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We're back with another edition of The
Federalist Radio Hour. I'm Emily Jashinski,

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culture editor here at The Federalist.
As always, you can email the show

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at radio at the Federalist dot com, follow us on Twitter at fdr LST,

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and if you'd like to support our
work, make sure to go to

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our website and sign up for the
Federalist Community as well. I'm really honored

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today to be joined by Andrew Claven. He's, of course the host of

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the Andrew Claven Show over at The
Daily Wire, but he also has a

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new book out. It's another edition
in the Cameron Winter Mystery series. It's

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called The House of Love and Death. Andrew, thanks for coming on now.

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It's great to be here. Emily. Thanks tell us a little bit

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about the new book. And for
people who haven't picked up one of the

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Cameron Winter Mysteries, if you could
let them know a little bit about what

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they can expect when they do pick
up a Cameron Winter Mystery, that would

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be awesome. Yeah. This is
the first time, after a life of

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being a crime writer. I mean, this has been how I've made my

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living most of my life. This
is the first time I've ever done a

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series, And the reason I've done
a series is because I have this character

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who really means a lot to me
and is speaking into all the things I've

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been working on my whole life.
Is a guy who has a very checkered

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past. He's done some very dirty
work for the government, but now he

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is kind of retired from that,
and he is working as a professor of

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English literature in a kind of liberal
university that's always trying to shut him down.

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And he's a guy who just has
this kind of instinct for finding criminal

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activities that he feels he can set
right in some way. And the reason

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he fascinates me so much, and
the reason I care about him so much,

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is because he's exploring something that's been
kind of the theme of my life's

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work, which is how to be
a good man in a world that is

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falling apart. And he's in in
America that's falling apart, as I think

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all of us feel we are right
now, and he's trying to both live

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down his past actions and find a
way to be a good guy in the

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present. So, instead of being
the typical anti hero that we've seen over

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these last thirty or forty years,
in storytelling. He is a guy who

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has been an anti hero trying to
become a hero. And in this story,

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a family has been wiped out in
a very rich, gated community surrounded

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by a city that's falling apart,
and he goes in to find out how

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an entire family has been wiped out
while the police and the security and all

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the things that we're supposed to keep
these people safe were in place. And

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you know, it got a starred
review from Publishers Weekly. They say it's

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the best in the series. I've
written the book so that you can start

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the series anywhere, but I'm really
pleased with this one. You said something

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so interesting about how you are sticking
with this series because the character really means

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a lot to you, and I'm
fascinated by that from the perspective of an

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author, what it means to create
somebody entirely fictional, but at the same

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time, you sort of have this
very intimate relationship with that feels in some

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ways like a relationship with a real
person, but of course isn't. Can

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you tell us a little bit about
that, Andrew, Yeah, you know,

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I became a crime writer a very
exact, very precise moment and it's

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the moment I read the first page
of Raymond Chandler's The Big Sleep with his

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tough guy detective Philip Marlowe. I
was a kid, I was looking for

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male role models. I was looking
at tough guy literature because I was always

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that was always something that was attractive
to me. It spoke to me,

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and Chandler at the beginning of The
Big Sleep writes the scene where Philip marlow

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sees a stained glass window on a
mansion with a night on it who is

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rescuing a lady who's tied up,
and Marlowe says to himself, if I

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lived in this house, I would
have to climb up there and help him,

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because he's not getting the job done. And the point I think the

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Chandler was making is that here's a
man. He's a shabby little man.

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He doesn't make a good living,
he's in a kind of disreputable profession.

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But somehow he's carrying inside him this
notion of chivalry into a Los Angeles that

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is just rife with corruption. And
that's kind of been the theme not just

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of my work but of my life. You know, how do you become

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What Chandler said in one of his
famous essays, and this is where we

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get the term mean streets. He
said, down these mean streets, a

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man must go who is not himself
mean, who is neither tarnish nor afraid.

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And as a little kid, you
know, fifteen years old, I

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just said to myself, that's what
I want to be. That is who

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I want to be. And whether
I failed to succeed, it is between

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me and God. But at least
as a character, Cameron Winter can embody

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that at a moment when we don't
really have an image of what a man

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should be. I mean, this
is the really fascinating thing that the last

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great explosion of American culture, the
Golden Age of television around two thousand,

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when suddenly we had Breaking Bad and
the Sopranos and The Shield, all stories

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about men who are going bad because
the only way that they could express masculinity

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was as an outlaw, because masculinity
itself had become more or less outlawed.

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And I was writing about that in
the nineties with novels like True Crime,

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and I started to feel like,
Okay, we've explored this, we've talked

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about this, but now it's time
to come back. Now it's time to

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see if we can recover that chivalry
that Raymond Chandler brought into a corrupt world,

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especially this our world is becoming increasingly
corrupt and increasingly unpleasant and even evil

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in places, and so it's just
important to me personally to work that out

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in fiction, which is the only
place you can work it out. The

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only place you can work these issues
out is in the arts, maybe in

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philosophy, but you can't do it
in politics. You're never going to get

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purity in politics. You're never going
to get purity in real life. You

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can only work out these ideas and
the culture and hopefully someone you know,

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like I was looking for that kind
of role model, we'll find him in

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camera and winter and start to explore
this in his own life as I have.

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I'm so glad you mentioned that because
I wanted to. You mentioned the

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anti hero model earlier as well,
and I actually wanted to pick up on

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that point because it's fascinating and at
the same time, you also wrote the

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book true Crime. You literally wrote
the book tr crime, which is the

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most you know, the most popular
genre arguably in some different ways now in

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the country. Is there a cultural
shift that took us from the golden age

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of television, as you mentioned,
the oughts with sopranos and breaking bad and

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arguably Madmen, to having this obsession
that we have as a culture now with

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documentaries, crime documentaries, podcasts.
Did something shift? Are these two entirely

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different things or is there any connection
between the two? No. I think

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that you have a country that is
a default setting. It's not just the

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country, it's the era of the
age is at a default setting of unbelief.

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We're in a default setting of materialism, by which I don't mean greed,

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I mean just the idea that everything
is made of stuff and the only

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thing that's real is stuff, and
we don't even have We don't have souls,

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we don't have any you know,
we talk about people talk about having

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depression. They don't talk about I
am depressed, you know. They talk

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about, you know, getting an
endorphin rush. They don't talk about being

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excited. We think, we actually
think even the people who think they have

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faith, underlying that is this idea
that we are just material. When you

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have that idea, you actually don't
have any way to conceive of the good.

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All you can do is conceive of
the bad, and what opposes it.

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So if you can find stories of
evil, you can give yourself the

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satisfying experience of having that evil resolved
or solved in some way. But you

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don't really have an image of what
it means to be good. If you

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think about what we think of as
good soldiers, cops, doctors, all

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of them are defined by what they're
fighting, whether it's disease or the enemy

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in war, or criminals. To
come up with an idea of what it

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means to be good when you're just
walking down the street is much different.

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That's the idea of faith, the
idea that there is something actually good that

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you can be, and I think
we have lost that idea and therefore lost

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the way of telling stories about it. We don't really know what a good

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man looks like. We know what
a man who fights evil looks like,

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but we don't know what a man
who just walks down the street and is

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by the virtue of who he is
a good person. We have no concept

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of what that means. That wasn't
true when they invented the idea of chivalry.

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They knew exactly what a good person
looked like. He looked like a

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knight in shining armor and I think
that in this moment, in this deeply

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materialist moment, when we are either
going to collapse into the wages of materialism,

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some of which I think we see
in, for instance, the philosophy

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that you can cut up a child's
body and change its sex. It's a

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very materialist idea. If we're going
to lapse into those ideas, we're going

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to lose our ability to tell stories
and think about ourselves as human at all.

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And there's a real movement toward that
anti humanism, or real movement to

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say you're not a soul, you're
just a body. Change your body,

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change yourself, even get rid of
your body and just become downloaded onto a

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computer. These are issues that are
all becoming extremely real and in a technological

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culture that has the ability to see
them through. So to go back,

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for me, to go back and
think about what it means to be good,

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and what it means to be a
man, and what it means to

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be a woman, because that's what
my novels are about as well. Is

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very different than just looking at a
crime, you know, and just exploring

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the evil and a crime and just
kind of getting a thrill from the evil

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of crime and I think true crime
in that sense, you know, in

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the sense of studying criminality and studying
criminal actions is kind of a philosophical dead

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end. It's kind of attractive and
mesmerizing and almost hypnotizing, But in the

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end, I think we're going to
have to return to something, to a

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higher ideal than that, And again
I think only the arts can do that.

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In just a few years, the
deep state has pushed radical policies that

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undermine families, destroy the economy,
put safety at risk, criminalize free speech,

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and make it difficult for conservatives to
govern effectively. That's where Project twenty

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twenty five comes in, equipping the
next conservative president with what they need to

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turn America around on day one.
The next conservative president needs to be ready

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with trained staff and solid policies.
More than seventy five organizations, led by

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the Heritage Foundation have come together to
make this possible through Project twenty twenty five,

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with a policy agenda, presidential personnel
database, Presidential Administration Academy, and

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one hundred and eighty day playbook.
Go to Project twenty twenty five dot org

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to learn more. You know,
the the tough guy archetype. I want

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to ask about that too, because
there's an argument that before, you know,

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the ravages of postmodernism were wildly or
sort of over corrected. Baked into

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that, of course, is the
idea that something needed correction, that's something

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in the sort of tough, tough
guy archetype from the pre sexual Revolution days

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in some ways needed to be moderated
or corrected. Men needed to be more

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comfortable with their emotions, and that
sort of shift away from stoicism in some

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sense had a benefit. Is that
true? Was there something that needed to

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happen to the tough guy archetype that
allowed American men, Western men to be

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in any way more comfortable sort of
with their emotions and and you know,

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was there something that was unhealthy about
that pre sexual revolution archetype or was it

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you know, have we strayed entirely
from a basic that was much much healthier.

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Yeah? Actually I think it was
healthier, and I think it was

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misunderstood. And one of the things
that I think feminism has done has lied

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a lot about what the culture was. You know, when you hear feminism

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talk about women in the movies,
they say, well, they were either

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housewives or hookers. Go back and
watch the old movies. That's just not

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true. It's just not true.
I mean, women played various roles in

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classic American movies always, and go
back and look at who the tough guys

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were. I mean, look at
Humphrey Bogart and Casablanca devolving into tears because

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he's lost the love of his life. He sits there and cries into his

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whiskey because he's lost the love of
his life. So that the idea that

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men had no emotions was just a
falsehood about the tough guy as well as

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about all kinds of men who lived
all kinds of different ways. A tough

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guy is, as far as I'm
concerned, is a guy who sees the

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world clearly and understands the price he
is going to pay for going against the

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values of the world. When I
say that a character like Philip Marlowe had

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a knight inside him, what made
him a tough guy was knowing, as

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he says, this is a direct
quote, he said, this is not

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a game for knights, And what
he meant by that was he was going

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to get beaten up, that the
bad guys were going to win, that

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he was going to be cursed and
excluded and arrested and shot at because of

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his values. So not that he
gave up his values, but in Gospel

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terms, he picked up his cross, and that is that's what a tough

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guy does. A tough guy doesn't
abandon his emotions. He simply doesn't live

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by his emotions. A tough guy
doesn't think that the world is going to

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conform to his values. He simply
pays the price to live by his values.

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And those are the things that we
got rid of when we became I

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believe a kind of whiny and I
hate to use the word feminized because I

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think women should be feminized, I
think, but I don't think everyone should

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be feminized. I don't think men
should be feminized. And so I think

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when we lost the idea of what
a person is and what he or she

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is for, we lost the idea
of how we could construct that kind of

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person. So a really good example
in feminine terms is all the women you

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see in the movies now who are
strong, quote unquote. They always have

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their their fists on their hips.
They punch men and men fall over.

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I've seen women punch men and what
happens is their handbreaks and then the man

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just beats the living crap out of
them. That scene never appears in movies

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because we don't know what a woman
is for anymore. We can't even define

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what a woman is. The same
thing is true of men. It's not

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that men don't have emotions. We
all have emotions. Is that they don't

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live by their emotions, and they're
not supposed to live by their emotions.

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Nobody wants a father who lives by
some emotions. We want a father who

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lives by his lights. And that
that's a very different way of conceiving of

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a man and what he is is
the idea that men don't have emotions,

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it's just such a nonsense. It's
such a political piece of propaganda. You

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know, I have plenty of emotions. I don't live by my emotions.

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I live by my lights. And
that costs you, and it's painful sometimes,

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and it means we're pressing your emotions
and stuffing them down when you'd rather

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indulge them. But it's what you
do because it makes the world a better

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place, and it makes your life
a better life, and it makes the

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people around you safer and more protected. You know. I simply think that

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the things that we've been told are
lies, you know, the things that

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we've been told about the pastor lies. So it's not that there's no need

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for reform about institutions and things.
There's always need for reform and always things

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can always be done better. But
the idea that men were mistaken by being

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men and women mistaken by following their
instincts as women, it is a lie

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and a mistake put forward by people
who knew it was a lie. They

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did it on purpose, and I
think we've been living by it ever since

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and living with the consequences ever since. Men and women are much less happy

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because of it. Yeah, absolutely, yeah. I mean one of the

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thing interesting things about the Cameron Winter
books is there mostly that almost all the

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important characters in them, except for
Cameron Winter, are women. And I

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didn't plan it that way, but
I saw it unfolding that way. And

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I think because men and women are
relational, are defined by their relations with

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each other, and they're out of
whack and finding out how to get them

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00:16:27,279 --> 00:16:34,639
back in whack. This is basically
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in a secular context that can't really
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only the Beginning, rated pg.
Thirteen. Yeah, now, this is

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the moral confusion. I think that
you've been talking about. You had made

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a really good point on Twitter,
or I guess I have to say X.

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Now. A couple of days back, you tweeted, I no longer

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tell the difference between I can no
longer tell the difference between lets and white

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supremacists. They both think George Floyd
is the typical black man, and they

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both hate Jews. It's like a
sequel to Face Off, where Stalin and

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Hitler change identities and it makes no
difference at all. And I want to

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ask you about that in the context
of historical precedent. A lot of times

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people jump to this idea that we
are living in times that have absolutely no

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precedent that what we see with the
sex and gender have no precedent, although

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that might be true, but you
know, within the last one hundred years,

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a blink of an eye in the
course of human history, there is

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some precedent for this kind of Nietzscheen
moral wasteland. And I wanted to ask

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andrec you could maybe flesh out how
you were thinking about that post October seventh.

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Well, yeah, I mean,
I have this very belief that makes

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people very uncomfortable, which is that
the Jews are special people. Doesn't mean

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that a Jew is a special person, obviously that would be ridiculous. Each

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person is special or unique in his
own way, but it means that the

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history of the Jews is special,
especially in Western culture, as being the

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place where, depending on what you
believe, either God reveals himself to the

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world in the Jewish history or the
God of our imaginations is implanted in our

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imaginations. So, in other words, you don't have to believe in God

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to understand that the Jews hold a
very special place in a culture that used

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to be called Christendom, that was
formed by the Bible, that worshiped in

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Christianity, a religious Jew of Jesus
Christ who lived and died a believing Jew

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when people hate the Jews. It
is because they hate that image of God,

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that image of God who requires of
us that we put our idols away,

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that we put our desires second to
obedience to Him that expects us to

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live in the kingdom, knowing that
means we might be crucified because we're not

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in the kingdom yet. All of
those things that Christianity and Judaism before it

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asked us to do, we don't
like, and we take it out on

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the Jews. I don't think we
hate the Jews because they're successful. I

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don't think we hate the Jews because
they're funny. I don't think we hate

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the Jews because they're doing anything wrong. I think we hate them because God

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plays out his relationship with man in
the theater of their history. And I

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know this. I can almost prove
it by simply pointing out the fact that

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no matter what situation the Jews are
in, this anti Semitism, this virulent

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anti Semitism, rises up again and
again. Some people call it. The

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call the Jews the Canarian the coal
mine, because they're the first to go

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before Western civilization is attacked. But
I call anti Semitism the devil's flagpole.

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Because I think that evil can creep
into any philosophy. You can be a

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leftist, you can be a rightist, you can believe in God, you

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cannot believe in God, and evil
can get into you. And when it

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does, the sign that it's there
is that viru and anti Semitism. So,

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of course, people who are white
supremacists, I believe there are about

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one hundred of them in America.
But people who are white supremacists are going

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to hate the Jews above all.
And of course people who are leftists and

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basically hate God, you know,
because that's the first principle of leftism is

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that there is no God. It
is that we are going to make life

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perfect with our own hands in our
own world. Of course they're going to

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hate the Jews. So eventually these
two ends of the circle become one thing,

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and it happens again and again.
You know, there was a Stalin

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and Hitler back before it invaded the
Soviet Union. We're good buddies, you

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know, And so this is something
that we should come to recognize. The

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only way out of that circle is
believing in human freedom and in the idea

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that man is made in God's image, that there is some connection. When

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I say that, just to put
it in practical terms, what it means

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is that there is some connection between
our conscience and objective moral reality that when

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we look upon someone beheading a baby
or raping a woman on the body of

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her murdered boyfriend, something in our
hearts says to us, this is wrong,

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and we can't define it, we
can't prove it, we can't even

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know it, but we do know
it. And it's when we develop ideologies

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that silence that voice inside us,
that we end up, you know,

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devolving into due hatred and violence and
the kind of stupidity we're seeing on our

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college campuses where they have been talked
out of the most basic primary information that

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human beings had. What is a
woman, what is she for? What

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is a man? What is he
for? What is good? And what

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is evil? So what we're seeing
now, you know, I will tell

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you, in all honesty, is
weird as it may sound. When I

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heard, you know now it's now
years ago, when I heard major institutions,

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major media outlets, major colleges saying
that you could butcher the body of

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a child and call a gender affirming
care. One of the first thoughts that

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went through my mind was soon they
will be killing Jews. Not because there's

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a connection between killing Jews and transgenderism, but there's a connection between evil and

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killing Jews, that's the thing.
And it is evil to do that.

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And if you've developed an ideology where
you can't see that it's evil to kill

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a baby a minute before it's born, and you can't see that it's evil

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to teach children about deviant sexuality in
school, and you can't see that it's

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evil to butcher a child, you
have lost your way. You've lost your

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way in a way that you almost
can't define it. You can't explain it,

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you can't argue it. You know, my friend and I love him,

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and I feel so deeply for him
because I know how deeply he's connected

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to Israel Ben Shapiro. I keep
hearing him say, look look at what

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they've done, and I keep thinking
they know what they see, they see

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it, they just can't feel it
anymore because their ideology has overcome their conscience.

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And I think that that's a situation
where men and women of conscience have

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to stand up and act their conscience
out. You know, it's a very

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00:25:30,960 --> 00:25:33,079
painful thing to have to do it
sometimes you wind up getting eaten by lions

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in the you' see if you do
that, but if you don't do it,

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people cannot see what they know in
their hearts but have shut down because

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of their ideology. So that's been
weighing heavily on me just the last couple

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of weeks, watching and even you
know, some ostensibly decent kind of members

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of the online left who care very
deeply they say about human rights, and

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will you know, do things like
pivot immediately to Gaza and say it's not

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worth, you know, crying over
what happened on October seventh in Israel.

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You know, this is the children
of Gaza, you know, deserve more

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attention because what happened in Gaza was
this outpouring of anti colonial sentiment whatever I

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mean. There's different versions of this
argument that have been circulating over the last

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couple of weeks, and I wonder
who's really to blame because on a certain

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level, especially I'm talking specifically about
young people who were born after nine to

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eleven and grew up in this total
moral confusion, just absolute fog, through

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no falls of their own, they
were born into it. At the same

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time, these these horrors are stark, there can be no confusion when you

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see the videos that hamas live streamed, and yet there manages to be among

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ostensibly good people. So, Andrew, maybe I just want to pick your

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brain a little bit about how to
deal with this generation of social justice minded

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young people who maybe don't know what
they should know and everything that they should

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know for reasons that relate back to
the culture. How should we think of

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00:27:18,000 --> 00:27:23,160
their stances in these times? Well, you mentioned Niche before, and Nietzsche,

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in many ways was a prophet who
simply pointed out that when he said

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God is dead, when he had
a madman cry out in the street,

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00:27:32,279 --> 00:27:36,640
God is dead, you know what
he meant by that was that we haven't

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00:27:36,680 --> 00:27:40,160
lost our faith and we are inevitably
losing our faith in the face of many

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00:27:40,200 --> 00:27:44,839
things that happened at the same time, Science, the disruption in the church

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00:27:44,880 --> 00:27:47,880
that was the Reformation, all of
these things made people think, well,

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00:27:47,960 --> 00:27:49,200
you know, what can we believe? What can we hold on to?

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00:27:51,000 --> 00:27:57,680
And he predicted, Dostoevski predicted many
people predicted that when you lose faith in

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God, morality disappears. Anything is
permitted when you lose faith in God,

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00:28:06,400 --> 00:28:08,400
and so you start to say,
well, I can rewrite morality, I

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00:28:08,400 --> 00:28:11,559
can rewrite my gender, I can
rewrite my body. I can rewrite anything

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00:28:11,599 --> 00:28:17,039
I want, because there is no
thing that I am modeled on that means

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anything. And you really have to
sit down for a minute and consider what

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00:28:21,680 --> 00:28:27,000
the ramifications are of that. In
The Brothers Karamazov, a great, great

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00:28:27,039 --> 00:28:32,720
novel by Fyodor Dostoevsky, there's a
brother. One of the brothers is a

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00:28:32,720 --> 00:28:36,960
guy who believes in God but feels
that God is not doing right by the

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00:28:36,960 --> 00:28:38,680
world, and that God essentially allows
too much evil, and he won't forgive

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00:28:38,720 --> 00:28:42,519
God for that. And he says, when you abandon God, and when

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00:28:42,559 --> 00:28:49,279
you abandon the idea of immortality,
not only do you reject morality, but

396
00:28:49,319 --> 00:28:53,279
your morality becomes the opposite of what
it was. And the service of the

397
00:28:53,319 --> 00:29:00,799
ego, even into doing evil,
becomes the moral good things that people have

398
00:29:00,839 --> 00:29:04,039
been warning us about all this time. And now that bill has come due,

399
00:29:04,079 --> 00:29:08,079
I mean, we have reached an
utterly materialist world. Even people who

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00:29:08,119 --> 00:29:14,519
think that they're religious are materialists.
They do not believe that there is something.

401
00:29:14,759 --> 00:29:18,680
You know, you saw it during
COVID when people would come on Andrew

402
00:29:18,720 --> 00:29:22,839
Como I remember it came on and
said the alternative to locking down is death.

403
00:29:23,000 --> 00:29:26,279
There's nothing worse than death. Well, death is a terrible thing.

404
00:29:26,319 --> 00:29:30,240
I'm no friend to death, but
there are plenty of worse things than death.

405
00:29:30,319 --> 00:29:33,920
Slavery is worse than death, dishonor
is worse than death, all kinds

406
00:29:33,960 --> 00:29:37,279
of things. Fear, living in
fear is worse than death. And you

407
00:29:37,319 --> 00:29:41,039
can't know that unless you believe in
something beyond life, right, unless you

408
00:29:41,079 --> 00:29:47,359
believe in something that is worth more
than your physical body. So people have

409
00:29:47,400 --> 00:29:52,160
to sit down and think about the
ratlifications of what they believe, because I've

410
00:29:52,200 --> 00:29:56,039
noticed this on university campuses. God
is not a football team, you know,

411
00:29:56,079 --> 00:29:57,400
it's not. Religion is not a
team where you're the good guys and

412
00:29:57,440 --> 00:30:00,440
they are the bad guys. It's
a way of living, a way of

413
00:30:00,599 --> 00:30:04,319
perceiving life. And a lot of
people have been talked out of seeing what

414
00:30:04,359 --> 00:30:10,839
they see. So you know,
when you can, when you can look

415
00:30:10,880 --> 00:30:12,079
at you know, when my friend
Matt Watsh goes out and says what is

416
00:30:12,079 --> 00:30:15,559
a woman? And people can't answer
him. The reason people can't answer them

417
00:30:15,599 --> 00:30:19,359
is that's just something you know,
that's an axiom that's a self evident truth.

418
00:30:19,759 --> 00:30:22,759
When you start to lose your grip
on those self evident truths, you

419
00:30:22,799 --> 00:30:26,559
have to go back and say,
how did I get talked out of that?

420
00:30:26,039 --> 00:30:32,000
And I think that when we talk
to young people now, one of

421
00:30:32,000 --> 00:30:33,759
the things that really bothers me on
the right is this making fun of young

422
00:30:33,799 --> 00:30:38,920
people for being unhappy because of the
culture has destroyed their lives. I mean,

423
00:30:38,960 --> 00:30:42,559
especially young women. Young women are
so unhappy. They're so unhappy,

424
00:30:42,799 --> 00:30:45,559
and I don't make fun of that. I don't think it's their fault.

425
00:30:45,640 --> 00:30:49,200
I think the culture has told them
something that is untrue about their lives.

426
00:30:49,720 --> 00:30:55,640
And I think you have to start
by daring to speak the truth to them

427
00:30:55,839 --> 00:31:00,640
and daring them to embrace the truth. That's a really hard thing to do

428
00:31:00,680 --> 00:31:03,119
because you come across as a fuddy
duddy, You're not modern, You're you

429
00:31:03,119 --> 00:31:07,359
know, it's okay, okay,
boomer stuff. You know, all of

430
00:31:07,400 --> 00:31:11,279
that stuff you are going to face. You're going to risk the most deadly

431
00:31:11,359 --> 00:31:15,839
thing that can happen to any American. You become irrelevant. You know,

432
00:31:15,880 --> 00:31:21,400
God forbid you should become irrelevant.
So when you go before people and you

433
00:31:21,440 --> 00:31:26,200
say, who told you that a
man could become a woman. And why

434
00:31:26,200 --> 00:31:30,359
did you believe it? What on
earth? What on earth made you think

435
00:31:30,599 --> 00:31:33,839
that? Because some clown and a
you know, a liberal arts colarge told

436
00:31:33,880 --> 00:31:37,200
you that that you should believe it. You know, those are questions that

437
00:31:37,279 --> 00:31:40,519
have to be asked. And the
reason you know that they have to be

438
00:31:40,559 --> 00:31:44,920
asked is because you get demonetized on
YouTube for saying them. You get thrown

439
00:31:44,920 --> 00:31:48,640
off Facebook, you get silenced,
you get censored, you get condemned by

440
00:31:48,920 --> 00:31:52,440
the mainstream. That's how you know
when you're speaking the truth. You know,

441
00:31:52,519 --> 00:31:56,119
that's that's the giveaway. If you
can say almost anything, you can

442
00:31:56,119 --> 00:32:00,480
say you know, the Jews are
to blame for their own murders, you

443
00:32:00,480 --> 00:32:04,319
can guess. You can say that
without losing your monetization on YouTube, But

444
00:32:04,400 --> 00:32:07,920
you cannot say that a man can't
become a woman on YouTube without being demonetized.

445
00:32:07,920 --> 00:32:12,200
So that's how you know you're speaking
the truth. So I've been saying

446
00:32:12,240 --> 00:32:15,759
this now for so long that it's
getting to beginning to feel like I'm beating

447
00:32:15,759 --> 00:32:19,279
your drum. But if you don't
have the courage, if you don't have

448
00:32:19,359 --> 00:32:22,240
the courage to speak the truth,
especially to the young, if you don't

449
00:32:22,240 --> 00:32:27,240
have the courage to pay the price
on social media. I mean, you

450
00:32:27,279 --> 00:32:31,160
know, pay the price in social
relevance and pay the price in money because

451
00:32:31,160 --> 00:32:36,079
it costs your money to do it. Then you can bet that the truth

452
00:32:36,160 --> 00:32:38,160
is going to is going to die. You can bet that people are not

453
00:32:38,160 --> 00:32:39,880
going to live by the truth.
They are going to live by lies.

454
00:32:39,880 --> 00:32:44,599
And when you live by lies,
you start killing people. That's when the

455
00:32:44,599 --> 00:32:46,440
body's pilot. You know. When
people used to say about Donald Trump,

456
00:32:46,440 --> 00:32:50,000
and I'm no big fan of Donald
Trump, when people say he's literally Hitler,

457
00:32:50,039 --> 00:32:52,720
I would say, show me the
bodies, show me the bodies.

458
00:32:52,880 --> 00:32:57,359
That's how you know someone's literally Hitler, because because they're bodies. Now,

459
00:32:57,400 --> 00:33:00,799
we see the bodies. Now since
October seventh, we see the bodies,

460
00:33:00,920 --> 00:33:05,119
and nobody cares. You know.
The New York Times has a guy as

461
00:33:05,160 --> 00:33:09,079
a videographer in Gaza who's an actual
fan of Hitler, who's literally a Hitler

462
00:33:09,079 --> 00:33:17,000
fan, covering the Israel Gaza War. So if you're not going to speak

463
00:33:17,000 --> 00:33:20,160
the truth, you're not going to
live the truth. You're not going to

464
00:33:20,160 --> 00:33:22,440
pray in truth. You're not going
to stand out and say, you know

465
00:33:22,480 --> 00:33:27,240
what this world actually the world you
want, actually doesn't make sense. If

466
00:33:27,319 --> 00:33:30,880
we are living in a godless world, no one's going to hear the truth.

467
00:33:30,920 --> 00:33:34,359
And that's a tough assignment, but
you really have to do it,

468
00:33:34,400 --> 00:33:36,119
and all of us have to do
it, and all of us are going

469
00:33:36,200 --> 00:33:39,920
to pay a price for you.
Hey, y'all, this is Sarah from

470
00:33:39,920 --> 00:33:44,599
the Sarah Carter Show. Thanks for
listening to the Federalists or Radio hour.

471
00:33:45,000 --> 00:33:47,240
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off your first order. Get superbeats
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487
00:35:07,760 --> 00:35:13,920
to ask about the value of fiction
in a time when there's so much less

488
00:35:14,480 --> 00:35:16,280
reading that's happening. I mean,
there's a lot of binging and a lot

489
00:35:16,280 --> 00:35:20,079
of binging of fiction, but there's
also a lot of binging of TikTok,

490
00:35:21,199 --> 00:35:25,119
a whole lot of binging of TikTok
and Instagram, where you're not really watching

491
00:35:25,199 --> 00:35:30,320
for the most part art. You're
watching other people react to art in some

492
00:35:30,400 --> 00:35:35,519
cases, but you're watching other people
just go about their lives and share their

493
00:35:35,519 --> 00:35:37,239
thoughts. And that doesn't lead a
whole leave a whole lot of time for

494
00:35:38,239 --> 00:35:45,719
actually the imagination, the moral imagination, the literal imagination. How important or

495
00:35:45,719 --> 00:35:51,119
what role do you think fiction can
play at helping people be better, be

496
00:35:51,119 --> 00:35:55,199
better versions of themselves in such a
difficult time. It's a great question,

497
00:35:55,280 --> 00:35:59,800
and it's basically the core of what
we're talking about. Yeah, first,

498
00:36:00,119 --> 00:36:01,559
you have to know what you're talking
about when you talk about art. Art

499
00:36:01,639 --> 00:36:07,320
is a way that human beings communicate
the experience, the internal experience of being

500
00:36:07,400 --> 00:36:09,920
human, from person to person.
That is what art ups. You can't

501
00:36:09,920 --> 00:36:13,519
do it any other way. I
cannot tell you what it feels like to

502
00:36:13,519 --> 00:36:16,119
see your first child born. I
cannot tell you what it feels like even

503
00:36:16,159 --> 00:36:21,199
to stub your toe. I have
no way of communicating those things to you

504
00:36:21,559 --> 00:36:23,480
through language. I can only do
it by drawing a picture, by telling

505
00:36:23,519 --> 00:36:27,320
a story, by writing a song. Those are the only ways I can

506
00:36:27,320 --> 00:36:30,519
communicate to you what it feels like
to be a human being, the wholeness

507
00:36:30,559 --> 00:36:36,719
of a human being. When you
don't have that, you begin to rely

508
00:36:37,119 --> 00:36:40,440
purely on reason. And I can
reason my way to any damn thing I

509
00:36:40,480 --> 00:36:44,920
want. I can reason my way
and to murder. People have done it,

510
00:36:44,960 --> 00:36:46,400
They do it all the time.
You know, I have to do

511
00:36:46,440 --> 00:36:51,880
this because this and this. I
am doing this because it's decolonization. Decolonization

512
00:36:52,000 --> 00:36:55,199
is unfair. Therefore it's fair to
slaughter anybody I decide as a colonialist.

513
00:36:55,639 --> 00:37:00,679
The fact that their reasoning can be
disproved or doesn't make any sense doesn't matter,

514
00:37:00,719 --> 00:37:05,119
because they have lost touch with the
full experience of being a human,

515
00:37:05,159 --> 00:37:07,880
which is only partially reasonable. There
are things that we know that we don't

516
00:37:07,920 --> 00:37:10,599
know how we know what is a
woman, what is good? What is

517
00:37:10,599 --> 00:37:14,480
evil? What is a man?
Those are things we know without knowing how

518
00:37:14,519 --> 00:37:17,639
we know that we cannot put our
knowledge into words. If you are not

519
00:37:19,920 --> 00:37:25,320
schooled by some kind of civilizing art, you will be taken over by ideology.

520
00:37:25,519 --> 00:37:30,679
Those are basically your two choices.
It's the difference between worshiping God and

521
00:37:30,719 --> 00:37:34,480
worshiping a little statue that says it's
a God. It's the difference between worshiping

522
00:37:34,480 --> 00:37:37,719
God and worshiping Donald Trump or Barack
Obama. You know, It's the difference

523
00:37:37,760 --> 00:37:45,599
between ideas and ideals and ideology art
if you use it right, I mean,

524
00:37:45,679 --> 00:37:47,159
you can't just you can't just look
at it. You have to engage

525
00:37:47,159 --> 00:37:52,960
with it. But art and religion, which is art in a way in

526
00:37:52,960 --> 00:37:58,920
itself, are the ways that you
turn your you deepen the experience of being

527
00:37:59,000 --> 00:38:01,840
human, So you can set it
off against bad ideology, so you can

528
00:38:01,840 --> 00:38:06,679
set it off against the fervor of
your emotions in a moment, so you

529
00:38:06,679 --> 00:38:08,320
can set it off against the mob, so you can set it off against

530
00:38:08,360 --> 00:38:14,320
your desires for approbation, for approval, for fame, for money, for

531
00:38:14,400 --> 00:38:16,760
sex, whatever it is that you
desire. You need to be a whole

532
00:38:16,840 --> 00:38:22,000
person. And the way you become
a whole person is through art and through

533
00:38:22,119 --> 00:38:23,679
ritual. That is what makes you
a whole person. There is no other

534
00:38:23,719 --> 00:38:29,159
way. And so if you're not
reading, if you're not experiencing art at

535
00:38:29,159 --> 00:38:34,079
a deep level, if you're not
experiencing prayer and ritual at a deep level,

536
00:38:34,440 --> 00:38:37,480
you are not going to be a
full human being. And you can

537
00:38:37,519 --> 00:38:40,559
see it. You can see.
You know, the thing that makes people

538
00:38:40,800 --> 00:38:45,519
angriest when I talk on my podcast. The first thing is if I say

539
00:38:45,559 --> 00:38:50,360
Donald Trump is being a jerk.
That makes people angry. But the thing

540
00:38:50,400 --> 00:38:53,559
that makes them even more angry is
when I tell them to stop smoking dope.

541
00:38:54,280 --> 00:38:58,880
And that really makes me laugh,
because you know, I get it.

542
00:38:58,920 --> 00:39:00,559
I like a drink from time time. You know, I'm not saying

543
00:39:00,559 --> 00:39:04,559
you shouldn't have vices. But people
smoked op at a level that I don't

544
00:39:04,599 --> 00:39:07,679
think anybody understands. They smoke it
every day. It's so much more powerful

545
00:39:07,760 --> 00:39:09,840
than when I was a kid,
and it made you a little buzzy.

546
00:39:10,039 --> 00:39:15,440
Now it makes you stone. To
live in the world is a very intense

547
00:39:15,519 --> 00:39:20,360
experience, and people dull it with
all these things, with alcohol, with

548
00:39:20,559 --> 00:39:23,760
sex, with pornography, with money. They dull the reality of life.

549
00:39:24,079 --> 00:39:28,960
But when you live in the reality
of life and become a full human being,

550
00:39:29,079 --> 00:39:31,679
the joy of that experience and the
vitality of that experience pays you back

551
00:39:32,239 --> 00:39:37,800
almost for everything I would say.
And so art is the way you humanize

552
00:39:37,800 --> 00:39:40,760
yourself. Ritual and art are the
ways you become a human being. And

553
00:39:40,800 --> 00:39:44,079
if you're not a human being,
I can tell you what you will become.

554
00:39:44,280 --> 00:39:47,199
You will become a sheep. You
will become a follower of the guy

555
00:39:47,239 --> 00:39:51,639
who offers you the most pleasure,
the most money, the most power.

556
00:39:51,840 --> 00:39:54,599
Whatever it is that people are holding
up and giving you. You will fall

557
00:39:54,599 --> 00:39:58,679
for that. You will fall for
that, you know. I mean.

558
00:39:59,000 --> 00:40:02,559
I talk to these kids in colleges. My heart breaks for them because they

559
00:40:02,559 --> 00:40:07,760
are being told that they will be
a good person if they only believe this,

560
00:40:07,159 --> 00:40:10,559
that they will be their authentic self, that they will only dress like

561
00:40:10,599 --> 00:40:14,920
this, that they will be,
you know, the master of the universe,

562
00:40:14,960 --> 00:40:17,119
if they will only speak these words. All of those are lies.

563
00:40:17,559 --> 00:40:22,599
That the idea of being a human
being is so complex that only art,

564
00:40:22,679 --> 00:40:28,559
only culture, only religion, and
the experience of religion can actually give it

565
00:40:28,599 --> 00:40:30,039
to you, and it's worth everything
to have it. We live in a

566
00:40:30,159 --> 00:40:32,440
very you know, we used to
live in a healthier society. It wasn't

567
00:40:32,440 --> 00:40:35,960
a better society. There's still plenty
of evil in it, but it was

568
00:40:36,000 --> 00:40:38,559
a healthier society. But we live
right now in a very unhealthy society.

569
00:40:38,599 --> 00:40:42,000
And the only way we're going to
get it back is person by person.

570
00:40:42,719 --> 00:40:45,800
You know. This is why,
this is why for the last twenty five

571
00:40:45,880 --> 00:40:49,920
years, I've been telling conservatives,
stop saying that this is the election of

572
00:40:49,960 --> 00:40:52,519
your lifetime. Stop saying everything depends
on the next election, because you didn't

573
00:40:52,559 --> 00:40:57,159
lose the country in the elections.
You've lost it at the movies. You

574
00:40:57,280 --> 00:41:00,840
lost it where people lied into the
human heart and twisted it there. And

575
00:41:00,880 --> 00:41:04,719
that's where we have to win it
back. It's going to be a long,

576
00:41:05,119 --> 00:41:07,559
slow slog I mean, it's not
going to happen overnight. It's not

577
00:41:07,599 --> 00:41:13,800
going to happen if Donald Trump wins
the next election or DeSantis wins it.

578
00:41:13,800 --> 00:41:20,280
It's only going to happen when we
start creating beauty and narratives and rituals that

579
00:41:20,400 --> 00:41:25,119
tell the human truth. The House
of Love and Death by Andrew Clavin,

580
00:41:25,159 --> 00:41:30,800
another Cameron Winter mystery, has a
Halloween release state that's out on October thirty

581
00:41:30,880 --> 00:41:32,679
first. Andrew, I want to
thank you so much for joining the show.

582
00:41:32,679 --> 00:41:36,039
I appreciate it. I'm such a
big fan of your work. Thank

583
00:41:36,079 --> 00:41:37,679
you. Thanks, Emily, it's
great talking to you. I appreciate it.

584
00:41:38,159 --> 00:41:42,639
Of course you've been listening to another
edition of The Federalist Radio Hour.

585
00:41:42,639 --> 00:41:45,960
I'm Emily Rashinsky, culture editor here
at The Federalist. We'll be back soon

586
00:41:45,119 --> 00:41:50,239
with more. Until then, be
lovers of freedom and anxious for the friend
