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And now Audio Theater Central. Hello, and welcome to Audio Theater Central.

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This is the show that explores family
friendly audio drama through news, reviews and

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interviews. I'm your host, JD. Setter, and this is episode one

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hundred and ninety nine. Well,
I've got my cup of coffee here and

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I've got a bunch of audio drama
goodness to get to and so I'm excited

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to bring this episode to you where
we'll be reviewing Robin Hood Rising to Honor

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season one from LRT Media and Eternal
Future Productions. I've got a few really

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exciting audio drama updates coming up,
as well as a monologue where I'm going

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to share some thoughts on micro audio
drama. But before we get into that,

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a couple of quick announcements. This
is your last chance to send in

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a voicemail for episode two hundred.
I would love to have you involved in

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this episode, because you know this
show is for you, the listener.

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It's going to be an amazing episode
with guests from all over the industry,

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including composers, directors, actors,
and it's going to be a lot of

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fun and I would love to have
you involved as well. So head over

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to the contact page on our website
and our phone number is there for the

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feedback line, or you can use
one of the widgets there to send in

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a message. Again, would love
to have you involved in this milestone episode.

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And the last quick announcement is that
I'm still seeing stats from Google Podcasts

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that there are some of you still
listening on that app, and as I

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announced a few episodes back, it
will be shutting down. Google is closing

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that app, so you'll want to
switch before it just stops working completely,

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which is going to be very very
soon. So the one I use personally

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is called pocket Casts and it is
a great app, very feature rich,

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and I highly recommend it. But
in the show notes, it's a link

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to a list of options for listening
to podcasts on Android if if you want

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to check out what's available out there, So be sure to switch from Google

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Podcasts as soon as possible. We
interrupt this program to bring you a special

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report and in other news tonight,
a brief look at the headlines. Now

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they want exciting, fast piece news
that's relevant and entertaining like this. Well,

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just a reminder that if you have
any news about upcoming productions or anything

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related to the family friendly audio drama
industry. You can send those to us

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so we can get them here in
the updates segment. Head over to PFM

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dot link slash ATC news and fill
out that form, or as always,

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there is a link right on the
homepage of our website and Audiotheatercentral dot com.

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Well, first up is a really
really exciting bit of news, and

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that is that mac Meet's History,
which originally launched several years ago with just

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two episodes, is coming back.
I've got an exclusive sneak peek on the

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relaunch of this show. It's going
to have a new format and this is

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really really exciting. So I got
some updates here from John Fornoff and Mark

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Rashie, and so we're gonna share
a little bit about what's coming in this

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reboot of Macamet's History. So John
Campbell composed the music for this new version

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of the show. Oscar Corral did
the sound design. Brad Abrel is the

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announcer for this show, and John
Fornoff directed and produced, and he's also

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writing as well as Robert Lipparulo.
So they're writing this new series. And

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John said he had a really great
cast to work with, and so I've

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been really excited to tell you about
what's going on here. This new version

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of the show will be out very
soon. Mark said that they're essentially doing

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the same release schedule as Jonathan Park. So these episodes will be hitting their

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unlimited streaming service that they have,
So one sixty minute part will be released

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per month, and then it will
be released on CD and digital downloads sometime

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around July of this year, twenty
twenty four. So what's this first show,

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Well, it's called Voyage of the
Sea Dragon, and the summary is

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caught in a fierce storm in the
North Atlantic Ocean, Mac Merkel and his

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crew try to ride it out.
They're aboard a replica of the Viking canar

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that Leif Erickson used to sail from
Norway to Vinland, becoming the first European

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to step foot on North America five
hundred years before Columbus. It's the first

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mission on Mac's quest to authentically reenact
the adventures and discoveries of the heroes who

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built the United States and show how
God encouraged and guided them Along the way.

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Mack learns about the seemingly insurmountable challenges
these heroes faced, how the times

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in which they lived, shaped who
they were and the goals they strived to

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accomplish, and their dependence on their
sovereign and loving Creator. To succeed,

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Mac must also grow as a person
and deepen his faith in ways he never

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imagined. Come with him on this
first adventure on the high seas. Meet

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Leif Erickson as he encounters dangers lurking
beyond every wave and finds salvation in Christ

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through the unlikeliest of people. Welcome
aboard the Sea Dragon, where survival depends

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on skill and stamina, faith and
friendship, and the ability to outwit a

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saboteur determines to stop Mac's quest at
any cost. Wow, this sounds amazing.

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And speaking of sounding amazing, I've
got an exclusive little promo here that

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I can't wait to share with you. So give a listen to this.

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Doctor Miles Merkell, compassionate, wealthy
entrepreneur, his son Mac, intelligent,

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enthusiastic adventurer. Together, father and
son plan to recreate the adventurers that define

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the United States. To experience what
it was like when Leif Ericksson discovered America.

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Hold that Man, when Lewis and
Clark explored the uncharted, Why when

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Charles Lindbergh flew solo across the Atlantic. After doctor Merkle is killed in a

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car accident, it's up to Mac
to continue the quest. Driven by his

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faith in God and love for his
dad, mack leads a world class team

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to experience the thrill of discovery,
history and adventure. Along the way,

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Mac encounters in unexpected evil resolved to
stop him, but this may expact more

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determined than ever. You'll never know
what adventures await when Mac meets History or

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oh, my goodness, that sounds
absolutely amazing. I'm really excited for this.

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So as you heard in that little
teaser, some of the upcoming points

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in history that they'll be covering,
our Christopher Columbus historic journey from Europe to

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the American continent, Lewis and Clark's
expedition through America's wild and more so,

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lots of cool stuff coming up from
Mac meets History. So you might be

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asking, well, where can we
find this, And the answer is they're

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still working out some branding nuances,
Mark says, but the site should be

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up soon, so we will let
you know as soon as that is out,

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and most likely in June or July, that website will be ready,

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and then the entire leaf Ericson's series
will be coming available sometime this summer,

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and so lots to look forward to
there. This sounds like it's going to

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be an absolutely amazing series, and
I'm so glad to hear that they're bringing

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back this concept because I think it's
a really, really fun one and so

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really excited about this project. So
let me know what you think about this

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show. Are you looking forward to
this new reboot of Macameat's history, Love

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to hear from you. Well.
Speaking of upcoming audio drama, Greenhorn Tales

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season two is in the works,
and I recently sat down with writers Christopher

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Green and Michael Schrader and we recorded
a little update for Greenhorn Tales and we

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shared a little bit about what's coming
up, shared some titles and some synopsies

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of some upcoming episodes. So link
is in the show notes if you want

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to check out that short update.
We're excited about what's coming in this season

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and we would love for you to
check that out if you haven't listened to

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Greenhorn Tales yet. There are twelve
episodes out there. There's a pilot episode,

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ten season one episodes, and a
Christmas Special all available at Greenhorntales dot

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com and we recently redesigned the website
made it easier to find the episodes,

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So if you haven't checked that out
yet, would love for you to go

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give that a listen and let us
know what you think of that show.

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And our final bit of news is
from Witnesses Now. We just recently released

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our review of the last album from
them, called The Lamb and now Tracy

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Vandolder is working on another collection of
episodes called The Inner Circle. The tagline

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for this new album is Encounter Jesus
through the eyes of his closest followers.

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So this was originally announced in January, but the first episode just recently dropped.

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So the summary for this new album
is Join the the Inner Circle of

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twelve men from all walks of life
and their controversial rabbi and see familiar stories

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from the life of Christ through the
eyes of the disciples. He chose warm

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yourself by the fire while Jesus recounts
his time of testing in the desert.

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Stand on the shore with Simon Peter
as he fishes at Jesus command. Mourn

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with the eleven as they come to
terms with their teacher's death and more in

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this brand new album from Witnesses.
So, as I said, episode one

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of this album, called eight Days, has just released. It is nineteen

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minutes and a summary for this episode
is in the dark days following Jesus' death,

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the disciples fight their doubts and each
other as they come to terms with

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what happened to their rabbi. But
Thomas is left especially confused when, after

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his brief absence from the house where
they are staying, the others claim to

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have seen Jesus. Is it true
or just a cruel joke? And if

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Jesus really is alive, why did
he not appear to Thomas as well?

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So great content from Witnesses. I'm
not exactly sure at this point how many

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episodes will be in this new collection, but again it's called the Inner Circle

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and the first episode, eight Days, is out now. You can stream

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it at the website Witnesses audio dot
com and of course there is a link

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in the show notes testing one,
two, three testing. That was just

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me talking. I do that a
lot. Where's my speech? Now?

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Long you've been to bar up with
it? That's what I want to talk

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about. So here's what I've been
thinking about micro audio drama. What is

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micro audio drama? You ask,
Well, micro audio drama is an audio

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drama that is five minutes long.
You say, five minutes. How can

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you tell a story in five minutes? Well, it can be a little

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bit tough, but it is definitely
possible. So why have I been thinking

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about this? Well, before we
get into all of that, let's go

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ahead and define things a little bit
further. If you've been around ATC for

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any length of time and you know
about the Seneca Awards, you know that

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we have had a short form audio
drama category in a long form audio drama

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category, and from the very beginning
we defined that as forty five minutes and

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up is long form. Anything below
that is short form. So we had

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to sort of decide where that line
was because we knew it wasn't fair to

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compare a single episode of a show
to a feature length production, and so

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we needed to be able to recognize
both formats, and so that's sort of

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the line where we landed. And
so you may have seen sometimes when Odyssey

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would release a multi parter that's a
self contained story, it's just across multiple

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episodes, and so those were considered
together if it was a two or a

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three parter, those were considered together
as a long form audio drama. A

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little behind the scenes there, But
in recent months I've been thinking a lot

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about short form and what is possible
with that, and so in conversations with

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members of the Audio Drama Alliance and
in particular Christopher Green, we've sort of

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defined terms a little bit more.
And so he wrote, he wrote up

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a post and I said, hey, if you're okay with it, I

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would like to share this on ATC
because I'm going to be talking about micro

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audio drama. And so he consented, and so here's how he broke it

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down. So he says, zero
to five minutes is micro audio drama,

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five to fifteen minutes is short form, fifteen to forty five is mid length

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or average, and forty five minutes
plus is long form. Now, again,

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this is breaking it down even further
from what I was what had said

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earlier about the Seneca Awards, and
so I would still consider anything under forty

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five minutes to be short form,
but then you have these multiple levels of

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short form, I guess. But
he said, the ideal audiences, as

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he sees it is for micro that
would be like a brand new listener.

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They've never heard of audio drama and
this is a good sort of starting place

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for them. So for the short
form, which he has has five to

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fifteen minutes, he says, the
audience for that would be like the busy

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mainstream audience, somebody who may have
grown up with Adventures in Odyssey only and

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mostly listens on their commute. Mid
level is mainstream audio drama fans who mostly

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only listen to Adventures of Odyssey.
That's the fifteen to forty five minute range.

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And then for the long form,
he says those would be like the

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hardcore fans. Their main form of
entertainment is audio drama, and they actually

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sit down and listen to audio drama
on a regular basis. And these are

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the kind of people who are listening
to Audio Theater Central, who know the

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names of the actors and all of
that kind of stuff. So it's an

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interesting breakdown in terms of the audiences
there. I think that's mostly correct.

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So what are some examples of these
different levels? So with long form,

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of course, you have things like
Lamplader Theater, The Extraordinary Adventures of g

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A hint focus on the Family Radio
theater, all of those long feature length

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type of productions. For the mid
length, of course, the most recognizable

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brand would be Adventures in Odyssey,
but there's also things like base Camp Adventures

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and Discovery Mountain. All of those
shows are targeting that thirty minute range.

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Of course, there are many others
Your Story Hour and all of these others

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that have that thirty minute episodic sort
of format. The shorter form stuff would

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be things perhaps like Pirateers and others
that are sort of that in between range,

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and I would also include Greenhorn Tales
in that because the majority of episodes

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are between five and ten minutes.
Now that we've defined all of these terms,

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let's go back to micro audio drama. Now, again, these are

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productions that are entirely self contained in
five minutes. So why have I been

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thinking about this? Well, this
area of short form audio drama has been

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interesting to me for years now.
In fact, Greenhorn Tales was created specifically

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for this sort of space, to
try to test what could be done in

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short form. The original goal of
that show was to be under ten minutes

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every single episode. Now, we
did have a couple that went a little

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bit over, and that was okay. We knew that the pilot episode was

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going to be longer, but the
regular season episodes we aimed for five to

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ten minutes. And the reason for
that was because I had done some research

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into what was the general average length
of a YouTube video at that time.

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Now things have changed since then,
but back then the average was somewhere around

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ten minutes, and that was the
duration that was most successful and would keep

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people's attention. And so I wanted
to see if we can make something in

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the audio drama world that would appeal
to the attention span of the for lack

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of a better term, the YouTube
generation, and I wanted to make a

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short audio drama that you could just
jump in at any point. You didn't

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have to be following a long story
arc. You could just hop in on

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episode six and not need to have
any context for what had happened prior,

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and you could still have an enjoyable
experience in under ten minutes. And so

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that was one of the main goals
with that show. Now I think we

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were successful with that. I think
each one of the episodes definitely stands alone.

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Now, as you get later in
the season, there might be little

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references that if you had heard the
prior episodes, will have a little bit

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more context, but it's not required, and I think they definitely stand on

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their own as just fun short stories. And so, of course, that

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was years and years ago when we
first started developing that show, and then

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in more recent years, I started
experimenting with just doing some of my own

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little personal projects starting I think it's
been over a year ago now, if

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I remember correctly, when I first
started playing around with his idea, and

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it was sort of spawned by a
book called The Art of Brevity by Grant

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Faulkner, and I heard about this
on a podcast for writers, and so

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I was interested in this idea of
short fiction, and in in writing it's

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called flash fiction, and there's this
thing called one hundred word stories, and

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these are very very short, obviously, and you can tell an entire story

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in a very very short space.
So I begin to think about how we

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could explore even shorter than Greenhorn tails
in audio and targeting that under five minutes.

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And so as I started playing around
with us ideas, I've been posting

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things on my own website, and
then I had an idea for something for

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the Audio Drama Alliance members as a
way to help the group to hone their

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skills and challenge themselves to make some
cool audio. And so that had been

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rolling around in my mind for a
while. And then right around that same

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time, Craig Hart from LRT Media
produced a very short audio drama and it

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was an experimental piece and it's for
a range that he's calling Nuggets, and

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it was an entire audio drama without
any dialogue, and it was so interesting.

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And I've always been intrigued by the
idea of pushing the boundaries of what

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you can do with audio, different
methods of telling a story through audio,

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and so when he posted that,
it really really got me going again about

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this idea of short form because it
was such an interesting idea and I think

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it was a successful one. Now
you can hear that audio drama. It

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is linked in the show notes if
you want to check that out, and

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I recommend you do. If you're
a big fan of audio drama and different

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ways of telling a story with the
audio medium, then you should check it

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out. So all of these different
things that I've been talking about sort of

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converged at that point and I said, Okay, we're going to start this

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challenge. And so it's the ADA
Member Audio challenge, and the members are

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given a prompt and they have to
create an entire audio production that is under

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five minutes based around that prompt.
And so some really interesting cool things have

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come out of that. Now,
again, why why am I so intrigued

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by this micro audio drama format?
And it's because I am a big proponent

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of the idea that certain constraints or
restraints or parameters, or however you want

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to phrase it around creative projects can
force you to be more creative and push

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you outside of what is normally expected
and you can make some really interesting things.

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Orson Wells, who has been referenced
numerous times on this podcast over the

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years as a big fan of old
time radio. He is an actor that

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I have listened to a lot in
my lifetime, and he had a line

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that he said at one point,
he said, the enemy of art is

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the absence of limitations. And so
this is one of the concepts that has

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spurred this idea of a five minute
audio drama. And Eric Schmidt, the

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former CEO of Google said, creativity
loves constraints. So again, all of

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these sort of things have been spinning
around in my mind for a while,

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and as I begin to experiment with
short audio myself. I thought, well,

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let's try to spread this out a
little bit more, get more people

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involved, because I think this is
going to be beneficial to creatives and to

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the fan community because it's more content
for them. Right. So I've just

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been really intrigued by this. And
another reason is because short form allows for

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more experimental storytelling approaches. As I
mentioned with craig'spiece, an entire story told

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with no dialogue. You would think
that that's not possible in audio, but

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it is. And if we compare
this short form audio with short form writing

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again, another podcast that I was
listening to called Writing Excuses, was talking

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about short stories and novelettes and novellas
versus novels, the differences in those approaches

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to writing. They're different disciplines.
The structure of the story looks different in

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these various ways of writing a story, and the same is true for audio

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drama. The way you would write
a feature length script is different from what

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the way you would write a script
for a micro audio drama. And so

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because it's only five minutes, you
can experiment a little bit more. You

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can do interesting things like having a
story with no dialogue. I don't think

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somebody's gonna sit for ninety minutes listen
to an audio drama without dialogue. Somebody

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might not be willing to sit down
for a feature length production and listen to

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something that's very different from what they're
used to. But five minutes, okay,

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three minutes, sure, I can
do that. I'll check that out.

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The other thing is, as Christopher
pointed out, this is a good

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on ramp for people who are unfamiliar
with audio drama. Right. This is

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one of the goals of Audio Theater
Central, expand the listener base, let

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more people know about great audio drama. Well, what better way to introduce

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them to this medium than to share
a free five minute audio drama with them.

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It's much easier to get somebody to
commit to three or five minutes than

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it is for ninety minutes. And
generally speaking, most of the mid range

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to feature link stuff you're gonna have
to pay for anyway, at least the

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00:24:37,279 --> 00:24:45,240
good ones. And so to be
able to share a good five minute audio

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drama that somebody can listen to for
free, I think it's a fantastic way

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to introduce more people. The other
thing is it sort of acts as a

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modern business card or poster for producers, even if they have audio dramas that

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00:25:00,400 --> 00:25:06,200
are paid projects, and they can
release teasers and things for that, but

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00:25:06,359 --> 00:25:11,319
to actually post short form stuff that
people can listen to for free and have

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00:25:11,359 --> 00:25:15,400
a self contained story and not just
a little tease for something that they then

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00:25:15,480 --> 00:25:19,799
have to pay for. I think
that's a great idea to market what you

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00:25:19,839 --> 00:25:26,599
are capable of as a producer and
the level of quality that people can expect

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00:25:26,680 --> 00:25:30,119
from your paid for projects. Now, I know that I've been primarily speaking

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00:25:30,160 --> 00:25:36,079
to people who are making audio drama, but this does apply to listeners as

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00:25:36,119 --> 00:25:41,400
well. And so to give you
an example of what can be accomplished with

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00:25:41,000 --> 00:25:47,160
just five minutes, I want to
share with you a short that was produced

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00:25:47,200 --> 00:25:53,039
by Alicia Hansen of Eternal Future Productions
for the recent audio challenge in the Audio

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00:25:53,079 --> 00:26:00,480
Drama Alliance Group. Now, it's
called the Eyes of Spring, and I'm

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00:26:00,480 --> 00:26:03,599
gonna warn you up front that you're
gonna want to have some tissues ready.

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00:26:03,720 --> 00:26:10,599
Now, this might not be audio
drama in the strictest sense, because it

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00:26:10,680 --> 00:26:15,400
is again a short form medium where
you can experiment a little bit. And

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00:26:15,480 --> 00:26:19,440
so I asked Alicia if she would
mind if I shared her piece, because

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00:26:19,440 --> 00:26:23,440
I think it's a great example of
what you can do with just a couple

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00:26:23,440 --> 00:26:29,359
of minutes. You can tell an
entire story, and you can still move

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00:26:29,480 --> 00:26:33,920
people with just five minutes. So
give a listen to this. It's called

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00:26:33,480 --> 00:26:41,079
the Eyes of Spring. Hi Rose, my name is Spring, spring Walker.

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00:26:45,279 --> 00:26:49,200
My goodness, if you could see
how beautiful it is today. I've

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00:26:49,240 --> 00:26:56,599
always loved the spring, so did
my mother. When she found out she

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was pregnant with me, she was
overjoyed. You see, she thought she

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00:27:03,480 --> 00:27:07,039
couldn't have any children, but if
she ever did, she knew it would

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00:27:07,039 --> 00:27:11,799
be a girl, and then I'd
be born in spring. And she was

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00:27:11,960 --> 00:27:17,720
right. I was her only one, but she told me that's all she

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00:27:17,759 --> 00:27:25,319
ever needed. Look, I know
I shouldn't be here. You don't even

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00:27:25,359 --> 00:27:29,279
know me, but I'm here to
tell you that, even though we never

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00:27:29,319 --> 00:27:34,640
met a day in your life,
you have changed my life because I was

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00:27:34,680 --> 00:27:44,160
the one who took yours. Oh
this is so hard, I don't even

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00:27:44,200 --> 00:27:49,799
know how to explain, but I'll
try. About four years ago I married

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00:27:49,839 --> 00:27:55,359
the man of my dreams, my
best friend, and we got pregnant with

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00:27:55,400 --> 00:28:00,400
a girl of her own. You
can imagine my excitement having when is the

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00:28:00,480 --> 00:28:03,880
joy my mother experienced growing up with
me. I knew, without a shadow

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00:28:03,920 --> 00:28:07,559
of a doubt, what I wanted
to be. I wanted to be a

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mother. The pregnancy went as well
as it could. Of course, I

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00:28:14,640 --> 00:28:18,400
was tired and felt sick for most
of it, it seemed, but none

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00:28:18,440 --> 00:28:22,799
of that mattered. I just couldn't
wait to meet her. But one day

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I made a terrible decision that made
all that change. I was driving home.

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I wasn't feeling too well, but
I felt her kick and my heart

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00:28:33,440 --> 00:28:38,319
leapt and with this happiness I couldn't
contain. I pulled out my phone and

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00:28:38,359 --> 00:28:41,319
started to text my husband to tell
him. Oh, I had to tell

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00:28:41,400 --> 00:28:47,880
him, even when I heard a
voice say wait, just wait, but

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00:28:47,960 --> 00:28:55,680
I ignored it. It was a
decision that would change everything. Not more

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00:28:55,720 --> 00:28:59,839
than a couple seconds later, I
hear this horn and it terrified me.

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00:29:00,079 --> 00:29:04,279
It was so loud. I looked
up only in time to see a car

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00:29:04,319 --> 00:29:08,359
heading right towards me, and without
even thinking, I jerked the wheel.

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A second later, I hit a
tree and everything went black. I woke

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00:29:15,640 --> 00:29:22,119
up in a hospital. Everything hurt
so bad I could barely move, but

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00:29:22,160 --> 00:29:26,039
that didn't matter. The first thought
that came to me was her. I

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00:29:26,079 --> 00:29:30,759
felt my stomach. Every inch I
moved, my fingers hurt so much.

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00:29:30,839 --> 00:29:36,200
I cried out. But I had
to feel her. I needed to know

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00:29:36,319 --> 00:29:42,880
she was safe. But I felt
nothing. The doctor told me she was

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00:29:42,920 --> 00:29:48,279
gone, that the accident had caused
me to go into premature labor and there

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00:29:48,279 --> 00:29:57,519
were complications. My daughter was gone
and it was my fault. I've gone

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00:29:57,559 --> 00:30:03,039
through some very dark days, days
where I could barely get out of bed.

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00:30:03,799 --> 00:30:10,359
I keep having this dream where I
relive the accident. It's horrible,

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00:30:10,440 --> 00:30:17,200
I know, except it's different.
After I black out, I'm not in

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00:30:17,240 --> 00:30:22,039
the hospital. No. Instead,
I see this man in white linen.

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00:30:22,440 --> 00:30:26,519
He doesn't look like he's from here, and I think he's going to be

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00:30:26,599 --> 00:30:33,920
angry with me. But he's so
gentle, compassionate. Even he gives me

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00:30:33,960 --> 00:30:38,440
the strength to stand up each time
I take his hand, and he keeps

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00:30:38,480 --> 00:30:44,319
telling me to follow him. He's
the one who gives me strength to speak

355
00:30:44,359 --> 00:30:48,680
to you today. Rose. I
wish more than anything I could have met

356
00:30:48,720 --> 00:30:59,359
you. Why didn't I wait?
Why didn't I listen? I'm so sorry,

357
00:30:59,400 --> 00:31:22,480
baby, I can have done better. Wake up Spring, wake up,

358
00:31:26,160 --> 00:31:37,640
it's you rise and follow me.
Wow, it's so good, so

359
00:31:37,799 --> 00:31:44,039
good. That's just an example of
what you can do in four minutes and

360
00:31:44,119 --> 00:31:49,720
fifty nine seconds. It's powerful.
You can tell an entire story, and

361
00:31:51,519 --> 00:31:56,240
notice how it starts off. We
have some ambient sound effects there to help

362
00:31:56,279 --> 00:32:00,400
set the scene, and then as
things progress and the music comes in,

363
00:32:01,119 --> 00:32:07,880
those sound effects fade out and we
can focus on the vocal performance. And

364
00:32:07,960 --> 00:32:15,039
what a performance there by Alisia Hansen. Fantastic, Just an amazing, heartrending

365
00:32:15,559 --> 00:32:20,039
performance there. And then at the
end we hear the voice of Jonathan Cook

366
00:32:20,119 --> 00:32:24,680
coming in there portraying Jesus. So
I wanted to share that with you as

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00:32:24,799 --> 00:32:34,119
just one example. And I think
this micro audio drama space is largely ignored

368
00:32:34,200 --> 00:32:39,440
by most producers, and I want
to see that change. I really do,

369
00:32:39,519 --> 00:32:45,920
because I think this is a fantastic
way to expand the audience base of

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00:32:46,720 --> 00:32:52,359
clean, family friendly audio drama,
and short stories like this can be shared

371
00:32:52,519 --> 00:32:57,720
very easily. There are different platforms
out there that make it very easy to

372
00:32:58,480 --> 00:33:02,079
get this out there and quickly share
a link with somebody or even just send

373
00:33:02,119 --> 00:33:07,119
them an MP three file. It's
very very easy to share and I want

374
00:33:07,119 --> 00:33:10,359
to see more people get on board. Now. I have actually heard from

375
00:33:10,559 --> 00:33:15,680
a few people since I've been starting
to talk about this in recent months who

376
00:33:15,759 --> 00:33:21,400
have been inspired by and I don't
think it's just solely me, but have

377
00:33:21,880 --> 00:33:27,039
told me that they've seen what I'm
doing and it inspired them. They haven't

378
00:33:27,079 --> 00:33:29,960
given me permission to share who they
are, but so I'm not going to

379
00:33:30,039 --> 00:33:35,440
name them. But other producers have
been looking at this format and that makes

380
00:33:35,480 --> 00:33:40,440
me very excited because I think it
is an untapped market and I want to

381
00:33:40,480 --> 00:33:45,559
see this grow. Now again,
I've been talking a lot to producers,

382
00:33:45,599 --> 00:33:52,880
but for listeners, I think if
you've been used to listening to that twenty

383
00:33:52,880 --> 00:33:59,400
five minute Adventures Odyssey episode, maybe
it's time to be open to expanding your

384
00:33:59,480 --> 00:34:05,720
horizon a little bit and trying different
formats and then share these pieces from producers

385
00:34:05,720 --> 00:34:13,239
that you really enjoy and let's grow
the fandom or that's probably not the right

386
00:34:13,239 --> 00:34:16,960
word, but the community of audio
drama listeners in any way that we can

387
00:34:17,039 --> 00:34:22,280
and use this as an on ramp
to introduce audio drama to people who are

388
00:34:22,320 --> 00:34:25,679
unfamiliar with it. And so,
as I said, I've been working on

389
00:34:25,800 --> 00:34:30,400
several projects they are all posted at
my personal website jdsutter dot me. I

390
00:34:30,440 --> 00:34:32,960
would love for you to go over
there and check those out. There is

391
00:34:34,000 --> 00:34:37,519
a place where you can sign up
to get notified whenever I post new ones.

392
00:34:37,159 --> 00:34:43,559
I am going all in on this. I'm really excited about the possibilities

393
00:34:43,559 --> 00:34:49,480
here and I want to see more, more crazy, cool stuff done in

394
00:34:49,559 --> 00:34:52,400
this space, and I plan to
keep working in it as well. So

395
00:34:52,880 --> 00:34:55,480
you can sign up, drop your
email address in there, and whenever I

396
00:34:55,519 --> 00:34:59,920
post new stuff, you'll get notified
right away. I would love for you

397
00:35:00,159 --> 00:35:02,519
join me over there. Jdsutter dot
me. Link is in the show notes

398
00:35:02,559 --> 00:35:07,559
as well. I have done two
full fledged audio dramas, as well as

399
00:35:07,719 --> 00:35:13,800
multiple other short pieces, audio essays, some narration of short fiction that I've

400
00:35:13,840 --> 00:35:17,039
written, and so I want to
see this space grow, and if you

401
00:35:17,079 --> 00:35:22,320
could join me as we try to
grow this, I would really really appreciate

402
00:35:22,360 --> 00:35:25,480
that. The two audio dramas I've
done is a contemporary piece about a young

403
00:35:25,559 --> 00:35:30,159
man who has recently lost his father
and he's trying to figure out what he

404
00:35:30,159 --> 00:35:34,159
wants to do with his life after
this loss, and it's called Another Year

405
00:35:34,199 --> 00:35:38,079
Older, Another Year Wiser, and
then just recently I wrote a short fantasy

406
00:35:38,119 --> 00:35:44,679
piece called Loomy and the Daffodils,
and it's really really fun at least I

407
00:35:44,719 --> 00:35:49,280
think so. And so that is
also available, and all of this content

408
00:35:49,360 --> 00:35:52,320
is available to listen to for free, so you can check it out again

409
00:35:52,440 --> 00:35:58,920
jdsutter dot me. And there's also
a link to some of the content from

410
00:35:58,960 --> 00:36:02,559
the Audio Drama Allion. There is
a sort of round up post of some

411
00:36:02,599 --> 00:36:07,639
of their recent productions on the Idiodrama
Alliance website, which I've also linked in

412
00:36:07,679 --> 00:36:09,320
the show notes so you can hear
what other people are doing as well.

413
00:36:10,239 --> 00:36:15,920
Now the homework part. I don't
usually do this, but I would love

414
00:36:15,960 --> 00:36:17,800
to hear from you. What do
you think about this idea of micro audio

415
00:36:17,920 --> 00:36:22,880
drama or micro audio in general,
and what would you like to hear somebody

416
00:36:22,920 --> 00:36:28,440
do as a listener and as a
producer. Has this sort of peaked your

417
00:36:28,440 --> 00:36:34,079
interest? Are you interested at all
in exploring this idea of micro audio drama.

418
00:36:34,119 --> 00:36:36,840
I would love to hear from you. It's a murder mystery sort of

419
00:36:37,079 --> 00:36:39,840
cross between William Shakespeare and Agada Christie. No, it's not that I didn't

420
00:36:39,960 --> 00:36:44,480
like it, it's that it wasn't
a good play. This will be one

421
00:36:44,519 --> 00:36:47,880
of the best shows we have ever
done. Such an amusing show. What

422
00:36:49,079 --> 00:36:52,440
was that line you coined? I
never knew acting could be so much fun.

423
00:36:53,039 --> 00:36:58,920
Well, I am excited to talk
about robin Hood Rising to Honor Season

424
00:36:59,000 --> 00:37:02,239
one. Now, this is a
joint production from LRT Media and Eternal Future

425
00:37:02,239 --> 00:37:08,440
Productions. If you're new around here. LRT Media is known for other projects

426
00:37:08,440 --> 00:37:15,320
such as their Sherlock Holmes, Chapelin, Squeak and The Titanic Waif and Eternal

427
00:37:15,320 --> 00:37:22,920
Feature Productions is the producer of Pirateeers, and these two producers teamed up for

428
00:37:23,199 --> 00:37:28,880
robin Hood Rising to Honor. So
this one is actually released in a similar

429
00:37:28,920 --> 00:37:36,079
way to Pirateeers in that they tell
a single story across an entire season,

430
00:37:36,800 --> 00:37:44,239
and this first season has seven episodes. So it's interesting because it is an

431
00:37:44,400 --> 00:37:49,280
entire story in one season, So
that makes it feel a little bit more

432
00:37:49,639 --> 00:37:53,840
like a feature length production when you
look at the total run time. But

433
00:37:54,039 --> 00:38:00,440
since it is released in smaller chunks, I guess it could fit technically into

434
00:38:00,480 --> 00:38:05,840
that format of short form that we
were talking about earlier. But each episode

435
00:38:06,440 --> 00:38:09,599
is around ten minutes, I mean, give or take a minute or two

436
00:38:09,639 --> 00:38:15,320
here and there, so it's if
you're looking at individual episodes, then yeah,

437
00:38:15,360 --> 00:38:22,000
it does fit into that short form
category. But episode one was released

438
00:38:22,400 --> 00:38:27,360
just at the tail end of last
year on December twenty eighth, and then

439
00:38:27,519 --> 00:38:32,079
the remaining six episodes have been released
across January and February, with episode seven

440
00:38:32,360 --> 00:38:37,960
releasing on February twenty sixth. Now, this entire season is out, of

441
00:38:37,960 --> 00:38:42,119
course, and you can go and
listen to them all, or you can

442
00:38:42,440 --> 00:38:49,039
purchase them on CD from Eternal Future
or LRT Media. They both have these

443
00:38:49,079 --> 00:38:52,360
available, so both of them are
linked up in the show notes, so

444
00:38:52,440 --> 00:38:57,440
you can choose whichever one you want
to use. But you can listen to

445
00:38:57,519 --> 00:39:02,079
these episodes on the Eternal Future website
or through a podcast feed. But I

446
00:39:02,159 --> 00:39:08,920
highly recommend go and purchase the full
season cut and support these producers because they're

447
00:39:08,920 --> 00:39:14,239
making some really great stuff and so
of course that option is available if you

448
00:39:14,280 --> 00:39:16,760
want to go just test the waters
for yourself see if it's something you're interested

449
00:39:16,800 --> 00:39:22,519
in, then this is a good
way to do it. But there now

450
00:39:22,559 --> 00:39:27,639
you may notice a difference in the
duration of the CD version versus the total

451
00:39:27,719 --> 00:39:35,039
runtime of the individual episodes, and
that is because I'm assuming that on the

452
00:39:35,039 --> 00:39:38,360
CD version or the full season cut, they have removed the credits from the

453
00:39:38,440 --> 00:39:44,000
end of every single episode, so
we're looking at about seventy to seventy eight

454
00:39:44,079 --> 00:39:49,079
minutes runtime total, depending on which
version you are listening to. So that

455
00:39:49,199 --> 00:39:52,800
is a good chunk of content here
for this first season of robin Hood Rising

456
00:39:52,840 --> 00:39:58,880
to Honor, And you know at
spoiler alert, it's just a really fun

457
00:39:58,920 --> 00:40:05,719
show. It's a really fun show. So let's jump into the summary and

458
00:40:06,000 --> 00:40:12,840
know the pain. That's say,
your life, your strength is wearing things

459
00:40:15,880 --> 00:40:24,880
and you're tire, feeling ant Denis
and you want to give him live have

460
00:40:25,119 --> 00:40:39,119
a gift to reveal mersin you.
Every time your heart, every time your

461
00:40:39,239 --> 00:40:47,280
dreams break, every time you'll wear
it will be there. A kingdom burdened

462
00:40:47,360 --> 00:40:53,480
by war, taxes and a tyrannical
monarch. As England struggles to carry on

463
00:40:53,559 --> 00:40:59,199
in the absence of the good King
Richard, other forces begin gathering to grab

464
00:40:59,360 --> 00:41:02,519
power. Meanwhile, those who suffer
most are the common folk, crushed under

465
00:41:02,519 --> 00:41:08,960
the weight of excessive taxation and lawlessness. Rich soundscapes, original music, and

466
00:41:09,039 --> 00:41:15,440
compelling voice acting bring the medieval world
of robin Hood to life, immersing listeners

467
00:41:15,559 --> 00:41:20,400
in an epic tale of bravery and
justice in a way you've never heard before.

468
00:41:22,239 --> 00:41:25,239
I would one hundred percent agree with
that it is very, very different,

469
00:41:25,679 --> 00:41:30,320
and just to shoot straight with you. When I first heard about this

470
00:41:30,440 --> 00:41:37,400
robin Hood project way back in the
early days when LRT Media first was launching,

471
00:41:37,440 --> 00:41:42,239
they had posted a little graphic about
projects that they had in the early

472
00:41:42,280 --> 00:41:45,679
stages, and I saw robin Hood
as one of them, and I thought,

473
00:41:45,719 --> 00:41:49,880
you know, there's been a lot
of Robin Hood audio drama. We've

474
00:41:49,920 --> 00:41:55,760
had an absolutely amazing, world class
production with the Legends of Robin Hood from

475
00:41:55,760 --> 00:42:00,239
Air Theater, and I wonder,
what else can we do with this story

476
00:42:01,719 --> 00:42:07,000
now. I've always found the character
of Robin Hood fascinating and interesting, and

477
00:42:07,039 --> 00:42:12,920
I've seen stage presentations on the character, and I know that the lore around

478
00:42:12,920 --> 00:42:16,760
this character is very big. I
mean it's I think that Robin Hood is

479
00:42:17,039 --> 00:42:23,000
probably one of the most recognized characters
from legend and lore or however you want

480
00:42:23,039 --> 00:42:30,480
to describe it. And I mean, the whole concept of robbing the rich

481
00:42:30,559 --> 00:42:34,840
to feed the poor, even that
phrase is sort of ingrained in the English

482
00:42:34,880 --> 00:42:40,800
language. And so this is an
epic story. And after hearing what LRT

483
00:42:40,960 --> 00:42:45,280
Media was able to produce, and
knowing what Eternal Future was producing, I

484
00:42:45,400 --> 00:42:51,320
was confident that they were going to
put out a high quality product and they

485
00:42:51,320 --> 00:42:55,599
delivered. I think it is a
really interesting take on this legend, this

486
00:42:57,000 --> 00:43:00,599
character that most everybody is familiar with, but not in the way that they

487
00:43:00,679 --> 00:43:06,800
do it. It's very different.
So let's run through the crew on this

488
00:43:06,920 --> 00:43:13,039
show before we get into the particulars
of the episodes. The voice track editing

489
00:43:13,079 --> 00:43:16,280
was done by Craig Hart, Writing, directing and production by Alicia Hanson,

490
00:43:16,360 --> 00:43:21,719
Jonathan Cook and Craig Hart. Again, these two production houses teamed up for

491
00:43:21,760 --> 00:43:24,760
this. The music was composed by
Dominic Trice. Now you may have heard

492
00:43:24,760 --> 00:43:30,079
of him before as an actor.
He was in lamp Ladder Theater and is

493
00:43:30,079 --> 00:43:34,119
the producer of Saint Benedict Radio Theater. He's a great actor. He's done

494
00:43:34,119 --> 00:43:37,840
some stuff in the audio drama Alliance
as well. But he's also a very

495
00:43:37,840 --> 00:43:43,159
talented composer, as you heard in
this show if you've listened to it already,

496
00:43:43,280 --> 00:43:45,639
and if you haven't, you will
hear, and he did some amazing

497
00:43:45,719 --> 00:43:52,360
music. The LRT Media theme was
composed by John Campbell, and again these

498
00:43:52,440 --> 00:43:58,000
three creatives sort of split up the
sound design duties on this production. Jonathan

499
00:43:58,039 --> 00:44:01,960
Cook handled sound design for episode one
and four, Craig Hart on episodes two,

500
00:44:02,039 --> 00:44:07,000
four, and five, and Alicia
Hanson on episodes three, six,

501
00:44:07,119 --> 00:44:14,599
and seven, So really splitting up
the duties here, and I think it

502
00:44:14,639 --> 00:44:16,960
worked. Now, this is a
very unique approach. I don't off the

503
00:44:17,000 --> 00:44:22,480
top of my head, I don't
recall any other show that was created like

504
00:44:22,559 --> 00:44:27,840
this where the writing, directing,
and producing and sound design are all split

505
00:44:27,920 --> 00:44:32,039
up like this. Well, I
guess Pirateeers is an example. Between Jonathan

506
00:44:32,079 --> 00:44:37,199
and Alicia, they do co direct
and co write those a lot of times,

507
00:44:37,800 --> 00:44:42,840
but this is a really interesting way
to approach production, and they were

508
00:44:42,880 --> 00:44:46,800
able to crank out an entire season
in fairly short order, so it's quite

509
00:44:46,840 --> 00:44:51,440
impressive. Now, in terms of
the cast, we've got a lot of

510
00:44:51,440 --> 00:44:55,519
familiar names and some perhaps that you
may not be familiar with, but the

511
00:44:55,639 --> 00:44:59,920
producer sort of split up the main
character roles as well, and we have

512
00:45:00,119 --> 00:45:04,400
Jonathan Cook as Robin Hood, Craig
Hart as Prince John, and Alicia Hansen

513
00:45:04,480 --> 00:45:08,039
as Maid Marian, and I think
their voices work really well for these characters.

514
00:45:08,559 --> 00:45:14,039
And now this is not a spoiler, because we find this out in

515
00:45:14,079 --> 00:45:17,960
the very first episode, and Craig
did reveal this in our interview with him

516
00:45:17,960 --> 00:45:23,400
not long ago where we talked about
Robin Hood. But their take on the

517
00:45:23,519 --> 00:45:28,480
character again is very different, and
so in this story, in this version,

518
00:45:29,360 --> 00:45:34,400
Little John is the same person as
Prince John or King as he wants

519
00:45:34,480 --> 00:45:39,920
to be called, and Robin Hood
is also the Sheriff of Nottingham. So

520
00:45:40,039 --> 00:45:43,679
what in the world that is such
a I mean, it blew my mind

521
00:45:43,679 --> 00:45:45,440
when I heard that that's what they
were going to do. I'm like,

522
00:45:45,119 --> 00:45:52,880
that is such an interesting, unique
take on this and it totally lends itself

523
00:45:52,920 --> 00:45:59,800
to some really interesting conflict and you
know, having to choose allegiances here,

524
00:46:00,400 --> 00:46:06,039
and it makes for some interesting storytelling. So again, really really interesting and

525
00:46:06,400 --> 00:46:07,880
I mean, like I would have
never thought to do something like that,

526
00:46:08,079 --> 00:46:15,079
and so it's really really interesting.
Now some of the other main characters are

527
00:46:15,199 --> 00:46:20,079
Friar Tuck, which is another character
that we're all familiar with from the Legends,

528
00:46:20,599 --> 00:46:23,679
and he was played by Andy Harvey
and he did a fantastic job,

529
00:46:23,920 --> 00:46:29,039
just nailed it. So we'll get
to some of the other characters as we

530
00:46:29,119 --> 00:46:31,639
go through I guess now would be
a good time to mention Cyril, the

531
00:46:31,719 --> 00:46:37,400
steward, who is introduced in the
first episode as sort of the right hand

532
00:46:37,679 --> 00:46:42,920
of Prince John, and he's played
by Duffy Webber, who if you have

533
00:46:43,000 --> 00:46:47,840
heard Pirateers then you know him from
that show as well. So let's dive

534
00:46:47,960 --> 00:46:52,639
into these episodes a little bit.
And I don't want to give any major

535
00:46:52,840 --> 00:46:58,280
plot point spoilers, you know,
like I said, the discovery that those

536
00:46:58,360 --> 00:47:02,280
characters are the same Little John and
Prince John, and Robin Hood also is

537
00:47:02,800 --> 00:47:07,000
the sheriff at this time in this
story, those are not really spoilers because

538
00:47:07,039 --> 00:47:13,760
again it's given out right there at
the beginning of the season. But there

539
00:47:13,760 --> 00:47:16,360
are things that happen throughout that I
don't want to spoil because if you haven't

540
00:47:16,400 --> 00:47:21,880
heard it, it's really cool to
experience them. So we're going to go

541
00:47:21,920 --> 00:47:24,840
through them as spoiler free as we
can. But I did want to talk

542
00:47:24,880 --> 00:47:30,000
about these because I do think what
they're pulling off here with this show is

543
00:47:30,119 --> 00:47:36,599
really cool, and you know,
another example of a high quality show that

544
00:47:36,679 --> 00:47:45,559
is being produced entirely remotely, and
it's really really cool stuff. So as

545
00:47:45,599 --> 00:47:49,840
I moved through the season. I
felt like the pacing was really nice,

546
00:47:50,639 --> 00:47:54,079
allowing the moments to not feel rushed. This is a big thing for me,

547
00:47:54,840 --> 00:48:00,280
and a lot of times newer producers
overlook this and it just can make

548
00:48:00,679 --> 00:48:08,719
the audio drama feel a little bit
tense or overly edited maybe is the right

549
00:48:08,760 --> 00:48:14,000
word. And they don't do that
here. There are several moments where there's

550
00:48:14,320 --> 00:48:21,599
just pauses between dialogue as we hear
somebody moving through the scene the setting of

551
00:48:21,639 --> 00:48:27,199
that moment, and they're just allowing
the sounds to tell the story there.

552
00:48:27,760 --> 00:48:30,239
Especially in that first episode, there
were a couple of moments like that,

553
00:48:30,360 --> 00:48:36,760
but that does happen throughout the season. And speaking of the sound design again,

554
00:48:36,800 --> 00:48:40,599
in this first episode, the sound
design was done in such a way

555
00:48:40,639 --> 00:48:46,760
that it allows you to feel the
spaciousness of the palace or whatever the I

556
00:48:46,760 --> 00:48:52,480
don't know if palace is the right
word, the castle, wherever the setting

557
00:48:52,519 --> 00:48:58,079
is happening there with John and Robin. But it's done in such a neat

558
00:48:58,159 --> 00:49:02,000
way, because again, these are
little details that a lot of times get

559
00:49:02,039 --> 00:49:07,400
overlooked, and I really appreciated the
sound of it. It works really well.

560
00:49:07,519 --> 00:49:14,280
And then we're introduced to this idea
that both Robin and John are interested

561
00:49:14,360 --> 00:49:17,960
in Maid Marion, and so we
know we're setting up some things for some

562
00:49:19,119 --> 00:49:22,280
conflict later on in the season,
and of course that does come into play.

563
00:49:22,880 --> 00:49:30,280
But another big focus is, as
we heard from the summary, it's

564
00:49:30,400 --> 00:49:36,880
just on the people and how much
they are struggling under all of these extra

565
00:49:36,960 --> 00:49:42,599
regulations and taxes and things, and
just Prince John being a jerk, you

566
00:49:42,599 --> 00:49:47,559
know, and enforcing these laws on
them. And so I know that's why

567
00:49:47,599 --> 00:49:52,400
I chose the song I did here
to open up this segment. It just

568
00:49:52,440 --> 00:49:59,719
felt right considering the focus in this
story on the struggles of the people and

569
00:49:59,800 --> 00:50:05,480
the hard times and the hardships and
lost that they're facing, and it just

570
00:50:05,639 --> 00:50:10,119
feels very genuine and real. And
speaking of that, also introduced in the

571
00:50:10,159 --> 00:50:15,800
first episode is a character called John
Plowman, which I don't know if this

572
00:50:15,840 --> 00:50:20,800
is intentional, I'm assuming it was, but Plowman a great surname, but

573
00:50:20,920 --> 00:50:27,000
also it's one of those ones that
sort of hearkens to an occupation. And

574
00:50:27,679 --> 00:50:32,800
John Plowman is played by Daniel Cross
and he does a fantastic job of playing

575
00:50:34,599 --> 00:50:39,199
I guess you could call him a
peasant farmer and who is really struggling under

576
00:50:39,400 --> 00:50:45,480
all of this taxation and just the
state of the land. During this time,

577
00:50:45,519 --> 00:50:50,559
Richard is away fighting in the Crusades
and he's left John in charge,

578
00:50:50,639 --> 00:50:53,639
and John's letting the power go to
his head, you know, and so

579
00:50:54,760 --> 00:51:00,199
the people are suffering, and so
that does come through, and you know,

580
00:51:00,400 --> 00:51:05,360
the summary also talks about bravery and
justice, and those themes do come

581
00:51:05,400 --> 00:51:10,079
through very nicely as we move through
these seven episodes in some really interesting ways,

582
00:51:10,320 --> 00:51:15,679
some really interesting ways. Now,
anybody who is familiar with the Legends

583
00:51:15,719 --> 00:51:22,119
of robin Hood knows about the legendary
split arrow scene, Well, it plays

584
00:51:22,199 --> 00:51:25,159
out in this story as well in
this version, but a little bit differently,

585
00:51:25,159 --> 00:51:30,079
and it was really cool. I
really liked that. And we also

586
00:51:30,199 --> 00:51:36,159
learn in episode two a little bit
about what is motivating John and why he

587
00:51:36,320 --> 00:51:39,320
is acting the way he is,
and that's one thing that might be missing

588
00:51:39,320 --> 00:51:45,559
in some other versions of this story. Because of the unique setup of these

589
00:51:45,639 --> 00:51:49,960
characters, you get the feeling that
they've known each other for a long time

590
00:51:50,239 --> 00:51:54,360
as friends, they grew up with
each other, and so it does allow

591
00:51:54,440 --> 00:52:00,079
for some interesting ways to play with
the motivations for Prince John. All three

592
00:52:00,119 --> 00:52:04,760
of them Robin, John and Marion
were friends as children, and so this

593
00:52:04,880 --> 00:52:09,599
is really really interesting. Now,
there were some humorous moments throughout the season

594
00:52:09,639 --> 00:52:15,280
which I really enjoyed. There is
a running joke about an archer's finger slipping

595
00:52:15,280 --> 00:52:17,599
on the bow string, and that
was really interesting the way they worked that.

596
00:52:17,719 --> 00:52:23,400
In Earlier I mentioned Andy Harvey as
Friar Tuck. He delivers a standout

597
00:52:23,400 --> 00:52:30,000
performance I think probably the best performance
in this audio drama in this first season.

598
00:52:30,280 --> 00:52:37,440
Extremely well done. Daniel Cross as
John Plowman was also fantastic. Really

599
00:52:37,480 --> 00:52:42,679
really enjoyed his performance. Now,
in episode three, we have a really

600
00:52:42,679 --> 00:52:47,280
cool scene, a very intense conversation
between Robin Hood and Tuck in the church,

601
00:52:49,320 --> 00:52:54,400
some really really great moments there.
You can feel the tenseness as Friar

602
00:52:54,480 --> 00:53:01,199
Tuck is sort of trying to nudge
Robin to do what's right and what Robin

603
00:53:01,239 --> 00:53:05,840
knows in his heart is the right
thing, but he's not sure how to

604
00:53:05,840 --> 00:53:10,320
go about it. And it's got
some really really great moments. And in

605
00:53:10,360 --> 00:53:15,480
this particular episode, episode three,
there is just an amazing music cue that

606
00:53:15,639 --> 00:53:22,000
leads out of this last scene here. Really great work there by Dominic Trice

607
00:53:22,880 --> 00:53:25,840
really enjoyed that. It really jumped
out at me as just a perfect feel

608
00:53:25,880 --> 00:53:36,039
there to that moment and accompanied the
scene extremely well. And speaking of humorous

609
00:53:36,039 --> 00:53:42,360
moments, Cyril is sort of a
comic relief throughout the series on his own.

610
00:53:42,800 --> 00:53:46,000
But then in episode four we are
introduced to his wife, and boy,

611
00:53:46,079 --> 00:53:53,119
oh boy, does she bring along
some funny moments, not necessarily in

612
00:53:53,159 --> 00:53:58,280
a great way, but I won't
spoil exactly why or how, but she's

613
00:53:58,280 --> 00:54:01,480
played by Kara O'Brien, and Kara's
just fantastic. She does a really really

614
00:54:01,480 --> 00:54:07,639
great job, and Duffy s Cyril
just does an amazing job as well.

615
00:54:07,639 --> 00:54:15,199
And then we also get in episode
four some really deep moving motivations for Marion

616
00:54:15,320 --> 00:54:21,119
that are revealed. That was a
really neat moment there as well. So

617
00:54:22,119 --> 00:54:25,199
again we have the producers here who
are doing the writing, the directing,

618
00:54:27,159 --> 00:54:32,960
and all the behind the scenes post
production as well and playing the main characters,

619
00:54:34,000 --> 00:54:37,679
and Alicia Hansen here as made Marion
did a really great job as well.

620
00:54:39,199 --> 00:54:45,480
Now in episode five we have a
scene where Prince John is drunk and

621
00:54:45,519 --> 00:54:51,000
there are some quite funny moments,
even though it's not funny what he's doing

622
00:54:51,079 --> 00:54:55,079
or saying, but the way it's
portrayed here, a really great job by

623
00:54:55,119 --> 00:55:01,320
Craig Hart playing that character. And
you know, we're we're closing in on

624
00:55:00,480 --> 00:55:07,480
the back half of the season and
tension is really building. And then at

625
00:55:07,519 --> 00:55:10,480
around this point we have some more
intrigue that sort of enters the picture,

626
00:55:10,880 --> 00:55:15,719
which really ratchets up the tension.
And I'm really liking where this thing is

627
00:55:15,760 --> 00:55:21,880
going at this point. Well,
while we're talking about funny moments, Craig

628
00:55:21,880 --> 00:55:24,920
Heart was kind enough to give us
a little sneak peek into the studio,

629
00:55:25,360 --> 00:55:31,320
so to speak of when they were
recording for robin Hood, and since Craig

630
00:55:31,400 --> 00:55:36,880
and Jonathan and Alicia were all playing
the main characters, they would record together

631
00:55:37,280 --> 00:55:42,280
remotely, and so Craig sent over
this little reel of clips from their recording

632
00:55:42,320 --> 00:55:46,840
session and their outtakes of Jonathan Cook
as he's recording for robin Hood. So

633
00:55:47,000 --> 00:55:54,800
let's give this a listen. Is
there a problem here? Is harder to

634
00:55:54,840 --> 00:55:59,639
get back to my snacks? No, I'm in shape and I can take

635
00:55:59,679 --> 00:56:01,519
all this shit if anytime I want. Would you stand still please? I'm

636
00:56:01,559 --> 00:56:05,719
trying to have a conversation here.
I belong to No one. I'm my

637
00:56:05,840 --> 00:56:10,639
own person. Little it'sy bitsy,
tain't sea wing? See you were going

638
00:56:10,760 --> 00:56:15,519
down, mister pluming. I'm coming
for you and your family and your dog.

639
00:56:17,400 --> 00:56:25,679
Was my take that bad? What
was I supposed to do with this

640
00:56:25,719 --> 00:56:31,719
one again? Oh? Please?
Here it goes? Married again? Marry

641
00:56:31,719 --> 00:56:39,079
in wait? Even the people hearing? The people people are worth this blue

642
00:56:39,119 --> 00:56:43,599
heart well than anything that. All
they do is sniver, learn wide all

643
00:56:43,679 --> 00:56:47,599
day about that I can't pay their
taxes. How are you doing? Do

644
00:56:47,679 --> 00:56:52,159
you arch here often at the archer
return? I really dig the way you

645
00:56:52,239 --> 00:56:55,000
draw that bog. You know what
I'm saying? Woit dead? Bulls iright

646
00:56:55,079 --> 00:56:58,960
through my head? My lady?
What's up? Then? I'm sorry I

647
00:56:58,960 --> 00:57:04,599
couldn't hear you of the out screaming
my name. I think it's gonna slip

648
00:57:04,639 --> 00:57:07,320
across your throat in this second.
Shut up. We all know you're a

649
00:57:07,320 --> 00:57:12,119
good art. Yeah. I think
Craig enjoys playing Mary and so got your

650
00:57:12,119 --> 00:57:17,719
bully another poor widow who's trying to
feed hop pole will children. But man,

651
00:57:19,119 --> 00:57:22,639
my fingers slipped. I got away
with it that time. Is there

652
00:57:22,639 --> 00:57:25,480
anything you can do to maken not
marry? I want it for myself need

653
00:57:25,639 --> 00:57:30,440
depinny, I'll wait the passion of
you? Is it too me? It'll

654
00:57:30,480 --> 00:57:37,400
be a funny file. Indeed it
was. Oh goodness, well, thank

655
00:57:37,440 --> 00:57:42,639
you Craig for letting us share that, and thank you Jonathan for letting us

656
00:57:42,920 --> 00:57:45,480
pope fun at you. No no, no, we're laughing along with you,

657
00:57:45,559 --> 00:57:52,800
not at you. We're really laughing
at you. Oh all right,

658
00:57:52,840 --> 00:58:00,039
well let's move into some more serious
stuff again. So this version of the

659
00:58:00,119 --> 00:58:05,519
Robin Hood Legends, there are similarities. Of course, we've talked about some

660
00:58:05,519 --> 00:58:08,519
of the differences, but some of
the similarities is that made Marian is pretty

661
00:58:08,599 --> 00:58:15,199
much the same. She's the caring, sweet woman who is concerned for the

662
00:58:15,239 --> 00:58:19,239
people. She does want to do
what's right, and as I mentioned a

663
00:58:19,239 --> 00:58:22,960
little while ago that some of her
motivations start to be revealed in episode four.

664
00:58:23,480 --> 00:58:27,920
When we get to episode six,
she actually gets to sit down and

665
00:58:27,960 --> 00:58:32,079
have a real heart to heart talk
with Robin, and there's some really really

666
00:58:32,159 --> 00:58:38,920
nice moments there, and one of
the standout lines there was quoting the scripture,

667
00:58:39,079 --> 00:58:42,920
you've done it unto the least of
these, You've done it unto me,

668
00:58:43,760 --> 00:58:47,320
And that was a really neat way
to work that concept into this legend

669
00:58:49,000 --> 00:58:52,639
and just to show the compassion that
Marian has. Now I've mentioned some of

670
00:58:52,639 --> 00:58:58,480
the humorous moments and humorous characters,
but there is one particular line here in

671
00:58:58,519 --> 00:59:07,360
episode six where somebody makes a reference
to the sheriff, who is Robinhood having

672
00:59:07,840 --> 00:59:12,159
a look that was kind of scary
or menacing or something like that, and

673
00:59:12,159 --> 00:59:15,920
Cyril says, he looks at everyone
that way. That's why he's the sheriff.

674
00:59:15,639 --> 00:59:19,679
And I thought that was a really
funny line, great way to bring

675
00:59:19,719 --> 00:59:23,360
in a little bit of humor and
show the witty side of this character of

676
00:59:23,400 --> 00:59:30,039
Cyril. And in this episode,
episode six is where we really get to

677
00:59:30,079 --> 00:59:36,079
hear some amazing acting from Daniel Cross
as John Plowman, and it was just

678
00:59:36,119 --> 00:59:40,239
an excellent performance here. And that
brings us to the season finale of episode

679
00:59:40,320 --> 00:59:46,360
seven, which sort of brings things
all to a head and there is a

680
00:59:46,360 --> 00:59:52,039
little bit of resolution, but the
entire thing is not resolved. We know

681
00:59:52,119 --> 00:59:55,760
that there is more story to tell, and I'm happy to say that they

682
00:59:55,840 --> 01:00:00,320
are working on more episodes and I
can't wait to hear where they go with

683
01:00:00,400 --> 01:00:06,800
this. But there is a really
really neat moment there again, it's between

684
01:00:06,920 --> 01:00:13,880
Robin Hood and Friar Tuck and they're
talking about maybe feeling a little hopeless about

685
01:00:14,039 --> 01:00:17,920
the way certain things have played out, and Robin says something along the lines

686
01:00:17,920 --> 01:00:22,360
of ah, that doesn't help us
in this moment, and Friar Tuck says,

687
01:00:22,920 --> 01:00:27,320
and yet this moment is all that
we have. And I thought that

688
01:00:27,400 --> 01:00:30,320
was a really poignant thing. And
it's like, you know, you can

689
01:00:30,400 --> 01:00:35,360
apply that to your own life.
You can't always dwell on what has happened,

690
01:00:35,480 --> 01:00:39,519
what is going on around you.
You can't change certain things. You

691
01:00:39,559 --> 01:00:45,639
don't have control over certain situations.
And maybe there are things in the past

692
01:00:45,719 --> 01:00:50,920
that you have done, you have
contributed to the way things are now.

693
01:00:51,920 --> 01:00:54,519
But this is the moment that you
have at this point. This is where

694
01:00:54,559 --> 01:00:59,079
you can make a change. This
is where you can alter your course.

695
01:00:59,840 --> 01:01:04,440
And the way that that was framed
in this final episode was really really cool.

696
01:01:05,840 --> 01:01:08,920
Final note on the music, the
last music cue as we come out

697
01:01:08,960 --> 01:01:15,079
of episode seven, another really really
great piece of music there from Dominic Trice.

698
01:01:15,840 --> 01:01:19,559
I was just really impressed with his
work on this project overall, and

699
01:01:20,679 --> 01:01:23,519
the music, the sound design,
the acting all came together really nicely.

700
01:01:24,079 --> 01:01:30,159
Now, if you are familiar with
productions like radio theater or lamplider theater.

701
01:01:31,199 --> 01:01:37,320
The soundscapes in this show are not
quite as immersive. They're not quite to

702
01:01:37,440 --> 01:01:40,880
the depth and level of something like
that, but they cover all of the

703
01:01:40,920 --> 01:01:45,719
bases that you need to set the
scene and to pull the listener in.

704
01:01:45,960 --> 01:01:51,079
There's no confusion about where the scenes
are taking place, where things are going.

705
01:01:51,719 --> 01:01:54,840
I think it works really well and
that they've been able to create these

706
01:01:55,000 --> 01:02:00,599
great shows in such a short time. It's fantastic. And this is what

707
01:02:00,679 --> 01:02:04,679
I'm excited about with this new era. I'm calling it the new Era.

708
01:02:05,039 --> 01:02:07,800
I think somebody I think it was
Bethany Baldwin and called it a renaiscence of

709
01:02:08,039 --> 01:02:14,760
audio drama recently, and this is
a great time. It's a great time

710
01:02:14,800 --> 01:02:17,239
to be an audio drama fan,
and it's a great time for clean,

711
01:02:17,440 --> 01:02:22,320
family friendly audio drama. This is
a great example of what you can do

712
01:02:22,880 --> 01:02:27,199
with a small cast. I mean, it's not a massive cast with a

713
01:02:27,239 --> 01:02:30,679
small production team, and you can
just make some really interesting stuff. Now,

714
01:02:30,760 --> 01:02:34,000
I want to call out a couple
of the other cast members because,

715
01:02:34,360 --> 01:02:37,440
as I said, there isn't a
massive cast in this production, but the

716
01:02:37,480 --> 01:02:43,000
actors who were involved really brought it. And so we have aw Miller as

717
01:02:43,119 --> 01:02:45,920
Reeves, the Treasurer. If you're
not familiar with him, he is a

718
01:02:46,000 --> 01:02:50,679
voice talent who's been around for a
long time. Has worked on other LRT

719
01:02:50,880 --> 01:02:54,280
media projects. If you've listened to
the Sherlock Holmes productions, you've heard him

720
01:02:54,320 --> 01:03:01,280
there. And he's also an audiobook
narrator. He is narrated several audiobooks from

721
01:03:01,679 --> 01:03:06,920
an author that I enjoy quite a
bit ted Decker. So he does a

722
01:03:06,960 --> 01:03:09,920
really great job with the character of
Reeves. And then we have Darby Kern

723
01:03:09,960 --> 01:03:14,880
who does a couple of small parts
a guard and a herald, and Stephanie

724
01:03:14,920 --> 01:03:19,360
Nimitt Parker who plays a woman in
the church and Dominic Trice, the composer

725
01:03:19,400 --> 01:03:22,880
for the show, steps in and
plays a servant in a scene. And

726
01:03:22,920 --> 01:03:28,559
then we have Stacey Bradshaw as Elizabeth, who is an assistant or a maid

727
01:03:28,679 --> 01:03:32,079
to Marion. And so again a
small cast, but they were able to

728
01:03:32,119 --> 01:03:38,280
pull this together and make a fairly
immersive world set in the medieval era,

729
01:03:38,599 --> 01:03:45,199
and it sounds really, really good. And again I'm excited about what they've

730
01:03:45,239 --> 01:03:49,840
got coming in this series. I
think it's definitely worth checking out. Of

731
01:03:49,880 --> 01:03:53,440
course, all the links to get
your copy or to listen in are in

732
01:03:53,480 --> 01:03:59,719
the show notes. As always,
go support what these creators are working on

733
01:03:59,800 --> 01:04:03,559
these days, because it's only by
the by supporting that they're able to make

734
01:04:03,679 --> 01:04:08,400
more. If you're able to purchase
copies, please do that. If not,

735
01:04:09,119 --> 01:04:12,360
share it with somebody else, tell
somebody else about the show if you

736
01:04:12,480 --> 01:04:16,880
enjoy it, and let's get the
word out about these great shows. So

737
01:04:17,039 --> 01:04:23,880
kudos to Craigheart, Alisiha Hansen,
and Jonathan Cook of LRT Media and Eternal

738
01:04:23,920 --> 01:04:30,920
Future Productions for an amazing first season
of Robinhood Rising to Honor. I'm a

739
01:04:30,960 --> 01:04:32,960
fan. I've got to say,
I'm a fan. I really enjoy it

740
01:04:33,480 --> 01:04:39,079
and can't wait to hear more.
Well, if you'd like to get in

741
01:04:39,119 --> 01:04:44,079
touch with us here, head over
to Audio Theatercentral dot com slash contact.

742
01:04:44,239 --> 01:04:45,719
All the ways to get in touch
with us are listed there. Of course,

743
01:04:46,079 --> 01:04:51,360
email feedback at audio theatercentral dot com
or send a text message or leave

744
01:04:51,360 --> 01:04:57,480
a voicemail at six two three six
eight eight two seven seven zero. Would

745
01:04:57,519 --> 01:05:00,079
love to hear from you to include
you in episode two, which is next

746
01:05:00,079 --> 01:05:05,039
episode, so please get in touch
and let us know what you think about

747
01:05:05,039 --> 01:05:10,280
anything that we addressed in this episode. The song at the top of the

748
01:05:10,320 --> 01:05:15,760
review segment is called Wounded by Jamie
Slocum from his nineteen ninety nine release titled

749
01:05:15,880 --> 01:05:21,039
Grace Changes Everything. If you'd like
to be notified about anything we've got going

750
01:05:21,079 --> 01:05:25,440
on here at ATC, if we
need to get in touch with you between

751
01:05:25,440 --> 01:05:29,199
episodes, you can always join the
ATC Insiders, which is our free newsletter.

752
01:05:29,800 --> 01:05:33,920
Click the link on our website at
Audiotheatercentral dot com and we will be

753
01:05:34,000 --> 01:05:39,400
in touch. And as always,
the show notes with links to everything that

754
01:05:39,400 --> 01:05:43,880
we've talked about in this episode are
at audio Theatercentral dot com. Slash one

755
01:05:44,159 --> 01:05:47,400
ninety nine. We'll see you next
time. Thank you so much for listening.

756
01:05:53,960 --> 01:05:58,039
Audio Theater Central is a production of
Fortunite Family Media. Our theme music

757
01:05:58,159 --> 01:06:01,280
was composed by Sam Avandanio. The
show is produced and edited by yours truly,

758
01:06:01,639 --> 01:06:13,480
JD. Sutter, and our website
is Audiotheatercentral dot com. So why

759
01:06:13,519 --> 01:06:18,320
did Robinhood steal from the rich because
the poor didn't have anything worth stealing?

760
01:06:20,440 --> 01:06:26,360
Why couldn't Robin Hood hit the target
because his arrows were all in a quiver.

761
01:06:27,960 --> 01:06:30,079
What did Robin say when he nearly
got hit at the archery contest?

762
01:06:31,280 --> 01:06:39,239
That was an arrow escape? How
did Robin hood tie his shoelaces with a

763
01:06:39,280 --> 01:06:44,039
long bow? You know, Friar
Tuck was a monk, so why did

764
01:06:44,039 --> 01:06:48,800
he get involved in a life of
crime because it was his habit? Porch

765
01:06:49,000 --> 01:06:57,960
Light Familymedia your source for family centered
concept Cornslightfamilymedia dot com
