1 00:00:00,480 --> 00:00:04,040 Run Like Thieves live in studio. How are you guys? Welcome? Good? 2 00:00:04,240 --> 00:00:09,199 Hey man, Hey Abe, Let's start with you because I've known you 3 00:00:09,720 --> 00:00:13,400 forever. Yeah, I just I'd love for each of you to introduce yourselves 4 00:00:13,480 --> 00:00:16,719 and tell us what you do in the band. Hey, I'm Abe. 5 00:00:16,839 --> 00:00:21,320 I play the bass and evidently i'm the technical guy. That's that's what we 6 00:00:21,440 --> 00:00:28,440 hear by default. Yes, and on the couch. Hi, Greg Santini, 7 00:00:29,239 --> 00:00:33,799 the drummer for Run Like Thieves. You can find me on social media 8 00:00:34,159 --> 00:00:37,240 at running Drummer because I like to run a lot. So yeah, name 9 00:00:37,359 --> 00:00:41,600 my channel, Running Drummer. That makes sense. Yeah, I wondered. 10 00:00:41,640 --> 00:00:43,880 I didn't know if you had some sort of gimmick where you run and you 11 00:00:43,920 --> 00:00:47,000 play the drum. Yeah, you're running, or I'd like to do that 12 00:00:49,600 --> 00:00:54,039 seems like a very obvious idea. And the gentleman in the corner with the 13 00:00:54,079 --> 00:00:58,920 giant cardboard Peter Whitehead for those watching online, And my name is Dan Fallon, 14 00:00:59,159 --> 00:01:04,280 and I am the I am the media front of the band, and 15 00:01:04,319 --> 00:01:10,840 you can find me on only dance dot com and pay for my subscription there. 16 00:01:11,439 --> 00:01:15,319 Yeah. So I'm laughing extra hard because when Matt said that by the 17 00:01:15,319 --> 00:01:19,359 look of your face. I know that you thought he was talking about your 18 00:01:19,439 --> 00:01:23,640 head, but I'd like you to turn over your right shoulder. Oh goodness, 19 00:01:23,680 --> 00:01:33,840 Now that's the giant Peter White head. It's very appropriately placed. He's 20 00:01:33,879 --> 00:01:36,319 always watching. Oh yeah, No, I wasn't referring to your head. 21 00:01:38,079 --> 00:01:40,959 No. I was like, how did they notice? I was checking to 22 00:01:41,000 --> 00:01:44,959 see how my fly was down. He's got a huge head. Now now 23 00:01:45,000 --> 00:01:49,760 technically, uh, technically, I am though allowed to make jokes about people 24 00:01:49,799 --> 00:01:53,040 with large heads because I have a large head, So that makes it okay. 25 00:01:53,640 --> 00:01:57,760 I realized that, No, that makes you self loathing. I realized, 26 00:01:57,879 --> 00:02:00,879 I bet you cry yourself to sleep on your huge pillow. Well that's 27 00:02:00,959 --> 00:02:05,760 right. Well, you know I'm Irish and Irish people we have. I 28 00:02:05,840 --> 00:02:08,120 realized that years and years ago. I was watching Conan O'Brien in his monologue. 29 00:02:08,120 --> 00:02:10,439 He made a joke about the size of his own head, and I 30 00:02:10,479 --> 00:02:13,000 never thought about it. I was like, yeah, he does have a 31 00:02:13,000 --> 00:02:15,520 big head, and he but the joke. It was something about Irish people 32 00:02:15,520 --> 00:02:17,319 having large heads, and I was like, wait, I'm Irish. Do 33 00:02:17,360 --> 00:02:20,319 I have a big head? And I ran to the bathroom mirror and I 34 00:02:20,360 --> 00:02:22,479 was like, oh, yeah, wow, I do I look like a 35 00:02:22,520 --> 00:02:25,960 South Park character. I get this giant Irish melon I'm walking around with, 36 00:02:27,360 --> 00:02:30,520 but but I look at it this way. I needed to hold my enormous 37 00:02:30,520 --> 00:02:37,039 sprain. That's right. So I think that it's an appropriately sized head for 38 00:02:37,080 --> 00:02:42,800 your brain. Thank you, thank you. I am also Irish and I'm 39 00:02:42,960 --> 00:02:49,479 very sensitive about the size of my head. Well it's uh is it too 40 00:02:49,520 --> 00:03:01,840 small? You know, well anyway in the Marryland anyway, but it looks 41 00:03:01,840 --> 00:03:07,879 bigger up close. It's it's uh, it's wonderful to have you guys here, 42 00:03:08,400 --> 00:03:13,719 and Abe, it's great to see you. You've been in now when 43 00:03:13,759 --> 00:03:16,560 when I first met you, you were in East is East back at the 44 00:03:16,599 --> 00:03:22,800 old Guildford practice space. Yes, yes, now is that where where is 45 00:03:22,840 --> 00:03:25,520 Revelry Studios? Is that where? That is? No revel what was here 46 00:03:25,560 --> 00:03:31,319 in Manchester? The building just sold or something? So uh Matt uh uh. 47 00:03:31,759 --> 00:03:35,879 Matt Blanchette is the guy that ran that, along with his other guys, 48 00:03:35,919 --> 00:03:39,680 tyler Ayres and they're looking for a new space. Oh uh. They'll 49 00:03:39,680 --> 00:03:43,439 still like go out and do things and I would highly recommend them. I 50 00:03:43,439 --> 00:03:47,360 think we all would highly recommend. We were lucky to get in before they 51 00:03:47,560 --> 00:03:53,400 closed. Been one of the last people recorded in our studio. Oh wow, 52 00:03:53,840 --> 00:03:57,800 and they are amazing, incredible And how did the three of you come 53 00:03:57,879 --> 00:04:01,680 to play together? How did this band form? Well, why don't you 54 00:04:01,719 --> 00:04:05,240 tell this? Well, So I moved up from New York. I retired. 55 00:04:05,240 --> 00:04:10,080 I was a fireman in New York City and I retired and came up 56 00:04:10,120 --> 00:04:15,560 to New Hampshire and I've been playing drums for a really long time and I 57 00:04:15,680 --> 00:04:18,079 wanted to start a band. So I met two other guys started playing and 58 00:04:18,079 --> 00:04:20,920 then we played out. We didn't have a singer. We were just too 59 00:04:21,120 --> 00:04:26,519 you know, a trio of just music. And they were really good. 60 00:04:26,680 --> 00:04:30,959 And we're still friends with one of the bass players. He's awesome guy, 61 00:04:31,199 --> 00:04:39,199 Carmen Serrano. Great, great guy. But anyway, met Dan at an 62 00:04:39,199 --> 00:04:43,959 open mic and he was just the nicest guy. And I was like, 63 00:04:43,959 --> 00:04:46,279 who is this guy? And he started singing. I was like, Oh, 64 00:04:46,360 --> 00:04:49,000 this guy can sing. We need a singer bad. So he ended 65 00:04:49,079 --> 00:04:54,160 up playing with us, and Dan and I just kind of really became really 66 00:04:54,199 --> 00:04:58,600 good friends and continue to make music. And Dan is just Dan is the 67 00:04:58,680 --> 00:05:00,639 kind of guy that just he'll do anything, like, he will just play 68 00:05:00,680 --> 00:05:05,639 anywhere, play anytime. He's got no qualms, you know, doesn't care 69 00:05:05,720 --> 00:05:11,079 about what anyone thinks, which is which is a really hard thing to find 70 00:05:11,120 --> 00:05:15,199 in a in a musician, because a lot of musicians are very you know, 71 00:05:15,240 --> 00:05:18,439 they're I guess they're sort of afraid to insecure. They don't they don't 72 00:05:18,480 --> 00:05:21,600 want to play out or whatever. Dan is the opposite of that. Play 73 00:05:21,759 --> 00:05:25,399 anywhere anytime, we want to all you want to play you know the song, 74 00:05:25,480 --> 00:05:27,959 Nope, let's play it anyway. You know. Like that's so I 75 00:05:28,000 --> 00:05:33,040 really admired that about Dan. And then we ended up doing a lot of 76 00:05:33,040 --> 00:05:36,519 cover as a cover band thing, and then we met Abe. Abe was 77 00:05:36,560 --> 00:05:43,160 our backup bass player for the cover band, and he came right in and 78 00:05:43,319 --> 00:05:46,920 he was just insanely good. Yeah, and I was like wow, And 79 00:05:46,959 --> 00:05:51,040 I really connected with Abe musically, and that's a huge thing for drummers. 80 00:05:51,120 --> 00:05:54,879 In my opinion, your band is only as good as your bass player and 81 00:05:54,920 --> 00:05:59,560 your drummer. And he was just right on, you know, right connected 82 00:05:59,639 --> 00:06:02,079 right away, and it was fantastic, and we just started playing together and 83 00:06:02,120 --> 00:06:08,240 we Dan had a bunch of music that we thought was great, and Abe 84 00:06:08,240 --> 00:06:12,439 and I basically put our own thing on it and you know, help him 85 00:06:12,480 --> 00:06:15,399 produce a lot of the stuff and make it even better than it is. 86 00:06:15,879 --> 00:06:19,399 And it's just it's been great. It's been really great. Yeah, really 87 00:06:19,439 --> 00:06:23,199 great. We've been on a really good run. Excellent, excellent. What 88 00:06:23,199 --> 00:06:26,399 what brought you to New Hampshire? By the way, Uh, they don't 89 00:06:26,439 --> 00:06:33,639 tax my pension. So also we love to hike and schime. I have 90 00:06:34,199 --> 00:06:40,759 two kids, and and and my wife, and they just love the outdoors 91 00:06:40,800 --> 00:06:44,639 and you know, they're they're really you know, I just love the the 92 00:06:45,120 --> 00:06:47,560 everything about We love being close to the mountains, the ocean, the city 93 00:06:47,600 --> 00:06:49,879 in Boston, only four hours from New York. So if we want to 94 00:06:49,879 --> 00:06:54,480 go back home, it's not a big deal, you know. So it's 95 00:06:54,519 --> 00:06:57,360 it's great. We love it. Yeah, actually excellent. Are you from 96 00:06:57,360 --> 00:07:01,399 here down? I'm from Malden, Massachusetts originally Okay, okay in the streets, 97 00:07:01,480 --> 00:07:06,360 yeah street and ay? Are you from here? Originally? Yeah? 98 00:07:06,360 --> 00:07:13,120 I mean I'm from uh uh Sandwich, uh Sandwich, Tamworth originally kind of 99 00:07:13,120 --> 00:07:16,040 been moving my way south ever since. Yeah, I won't go too much 100 00:07:16,040 --> 00:07:18,920 farther. You're gonna end up in that tax category. That's right. Yeah, 101 00:07:18,959 --> 00:07:24,360 that's right. That's right. So maybe I don't need to worry about 102 00:07:24,399 --> 00:07:30,279 that income all income. Ye, that's right, Massachusetts taxes everything. Yeah, 103 00:07:30,480 --> 00:07:34,920 you breathed, I got you. That's a quarter come back exactly. 104 00:07:35,160 --> 00:07:39,759 Hello to our friends j Fed and Melanie from the great state of Vermont who 105 00:07:39,759 --> 00:07:43,959 are in the chat room. Speaking of very loyal listeners. So, how 106 00:07:44,000 --> 00:07:46,040 long is uh, how long has this been a band? It's been a 107 00:07:46,079 --> 00:07:48,639 couple of years. Yeah. Well, Dan and I've been Dan and I've 108 00:07:48,680 --> 00:07:54,079 been playing together for about a little over two years, and then Abe joined 109 00:07:54,160 --> 00:07:57,079 us. I guess in the last a year ago. Yeah. So I 110 00:07:57,120 --> 00:08:01,160 got the call from Brian back in March, right. Brian's our he's our 111 00:08:01,240 --> 00:08:07,759 horn player for the cover band. Another awesome musician, great guy the Bulkheads. 112 00:08:09,000 --> 00:08:13,319 Yeah yeah, he's a Bulkhead guy. Yeah. And then we started 113 00:08:13,319 --> 00:08:16,720 writing tunes together. I don't know, we were going to practice one day 114 00:08:16,800 --> 00:08:20,319 and do some covers for like a trio gig, the three of us, 115 00:08:20,319 --> 00:08:24,120 and then just started to writing some songs. So it's pretty dope. I 116 00:08:24,120 --> 00:08:26,839 was like, oh, let's try this, this will be and it sounded 117 00:08:26,879 --> 00:08:31,000 awesome. Yeah, we get some bangers coming, I'm telling you, And 118 00:08:31,039 --> 00:08:33,960 I was like, oh, wow, let's do this, let's do it. 119 00:08:35,039 --> 00:08:37,120 Yeah, I've I've played a lot of bands and a lot of you 120 00:08:37,120 --> 00:08:41,360 know, different musicians and some great musicians, and I've never been I've never 121 00:08:41,440 --> 00:08:48,600 been prouder of what we just did recently recording wise too, and just musically, 122 00:08:48,039 --> 00:08:52,440 the synergy and the connection that we have has been it's been so good. 123 00:08:52,480 --> 00:08:58,720 There's just no no attitudes. You know, everyone is super nice and 124 00:09:00,039 --> 00:09:03,120 you know, everyone works really well together. And we don't have any you 125 00:09:03,120 --> 00:09:07,360 know, weird issues like a lot of bands do. Yeah, there's no 126 00:09:07,360 --> 00:09:11,720 none of that, you know, So we we you know, we love 127 00:09:11,759 --> 00:09:13,480 it. Yeah, it's really good. Yeah. When when it's easy like 128 00:09:13,519 --> 00:09:16,200 that, then you know you've really got something. Yeah. It's very fair 129 00:09:16,399 --> 00:09:20,879 balance. Everyone's very honest with each other about things, and it's really good. 130 00:09:22,000 --> 00:09:24,120 Yeah. Yeah, that's uh, that's excellent. Well we should all 131 00:09:24,200 --> 00:09:28,240 let's listen to one of these studio tracks and then and then uh, and 132 00:09:28,279 --> 00:09:31,000 then we're gonna hear you guys live. But I love this, Mamma, 133 00:09:31,000 --> 00:09:33,240 come and get me. This is this is a great, great song. 134 00:09:35,360 --> 00:09:37,240 So we're gonna we'll we'll listen to this, and then we've got another studio 135 00:09:37,279 --> 00:09:39,200 track that will play a little bit later, and then you guys are gonna 136 00:09:39,200 --> 00:09:43,720 play uh tell her as a song you guys are gonna play live for us, 137 00:09:43,759 --> 00:09:46,919 right, yeah, okay, but yeah, let's give this a listen. 138 00:09:46,960 --> 00:09:48,799 First. This is really good. And where was this? This was 139 00:09:48,840 --> 00:09:54,639 recorded at Revelry. It was recorded at Revelry and all live and we have 140 00:09:54,879 --> 00:09:58,480 never aired it. Uh. This is the first very special day, so 141 00:09:58,559 --> 00:10:01,840 thank you for having us here. And technically it was the first song that 142 00:10:01,879 --> 00:10:05,399 we really kind of together as a band, really put together. Yeah. 143 00:10:07,559 --> 00:10:11,200 Yeah, it was one of the first excellent Okay, so this is technically 144 00:10:11,240 --> 00:10:13,480 a world radio premiere. All right, let's give this a listen. This 145 00:10:13,519 --> 00:10:16,399 is a great song. Mama, come get me by run like thieves. 146 00:10:28,759 --> 00:10:35,080 Will they give me your escra? Oh you hob me a stone? Please 147 00:10:35,159 --> 00:10:39,679 to forgive a week your mind so you can stab you in the back and 148 00:10:39,840 --> 00:10:54,399 kick me when I'm down? Will they give me that across the bay? 149 00:10:56,480 --> 00:11:01,360 I will bet it all along. Everyone that ever loved the cave, y'all'll 150 00:11:01,399 --> 00:11:05,919 need forgive this. When you never home, Dina, come get me roma 151 00:11:05,919 --> 00:11:11,120 comb. Then I cry your home. Yeah, Mina clomb get it. 152 00:11:11,519 --> 00:11:31,080 Mama come then to bring you home. And I hope you find your deliverance. 153 00:11:31,039 --> 00:11:35,840 I hope you find your way home. I hope you father. Love 154 00:11:35,159 --> 00:11:43,200 is irrelevant until that stake gone. Mina Columba get me, Mima clone went 155 00:11:43,279 --> 00:11:48,399 to bring your home? Yeah, Mina come here by a clone want to 156 00:11:48,480 --> 00:11:58,120 bring you home? I don't dokay that back can being gone? Step mana 157 00:11:58,240 --> 00:12:20,559 come ageven Mama coma. It feels soap crim fear, silly fear. Smile. 158 00:12:22,440 --> 00:12:26,600 Can you have a milliion dollars? Boy? You're not a body pen 159 00:12:26,679 --> 00:12:56,480 of com Mama come came here, Mama com cave g a sa Mama con 160 00:12:56,600 --> 00:13:18,159 came here, Nama comb cappen there. Oh that is so good. I 161 00:13:18,240 --> 00:13:22,279 love that song. Cool, really good guys. Mama, come get me 162 00:13:22,440 --> 00:13:26,200 by, run like thieves. Hey, where's the name come from? By 163 00:13:26,200 --> 00:13:28,879 the way, this is a cool name. Yes, thank you. I 164 00:13:28,960 --> 00:13:31,039 actually came up with a name actually technically not me, but I used to 165 00:13:31,080 --> 00:13:37,240 play with another friend of mine in a band way back when in Tennessee, 166 00:13:37,039 --> 00:13:39,519 and which is actually name of one of our songs too, but has nothing 167 00:13:39,559 --> 00:13:43,600 to do with that. But anyway, I used to live in Knoxville, 168 00:13:43,639 --> 00:13:48,720 Tennessee, my buddy Will and Will Day and we had a band that called 169 00:13:48,799 --> 00:13:54,279 Nelly Bly and then we I left and came back and hadn't talked to him 170 00:13:54,320 --> 00:13:56,519 in years, and then we ended up connecting again and I had a home 171 00:13:56,559 --> 00:13:58,679 studio and we did some recording and he said, oh, we gotta call 172 00:13:58,720 --> 00:14:01,159 it Run Like Thieves, and that's really cool, and then we just stopped 173 00:14:01,200 --> 00:14:07,039 playing together. And then once we all got together, we were thinking of 174 00:14:07,080 --> 00:14:07,799 band names and I was like, you know, I used to have a 175 00:14:09,039 --> 00:14:11,080 band name called run Like. It really wasn't a band, it was just 176 00:14:11,159 --> 00:14:13,279 like me and my buddy, like, you know, doing some stuff, 177 00:14:13,639 --> 00:14:16,519 and we called it Run Like Thieves. So I called my buddy Will just 178 00:14:16,559 --> 00:14:18,120 to make sure. I'm like, hey, is it cool that we use 179 00:14:18,200 --> 00:14:22,159 this name. He's absolutely loves the stuff. So he's like, he's like, 180 00:14:22,200 --> 00:14:24,240 absolutely, you know, please use it. It's great. And I 181 00:14:24,279 --> 00:14:28,120 said, okay, cool. And we already had a Facebook page that was 182 00:14:28,200 --> 00:14:31,879 up Run Like Thieves on Facebook that I had for probably three years and then 183 00:14:33,799 --> 00:14:35,559 never did anything with it. And now we actually started posting everything on there, 184 00:14:35,600 --> 00:14:39,320 and we all have our YouTube channel Run like Thieves and all that stuff. 185 00:14:39,360 --> 00:14:43,159 So we're slowly but surely. And all these recordings that we that you're 186 00:14:43,200 --> 00:14:48,480 hearing now were also recorded with on camera as well, and they came out 187 00:14:48,559 --> 00:14:52,879 fantastic, like they did such a good job at revery. I can't even 188 00:14:52,919 --> 00:15:11,120 say the word should your low revel. Yeah, you're right that. I'm 189 00:15:11,159 --> 00:15:13,919 just so glad we came up with a band name quickly because yes, and 190 00:15:13,159 --> 00:15:16,360 what's what's cool about the band name is that it's it's three words, which 191 00:15:16,440 --> 00:15:20,320 represents the three of us. And then on the running drummer, so that's 192 00:15:20,320 --> 00:15:22,799 the whole run was was also in there. I was like, that's kind 193 00:15:22,840 --> 00:15:26,600 of perfect. Let's let's just do it. Call it that. So it's 194 00:15:26,639 --> 00:15:30,480 got a cool like r l T, you know, so we can make 195 00:15:30,559 --> 00:15:35,720 like cool stickers. Yeah. Yeah, and as the ls the like because 196 00:15:35,720 --> 00:15:41,679 everybody likes Abe and he like listens really well run. And then Dan is 197 00:15:41,720 --> 00:15:48,960 the thief. He's a banker. He's yeah, he's a good thief though. 198 00:15:50,080 --> 00:15:56,080 That's that's the PC version of the thief. Gotcha. Well, let's 199 00:15:56,120 --> 00:16:00,320 do this. I'm dying to hear you guys play live, so you are 200 00:16:00,399 --> 00:16:03,120 all right? Oh, yeah. Yeah. Uh so if you want to 201 00:16:03,159 --> 00:16:07,600 play, yeah, you're you're gonna do uh Tennessee right, Oh no, 202 00:16:07,679 --> 00:16:10,039 I'm sorry. I tell her, tell her good night, Tell her good 203 00:16:10,120 --> 00:16:14,679 night. Tennessee is the other studio you're also out already? Yeah, on 204 00:16:14,879 --> 00:16:19,559 all forms. It's on Spotify, Apple Music. Uh, you can even 205 00:16:19,600 --> 00:16:23,519 ask your Alexa yeah the song and it'll give it to you. I couldn't 206 00:16:23,519 --> 00:16:27,679 believe it. I think that's when I knew I made it musically, Yeah, 207 00:16:29,720 --> 00:16:30,720 recognized me. That was like, all right, I did it. 208 00:16:30,919 --> 00:16:36,919 That is pretty cool. But in this one, we have a video online 209 00:16:37,039 --> 00:16:41,840 for so we get in a run like thieves YouTube, and it's picking up 210 00:16:41,879 --> 00:16:47,600 some steam. Actually it's very very cool, yes, with very there's really 211 00:16:47,679 --> 00:16:51,440 no marketing on it. It's just kind of organically doing its things. That's 212 00:16:51,519 --> 00:16:53,240 good. Yeah like that. So if you're out there, please look it 213 00:16:53,320 --> 00:16:56,200 up. It's pretty cool. Yeah, that's pretty cool. Yeah, that 214 00:16:56,480 --> 00:17:00,159 that is extremely cool. Yeah whatever. Whenever you guys are ready, I'll 215 00:17:00,200 --> 00:17:03,480 have to kind of uh we're ready, I'll have to kind of you know, 216 00:17:03,559 --> 00:17:08,880 I'll move the faders around as your play and then try to try to 217 00:17:08,920 --> 00:17:22,480 get them both balance and uh me me what's up. That's amazing you really, 218 00:17:22,640 --> 00:17:27,640 you're really on this. I'm on it today. I wasn't helping him 219 00:17:27,680 --> 00:17:32,039 with his levels. Well, I was just thinking. You're probably not used 220 00:17:32,079 --> 00:17:34,119 to say I used to singing this early right in the day. Or maybe 221 00:17:34,160 --> 00:17:41,400 you are. I don't know. I just never stopped singing my mom all 222 00:17:41,440 --> 00:17:44,640 the time. I sing at work. Would you like me to help you 223 00:17:44,759 --> 00:17:48,240 with that all the time? Okay, that's the way to go. All 224 00:17:48,319 --> 00:17:49,720 right. Well, you know I get yelled at by my woman. I'm 225 00:17:49,759 --> 00:17:55,559 so sorry. She loves it, you know, Yeah, she can't stay 226 00:17:55,640 --> 00:17:59,799 mad. Right, you should have gotten an A plus instead of an A 227 00:18:00,160 --> 00:18:04,559 minus. What are you doing to your dad this thing all the time? 228 00:18:04,680 --> 00:18:08,519 Just keep a going. No, that's good, that's probably very healthy. 229 00:18:08,799 --> 00:18:18,920 It's very very good. All right, whatever you guys are ready by all 230 00:18:18,000 --> 00:18:30,480 right. Lips taste like whiskey. I smell like beer, she says. 231 00:18:30,640 --> 00:18:37,240 Look about the stars. Look how closed they be? You carol lehing like 232 00:18:37,400 --> 00:18:45,279 your way back home. That's what you should do, because I know somewhere 233 00:18:45,640 --> 00:18:51,599 there's a porch like on waiting for you. You gotta tell a good bye, 234 00:18:52,240 --> 00:18:56,799 tell a good night, tell a good boys, don't always do right, 235 00:18:56,400 --> 00:19:03,000 not time. It's gonna leave leave you in the morning. Well it's 236 00:19:03,079 --> 00:19:10,160 cold, I steal the devil steal, mpping wrong that and how it feels, 237 00:19:10,880 --> 00:19:32,079 not time thud. It's gonna leave you with no wanting come put the 238 00:19:32,200 --> 00:19:37,279 slam on right now, or it's just gonna burn us both because in a 239 00:19:37,400 --> 00:19:45,160 few minutes will be gone. So far we ain't going home, and I'd 240 00:19:45,279 --> 00:19:49,799 like to leave with just a little bit left up my soul. Dear, 241 00:19:51,039 --> 00:19:55,759 I have to do with me what you will the stag decides for to take 242 00:19:55,839 --> 00:20:00,000 care, you gotta tell a good bye, tell a good I ain't tell 243 00:20:00,079 --> 00:20:06,680 the good girls don't always do right, not time loud. It's gonna leave 244 00:20:07,160 --> 00:20:14,200 you in the morning. Well it's cold like steal the devil steal, not 245 00:20:14,440 --> 00:20:18,599 be around that. It has to feet, not time low. It's gonna 246 00:20:18,720 --> 00:20:41,160 leave you with no won't even law. The miles away now in the moment's 247 00:20:41,240 --> 00:20:51,160 long n the memory of your love still let yours done to hint out wonder 248 00:20:51,480 --> 00:20:56,200 what you would do if I turn this car around, head it back to 249 00:20:56,279 --> 00:21:00,240 your town. But I I just look up at the sunder keep on right 250 00:21:00,359 --> 00:21:04,960 it all. You gotta tell a good thie, tell a good night, 251 00:21:06,559 --> 00:21:10,880 sell the good. People don't always do right, not time. Now, 252 00:21:11,480 --> 00:21:18,400 it's gonna leave you in the morning. Let's go next Steel the Devil. 253 00:21:18,519 --> 00:21:23,920 Steel might be around that and how it is not down Now, it's gonna 254 00:21:25,039 --> 00:22:03,599 leave you, It's gonna leave Yeah, no wonner, Oh my god. 255 00:22:03,799 --> 00:22:10,279 Yeah, sound amazing. Thank you. Yes, guitar fantastic, fantastic, 256 00:22:10,960 --> 00:22:15,119 Thank you. If you're just joining us, we've got Run Like Thieves at 257 00:22:15,079 --> 00:22:18,200 a live in studio with us. We have Abe, Greg, Dan, 258 00:22:18,720 --> 00:22:22,119 they are all here and yeah, you gotta sound amazing. That was That 259 00:22:22,279 --> 00:22:26,599 was very very cool. Thank you. Are you playing out a lot? 260 00:22:26,640 --> 00:22:29,720 Are you doing a lot of live shows or yes? Yeah, Dan plays 261 00:22:29,759 --> 00:22:34,200 out all the time. This is actually sweat and I can just stick on 262 00:22:34,359 --> 00:22:40,359 it and I don't have to. Dan plays a lot as far as the 263 00:22:40,440 --> 00:22:45,799 band goes, Actually we play. We we haven't played a lot as Run 264 00:22:45,880 --> 00:22:48,640 Like Thieves. We play a lot as as a cover band, Yeah, 265 00:22:49,160 --> 00:22:52,559 quite a bit, but we haven't actually played a lot as Run Like Thieves. 266 00:22:52,599 --> 00:22:59,039 So we're we're excited to get out there and play and start really playing 267 00:22:59,119 --> 00:23:03,119 shows as and putting our original content out there because nobody wants to hear original 268 00:23:03,160 --> 00:23:07,359 content a lot of times, so we get it. But I think, 269 00:23:07,920 --> 00:23:12,880 I feel, and I think we can all agree that that our original content 270 00:23:14,000 --> 00:23:18,119 is pretty universal, I think, and I think people can hear it and 271 00:23:18,240 --> 00:23:22,720 kind of dig it. You know. It's not like weird and obscure. 272 00:23:23,039 --> 00:23:26,759 I'm not trying to be mister Bungle yeah, which, by the way, 273 00:23:26,039 --> 00:23:29,519 we've all done that, which is a huge influence of mine. By the 274 00:23:29,559 --> 00:23:36,599 way, I actually huge misle love mister Bungle ye. But yes, we're 275 00:23:36,640 --> 00:23:38,400 not like that. But so we're sort of universal, so I think we 276 00:23:38,480 --> 00:23:42,799 can get away with even playing bars and places where you know, crowds are 277 00:23:42,839 --> 00:23:45,960 hanging out and they would just be like, oh, that's just good music, 278 00:23:47,079 --> 00:23:52,640 so right, But please check out our listings at run like these and 279 00:23:52,720 --> 00:23:56,880 see where we're playing, and don't don't be too shy, and please come 280 00:23:56,960 --> 00:24:00,559 see Dan Fallon saying and Abe sings with me and Craig sings with me, 281 00:24:00,960 --> 00:24:08,680 and that's Dan Fallon music. And we will be at the well uh run 282 00:24:08,799 --> 00:24:15,000 like Thieves. Songs will be played at the following venues. Yeah, in 283 00:24:15,119 --> 00:24:19,279 the near future, Patti's and Drake It the Wild, Rover, Manchester, 284 00:24:19,559 --> 00:24:25,839 Eric's Church and Wyndam, Maine Foster's Tavern, The Thirsty Pig Songwriter in the 285 00:24:25,960 --> 00:24:30,279 Round with Katie Dobbins, The Birch Bar, Saddle Up Saloon in Kingston, 286 00:24:30,559 --> 00:24:33,559 where I just came from a couple of minutes ago, The Birch Bar, 287 00:24:33,880 --> 00:24:41,799 ax and Ale Deps landing up in Tamworth in that real local Hi, oh 288 00:24:41,839 --> 00:24:45,480 forgive me high Octane Saloon, and Laconia. We got a gig there too, 289 00:24:48,039 --> 00:24:52,000 and were back at Defiant Records. And that's all I can do right 290 00:24:52,039 --> 00:24:56,240 now because I don't I don't want to. It's a lot, Yeah, 291 00:24:56,240 --> 00:24:59,359 there's a lot. That's Some of those gigs aren't full band gigs, but 292 00:24:59,640 --> 00:25:03,960 okay, but some of them will be. Yeah, And it's always it's 293 00:25:03,960 --> 00:25:08,079 always a good time, excellent, we're always entertaining. Yes, Oh, 294 00:25:08,200 --> 00:25:11,960 I don't want to forget to. You guys very generously brought us. We're 295 00:25:12,000 --> 00:25:17,119 gonna we're gonna dig into those. Uh, we're gonna save my pre we're 296 00:25:17,160 --> 00:25:19,319 gonna save those for later. But you guys brought us a box of donuts 297 00:25:19,880 --> 00:25:25,720 and they look really good and where they're from. Goodies, good goodie good 298 00:25:25,960 --> 00:25:30,920 donuts. Well, like you said, that Good Donuts located in Laconia at 299 00:25:30,960 --> 00:25:34,720 two thirty five Union Avenue, and they look awesome. And you guys were 300 00:25:34,759 --> 00:25:38,279 saying like they they open and they sell out, they sell out, I 301 00:25:38,359 --> 00:25:41,640 mean by nine to thirty. A lot of times when they open their they 302 00:25:41,720 --> 00:25:45,519 close they when they sell out, they close the store. Okay, they 303 00:25:45,599 --> 00:25:48,920 open I think at five thirty or five or something like that. Yeah, 304 00:25:48,200 --> 00:25:52,079 what a crazy thing. Yeah, it's amazing. Oh my god, you 305 00:25:52,440 --> 00:25:56,200 don't look at me. They're so good that I am sorry, Okay, 306 00:25:56,240 --> 00:26:00,799 we're gonna I'm sorry. That's how good that. That's what I'm trying to 307 00:26:00,839 --> 00:26:06,960 tell you. I got you three dozen and I only wound up having six. 308 00:26:07,039 --> 00:26:15,400 By the time they're flopping around the box, it would have been like, 309 00:26:15,480 --> 00:26:22,839 here's two at there's not one with like a bite taken out of it. 310 00:26:23,240 --> 00:26:26,960 They're all intact in that way. I've seen that. I've seen that 311 00:26:26,079 --> 00:26:30,440 before. I'm looking at this business's pictures and they have like, oh god, 312 00:26:32,440 --> 00:26:37,000 fruity pebbles. Their doughnuts covered in fruity pebbles. I remember fruity pebbles 313 00:26:37,039 --> 00:26:41,519 from my youth. I'm sorry, but that's crazy. You've never seen that. 314 00:26:41,319 --> 00:26:45,960 You know donuts go good with the season two? Oh yeah, oh 315 00:26:45,039 --> 00:26:49,279 yeah, yes, yes, run like Thieves here live in studio with us. 316 00:26:49,519 --> 00:26:52,640 We do have another studio track too that we're going to play at the 317 00:26:52,680 --> 00:26:57,400 end of the segment. That's another great song, Tennessee. But now, 318 00:26:57,440 --> 00:27:04,319 when you I wanted to circle back to this about recording to at Revelry, 319 00:27:04,480 --> 00:27:08,720 it does it is easier to say it that way. Give me that donut. 320 00:27:10,839 --> 00:27:23,880 Never never, Oh my goodness, I'm bringing more donuts. Did you 321 00:27:23,960 --> 00:27:30,799 guys record these kind of sort of was it live basically instead of that's the 322 00:27:30,880 --> 00:27:34,319 only way we do it too? Yeah? Yeah, I was just telling 323 00:27:34,519 --> 00:27:41,000 telling these guys this morning that that I was watching a documentary on Tom Petty 324 00:27:41,559 --> 00:27:47,519 doing Wildflowers when Rick Rubin took over as producer and they did it live? 325 00:27:47,640 --> 00:27:49,839 They did they did? You know, they recorded it live as opposed to 326 00:27:51,000 --> 00:27:52,960 doing it track by track, which is a lot of times what people do 327 00:27:53,920 --> 00:27:56,279 usually. Yeah, and I do that. I do a lot of that, 328 00:27:56,559 --> 00:28:00,519 just recording for other bands and stuff just in my studio. So if 329 00:28:00,519 --> 00:28:10,400 you have drum tracks, but anyway, you you miss something when you do 330 00:28:10,559 --> 00:28:15,519 that, in my opinion, and when we recorded there and of course they 331 00:28:15,839 --> 00:28:19,119 did such a great job of mixing and putting it all together. So I've 332 00:28:19,200 --> 00:28:23,640 never you know, I've never heard myself back like that, and I was 333 00:28:23,680 --> 00:28:27,000 like, whoa, that's legit. Like these guys are really really good. 334 00:28:27,599 --> 00:28:32,880 So but you know, they captured the moment and we just we we did 335 00:28:33,440 --> 00:28:34,920 have a good session. We definitely played well, and I was like, 336 00:28:36,000 --> 00:28:37,519 Okay, that was really good. We do each song took a couple of 337 00:28:37,559 --> 00:28:42,279 takes, but but and way way less expensive, and and and you're like 338 00:28:42,559 --> 00:28:45,240 you're not thinking. It's not in your head, you know, it's almost 339 00:28:45,279 --> 00:28:48,480 like you don't have enough time to think about it, like it's just gonna 340 00:28:48,480 --> 00:28:53,640 get done, and that that's that's a cool thing to be on the you 341 00:28:53,720 --> 00:29:00,119 know, like you have to be right in the edge of disaster. I 342 00:29:00,119 --> 00:29:02,319 could ride it, you know, and you're right on that, like, 343 00:29:02,400 --> 00:29:06,680 Okay, this could be not good and and then hopefully just it goes well. 344 00:29:06,680 --> 00:29:08,880 And when when you capture it, you capture something. And I think 345 00:29:10,000 --> 00:29:14,119 for those this LP we captured something. We hope to do it again with 346 00:29:14,200 --> 00:29:18,279 those guys eventually, wherever they land and wherever they open up, another studio 347 00:29:18,200 --> 00:29:22,839 would go back there in the heartbeat. Yeah, it was that's what really. 348 00:29:22,000 --> 00:29:26,519 They did capture the the US. They captured us, and if it's 349 00:29:26,559 --> 00:29:32,759 good enough for Muddy Waters, it's good enough for but Abe did make Abe. 350 00:29:33,039 --> 00:29:36,279 It was like, these guys, man, I'm going to get them 351 00:29:36,359 --> 00:29:40,279 lined up. So he before the before U, before we recorded, we 352 00:29:40,599 --> 00:29:45,160 he made sure we were really ironed out. Yeah. Uh, like every 353 00:29:45,519 --> 00:29:49,880 meat, every beat. So I've gotten so used to doing the recording track 354 00:29:49,960 --> 00:29:53,880 by track like that that I just assumed that we would want to do it 355 00:29:53,920 --> 00:29:59,000 that way. So I made click tracks and everything. Yeah, and we 356 00:29:59,440 --> 00:30:03,039 rehearsed with the we're with them. Yeah, but you know, we got 357 00:30:03,079 --> 00:30:06,720 there with the cameras and everything rolling, and yeah, just become evident that 358 00:30:06,920 --> 00:30:08,680 like, yeah, we're going to throw that out the window, and you 359 00:30:08,759 --> 00:30:12,000 know, luckily we're good enough. It was good to rehearse that way and 360 00:30:12,039 --> 00:30:15,279 then to show up and just relax a little bit and they have to worry 361 00:30:15,319 --> 00:30:18,359 about that so much. Yeah, Yeah, that's a good point. You 362 00:30:18,400 --> 00:30:21,039 can show up, relax and kind of really bring it. I just wanted 363 00:30:21,039 --> 00:30:25,920 to say to Matt and Jen for all of your listeners who are shy and 364 00:30:26,039 --> 00:30:29,880 haven't asked a question yet. The answer is yes. I don't mean the 365 00:30:29,960 --> 00:30:33,519 answer is yes to your questions. Okay, all of the questions, yes, 366 00:30:33,200 --> 00:30:38,440 Shirtless, just start yes. That's how I like to you know, 367 00:30:38,480 --> 00:30:44,920 what the the what's great about Abe too? And just to give a more 368 00:30:44,920 --> 00:30:52,319 accolades, but Abe really he comes in studied like he's he's the kind of 369 00:30:52,359 --> 00:30:57,039 guy that does his homework as as a musician, and it's it's really awesome 370 00:30:57,200 --> 00:31:02,920 to have someone like that who really it's down and dissects everything and then and 371 00:31:03,039 --> 00:31:07,119 then you know, puts his own spin and production on it, and it's 372 00:31:07,240 --> 00:31:11,519 he's been so good like that, and that that was another reason why we're 373 00:31:11,519 --> 00:31:15,559 like, oh my god, he's the dude, like the guy and actually 374 00:31:15,839 --> 00:31:21,039 there and not kidding there really is question. One of our favorite listeners Isaac. 375 00:31:21,319 --> 00:31:26,000 He always wants to know what people's influences are, who influenced you musically 376 00:31:26,599 --> 00:31:30,160 to be where you are. Well, we did mention mister Bungle. However, 377 00:31:30,359 --> 00:31:33,160 there's a lot more. I'm a huge Rush fan. So my son 378 00:31:33,279 --> 00:31:34,960 is actually here in studio with us, and he is eleven years old and 379 00:31:36,079 --> 00:31:38,279 his name is Neil, after Neil Peartt. And if you ever see a 380 00:31:38,839 --> 00:31:45,039 car driving around with the license plate YYZ Rush. That's me. So I'm 381 00:31:45,039 --> 00:31:48,440 a huge Rush fan. So I'm into like, you know, progressive stuff 382 00:31:48,519 --> 00:31:52,920 and whatever. But I also like, you know, everything from Tom Petty 383 00:31:52,079 --> 00:31:57,960 to you know, so many, so many I can't even but i'd faith 384 00:31:59,039 --> 00:32:01,119 no more. I'm a huge fan. Like, I just love so many 385 00:32:02,079 --> 00:32:07,279 weird things, you know, jazz music, art, Blakey and Miles Davis 386 00:32:07,400 --> 00:32:12,799 and you know, just all the great drummers that I'm a drummer like, 387 00:32:12,839 --> 00:32:15,640 I love drummers. So yeah, there's like Steve Gadd like whatever band he's 388 00:32:15,680 --> 00:32:19,200 in, I'm in, Like I love it, you know, whatever it 389 00:32:19,319 --> 00:32:22,640 is. One of my good friends is an amazing fiddle player, Eileen Ivers. 390 00:32:22,839 --> 00:32:30,680 She's a huge influence. So many people that I know personally that are 391 00:32:30,720 --> 00:32:36,279 great too. So yeah, it's hard. Yeah, I'm a I come 392 00:32:36,319 --> 00:32:39,240 from like definitely like a punk rock, alternative rock background. That's what I 393 00:32:39,359 --> 00:32:45,240 did like for the last twenty years basically. But I mean, like my 394 00:32:45,319 --> 00:32:50,720 favorite artists is Tom Waits are none. I've listened to him forever since I 395 00:32:50,839 --> 00:32:53,240 was a kid, so that's going to be a big influence me. But 396 00:32:53,279 --> 00:32:55,400 also I mean, like I don't get to do it here much. But 397 00:32:55,440 --> 00:32:59,359 I mean like noise Rock, I love Death from Above nineteen seventy nine, 398 00:33:00,720 --> 00:33:05,400 stuff like that. But I mean, yeah, also, I mean originally 399 00:33:05,480 --> 00:33:08,359 this was going to be like they said, Americana country, yeah, which 400 00:33:08,480 --> 00:33:12,920 like I haven't done that yet. Yeah, I should get I should dip 401 00:33:13,000 --> 00:33:15,039 my toes and get that done. So that's a lot of the reason I 402 00:33:15,119 --> 00:33:20,599 signed on, because I haven't been doing a whole lot recently, and what 403 00:33:20,759 --> 00:33:23,319 I did do wasn't really working out for me. So I'm just gonna say 404 00:33:23,400 --> 00:33:27,880 screw it and try something. So yeah, that's why I'm And that's what's 405 00:33:27,920 --> 00:33:32,240 so cool about this this trio is that we come from some different places and 406 00:33:32,920 --> 00:33:37,880 and you know, we all appreciate everything we've and we've been playing covers a 407 00:33:37,920 --> 00:33:40,160 lot, and we you know, we played covers enough to we know what 408 00:33:40,319 --> 00:33:45,200 covers work, and we know that we're also into hip hop, so like 409 00:33:45,920 --> 00:33:49,039 you know, we know when we play live stuff, we do a lot 410 00:33:49,119 --> 00:33:52,319 of hip hop, a lot of funk, you know, stuff that people 411 00:33:52,440 --> 00:33:55,160 can dance to, and so we love that stuff. And then I think 412 00:33:55,160 --> 00:33:59,480 we like all the darker stuff too, you know, anything with Minor Chords, 413 00:33:59,599 --> 00:34:04,720 radio Head, you know, stuff like that we're totally into as well. 414 00:34:04,799 --> 00:34:07,880 But you know, he comes from the Tom Waite stuff and I'm from 415 00:34:07,920 --> 00:34:12,400 the like progressive stuff. And then damage this I don't even know. I'm 416 00:34:13,159 --> 00:34:15,800 yeah, you know, you know one of my It's very interesting. I'd 417 00:34:15,840 --> 00:34:20,840 like to tell you something. So I've been playing music for ever, and 418 00:34:21,400 --> 00:34:23,280 like I said, since I came out the womb. I made some noises 419 00:34:23,360 --> 00:34:27,440 then and been still doing them. I just made that noise this morning, 420 00:34:28,119 --> 00:34:36,760 same exact noise, and it sounds like no So I love Woody Guthrie and 421 00:34:37,760 --> 00:34:40,679 and I just I just thought he was amazing. I've been very I have 422 00:34:42,000 --> 00:34:45,000 a large family, and they would blast music all the time, so you'd 423 00:34:45,039 --> 00:34:51,079 hear Frank Sinatra, boys to men, new Kids on the block, Alison 424 00:34:51,239 --> 00:34:57,480 Chane's sound guard, and everybody listened to different things, Bruce Springsteen and and 425 00:34:57,840 --> 00:35:00,559 then when I started to kind of develop my own taste, I started listening 426 00:35:00,599 --> 00:35:02,880 to what he got there. I love that old timey. I just love 427 00:35:02,960 --> 00:35:07,159 everything about him. I just thought it was fascinating how he lived and how 428 00:35:07,239 --> 00:35:12,960 he traveled the United States, and and just just sat with people in a 429 00:35:13,079 --> 00:35:19,719 room and freaking wrote a song with them about their heritage Austrian immigrants in the 430 00:35:19,760 --> 00:35:22,159 Great Depression didn't matter to have. He's like, we're gonna this is that's 431 00:35:22,199 --> 00:35:27,000 how we developed. And so I really took that as kind of an I've 432 00:35:27,000 --> 00:35:30,000 written over twelve hundred songs. Wow, never written a lie that is the 433 00:35:30,119 --> 00:35:37,079 truth really has Yeah, it's insane. They're not all great, but that's 434 00:35:37,159 --> 00:35:42,239 true too. Out of twelve hundred, it was about three decent ones and 435 00:35:42,360 --> 00:35:45,800 you have them all here today, Matt. Okay, we saved them for 436 00:35:46,039 --> 00:35:51,159 you. One thing. One thing about what I love about Dan is that 437 00:35:51,360 --> 00:35:54,679 his ability to tell a story in the song, which I think is really 438 00:35:54,719 --> 00:35:59,559 important for people to connect. Yeah, you have to tell a story that 439 00:35:59,639 --> 00:36:02,800 people and understand the lyrics and it's not just marvels in your mouth type. 440 00:36:02,840 --> 00:36:06,400 You know, I don't know what that guy said because people connect with that. 441 00:36:06,519 --> 00:36:09,480 I mean, I I'm not I hardly. I listened to drums and 442 00:36:09,519 --> 00:36:14,719 I listened to bass. Yeah, and now that I've you know, understand 443 00:36:15,159 --> 00:36:19,360 the importance of the story behind the song, it really connects people to the 444 00:36:19,400 --> 00:36:22,840 song. So like, I love that about Dan, Thank you do that. 445 00:36:22,039 --> 00:36:27,239 So the thing is, there was something that happened with me about ten 446 00:36:27,360 --> 00:36:31,199 years ago where I got I started writing songs for Songs of Love Foundation, 447 00:36:31,360 --> 00:36:37,480 and it's for kids with cancer, leukemia, different illnesses. They get requests 448 00:36:37,519 --> 00:36:42,840 through Make a Wish, Give Kids the World and directly through hospitals and hospice. 449 00:36:42,920 --> 00:36:47,320 And and the first song that I I thought I was I was heard 450 00:36:47,360 --> 00:36:52,079 on Reverb Nation on the World Music things. I was writing some really artistic 451 00:36:52,239 --> 00:36:57,800 stuff that I thought was amazing. Yeah, and then and someone listened to 452 00:36:57,880 --> 00:37:00,360 it and he thought I was funny, And I was like, you come 453 00:37:00,519 --> 00:37:04,079 funny. I was like serious, But he was like, could you write 454 00:37:04,079 --> 00:37:06,239 a song for a kid? And I was like sure, And he was 455 00:37:06,320 --> 00:37:08,880 kind of testing me out, and he had me rewrite it about ten times 456 00:37:10,000 --> 00:37:12,519 to get out of the way of the song. And he's like, you 457 00:37:12,599 --> 00:37:15,519 know, the kid that's listening to this is eight, is going into dialysis 458 00:37:15,559 --> 00:37:20,079 a couple of times a week, driving with their parents to the hospital. 459 00:37:20,079 --> 00:37:23,119 They're going to listen to the song to and from you know, wow. 460 00:37:24,079 --> 00:37:28,199 Yeah. Yeah, So I've done a few hundred for them. Yeah. 461 00:37:28,559 --> 00:37:30,719 Once again, Dan is one of the nicest people I've ever met. Well, 462 00:37:31,559 --> 00:37:37,159 but but it helped, It helped me in a big way because I 463 00:37:37,360 --> 00:37:38,360 was like, I'm going to get out of the way of the song. 464 00:37:38,920 --> 00:37:43,559 I'm going to get out of the way of the song. And then I 465 00:37:43,719 --> 00:37:46,360 meet this gentleman who's like, why are you singing like that? Can't you 466 00:37:46,519 --> 00:37:52,159 just be yourself? And I'm like, who's myself? Right right? I 467 00:37:52,239 --> 00:37:54,639 don't And then here we are, Yeah, this is this is like one 468 00:37:54,679 --> 00:37:58,559 of those things. I would sing hi, I would sing lo. I 469 00:37:58,559 --> 00:38:00,480 would sing like a Disney guy, I would say, because you know, 470 00:38:00,719 --> 00:38:02,960 I would do I don't even I don't know. It was almost like an 471 00:38:04,119 --> 00:38:12,039 impression like I'm going home great. I would do a reggae voice baby tons 472 00:38:12,039 --> 00:38:15,039 to what. I'm very bad at all of them. The only voice I'm 473 00:38:15,039 --> 00:38:22,199 good at is the is Muddy Waters when I was a young man, you 474 00:38:22,280 --> 00:38:25,719 know. But no, but that's so so my influence. I'm very I'm 475 00:38:25,800 --> 00:38:31,519 really influenced by moments and by like the the whatever we're doing, and I 476 00:38:31,599 --> 00:38:36,920 capture like a picture in my mind and then that's why I write the lyrics 477 00:38:37,039 --> 00:38:40,599 or a poem or something like that. And then and then my vocal influence 478 00:38:42,159 --> 00:38:46,840 has been from Greg my drummer, who doesn't let me go crazy. I 479 00:38:46,920 --> 00:38:51,239 just don't let him get away with anything. Yeah, it's very very helpful. 480 00:38:51,239 --> 00:38:54,320 And I've had great music teacher, Mark Baxter, he's my vocal coach. 481 00:38:54,400 --> 00:38:59,920 Is amazing. He's actually these Greg and Mark Baxter would get along famous 482 00:39:00,639 --> 00:39:02,480 Marks like why are you singing like that? Don't do that. I'm like, 483 00:39:02,519 --> 00:39:06,400 I don't know if you shouldn't sing that song? And I take it. 484 00:39:06,559 --> 00:39:10,400 My wife is really a great singer, and she is you know, 485 00:39:12,000 --> 00:39:14,480 she'll listen to things and and her and I kind of agree on a lot 486 00:39:14,519 --> 00:39:17,280 of it. So we we've listened to stuff that Dan has done and like, 487 00:39:17,559 --> 00:39:20,719 oh, we just got to get him to go here, you know, 488 00:39:20,840 --> 00:39:24,039 and then and then it's perfect. And luckily, well he's been so 489 00:39:24,199 --> 00:39:27,519 good. I mean, he's just Dan. It's just awesome. I'm a 490 00:39:27,599 --> 00:39:30,960 good boy. But he but he for this particular recording, he just hit 491 00:39:31,000 --> 00:39:34,760 it right the nail on the head, like it was like perfect the whole 492 00:39:34,760 --> 00:39:37,400 way through. And I was like, oh, man, you're that's your 493 00:39:37,519 --> 00:39:39,840 that's your sweet spot, man, that's the money right there, that's the 494 00:39:39,880 --> 00:39:44,400 money spot. Well, gentlemen, this has been uh, this has been 495 00:39:44,519 --> 00:39:46,360 fantastic. I wish we had more time. I'd love to talk to you 496 00:39:46,519 --> 00:39:50,639 some more, but we are we are approaching the top of the hour, 497 00:39:50,840 --> 00:39:55,440 but we are going to finish out with this track Tennessee by by Run Like 498 00:39:55,480 --> 00:40:00,400 Thieves, who are our guests in this hour, and it's been wonder having 499 00:40:00,400 --> 00:40:02,760 you guys on and Abe. It's great to see you, my friend. 500 00:40:04,000 --> 00:40:05,960 I've known you a long time. Yeah, good to see you too many. 501 00:40:06,000 --> 00:40:07,920 Yeah, good to see you and wonderful to meet you guys. I'm 502 00:40:07,000 --> 00:40:10,159 wonderful. Thank you so much for having us. Please, though, before 503 00:40:10,239 --> 00:40:14,440 we before we hit this track Tennessee, remind our listeners where they should go 504 00:40:14,519 --> 00:40:16,639 online to keep up with everything, so you can go to a run Like 505 00:40:16,719 --> 00:40:22,719 Thieves dot com. You can find us on all streaming platforms, everything from 506 00:40:22,960 --> 00:40:29,079 Spotify to Apple Music to YouTube. We also have a YouTube channel, Run 507 00:40:29,199 --> 00:40:31,639 Like Thieves, which is connected to Dan and my own channel as well, 508 00:40:32,239 --> 00:40:36,480 which we're currently building. Is brand new, so it's not like a crazy 509 00:40:36,519 --> 00:40:38,679 amount of views and subscribers, but it's getting there for a couple of days 510 00:40:38,719 --> 00:40:44,639 that it's been open. And Facebook, obviously, Instagram, pretty much any 511 00:40:44,800 --> 00:40:46,760 social media, but we are the only run Like Thieves band that exists. 512 00:40:46,880 --> 00:40:52,119 We did check that and so we're we're super happy that we actually trademark pendy. 513 00:40:52,280 --> 00:40:57,079 We trademarked it and guitars and we got the website. So but yeah, 514 00:40:57,159 --> 00:41:00,280 so that's basically I think everywhere that you can and find us where and 515 00:41:00,599 --> 00:41:05,880 of course whatever Dan mentioned. As far as our live stuff, Run Like 516 00:41:05,960 --> 00:41:09,840 Thieves Band is the Instagram handle and Facebook candle I believe Run Like Thieves bandy. 517 00:41:10,079 --> 00:41:15,039 Yeah, and and but yes, please go to our YouTube Run Like 518 00:41:15,119 --> 00:41:21,519 Thieves and subscribe. And yeah, we like YouTube. And this is such 519 00:41:21,559 --> 00:41:23,639 a special day because we're releasing these songs with you. Thank you so much 520 00:41:23,679 --> 00:41:28,639 for having us to do. This is amazing. And and if you subscribe 521 00:41:28,679 --> 00:41:34,239 to our YouTube, you'll see our beautiful videos, yes, as they get 522 00:41:34,400 --> 00:41:37,719 released for these unreleased songs that we played here today. Yep. Awesome, 523 00:41:37,880 --> 00:41:42,719 awesome, Thank you guys. This has been This has been absolutely amazing. 524 00:41:42,960 --> 00:41:45,920 But we're gonna close out this segment with another great studio track from these guys. 525 00:41:46,000 --> 00:42:04,599 This is called Tennessee Run Like Thieves. Check it out. Six Sulcol 526 00:42:06,079 --> 00:42:17,440 Fool Sami and the Osha Bacon Callfornia, Saw the Tinis Expolls, He Lost, 527 00:42:17,639 --> 00:42:32,079 Pampel de Vosa, Hallie yah, you sheep gone watch need's watch Sydney 528 00:42:35,119 --> 00:42:54,159 turna scene, Watch she leaves, watch Sydney tunes, se said by over 529 00:42:55,599 --> 00:43:07,519 live simple in the Father, by the streak shild for that said, it 530 00:43:07,719 --> 00:43:19,400 was long we got n I M S. Go watch. You just watch 531 00:43:19,519 --> 00:44:06,519 your jus, you watch, you just watch jus. What's your league? 532 00:44:07,440 --> 00:44:30,639 Watch your j s? Watch your watch? Jerous watching? What's it? 533 00:44:32,760 --> 00:44:45,599 What's watch? What's jerus