Yeah,

300
00:19:23,440 --> 00:19:26,480
which I was really jealous about pople
going into it when they showed they

301
00:19:26,480 --> 00:19:27,720
could do it at that and that
show was amazing, But it was Yeah,

302
00:19:27,759 --> 00:19:30,759
the kind of the ones following that
where it kind of felt I was

303
00:19:30,799 --> 00:19:33,559
like, why is this not as
good as what you did at Wembley?

304
00:19:33,599 --> 00:19:37,480
And yeah, it feels like the
last sort of twelve months between download and

305
00:19:37,480 --> 00:19:42,960
then this have like kind of definitively
answered that that sort of all points East

306
00:19:44,039 --> 00:19:47,880
questioning, you know that existed for
a couple of years before that, of

307
00:19:47,920 --> 00:19:51,279
people going, oh, bring me
actually that big or capable. It looked

308
00:19:51,480 --> 00:19:55,599
borderline sold out, like all the
tears were rammed, and it was Liverpool,

309
00:19:55,599 --> 00:19:57,279
which always when there's both a Liverpool
and a Manchester date, Liverpool was

310
00:19:57,279 --> 00:20:00,960
always going to slightly suffer in terms
of ticket sales. It was one of

311
00:20:00,000 --> 00:20:03,119
the last shows to get anywhere near
sold out or anything. But you know,

312
00:20:03,160 --> 00:20:07,279
they basically did it. I thought
it was a really great show.

313
00:20:07,359 --> 00:20:11,119
And this is coming from someone who
thinks there their creative masterpiece record is one

314
00:20:11,119 --> 00:20:15,359
they didn't play anything off, and
who has had a strained relationship with the

315
00:20:15,359 --> 00:20:18,759
recent material. Maybe twenty twenty four
is the year I get back into bring

316
00:20:18,759 --> 00:20:26,200
me. Who knows new music primarily
comes from sort of similar lanes ahead of

317
00:20:26,319 --> 00:20:27,920
their arena at all, which I
have to say I've not really kept tabs

318
00:20:27,960 --> 00:20:30,160
on this one in terms of like
is this one selling well? Is this

319
00:20:30,200 --> 00:20:33,799
one I really big? I don't
know. I need to do because I

320
00:20:33,799 --> 00:20:36,400
want to look at getting it a
tokeet for London, so I need to

321
00:20:36,400 --> 00:20:40,200
actually look at what the state of
that is. Yeah, but Enter Shikari

322
00:20:40,400 --> 00:20:45,000
and Fever through through three have released
a song ahead of that. It's called

323
00:20:45,000 --> 00:20:48,400
Losing My Grip. It's it's an
Enchicari song featuring Jason Butler, but he

324
00:20:48,720 --> 00:20:53,400
is Fever and they've described this as
like a kind of drummond bass punk song.

325
00:20:55,119 --> 00:20:57,559
What struck me listening to this was
just a kind of giggly feeling of

326
00:20:57,920 --> 00:21:02,400
if you don't like ni, if
they get on your nerves, this song

327
00:21:02,480 --> 00:21:06,079
must be a nightmare. This is
them out their mode, like yeah,

328
00:21:06,119 --> 00:21:11,839
their most obnoxious kind of like big
womping bass and Row doing his like like

329
00:21:12,039 --> 00:21:15,559
rhyming couplets and all of this sort
of stuff. I had fun with this,

330
00:21:15,720 --> 00:21:18,559
like I've seen if you were really
give this a bit of a kick,

331
00:21:18,559 --> 00:21:21,680
and I'm like having it's a bitch, like a big kind of arena

332
00:21:21,720 --> 00:21:27,279
pumping like pop song for them with
just Jason Butler doing his like Hamilton Butler

333
00:21:27,559 --> 00:21:32,720
like, yeah, I don't really
like this. I think it's it's sort

334
00:21:32,720 --> 00:21:37,000
of the electronic mix of elements is
less fun this time than kind of unpleasant,

335
00:21:37,200 --> 00:21:41,920
Like the main riff is this sort
of weird plinky plonky attitude horrible thing

336
00:21:41,519 --> 00:21:45,200
it's like, and Shikari doing almost
like a Ramstein type tempo out of like

337
00:21:45,799 --> 00:21:48,559
spare bits and bobs that they found, like there's I don think there's a

338
00:21:48,599 --> 00:21:53,240
real chorus in there. It's bizarrely
kind of stilted in tempo and momentum for

339
00:21:53,240 --> 00:21:59,640
a band who are best at like
flying but I did I remember, you

340
00:21:59,640 --> 00:22:02,920
know, back before Kiss for the
Whole World came out, they were releasing

341
00:22:02,960 --> 00:22:06,880
like some standalone singles like that one
with Orgasm that came out, and at

342
00:22:06,880 --> 00:22:08,519
the time we're a bit like,
I'm not wholly sure about this, and

343
00:22:08,519 --> 00:22:11,440
then the album came out and it
was great, and so with stuff like

344
00:22:11,480 --> 00:22:17,160
this, I'm just like experiment with
less good ideas off of the album's fine.

345
00:22:17,599 --> 00:22:18,680
It's sort of thing where if you
had told me a couple of years

346
00:22:18,680 --> 00:22:22,400
ago that Shakhari and Jason Butler were
doing your collab, I would have a

347
00:22:22,440 --> 00:22:29,400
lot higher expectations, mainly on Jason
Butler's part than Chakhari's part, but I

348
00:22:30,200 --> 00:22:33,960
had fun enough of this. Yes, another new song in the metalcore kind

349
00:22:33,960 --> 00:22:40,759
of realm comes from a band called
invent Animate. It's called Sleepless. This

350
00:22:41,000 --> 00:22:45,240
band weren't on my radar until last
year ish when suddenly they released an album

351
00:22:45,480 --> 00:22:48,079
and we had a few people in
our comments going like, oh, you

352
00:22:48,119 --> 00:22:52,319
haven't reviewed the invent Animate album.
It's the best heavy album of the year,

353
00:22:52,400 --> 00:22:53,680
et cetera. And I went,
he was this and I checked it

354
00:22:53,720 --> 00:22:57,680
out and I had no feelings on
it whatsoever. This is the first thing

355
00:22:57,720 --> 00:23:00,240
that has been released, I'd think, after you know, that album has

356
00:23:00,240 --> 00:23:03,480
come out, So I thought,
this is the opportunity for us to go

357
00:23:03,519 --> 00:23:06,359
like, hey, like, what
is our take on this? Like decently

358
00:23:07,200 --> 00:23:12,200
popular new band, and aside from
them having one of the worst does not

359
00:23:12,359 --> 00:23:18,599
roll off the name fucking tongue band
names I've ever heard after like invent Animates,

360
00:23:18,640 --> 00:23:22,920
what this is just a total shrug
from me. I'm afraid, Uh,

361
00:23:22,160 --> 00:23:26,960
this feels like a band completely out
of time, Like this you you've

362
00:23:26,960 --> 00:23:30,640
plucked this from like the early twenty
ten's of the whole gent scene, Like

363
00:23:30,720 --> 00:23:34,680
this is so of that era,
even down to the name invent Anime.

364
00:23:34,880 --> 00:23:40,160
This to me screams you know,
when it was like circles and textures and

365
00:23:40,200 --> 00:23:42,559
all of those, all of those
bands that again I quite like a lot

366
00:23:42,559 --> 00:23:48,640
of that stuff, but Melkorn and
have Music's moved on well beyond that,

367
00:23:48,720 --> 00:23:52,240
and this feels just and there's like
a Genti riff in this, which I'm

368
00:23:52,240 --> 00:23:56,519
like, I've heard that riff so
many times. It's like the like really

369
00:23:56,519 --> 00:24:00,079
like sort of scarto like one and
it just yeah, and the core or

370
00:24:00,119 --> 00:24:02,440
this is completely flat. I was
like, I don't think this is you

371
00:24:02,519 --> 00:24:07,400
know, terrible. It just it's
just another gent metical band to me,

372
00:24:07,559 --> 00:24:11,440
Yeah, I just I just hear
nothing interesting at all. Like even for

373
00:24:11,480 --> 00:24:15,880
the talking points about what this is, it's just a total shrug of well,

374
00:24:15,880 --> 00:24:18,759
it's a medical song. Like I'm
genuinely I'm a bit stumped as to

375
00:24:18,799 --> 00:24:22,839
what people are seeing in this because
there's not really a big clear selling point

376
00:24:22,000 --> 00:24:26,920
like a spirit box or a sleep
token or whatever. It's just like the

377
00:24:26,039 --> 00:24:29,359
riff, like you said, is
that it's a non entity, like no

378
00:24:29,640 --> 00:24:33,480
character or specific impact at all.
The chorus is alright, I'm just a

379
00:24:33,519 --> 00:24:37,240
bit nonplusters to what the big drawer
is. It reminds me of when people

380
00:24:37,279 --> 00:24:40,599
were like really trying to make North
Lane happen in the twenty tens, and

381
00:24:40,640 --> 00:24:42,160
it was like, well, this
is just boring tech metalcre with no real

382
00:24:42,200 --> 00:24:47,759
charisma beyond that, and we're still
doing it. North Flank had choruses and

383
00:24:48,599 --> 00:24:51,160
bigger moments in them. I know
you discribed, but I always felt like

384
00:24:51,160 --> 00:24:53,839
Northank, you know, had like
Quantum Flux has like that really big chorus

385
00:24:53,839 --> 00:24:57,240
and masquerade like they got it with
North Flane, but that that's why they

386
00:24:57,240 --> 00:25:00,480
are. This is just another one
of those bad It's just that should have

387
00:25:00,480 --> 00:25:04,279
been around ten years ago and it
would have been like they would have sorted

388
00:25:04,319 --> 00:25:07,839
in just as well. And I
just feel this being is absolutely nothing new

389
00:25:07,880 --> 00:25:11,200
to the table. I like say
spirit Box or Loaf, you know,

390
00:25:11,240 --> 00:25:15,279
those or bands who are the better
bands of this modern genty metal core that

391
00:25:15,319 --> 00:25:18,920
are doing something new of it.
This is just doing that thing to a

392
00:25:19,640 --> 00:25:23,680
not bad soundard but again very like
what you were saying about bad Omens and

393
00:25:23,759 --> 00:25:27,519
that it's so work like, it's
so machine like, it's just got no

394
00:25:27,839 --> 00:25:33,400
spark to it. Yeah, but
I mean bad Omens has a like the

395
00:25:33,440 --> 00:25:37,960
obviously the pop elements that they're drawing
in electronic elements, they are very now

396
00:25:37,240 --> 00:25:41,799
ye Whereas you know, people seem
jazzed on this, and it wouldn't be

397
00:25:41,839 --> 00:25:44,559
the first time that the popularity of
a new metalcore band has you know,

398
00:25:44,599 --> 00:25:48,839
bemused us. But even just in
terms of like what is the specific cell

399
00:25:48,119 --> 00:25:52,400
on this, this just like registers
absolutely nothing with me. So it's a

400
00:25:52,440 --> 00:25:56,160
bit heavier like than to some people
that they go on They go with that,

401
00:25:56,279 --> 00:26:00,759
but I'm with you, I don't
get it. But to me,

402
00:26:00,839 --> 00:26:04,640
I've already would have liked this ten
years ago, but I shrugged at it

403
00:26:04,640 --> 00:26:10,960
ten years ago, shrugging. That's
what I liked North Lane, I liked

404
00:26:11,000 --> 00:26:15,960
Circle. Yeah, pick any band
of that era that they're all names have

405
00:26:17,079 --> 00:26:19,519
escape me, you know, born
of anything like that. I liked that

406
00:26:19,559 --> 00:26:22,480
stuff, and this is, you
know, just more of that. But

407
00:26:22,519 --> 00:26:27,759
I don't see why it's particularly worthy
of excitement in twenty twenty four. Yeah,

408
00:26:27,799 --> 00:26:30,640
I guess we'll see, you know, what happens with invent Anime and

409
00:26:30,680 --> 00:26:33,920
if it goes any further or whatever. But currently, I you know,

410
00:26:33,960 --> 00:26:38,400
the popularity of this one is largely
perplexing me and passing us by. Green

411
00:26:38,480 --> 00:26:44,480
Day have announced that their Savior's tour
will very much funnily feature them playing two

412
00:26:44,519 --> 00:26:47,920
other albums in their entirety. Instead, they're going to be playing I Guess

413
00:26:47,920 --> 00:26:52,000
the thirtieth anniversary of Dookie and the
twentieth of American Idiot, which totals up

414
00:26:52,039 --> 00:26:55,279
to I guess a bit over an
hour and a half of music. Luckily,

415
00:26:55,319 --> 00:26:57,720
I suppose Green Day play for about
fucking three hours. Yeah, yeah,

416
00:26:59,279 --> 00:27:03,200
yeah, they so they will fit
in other stuff as well. Again,

417
00:27:03,559 --> 00:27:07,119
you make tough for those haos.
Yeah. I know. The thing

418
00:27:07,119 --> 00:27:08,160
with this is you go, oh
sweet, Dookie's half an hour, but

419
00:27:08,240 --> 00:27:12,440
when they play it, it'll be
fifteen minutes long. Which is the problem

420
00:27:12,640 --> 00:27:15,599
with this up. I mean,
obviously, you know, go and and

421
00:27:15,640 --> 00:27:18,720
see these songs. A lot of
great songs are going to be seen.

422
00:27:18,240 --> 00:27:21,000
There's a lot of there's a lot
of good stuff there. It is just

423
00:27:22,039 --> 00:27:29,200
funny, right back to metalcore where
all the ship shows happen. It's been

424
00:27:29,240 --> 00:27:37,799
a week. Sleep Token have wiped
their social media accounts, particularly their Instagram

425
00:27:37,880 --> 00:27:41,200
and everything, and there's a little
statement in their place which says nothing lasts

426
00:27:41,240 --> 00:27:49,119
forever. This unfortunately comes hot on
the heels of some fucking awful antics going

427
00:27:49,160 --> 00:27:55,480
down doing from weird, obsessive,
creepy story some some you know, obsessive

428
00:27:55,480 --> 00:28:03,839
Sleep Token fans try to find who
they are and we're leaking personal details onto

429
00:28:03,880 --> 00:28:08,119
the internet. And then I don't
know, if this thing had happened without

430
00:28:08,160 --> 00:28:11,200
that a few days before, it'd
be like, oh cool, a new

431
00:28:11,240 --> 00:28:15,079
era of sleep That's what bands do, right, they delete the exercial media.

432
00:28:15,240 --> 00:28:17,519
Probably even still, that's probably what
this is. Like. Do I

433
00:28:17,559 --> 00:28:19,839
think Sleep Token have just broken up? No? No, I don't really,

434
00:28:21,680 --> 00:28:23,519
they're you know, they're riding too
much of a high. But the

435
00:28:23,559 --> 00:28:30,680
timing of this happening within days of
like fans crossing a line and you know,

436
00:28:30,880 --> 00:28:36,759
personally compromising the people involved. Is
this a question of, like,

437
00:28:37,279 --> 00:28:41,640
have sleep Tokens fans pressured them out
of existence? I think it's gonna be

438
00:28:41,680 --> 00:28:45,920
a case of because as similar thing
has happened to bad Omens, as we've

439
00:28:45,920 --> 00:28:48,400
talked about it, they've like guy
deleted all this stuff. Oh the whole

440
00:28:48,400 --> 00:28:51,599
band have now every single member is
wiped their social media presence because they are

441
00:28:51,640 --> 00:28:56,079
they like fans are just crossing lines. And I think I think this is

442
00:28:56,279 --> 00:29:00,680
accommodation of a like pr stunt of
like like a new year of see whatever.

443
00:29:00,759 --> 00:29:03,440
But I do think when they come
back, you're going to see again

444
00:29:03,559 --> 00:29:07,759
a much reduced social media presence for
at least the backing members of the band,

445
00:29:07,759 --> 00:29:12,319
because they are probably tired of having
their live stalked by people whose socials,

446
00:29:12,480 --> 00:29:17,000
like skills have just evaporated and don't
get boundaries. Maybe maybe it's a

447
00:29:17,000 --> 00:29:18,720
warning, you know, it's like
we're going away and we're going to come

448
00:29:18,799 --> 00:29:22,119
up with a new era at this
time. But remember that we did it

449
00:29:22,160 --> 00:29:25,880
within days of up being fucking freaks, and don't do that to us again.

450
00:29:25,920 --> 00:29:26,839
And if that is the case,
then you know, fair play to

451
00:29:26,880 --> 00:29:30,960
him. Spirit Box. Here is
the big man that we spoke about being

452
00:29:32,000 --> 00:29:36,720
absent before. Spirit Box are apparently
in the studio with one Jordan Fish,

453
00:29:36,799 --> 00:29:38,680
formerly of Bringing the Horizon. And
I saw this and you know, again,

454
00:29:38,799 --> 00:29:44,400
I don't know exactly why Jordan Fish
left. Bring me if it is

455
00:29:44,440 --> 00:29:47,279
a case he hasn't left to join
another band at least immediately, right,

456
00:29:47,759 --> 00:29:52,720
if it is a case of like
he's done with the whole world touring,

457
00:29:52,000 --> 00:29:56,000
you know, thing at the moment, I think a you know, rather

458
00:29:56,039 --> 00:29:59,799
than a new creative project, and
it being a kind of a producer role

459
00:30:00,079 --> 00:30:03,960
for bands seems like a really natural
role for him to slip into because that

460
00:30:04,039 --> 00:30:08,160
was, of course what he's most
famous for in regards to his relationship with

461
00:30:08,240 --> 00:30:12,000
Bring Me. So I saw this
and went, yeah, I feel like

462
00:30:12,039 --> 00:30:15,960
that seems like a perfect match of
like, who's the sort of guy you

463
00:30:15,000 --> 00:30:18,279
could really like bring out? Because
spirit walks away has been doing a bit

464
00:30:18,319 --> 00:30:22,119
more of the electronic stuff, So
who's the guy you want to turn to

465
00:30:22,000 --> 00:30:23,759
to really get the most out of
that? Get Jordan Fish in this feels

466
00:30:23,759 --> 00:30:27,480
like a natural Yeah, I don't. I don't think he's like joining Spirit

467
00:30:27,519 --> 00:30:30,200
Box. I think I've seen a
few people say is he going to join

468
00:30:30,240 --> 00:30:32,759
them? On? Like, I
don't think so, but as a producer

469
00:30:32,799 --> 00:30:34,480
for them, perfect makes sense.
Yeah, I mean, if that is

470
00:30:34,720 --> 00:30:38,039
a path that he decides to go
down, you can absolutely see Jordan Fish

471
00:30:38,079 --> 00:30:42,960
in a producer capacity becoming a really
you're continuing to be a really influential figure

472
00:30:44,599 --> 00:30:48,759
in kind of the sonic you know, landscape of you know, contemporary metal

473
00:30:48,920 --> 00:30:52,920
and everything. And speaking of producers, Kerry King announced this week that his

474
00:30:52,000 --> 00:30:56,279
upcoming album that were speaking about before
has been produced by Josh Wilbur, so,

475
00:30:57,200 --> 00:31:00,599
you know, not anyone who has
actually worked on pre Slayer, because

476
00:31:00,599 --> 00:31:02,880
I was expecting it to be honest, to be the guy who did Repentless,

477
00:31:03,279 --> 00:31:06,880
but Josh Wilber is I guess,
you know, the things that most

478
00:31:06,920 --> 00:31:11,160
spring to mind are like the latest
round of Trivium and Lamb of God Records,

479
00:31:11,359 --> 00:31:15,000
so big, chunky, modern metal
stuff. I think. I think

480
00:31:15,039 --> 00:31:18,440
basically what we're expecting from this Kerry
King thing is to it to sound like

481
00:31:18,200 --> 00:31:23,279
latter day Slayer, but probably with
like a scream vocalist or something like that,

482
00:31:23,359 --> 00:31:29,119
rather than like old school, like
a slightly more two thousands big American

483
00:31:29,160 --> 00:31:33,920
metal festival version of like what classic
Slayer kind of was. And Josh Wilber

484
00:31:33,920 --> 00:31:37,880
certainly sounds like you'd be the kind
of guy to line up with that vision.

485
00:31:37,920 --> 00:31:42,799
Some people this morning, as we're
recording this, headed over to one

486
00:31:42,880 --> 00:31:49,079
Patty Walter's Instagram and we're greeted with
a message that may have crushed them that

487
00:31:49,799 --> 00:31:56,319
currently music has no place in the
current forefront of that dude's life as it

488
00:31:56,400 --> 00:32:02,680
is, are on indefinite Hiata God
weeps, We'll always have dial tones,

489
00:32:04,799 --> 00:32:07,240
we will always have dial tones,
and some of the worst promo picture I've

490
00:32:07,279 --> 00:32:15,200
ever taken by any band ever and
equally shocking news my lord, when I

491
00:32:15,240 --> 00:32:19,759
saw this turned up on my Facebook
feed and I'd like stop and double take

492
00:32:19,799 --> 00:32:24,720
at it. Winter Sun, all
the ef and Winter Sun announced on Facebook

493
00:32:24,720 --> 00:32:31,640
this week casually that the time to
album is one hundred percent done. If

494
00:32:31,720 --> 00:32:37,480
you are not in the no on
Winter Sun, let's just say, take

495
00:32:37,519 --> 00:32:42,880
any fucking weight for a tool album
and amplify the hilariosity of it and the

496
00:32:42,880 --> 00:32:47,519
bullshit of it many times over.
It was very funnily pointed out that this

497
00:32:47,559 --> 00:32:52,799
announcement was also accompanied by another crowdfund. I saw that there's that we need

498
00:32:52,839 --> 00:32:55,680
another kickstarter to do something like that. Wait, if the AM's done,

499
00:32:55,720 --> 00:32:59,160
then what Yeah? I think that
that's for like, you know, the

500
00:32:59,599 --> 00:33:01,720
pre or a physical deluxe editions,
whatever the fuck. In a way,

501
00:33:01,759 --> 00:33:06,680
you know, it's him, you
know, being like invest in the thing

502
00:33:06,720 --> 00:33:07,920
that you want to see. Yeah, and we will make it, you

503
00:33:07,920 --> 00:33:14,200
know. But it's just increasingly funny
seing that happen. But this is unbelievable.

504
00:33:14,200 --> 00:33:17,720
I particularly did not see this happening
hilariously so soon, because the way

505
00:33:17,759 --> 00:33:23,160
this lunatic genius idiot man works is
he has been updating over the past several

506
00:33:23,240 --> 00:33:29,759
years that he's been working on about
three or four different Winter Sun albums at

507
00:33:29,799 --> 00:33:37,039
once right in his like mega fucking
like take rivers Croomo's spreadsheets and amplify them

508
00:33:37,039 --> 00:33:40,240
to some kind of like terminator degree
in the amount of like fucking like pro

509
00:33:40,359 --> 00:33:43,759
tools files this man will have in
his computer. But he's been like,

510
00:33:43,960 --> 00:33:46,359
yeah, like the Time two album
is about seventy percent done, but I've

511
00:33:46,359 --> 00:33:50,160
been working on this other album that's
like forty percent done, and everyone's been

512
00:33:50,160 --> 00:33:54,279
going, ah, just furnished one
of the albums rather than getting eight percent

513
00:33:54,319 --> 00:33:57,799
there and then putting on ice and
going like, oh, there's another one,

514
00:33:57,799 --> 00:34:00,640
come and just make one. And
that's what I assume would just be

515
00:34:00,640 --> 00:34:02,240
happening for so he is now.
But then he just turned up and was

516
00:34:02,240 --> 00:34:06,119
like, oh, by the way, Time two is done, you know,

517
00:34:06,200 --> 00:34:07,880
give us a bit more money and
we'll tell you when it will come

518
00:34:07,920 --> 00:34:12,880
out later in the year. And
that is fucking crazy news. It does

519
00:34:12,960 --> 00:34:15,159
mean that we will certainly have to
get around to that Time One album club

520
00:34:15,159 --> 00:34:22,239
that was yeah, once sons of
Foodstars is massive. More of that,

521
00:34:22,280 --> 00:34:24,960
you know, within the next couple
of packs. But yeah, or a

522
00:34:25,039 --> 00:34:31,719
hilarious saga perhaps coming to a close
before another one inevitably begins right off the

523
00:34:31,760 --> 00:34:36,559
back of it. Right here is
some fucking excitement. We've got a little

524
00:34:36,559 --> 00:34:38,360
bit of festival news from a couple
different places. First up, we're obvious

525
00:34:38,400 --> 00:34:45,280
we're going to talk about the Damnation
festival announcement because it aside from maybe the

526
00:34:45,320 --> 00:34:47,480
mental one a couple of years ago
when they were like, oh yeah,

527
00:34:47,519 --> 00:34:52,840
fucking Pig Destroyer doing proudly that whole
you know, Jane do that whole thing

528
00:34:52,880 --> 00:34:57,599
that you know, broke fucking extreme
metal Twitter for the day. I can't

529
00:34:57,679 --> 00:35:04,519
remember a like single, like one
day Damnation announcement that has like ticked so

530
00:35:04,639 --> 00:35:08,480
many boxes for me as this one. This is fucking beautiful and it includes

531
00:35:08,559 --> 00:35:14,280
things that we have directly asked for. It includes things that we didn't think

532
00:35:14,320 --> 00:35:19,079
were physically possible. It includes things
that are extremely timely for where we have

533
00:35:19,159 --> 00:35:23,639
recently been. Wow, this fucking
lineup, I mean, like I think

534
00:35:23,639 --> 00:35:27,000
it was like because it was it
was on that morning where they tea they

535
00:35:27,239 --> 00:35:30,280
posted the little of the teaser trailer
for it, and it had the boon

536
00:35:30,280 --> 00:35:32,559
Dog Saints up and I was like, hang on a fucking second, boo

537
00:35:32,639 --> 00:35:36,320
from can't be in the country,
I swear and your tea and you're doing

538
00:35:36,360 --> 00:35:40,599
this. If you've managed to like
like Russellers together, then fair fucking player.

539
00:35:40,599 --> 00:35:43,400
And then they roped the announcement.
I just looked to him took like,

540
00:35:43,920 --> 00:35:45,840
I mean, we'll look at that
top line and I was like,

541
00:35:45,880 --> 00:35:50,480
I'm that damnation, like don't even
matter, Like the restaurant could be toilet

542
00:35:51,000 --> 00:35:53,920
going by this not gonna be and
going by damnation standards. But when your

543
00:35:53,960 --> 00:35:58,360
top line is and these aren't,
your headliners is bleeding through. Doing this

544
00:35:58,440 --> 00:36:04,039
is love. This is murderous in
full and fucking nails. Damnation could not

545
00:36:04,119 --> 00:36:07,000
have done a better sort of Paul
for me. Yeah. Absolutely, in

546
00:36:07,079 --> 00:36:10,400
terms of the top line, I
completely agree. And then going down further,

547
00:36:10,480 --> 00:36:14,159
there are things that you may me
more than you, but like directly

548
00:36:14,159 --> 00:36:16,480
below them. I actually I think
Russian circles are brilliant and gates, yeah,

549
00:36:16,519 --> 00:36:19,760
I've wanted to see them for ages. Well, well, let me

550
00:36:19,800 --> 00:36:22,280
read this whole announcement. We do
have as said, none of these are

551
00:36:22,320 --> 00:36:27,159
the proper full on headliners yet.
But we have Bleeding Through playing This is

552
00:36:27,199 --> 00:36:31,639
Love, This is Murderous in class
exclusively in the UK a classic. If

553
00:36:31,639 --> 00:36:35,400
you have heard our special and Bleeding
Through we did last year, you know

554
00:36:35,800 --> 00:36:38,320
how passionately we feel about that album
and how high it sits in the all

555
00:36:38,360 --> 00:36:45,559
time metal classics. We have.
The UK return of Fucking Nails is an

556
00:36:45,599 --> 00:36:50,320
exclusive. It's also a you know, we were saying that they don't seem

557
00:36:50,360 --> 00:36:52,440
to have announced any other shows yet
in terms of the Nails comeback that's ongoing,

558
00:36:52,480 --> 00:36:55,800
so this is currently the first thing
that has been announced to it in

559
00:36:55,800 --> 00:36:59,239
the world. We have Russian Circles, we have Gate Creeper, we have

560
00:36:59,239 --> 00:37:05,599
the Ruins of Beaver. We have
Celeste Ahab Dual, Gillian Carter and Hexas.

561
00:37:05,679 --> 00:37:07,000
Jillian Carter I was not super familiar
with, but I know people were

562
00:37:07,079 --> 00:37:09,760
quite excited that I need to check
them out because they sound like I would

563
00:37:09,760 --> 00:37:14,440
actually quite yeah, like this seems
like quite a savvy, cool booking of

564
00:37:14,440 --> 00:37:16,920
like a kind of a newer like
scream oh Emo violence type band. Very

565
00:37:16,920 --> 00:37:22,000
cool stuff there. Ahab were meant
to play last year. I really fucking

566
00:37:22,079 --> 00:37:25,920
wanted them to come back because I've
been waiting for that band for so long.

567
00:37:27,159 --> 00:37:30,519
Then they announced a London show in
like June, and I was like,

568
00:37:30,559 --> 00:37:32,400
oh, no, are you playing
this instead of coming back to dam

569
00:37:32,440 --> 00:37:35,920
Nation where I'm gonna be able to
really see you. But here they are

570
00:37:36,199 --> 00:37:39,400
a have a back ruins of Beaver
asked I have their last album with like

571
00:37:39,400 --> 00:37:43,039
in my you know, top twenty
that year. I fucking love that record,

572
00:37:43,679 --> 00:37:45,239
haven't seen them off the back of
it, really excited for that.

573
00:37:45,360 --> 00:37:51,840
Celeste are always just standard fantastic live
band every time you see them. Duel

574
00:37:52,119 --> 00:37:53,920
for me is one of like the
Fly another radar, because I don't think

575
00:37:53,920 --> 00:37:57,960
they're that well known, but I
adore that band. They are like that

576
00:37:58,039 --> 00:38:01,760
kind of sort of you know,
uh, very very classy, sleek occult

577
00:38:01,840 --> 00:38:06,320
melodic kind of rock heavy netle thing
featuring fom memals of Doula Budd and the

578
00:38:06,440 --> 00:38:10,480
like. Their last album fucking incredible, and they're one of those bands a

579
00:38:10,480 --> 00:38:15,000
bit like Maggotheart and the like who
only seem to exist in mainland Europe and

580
00:38:15,039 --> 00:38:17,760
like when they come to the UK
it's been extremely fleeting. So I've been

581
00:38:17,760 --> 00:38:22,119
wanting to see them for a long
time and this is an incredible booking for

582
00:38:22,159 --> 00:38:23,480
that. And then as you say, Russian circles, Gate creeper, great

583
00:38:23,519 --> 00:38:28,159
stuff. You know, we said
this on the special we've just recorded itself.

584
00:38:28,199 --> 00:38:30,920
But that Nail special we've just done, we were gonna record it two

585
00:38:31,000 --> 00:38:35,679
days prior, we had to delay
it, and then the morning we actually

586
00:38:35,719 --> 00:38:37,440
recorded it, this announcement went out
and we were like, oh, fucking

587
00:38:38,079 --> 00:38:44,280
serendipity, absolutely incredible. So yeah, you gotta remember as well, this

588
00:38:44,360 --> 00:38:49,000
is the Bees area that's Nails playing
in, Like, yeah, they've got

589
00:38:49,039 --> 00:38:51,159
to have a main stage. Surely
enough people are gonna be wanting to see

590
00:38:51,199 --> 00:38:55,639
Nails, but wow, that is
gonna be something, and there certainly will

591
00:38:55,679 --> 00:39:01,239
be some firefights. Of course.
We also have the Friday headliner of Outbreak

592
00:39:01,280 --> 00:39:04,440
Festival. That is the day that
this time has turned into the kind of

593
00:39:04,440 --> 00:39:07,039
the hip hop day. It's Action
Bronson, Action Bronson. I do.

594
00:39:07,119 --> 00:39:10,840
I'm not familiar with the Guys catalog
at all. I would just say it's

595
00:39:12,000 --> 00:39:14,840
it's kind of interesting this year,
how even more than last year, they've

596
00:39:14,880 --> 00:39:19,800
really separated well it's two separate tickets
exactly, Like I'm not quite sure what

597
00:39:19,800 --> 00:39:22,079
the thinking is there. They've properly
gone. Okay, here is like a

598
00:39:22,199 --> 00:39:28,239
hip hop Day essentially is its own
event, and then like you know,

599
00:39:28,320 --> 00:39:30,840
typical outbreak the next two days.
What do you think about that? Yeah,

600
00:39:30,039 --> 00:39:32,840
I wondered if it's because there was
just like a weird kind of divide

601
00:39:32,920 --> 00:39:37,280
in the vibes and the cards,
so I will separate them out. I

602
00:39:37,360 --> 00:39:39,320
would. I would like to see
them just fully just integrate and just kind

603
00:39:39,320 --> 00:39:44,079
of alternate between hip hop bands halker
bands and not like have a hip hop

604
00:39:44,159 --> 00:39:46,440
day a halfcolled day or whatever.
But I mean, currently I've only got

605
00:39:46,480 --> 00:39:50,800
a ticket to the Saturday Sunday of
that outbreak, mainly because like we didn't

606
00:39:50,800 --> 00:39:52,960
actually get to discuss the lineup because
it announced after we were on our break.

607
00:39:53,039 --> 00:39:57,440
But it's red that the hardcore you
know, pairing of days is really

608
00:39:57,440 --> 00:40:00,480
fucking good. Yeah, and they
damn head like that. But I'd quite

609
00:40:00,519 --> 00:40:02,800
like see Action Bronson. The few
of these songs I've heard always pretty cool,

610
00:40:02,800 --> 00:40:05,760
and he does does a wrestler,
I like, he does his entrance

611
00:40:05,800 --> 00:40:10,880
theme, so that's a thing of
course. But uh yeah, I just

612
00:40:10,960 --> 00:40:14,559
I don't know if I'll be out
the Friday, but like that's a big

613
00:40:14,639 --> 00:40:16,480
name to have headline Hip Hop Day
for like the size of the thing they've

614
00:40:16,480 --> 00:40:21,000
got, so I hope that goes
down well. Yeah, And continuing on

615
00:40:21,119 --> 00:40:24,360
the big trendy, popular hardcore stuff
Coachella and that was their line up this

616
00:40:24,559 --> 00:40:30,039
week. And it's always interesting seeing
basically what bands from the hardcore eily.

617
00:40:30,880 --> 00:40:34,440
Yeah, that's the only place apart
from a couple of big names like No

618
00:40:35,239 --> 00:40:39,119
I'm Sorry, Deathtones are on there
taking back Sunday and they're no doubt is

619
00:40:39,119 --> 00:40:44,559
that reunion shows No doubt reunions.
That's pretty fucking wildn't it. Like that's

620
00:40:44,639 --> 00:40:46,960
that's with Gwen right, Like,
yeah, full on no doubt playing that

621
00:40:46,960 --> 00:40:52,960
wucking something to see. But it's
you know, the small hardcore bands is

622
00:40:52,039 --> 00:40:57,320
always I guess what we'd look at
as like who's turning up no surprise a

623
00:40:57,400 --> 00:41:00,920
towards the military gun there that makes
the most out of sense in the world.

624
00:41:00,079 --> 00:41:02,199
Yeah, they're the band who got
the Taco Bell adverts. So they

625
00:41:02,199 --> 00:41:07,960
get to play Coachella. Yeah,
and hopefully they will, you know,

626
00:41:07,159 --> 00:41:12,519
get some great crowdsurfing photos of someone
like jumping on the head of someone with

627
00:41:12,519 --> 00:41:15,119
a flower crowd or whatever. Weird
things normally happen at Coachella. Code Orange

628
00:41:15,199 --> 00:41:21,559
unfortunately had to postpone their upcoming tour
for the above record because guitarist dom Landolina

629
00:41:21,719 --> 00:41:23,440
has suffered an injury and they are
waiting for him to return to full strength

630
00:41:23,800 --> 00:41:27,440
hopefully to see you know, we'll
see Code Orange back on the road in

631
00:41:27,559 --> 00:41:32,880
full capacity sooner rather than later.
More grim news, unfortunately is that again.

632
00:41:32,880 --> 00:41:37,760
This morning, as we're doing this, the news came that Pitchfork has

633
00:41:37,840 --> 00:41:44,320
been largely gutted. It's being merged
with GQ under an ownership thing. Half

634
00:41:44,320 --> 00:41:46,679
of the staff has been laid off. I know that Pitchfork are a name

635
00:41:46,760 --> 00:41:51,239
that like, there are people out
there who I don't agree with, and

636
00:41:51,239 --> 00:41:54,000
I don't think you should be this
sort of like vindictive about it, But

637
00:41:54,039 --> 00:41:57,119
there are people out there who are
like, yeah, good fuck Pitchfall.

638
00:41:57,159 --> 00:41:59,800
I mean, I don't like Pitchfork, but I don't want to see this,

639
00:42:00,159 --> 00:42:01,800
Like people who they don't want to
see people losing their jobs. You

640
00:42:01,840 --> 00:42:06,000
don't want to see particularly, I
think you don't want to see the cachet

641
00:42:06,159 --> 00:42:09,559
of kind of music journalism and music
writing as a you know, a medium

642
00:42:10,159 --> 00:42:15,840
being perpetually kind of you know,
gutted and reduced and devalued and turned into

643
00:42:15,840 --> 00:42:17,880
a kind of commodity as it is
with this. And you know, Pitchfork

644
00:42:17,920 --> 00:42:21,480
for their faults they have, you
know, they they fucking write about two

645
00:42:21,480 --> 00:42:23,840
Mold right, like they've reviewed Cobalt
Records if one comes along, like they

646
00:42:24,119 --> 00:42:30,760
have done decent amounts to kind of
put you know, interesting, strange,

647
00:42:30,960 --> 00:42:35,119
arty, extreme music into the hands
of people otherwise. So yeah, you

648
00:42:35,119 --> 00:42:37,239
know, thoughts go into all the
you know, the folks at Pitchfork who

649
00:42:37,239 --> 00:42:43,280
are being affected by this are then
Sevenfold have released their long awaited Fortnite map,

650
00:42:44,000 --> 00:42:46,360
apparently based on the song We Love
You, which presumably means it will

651
00:42:46,400 --> 00:42:54,239
be an unnavigatable fucking nightmare. And
Caliber Corps this week released branded Caliber Corps

652
00:42:54,320 --> 00:42:59,119
dog collars, and if the comments
on the announcement they're ready to go by,

653
00:42:59,519 --> 00:43:04,320
it's not dogs are going to be
used on this for some other purposes.

654
00:43:04,760 --> 00:43:07,320
I don't know what you're talking about. Yeah, would you snap up

655
00:43:07,360 --> 00:43:15,000
the Cannibal Corps dog slash someone else? I haven't got dogs, so you

656
00:43:15,039 --> 00:43:19,199
don't know. No, it's got
the little fucking butchered the birth baby on

657
00:43:19,239 --> 00:43:20,960
as well, So maybe if you
put it on your baby, that'd be

658
00:43:21,000 --> 00:43:23,320
hard right. As said, haven't
got a question section this week. They

659
00:43:23,320 --> 00:43:29,119
will return in the next Hyperblasts full
episode. But we do have some news

660
00:43:29,119 --> 00:43:31,280
to tell you about what is going
on over on the Patreon this week,

661
00:43:31,519 --> 00:43:36,400
as we alluded to earlier. As
we warned last week, the band specials

662
00:43:36,400 --> 00:43:39,039
for twenty twenty four are already underway. It's already happened. Our first one

663
00:43:39,119 --> 00:43:45,119
is ticked Off. It was a
special on motherfucking Nails, the band who

664
00:43:45,159 --> 00:43:51,599
defined the twenty tens in hard extreme
music, the band who got everyone so

665
00:43:51,920 --> 00:43:55,480
hyped and excited and then got some
of that audience pissed off and jaded with

666
00:43:55,559 --> 00:44:00,880
them with how things went towards the
end of that decade. But they are

667
00:44:00,000 --> 00:44:04,039
back. They're gonna be playing fucking
Damnations festival. We apparently got an album

668
00:44:04,079 --> 00:44:08,599
coming soon, and we so decided
it was the time to undertake a dissection

669
00:44:09,079 --> 00:44:16,719
of their whole legacy and catalog up
to this point. And oh my god,

670
00:44:17,480 --> 00:44:22,320
what a fucking band those records.
I mean, we did everything else

671
00:44:22,320 --> 00:44:27,119
as well, but that the three
albums that came out less an hour of

672
00:44:27,199 --> 00:44:31,639
music, the most replayable, addictive
shit ever like that, That has been

673
00:44:31,679 --> 00:44:37,000
it for me is the last two
weeks have just been slamming those Nails records

674
00:44:37,000 --> 00:44:38,559
over and over and like the fact
is right there, you know, see

675
00:44:38,599 --> 00:44:42,679
there's let's own music there. How
much discussion do we get out of those

676
00:44:42,679 --> 00:44:45,599
amps, because there is so much
to them that you can actually pick apart

677
00:44:45,599 --> 00:44:50,840
and dissect and celebrate. And just
again you say that I was one of

678
00:44:50,840 --> 00:44:52,400
those, you know, kind of
jaded now as fans by the end,

679
00:44:52,440 --> 00:44:58,519
but like this was just me kind
of going it doesn't matter because the music

680
00:44:58,559 --> 00:45:04,760
that we got is just untouchable,
ripping on the silent death still, Like

681
00:45:04,760 --> 00:45:07,320
like this week I've just been like
playing those songs against I'm like I've got

682
00:45:07,320 --> 00:45:12,440
spare thirteen minutes. There you go. Yeah, we speak about all again

683
00:45:12,480 --> 00:45:15,159
what those albums represented, what they
did for kind of grind and power,

684
00:45:15,239 --> 00:45:19,199
violence and the places they took it
and how you know, they crossed over

685
00:45:19,199 --> 00:45:22,679
into so many strange, unexpected areas, how everyone rallied behind them as like

686
00:45:22,880 --> 00:45:27,639
the de facto hardest band on the
planet in a way you rarely ever see

687
00:45:27,639 --> 00:45:31,800
with like anything from anyone genre.
We speak about the kind of strange public

688
00:45:31,840 --> 00:45:36,800
image they had, like were they
actually kind of gate keyp hardcore. You

689
00:45:36,800 --> 00:45:40,480
will never be one of us elitists
we speak about like press drama and fucking

690
00:45:40,559 --> 00:45:45,039
hit pieces that were published on them
and all this kind of stuff that all

691
00:45:45,159 --> 00:45:47,960
factors into you know, again,
when you think Nails, what is the

692
00:45:49,079 --> 00:45:52,280
kind of band, the kind of
image that pops into your head? And

693
00:45:52,800 --> 00:45:59,199
at the end of it, we
just look forward to the next chapter of

694
00:45:59,519 --> 00:46:04,280
that story, really happy to have
something like that in that level of detail

695
00:46:04,360 --> 00:46:07,840
on again, a comparatively newer band
like that put out there into the world.

696
00:46:08,280 --> 00:46:13,400
Upcoming, we've actually got the album
Clubs episode next. We have,

697
00:46:13,639 --> 00:46:15,960
you know, the last couple months
of last year, we kind of had

698
00:46:15,960 --> 00:46:20,199
to like you know, really just
skidaddle a bit to kind of like put

699
00:46:20,199 --> 00:46:22,119
some of the stuff we were doing
together, So album Clubs kind of fell

700
00:46:22,159 --> 00:46:24,400
by the wayside, but they are, of course and be coming back in

701
00:46:24,440 --> 00:46:29,559
twenty twenty four. We're reversing the
order just for January because January first month

702
00:46:29,599 --> 00:46:32,880
slower. You can see, the
releases are building up steam as we go

703
00:46:32,960 --> 00:46:39,280
forward. So this upcoming week we
are going to have our album club episode,

704
00:46:39,599 --> 00:46:44,119
and then next Friday we are going
to have the full January reviews episode,

705
00:46:44,159 --> 00:46:46,519
but album clubs that you were going
to be getting in the next few

706
00:46:46,599 --> 00:46:52,599
days are first. I guess it's
the first twenty twenties record to make it

707
00:46:52,639 --> 00:46:57,800
onto album club Obviously we've already started
in these last two hyper Blast episodes.

708
00:46:57,840 --> 00:47:01,079
But Bring Me the Horizon are going
to be a big talking point band again

709
00:47:01,199 --> 00:47:06,199
in twenty twenty four with the eventual
release of their next post human record,

710
00:47:06,360 --> 00:47:08,719
and the first one, post Human, Survival Horror, did not actually get

711
00:47:08,719 --> 00:47:12,480
a proper review on this podcast.
We've like alluded to it a lot in

712
00:47:12,480 --> 00:47:15,119
the last few years, but we
weren't up and reviewing at the time.

713
00:47:15,239 --> 00:47:17,440
So we are going to get on
record properly going ahead of next Gen.

714
00:47:17,599 --> 00:47:21,920
An assessment of the Survival Horror record, and you know, now a few

715
00:47:22,000 --> 00:47:24,719
years on, like what its impact
has been. I guess then to get

716
00:47:24,719 --> 00:47:30,039
a bit more true three Inches of
Blood Advance and Vanquish. Sam, you

717
00:47:30,119 --> 00:47:32,599
have been saying, what a funny
time you've had listened to that for the

718
00:47:32,639 --> 00:47:35,840
first time. I shouldn't have listened
to it for the first time in public.

719
00:47:36,079 --> 00:47:37,079
I was on the bus going see
the VP for and I put it

720
00:47:37,119 --> 00:47:42,320
on and I just like, I
won't say anymore, but it was I

721
00:47:42,480 --> 00:47:47,159
was taken a there was an experience. Yeah, what a band in a

722
00:47:47,199 --> 00:47:52,280
way that like, yeah, an
album club I was surprised to have seen,

723
00:47:52,440 --> 00:47:54,440
you know, hadn't been done according
to my records from the punk and

724
00:47:54,519 --> 00:48:00,280
emo end Joyce manner never hung over
again. And we said last week about

725
00:48:00,320 --> 00:48:04,159
Dying Fetus Fever sweeping the world very
well time for us. Things still come

726
00:48:04,199 --> 00:48:07,320
around in cycles too, because it's
also coming up on the ten year anniversary

727
00:48:07,559 --> 00:48:12,519
of a certain hilarious iconic and internet
metal culture event from the last decade that

728
00:48:12,559 --> 00:48:15,239
you were in some small way slam
part of Oh Yep, what excused?

729
00:48:15,320 --> 00:48:19,599
We really need, I guess to
talk about the late career masterpiece from Dying

730
00:48:19,639 --> 00:48:24,039
Fetus Reign Supreme. Those are the
first four album clubs of twenty twenty four.

731
00:48:24,199 --> 00:48:27,119
We are going to be talking about
them this weekend. They're going to

732
00:48:27,159 --> 00:48:30,480
go up shortly after that. Get
involved at patron dot com slash that's Non

733
00:48:30,480 --> 00:48:34,480
Mattal where you will hear that,
where you will hear the Nail Special,

734
00:48:34,519 --> 00:48:36,840
where you can hear the Amazon Chains
special with you complete at the end of

735
00:48:36,920 --> 00:48:38,960
last year, all of that good
stuff going on over there, thank you

736
00:48:39,079 --> 00:48:45,000
very much for your support. Let's
end this hyperblasts with the releases that I

737
00:48:45,039 --> 00:48:49,199
think you know, the first couple
weeks of this year were more middling.

738
00:48:49,519 --> 00:48:53,000
This time we have big names fully
coming out of the gate here, hitting

739
00:48:53,039 --> 00:48:57,360
the year hot for the first time. It starts with, of course,

740
00:48:57,559 --> 00:49:01,159
none other than Green Day with their
new third most important record of their upcoming

741
00:49:01,239 --> 00:49:06,280
tour, The Saviors album is out
today. As you were hearing this,

742
00:49:06,280 --> 00:49:07,599
you probably already heard it before you
put us on I don't you. We

743
00:49:07,760 --> 00:49:14,840
will talk about that soon. We
also have neck Deep releasing a new self

744
00:49:14,880 --> 00:49:22,239
titled record out today. We have
Saxon, hell Fire and Damnation. Can

745
00:49:22,519 --> 00:49:25,639
question is this sound amatue? Is
hell Comma fire and Damnation? Hell Fire

746
00:49:25,679 --> 00:49:29,199
as one word? Is that how
they like to know? It's It's It's

747
00:49:29,239 --> 00:49:34,679
it's hell Comma Fire and Damnation.
They rule of threes, you know,

748
00:49:34,800 --> 00:49:43,159
hell Fire and Damnation weird anyway,
Saxon and Saxon they have records of you

749
00:49:43,199 --> 00:49:45,199
know, their later career that I
think are really good. They have others

750
00:49:45,239 --> 00:49:50,119
that I don't remember anything from.
I will I guess see which category this

751
00:49:50,159 --> 00:49:52,599
falls into. Now, this is
a newer band, This is I believe

752
00:49:52,599 --> 00:49:57,400
a deaby record upon Stone Dead Mother
Moon. This is a new signing to

753
00:49:57,440 --> 00:50:01,000
Century Media. And this is really, you know, kind of slightly hardcore

754
00:50:01,119 --> 00:50:05,159
in kind of feel, but it's
melodic death metal. Really. It's like

755
00:50:05,320 --> 00:50:08,440
if of the proper gothenberg Heads,
if you like old fucking at the Gates

756
00:50:08,440 --> 00:50:13,239
in flames, bit of dissection,
whatever, here is a new band to

757
00:50:13,400 --> 00:50:16,079
whet your whistle in that regard.
Going into you know, sort of sludge

758
00:50:16,119 --> 00:50:21,920
and stonery terrain, we have the
band Lord Dying with Clandestine Transcendence. They

759
00:50:21,920 --> 00:50:24,239
have some pretty good stuff in their
back catalog. We also have again much

760
00:50:24,280 --> 00:50:30,599
more long form stonary slift and Ilion. This is a kind of interesting record

761
00:50:30,719 --> 00:50:35,239
I came into Contact with Funny enough, the band is called Contact with their

762
00:50:35,320 --> 00:50:38,519
K, but their record is called
Full Contact with a C. Confusingly,

763
00:50:39,079 --> 00:50:44,679
but basically this is like a kind
of like old like trad speed metal type

764
00:50:44,679 --> 00:50:47,639
band, but in space it's like
a It's like, really it's like sci

765
00:50:47,719 --> 00:50:52,280
fi tech, thrash, voivody type
stuff meeting like you know, old school

766
00:50:52,280 --> 00:50:57,320
a speed meal. Kind of an
interesting mix. Then go into some death

767
00:50:57,360 --> 00:51:00,800
metal. You've got an old name
in the form of Master and their name.

768
00:51:00,000 --> 00:51:04,280
Their record named Saints Dispelled, and
you have a newer name. An

769
00:51:04,280 --> 00:51:07,360
Australian band called resin Tomb Cerebral Purgatory. That's kind of some more sort of

770
00:51:07,360 --> 00:51:12,719
dissonantly nasty type stuff in your black
mal as a man called Vetmod with the

771
00:51:12,760 --> 00:51:17,320
deepening. This record is one that
I just saw this name looking at me

772
00:51:17,360 --> 00:51:20,559
and I was looking through what was
out, you know, this past week,

773
00:51:21,119 --> 00:51:24,519
and genuinely before i'd even seen the
album cover, which is its own

774
00:51:24,559 --> 00:51:30,320
fucking bizarre, you know thing,
but just the name written down made me

775
00:51:30,440 --> 00:51:35,960
cry tears. The band are called
Sexual Perverts and this is the best bit.

776
00:51:36,199 --> 00:51:43,960
Their album is called sex Maniac dot
dot dot Forever. Idly forgot like

777
00:51:43,960 --> 00:51:45,280
I forgot to chat, and then
when I was looking for the list,

778
00:51:45,320 --> 00:51:49,880
I was like, oh god,
Like, I mean, at least they're

779
00:51:49,920 --> 00:51:52,519
upfront about it, you know,
you like, yeah, you can appreciate

780
00:51:52,559 --> 00:51:59,760
the honesty. There's a song that
called fucking roll and and vocally it reminded

781
00:51:59,800 --> 00:52:02,079
me of a little bit of macabre
if you want some of that stuff.

782
00:52:02,480 --> 00:52:07,840
But just Sexminiact dot dot dot Forever
is one of the most beautiful things I've

783
00:52:07,960 --> 00:52:10,519
ever seen. And I applaud them
for that, and an EP from a

784
00:52:10,599 --> 00:52:15,159
kind of homegrown heavy metal band,
the rather good band Heavy Sentence, which

785
00:52:15,199 --> 00:52:19,760
includes members of Wode and Aggressive Effecta
and the like to it just like proper

786
00:52:19,840 --> 00:52:22,360
you know, fucking new of a
British heavy metal pub rock type stuff.

787
00:52:22,920 --> 00:52:25,639
Their EP is out today called Warriors
of Madness. Thank you very much for

788
00:52:25,679 --> 00:52:30,320
listening to us here on hyperblasts On
that's not metal. As said, the

789
00:52:30,320 --> 00:52:32,199
next thing we are going to be
recording is that album Club Pack, featuring

790
00:52:32,280 --> 00:52:37,320
the records I detailed earlier post Human
and the like. But coming up here

791
00:52:37,320 --> 00:52:40,239
on the main feed next week.
Following the trail of that, will be

792
00:52:40,679 --> 00:52:45,559
our first reviews show of twenty twenty
four. Obviously, we're gona talk about

793
00:52:45,559 --> 00:52:46,599
the Green Day record, We're gonna
talk about some of these other things that

794
00:52:46,639 --> 00:52:52,280
are coming out as well. Band
Unfortunately not sexual perverts this time, but

795
00:52:52,320 --> 00:52:58,119
I do recommend you at least just
let that into your brain. Yeah,

796
00:52:58,360 --> 00:53:04,119
high's lows, oddo lows and I'm
not talking about Green Day. Let us

797
00:53:04,760 --> 00:53:05,880
see you there. Goodbye,
