1 00:00:00,320 --> 00:00:07,719 This hour on WMNH is sponsored by CGI Business Solutions, located at five Dartmouth 2 00:00:07,839 --> 00:00:13,400 Drive in Auburn. They serve all your business needs including employee benefits, planning, 3 00:00:13,679 --> 00:00:20,199 corporate design and business administration, investments and wealth management and customize business insurance 4 00:00:20,199 --> 00:00:24,920 solutions. Their phone number is eight sixty six eight four to one forty six 5 00:00:25,039 --> 00:00:30,800 hundred, or on the web at CGI business Solutions dot com. Dizne's Cafe 6 00:00:31,079 --> 00:00:34,119 is the place to put a smile on your face. Judy and the crew 7 00:00:34,240 --> 00:00:38,399 will take care of you, bring your appetite and treat your taste buzz right. 8 00:00:38,679 --> 00:00:43,240 Disney's Cafe is always a winning choice. Breakfast, lunch or supper. 9 00:00:43,679 --> 00:00:49,520 Dizze's Cafe at eight sixty Elm Street in downtown Manchester. 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It's seven o'clock, Yeah no, 18 00:01:44,200 --> 00:01:53,040 it's all right, little words hope Lord willing a mention to go to et 19 00:01:53,319 --> 00:01:57,519 moth slow crevasies against the city in linded math, speaking of privers up there 20 00:01:57,640 --> 00:02:01,400 working on my punts at night, but I'm until the morning by the icons. 21 00:02:01,480 --> 00:02:06,840 My mom raiss sooja winking posher try to cross the line like we play 22 00:02:06,879 --> 00:02:09,599 a rout and broke show. Soaf on back coming for number one mom with 23 00:02:09,759 --> 00:02:14,759 a trip that'll probably leave your finding numb and the problems going up like the 24 00:02:14,800 --> 00:02:16,800 price of gas. We're just looking for some change. What's the price of 25 00:02:16,800 --> 00:02:20,719 that? Right for the quarter? A good thing that are like the past 26 00:02:20,960 --> 00:02:23,560 here the bell and I check them in my ninety half has the second pass, 27 00:02:23,639 --> 00:02:27,639 hoping that i'll make it back walking in hit it past that the show 28 00:02:27,719 --> 00:02:30,680 the city dash trying and we're filling your shoulders against who really rapped told the 29 00:02:30,719 --> 00:02:40,479 world give me space that I closed the gap. Ye y'all think I'm playing 30 00:02:44,280 --> 00:02:47,400 Scrimmingtrovers game time. I'm ready sat and try to hang for buss and told 31 00:02:47,400 --> 00:02:51,560 me to break a dead right, who go really press five when you hawk 32 00:02:51,599 --> 00:02:54,199 alect breath when you're walking on the line. Gotta watch a step and every 33 00:02:54,240 --> 00:02:58,680 breath through the pain. See the game how they tell me watch a throw 34 00:02:58,800 --> 00:03:00,840 when the seat was staying down. Need a thing wanted now, who's not 35 00:03:00,919 --> 00:03:05,000 too fast? I found myself inside that moment. When the time passed, 36 00:03:05,159 --> 00:03:07,240 they left me still like I better with my wine glass. This type of 37 00:03:07,280 --> 00:03:10,560 vision. You gonna probably need an hommaster. I know what's coming when get 38 00:03:10,560 --> 00:03:14,800 caught up in the top last and send the ball when we all reach the 39 00:03:14,840 --> 00:03:17,719 comcasts. Now ready, you're better than it has ever been. Benjamin's in 40 00:03:17,840 --> 00:03:23,080 depth presidents in my residence the Relevance, hoping that the Reverend flow sick. 41 00:03:23,360 --> 00:03:28,319 Really this is my medicin Heaven. Said, even though that I never been 42 00:03:28,800 --> 00:03:31,639 keep going, even though that I'll never run, keep showing because I know 43 00:03:31,680 --> 00:03:36,080 that they'll never spend gone. Lord die for my sins when I'm working on 44 00:03:36,199 --> 00:03:39,120 him, treating all my problems like the leasing on him. Next thing is 45 00:03:39,120 --> 00:03:43,240 the win now the money firing bring You know cold is the winner, but 46 00:03:43,280 --> 00:03:46,960 I'm springing on him. We adapt like a winner when it comes to problems. 47 00:03:50,240 --> 00:04:47,600 Yeah, the spot, the spot, stop, the spot, the 48 00:04:43,560 --> 00:05:34,319 spot, the spo stop, the st stop to sup the staff, the 49 00:05:40,920 --> 00:06:50,319 staff, the staff. And I feel like things are falling into place, 50 00:06:51,399 --> 00:06:59,680 and I feel like it's the end of the Red Queen's Rage. And I 51 00:06:59,759 --> 00:07:08,560 feel feel like the stars are gonna change, because I feel like this was 52 00:07:08,720 --> 00:07:21,439 all just rear As we move from hugs and hand shapes, we must remember 53 00:07:21,680 --> 00:07:34,519 how our souls ay. As we move from confidant to confidet, we must 54 00:07:34,560 --> 00:07:45,759 remember how our souls pay. But I feel like things are falling its legs 55 00:07:46,879 --> 00:07:54,199 and I feel like it's the end of the Red Queen's Reggie. And I 56 00:07:54,360 --> 00:08:03,759 feel like the stones are gonna change because I feel like this was all just 57 00:08:05,639 --> 00:08:20,439 rearraying and people take too much pride in the way they picked their side, 58 00:08:22,639 --> 00:08:33,679 split up into them and us a sign seating on the s on the bus. 59 00:08:35,159 --> 00:08:43,960 But I feel like things are falling its please and I feel like it's 60 00:08:45,039 --> 00:08:50,399 the end of the Red Queen's Races. And I feel like the stars, 61 00:08:50,519 --> 00:09:00,759 like the stars are gonna shade because I feel like this was all judearing. 62 00:09:22,960 --> 00:09:37,919 As our lives get long separated, well we wish they weren't. So as 63 00:09:37,080 --> 00:09:48,480 things get more complicated, well we wish we could just know, just know. 64 00:09:50,080 --> 00:09:58,679 But I feel like things are falling into please and I feel like it's 65 00:09:58,799 --> 00:10:03,720 the the end of the Red Queen's Rage. I had a feel like the 66 00:10:03,879 --> 00:10:15,919 stars are gonna change because I feel like this was all just preer range, 67 00:10:16,879 --> 00:10:26,320 and a feel like things aren't falling its place, and I like it's the 68 00:10:26,480 --> 00:10:33,799 end of the Red Queen's Rage. Had a feel like the stars, like 69 00:10:33,000 --> 00:10:43,919 the stars are gonna change because I feel like this was all just freer range, 70 00:10:43,159 --> 00:11:07,120 I said, I feel like this was unleus freer range. M I 71 00:11:07,159 --> 00:11:11,799 love that that is falling into place. The band is jam tomorrow and we're 72 00:11:11,840 --> 00:11:13,360 gonna hear some more from those guys in just a couple of minutes. And 73 00:11:13,679 --> 00:11:16,480 to open up the show today, we had Hope the Rapper, the brand 74 00:11:16,480 --> 00:11:22,399 new single Closed Gap. As we are in week four of our ten weeks 75 00:11:22,399 --> 00:11:24,639 of world radio premieres of new singles from our friend Hope the Rapper, this 76 00:11:24,799 --> 00:11:30,919 is Matt Connorton Unleashed and we're live from these studios of WMNH ninety five point 77 00:11:30,960 --> 00:11:35,840 three FM in glorious Manchester, New Hampshire. Also, of course we are 78 00:11:35,879 --> 00:11:39,799 on Facebook this week, so happy to say that with our new cameras and 79 00:11:39,840 --> 00:11:45,799 such and so very very excited. Today is July six, two twenty four. 80 00:11:46,120 --> 00:11:48,840 Jenny is here at the news desk or news table. I am present. 81 00:11:50,200 --> 00:11:52,559 Yes, yes, I don't have your I don't have your music for 82 00:11:52,600 --> 00:11:54,879 some reason, I couldn't find it. I don't know. I will have 83 00:11:54,919 --> 00:12:03,240 to re download it. Jenny has theme music, you know, music we 84 00:12:03,240 --> 00:12:11,080 could hummet. That's about all I remember of it. Yeah, and so 85 00:12:11,120 --> 00:12:15,440 we've got a fun show for you today. We have Jam tomorrow, who 86 00:12:15,480 --> 00:12:16,799 are going to introduce in a moment, and then in the second hour we 87 00:12:16,840 --> 00:12:22,840 have Cura Curtis and in the third hour we have mister Goodbars joining us. 88 00:12:22,000 --> 00:12:26,080 So lots going on, lots of music today, of course, but we'll 89 00:12:26,080 --> 00:12:28,759 go ahead and introduce. Well. Actually these guys have been with us on 90 00:12:28,799 --> 00:12:33,799 the show before, Mike, Mark and Gary and hell Gary, you were 91 00:12:33,840 --> 00:12:37,399 here last night on rob Azevito show. Grantited state of mind. That's something 92 00:12:37,440 --> 00:12:41,679 we should mention too for those who don't know. If you enjoy these musicians 93 00:12:41,679 --> 00:12:46,320 that we have on there's another show here on WMNH that does something similar for 94 00:12:46,360 --> 00:12:50,279 an hour on Fridays from six to seven pm. Rob az Vito Grantite State 95 00:12:50,279 --> 00:12:54,120 of Mind does a fantastic job. He's been doing it for a long time 96 00:12:54,279 --> 00:12:58,840 and he's got the brand new place Pembroke City Limits, which is very cool. 97 00:12:58,840 --> 00:13:00,960 So we should give that a plug. We've been wanting to get Rob 98 00:13:01,000 --> 00:13:05,759 on Wednesday, what's that Wednesday of this coming week week on Thursday, We're 99 00:13:05,759 --> 00:13:11,480 probably gonna both be there, will be there. I'm sure outstanding. So 100 00:13:11,559 --> 00:13:13,519 excited perhaps, Yeah, very good, Yeah, No, it's great work. 101 00:13:13,600 --> 00:13:16,279 So hard to get to this point. I'm just really excited. Yeah, 102 00:13:16,279 --> 00:13:20,960 and it's exciting to see, you know, whenever a new place opens 103 00:13:20,080 --> 00:13:26,120 up that can uh really sort of accommodate the music scene locally, because there's 104 00:13:26,159 --> 00:13:30,919 so much incredible talent around here that that's you know, that's a great thing 105 00:13:30,960 --> 00:13:33,720 to see. Garry's struggling with that Mike a little bit. There we go, 106 00:13:35,799 --> 00:13:43,279 just don't to The trick is not to actually the trick is not to 107 00:13:43,320 --> 00:13:46,799 breathe on it. Actually, the best thing is to not even look directly 108 00:13:46,840 --> 00:13:50,279 at it at Yeah, don't even look at it. It's very fine. 109 00:13:52,039 --> 00:14:01,399 Yeah, pretend it's not there anyway. But yeah, so we have jam 110 00:14:01,399 --> 00:14:05,519 tomorrow here with us live in studio, so that was falling into place one 111 00:14:05,519 --> 00:14:09,200 of the two studio tracks that we're gonna play today. We have another one 112 00:14:09,200 --> 00:14:11,759 that will play at the end of the hour. And I love both of 113 00:14:11,799 --> 00:14:13,759 these guys. Great, great job, thank you very much. Yeah, 114 00:14:13,759 --> 00:14:18,039 absolutely, really really good, really good. Where did you record these? 115 00:14:18,399 --> 00:14:24,679 Those are records at board House Productions and Brookline. He does like Roots of 116 00:14:24,720 --> 00:14:26,919 Creation. He's bad Fish's sound guys. Okay, he's recorded our Fox and 117 00:14:26,960 --> 00:14:31,039 Flamingo stuff too. He's a great dude. Yeah. Yeah. It's an 118 00:14:31,039 --> 00:14:33,879 awesome setup too, because the whole front of his studio as he's what he's 119 00:14:33,879 --> 00:14:37,200 looking at his desk is all G five, it's all digital giant screen. 120 00:14:37,639 --> 00:14:41,000 And then behind him he's got a rack of like twenty or twenty four old 121 00:14:41,000 --> 00:14:46,039 school analog rigs. Yeah, he just knows how to blend, you know, 122 00:14:46,200 --> 00:14:50,879 the solid state with the cutting edge to bring out all the nuances that 123 00:14:50,919 --> 00:14:52,960 really just make everything sound so good. Yeah, yeah, no, it 124 00:14:54,080 --> 00:14:58,480 sounds amazing. Are you, is there a long term plan to do? 125 00:14:58,600 --> 00:15:01,720 Are you gonna just keep releasing singles? Are you going to do an EP 126 00:15:01,919 --> 00:15:05,480 or an album or what's or do you know yet? No? I think 127 00:15:05,519 --> 00:15:07,200 we we finally got in the studio last year, but we haven't been in 128 00:15:07,240 --> 00:15:11,559 the studio since like October, I think of last year. Yeah, so 129 00:15:13,039 --> 00:15:15,639 we really haven't. It's been a while. We need to get back on 130 00:15:15,679 --> 00:15:20,399 that. We have twenty originals to record, no kidding, So I don't 131 00:15:20,440 --> 00:15:22,320 know if we want to try to put out a EP or an LP or 132 00:15:22,320 --> 00:15:26,159 a double album or I guess that kind of depends on how things get paced 133 00:15:26,240 --> 00:15:28,879 and in the next six months or so. Yeah, yeah, you've got 134 00:15:28,960 --> 00:15:33,240 well, how long has this project been around? It hasn't been that long, 135 00:15:33,360 --> 00:15:37,440 right, So Mark and I started pretty much when covid got nasty. 136 00:15:37,519 --> 00:15:41,039 So what was that was that? Four years ago? Twenty nineteen, five 137 00:15:41,120 --> 00:15:46,200 years ago, twenty yeah? Four years yeah, So we started just sitting 138 00:15:46,240 --> 00:15:50,600 six feet apart from each other, yeah, and just doing covers just to 139 00:15:50,759 --> 00:15:54,799 kind of not go crazy with all the madness that was happening in the world. 140 00:15:54,039 --> 00:15:58,879 Yeah, and then we somehow when people started booking gigs again. We've 141 00:16:00,120 --> 00:16:03,399 the gig here and there and started writing some originals. That song that you 142 00:16:03,440 --> 00:16:06,399 just played actually falling into places our first original. It's kind of a COVID 143 00:16:06,480 --> 00:16:08,679 song, but I feel like it's a that's the first one you guys wrote 144 00:16:08,679 --> 00:16:11,799 together. Yeah, oh wow, no kidding. I started with the chorus 145 00:16:11,840 --> 00:16:15,960 instead of the verse. I didn't even know what I was doing. I 146 00:16:15,679 --> 00:16:19,159 noticed that listening to it. It's one of those songs where, yeah, 147 00:16:19,279 --> 00:16:22,320 where the chorus kind of sounds like it might be the verse, and the 148 00:16:22,360 --> 00:16:26,639 verse kind of sounds like the chorus. It reminded me of ooh child that 149 00:16:26,759 --> 00:16:30,960 song is to me, that's like the classic example of that, where you 150 00:16:30,960 --> 00:16:33,440 know it's kind of inverted and it fools you a little bit when you're listening 151 00:16:33,480 --> 00:16:37,399 to it, which I love. I love that, and I was afraid 152 00:16:37,399 --> 00:16:41,399 it was going to kind of fall out once all the COVID madness sort of 153 00:16:41,440 --> 00:16:45,440 receded into the background, But I feel like it it's sort of just about 154 00:16:45,639 --> 00:16:48,039 hard times and changing time, so it's sort of apropos now as much as 155 00:16:48,080 --> 00:16:52,159 it was then. Well, the good news in terms of the song and 156 00:16:52,200 --> 00:16:56,519 it's relevance is the madness has never received only the COVID part as we're a 157 00:16:56,559 --> 00:17:00,519 post pandemic. But the madness itself, I think that's uh well, I 158 00:17:00,519 --> 00:17:03,559 think COVID's with us forever too. But but so is the madness. Yeah, 159 00:17:03,640 --> 00:17:08,759 I it's a permanent passenger in our American I believe so. I believe 160 00:17:08,839 --> 00:17:12,599 so, guys, I'm dying to hear you to play something live. I 161 00:17:12,680 --> 00:17:15,319 really enjoyed this the last time you were on with us, and uh, 162 00:17:15,480 --> 00:17:18,920 of course this is the first time. Well again, Gary, you were 163 00:17:18,920 --> 00:17:21,920 here last night, but but uh as jam tomorrow. This will be the 164 00:17:21,920 --> 00:17:23,240 first time in the new in the new studio. By the way, do 165 00:17:23,240 --> 00:17:26,279 you like the new Uh you like the new digs? I do. It's 166 00:17:26,359 --> 00:17:30,440 very cool. Yeah. Yeah, everything's nice and new and clean and love 167 00:17:30,440 --> 00:17:33,519 it. I love it. Sounds good in here too. Yeah. Yeah, 168 00:17:33,559 --> 00:17:37,200 it's not bad. It's not bad. Better parking better, much better 169 00:17:37,279 --> 00:17:38,480 parking. Yes, yeah, we were, Yeah, we were talking about 170 00:17:38,480 --> 00:17:44,400 that last night because I came in to do uh So Friday Nights from May 171 00:17:44,440 --> 00:17:47,359 two eleven is Retrospectrum Radio with poly C and I'm a co host on that 172 00:17:47,440 --> 00:17:48,720 show, and we were talking about how you know, because the sky just 173 00:17:48,720 --> 00:17:52,200 opened up and it was pouring and how nice it was to be able to 174 00:17:52,240 --> 00:17:53,799 just pull up to the door and park and you know, not have to 175 00:17:53,839 --> 00:17:57,880 park locks away or were at a parking garage and then try not to get 176 00:17:57,960 --> 00:18:03,440 soaked. But uh, yeah, if you guys want to play something for 177 00:18:03,519 --> 00:18:04,079 us, what do you what do you want to what do you want to 178 00:18:04,079 --> 00:18:08,440 play? To start, we got a song called playing the Blues, Living 179 00:18:08,480 --> 00:18:11,839 the Blues. We wrote this pretty recently. I'm not sure where it came 180 00:18:11,839 --> 00:18:17,039 from. It's just thinking about this guy, probably a draft dodger Vietnam era, 181 00:18:17,440 --> 00:18:19,319 and the story just sort of came together. But he did something and 182 00:18:19,319 --> 00:18:23,960 then he decided to run, and uh he never stopped. So this one's 183 00:18:25,000 --> 00:18:41,079 called Living the Blues. All right, wonderful jam tomorrow live in studio. 184 00:18:53,000 --> 00:19:00,559 When it started back in nineteen sixty eight, outside out of Sioux Fall with 185 00:19:00,759 --> 00:19:12,599 a queenslin left me Sula Blue lights were right behind, doing ninety five with 186 00:19:12,880 --> 00:19:25,119 Freedom on Mi My South Dakota seemed far enough away, drove a thousand miles 187 00:19:25,799 --> 00:19:33,119 to the break of day. Barty gets off stolen money in my shoes, 188 00:19:34,160 --> 00:19:47,599 laying on the run and living the Blue, Living the Blue, laying on 189 00:19:47,640 --> 00:19:56,160 the run, eyes wide opened, I have some fun fire, eyes in 190 00:19:56,240 --> 00:20:06,000 front of me on the path, I sho living on the runt the blue, 191 00:20:06,279 --> 00:20:25,759 the hands the blue, got a nine to five downtown Mexico, just 192 00:20:25,880 --> 00:20:37,920 standing alive and taking its bloody knuckles from turning a wrench better than bloody body 193 00:20:38,759 --> 00:20:49,920 in a sigone trench, sliding lights, let the rainbow bomb, drinking whiskey 194 00:20:51,759 --> 00:21:03,640 underneath the stock under the raidar just paying my to playing on the run and 195 00:21:03,920 --> 00:21:14,119 living in the blue. H live in the blue, playing on the run. 196 00:21:15,559 --> 00:21:22,039 That's why I don't, Ben, I have some fun. Eyes in 197 00:21:22,119 --> 00:21:30,799 front of me on the path, but you living on the run and play 198 00:21:30,039 --> 00:22:00,240 in the blue. Play time. It's the game. I don't play so 199 00:22:00,599 --> 00:22:08,839 well. Don't let it show these things I can't tell. Got nothing but 200 00:22:10,039 --> 00:22:18,920 time to lay his game. I just smiled, sing along on the stink. 201 00:22:19,759 --> 00:22:26,240 Ain't that the quit in the quit pro woke? Or if he just 202 00:22:26,400 --> 00:22:33,240 looks back because he just don't know? Oh, Ben, I don't see 203 00:22:33,720 --> 00:22:45,440 my name in the news, playing on the run and live in the blue, 204 00:22:47,640 --> 00:22:55,440 live in the blue, playing on the run, eyes wide open to 205 00:22:55,720 --> 00:23:04,079 have some fun, but eyes in front of me on the path, living 206 00:23:04,400 --> 00:23:11,920 on the road, man playing the blue, playing the blue, playing in 207 00:23:11,960 --> 00:23:37,160 the blue in the h Well done, guys, Wow, that was gorgeously. 208 00:23:40,440 --> 00:23:44,920 I was gorgeous talking about early No, that was that was excellent. 209 00:23:45,079 --> 00:23:48,240 If you're just joining us, we have jam tomorrow here with us live in 210 00:23:48,319 --> 00:23:52,160 studio this morning, and uh sounding great. I love that. I love 211 00:23:52,200 --> 00:23:55,839 that. You guys are are you guys playing out a lot? Are you 212 00:23:55,920 --> 00:23:57,799 doing a lot of shows? Yeah, we're just this is a gig. 213 00:23:59,480 --> 00:24:03,319 Well for as this arrangement, this is a gig six out of seven in 214 00:24:03,559 --> 00:24:08,480 five or six weeks. So we're doing We're gonna be joining Gary at City 215 00:24:08,519 --> 00:24:14,200 Limits on Thursday night, jumping up for a couple of songs, and then 216 00:24:14,240 --> 00:24:15,559 I think we actually don't have anything in the books for a while. We're 217 00:24:15,559 --> 00:24:18,640 looking to book some stuff talking to a couple of venues we played out before. 218 00:24:19,039 --> 00:24:22,920 But yeah, we came out of just doing We played at wing ITTs 219 00:24:22,960 --> 00:24:26,880 on the fourth of July. We played at the Paki and hooks it. 220 00:24:27,079 --> 00:24:30,359 We played a four hour gig there the week before that. We had a 221 00:24:30,680 --> 00:24:34,000 the week before that show before that. So it's been good. It's been 222 00:24:34,160 --> 00:24:37,880 been a lot of fun and people seem to be really receptive to the new 223 00:24:37,920 --> 00:24:41,200 stuff because we've got three songs that are just a couple of months old. 224 00:24:41,480 --> 00:24:45,279 Yeah, yeah, outstanding, outstanding. Now are you so Gary? Of 225 00:24:45,319 --> 00:24:48,799 course? Uh? You obviously you play solo sometimes, you were on Rob 226 00:24:48,799 --> 00:24:52,079 Show last night, and you also you have Fox and the Flamingos. Yep. 227 00:24:53,599 --> 00:24:56,920 Always amazing. I always I always say that song straight is it Don't 228 00:24:56,920 --> 00:25:00,400 Be a Stranger? Don't Be a Stranger? Yeah, you got a hit 229 00:25:00,440 --> 00:25:04,160 song there, dude. It's finally on Spotify so you can hear outstanding. 230 00:25:04,519 --> 00:25:07,880 And now usually it's the drummers that are in a million different bands. You're 231 00:25:07,960 --> 00:25:11,279 you're pretty busy. Yeah, the basis too. Yeah, yeah, exactly 232 00:25:11,319 --> 00:25:15,359 exactly. Do you have any other projects? Yeah, I mean I've been 233 00:25:15,519 --> 00:25:18,799 working with Cosmic Blossom Collective, which is a cool group there. They went 234 00:25:18,839 --> 00:25:23,240 through some changes and I brought a drummer from a fusion band I kind of 235 00:25:23,400 --> 00:25:26,279 dabble with, and we kind of joined them for a Strange Creek and we're 236 00:25:26,279 --> 00:25:30,440 playing with them at trout Stock and town and stuff. So I went down 237 00:25:30,519 --> 00:25:34,160 recorded with them a few weeks go down at the Cape, so put down 238 00:25:34,240 --> 00:25:37,880 some basslines for four songs. So they have some they have some stuff coming 239 00:25:37,880 --> 00:25:40,960 out too, excellent, excellent. How about you, Mark, what else 240 00:25:41,000 --> 00:25:44,039 have you got going? Nothing? Really? I work almost six hours a 241 00:25:44,039 --> 00:25:48,400 week. Yeah, so you got yeah, you got your hands full well. 242 00:25:48,400 --> 00:25:52,279 And you play at church all the time too, Yeah most Sundays. 243 00:25:52,319 --> 00:25:59,440 Oh okay. I actually played more live rock and stuff there than kid Yeah 244 00:26:00,039 --> 00:26:03,920 a voue Mike, No, this is it. I am. I'm trying 245 00:26:03,960 --> 00:26:07,799 to not over commit myself. Yeah, that's sort of one of my faults. 246 00:26:07,039 --> 00:26:10,279 Yeah, and to over commit. So I'm actually stepping back from other 247 00:26:10,319 --> 00:26:11,680 stuff. But I just stepped off of I was on the board for the 248 00:26:11,720 --> 00:26:15,279 Coalition Against Domestic and Sexual Violence. I just finished my term there and did 249 00:26:15,279 --> 00:26:19,960 not renew my term there. I'm writing very little for New Hampshire magazine now, 250 00:26:21,119 --> 00:26:23,400 just a couple of articles a year at this point. So I'm actually 251 00:26:23,400 --> 00:26:27,799 trying to just be a little more low key and not always have something to 252 00:26:27,839 --> 00:26:32,039 do every day. Wow. Yeah for right now? This is this is 253 00:26:32,079 --> 00:26:37,359 plenty. Say you were being lowkey? Yes, oh okay, well that's 254 00:26:37,559 --> 00:26:44,279 sorry. Is that is that a fourth subject? But I would think being 255 00:26:44,319 --> 00:26:48,960 low key would be very time consuming that comes with that, trying to be 256 00:26:48,960 --> 00:26:52,480 a different places. Well, you guys, actually we should say all everybody 257 00:26:52,480 --> 00:26:56,440 on the Facebook live chat and then I'd love to hear another one. Let's 258 00:26:56,440 --> 00:27:00,359 see we have Aid. I'm sorry, Aid, how do you say that? 259 00:27:00,359 --> 00:27:03,039 I don't know how to say that last name, so I'm not going 260 00:27:03,119 --> 00:27:07,720 to butcher it. Aid. Congratulations on this. Uh oh, this is 261 00:27:08,279 --> 00:27:11,119 spam. We've got a spammer in the chat room trying to sell it something. 262 00:27:12,599 --> 00:27:18,000 Yeah, never never mind, you Aid with your spam now trying to 263 00:27:18,440 --> 00:27:21,640 Actually I'll go ahead and read it. Congratulations on this. Do you know 264 00:27:21,680 --> 00:27:25,680 that podcast is not just recording, but it's about building a strong fan base. 265 00:27:26,119 --> 00:27:30,680 And then there's a a helpful link which I'm not going to uh click, 266 00:27:30,799 --> 00:27:33,319 but thank you, Aid. Take take some notes, Matt. Clearly 267 00:27:33,480 --> 00:27:37,640 this is your first rodeo. Yes, yeah, I know it's been a 268 00:27:37,640 --> 00:27:41,720 while since I've seen a spammer in there, like we have, you know, 269 00:27:41,759 --> 00:27:47,240 the the AI people from Greensboro, North Carolina, but an actual spammer. 270 00:27:47,240 --> 00:27:49,400 I haven't seen it there lately. Andre Dumont, of course from Dead 271 00:27:49,440 --> 00:27:56,359 Harris Andres Amazing says good morning you awesome and amazing people. Thank you. 272 00:27:56,400 --> 00:28:02,759 Andre B. Pinarda big supporter of the show says love this song. Yeah, 273 00:28:02,799 --> 00:28:07,480 me too, absolutely. Eric uh In Palamini, did I say it 274 00:28:07,480 --> 00:28:11,759 correctly? From Temple Mountain says says I could listen to them all day. 275 00:28:11,000 --> 00:28:15,480 Yes, thanks Eric, and we have actually in the second hour, Cura 276 00:28:15,519 --> 00:28:18,440 Curtis, who I believe was a referral from Temple correct. Yes, she's 277 00:28:18,480 --> 00:28:23,559 gonna be coming in. Melanie Liberty of course from the Great State of Vermont, 278 00:28:23,759 --> 00:28:29,519 says nice, nice beard, mister yellow shirt. Yeah, yeah, 279 00:28:29,519 --> 00:28:33,079 she likes your beard. Melanie of course, quite the aficionado of beards, 280 00:28:33,519 --> 00:28:38,079 so totally judging. Yeah, yeah, yeah, not too many good ginger 281 00:28:38,079 --> 00:28:42,759 beards out there. Yeah, that's a good ginger beard. Yes, with 282 00:28:42,799 --> 00:28:48,240 a good ginger right right. I would not put you in the darkened Stormy 283 00:28:48,799 --> 00:28:52,839 Jay fed of course also in the Facebook live chat and says, good morning 284 00:28:52,880 --> 00:28:56,079 everyone. Let's see I just want to make sure we don't miss anybody in 285 00:28:56,119 --> 00:28:59,039 here. Oh and Bruce from Legion of Solace, Bruce, I was wearing 286 00:28:59,400 --> 00:29:02,680 your shirt the other day, your Legion of Solid shirt, says good good 287 00:29:02,720 --> 00:29:06,240 morning friends, Hope Paul as well, now what I'm wearing. Oh yeah, 288 00:29:06,279 --> 00:29:11,480 you've got the shirt? Yes, there you go Jenny's uh, Jenny's 289 00:29:11,480 --> 00:29:15,039 got it. No, Bruce was fine. Yeah, when Bruce was on 290 00:29:15,079 --> 00:29:17,680 the show, he was kind enough to bring us shirt said, they dottimes 291 00:29:17,720 --> 00:29:22,400 people include me. That's right, That's right they do. Legion of Solace 292 00:29:22,440 --> 00:29:25,880 is great. They do a lot for the music scene. When I when 293 00:29:25,880 --> 00:29:27,400 I first heard the name Legion of Solace, I assumed it was a band, 294 00:29:27,559 --> 00:29:33,720 but no, it's actually a really good, uh promotional organization. And 295 00:29:33,039 --> 00:29:37,640 Joey Painter, who was on the show not too long ago, says, 296 00:29:37,640 --> 00:29:42,359 what up? You know it's you and then multiple piece. Yeah, that 297 00:29:42,440 --> 00:29:45,799 was great too. Loved having Joey Painter on with us. Bruce says, 298 00:29:45,839 --> 00:29:49,200 greatly appreciate the support. Well, we appreciate you, Bruce. All right, 299 00:29:49,240 --> 00:29:52,279 I'm dying to hear another song. What do you guys? What are 300 00:29:52,279 --> 00:29:53,559 you guys gonna play next? We got another, a new ish one. 301 00:29:53,599 --> 00:29:57,319 We actually we wrote this. Yeah, normally, normally we we don't write 302 00:29:57,319 --> 00:30:00,160 songs together. Normally, I'll take music that one of these guys has come 303 00:30:00,200 --> 00:30:03,759 up with, or if we're rehearsing, I'll just put my phone on record 304 00:30:03,759 --> 00:30:04,799 when I go, you know, grab a beer or something, and some 305 00:30:04,920 --> 00:30:07,160 magical happen, and then I kind of take that away to my lair and 306 00:30:07,160 --> 00:30:11,480 I put lyrics to it. Because my creative process, I'm usually pretty selfish 307 00:30:11,559 --> 00:30:14,519 with it. But this was actually one that Mark and I were sitting out 308 00:30:14,559 --> 00:30:18,119 on the porch in the rain and we wrote this together, smoking cigars and 309 00:30:18,519 --> 00:30:22,519 probably drinking some whisky. So this is actually called things in the Rain, 310 00:30:23,119 --> 00:30:26,359 all right, very good things in the rain, and the band is Jam 311 00:30:26,359 --> 00:30:48,400 Tomorrow. They are here with us live in studio. He's sings in the 312 00:30:48,640 --> 00:31:06,559 rain when he's all alone. You should be so Heardstone just singing to the 313 00:31:06,559 --> 00:31:22,359 bird out on the street rolling by with their silent feet. He sings in 314 00:31:22,400 --> 00:31:33,799 the rings like everybody, he's got pain bots, he sings nonetheless, best 315 00:31:34,000 --> 00:31:44,759 way to be free from stress. He sings in the rings like everybody he's 316 00:31:44,920 --> 00:31:52,160 got pain bot. He sings none the less, best way to be free 317 00:31:52,200 --> 00:32:08,799 from stretch. Yeah, she sings in the rain from behind her window. 318 00:32:09,000 --> 00:32:21,119 Pain hasn't left this please, since the world sped up its pain. Just 319 00:32:21,160 --> 00:32:35,039 sing to reflection. Nurse gives her to injection life ros By no connection. 320 00:32:37,480 --> 00:32:45,960 She sings in the rain. Nobody there, so why complained? But she 321 00:32:45,119 --> 00:32:54,680 sings anyway, best way to pass the day? She sings in the rain. 322 00:32:58,039 --> 00:33:06,599 Nobody there, so why complain a bunch of things? Anyway? Best 323 00:33:06,759 --> 00:33:25,160 way to pass the day? You do? Do you do? Dude? 324 00:33:27,319 --> 00:33:39,680 She sneaks out up her bed room, set temporary escape from this hell. 325 00:33:44,079 --> 00:34:13,920 He means her outside, remembering how the hell worl used to be so wide. 326 00:34:15,079 --> 00:34:22,480 They sing in the rain, she and he. That's why they remain. 327 00:34:23,320 --> 00:34:32,559 Didn't used to fine this kind of piece of my just singing to the 328 00:34:32,840 --> 00:34:42,400 dog. Silly souls lost themselves in the park, they in their roles, 329 00:34:44,599 --> 00:34:50,440 happy dress, in the coats they stole up. They sing in the rains 330 00:34:52,920 --> 00:35:00,239 much to though worlds just changed, but they sing all the same. Only 331 00:35:00,360 --> 00:35:09,920 wait to please this game. They sing in the red much to the world 332 00:35:10,239 --> 00:35:20,079 just sting, but they sing all sing only wait to play this game, 333 00:35:20,320 --> 00:35:46,480 To play this game, to play this game, play this game. Well 334 00:35:46,519 --> 00:35:52,079 done, gentlemen, well done. Thank you. Jam tomorrow live in studio 335 00:35:52,159 --> 00:35:54,480 with us today. Of course we have Mike, Mark and Gary from the 336 00:35:54,480 --> 00:35:59,639 band a jam Tomorrow and another great song and if you're just joining us, 337 00:35:59,679 --> 00:36:01,599 by the way, at the top of the show. One of the tracks 338 00:36:01,599 --> 00:36:05,880 we played was the New single from These Guys falling into Place. So if 339 00:36:05,880 --> 00:36:07,639 you miss it, of course, you know it'll be up in the archive 340 00:36:07,639 --> 00:36:12,239 when the podcast is posted later. I recommend definitely checking it out. And 341 00:36:12,320 --> 00:36:15,800 we're gonna be playing a second studio track from these Guys at the top of 342 00:36:15,840 --> 00:36:17,519 the hour at the end of the segment, which I'm really looking forward to 343 00:36:17,519 --> 00:36:22,039 sharing with everyone as well. So so really really good. And now you 344 00:36:22,039 --> 00:36:25,400 were saying earlier you've got like twenty originals in this band, is that? 345 00:36:25,840 --> 00:36:29,840 Yeah, at least we have some that we've actually forgot we have and like, 346 00:36:29,880 --> 00:36:30,960 oh, we haven't played this one in a couple of years, nodding 347 00:36:31,360 --> 00:36:35,880 this off and play it again. Yeah, yeah, No, that's that's 348 00:36:35,920 --> 00:36:38,079 great. That's great. Do you do any covers when you play live or 349 00:36:38,119 --> 00:36:42,880 is it strictly originals or yeah, we we probably got one hundred and twenty 350 00:36:42,880 --> 00:36:45,719 five or one hundred and fifty covers in our catalog. Oh my god. 351 00:36:45,760 --> 00:36:49,519 Really, we switch it up as often as we can do. We do 352 00:36:49,559 --> 00:36:52,400 a lot of originals, so we usually do thirty thirty five percent of our 353 00:36:52,679 --> 00:36:57,360 total set list will be original peppered in. Yeah, we usually play fifteen 354 00:36:57,400 --> 00:37:00,559 or twenty of them. Yeah, yeah, and we like like the fact 355 00:37:00,559 --> 00:37:02,679 that the venues that we play at don't tell us not to play, right, 356 00:37:04,079 --> 00:37:07,000 Yeah, we kind of avoid those gigs. Well, I feel like, 357 00:37:07,239 --> 00:37:08,760 you know, with the way that you asked play, you know, 358 00:37:08,800 --> 00:37:12,760 it probably opens up a lot of opportunities as far as it seems like there's 359 00:37:12,800 --> 00:37:15,519 a lot of different types of venues where you can play with a project like 360 00:37:15,559 --> 00:37:19,679 this, especially like non drum friendly venues, right right, yeah, yeah, 361 00:37:19,920 --> 00:37:22,599 exactly. Oh that we did have a cojone player, Mike Freeman, 362 00:37:22,639 --> 00:37:28,119 sat in with us last weekend at the pack He's seventh anniversary, and that 363 00:37:28,199 --> 00:37:30,960 was awesome. I just sent him a set list and some rough recordings of 364 00:37:31,039 --> 00:37:34,840 roughs of all of our originals, you know, just done on an iPhone, 365 00:37:34,880 --> 00:37:36,639 right, just so we have something that we can kind of reference in 366 00:37:36,639 --> 00:37:38,599 case we forget how we did it a year later. Right, And he 367 00:37:38,719 --> 00:37:43,920 killed it. He familiarized himself and laid back until you know, into the 368 00:37:43,960 --> 00:37:45,320 first verse and the chorus kicked in. They kind of found out where you 369 00:37:45,320 --> 00:37:49,559 could fit in on the track, and I think we got a lot more 370 00:37:49,599 --> 00:37:52,239 engagement by virtue of that. So we'll probably have him back on some other 371 00:37:52,280 --> 00:37:54,039 sets. In the future. Well that's cool too, to have something where 372 00:37:54,039 --> 00:37:58,440 you can have someone sit in or not sit in, and you know you 373 00:37:58,480 --> 00:38:00,400 have some flexibility there. Actually now and I think of it, I've forgot 374 00:38:00,400 --> 00:38:02,840 about this, but we kind of did that with Chemical Distance totally. Yeah, 375 00:38:04,000 --> 00:38:07,039 because we had a drummer toward the end. Yeah, Mark Brennan. 376 00:38:07,119 --> 00:38:09,320 Yeah, yeah, he'p in touch with him. I see him on social 377 00:38:09,360 --> 00:38:12,679 media every once in a while. I think he still works at Stony Field 378 00:38:12,719 --> 00:38:15,239 with Desa Kinsel but I'm not sure. Yeah, I know he's in I 379 00:38:15,239 --> 00:38:17,079 see him posting that he's doing other musical stuff. But okay, I not 380 00:38:17,159 --> 00:38:21,679 had a chance to catch him yet. Yeah, great guy and super talented. 381 00:38:21,719 --> 00:38:23,639 I mean those few shows that he did play with us, I thought, 382 00:38:23,639 --> 00:38:27,480 oh yeah, and then well two of the cuts on the album are 383 00:38:27,519 --> 00:38:29,440 so For those of you that don't know, Matt and I were in a 384 00:38:29,480 --> 00:38:34,159 band about fifteen years ago called Chemical Distance with the amazing Auto Kinseler, and 385 00:38:34,320 --> 00:38:37,039 uh yeah, he did five drums on a couple of those. You can 386 00:38:37,119 --> 00:38:40,000 you can actually find that on most platforms. Still the Pain in the Progress 387 00:38:40,119 --> 00:38:44,199 Chemical Distance. Every once in a while. I still play Sign of the 388 00:38:44,239 --> 00:38:45,840 Times on the show. Nice. Yeah, yeah, we gotta we gotta 389 00:38:46,119 --> 00:38:49,199 turn that over so we can do that with this project. That would be 390 00:38:49,239 --> 00:38:52,199 a lot of fun. You should, you absolutely should. Twenty four bars 391 00:38:52,199 --> 00:38:53,880 a heat Yeah, there you go, there you go. Well, you 392 00:38:53,880 --> 00:38:58,559 guys want to play you want to play one more live? Sure? This 393 00:38:58,599 --> 00:39:02,280 is I think this is probably my favorite of our originals. I think probably 394 00:39:02,400 --> 00:39:07,480 Mark two, definitely in the top three. I I kind of channeled this 395 00:39:07,559 --> 00:39:12,880 song. I don't know who this person is. I can I can see 396 00:39:12,880 --> 00:39:15,599 them, I can see where they are. It's not me, but I 397 00:39:15,840 --> 00:39:19,079 very much came through me. I don't even feel like I wrote this song. 398 00:39:19,119 --> 00:39:21,719 I feel like the song has sort of flowed into me from the universe. 399 00:39:21,760 --> 00:39:24,199 I know that sounds kind of hokey, not to Edgar Casey for anybody 400 00:39:24,199 --> 00:39:27,440 out there, but but I really can't. I don't feel like I can 401 00:39:27,440 --> 00:39:30,840 take responsibility for this song, even though it flowed through my hand. Interesting. 402 00:39:30,039 --> 00:39:57,320 This one's called motor Lodge all right, jam tomorrow alive in studio Sometime 403 00:39:57,440 --> 00:40:04,440 sad thing you don't even here. Sometimes I think I don't want you to 404 00:40:04,760 --> 00:40:10,800 hear he Sometimes I think I'm missing your time. But that's the hump time. 405 00:40:12,840 --> 00:40:19,639 I don't miss you so much. Sometimes I find I wish for your 406 00:40:19,760 --> 00:40:24,719 smile. That's sometimes I stand in the rain wayit in a while after. 407 00:40:27,119 --> 00:40:32,639 Sometimes I want to know where you went. That's the hum time I questioned 408 00:40:32,800 --> 00:40:44,039 my intent. It comes to questions every single time, never answers, never 409 00:40:44,199 --> 00:40:50,320 anything she most sublime, And it comes question what do us come you? 410 00:40:50,800 --> 00:40:57,320 What do you beleive? Want? Are you going through? Go in through? 411 00:41:07,679 --> 00:41:15,000 Oftentimes I don't remember the moment and that past. Oftentimes I can't distinguish 412 00:41:15,039 --> 00:41:21,159 the first from the line. Often times I feel I've walked in these foods, 413 00:41:21,159 --> 00:41:27,000 steps be born, and often times I see my handprints on the hunchel. 414 00:41:28,000 --> 00:41:34,559 Ofttimes I find I reach for your hands, but then of times it 415 00:41:34,719 --> 00:41:42,360 disappears again hand. Often times I want to what have been to we? 416 00:41:43,199 --> 00:41:51,880 Oftentimes I question what mahade me? It jumps to questions every single time, 417 00:41:52,559 --> 00:42:00,199 never answers, never anything he busted. Time it comes to questions, do 418 00:42:00,280 --> 00:42:05,719 you ask of you? What do you believe? What are you thinking? 419 00:42:05,840 --> 00:42:30,920 It is true? Thinking it is true? Most times I fear I've lost 420 00:42:30,000 --> 00:42:37,159 myself in the past. Most times I fear I've let the wrong moment laugh 421 00:42:38,000 --> 00:42:45,280 both times it is, it's beginning the me right all and most times I 422 00:42:45,400 --> 00:42:52,519 can't predict my fall. Mooth times, I don't know what whatever wrong. 423 00:42:52,840 --> 00:43:00,559 In most times I can't believe I'm siner. Most times I don't know how 424 00:43:00,719 --> 00:43:07,400 it spelled any and most time sid question once round the bends, round the 425 00:43:07,599 --> 00:43:16,400 bend. It costs question every single time, never answer, Never anything that 426 00:43:16,719 --> 00:43:22,920 most sublime. It cost questions? But did you ask of you until you 427 00:43:23,480 --> 00:43:30,920 believe one of you gone? You done? You don't, you don't, 428 00:43:30,400 --> 00:43:55,920 you don't, you don't. Oh my god, is so good. That 429 00:43:57,079 --> 00:43:59,599 was awesome. That is so good. I think did you guys play that 430 00:43:59,679 --> 00:44:00,719 the last time that you were here? We might have. I tried to 431 00:44:00,760 --> 00:44:04,079 pull up the set list from the last time we were here, but I'm 432 00:44:04,079 --> 00:44:06,960 not sure. Yeah, it's just because it seemed familiar. I seem to 433 00:44:07,000 --> 00:44:09,880 remember. I seem to remember you playing it before and well it is, 434 00:44:10,000 --> 00:44:13,559 yeah, and I seem to recall having the same reaction like, Wow, 435 00:44:13,599 --> 00:44:15,440 what an incredible song. Thank you. That'll probably be the next the next 436 00:44:15,440 --> 00:44:17,440 song that we drop. We've got it recording, we just got to get 437 00:44:17,440 --> 00:44:21,599 it mixed out. Yeah, And I can see why, you know, 438 00:44:21,679 --> 00:44:24,119 you might think you sort of channeled it or however you put it. You 439 00:44:24,119 --> 00:44:27,880 know, it's it's it's otherworldly. It's so good. I can see this 440 00:44:27,920 --> 00:44:31,400 guy sitting on a bed in a motor lodge making some really difficult decisions about 441 00:44:31,400 --> 00:44:36,039 his life. Interestingly, that's why we call it motor lodge. Yeah, 442 00:44:36,119 --> 00:44:37,679 yeah, yeah, no, that is really good if you are just joining 443 00:44:37,719 --> 00:44:40,440 us. Jam Tomorrow is here with us. By the way, our friend 444 00:44:40,480 --> 00:44:44,599 Bruce from Legion of Solace was asking do you guys play all over in New 445 00:44:44,639 --> 00:44:47,519 England or do you stick to New Hampshire. We're open a conversation about anything. 446 00:44:47,599 --> 00:44:51,000 Yeah, for sure. Yeah you can. You can find me on 447 00:44:51,119 --> 00:44:52,880 you can tag us on the Facebook post and the Jam Tomorrow page, or 448 00:44:53,679 --> 00:44:57,880 I can drop a comment in afterwards and shoot you my email address. You 449 00:44:57,880 --> 00:45:01,079 can you just reach me at m HP second Windwater dot com. Yeah, 450 00:45:01,119 --> 00:45:05,400 he's someone who would be really good to connect. You love to talk, 451 00:45:05,639 --> 00:45:08,639 definitely, definitely. Where else should people go online to keep up with everything 452 00:45:08,639 --> 00:45:12,639 that you guys are doing? Gary, what's your website? My website is 453 00:45:12,679 --> 00:45:15,800 just d H g U R S dot com. It's my old like Instagram 454 00:45:15,880 --> 00:45:22,239 name from a mountain Biker. Yeah, but sixth Letter website was a good 455 00:45:22,280 --> 00:45:25,159 thing. That has all my different projects and there's Jam Tomorrow clips and stuff 456 00:45:25,159 --> 00:45:30,119 on there and all our information and you can contact me through there too if 457 00:45:30,119 --> 00:45:31,880 that's easier. We also have a YouTube channel. We've got a couple of 458 00:45:32,000 --> 00:45:36,239 videos up there, but working on populating some more, and you can find 459 00:45:36,320 --> 00:45:40,239 us on Facebook at Jam Tomorrow Dash the band to be confused with Jam Tomorrow 460 00:45:40,239 --> 00:45:45,400 the Lunchbox or Jam Tomorrow the Sleeping Bag, Jam Tomorrow the Flamethrower. The 461 00:45:45,480 --> 00:45:51,519 kids love that one. Yes, yes, babe, Oh tell us again 462 00:45:51,599 --> 00:45:54,000 too. We talked about it last time. But where the name comes from, 463 00:45:54,360 --> 00:45:59,679 so it's a it's a Lewis Carroll reference from through the Looking Glass. 464 00:46:00,119 --> 00:46:05,239 It's sort of a weird word play on the Latin four I am. But 465 00:46:05,320 --> 00:46:08,559 it became in political parlance in the late eighteen hundreds early nineteen hundreds. It 466 00:46:08,559 --> 00:46:15,440 became sort of a mocking statement about unfulfilled political promises. But it also came 467 00:46:15,480 --> 00:46:19,400 down to the fact that when we first started the project, we had a 468 00:46:19,440 --> 00:46:22,119 hard time schedule and rehearsal. So it's like, oh can we jam today, 469 00:46:22,119 --> 00:46:24,360 and now we can jam tomorrow. Though the reference from through the Looking 470 00:46:24,400 --> 00:46:29,840 Glass is actually the Red Queen sitting with Alice, and Alice asks they're having 471 00:46:29,840 --> 00:46:31,039 tea, and Alice asked if they can if you got some jam, and 472 00:46:31,039 --> 00:46:36,159 the Queen says, jam tomorrow, Jam yesterday, but never jam today. 473 00:46:36,360 --> 00:46:37,880 And we make a lot of Lewis Carroll references in our songs. Actually that 474 00:46:38,039 --> 00:46:42,199 feel like the end of the Red Queen's Race from falling into place, the 475 00:46:42,239 --> 00:46:44,920 Red Queen had to run as fast as you possibly could just stay in one 476 00:46:44,960 --> 00:46:46,639 place. Do you think you might actually remember a song about the same topic 477 00:46:46,639 --> 00:46:52,639 from back in Chemical Distances Red Queen's Race. So I tell everybody that was 478 00:46:52,679 --> 00:46:57,119 our hit. That was our hit. Yeah, so yeah, I definitely 479 00:46:57,199 --> 00:47:00,000 recycle that concept. It's a I think it's a potent metaphor for life. 480 00:47:00,039 --> 00:47:00,800 A lot of the time, just having to run as fast as you can 481 00:47:00,840 --> 00:47:04,559 to not get anywhere. Yeah, yeah, absolutely. There was a lot 482 00:47:04,559 --> 00:47:07,599 of when we wereverse getting together, the phone calls back with you and you 483 00:47:07,599 --> 00:47:10,840 want to jam tomorrow. So I think saying that enough, you know what? 484 00:47:12,079 --> 00:47:15,159 Oh yeah, yeah, no doubt, no doubt. Well, guys, 485 00:47:15,159 --> 00:47:17,679 this has been wonderful. I really I love what you're doing. I 486 00:47:17,719 --> 00:47:21,159 love the project. Like I said, I love these new studio tracks. 487 00:47:21,159 --> 00:47:23,800 I love hearing you live just really great anything this weekend? Do you play 488 00:47:23,840 --> 00:47:28,039 anywhere this weekend or next weekend? Our listeners should know about city limits in 489 00:47:28,039 --> 00:47:32,119 Pembroke nine six to nine, there'll be us. There'll be a bunch of 490 00:47:32,119 --> 00:47:37,800 different local New Hampshire musicians coming by playing a few songs. So it'll it's 491 00:47:37,880 --> 00:47:40,199 kind of I call it Gary's musical gathering. So it's a bunch of different 492 00:47:40,199 --> 00:47:45,079 my friends from different bands and just music friends I have are gonna come by 493 00:47:45,199 --> 00:47:47,000 play a couple of songs outstanding, So yeah, it should be fun. 494 00:47:47,159 --> 00:47:52,119 Outstanding and say hi to Rob's new spot. Yeah yeah, congratulations to Rob 495 00:47:52,159 --> 00:47:54,760 as a Vito on that. That's amazing. Thank you so much for having 496 00:47:54,800 --> 00:47:58,280 us. Oh yes, oh absolutely, thank you guys. This has been 497 00:47:58,360 --> 00:48:02,800 this has been wonderful. So we'll finish off with this studio track, beautiful 498 00:48:02,800 --> 00:48:06,639 Loser. What should we know about this? So Mark and I went to 499 00:48:06,639 --> 00:48:13,880 see Chris Tila, mandolinist for Nickel Creek. Okay, Fulbright Scholar Award winner, 500 00:48:14,000 --> 00:48:17,840 just an amazing singer, songwriter, musician, performer, all around super 501 00:48:17,840 --> 00:48:22,480 impressive guy. Walked up. He had two mics, one for his instrument 502 00:48:22,519 --> 00:48:23,239 and one for him, and that was the whole thing. He didn't change 503 00:48:23,280 --> 00:48:27,119 this from his whole set. Yeah, it was a great show. I'd 504 00:48:27,119 --> 00:48:30,199 never heard of him, but then I realized I knew him from Goat Rodeo 505 00:48:30,559 --> 00:48:34,920 and he plays with that crew Yo yo maa Edgar Meyer, and so I 506 00:48:34,920 --> 00:48:37,320 actually did know some of his material. But he did a couple of Leonard 507 00:48:37,360 --> 00:48:42,000 Cohen songs and a lot of bluegrass as well, and somehow that just turned 508 00:48:42,000 --> 00:48:45,760 into me deciding to do a tribute to Leonard Cohen in bluegrass style. Okay, 509 00:48:46,000 --> 00:48:50,320 so that's the cut. Gary's actually playing a really cool seven foot tall 510 00:48:50,360 --> 00:48:54,719 double bass. Recorded this at the same Boardhouse studios. Pete is amazing and 511 00:48:55,000 --> 00:49:00,000 he made us sound really good. So yeah, so it's a bluegrass song, 512 00:49:00,079 --> 00:49:02,039 sort of a departure for us. Yeah yeah, all right, very 513 00:49:02,079 --> 00:49:07,840 good jam tomorrow. Thank you guys again so much. And here it is. 514 00:49:07,039 --> 00:49:31,440 This track is called Beautiful Loser, a b hold in the fabric of 515 00:49:31,519 --> 00:49:37,039 space and time. Like I needed a dollar and I had a dime. 516 00:49:38,400 --> 00:49:45,360 A ben to both ends of the missis Hippi from the Minnesota Highlands to the 517 00:49:45,400 --> 00:49:52,039 New Orleans Ocean, she grips me. And I don't know what happened to 518 00:49:52,079 --> 00:50:00,119 me. Tweet feeling live, living free, keep walking towards where I think 519 00:50:00,280 --> 00:50:13,880 I might be. God is alive and magic is afoot. Some things just 520 00:50:14,079 --> 00:50:22,679 won't stay aware that, but reinvention tainted by previous intention won't save us from 521 00:50:22,719 --> 00:50:30,280 those things We just can't mention. And I don't know what happened to me. 522 00:50:30,840 --> 00:50:38,280 Dream feel alive and live and free, Keep walking towards where I think 523 00:50:38,360 --> 00:51:07,920 I might be. Yeah to the bridge, And I don't know what happened 524 00:51:07,119 --> 00:51:15,400 to me. Dream feeling live, living free, keep walking to hoods where 525 00:51:15,440 --> 00:51:25,360 I think I might be. Every time we pull back the curtain, we'd 526 00:51:25,360 --> 00:51:31,360 find another curtain. But my mind is lee read and my back is hurting. 527 00:51:32,800 --> 00:51:38,039 The only thing I've ever known for the hurcheon is behind every curtain, 528 00:51:38,280 --> 00:51:45,519 there's another curtain and another cursion. And I don't know what happened to me. 529 00:51:47,079 --> 00:51:53,679 Dream feeling alive and live and free. Keep walking to woods where I 530 00:51:54,159 --> 00:52:07,440 think I might be. And I don't know what happened to me. Tweam 531 00:52:07,559 --> 00:52:14,760 feeling life and live and free, keep walking to hoard where I think I 532 00:52:14,880 --> 00:52:28,400 might be and I I don't know what happened to me tween feeling live and 533 00:52:28,599 --> 00:52:34,159 live and free, keep walking too, where I think I might be, 534 00:52:34,320 --> 00:52:53,039 Where I think I might be. Memories of golden days don't tarnish with age. 535 00:52:53,119 --> 00:52:59,920 We reinvent them every time they take the stage, remembering as the biting 536 00:53:00,159 --> 00:53:07,119 through the everyday waves, pretending that we're heading for the golden tables. Six 537 00:53:07,199 --> 00:53:10,760 am and I hear the alarm. I have no intention to mention. Just 538 00:53:12,079 --> 00:53:17,360 keep me from arms another day. Pay for pounding for street early hour. 539 00:53:17,559 --> 00:53:22,719 Hit the shower, puts her shoes on my feet, him repeat on the 540 00:53:23,000 --> 00:53:30,360 M three as I merged just a million other cars of me at two place, 541 00:53:30,440 --> 00:53:35,800 again and again. He's a thinker. Hit the flicker on the offer 542 00:53:36,199 --> 00:53:42,159 been Main Street, looking under head down, wondering how they held it. 543 00:53:42,320 --> 00:53:47,960 I am here in this town. Where is the bridge to yesterday? I'm 544 00:53:49,000 --> 00:53:54,360 looking for tomorrow in a yesterday wave. The memories of golden days don't tarnish 545 00:53:54,400 --> 00:54:00,360 with things. We reinvent them every time they take the stage, remembering as 546 00:54:00,360 --> 00:54:07,360 we're fighting through the everyday ways, pretending that we're heading for the golden days. 547 00:54:07,800 --> 00:54:12,800 On the car, drop a corder in two my last few moments of 548 00:54:12,960 --> 00:54:17,880 freedom. Moly append a post the clock, because what else can I do? 549 00:54:19,519 --> 00:54:57,119 Happen, days, happen lifetime, not to make it improval. H 550 00:55:00,199 --> 00:55:06,679 pumping out as a keeping creeps around the corner of another day. I just 551 00:55:06,840 --> 00:55:12,920 can't keep The people I meet seem to see through me, only thinking of 552 00:55:13,079 --> 00:55:17,760 the places they would run with me. It's like they run the Red Queen's 553 00:55:17,920 --> 00:55:24,159 Race, Baster and Maaster just to stay in one place. I drive home 554 00:55:24,400 --> 00:55:30,639 Land it's over, but then although they have to do it all over again. 555 00:55:30,679 --> 00:55:37,159 Memories of golden days are tarnish with age. We reinvent them every time 556 00:55:37,280 --> 00:55:43,920 they take the stage, pretending that we're heading for the golden days. Six 557 00:55:44,039 --> 00:55:57,960 am, man I hear the alarm. Do not pay some oya nuts all 558 00:55:58,039 --> 00:56:04,960 right for little words? Hope your willing. I mentioned to go to extra 559 00:56:05,079 --> 00:56:08,280 mile slow privacies against the sitting then and now speaking the pripons up. Been 560 00:56:08,440 --> 00:56:13,119 working on my punts and night what I'm until the morning by the icons. 561 00:56:13,199 --> 00:56:16,599 My mom raises Soosha with a posher trying to cross the line like we playing 562 00:56:16,800 --> 00:56:22,480 Rover show. Sof on back coming for number one with a trip that'll probably 563 00:56:22,559 --> 00:56:25,119 leave your finding numb and the problems going up like the price of gas. 564 00:56:25,440 --> 00:56:28,880 We're just looking for some change. What's the price of that? Right? 565 00:56:29,039 --> 00:56:31,199 Fourth quarter? Good thing that are like the past? Here the bell and 566 00:56:31,280 --> 00:56:35,519 I check them in. My ninety half has the second pass, hoping that 567 00:56:35,639 --> 00:56:37,960 I make it back walking in hit him past that to show the city dash 568 00:56:38,079 --> 00:56:42,679 trying and we're filling your shoulders against who really rapped? Told the world give 569 00:56:42,719 --> 00:56:54,920 me space that I closed the gap. Y'all think I'm playing scrimming rovers game 570 00:56:55,039 --> 00:56:59,000 time. I'm ready sat They try to hang from bus and told me to 571 00:56:59,079 --> 00:57:01,800 break a back poople. Really press five when you hawk the l breath when 572 00:57:01,840 --> 00:57:06,320 you walking on the line. Gotta watch a step and every breath through the 573 00:57:06,400 --> 00:57:08,599 pain. See the game how they tell me watch the thrown when the seat 574 00:57:08,719 --> 00:57:12,639 was staying down. Need a bang, won it down? Not too fast. 575 00:57:12,800 --> 00:57:15,880 I found myself beside that moment when the time passed. They left me 576 00:57:15,960 --> 00:57:17,920 still like I better win my wine glass. This type of vision, you 577 00:57:19,000 --> 00:57:21,719 gonna probably need it. I'm master, I know what's coming. We get 578 00:57:21,800 --> 00:57:23,960 caught up in the top left and send the ball when we all reach the 579 00:57:24,039 --> 00:57:28,880 comcasts. Now ready, you're better than it has ever been. Benjamin's in 580 00:57:29,039 --> 00:57:34,199 depth presidents in my residence, the relevance, hoping that the Reverend flow sick. 581 00:57:34,480 --> 00:57:37,679 Really this is my men of sin, Heaven said, even though that 582 00:57:37,800 --> 00:57:40,679 I never been, keep throwing, even though that I'll never run, keep 583 00:57:40,760 --> 00:57:45,320 showing, because I know that they'll never spends. Lord die for my sins. 584 00:57:45,360 --> 00:57:47,679 But I'm working on him, treating all my problems like the leasing on 585 00:57:47,800 --> 00:57:52,000 him. Next thing is the win. Now the money firing, bring no 586 00:57:52,239 --> 00:57:54,280 cold is the winner. But I'm springing on him. We adapt like a 587 00:57:54,400 --> 00:58:37,159 winner when it comes to proms. Stop the SUP spots the SUP sposh the 588 00:58:42,760 --> 00:59:39,000 SUP. But stop the SUP spot to suspect, to sustat to sat spot, 589 00:59:44,480 --> 00:59:54,400 to the staff too