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Although there are only about twenty Twilight
Zone episodes left to cover here on the

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podcast. If the last month has
shown me anything it's that you just don't

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know what is around the corner.
We had the coverage of Face Squad,

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Face Platoon with a wonderful panel of
guests and sailing Amy Boyle, Johnston,

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Nick Parissi and Andrew Gooley, and
I mentioned in the last episode that I

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might have pretty great to kind of
cap all that off board. I didn't

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want to mention it because you just
never know how things are going to go.

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And while this thing will happen,
it's not happening just yet. So

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we will return to that in the
future. But when those opportunities arise,

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you just have to take them.
But it does mean that those twenty or

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twenty one episodes will take a bit
longer to cover. It just so happens,

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though, that there are other things
around the corner that are going to

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take up my time in the common
months. Fear and not. The Twilight

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Zone podcast isn't going anywhere, and
I'll talk more about that in a moment.

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So as I said, there are
a couple of things that have happened

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all at once that are really taking
up my time right now. They are

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great things, very exciting things.
As you know. Recently I recorded the

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audio book of the Twilight Zone High
Coup, which is available on Audible and

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other platforms as well. And this
is a thing that I've been building to

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behind the scenes, a little bit
more work in audio books, and it's

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something that I would like to do
a bit more going forward. And I

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have recently been hired to perform and
produce another audio book that is completely disconnected

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from the Twilight Zone or anything like
that, but in a sense it is

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a bit of a step up,
not from the Twilight Zone High Q,

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but a step up from other audiobook
work that I've done. I think it's

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going to be something that kind of
takes you up to that next level a

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little bit. So it's quite exciting, it's quite different, and like I

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say, it's very time consuming.
Reading a full novel length piece of work

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and producing it does take a long
time. And when I've completed that working

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it out, I will certainly let
you know what it is. But as

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well as that, and this is
the first time that I've actually spoken about

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here in September at Sailing Fest,
I'm not just going to be an audience

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member, but I'm also going to
be one of the guests. And on

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Saturday, the fourteenth of September,
for one time only, I will be

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doing the Twilight Zone podcast live on
stage in the Forum Theater, Binghamton.

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So what will I be doing.
Well, I'm not going to speak about

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that just yet, but I think
it's something a bit different, a bit

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special, something that will seem quite
ordinary. But you know, this is

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the Twilight Zone and sometimes there's a
twist in the tail. So again,

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i'll speak more about that in the
future as well. But also that's new

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territory for me, and I need
to put together that presentation and really see

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if it works. But that's going
to take time as well, and then

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there's also the possibility that it won't
work and I will need to come up

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with something else to do, but
then have far less time to do it.

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So these two things in particular I
really need to focus on at the

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moment because both of them have deadlines. But if it turns out that I

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can get them done in good time, I will go back to work on

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the regular Twilight Zone podcast prior to
Sailing Fest. So I'm just asking you

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to bear with me for the moment, but I won't leave you high and

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dry here on the podcast because in
the meantime, I have a large back

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catalog of literally hundreds of things that
I've done on Patreon. So what I'm

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going to do is select a few
of those things to kind of keep you

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going over the summer. Maybe once
a week or two weeks, I will

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put some of these things out here
on the main feed, just to keep

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a ticking over. There's all kinds
of stuff on there. There's episodes relating

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to Night Gallery, the Loner story
readings, all kinds of stuff that's never

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actually been here on the main feed. So it's things that have been on

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Patreon for a while, so the
members will have heared them. But if

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you're a member of the After Hours
Club, you will still get new content

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over there because that's a lot less
time consuming to produce, and because of

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people's generosity over there and supporting the
show, I am able to get an

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editor to put that stuff together for
me, which is something I can't really

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do with the main Twilight Zone podcast. So it is a little summer hiatus,

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but there will be things to keep
you ticking over in the meantime,

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and then if all goes to plan, I will come back with that reporting

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from sailing Fest, you know,
like last time, We're to put together

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a kind of big podcast, you
know, documenting the whole thing for those

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of you who can't go. So
I am going to try my best to

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clear the decks as much as possible
here and then we can head off into

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the summer. And one of the
things on my list is some audio feedback

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from my good friend Uncommon Nasa,
who is also going to be at sailing

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Fest. Now, Nasa is one
of those people who I think you probably

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know from the podcast because you'll have
heard them a bunch of times. So

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it's going to be great to have
him at sailing Fest, and you know,

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I'm sure he's going to want to
meet anyone there who recognizes him as

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well. Also, there's just so
many people from the kind of podcast world

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who are going to be there.
It's absolutely great. So Emmy, who

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some of you might know from my
Patreon stuff, who's been on the main

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show a couple of times as well, she's going to be there. Zach

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Moore from Always Hold On to Smallville, who's been on the show countless times

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a great friend. Now he's going
to be a sailing fest as well,

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so we're all going to be there
and it's just going to be a great

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time. So anyway, I'm getting
sidetracked. Now, let's go back to

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our friend Uncommon Nasa, who sends
some audio feedback in about The Long Morrow.

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Hey, Tom Houp the Sponge,
Well this is on Carbon Nasa.

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I just listen to your review of
The Long Murrow. And normally I would,

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at least these days, I would
just comment in your Patreon and give

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you some extra thoughts like I did
in the preview and others did too,

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but there's so much racing through my
head. I actually took a stop.

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I'm in downtown Manhattan recording this.
Took a break from a commute because I

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had so many thoughts on my mind
after listening to your great review. So

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hopefully this audio comes out all right. I immediately identified with The Long War

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when I watched it because as a
kid, my favorite comic book was Guardians

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of the Galaxy, and it's since
been adapted to film, and there's a

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different lineup than what I was reading
in the nineteen nineties. And that's a

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whole long story well, I'll get
into you. But there was a character

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in the original lineup of the group
named Major vans Astro who was known as

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like the two thousand year old Hero, and he was an astronaut that was

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put into aentertainment suit that prevents you
from aging, sent him to a rocket

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ship, and by the time he
landed on the world he was going to,

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humans had already developed faster rockets and
were already there mockingly waiting for him

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to arrive. And that was sort
of the story of his character. So

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I immediately, even as a younger
person, like identified with the character and

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understood what was being done from a
science fiction perspective. I have to co

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sign you on the fable approach to
the Twilight Zone. I think that's a

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really important thing. You know,
it's less than thirty minutes an episode.

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Even the sixty minute episodes, the
ones that are good, are still fables

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in their presentation. I think you
could go down rabbit holes easily in trying

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to poke holes and plots, but
I don't think that's really a positive or

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a great thing to do. I
mean, for example, a lot of

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comments not just on your show but
in general, perhaps talk about well,

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how could these people just fall in
love in a hallway? And obviously,

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one of the big things about fables
and one of the figures about the Twilight

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Zone is you're supposed to use your
imagination to fill in the blanks, and

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your imagination filling in these blanks gives
much more vitality and color to these stories

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than you could ever do on film
and on camera. I'll give you an

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example. Think about Probe seven over
and out, where you're presented in slow

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detail the falling in love of the
two main characters, and you're presented with

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an ending that is they're going to
spend the rest of their lives isolated on

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this planet together uninterrupted. But yet, because you've been shown so much,

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I feel that the heartstrings and the
love story aspect of that episode isn't nearly

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as strong as Longmorrow. Because think
about if they had shown a scene at

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the dinner and they're making loving eyes
at each other and they're making comments,

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and you get to watch that for
a soured three to four minutes out of

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a twenty six minute run time.
I just feel like that would induce a

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lot of eye rolling from viewers and
just it would make it seem more improbable

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because you've seen more in literal sense
in front of you as to their quick

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falling in love and what these people
these characters have fallen in love with is

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each other, but also their possibility
of what they're going to do together,

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and that is one of the most
compelling emotions that you're going to ever have

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as a human being. So I
could totally buy into all of that as

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a story. I totally agree with
you Tom ninety five percent of the time

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we agree. Sometimes you like something
more than I do that I like,

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and vice versa for something that you
dislike more than I dislike it, but

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we're usually on the same side of
whether it's up or down, and you

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successfully once again pulled me on this
episode into top tier status. I think

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if there's one plot hole, I
hate to do this because I'm arguing against

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my opinion episode, but just to
show how silly it is to kind of

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go down poking holes, the plothole
in this episode is she goes into a

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hibernation chamber to preserve herself. They're
both living in this time period, they've

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both fallen in love in a month's
time. This idea wouldn't have come up.

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They wouldn't have discussed this to each
other, like, hey, you

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know what we could do. That's
the thing that nobody's really mentioned that would

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be there. But again, like
I wouldn't have even thought of that if

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we weren't going down this pothole rabbit
hole. But in this episode, I

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think you really just have to sit
back and enjoy the ride. And that's

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where I'll leave it. I want
to give you another quick shout out for

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the radio drama portion of your episode
that came out amazing. I didn't not

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if that scene existed, and they
wouldn't have had the same life without hearing

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you play it and kind of on
the fence if that would have helped,

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I think to some degree maybe it
would have. I hopefully don't think that

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scene would have hurt the episode.
I just don't know if it would have

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been absolutely necessary to help it.
Again, I think this is top tier,

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and I think more people would think
it was top tier if it aired

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more in the States. It does
not air in prominent or sometimes at all

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during marathons, and I think if
it got the six characters in search of

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an exit or you know, even
the trade in's treatment where it started to

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get played more and more over the
years and become more and more popular during

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the marathons. I think it would
probably rise pretty quickly, So I'll leave

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it there. Good luck with the
rest of the season. I'm hoping to

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see you at Serlingfest. Tom My
plan is to be there, and yeah,

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you'll hear from me again when it's
time for come wander with me.

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That is one of my favorites,
so looking forward to your thoughts on that.

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See soon. Thank you, NASA. You know, I always enjoy

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NASA's clips because they always just like
podcast quality in themselves, in the analysis

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and insight that he does. But
I think fact that he jumped off the

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subway and you can hear New York
bustling away in the background, I think

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that was absolutely brilliant. Thank you, Nasamana. I appreciate it. So

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why didn't she jump into a chamber
when it was decided that he was going

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to go into space in one?
I mean, the way I look at

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it is that when the professor guy, sorry, it's been a couple of

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months since I watched the episode,
so I can't remember people's names, but

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when the professor was saying to our
main character that looks you're going into space.

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He was telling them about this technology
for the first time. As far

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as I kind of understood it,
it's like, look at what we can

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do now. It wasn't like he
was talking to him about, oh,

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yeah, we you know, we'll
put you in one of our suspended animation

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pods. That's how I remember it. So if I'm remembering it wrong,

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then forget I said any of this. But that's the way I kind of

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feel about it, that this was
new technology. They were putting it on

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this ship because it was, you
know, the one that was going into

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space, and it was going further
than they'd ever been, so they needed

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to develop this thing for it,
you know, and especially seeing as sometimes

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technology is available, especially in a
kind of militaristic or you know, government

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kind of organization like that, it's
available for a particular reason, and it

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was available for that. It was
available for that mission. Now. I

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can't remember whether they mentioned how long
it is after he's gone that she goes

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into suspended animation, whether it's a
matter of weeks or months or whatever.

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But I guess the way I see
it is that in that intervening time,

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like you said, it doesn't take
much for us to use our imaginations.

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There, it doesn't take much for
us to use our imaginations and think what

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kind of scenario could have happened for
another one to become available, you know,

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like another one was built for another
mission that didn't happen, or you

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know, something along those lines.
I don't know, but I think that's

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the thing, and I'm glad you
kind of agree with me that on most

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of these. I guess if you're
generally going with the magic of it and

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what it's really trying to tell you, then none of this really matters to

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me. Now if you're not enjoying
the episode, or the thing is just

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so totally out of left field or
strange, I'm trying to think of a

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good example of that, but I
can't think of one right now. Then,

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of course, I think everyone's lines
on that are different, but for

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me, there was nothing in this
one that really took me out of it.

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So thanks again, NASA. I
can't wait to see you at Sailing

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Fest, and everyone who's going seek
him out spend some time talking with Uncommon

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NASA because he's great. Now,
speaking of sailing Fest, I just want

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to say thank you to a couple
of people who sent over donations for my

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trip. Now. One of them
is a guy called Hollis and he is

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going to be at sailing Fest.
Now, Hollis is a great collector things,

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but he just doesn't collect you know, well, he does collect your

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your basic stuff. Boy. He
has an amazing knack for getting you know,

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rare things or custom made things,
and you know the stuff that he

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showed me over the years, there's
been a couple of things that just really

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great and unique. So he's a
great guy to talk to. So I

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can't wait to meet Hollis at sailing
Fest. And thank you, Hollis for

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your donation. I really appreciate it. And also a longtime friend of the

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show, Cassie, who was actually
at sailing Fest in twenty nineteen while I

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was there, but I never got
to meet her. She sent me over

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a donation as well. Thankfully,
she's going to be at sailing Fest this

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year and I'm going to make sure
that I seek her out and say thank

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you in person. So thank you, Cassie. I look forward to meeting

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you there. Now I'll just say
thank you to the new members over at

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the after hours club, and sometimes
I lose track of who I have said

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thank you too or not. So
I'm going to start at a particular point.

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If I were already mentioned you in
a previous episode, then thank you

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again. So I want to thank
Colleen Brosnahan, Colleen, thank you,

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and welcome. And Nick Wakeling,
Nick, thank you so much. Alan

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Flitter, Alan, it's good to
have you here. Patrick Pace, Patrick

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Welcome. Cara, Cara, Welcome
to the After Hours Club. Johnny Clark,

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it's good to have you. Man, Mike Mayo three, make yourself

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comfortable, my friend, Matthew Cox, Welcome to the After Hours Club.

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Andrew, Hey, and Andrew,
it's good to have you. Please make

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yourself a home. Peter, Nice, Wonder, Nice Wonder. I hope

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i'm saying your last name rights,
what a great last name. It's like

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a detective or something. I might
have mentioned you before, because I certainly

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remember your great sayer name. But
welcome, Wallstitch, Welcome back to the

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After Hours Club. Kyle Davis,
Kyle, it's good to have you.

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Angie Gus Welcome, It's good to
have you here. And then finally,

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Chris Paulman, Chris, Welcome to
the After Hours Club. So sailing fest

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itself please follow the twilight Zone Podcast
on Instagram and the username is simply twilight

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Zone Podcast and I'll be posting pictures
and things from Sailing Fest there. But

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I've also set up a special Instagram
for people who've supported me with donations or

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the Patreon people. I will make
you aware of it as well, So

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if you're a Patreon member, closer
to sailing Fest and I will send you

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a link to that special private one
which I will put things on. I'm

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thinking of doing things like lives as
well, you know where people do these

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live broadcasts and things. If I
can figure that out, I think that'd

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be quite a cool thing to do. Speak to a few people while I'm

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there. So we'll see if that
happens. We'll see if that happens.

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So thank you for your understanding.
You know, I want to get on

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with the Twilight Zone episodes as well, but it's just these two things that

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really taken up all my time at
the moment. But like I say,

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you'll have some of those things from
the archives here just to keep your ticking

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over over the summer. And I
think it'll be quite different as well,

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because because there's a broad cross section
of stuff there and I think it'll be

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nice to change you up, and
then Sailing Fest will be done and we'll

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get back to our regular episodes.
Okay, I will leave it there,

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thank you once again, and I
will speak to you soon